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#willy armitage
fourthreee · 1 year
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Jucika but make it cinnamon and willy
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spevvy · 4 months
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I'm just saying there is literally NO heterosexual explanation for approximately 99% of the onscreen interactions between Barney Collier and Willy Armitage.
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neuroticphysiologist · 9 months
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the imf in the psychic (s1e28)
(i added the mirror trick with barney to make it six)
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chiickies · 1 year
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GO FOR IT, BARNEY!💘
(HAPPY VALENTINE’S DAY!!!💖💖)
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Ah, that familiar moment when I get really into a show that’s old enough it’s completely dead.  There is no fanfic, no fanart, no meta.  I am screaming into the void about ‘Mission: Impossible’ (1966), because WOW IT’S SO GOOD, and for a show that deliberately minimizes character background, every one of the characters is so vivid.  You can pry Barney and Rollin from my cold dead hands, because they’re both delightful.    And there is no one screaming back, because this show is also old, and very episodic, and extremely 1960s.
Hello, Dead Fandom, my old friend.  I’ve come to shout at you again.
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anastablack · 1 year
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AU, where Willy and Barney are in separate high schools. Willy is a son of a mechanic, and Barney lives with his family of ordinary workers. They meet each other when Barney saves Willy from some gang. They become friends, despite all the differences and disapproval of Willy's parents, and soon they realize that they fall in love with each other. But misfortune happens. Someone kills two girls: Barney's little sister and her friend. Barney is unfairly accused of murder and is sent to jail. Willy wants to save his loved one from this fate and writes a confession that it's he who killed those girls. But luckily for the two of them, Barney is acquitted as the real killer is found. Barney, who loved his sister very much, suffers from her loss, but at least justice has been done. And now the boys can be together again.
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Mission: Impossible 7x3 The Deal
Part 3
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katb357 · 2 years
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Sicktember 8: “Intense Coddling”
Willy Armitage/O.C./Mission Impossible Series
This is a tag to Season 6 Episode 20 “Double Dead,” in which Willy is overdosed on massive amounts of truth serum and cared for by a young Asian nurse. This is my take on what may have happened afterwards. She and Willy seemed to like each other.
Willy truly thought he was all right after he’d had a day to rest. The empathaline had seemed to clear his system and he was ready to get back to work. Unfortunately, Jim and the others didn’t agree with him. “Look,” he tried to tell them, “I have the constitution of an ox. You’re the ones always telling me that. Besides, Penyo is staying with me till she can get her own place, and she isn’t worried about me.”
Penyo wasn’t there or she likely would have called him out for that blatant lie. She had gone to the market to find ingredients for some soup she wanted to make for dinner. Willy had gallantly offered her his bedroom, but she had opted for his couch instead, reasoning that he was much too big to sleep comfortably on a couch.
Willy had just hung up the phone when Penyo returned to the apartment. She brought the bag of groceries into the apartment, not allowing Willy to help her. She shooed him back to bed, scolding him in her native Korean. He did as he was told, reflecting as he lay in bed that it was rather nice having a woman around to take care of him for once.
His opinion changed when Penyo came in for the third time to ask him if he needed anything. She also took his temperature (again,) and patted his forehead with a  cool, damp cloth. He tried to reassure her he was feeling fine, but she patently ignored his protests. “Look, Penyo. I’m a bodybuilder. I know myself. I’m fine. I’m going to go into work tomorrow.”
Penyo vehemently shook her head, her dark eyes flashing. “No, Willy. You are still not strong enough. Dr. Matier gave you very high doses of the empathaline. You must let your body rest and recover. I already tell Mr. Phelps this when he call here. He agree with me.”
Willy frowned. “When did Jim call?”
“While you were sleeping, before I left for market. Do not ask me to be sorry for taking care of you. Mr. Phelps say you must rest tomorrow, and I am to see that you do. Now I will go and finish the soup. I will be back in a few minutes with juice for you.”
Not only did she bring the juice, but she plumped his pillows and adjusted the blinds for him.
Willy knew he was doomed to a few days of intense coddling when Penyo returned about an hour later with a bowl of delicious smelling soup and a spoon. He tried to prop himself up, but Penyo was having none of it. She sat him up herself, very carefully, and fed him the soup herself, spoon by spoon.
Well, Willy considered, it could be worse. After all, she is a pretty girl! And Willy decided he would simply give in gracefully. He took a bite of the soup and received a dazzling smile in return. Yep, it could definitely be worse!
The End
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badmovieihave · 11 months
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Bad movie I have Son of Paleface 1952
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Small Fun Poll - 5/16/24
Which fanfic idea/prompt do you like the best? 10 options! May be featured as a Fanfic Friday Fanfic in the future! Read Below The Cut! :P
Klarion (Klarion The Witch Boy) X Female Reader - Mini Angst/Fluff (whipped for the other kind of trope)
Klarion, being the mischievous witch boy the world has ever seen, decides to cause chaos in your favorite cafe. As the world was basically going crazy around you, you go up to the havok-causing witch boy and politely ask him to stop. Klarion is slightly shocked. No one had ever asked him so nicely, almost sincerely, and with a smile on their face. Before you knew it, you not only left a beverage, but with a almost love-sick Klarion and his cat.
2. Gaston LeGume (Live Action Beauty And The Beast) X GN Reader - Slight Angst/Fluff
You work as a barmaid at the tavern that Gaston frequents. Gaston, whenever he enters the tavern, always flirts with you, but you know that he has his heart set on Belle. Your heart yearns for him, but you know you can not have him... But, one night, an old lady gifts you a potion... A love potion. Will you succumb to your broken heart, or will you use the love potion to get what your heart's always desired?
3. Harry Osborn (The Amazing Spider-Man) X Female Reader - Mini Angst/Fluff
You and Harry Osborn have been dating for a long time, ever since you met him at work. Now dating, you are smothered in his love, affection, and constant - constant gifts. Harry would give you random - almost always expensive - things every day. You wanted more meaningful gifts, and convincing Harry to settle down a bit on the gifts was... Well, not easy.
4. Armitage Hux (Star Wars) X GN Reader - Slight Angst/Fluff (somewhat grumpy x sunshine trope)
You and Armitage work together, very closely, Armitage hates it, you love it. You love meeting new people and spending time with the people you find interesting. A lot of people on the Starkiller Base think you are somewhat odd - you being so happy-go-lucky all the time. Armitage doesn't believe that you have anything in common with him; he's proven wrong.
5. Coriolanus Snow (The Hunger Games: Ballad Of Songbirds And Snakes) X Female Reader - Angst/Fluff (enemies to lovers trope)
You are the eldest sister of Felix Ravinstill - strikingly beautiful, sharp wit, and extremely rich. Your parents are ready to marry you off. But to whom? Well, there are a few people they could choose... But, to your surprise, Coriolanus Snow is chosen. You're not too happy about the marriage in the beginning, but somewhere down the line, you fall for the young man. Coriolanus though, he only married you to get another step closer to becoming Panem's next president.
6. Jaskier (The Witcher) X Female Reader - Slight Angst/Fluff (Inspired by: Labour by Paris Paloma)
Jaskier and Geralt stop at a small tavern as they were traveling through a small town. They were both glad to be able to rest for a short while, and grab something to eat and drink before trying to find some place to stay for the night. Jaskier was having a grand ol' time, until you walked right up on stage. With a small frown and sad eyes, you sing your song, and Jasker is mesmerized by you instantly.
7. Willy Wonka (Wonka) X GN Reader - Mini Angst/Fluff (friends to lovers trope)
You help Willy and your friends conjure up the plan to stop the Chocolate Cartel. You are worried for Willy, hoping that he wouldn't get caught in his carefully thought-out plan. And though you had only known Willy for a short while - and with the constant worry for his life - the moment you saw him, covered in melt chocolate, you can't help but run into his awaiting arms. But, is this just a beautiful friendship, or is there something sweeter bubbling underneath the surface?
8. Kori/Starfire (Teen Titans) X GN Reader - Fluff
You and Kori just spend a quiet night in - with Silkie of course - playing Just Dance. You both have a lovely time dancing, which may or may not lead into a somewhat awkward - but wonderful - confession from the both of you.
9. Anakin Skywalker (Star Wars) X Female Reader - Mini Angst/Fluff (competition/bet trope)
You and Anakin finally get to have a small break from missions and boring Jedi meetings. You and Anakin travel to a planet where - similar to Tatooine - loves pod racing. You surprise Anakin with a small bet, and Anakin won't back down from that; he truly thinks he can beat you. And with your bets on the table, will he win, or will you?
10. Harry Hart (Kingsman) X Fluff Reader - Angst/Fluff
Harry finally introduces Eggsy to you - his secret wife - but after the church incident, Eggsy has the hardest job to do... Tell you that Harry was dead. But, what happens when Eggsy and Merlin find Harry alive in America? Who's going to tell you that your husband has been alive, and has forgotten most of his memories... And has forgotten about you?
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To anyone who reads this, you do not have to participate if you do not want to. I just thought it would be fun to make a poll. I haven't done one in a while, and don't really know what to make it about. XD
Chloe
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blackswaneuroparedux · 11 months
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Anonymous asked: Are you a Mission Impossible fan? I’m not a Tom Cruise fan but it’s great dumb fun. And it has a cast full of talented (and beautiful) women. You seem the type to enjoy a good adrenaline rush of a flick (I’m sure the French have a fancy cinematic term for that)
I am unashamedly both a Mission Impossible fan - of the television series and the Cruise movies - and a Tom Cruise fan.
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Obviously being born decades after the original Mission Impossible tv series created by Bruce Geller was first aired in the 60s and 70s, I only had the pleasure of watching the box set episodes later in life. I have to say I loved that series. I loved when they hatched the plan. Loved the fake masks. And of course I loved the Lao Schifrin music - one of the most recognisable signature themes in music and TV history.
Classic television has a bit of a blessing and a curse working on it. Most shows of the Golden Age of television didn't have a structured narrative through-line. The idea that one episode will build upon the next is a pretty modern concept. As such, Mission Impossible had a prescribed routine. Mr. Briggs in Season One and then Mr. Phelps in the subsequent seasons drive to a random location, find a hidden mission briefing that self destructs, discusses the plan with the team, and then they execute the mission.
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There wasn't much variation to the structure. Thankfully by season three, they got rid of the silly waste of time where Jim Phelps selects his team - because aside from the random guest the team was virtually the same from episode to episode. The thing that changed was how the team pulled off their mission. It was always a mixture of subterfuge and fancy fakery, but it was always exciting and the great team of writers, directors, and the dynamic cast always kept the audience just enough out of the loop for there to be plenty of surprises and suspense.
It's not that Season One wasn't any good, but you could really feel the show was still working itself out. Steven Hill as original team leader Daniel Briggs is decent enough, but he's just not as interesting a performer as Peter Graves as Jim Phelps. Graves is indelible to the show. But it's not just who leads the team that made the show - it was the great actors who made up the series regulars. Greg Morris as Barney Collier and Peter Lupus as Willy Armitage are always great as the tech masters and inside guys who narrowly complete their tasks with milliseconds to spare. Husband and Wife duo Martin Landau as Rollin Hand and Barbara Bain as Cinnamon Carter really helped cement the show through the first three seasons.
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So when I got around to watching Tom Cruise’s first Mission Impossible film I was a little miffed. It seemed like the story bumped off his team - a staple of the original tv series - within the first act and the rest of the film is on Cruise control ie it’s just about Ethan Hunt. But slowly as the other MI films came out I was won over. In fact in my mind I tend to think there are two Impossible Missions Force (IMF) operating in two different universes, just because the dynamics are different. That way I don’t waste time whining on which is better or poke holes in the Cruise films for its lack of purity to the original series. I prefer to enjoy both on their own separate terms.
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To me Thomas Cruise Mapother IV is the biggest movie star in our current culture of excess entertainment. That’s my gut feeling.  The definition of a movie star, in my personal opinion, has changed dramatically. There was a time and period when the movie star was defined by the name alone. If a Hollywood star had a film coming out people didn’t know what the film was, they just saw it because of who was in it: Will Smith or Jim Carrey or even Stallone and Schwarzenegger. No one else comes close.
The two exceptions might be Leonardo DiCaprio or Keanu Reeves. I think of the two Reeves comes closest because of the success of the franchises he’s been in - The Matrix and the John Wick franchises - but he’s not a movie star. What I mean he doesn’t behave like a movie star in the sense that he is not immersed in the film business as a business nor does he cultivate his star power (he prefers to travel around on a bus and sit on park benches looking forlorn) in the way Tom Cruise does.
Interestingly there are even few directors that can open a movie on name alone. Christopher Nolan, Quentin Tarantino, and Steven Spielberg can still get people into the cinema based on their name alone, but the movie star, not so much. Audiences today want IP. They want franchises. However Tom Cruise has navigated all of that and consistently shifted.
Cruise’s dedication to big screen spectacle, also offset by interesting asides like American Made, and very underrated sci-fi and high concept films like Minority Report, Oblivion (very underrated) and Edge of Tomorrow, brings a sense of anticipation to his films. Maybe we’re there because we expect stunts, or we know that he’ll give nothing less than 100%, or it’s an example of a creatively driven project, rather than a marketing machine, but we still show up. It may not always go right, like the misfiring The Mummy or Jack Reacher (where he felt miscast in both), but Cruise has his sure-fires and his surprises.
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When a movie like The Mummy doesn’t work out, he reimagines Mission: Impossible, and he is able to take what everyone loved in the 80s about Top Gun and magnify that to what the audience wants today. Honestly, did anyone expect Top Gun: Maverick to be the box office behemoth it has been? I expected it to impress, to be a good example of Cruise’s fervent passion for as much practical work as possible (as opposed to doing 95% with CGI), but after 36 years, that it’s his highest grossing film ever - and the highest-grossing movie of 2022 - is impressive.
It helps that he almost never 100 percent disappears into his roles; we still get that Tom Cruise smile and stare no matter who he’s playing. And the fact that he still looks like 1980s-era Tom Cruise only adds to the lustre. Indeed when Tom Cruise does it, whether that’s fighting for justice in a courtroom, making cocktails, jumping off a roof, flying a fighter jet,  or even singing “I Want To Know What Love Is” shirtless while wearing leather pants, we’re like, ‘Sure. I buy that.’ He’s relatable even when what he’s doing on screen is so far removed from our reality that it’s insane. There is a grounded matinee idol musk to Cruise’s presence on screen that seems to transcend class and political divides. He’s America’s hero and the nice guy who is tough with a sensitive side, as well as the kind of wisdom that impresses but never intimidates. He’s Hollywood’s fine wine.
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Tom Cruise is not only the biggest movie star working today, he’s the last movie star working today.
There are plenty of actors who people recognise, and the right combination of actor and role can still be explosive, like Keanu Reeves. But “Tom Holland as Spider-Man” is a very different thing than “Tom Holland as anything except Spider-Man,” and to some degree, that’s by design. Studios would rather own the biggest part of the equation. Tom Cruise doesn’t need your IP, though. Tom Cruise is the IP. People buy a ticket to see Tom Cruise, and they do that because Tom Cruise has figured out how to be the most Tom Cruise that any Tom Cruise could ever hope to be, and every time out, he does his very best to turn the Tom Cruise up just a little bit more.
When he was younger, Cruise built his career by trusting himself and his image to the very best directors he could find, slowly refining a certain kind of alpha masculine ideal. What makes his late-era stardom more remarkable is how he only transitioned into action movies once he was in his 40s, and he has pushed himself harder than arguably any action star of any age in the last few decades. When you see a Tom Cruise film and you see an insane stunt, part of the kick is knowing that’s really him and that he’s entering his fourth decade of being an icon.
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That Cruise almost died after becoming entangled in his parachute in the water in Top Gun was somewhat irrelevant, because it was this first Mission: Impossible where Tom Cruise: Stunt Man was also born. From the infamous wire descent, to leaping out of a window to outrun a surge of water from the restaurant he’d just blown a window out from, Cruise was in on the action.
If audiences didn’t quite get that dedication to being visibly involved in the action then, they certainly would by the time he made the more action packed second film, directed by John Woo. M:I 2 cemented the lure of the Cruise stunt. From mountain leaps, to motorcycle rides and more, Cruise set a new expectation for his work going forward. It was a string to his bow, a selling point, and it has proven a tool of forgiveness and resurrection even as his career has threatened to implode under off screen contention.
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I think that’s why we rush to go and see the next Mission Impossible film. It’s not for the thread-bare plot or the fantastic action - although it’s better than most action franchises these days. But it’s the mind blowing stunts which we know is not CGI driven nor is done by a stunt double. It’s done by Tom Cruise himself.
He is the Tom Brady/Mark Cavendish/Ronaldo/Roger Federer (delete as appropriate) of movie stars, not just because of his success, but the longevity of his career, as he has found ways to adapt to each change in the industry while also not giving in to what others have had to do.
The key thing is he adapts just enough to make it fresh. The Mission Impossible films are a case in point. Even as the stunts have got bigger, more dangerous, and more spectacular (as all franchise films must it seems), the characters portraits and arcs have got more intimate and more relatable.
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In the MI movies he is of course super spy Ethan Hunt but he’s not super-human. But Tom Cruise’s secret is that even when appearing borderline super-human on screen, there’s still an air about him that makes the viewer want to be him or be with him and believe that’s possible. There’s an old-school debonair swagger and a hot everyman to him that many movie stars lack. Dwayne Johnson is many things, including a mountain of a man and a brilliant business person, but few of us could carry that off or believe that what he’s doing on screen is something we could replicate. Inspire, sure, but we could never be him. With each film the character is finding it harder and harder to be cocky and confident. There is a world weariness etched on his strained face. He barely wins fights and often he relies on others to help him or bail him out. Cruise is self-aware that he is getting older, like his character. It’s these little details which count.
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Interestingly, I find his women character also infinitely more relatable than any current iteration of the action female heroine. Marvel are lost in swamp of woke feminist BS where all their franchise films have to be led by the cookie cutter ’Strong Single Female’ - the one who doesn’t need mentoring (because that’s just sexist mansplaining); can pick up a life time of a superior set of skills in a matter of seconds; can beat to a pulp a man much stronger than she is; she never falls, stumbles, or fails like the men do; and she alone saves the day of course. Look at Rey in Star Wars or Captain Marvel in the MCU or even Phoebe Waller-Bridge’s character in the latest risible Indiana Jones film and tell me any of that isn’t true.
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The women in MI franchise are far more relatable within the context of a hyper-realised film about super spies but not beyonds the laws of gravity. They are strong, independent, smart, sure. But they are also feminine and vulnerable. They fight like skilled women and not prize fighters that play to their feminine strengths (they get punched a lot in the gut and it shows). More importantly, they fuck up and fail, but they still come and help others to save the day. From Emmanuelle Beart to Thandie Newton to Rebecca Ferguson, these are kick ass women but in a much more believable way than any Marvel movie she-heroine. Go back and see these movies and you will see what I mean.
What I also like about him is the vibe he gives off that he cares deeply about his movies. It’s not a cynical exercise in money. Of course ego is a different matter, but I’ll give him a pass because he is the consummate professional and perfectionist about his craft. To me Tom Cruise is one of the few performers today who generally thinks of the audience first. Maybe even to his own detriment. But you can tell with everything he does, in all of his films, there is a different kind of commitment he makes to the audience. He actually gives the impression that he cares about giving his audience a good time.
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Moreover, to hear it from Cruise himself, as we did during leaked audio of the dressing down he gave M:I7 crew members who were flouting COVID-19 safety regulations: “That’s what I sleep with every night - the future of this fucking industry!” Cruise makes a grand spectacle of carrying every film on his back, so it’s never in question who calls the shots or who, rather than what, makes the movies cinematic. Cruise’s power as a producer really deserves kudos for this. His steadfast aversion to shrinking theatrical windows for any of his projects, and his continued allegiance to, especially in the case of his flagship franchise, adding more ambitious stunts and exotic locations with every entry.
He doesn’t do television. Don’t you dare ask him about streaming. Other stars have also made that transition to streaming. You might call it selling your soul. Deals with the devil. We’ve seen other films in difficult circumstances, having to change their models to incorporate simultaneous streaming and cinema releases. Dwayne Johnson had seen a decline in box office revenue prior to the pandemic that has seen him go a little safer with more Disney material, as well as become a big fish in the Netflix pond. Cruise however… is all about the big screen experience.
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Everything Cruise does is about maintaining his star power in the face of any and all obstacles, from a diminished global box office and studio manoeuvring to his own mortality. His legacy decades since secured, Cruise’s latest impossible mission appears to be nothing less than saving the movies themselves.
For that reason and that reason alone, I will always take time to see a Tom Cruise movie especially his Mission Impossible franchise films. Roll on summer. Cue the Palo Schifrin guitar chords. And action!
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Thanks for your question.
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fourthreee · 1 year
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incorrect mission impossible again
Barney/Willy. do they have a ship name? does anyone? or are we just slash people
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chiickies · 1 year
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I LOVE THIS CLIP SO MUCH... they are so so silly
(from s01e02 "Memory")
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berenwrites · 1 year
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Anyone Else Love Mission Impossible?
And I'm not talking Tom Cruise here, I'm talking the original series 1966 - 1973. This is my go-to, feel good re-watch show.
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I've had the DVDs for years, but I bought myself the blu-ray set with birthday money and so, of course I am watching them all again.
If you watch enough episodes you begin to believe that five people with a plan can save the world. Really kind of a good feeling in the current day and age.
For those unfamiliar, Mission Impossible is an action series where the Impossible Mission team, led by Dan Briggs (Steven Hill) in season 1 and Jim Phelps (Peter Graves) for the other 6 seasons (and the 2 seasons of the 80s sequel), prevent foreign government or the mafia or hitmen or anyone bad, from getting their own way.
Each episode is a stand alone adventure (with maybe 1 double ep per season), so its easy to dip in and out without fear of having missed a vital plot point. Oh weekly episode shows how I miss thee.
If you or any of you IM force are caught or killed, the secretary will disavow any knowledge of your actions. This tape will self destruct in five seconds.
The first 5 seasons are the best IMHO, with clever plots. Season 6 & 7 are still fun, but they don't have the same intricacies as the previous ones and are very much US based, where as the other season pretend to be all over the world.
When I used to watch it in re-runs as a kid, I really thought Jim picked a different team for each mission, but in my defence I did only ever get to see an episode every now and then.🤣 And I had totally forgotten there was a different leader for the team in season 1.
No Seasons - 7
No Episodes - 172 (they made nice long seasons then)
Cast:
Steven Hill - Dan Briggs - S1 Barbara Bain - Cinnamon Carter - S1-3 Greg Morris - Barnard "Barney" Collier - S1-7 (and guested in 1980s) Peter Lupus - William "Willy" Armitage - S1-7 Peter Graves - Jim Phelps - S2-7 (and 1980s) Martin Landau - Rollin Hand - S1-3 Leonard Nimoy - Paris - S4-5 Lesley Ann Warren - Dana Lambert - S5 Sam Elliott - Dr. Doug Robert - S5 Lynda Day George - (Lisa) Casey - S6-7 Barbara Anderson - Mimi Davis - S7
This is well worth a watch if you get the chance. It's an uplifting kind of show where the good guys always win with the most outlandish plans.
Anyone else have fond memories of this show?
Forgot to add, my fav episode is s3e13 - The Mind of Stefan Miklos, but there are many others a close second.
Anyone have a fav episode you remember, even if it's just a vague recollection?
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moviesandmania · 1 year
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THE MAN FROM ROME (2022) Richard Armitage mystery crime thriller - trailer and release news
The Man from Rome is a 2023 mystery crime thriller about Vatican intelligence operative investigating a Spanish church that “kills to defend itself”. Directed by Sergio Dow (Imágenes del Pacífico, Rambao, On Wheels, Botero, Bahia Mansa, Hemingway the Hunter of Death) from a screenplay co-written in collaboration with Adrian Bol, Gretchen Cowan, Carolina López-Rodriguez, Sheila Willis, and Luis…
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Mission: Impossible 7x3 The Deal
Part 5
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