while I understand what this person is saying….the difference in how their partners are treated makes no sense to me lmao. I have seen the other partners (some who might argue are just as if not more private than josh’s) be included in fic??? with tabs kept on all of them to the point where fans even notice *instagram comments* left from them???? it’s so funny that only josh gets this kind of treatment when every other relationship (hannah doesn’t count) is obsessed over by fans…..
we don’t know for sure what jenny was to danny and yet why do I still see people casually mentioning her and posting about what she’s up to when her socials were private too while she was with him????? she was clearly very private and yet……?? people obsessed over talking about them…..
respecting their privacies should be happening, but respect all of them? the same? 😭 josh’s partner is treated like a curse if he’s mentioned which is pretty respectful ig, but why are there tiktoks of other partners along to the sound of “she’s getting that dick” like it’s just SO so fucking weird to me that this fandom does not respect women no matter what and has also treated josh so oddly when he came out 😭
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thinking abt what you said with house viewing Benny as a son and I’m obsessed. Like. The man spent most of his life before the war presumably alone, and then after the bombs fell he was alone again, save for AI he himself devised. Then he decides to pull in some Tribes, and one kid shows promise! So sure, treat him well, train him, groom him to be his protege, then next thing you know UH OH he’s got developing paternal feelings towards this guy. Wanting some semblance of a family when the time has long since passed, yet fostering that feeling all the same seems so accurate for him. Benny meanwhile only views him as a boss, and not a particularly good one at that. makes me wonder how House must’ve felt when he found out about Bennys plans
I view it as House blames only himself for this, cause he kind of does in canon (strap in this is a long one).
When reflecting on the issue of Benny, House chastises himself first and foremost for not acting quickly enough when it comes to priming Benny. He describes Benny as being ambitious, ruthless and capable; compliments coming from a man like House. House has an ego and while he is logical enough to understand there was never any evidence Benny saw him as a father-figure, he lacks the humility to admit he let his own views on his relationship with Benny blind him to the activities happening behind the scenes.
I doubt that House was as aware as he makes out about what Benny was doing, he knew early on but certainly not early enough to stop Benny from hacking and obtaining a securitron along with getting the chip in the first place. I take it he was distracted by all the possibilities he was calculating of Vegas' success and growth with him steering and Benny as the new figure head, not because of any normal affection for Benny but the admiration of his capabilities. It's to be noted that House believed menial incentives (likely caps, booze, basic needs, etc..) were enough to keep Benny tame like the other Chairmen but, as evidenced by the Omertas and Mortimer in the WGS, this is not enough when it comes to more driven Vegas citizens. This implies he still undervalued Benny and created a space in which Benny felt the need to rebel.
House in my eyes is not sentimental in the traditional sense. I can imagine his pride was severely scorned as someone he certainly deemed dumber than him was, albeit only for a little, able to out-gambit him. It would definitely hit home seeing how his brother also betrayed him but I feel like that's why he's so apathetic when he tells the Courier to do as they see fit with Benny. I doubt the way he terrorized his brother brought him any emotional satisfaction other than a "Now who's in charge!" ego boost. Putting that same emotional intensity towards Benny isn't worth it because who does it benefit? Wasted time, wasted planning, and most importantly wasted potential are all he gets from continuing to be hands-on with Benny. I say the closest example is not being able to throw out old toys due to the memories attached but knowing it's necessary as they are broken or just taking up space for new ones, and then asking someone else to do it so you don't need to get caught up in the feelings of throwing something you put so much effort into. It's not Benny House cares about in my mind, not in a way that sounds healthy to any non-emotionally constipated individual, but what he could've represented for him, which is why he so quickly offers the same position to the Courier.
As for Benny's view on all of this, it was a long time coming. Benny didn't and doesn't believe House is a completely shitty boss. He admires what he's been shown and admits House knows how to run the strip, but disagrees with the directions. Ideologically, House is an anarcho-capitalist while Benny is just an anarchist. House wants to run the strip to profit, though money is not what he's concerned with being rich with anymore. Benny wants a free state that he wishes to become a place for the people, except for the Chairmen who would be on top (I like to remind people that Benny's motives were selfish but not for personal gain/power as was it for the people he actually saw as family). Benny was never looking for a father but a future. He was not interested in being adopted, or having the chairmen adopted, as bigger names still overshadowed in House's legacy.
Truly, it's easiest to summarize as House feeling strongly and thinking positively enough of Benny to start incorporating him into the future of Vegas (a huge honor actually) while Benny was so disillusioned by House's ego and indifference that he thought the only way Vegas could be the future is with House gone.
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It's been more than 20 years and for some reason I feel that Gosho hasn't given Kaiao any development, how can more than 20 years pass and Aoko dynamics, relationship and feelings remain the same? At this point I feel like Gosho is just going to make them date because "they already liked each other" they remain in the same status quo
Hey, if we go by DC romance progress, they've been going too fast. We've already had suspicion of identity chapters, and that didn't happen until more than 400 chapters in DC. /j
Since heists have taken over any character development recently, I don't even know if Kaito and Aoko will even get any romantic progress. Maybe the actual identity confrontation will happen down the line, since that's thief drama, but atm, it really wouldn't surprise me if they only ask each other on a real date at the very end of the manga.
Like. I'm sure Gosho would love to make MK a love drama as well, but he writes MK so rarely, and usually as hype for something Kid related in other media. So the MK stories tend to be heavy on drama that can only take place at Kid heists. (To the point that the new chapters just. Use Kid as the plot device to show off a new character. Even Hakuba's never gotten so much 'look at this character being a detective' treatment in MK.)
-sighs- I just feel bad for MK as a series at this point. I like the characters, I like the general story idea, but. It's been going down a very steep hill with Gosho wanting things exciting, but not wanting any real progress in. Anything. But unlike old MK, the new stories aren't even nice standalone setpieces of story, they're... mundane. They could be high stakes, if you purely look at the scenarios on paper, but. We all know nothing's gonna happen to Kid. Nothing even happens to him when the actual bad guys show up, much less one-time antagonists.
We need actual character focus and development, not heist drama. Badly. Not even romance, though that'd be a nice change. Just any character expansion of our limited cast of characters. Gosho wants big, all the time, meaningless big stuff, when small would be so nice.
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Can I be basic and ask for #34 moon for Jo/Joe?
You 100% can be and I appreciate it very much:) Gif by the lovely @rebeccapearson ♡
Bill's a noisy fucker when he sleeps.
It makes sense, Joe concedes. Won't shut up when he's awake. Won't shut up when he's asleep. Bill snores like he's got water in his engine. Mumbles too. The first time he started talking, Joe almost jumped out of his skin.
Guess it's good we only sleep one at a time.
The moon is half-obscured by clouds, and still painfully bright. It smells like rain.
Joe doesn't let Bill forget it, the snoring. Or the mumbling. The way he says Frannie like he's trying to sound like Bing Fucking Crosby on the radio.
Joe Toye, tryin' to tell me shit about singing, Bill says, looking only the slightest bit murderous. Joe doesn't mention everything he hears. Henry. His ma.
Joe figures a muddy foxhole in Ville-sur-wherever-the-fuck isn't a worse place to see the moon than anywhere else. He never had a car for the drive-in theater, anyway. Moonlight meant the next shift wasn't far behind, meant dinner and passing out on the floor, face to a scrap-bin towel. Weekends meant beers or dates or both, cold autumn air and his jacket over a flowered dress, small shoulders. Wandering hands. Perfume.
He wonders if he'll go back to it, after the war. The mine. Somehow, something tells him he won't.
Bill stirs next to him. Joe's elbow inches toward his friend's ribcage, as he squints into the patchy dark. There are things he'd rather hear than Bill, to put it politely. If he thinks about them too long he knows he'll be in trouble.
A bed, for starters. That damn moonlight. Her.
When did he turn into a goddamn love song?
Something rustles in the leaves above them, and he straightens up. Probably a bat. His eyes go back to the horizon, the Germans camped across the field. He can't see them, but they're there. Sometimes they sing. Bill tells him they're only a little worse than he is.
It's almost his turn to sleep.
He tries to remember it, the sharp green smell of her perfume. Clean hair. How warm she is. Not like he is now, jaw tight in the rain and sweat. The way she'd sighed, all soft and quiet, when he kissed her.
He prays he won't talk like Bill. Would be a hell of a time to start. He won't have to wonder; Bill would tell him.
"Hey," he says, more than a little forcefully, and Bill startles awake. He can worry about the moonlight tomorrow, if they get that far.
[100 Random Prompts]
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