I don’t know why you need to be a “mulder apologist.” You should just accept that the show as a whole is a tragedy, and misogynistic. The fact is that Mulder DOESNT love scully as much as she loves him, his world doesn’t revolve around her. I don’t think that’s a very good relationship, but believe what you want to believe I guess if you want to be delusional
I think you're my first hate anon! What an honor! :DDDD
(Note: Probably grammatical errors below; I'll edit later~.)
I disagree-- the show gave Scully powerful agency, Mulder gave her respect and love and admiration, and the two of them "didn't regret a day." If you notice, Mulder and Scully save each other at the same rates (for every Unruhe there is a Kill Switch); and more often than not, Mulder is too late to save Scully, leaving it up to her to save herself/stall for time/survive by chance. She never blames him and he never blames her, because that's their job and their life.
Onto the romance~
Okay, so: Mulder's whole goal in life was finding Samantha: "Nothing else matters to me" in the Pilot. By the end of that season, he and Scully were already dancing around their feelings-ish for each other (Mulder more in denial than Scully in Tooms, for instance.)
By S2, Mulder was adrift and internally bleeding without his partner; and it was Scully who saved him and showed him he CAN still talk and work with her. His adorable stuttering over the phone to her in Sleepless and his rage and grief in Ascension were peak early s2. 3 and One Breath touched on Mulder living in shuttered down mode: he became a lump who poked around cases, antagonizing more than helping. He connected with Kristen because she, too, had loss to his same degree. He wore Scully's cross, he shoved a gun in CSM's face, he gave up the X-Files as self-punishment for his partner's coma. He then gave up revenge, his secondary fall back, to sit and hold her hand while she lay dying. The rest of S2 Mulder hovered like a comforting shadow, peering into Scully's face for nuances and keeping himself constantly in-tune.
S3 they'd both mellowed out, lost a sister, and were united under a flag of avenging their loved ones. Scully was BACK, and Mulder didn't 'need' to tip-toe around her anymore (as she'd sensed in Irresistible.)
S4 was unfurling from strength and teamwork into Mulder beginning to ponder their future-- Home, for instance-- and Scully knowing he wouldn't be ready for that until he had his answers. BUT it was Mulder who mentioned settling down, gene pools, and then reestablishing distance by "mom"ing Scully's 'nagging.'
S4 ALSO explored Mulder's bottomless grief as Scully got worse and worse, his silent screams at her dying bedside, how he ALMOST sold himself to save her but knowing SCULLY would never forgive him and would rather die. (Her smile at his "you would tell me if I was making a mistake" confirms this.)
S5 was a dark season for Mulder; but his reliance on Scully never wavered. He lost more and more and more; but, in all his loss he never overshadowed Scully's losses: Emily, chiefly. Neither were distant (because that duo never could be, really); but they were walking-- especially after the Sims episodes-- like a birds with a broken wing each, leaning on each other for support but also limping slightly away in their stride.
S6 followed FTF's big revelation and confession; and The Beginning tainted the overall perspective. But I posit it was a good time for Scully and Mulder despite being on toilet brush detail: Mulder included Scully in everything except the time-sensitive mission in Triangle; but she still saved him, even in another dimension. One Son really got everyone angry at Mulder-- understandable-- but for every mistake me made in that episode, he turned around and did his best to correct it (doubting Scully = investigating Diana, giving up to CSM/Diana = pulling himself together and becoming supportive backup to Scully's mission, etc.) The rest of S6 was Mulder trying to make sense of his muddled happiness with Scully and the progress they've made while also having his full-time X-Files life back. Milagro-The Unnatural proved to himself the shift in his priorities; so much so that he later took her doubt in Field Trip very personally. Again, that episode proved that, without Scully, there would be no Mulder.
Biogenesis-The Sixth Extinction-Amor Fati was a joint realization for Mulder and Scully: it explored Mulder's craving for a normal life-- willing to give up the X-Files and himself, but failing without Scully-- and Scully's confrontation with herself over her beliefs and fears of believing. This led Mulder (whether he and Scully were dating seriously yet or not, like I think they were) to toss his final, fearful reservations aside and COMMIT to Scully (publicly) in Millennium.
S7 was a good time for both, so much so their HEAVY traumas were weathered and survived with each other (Orison, Sein und Zeit.) Mulder knew Scully so well that her "I'm fine" in En Ami told him she was in trouble; and he adored her competence in The Goldberg Variation and The Amazing Maleeni and Theef and X-Cops and Hollywood A.D. so much he was practically melting.
Requiem was Mulder's realization that Scully's importance was so much greater than the quest, willing to set their life on the X-Files aside to live it peacefully with her (both afraid it was an alien problem or a cancer problem.)
The whole show proved how lost Mulder was without his Scully; S8 proved how lost Scully had become without Mulder. But STILL, she kept up an impressive solve rate, made connections personally and professionally, and somehow managed the Kersh boat so well he attended Mulder's funeral (for optics, yes; but he wouldn't have come if there wasn't something to preserve between his and Scully's good will. He would have made a nice statement, left before the service, and that would be that.)
S8 Mulder flounders in the face of Scully's competence WITHOUT him, not realizing that Scully solved so much because she took cases that were, likely, easily proven (especially after Mulder's death.) She'd come to rely on his instincts, and almost died or made a faulty move without him there. (That's why she was so grateful to Doggett and conflicted about leaving him so unceremoniously in Alone.) It culminates in Mulder believing Scully and her baby would be safer in a location far away from him, his confidence in himself at an all-time low; but he still charged after, commissioning a helicopter in his quest, to 'save' her once again. Mulder's smile at his partner and his son in the final moments of Existence are priceless.
If you want to argue for canon past S9, it was Scully who convinced Mulder to go on the run; he wanted to see her and his son all those months, writing forlorn emails to her; and his family were the first people he wanted to know about when he was brought back and incarcerated. He questioned himself and his quest in The Truth; and it was Scully who assured him (like she had in TFWID and FTF.) IWTB is a weird one, but Mulder only took up the case because Scully talked him into it; and he kept at it likely to help others but also to win his freedom and a "normal" life for Scully. The breakup was even weirder; but Scully was just as damaged as Mulder and decided they both needed space to reassess their lives and grow stronger as people (as unjustified and unexplored as that was in canon, it was at least better than the original reason of "we weren't compatible." ) Mulder spends the Revival winning back his love with his charming, more in-tune habits; and Scully enjoys their old dynamic and being wooed. The Finale was the weirdness cherry on top of the cake; BUT it was Mulder who was desperate to be a father and Scully who brought him back from the brink with the news of their second miracle. So... there's that.
I don't think the show is misogynistic. The show didn't JUST take from Agent Scully because it first pickpocketed, robbed, and beat up Mulder before she was ever partnered to him. Mulder's losses are tremendous; but he's so internal and monotoned that his grief is harder to detect compared to Scully, who is more visceral and a horrible liar (plus, the writers wrote about her tragedy a lot because GA's acting was so good they wanted to see her carry story after story. That's a compliment. Mulder got squat, especially after his mother's death and his abduction/PTSD.) Scully's story-- written mostly by men in the 90s-- rang so true with women audiences that she has a cult following to this day. GA was encouraged to write and direct her own episode, with a very supportive cast and crew there to aide her whenever necessary. I think good or bad writing is not confined to the sexuality of the writers; and to think so reduces the humanity and experiences of a person down to what genitalia they were born with... almost like that's *gasp* misogyny (literally denying Scully her choices and amplifying her faults while completely dismissing Mulder's losses and when he was done dirty by the writers). Or in this case: misandry.
"but believe what you want to believe I guess if you want to be delusional" I shall, indeed! :DDD If you want to live in a reality of your own making where Scully is a bossqueen but also a hapless victim, be my guest. Because you, dear anon, are stripping her of her agency; you, anon, are ignoring her own words she's repeated over and over to Mulder every time he second guessed himself and his work-- "I wouldn't change a day"; and you, anon, are only looking at pretty gifs of her face and thinking you somehow have the right to judge others for the life choices SHE made, erasing her own agency in the decisions that culminated in All Things and set her free from her own insecurities. That journey wouldn't have happened if she had "chosen another path"; and it wouldn't have gained her the devotion and admiration and respect of a man so much greater than anyone she had previously picked for herself. And let's be clear: Mulder would have made the EXACT same mistakes; and had already done so. It was fate they were to wind up together; but it was HER (and his) CHOICE to keep going.
Thanks for sending in an ask! Hate doesn't bother me; so, if you want to send more, it will give me motivation to prove the opposite~!
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i know it's past halloween when i'm posting this, but as a vildia shipper i've been thinking a lot about what vil and idia would do together for halloween--ignoring the existence of the halloween event that we already have--and since i imagine them getting together post-book 6, when ortho has joined the film club and idia is trying to be a better brother to him and be less of a shut-in overall, i think it's a lot of fun to imagine the two of them taking him trick-or-treating!!
i think ortho has tried to get idia to take him trick-or-treating before, but every year idia always says no because he thinks going around to a bunch of rando's houses to get candy is scary, lame, and pointless (they can literally just buy candy at the store, after all!) and he has too many special halloween events to play in his video games anyway. so one day during a film club meeting a few weeks before halloween, ortho offhandedly mentions this, saying he's always wished idia would take him trick-or-treating, and vil decides to talk to idia about it. it actually doesn't take much for idia to agree that yes, it is wrong of him to stay in his room all day when his little brother wants to spend time with him on a holiday, and he absolutely should do it this year, no matter how nervous the thought of it makes him.
he asks vil to come with them, and vil initially says no because as much as he enjoys the aesthetic of halloween, he has a certain reputation and image as a celebrity that does not include doing such childish activities at the age of 18. but idia gets him to change his mind by convincing him that, actually, a lot of his fans would love to see photos and videos of him taking a little kid trick-or-treating because it would be gap moe! a term which vil understands without explanation thanks to idia--and he can see how such a thing just might actually be good for his image, simply by making him seem less otherworldly and unrelatable. so, he agrees, and the three of them spend the next several weeks trying to make their costumes absolutely perfect.
they really go all out, and they have a ton of fun with it. idia's costume has a mask that he keeps on at pretty much all times, so that keeps him from being nearly as nervous as he thought he'd be... except for when ortho gets so excited that he tries to just blast off from house to house without him or vil. but, he and vil both are incredibly happy to see that ortho is so happy, and throughout the night idia's ego gets inflated from all the compliments the three of them get on their costumes, and he and vil constantly exchange snarky comments under their breath about the quality and craftsmanship, or lack thereof, of the costumes and decorations they come across. they collect tons of candy and idia makes sure to add a special attachment to ortho's gear to allow him to actually eat it. vil started thinking he was too old for trick-or-treating a long time ago, but he ends up being pretty glad he went, especially when he sees all of the positive reactions from his fans on magicam.
i also think that before and after the trick-or-treating, ortho would hang out and do halloween stuff with his fellow first years while idia and vil take some time for themselves! the first thing they would do is that idia would introduce vil to one of his favorite survival horror video games, one that has a 2-player co-op mode, and vil might take a bit to get the hang of it but would ultimately really enjoy playing the game with idia.
later at night, they cuddle up and have a bit of a halloween movie marathon. based on idia's love of pumpkin hollow, he's definitely into horror movies, and i also think vil is as well, since he was directing a gothic horror for the film club in silver's PE uniform vignette and then based pomefiore's halloween costumes on gothic horror aesthetics. so, vil would get idia to watch his favorite classic gothic horror film, idia would force vil to watch pumpkin hollow (which vil did not think he would enjoy based on idia's description of its story, but by the end, while he still found it a bit silly, he was able to admire its craftsmanship and creativity and see why idia loved it so much), and then they decide to wind down and watch something more lighthearted. they pick howl's moving castle and idia compares howl to vil several times during the movie, which vil briefly gets annoyed by but then uses as an opportunity to tease idia back.
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actually, no. you know what? i am so sick of this “marinette is just a friend” bs. okay. cool. adrien said she was just a friend a few times. whatever. it’s not that big of a deal and everyone in the mlb fandom like. hyperfixates on that??? idc if it’s a “just a joke” because it’s utterly ridiculous at this point. i have literally seen people go on heated rants about how stupid or clueless adrien was during the umbrella scene because he called mari just a friend. are you kidding me??? y’all are really going to take away that moment for him? he just made like his first ever friend in nino and when he called her a friend, he looked so excited because this boy has only ever had one friend before. of course he’s going to call mari just a friend because he just met her and the only time she’s actually spoken to him outside of the suit at this point is to yell at him like... y’all...
and this is not me hating on mari because i love her so so so much. i just hate how passionate and heated fans get about this. i mean... y’all... adrien didn’t even think mari liked him??? like, in puppeteer two, he is literally upset because he came to the conclusion that mari hates him. also, of course he’s not like in love with or crushing on her when she’s barely spoken actual sentences to him! again, not me hating on mari and her nerves because like i get it, it’s hard. and also this is like adrien’s first time interacting with people as peers, so 1. of course romance is not his main priority 2. he doesn’t understand social cues or situations very well At All which is made abundantly clear in the show 3. i don’t... i don’t think adrien knows what affection is??? i mean, he’s definitely learned some over the course of the show, but he’s used to a neglectful / abusive father, his stoic assistant, his bodyguard who doesn’t really talk like at all, chloé being chloé, and hoards of fans declaring that they’re in love with him, hanging all over him, acting like he’s a shiny thing rather than a person, etc... so like. how is adrien supposed to actually comprehend that mari likes him???
and okay no my last point: so so so sick of the double standard. i have seen countless people rant and rave and scream and shout about how stupid adrien is for not returning mari’s feelings or knowing he has a crush on her and then these same people will turn around and berate chat noir and say things like “gosh ladybug isn’t obligated to return his feelings:/” like... hELLO??? why is ladybug not obligated while adrien is??? it’s ridiculous and disgusting and i’m so so so tired of “just a friend” jokes on tumblr, in art, in fics, in youtube compilations... like... can’t we be normal about this? and i don’t mean normal as in “casually enjoy” i mean normal as in can we stop being so aggressive and harsh and hostile towards literal fourteen year olds my God they’re children they’re allowed to make mistakes and mess up and my God the way y’all talk about lila is disgusting, too like i hate her but i don’t want her tortured and killed??? and the way people characterize the classmates as physically and verbally assaulting mari because of lila??? like... my God they would never??? they would all honestly side with mari chameleon is a bad episode and is poorly written and everyone is out of character please use your critical thinking skills and understand that chat noir is not harassing ladybug anymore than mari may be harassing adrien (aka they are not harassing each other at all my God) and stop insulting and demonizing fourteen year olds so your otp can get together thanks
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