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#well not just the premise I like the characters but the premise is the only part needed for a KND AU
strawberrypinky · 2 days
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I've been feeling a bit overwhelmed with negativity on the internet recently and thus I've decided to take matters into my own hands and spread some ✨love and positivity✨
And what better way to do that, than to recommend wonderfully written fanfiction I've come across this year? Admittedly, I haven't read as much as I would have liked, but I still want to share the few I did read. So without further ado, here are my fic recs of 2024 (thus far! Might add to this along the line):
Baldur's Gate 3 Fic recs:
O Fortuna [by @gufu-vire] on AO3 - Raphael x Dark Urge ❦ Plot: Post the events of BG3, a redeemed Dark Urge and Raphael renegotiate terms to fulfil a contract sworn upon during the crisis of the Absolute. An adventure fraught with tension, frustration, conflict, and more as the reader partners up with the devil you love to hate…
This is possibly a very biased mention on this list, because I consider Goof a very dear friend and moot, but it is a deserved spot nonetheless! I have yet to catch up with a majority of the chapters, but I'm enjoying a lot of sneak peeks and Gufu's creative process in private in the meantime. Between the conflict this story is utterly hilarious and witty and is a perfect balance between action and idle affairs. There are also so many intriguing takes on Raphael as a character & Harleep deserves a trophy on his own. I could talk a lot about this story, but truly, I cannot recommend it enough!
Sleep Deprivation - [by @nyda-the-tav & Aisln] on AO3 - Gortash x Tav ❦ Plot: As Orin continues to harass the group of misfits trying to stop the Absolute, Ophelia (Tav) looks for safety in the arms of Gortash in an effort to combat sleep deprivation.
I've only recently started reading this story & both authors best believe that once I've caught up with all 50(!) chapters, I'll leave a more detailed review for Sleep Deprivation. But what I've read thus far has been nothing short of a joy, and I'm always down for a good Tav being absolutely ruined by Gortash himself. The dynamic between the supposed enemy and the hero is gripping, hilarious and not to mention really well written! Kudos to the authors! I'm really excited to read more of what you two come up with!
His Star - His Queen [by @random-introverted-blog] on AO3 - Astarion x Tav/Astarion x Dark Urge ❦ Plot: An ascended Astarion kidnaps the Dark Urge/Tav from a different timeline, after loosing her in his. Desperate to save Tav/Durge from himself, Astarion follows her to rescue his love from certain suffering at his own hands.
I was recommended this story on TikTok (of all places, lol) and I wasn't sure what to expect - but holy shit. The first chapter alone had me on the edge of my seat, as you're really thrown into the action from the start, but the entire premise had me hooked as soon as Ascendant Astarion made his appearance. I often have issues with the ascended version of Astarion's character (I just looooove fixing him & I've got issues with the 'make him worse' story arc), but the exploration of what could have been in tandem with trying to save the heroine from inevitable suffering is beautiful & I can't recommend it enough. I've yet to catch up with every chapter (can you tell I've got trouble keeping up with fics, lmfao?) but either way, "His Star - His Queen" is deservedly on this list!
Note: This fic includes non-consensual sexual content
Judgement by the Hounds [by @septembersummer] on AO3 - Gortash x The Dark Urge ❦ Plot: A look into the relationship of The Dark Urge (Seren) and Gortash, from their first meeting up to their shared end. "The rise and fall of the worst situationship of all time" indeed.
This one I actually finished (very slay), though I'm not sure I actually processed it. I went through all five stages of grief reading this and I'm not even sure I can say anything without spoiling the entire premise. Dear author, you have written possibly the most captivating and enchanting portrayal of Durge and Gortash & though I knew how it would end, I was wishing for a happy end through it all. There's nothing to say about this, other than it was utter perfection.
Miscellaneous One Shot recommendations:
legacy with no memory by @discordsmuse on AO3 - Gortash x The Dark Urge The Weight of A Promise by @sserpente on tumblr [Part 2 is equally good!] - Gortash x Tav/OC kiddo. by @avocado-writing on tumblr. - Gortash & OC
to have and to hold by @littlejuicebox on tumblr. - Astarion x Tav
choices. by @deadtired-highkeyenergetic on tumblr - Astarion x Tav
how to win a custody battle in one easy step. by alltears on AO3 - Astarion x Tav
Dangerous by NaeveTheWizard on AO3 - Astarion x The Dark Urge
Honourable Mentions:
I'm also giving a shout-out to @avani-telvanni & @infernaldaydreams, because while neither have written fanfiction I could recommend, I am obsessed with their respective artworks for Tav x Gortash/Durge x Gortash. You guys are absolutely amazing and I'm conistently in awe of what you create. You deserve all the recognition you receive and more 💕
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Hogwarts Legacy Fic rec's: a very short list, but two are dear to me nonetheless!
Victory [by @jonquil] on AO3 - Victor Rookwood x Original Female Character ❦ Plot: Victor Rookwood is enraptured by the new, ancient-magic-wielding student attending Hogwarts - and Victor Rookwood always comes out on top.
Technically I started reading "Victory" in 2023, when it first came out, alas, it was finished earlier this year and I couldn't help but include it, because it remains one of my favourite fanfiction ever. To me, it's the best fictionalisation of "Enemies to Lovers" in a long time, as I was rooting for the villain to win from start to finish. From the wonderful characterisation of Rookwood to the alternative canon timeline and ultimately the victory of the villain - there's nothing like it and I was hooked from start to finish. I am still sad it's over, but I'm excited to read the prequel (as soon as I get to it, lmfao), because I know it'll be equally spectacular!
Note: This fic contains non-consensual sexual content.
Invisible String [by @legacygirlingreen] on tumblr (though it can be found on both AO3 and wattpad too!) - Sebastian Sallow x Reader ❦ Plot: In an alternative, victorian-attitude-compliant timeline, Sebastian Sallow falls for the new fifth-year. This story explores the sweet beginnings of a tender love amidst hardships and battles ahead.
Admittedly, this is possibly the most biased fic rec ever, but I stand behind it nonetheless. While this fic started in March of last year & brought me and my platonic soulmate May, aka legacygirlingreen, together, it remains my favourite Sebastian Sallow fic to this day. The amount of love, time and creativity May put into this has me in awe time and time again. The sweet and tender love the two protagonists experience is perfectly fluffy and slice-of-life, yet the alternative version of the canon events of Hogwarts Legacy add the perfect amount of drama and action. I will always come back to this fic, because yes - It is that good.
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randompony03 · 2 days
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The Amazing Digital Theme Park
I'm FINALLY ready to share this au with you all!
It took a very long time bc I kept taking breaks from it, but the second episode has me thinking about it again and I finally got around to designing all of the main cast which is what I wanted to do before showing it off!
With that out of the way, let's jump in, shall we?
AU Information
The Amazing Digital Circus is now a theme park! And a massive one at that. This takes a little inspiration from West World (really just premise wise, not so much plot as I only saw bits and pieces since my parents were binging it while they had covid).
Every character interacted with in this theme park is an android. There are several sections in the park itself. Each one has one particular android that is “in charge” of their section and everyone else in it, that's our main cast.
It also important to note that the sections are exactly that. Sections. They are divided from each other. Per park rules, no characters from different sections should interact. This, however, does not mean that park guests are not allowed to discuss a different section with the androids. They are programmed with a certain level of knowledge of the other park sections and are learning ai.
Characters
Pomni
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Pomni is in charge of The Kingdom Jokesalot. This section resembles a fairy tale kingdom with characters who are wacky and jokesters, most resembling various clowns. This section also serves as a gift/souvenir shop. There is a “marketplace” with it that has products for guests to peruse and purchase.
Pomni, as a jester character, will poke fun at other characters and sometimes even guests. However, to give a balance, she is a “clutz” so guests are less likely to be disheartened by her jests. While Pomni is in charge of this section, there is a “king” of Jokesalot.
Ragatha
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Ragatha is in charge of The Playroom. This section has characters resembling various types of dolls and toys. There are activities park guests can partake in, most of which are some form of children's game. This section also serves as a candy store, as there is a sweets shop within it. Ragatha herself is equipped with candy hearts to pass out to park guests.
Ragatha is a pleasant conversationalist. She's very gentle with guests and well coordinated. The other characters are programmed to come to her with “problems” to allow for a narrative guests can participate in.
Jax
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Jax is in charge of Toon Town. This section, as the name implies, is based around cartoons, more so specifically the rubber hose era of animation. The characters mostly resemble animals, but there are human characters in the mix. This section also acts as an eatery, as there are multiple “stores” or “restaurants” within the town where guests may have their pick of meal type.
Jax himself serves as the supposed “main character” of the “show”. He's a prankster and will get into various shenanigans with other characters, often having park guests tag along and be his accomplices. This can vary from spooking “travelers” on a dirt path or helping him steal a pie from the local baker. Jax is programmed to act differently with guests of different ages. Adults he is more prone to tease and pull harmless pranks on. Children he is more gentle with, playing with them and doing things in their presence to keep them entertained.
Zooble
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Zooble is in charge of The Museum. This section is focused around arts and crafts types of entertainment. There are different stations set up to engage park guests in different forms of art. There are other characters who embody these different forms. The Museum also has a caricature stand.
Zooble themselves seems very dismissive in behavior. They will roam around the museum, criticizing the works of other characters. When commenting on the craftsmanship of park guests, they speak only high praises. Guests are also given a choice to leave an artwork in The Museum for display, or take it all home with them.
Gangle
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Gangle is in charge of Make Believe Theater. This section is all about the performing arts. The characters there are of various types of performer. There are curtains, lights, costumes, makeup and props of all kinds. This section also serves as a costume shop or rental.
Gangle herself is a “director” of sorts. She oversee the performances. Park guests may find her with a “predicament” of missing one or more cast members, which will then lead to her throwing them into the mix. Guests are encouraged to fully embody their roles to the extent they are comfortable with. Gangle will treat guests as her “star actors” and use them as shining examples for the other characters to follow.
Kinger
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Kinger is in charge of Board Land. This section is themed around various board games, which all the characters reflect. Kinger is in fact considered as one of four “rulers” in this section of the park. If questioned about the king of Jokesalot, he will acknowledge him with mild curiosity.
Kinger is a gentle “king” by nature and tends to the other characters, though is programmed to be “jumpy” for added comedic entertainment. He is the only Manager Android to have a “spouse” or “partner” of any kind, his being Queenie, the black queen on the chess board.
Caine
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He's the first face you see! Even before you enter the park, given he's sort of the mascot. Caine can be found at the park plaza where he gives directions, helpful hints or even just general banter with park guests. It is made out that Caine is the one operating the entire park given he's the one most aware of everything and everyone else.
Caine is very amiable and pleasant to talk to. He's programmed with knowledge of the entirety of the park to be as helpful to guests as possible. He's equipped with maps of the park to hand out if wanted.
Bubble
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Bubble can also be found in the plaza. He has a bubble blowing station with tubs of soap and various bubble wands. There is also a bubble blower to have the constant stream. It's simple and peaceful, fun for all ages!
Bubble himself is a little cheeky, but first and foremost is focused on making it fun for guests. Bubble and Caine are “buddies” of sorts and will have banter of their own.
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thebiggerbear · 3 days
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So Close - Russell Shaw x Female!Reader
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Summary: You meet Colter and Russell at the morgue to help them gain access. Had you known how this was really going to go, you might have pushed Colter's call to voicemail.
Pairing: Russell Shaw x Female!Reader; Russell Shaw x FBI!Female!Reader
A/N: I have zero idea what this is. My muse demanded I type this out after watching the morgue sneak peek scene and at this point, I'm giving her whatever she wants. I have never seen this show, know nothing about the characters and any relationships they may have or their background stories, only vaguely know what the premise is, and I'm waiting to see the episode like everyone else. And yet, the muse still put me to work. She can be so brutal sometimes.
I wouldn't call this speculation for 1x12 because I have no idea what's happened before it yet. Unbeta'd so all mistakes are mine. Full text in italics is dialogue from the morgue scene.
Warnings: mention of dead body; angst
Word Count: 2096
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You met Colter and Russell Shaw at the morgue, telling them that you were only doing this one small favor and that was it and only for Colter. Colter, as always, understood. Russell, not so much.
The older man turned to look at his younger brother. “I thought you said she’d be a big help to us on this one.”
Before Colter could answer, you narrowed your eyes in Russell’s direction. “I’m putting my job at risk helping you,” you snapped.
And still just as infuriating as ever, he gave you a smile, that teasing gleam in his eye. “It’s good to see you again, Y/N. You are looking…” He worked his fingers into the all-too familiar gesture of approval, giving you a glance over. 
“Go to hell, Shaw.” You spun on your heel and started marching towards the building. “Let’s go,” you barked. “We’re on a timeclock.” 
You never looked back to see if they were following you but you heard Colter mutter not too far behind you, “You mind not pissing her off until after we get to see the body?” 
“Yeah,” Russell quietly agreed, sounding far more serious than he had a moment ago. As a matter of fact, he sounded a little down, which made you wonder what was really going on. You already knew of the strain between the brothers so them working together was odd in itself but Colter hadn’t given you details when he called you and you hadn’t asked for them. You hoped this case they were working had nothing to do with anyone who Russell might… You forced away the thought and renewed your focus on the task at hand. You weren’t here for anything pertaining to that. You needed to keep your mind clear, and your eyes and ears open. 
Once you were all inside, you noticed an older woman sitting at the reception desk. You were about to walk in and pull your badge, ready to lie your ass off and give your official spiel when Russell held a hand up. “I got this,” he assured you both, before waltzing right in. You and Colter exchanged a look before following him.
The woman glanced up briefly and saw you all approaching before going back to her computer. “What can I help you with?”
“Hi, um…” Russell glanced down at her nametag as Colter moved to stand next to his brother, sporting a small smile. “Yolanda. Well, that is—that’s a beautiful name.” You slowly shook your head and crossed your arms. He was seriously going to try to charm his way in? Well, this ought to be fun to watch.
You weren’t surprised when she barely spared him a glance before going back to typing.
And of course, that didn’t deter him one bit. “Sadly, we, uh, we heard about Len Claimans. Recently deceased and, uh, we just need to see the body.”
That caught the woman’s attention as you expected it would. She immediately turned to face him and slipped her eye glasses onto her head. “What for?”
“How do you like working here?” You nearly smirked at the increased pitch in Russell’s voice, betraying his attempt at bullshitting and also a small case of nerves. It was almost as if he’d never lied before. Funny that. 
From Colter’s expression as he watched this trainwreck up close, he had to be thinking along the same lines as you, but more so wondering why this was even being attempted with you standing right there.
“Huh?” Russell continued. “I get a good vibe from you, you know. Kind eyes — helpful eyes, I like that.” You bit your lip to keep from saying something you shouldn’t. Russell had never been what you would call a good flirt, but he certainly was dialing up the charm to try to compensate. 
Too bad the charm didn’t seem to be working. Yolanda’s eyes immediately transferred to Colter. “What’s he talking about?”
Colter shook his head and turned to look at her. “The body might be connected to the disappearance of another man,” he explained. You noticed Russell glancing back at you out of the corner of his eye and you arched an inquisitive brow in his direction which made him immediately focus on Yolanda again, nodding along as his brother talked.
“Oh.” Yolanda looked regretful for a moment before going back to her computer. “I’m sorry, but unless you’re family, I can’t let you back there.”
Knowing this was the point Colter needed your intercession, you began to step forward but immediately froze when Russell snapped his fingers and spoke up. “I didn’t mention.” He gestured between him and Colter, giving Yolanda a smug grin, almost as if he had finally found the ruse that would work. “Cousins.” 
If you could have facepalmed right there without anyone seeing you, you would have. Wow. How was he so bad at this? And why didn’t he just let you do the talking? Or his brother for that matter?
Yolanda huffed out a breath of impatience. She was clearly done with this conversation and quite frankly, so were you.
Russell suddenly leaned forward. “We just-we just need a minute. Or two, you know? I promise we won’t disrupt a thing and then afterwards, maybe, uh, go grab a drink or, uh, somethin’ somethin’.” This time, you did briefly cover your face with your hand. This was just beyond embarrassing. Why did you agree to help these two again?
You could not believe what you were hearing and neither could Colter. You watched as he stared at his older brother before he decided to give it one last ditch effort and played along, turning a strained smile onto the woman.
And as expected, Yolanda finally reached her limit. “No. Sorry.” She got up from her chair and walked away.
Russell let out a disappointed breath. “That was so close.”
“No,” Colter rightfully disagreed.
You’d now reached your limit as well. Stepping forward, you loudly cleared your throat and came to a stop next to Russell. Yolanda turned to look at you, wondering what was coming next from the circus act that had apparently decided to roll into her office this afternoon. You gave her your best professional smile. “Hi there. I’m Special Agent Y/L/N with the FBI.” You slipped out your badge and held it up for her to see before putting it back into your pocket. “My associates here are correct. We’re currently investigating a missing persons case that may be connected to Mr. Claimans’ death. I’m going to need to take a look at the body as well as the autopsy report.”
Yolanda, clearly not believing anything you were selling today, stared over at you, unimpressed. “Do you have a warrant?”
“I can have one sent over to you in the next hour,” you lied. “But right now, we’re on a bit of a timeclock as I’m sure you can imagine.”
She glanced between you three, thinking it over. Russell and Colter looked back and forth between you two.
“Let me see that badge again.”
You grabbed it and handed it to her as she walked over. She studied it and then gave it back to you after a moment. “Ten minutes,” she decided. Both of you ignored Russell’s little smack to the counter and triumphant grin mixed with a quiet “I knew I liked you” in Yolanda’s direction. 
She looked bored. “That’s all I can give you.”
You gave her a nod of gratitude. “That’ll be plenty. Thank you.” 
She nodded and passed next to you to lead the way. You glanced in Colter’s direction and he nodded his thanks. Russell turned to you, his grin all but gone now, the serious tone from before back. “Thank you,” he murmured.
“Sure.” He gave you the beginnings of a grateful smile, his gaze never leaving yours. You could feel yourself being sucked in, almost as if there was a strong magnetic force trying to pull you back in. There was so much going on behind those eyes that looked almost as if they were pleading with you for something — something that you weren’t entirely sure you were ready to give. You were still putting yourself back together, trying to repair the damage that his chaotic whirlwind had caused.
Colter quietly cleared his throat and it shattered the moment, and for that you were grateful. Especially when you noticed Russell had been discreetly moving closer to you. You moved away a bit, making Russell’s jaw tighten and his eyes harden, and started after Yolanda. “We should go,” you told Colter, happy to look upon him once again while you regained your bearings. “We’ve only got ten minutes and I really don’t need an ass chewing from my supervisor because your brother has no game.” 
Colter smirked and followed after you. Russell’s jaw dropped and he appeared alongside you once more, keeping pace with you. “I have game!”
“No, you don’t,” you snorted, keeping your eyes straight ahead, unwilling to look at him.
“Yes, I do. It worked on you once upon a time, didn’t it?”
You leveled a menacing glare on him before turning to look at Colter on your other side. “Why did you ask me to help you again?”
Colter pressed his lips together and decided to keep quiet, focusing on waiting for Yolanda to open the door to the morgue. “I appreciate everything you’re doing.”
Russell leaned closer and murmured to you, “I do, too. And Y/N, after we get out of here, why don’t we go grab that drink I talked about? Just you and me? We can talk and catch up.” You turned your wide eyes onto him. Was he serious? He shot you a charming grin but you could also see the tiny gleam of hope in his gaze.
You ignored the familiar scent of his cologne as it wafted over you and you tamped down the painful memories it induced.
Colter looked like he would rather be anywhere else right then. You wished you were anywhere else right then. You turned your eyes forward, refusing to look at him anymore, not wanting to see any part of his reaction to what you were about to say. “You’re both on a timeclock, remember?” You asked quietly. “After we get what we need, you should go to the spot that's next on your list or immediately chase down any leads. As for me, I have to get back to work.”  You then surged ahead, standing right behind Yolanda and stepping into the room when she opened the door.
After a moment, you heard the brothers enter behind you and Colter muttered to Russell, “You good?”
“Yeah.” You nearly closed your eyes hearing that tone that you were starting to hate once more. “So close.” This time, when he echoed the words from before, there was no false bravado attached to them, no playfulness or humor, only what you detected as regret. 
This time, Colter didn’t say anything in response. Both brothers joined you and you all watched as Yolanda selected a drawer and slid it out. Feeling Russell next to you, you swore to yourself that this would be the last time you would take a call from Colter for a long time. While you liked the younger Shaw, it was the older Shaw you didn’t want to chance running into ever again. 
You stared ahead as Yolanda unzipped the body bag, tensing as you felt the sleeve of Russell’s jacket unintentionally brush against you. So close? Too close.
Out of the corner of your eye, you caught Russell watching you intently, his expression serious and that regretful look in his eyes once more. You forced your gaze back to the woman reminding you of your ten minute window, refusing to allow any sympathy for the older man on your left. You hadn’t been the one to ruin things between you; you’d only been left to pick up the pieces. You were done feeling sorry for Russell Shaw. 
You took the report Yolanda offered to you before she left and began flipping through it, skimming the text, as Colter took a closer look at the body. From your peripherals, Russell stared at you a moment longer and then moved to stand next to his brother, their backs to you. Sadly, a familiar sight of the man you’d once loved. You blinked away rapidly forming tears and went back to reading.
As much as you hated to admit it, Russell had been right. So close indeed.
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dividers by @firefly-graphics
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flower-boi16 · 2 days
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Let's Analyze and Rank Every Song in Hazbin Hotel (From a Narrative Perspective) From Worst to Best
Hazbin Hotel has a pretty good soundtrack. The songs are definitely one of the better parts of the show, they are well-sung, well-composed, and just incredibly catchy. As songs completely divorced from the context and narrative of the main show...they are really good...
...however, Hazbin Hotel is also a musical, meaning that the songs also have to play into the narrative of the show. I want to try something different in this post; here, I'm going to rank each song in Hazbin Hotel not as songs, but rather, analyzing them from a purely narrative point of view, what they do for the show's characters, plot, as well as what happens in them, factoring in the outside context and narrative of the show as well as looking directly at the lyrics.
Because, when you judge Hazbin's songs from a purely narrative standpoint & factor in the outside context of a lot of the show's writing...many of the songs begin to completely fall apart. without further ado...let's get into this ranking.
16. Hell is Forever (2/10)
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A major issue with Hazbin that I've talked about a lot on this blog is how heavily black and white the show's themes are in spite of the show preaching about being against black-and-white moralities.
Charlie is always portrayed as completely in the right and anyone who remotely opposes her is portrayed as automatically in the wrong despite the fact that, her "everyone can be redeemed" mentality is just as simplistic and black-and-white as Adam's "no one can be redeemed" mentality. But the show never calls that out and only tears down Adam's ideology while portraying Charlie's mentality as completely right despite it also being just as extreme as Adam's, but the show never chooses to call that out.
Adam is also nothing but a pure straw character who only exists to be torn down by the narrative and thus can't have much real depth or nuance as a character beyond "asshole who swears a lot" (which I talked about before).
The reason why Hell is Forever is at the very bottom of the list is because the song puts those issues on full display. It exposes how black-and-white the show's theming is and how much of a strawman Adam is.
Lines like "the rules are black and white there's no use in trying to fight it" or "are they winners? are they sinners? cuz it's cut and dry" not only sound awkward from a song perspective but also sound very forced from a narrative perspective; it's shoving down the "Heaven bad" message down your through and simply shows how one-dimensional Adam is as a character, very explicitly saying "HEY LOOK HOW BAD HEAVEN IS AND HOW MUCH OF AN ASSHOLE ADAM IS!!!"
Those lyrics show Adam being a pure straw character at his worst since they no-so subtly communicate the idea of "Heaven bad" in a way that's forced and awkward. Those aren't the only lyrics that show this, as there is the verse where Adam says "There's the question of fun (fun) and for those of us with divine ordainment...extermination is entertainment!".
It insinuates that the exterminations are purely a game to Adam and the exorcists and they do it because it's fun, which does no favors in further cementing Adam as a one-dimensional pure straw character.
Ultimately, while Hell is Forever exposes how black-and-white Heaven's way of thinking is, the song also exposes how black-and-white and simplistic the show's own themes and messages are, making it the worst the song in the entire show from a narrative point of view.
15. Out for Love (3/10)
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Out for Love, like Hell is Forever, puts one of the show's major writing issues on full display and ends up even validating it in-universe. Out for Love’s entire premise as a song is that Vaggie needs to fight for her loved ones (specifically Charlie) rather than just for vengeance. This works fine enough until you start factoring in outside context within in the narrative.
First of all, Carmilla says that Vaggie is "driven by her detestation" and is fighting for pure vengeance….but she isn’t. Vaggie was never thirsting for vengeance at all, she always thought for Charlie, one of the lines in Whatever It Takes literally says that Vaggie will be Charlie’s armour, as in, she’ll try and protect her no matter what.
So Vaggie was never driven by vengeance in the first place so this song’s message doesn’t make much sense. Oh, but I haven’t even gotten to what this song means for Vaggie as a character.
The main issue with Vaggie as a character throughout the show is how she is heavily defined by Charlie, not just that "she doesn't get developed beyond being Charlie's girlfriend", no, I mean EVERY SINGLE major character moment Vaggie has is tied to Charlie in some way.
Out for Love accentuates that issue, being Vaggie's second big character moment where she has to fuel herself with the desire to protect Charlie, to fight for Charlie and ONLY Charlie. The song even confirms that Vaggie is defined by Charlie in-universe with the line "Fuel yourself with the fear of losing that somebody who's you reason to live".
Vaggie can't exist without Charlie. She can only be Charlie's partner and girlfriend. She is only defined by Charlie. She is just "Charlie's girlfriend". All of her character moments revolve being a good girlfriend to Charlie and defending her.
Out for Love while having a good message on paper ends up putting of the show's major issues on full display like Hell is Forever and the message flat out validates an issue with the show.
14. Whatever it Takes (3/10)
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Whatever it Takes has a similar problem to Out for Love in terms of what it does for Vaggie as a character. It, like the former song, it keeps on pushing the idea of Vaggie being solely defined by Charlie, as Vaggie's verse in this song is purely about her singing about how much she wants to protect Charlie and the best girlfriend to her.
Again, it has a solid enough message on paper (singing about how you'll do anything to protect your loved ones) but in the context of the rest of the series this only further damages Vaggie as a character and further cements Vaggie as just "Charlie's girlfriend".
This song is intended to be a major character moment for Vaggie, but the problem is that character is tied directly to Charlie. Again, Vaggie's big character moments revolve around Charlie in some way, making her whole character tied to Charlie.
The song also has other problems with Vaggie directly tied to the lyrics. The lyric "It felt so good to be understood" is pretty weird to me, because how did Charlie make Vaggie feel understood? How did Charlie understand Vaggie in anyway? Since when was Vaggie being misunderstood apart of her character? Because it never was.
The song is also supposed to be a big emotional ballad for Carmilla, where she sings about her motivations for why she killed the angel, that being she wanted to protect her family and do whatever it took....
....which would've been impactful if Carmilla wasn't a character introduced in this same episode that the show barely does much of anything to get you to care about. We haven't gotten to know Carmilla much as a character so this whole moment feels unearned and unimpactful.
Whatever It Takes, like Out for Love has a sweet enough message on paper, but factoring the outside context of the show's writing damages the song significantly.
13. Finale (3/10)
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Finale has a similar problem to You Didn't Know (which I'll cover later) in how despite being this grand, big musical number, it feels empty and hollow.
The first verse has Charlie mourning over Pentious' death which would've been fine if his death wasn't played as a joke in the same episode right before the episode then instantly treated it like a big moment. Then the verse further shows how hollow this song feels when Lucifer says that Charlie was the "first one to change this town" and how she helped everyone grow into better people and "touched their hearts"
....except she didn't. Lucifer, please tell me, how did Charlie remotely change Hell in the slightest? Sure, she proved that sinners can become better people, but this line implies that Charlie made a difference in Hell and changed it to be a better place in some way...when she didn't. She never "changed" Hell as a whole. And the part where Lucifer sings about how Charlie "helped the sinners become better people & grow" doesn't feel impactful because we never saw that growth happen.
Characters singing about how much they've grown doesn't work when we never saw that growth actually happen. The song wants to be this grand number about how Charlie helped souls improve as people but it falls flat within the context of the story because we never saw this process of Charlie helping Pentious and Angel to become better people, rather the show just completely skips over that.
Then the characters start singing about how they'll rebuild the hotel and make it even better than before to cheer Charlie up...
...why are they still trying the hotel after Heaven REJECTED it? Seriously, Charlie's plan to convince Heaven FAILED, there isn't much of a point to still continuing the hotel at this point since they KNOW that Heaven isn't going to accept it. They know they can't get sinners in Heaven because Heaven's rules are bullshit.
Oh, and this is not the only part of the song that doesn't make any sense in the context of the story, as then there's the V's singing about a power gap in Hell...that didn't happen, yet they act as if the extermination happened all across Hell when it was only toward the hotel and everything else was completely unaffected. How are overlords "hanging by a thread" exactly???
The final verse is then this grand final chorus about how they'll "be better" and redeem themselves and all I can feel is just...nothing. Because the show never earned this grand big final moment to make it feel impactful.
Finale is intended to be this grand final song about how much the characters have grown but it all feels empty and hollow because the show didn't do anything to actually earn this moment at all. I feel nothing when I listen to this song. Absolutely, nothing.
12. You Didn't Know (4/10)
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I already made a full analysis of You Didn't Know so this section won't be nearly as long as the others, but like the other songs, from a story perspective You Didn't Know feels unearned and hollow. The main issue with the song is that although it clearly TRIES and gets you to feel something...it doesn't, which is entirely because of the show's outside writing.
Though again, I've already talked about this song before in a previous post where I analyzed each verse so go read that if you want my full opinion on why the song fails from a story perspective.
You Didn't Know just feels hollow, it's this grand, big musical number that's meant to be the climax of episode 6, a song that's BEGGING you to feel something...but it doesn't.
11. Happy Day In Hell (4/10)
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Happy Day in Hell serves as the very first song in the show and Charlie’s I Want song.
For older fans, it doesn't really tell you anything new about Charlie as a character and is kind of redundant as a song, it just says that Charlie is optimistic and believes anyone can be redeemed, which is something Inside of Every Demon is A Rainbow already did.
However, to newer fans who haven't seen the pilot or any supplementary material, Happy Day in Hell could serve as a good introduction to Charlie as a character can tell you a lot about her...except that the rest of Hazbin doesn't seem to be made with newer fans in mind. Overture is written as a direct continuation of the pilot, and that would be fine if the episode reintroduced the characters for newer audiences...but it doesn't. It seemingly expects you to have already watched the pilot or any other supplementary material before seeing the show, meaning that it's catering to Viv's past audience.
With that in mind, Happy Day in Hell becomes a lot more confusing. If this is supposed to be an introduction to Charlie for newer fans...why wasn't the rest of the episode written like this? And if the show is expecting you to have seen the pilot, then Happy Day in Hell becomes completely redundant since again, Inside of Every Demon is a Rainbow tells you everything this song does about Charlie as a character, and that song did it with infinitely better visuals. Sure, there's Charlie singing about how she wants to change Heaven's mind and prove them wrong etc but anyone who watched the pilot would already know that, so a song isn't really necessary.
Happy Day in Hell would have been better if the rest of the episode it was in wasn't written the way it was. With the context of how the rest of Overture is written, Happy Day in Hell just comes across as Inside of Every Demon is a Rainbow except...worse.
10. Hell's Greatest Dad (4/10)
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Hell's Greatest Dad doesn't make much sense. Alastor seemingly dislikes Lucifer for some reason and starts playing up a fatherly role to Charlie purely to piss her dad off...for some reason??? I've seen Cartoonshi try to make an explanation with this:
"This is an instance of Alastor just being petty because, underneath his smile and the persona he's crafted for himself, he cares a lot about his own reputation and doesn't take it well when people don't seem to respect it or have any interest in him"
However, as Cartoonshi later points out, Alastor's first reaction to Lucifer is twitching his eyes in rage, which is BEFORE Lucifer "disrespects" Alastor's reputation, so it still seems like Alastor has some unknown beef with Lucifer for...some reason? We don't know. The song also suddenly builds a father-daughter bond with Charlie and Alastor out of nowhere...? Again, this could be Alastor just purposefully trying to piss Lucifer off but like. Why???
Hell's Greatest Dad just suffers from Lucifer and Alastor's rivalry just kinda not making much sense and rushing in a found family dynamic at the last minute.
9. More Than Anything (Reprise) (4.5/10)
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More than Anything Reprise has a similar problem to Finale and You Didn’t Know where the characters sing about how much they've grown and how much Charlie helped them grow when we never see that actually happen, all of that growth happened off-screen.
A big reason why this gets annoying is because it ends up feeling a form of telling rather than showing; we're TOLD that Charlie helped the characters grow and become better, we're TOLD that Charlie changed Hell as a place, we're TOLD that she "changed the lives" and "did so much" but we NEVER SAW that. We never saw Charlie slowly help Angel and Pentious become better people, again, a majority of their arcs happen off-screen and they end up feeling rushed.
Aside from that I just care very little about this relationship. Chaggie is a pretty boring relationship with little chemistry between them so I can't really feel much from this song. It's a cute enough moment I guess but again, I don't feel very invested in this relationship.
More Than Anything Reprise while a cute moment suffers from the same issue as the past songs and I can't really feel much for it since I don't care much about this romance.
8. Ready for This (6/10)
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This is where we start getting to the pretty decent songs story-wise. There isn't exactly that much wrong with Ready For This aside from how some of lyrics are...weird for Charlie as a character.
A lot of the lyrics are about Charlie "coming to her own" and "ascending to her throne" when that was never something that was apart of her character...? Aside from that most of the song is fine. It's Charlie singing about how she’s accomplishing her destiny, which is consistent with Charlie since she was also singing about her destiny in Happy Day in Hell, so there isn’t too much "characters having grand musical numbers that don’t feel earned" here, aside from the previous problem I just mentioned.
So overall, ready for this is a fine song in terms of what it does for the narrative. It has problems, but its better than the previous few songs.
7. More Than Anything (6.5/10)
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More Than Anything suffers from one big issue that harms the song, mainly the final verse. Basically, Charlie just says "I need 2 save mah people" and Lucifer is just like "ok". The reconciliation is kinda rushed here, and, since this song is meant to be Charlie and Lucifer reconciling, this tanks the song quite a bit. That being said, there is stuff I like about the song.
For one, it provides decent development for Lucifer and Charlie as characters, with Lucifer singing about how he didn't want Charlie to be faced with the same crushing feeling that he faced when Heaven rejected him, showing that in spite of his flaws, he does deeply care about Charlie as her daughter. For Charlie, the song gives the information that Lucifer inspired Charlie as a child, inspiring Charlie to fight for her dreams to become a reality.
Also, while it's still rushed, the song is still a cute moment between the two, with them reconciling and Charlie being able to bring back a spark within Lucifer, with him promising that he'll support Charlie's dreams, and how he's grateful for being her father, and that Charlie is grateful for being his daughter.
While More Than Anything does still feel a bit rushed, it's still a cute moment between two characters.
6. Welcome to Heaven (7/10)
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Welcome to Heaven also doesn't have much wrong with it narrative wise. It basically just serves as world-building Heaven, which is fine, and the world-building it does provide does really have any major holes in it.
Don't really have much to say here.
5. It Starts With Sorry (7/10)
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It Starts With Sorry is pretty good. The song is basically about Charlie deciding that Pentious deserves a second chance, singing about how she'll take his redemption one simple step at a time, beginning with him simply saying "Sorry". She believes that any soul can be redeemed though it may take some time.
She recognizes that, Pentious isn't all bad, seeing a decent person deep down. The message of the song is sweet and there aren't any real narrative issues with it. It's actually pretty good narratively and sets up Pentious arc decently well (though that arc is rushed but hey).
4. Stayed Gone (7/10)
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Stayed Gone is a pretty fun rivalry song. It's a duet between Alastor and Vox, two visceral rivals, one TV and the other radio. The song does do a good job of showing Vox's pettiness in their rivalry, with his whole cool and levelheaded facade completely shattering at the mere mention of Alastor. His whole verse is spent on how Alastor's medium is "outdated", insulting him, calling Al a "coward" and among other things. Alastor meanwhile, spends his whole verse poking fun at Vox, right before he pisses of Vox so much that he starts buffering and he ends the song on a menacing note.
Again, not much to say here, Stayed Gone is just a pretty fun song that does a good job at showing the rivalry between Vox and Alastor.
3. Poison (8/10)
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Poison is a song that does its job pretty well. The song is meant to show Angel Dust's struggles at the hands of Valentino, who now owns his soul. The lyrics emphasize the direness of Angel's situation; how he's trapped at the hands of Val, slowly dying from poison he's being forced to drink, being trapped in the claws of a cruel rapist sexually abusing him for his own pleasure, constantly being tortured every single night.
He believes it's his fault for his situation, that he can only blame himself for falling to Val's lies and his deal, that he should have seen what would have happened when he made the deal with Val. And now, he's just...accepted it, believing that this is just his life now and he'll be all for Val in any way he wants him to be.
And the song ends somberly as Angel falls to the ground after the night. It defiantly does capture the struggles of someone being SA'd, and does a good job of showing the horrendous mental state Angel is in.
I know a lot of people REALLY hate the Poison sequence for apparently fetishizing SA, but I'm analyzing the song, not the stuff shown in it, and to me, I think Poison does a great job of showing Angel's horrendous mental state and struggles, and does add a lot to Angel as a character.
2. Respectless (9/10)
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I used to criticize Respectless for feeling more like a conversation that the characters are singing rather than a song, and it does still kinda feel that way. However, I don't think the song is unnecessary anymore because it establishes a lot about Vellvette as a character.
The song shows Velvette being overly smug, arrogant, confident and bratty, not having any respect for the authorities higher than her, doing whatever the fuck she wants and not giving a damn about the higher authorities think, having no respect for them. But the song also demonstrates Velvette being cunning and smart, being able to tell that Carmilla is hiding something based simply on the expression of her face when she first brought the angel's head.
She instantly knows that, Carmilla might know what happened to the angel. The song displays a more developed personality for Velvette as a character in just one-minute than characters like Adam or Crimson or whoever the fuck did in multiple episodes, making Velvette one of the best antagonists in all of Hellaverse (which I talked about here). Respectless also continues this theme with Carmilla demanding that Velvette check her attitude, calling her and the Vee's "Smug wannabees who don't head when they've been warned", giving off an impression of an authority being made at the disrespect being thrown at her, which Velvette just responds by smugly saying "oops".
The song also does do a good job of furthering the plot along while doing a great job of showing off Velvette's personality. Respectless overall is a great song that furthers the plot along while telling us a lot about Velvette as a character.
1. Loser Babey (10/10)
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I'm assuming y'all did not expect this song to be number one, huh? Loser Baby seems to be fairly divisive amongst viewers, a lot of people love it, others despise it. Personally, I think the song is pretty great.
A common critique that Loser Babey gets is supposedly making fun of Angel for being SA'd, and, I can see why some people may see the song that way considering the first chorus. However, it's best to factor in the verse that comes before that chorus (holy shit I'm defending HH. I am just as surprised as you are).
The first verse is Husk singing to Angel about how he's at rock bottom, the lowest point anyone can be, his life being wrecked from his deal by Val, it all looks dire and hopeless as Angel is trapped in a dark situation with no way out, believing his life to be a trash fire at this point...and Husk says that he's right! His life IS a trash fire, he IS in a dark situation, he IS at absolute rock bottom, he's a "loser", if you will. Admittedly saying he's a loser might be a bit iffy but you can still see the point; Husk is saying that Angel is completely correct, that his life is a dumpster fire where he can't try and fight back, but he says that he isn't alone in this.
Husk had a similar experience with Alastor, where, like Angel, made a deal with an overlord and lost everything, regretting that decision for the rest of his afterlife as he's trapped at the hands of Alastor, with every day of his life being torture for him now, like with Angel. Granted, Husk's situation isn't 1 to 1 the same as Angel's, but there is still a parallel with how they made bad deals with overlords that they lived to regret, how they became trapped in these deals that seemed appealing at first but worn down when the overlords showed their true colors.
And so, Husk tells Angel that, it's better to set down the walls he's built for himself, letting hope back into his life and finally having someone he can bond and relate to due to having similar experiences. He's no longer alone. His situation is still bad, but at least now, he has someone who he can bond with and help push him through his situation, and that person ended up being Husk, the last person who he thought would have gotten him to open up.
I know I'm going to get a lot of people who'll disagree with me and that's fine, but personally...Loser Baby is the best song in the whole show in terms of its narrative. It provides great character growth for Angel & Husk, does a good job of furthering their relationship, and (in my opinion), has a really sweet and beautiful message of how you aren't alone in a dire situation, and that's best to let others help you rather than sulking by yourself in the dark. You aren't alone. There are people who may have had similar experiences to you, and it's best to let them in rather than shun them away.
And the thing is; Loser Baby is not only the best song narratively, but musically, making it overall the best song in the whole show. It's one of the only songs in the show that manages it be great in both categories, like a musical show should, which is what makes this song truly stand out compared to the rest of Hazbin's soundtrack.
It's the best song in the whole show, hands down.
Conclusion
Well, that was long. In all honesty, the songs lower on the list might have been better if the writing around them was better, since that's a problem a majority of them suffer from. If Vaggie wasn't defined by Charlie, Whatever it Takes and Out for Love wouldn't be so low, and if we got to know Carmilla and Emily better, Whatever it Takes and You Didn't Know would've been more impactful.
Really a lot of the songs just suffer from being in a very mediocre and flawed show, and the reason why songs like Loser Baby and Poison were high was because the writing around them was actually good, but hey, the good ones were still able to pull through in the end. So ya, that's my ranking...bye.
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laroinda · 1 day
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i just caught up to wind breaker manga (the satoru nii one) and i desperately need to rant abt it
let's start from the fact that i'm not a fan of this genre of manga. the only other delinquent series i've actually read was t*kyo r*vengers but we shall not speak about this one and it certainly didn't leave a good impression of this type of manga on me. so imagine my surprise when i tuned in to the first episode of wind breaker and i found myself tearing up by the end of it, let's just say that it was quite unexpected.
the thing that surprised me the most about this series is the heart that it has. yes it's cheesy, yes it's cringe at times, yes the premise of the town and the school is so silly it might just fall apart if you start looking at it too closely. but the series manages to build the sense of community within this place so fast and so well that i never actually found myself questioning any of that.
another thing that was a really nice surprise was how kind the series is, both with its characters and with the themes it builds itself on. the main one of course being opening yourself up and learning how to trust others. every time we see a character struggle with that it tugs at my heartstrings so much i end up barely able to read the chapter cause my eyes water immediately, especially when it's about sakura himself.
sakura, oh my dear sakura. i could sing him praises for hours i fear so i'll try to keep it short. he's just incredible. he's truly the heart of the story in every sense of the word. he's so kind! he's such a good person, even if he doesn't believe it or doesn't know how to properly express his care for others! he's so lovable from the start, even before you see him grow into the person he is at the current stage of the manga. and he keeps growing and changing and becoming the person he probably never thought he could ever become before he came to furin. and it's all because of the people around him that accept him and let him grow at his pace, even if he makes mistakes or doesn't do things exactly right immediately.
i love the slightly more recent imagery of comparing him to a plant that started to grow since he joined furin. it started in the stretch between the keel arc and the red lights district arc when he decided that furin is the place that he belongs in and we saw a little sprout, but i feel like it's gonna come to full fruition in this arc. it's pretty clear to me considering that endo literally compares him to a flower and his whole thing is to try and set sakura on fire (metaphorically of course... i hope). it's probably gonna be contrasted to umemiya who's literally a gardener and under whose care and leadership, directly or not, sakura was finally able to grow because he was nurtured by those around him. in this case the main person who allowed that to happen would be umemiya as he's the one who made furin into what it is now. also, i've seen quite a lot of people be worried (?) about sakura potentially going with endo to protect furin but idk man i don't think that would happen. the angst potential is incredible but he was literally calling out that girl in the red lights arc (i'm sorry i forgot her name, it slipped my mind cause i've read like 90% of this manga in two days) for... basically doing just that. giving herself up so that others could be safe without thinking about their feelings. i feel like he's probably gonna take that lesson and apply it here.
speaking of which, i love this whole theme of passing down knowledge and advice on how to handle things that are new to you. first it's kotoha telling sakura that he needs allies to be at the top of furin, that he should start facing people that want to be there for him and even the small things like telling him to just say "leave it to me" when someone asks for help. and then, in the keel arc, he uses the same advice he was given before and gives it to someone else who's also struggling with quite similiar things to him. then there's him learning how to rely on other boys in his class and going to kaji for advice, who's very clearly meant to be kind of a parallel to sakura. kaji's went to somewhat similiar things, he's just further down the path of figuring out who he is, what he can and can't do that sakura is (or at least that was the case when they talked). so he gives sakura advice, one that was given to him before by hiragi when he was struggling as a newly made grade captain who felt like he was wholly undeserving of the trust that people placed in him and felt like he's gonna dissapoint them. he knows exactly what sakura is struggling with so he can help him the way he was helped before, the same way that sakura helped nagato before.
i have a lot more thoughts about this series but they are not sorted out in my brain in any way yet so i'm not gonna say anything more cause this on its own is messy as hell
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uneducated-author · 2 days
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Okay, I DO NOT want this to come off as hate, because I love this show, have loved this show and will continue to love this show (I have no choice, I'm pack bonded) but... If I can bring up the way that the show feels... Off.
I don't want to say I dislike it, because I haven't really given it a fair chance, and I actually do really like a lot of the new episodes, and I would hate for anyone to see this and think that I have anything but huge amount of respect to the writers, actors and professionals working together, but I just wanted to know if anyone agreed, or is thinking along the same lines as me.
Meta Humour can work, and work really well. Fleabag's strongest storytelling point is the metaphor of a third wall break being her way of 'leaving' her real life, where we as the audience become her confidant, her trusted friend, her escape. Princess Bride has a meta humour that folds into the framing device. The Emperors New Groove uses it for comedy, and ties it to the medium, framing device and the tropes set up by virtue of the genre. Other shows can have throwaway lines with double meanings, one for the characters and one for the audience.
But Doctor Who Excelled in Commiting to the story. The suspension of disbelief, and the sheer illusion of this madman, hidden from us by our own inability to Notice, it was fun. It connected itself to our world with jokes about pop culture and throwaway lines about Merlin and Robin Hood and all these running jokes but...
Doctor Who proves that no matter how ridiculous the premise, a story can be great if you believe in the story you're telling. You can throw cat women in a hospital, have bad CGI mannequins clone a man, create bats that feed off time energy, but it doesn't matter, because if you and the actors are devoted to the world you're building, the audience will have no choice but to love it too.
Even Peter Capaldi has these scenes where he addresses us as an audience, lecturing us, but not only does it set up his career as a lecturer at a university, it has an in universe reason, where he explains that when he's unsure about how to get out of a bind, he retreats within his mind, pretends he's already escaped and he's bragging to Clara. The throwaway line 'I'm nothing without an audience' carries weight because... Well, he does need an audience. This is his own illusion, we're just sneaking a peak. This isn't the actor lifting the curtain a la Oz, this is us being brought into a characters mind.
Missy has a hilarious meta joke where she roleplays as the doctor and introduces the companions as 'Exposition' and 'Comic Relief'. It's targeted at fans, and clearly a shakedown of the tropes and- it works. Because this is a game to Missy, because she doesn't take this seriously, she's playing a role. It makes sense for This character in This context, and it doesn't break the illusion.
But the new series... There's just a plastic feeling to it. I almost feel like they're setting up a Wandavision bit where it's all a TV show. The joke about 'I thought that was Non Diagetic' was hilarious, and I loved it, but the winks and nods to the camera? The overexplanation and overexposition? 'Never seen a TARDIS before?' Lines said to the audience, basically dropping the wall between us. We are not watching the Doctors life, nor are we being brought into his mind. This isn't showing a characters view, or self aware commentary. It's a cheap laugh that doesn't land.
I don't want to hate the show, and I don't! But it's just... Loosing itself. Back when it was help together with duct tape and a prayer, they had to commit, to make up for the penny sets. Is it such a bad thing to miss that?
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Is there a post explaining the fnaf Lights Out AU lore?
hold on FNAF??? WYM FNAF GET BACK HERE
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paellegere · 2 months
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i got curious about mary's role post-resurrection so i looked at a list of all her appearances in season 12 only to discover that she's only in about half of the episodes. which is surprising because like, where the fuck is she going? where is her character arc going to take her such that she's separated from her children for entire episodes, 33 years in the future with everyone else she's ever known or loved dead?
i'm just eternally fascinated that supernatural is a show about sam and dean, and literally no other character including their own mother is allowed to impede on that. every other character has to be removed at some point from the brotherly unit so as not to infringe on their domination of the narrative. every other character is expendable, unnecessary for the show to function continuously. every other character can go off on their own for several episodes at a time and live a life separate from them. there's no limit to this and no one is allowed to get close enough to sam and dean to negate this reality.
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If combining KND with any random ass interest I got was illegal I’d be in jail for life
Well
Hey what if I made an Ever After High AU
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thefirstknife · 11 months
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While I 100% agree that if people aren't having fun they should take a step back/quit, I don't like the "if you're not having fun just go find another game" argument because it's so often used to shut down actual legitimate criticism from people who are otherwise enjoying the game but want genuine problems to be addressed. (I've seen it, for example, when people try to bring up bigotry in games and suggest maybe making some changes to remove it. I always get wary when I see people say it now.)
Oh yeah absolutely. There's real criticism that we have to be able to point out and discuss. A lot of the times people use this for any minor criticism someone has and I agree, that's often a way to shut down the conversation. Criticism in general is supposed to come from a place of love: you love something and you want to see it be better.
Unfortunately, in this case, when the community turns into ONLY negativity and criticism, it's kinda hard to believe they care about the game anymore. If people still had some positive stuff to engage with and were enjoying the game but had issues, then sure. But most of the negativity online right now is just purely rage bait. Bungie apparently has no redeeming qualities, and Destiny is dead. Misinformation is spreading about everything: all devs abandoned Destiny to work on Marathon (claim with no source that's accepted as fact and makes no sense: Destiny is the only game making them money, they can't abandon it before Marathon is out. Like, logically), monetisation is the worst in the industry (I genuinely don't believe that they play other games if they think that Destiny's monetisation is the worst in the industry), Bungie is maliciously banning people for fun (????) but also Bungie isn't banning people enough, Bungie is maliciously making server issues and didn't develop a "fix server" button in their office, game development is easy and Bungie is just lazy and the devs don't want to tell us anything because they're evil, Destiny is falling apart and nobody is playing anymore (just trust me bro), and most recent one which is possibly the most baffling of all - Bungie Foundation is a scam to write off taxes. Yes, that is currently discourse (which apparently gets recycled every year). Bungie Foundation, a charity organisation that's been going on for 13 years and is an independent registered organisation, is a scam. This is where we're at with the community mentality. And there's even more.
When we're at this point, it's truly something else. Like, if they believe conspiracy theories about Bungie and think Bungie is scamming them, maybe they just shouldn't play the game anymore. Why are they still here if they think this is all a scam? I would drop the game if I believed any of this so strongly.
Normal people having criticism and all is perfectly fine however! I did my fair share especially recently about the season pass pricing changes which I called a predatory practice and still believe it is. There's a lot more stuff to complain about while still enjoying the game and not basing your entire online existence and personality on hating Bungie. If they've got nothing else to do besides sitting on twitter shitting on Bungie, maybe it's time to move on.
I've also had my suspicions about the motives for hardcore Bungie hate after the incidents involving transphobic attacks on Bungie devs following the LF showcase, as well as all the crap about Nimbus and their VA. Given the recent developments about the general anti-LGBT+ mentality, I wouldn't be surprised if there's a contingent of people who are focusing on Bungie more than anyone else for how outspoken they are in their support for LGBT+ causes. Like, not to do some big reach or something but it's fairly curious that gamers online are adopting the anti-LGBT+ sentiments while Bungie is aggressively supportive. It just rubs me the wrong way that the one company that's committed to this and has been for years before most other companies jumped on the bandwagon is the one that they're choosing to paint as the worst villain. And the LGBT+ support isn't even all, as Bungie has other initiatives where they actively support women's right, reproductive rights, poc rights, disability rights and so on). I don't know, I've been a part of the gaming community for a long time and while there's been massive changes since the early days (and since gamergate days), the issues of bigotry in gaming remain. It feels particularly suspicious to, out of ALL companies, single out Bungie which invests in charities and progressive causes. Like, in the grand scheme of things, every corpo is robbing me blind, I know that, I have to give money to corpos to live on this Earth, so I at least want to give it to a corpo that considers me to be a human being and funds causes that promote my rights, instead of wanting me dead.
Ironically, all of this weird hate makes it harder to have actual normal criticism. It just gets drowned and lost in the sea of exaggerated bullshit and lies and conspiracies perpetuated by people who just don't seem to like the game anymore. At the end of the day, it's a video game. Whatever criticism we have, if it gets to the point where we just can't handle the state of the game, the best way to show it is to simply stop playing. A deluge of harassment on twitter will not bring about meaningful change nor will it adequately convey our criticism to anyone. If they truly want some changes, they would do this criticism in a way that matters, instead of creating a horde of angry gamers who will latch onto every lie and create a hate bandwagon.
#destiny 2#bungie#long post#ask#i def agree with the premise of the ask btw. if that isn't clear#not all criticism is just meaningless rage#unfortunately it's harder than ever to parse through the bullshit to find it#and like. if this leads to less monetisation or something. sure. I'd like that too#but the methods being employed here are literally only hurting community managers devs and the community itself#the marketing board of execs at bungie who decided on monetisation aren't reading twitter comments#going at bungie won't solve the problems of capitalism#you gotta join a different cause to do that my working class siblings#check a discussion on the industry from thiccest_yosh on twitter (he's a bungie dev)#he specifically called out monetisation ruining art as well as misinformation and rage being spread by CCs#refreshing to see this being said directly and publicly by someone who works in the industry#and one more note on the bigotry stuff that made me bitter about aztecross and his stupid video the most#aztecross played supported and promoted hogshit legacy. this big 'anti-corpo warrior'#funding one of the biggest bigots in the world who actively works on trying to kill as many people as possible. totally fine i guess#'it's just a video game.' but with bungie it's life and death apparently#it makes me super bitter and suspicious. especially given how many CCs were in on misgendering characters#i dont trust any of these people. they're a business and when the business is bigotry they gladly participate
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Can you tell me why you like oshi no ko so I can decide if I wanna read it? You know.... Advertise it to me a bit
it's my special little idol manga which makes me mentally ill.
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asexual-levia-tan · 11 months
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i love the bias + the fan pairings so much because on the surface its very "oh, well, the bias just has to fall for the fan and then its happily ever after" but no! its way more fun than that!
the fan isnt in love with the bias. in fact, the fan doesnt view this world as reality, nor do they even view their bias as a human. the fun part of this pairing is the fan having to recognize the world they live in as their new reality and the people around them as people! the bias falling for the fan is just part one, the fan falling for the bias as an Actual Human Being is just as important an element
#wwaffles bein' an idiot#wwaffles reads stuff#keeps it gender neutral even though i've only seen f!fan/m!bias#miss not-so-sidekick did this pretty well although she did a 'oh this is reality' speedrun#if this one goes well i'd put it up on the same shelf its pretty good so far#we're like 30+ chapters in and she's still referring to him as her favorite character. fantastic#there was another one i was reading that i can't recall the name of (long title i think) that i havent read the end of yet#but it had a similar premise just not done as well#or that is to say. it seemed to skip the 'this is reality now' realization#but the problem with that is HES searching for someone who loves him. and SHE loves him as a fictional character#so hopefully they do address that at some point because that could only go well#anyway back to the actual topic#its actually very similar because cael wants someone who loves him for him#and she just wants him to be happy and to shove all her affection on him because shes his fan#she doesnt even factor herself into the equation of his happiness because he's not real and she is#she's still lowkey thinking she's gonna go home eventually (maybe?? unclear)#anyway i just love this particular subgenre its so good#also what happened to her depression. i mean having a bias is just like that but she wasnt doing so hot either#i wonder if there'll be a antagonists pet reveal where she's actually miserable#and a big part of 'i'll devote my life to my bias!' is that she literally has nothing else to live for
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potatobugz · 2 years
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opening untitled google doc #7592 so I can attempt to write something again but ultimately never finish it
#rambles#but ill keep doing it bc. if i dont write i will never learn#i had another homestuck scenario i wanted to write but you see i only have an idea for one specific part#and i have 0 writing experience so i cant write it that well if i dont have a good udea 4 what i want to happen#anyways the premise is that feferi ascends to god tier (more like cod tier) after eridan kills her#& she revives nepeta and equius. the rest of the trolls r like hesitant to revive eridan right away#but feferi goes ahead and revives him anyway bc she has very conflicting feelings & shes like 'i just wanna talk 2 him 38('#ofc this backfires#eridan waking up & immediately assuming the worst; freaks out and runs away from her cuz he thinks shes gonna [krill] him again#(fish pun bc i saw the opportunity and couldn't resist)#then he runs into kanaya and freaks out EVEN MORE and then attempts to run down stairs & trips on his dumb scarf (affectionate)#and falls down a flight of stairs#ive had that specific scenario in my mind for like a few days now!!! and ive been dying to put it down somewhere!! augh#other cincepts i havent fleshed out include: eridan hiding from everyone on the meteor. eridan and gamzee alliance maybe.#some exploration on how kanaya feels abt this bc i feel like kanaya is always portrayed as angry at eridan but ppl forget WHY shes angry!!!#shes *greiving*. the matriorb was like the hope for their entire race & she was tasked 2 protect it and it got destroyed#its very sad to me. murderstuck as a whole is tragic 2 me because theyre all children and i dont think any of them shoulda died#idk i hope that makes sense#um also eridan putting themself in a cycle of 'not evil anymore i want to be loved now. evil again' cuz#characters who destroy their relationships w others over and over again mean everything to me. self destructive characters my beloved#and also everyone who was revived makes it to the alpha session so eridan and roxy friendship can thrive <3 (i am ill)#and also eridan transgender arc is mandatory sorry#wow i am sorry 4 talking so much down here ive been DYING 2 get this idea out but like#i cant ramble normally in posts i have to do it in the tags or i get self conscious otherwise agh#feel free to add onto this if youd like i think#homestuck#oh also maybe nonbinary roxy too maybe bc i really like nb roxy headcanon and also t4t pale eriroxy so wonderful
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wiseagenta · 1 year
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the   show   /   manga   takes   place   mainly   in   ostania   ,   but   loid   is   from   westalis   originally.   both   are   fictional   countries   obviously   ,   but   the   locations   &   buildings   are   highly   based   off   of   germany   ,   just   to   note.
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bibiana112 · 2 years
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Is the issue with Amame and Gen that Gen is "ugly"?
What do we mean by "issue" here anon? If I've complained about the two's relationship and I know I have somewhere I think the main issue is that they established a very wholesome and profound platonic relationship, even calling it familial at some point only to last minute go "No... they were romantic feelings all along" because that makes it more... meaningful? Or something? The issue I have with it is amanormativity, basically, the basis of their relationship of her being one of the few accepting people in his life is very good but there's no reason it should have fallen back into the person who'll do everything for their crush trope at least not in the way that it did
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yung-goos · 3 months
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Horizon | Prologue
"so... I've been meaning to tell you something”
The summer breeze was cool. A pleasant and welcoming feeling, as the day was still hot and humid, despite the sun going down. The lights of the city's skyline begun to bloom, like a line of tall Christmas trees in the distance. The bench they sat on still containing their names they etched-in when they found this spot in highschool, several miles from downtown off the coast of the lake that kissed the cities borders. This was their favourite spot. To hangout. To think. To reflect. To celebrate. To cry. It was one of the only consistent things that they both had throughout their lives.
"Uh huh..."
"I... know I've been gone for some time-"
"You think?"
"...and I know I have a lot of explaining to do"
"Oh really?"
"Look... it's easier if I just... show you"
With an unsteady motion, they lifted the sleeve of their hoody to the elbow, exposing their forearm, and held it out in front of them. And just like that, their skin started to glow. From the fingertips, down the back of their hand, down the wrists, slowly encroaching on the entire arm. The glow contrasting the blackness of their skin, like embers on coal, with a deep yellow-white light, a light many would describe as holy. The pupils and sclera of their eyes enveloped with the same holy light. They looked over to their friend to see them with their hand covering their eyes. The glow dimmed, then stopped all together, returning their skin and eyes to normal.
"Oh. My bad. Should've warned you..."
Silence. Only several seconds or so, but feeling like minutes in the moment. Their friend slowly lowering their hand, revealing a puzzled, yet curious, deeply scared, yet deeply amazed, mouth a little open kind of look on their face. It was hard to tell what they were thinking.
"What just..."
"Yea."
More silence.
"So this was what you were up to?"
"Heh. 'Up to' is one way of putting it"
Their friend then swiftly adjusting their position, turning to directly face them, with their legs crossed in their lap, the expression on their face suddenly becoming stern and serious.
"Everything. Now."
"Right."
And so, they gave them everything, from the last time they spoke. From the inconsistent eating habits, to the overall deterioration of their mental state. From the uneventful days, to yet another melancholic, sleepless night. From the streak of light that suddenly appeared from the sky and seemingly landing in their backyard. To them going to investigate and being greeted by a sphere of light that "just.... floated there". From them pacing back and forth wondering what they should do, "should I touch it?", to them actually touching it. From them describing an experience that would be akin to the likes of hell. The pain that felt like they were being separated cell by cell, atom by atom. Head, body, and limbs contorting to inhuman positions. Head twisting 180 degrees like an owl, ribs protruding and bending in different directions, but somehow not piercing the skin. Limbs bent backwards, sideways, in and out. Feeling so hot like they were being thrown into the face of the sun, yet feeling so cold like they were being submerged in the waters of Antarctica. Not being able to see anything but an empty vast white space of nothing. Wanting to scream the entire time but physically not being able to. From them waking up in the backyard to the morning sun on their face, their skin feeling all tingly. To them thinking if all of that was some bizarre dream, "maybe I started sleep walking or something I don't know". From them beginning to notice strange phenomena, like their light bulb that died and yet still turned on in their hands when they picked it up. To them being freaked out when their vision in the dark seemed to be clear as day when they focused hard enough.
"So that's what it is. Light, right? That's the power you possess?"
"Maybe. I think. Or perhaps energy"
"Energy.... Energy."
Their friend hanging on that word. Slowly saying it over and over to themselves, possibly savouring how that sounds, or thinking of the endless possibilities this power could hold.
"Also think I can't die"
"Wait, what?"
"Yea."
"But... wait... how would you kn-..."
Silence. Letting out a big sigh, they slumped over the bench and put their head in their hand, rubbing their temple with their forefingers and thumb. Their friend placing a hand on their back, gently rubbing it back and forth.
"Hun, why?"
"Just..."
Their head still in their hand, shaking it back and forth now,
"I.. didn't mention the voice"
"Voice?"
"Yea, as I was being skinned and turned inside out. I... wasn't sure if I was hearing it right. I couldn't see anything, that's for sure. It was just... this big empty room... a space... I don't know, a void of just pure whiteness. Stretching as far as I could see. And there was this... voice. It sounded like... I don't know, an alien trying to communicate in English. Like a bunch of incoherent words and syllables mish-mashed together, but if I paid enough attention I could make some sense of it ya know? And then, very clearly, I heard the voice say three things: convert. nine nine. survive."
"Convert, ninety nine, survive..."
"Yea. After I woke up, I was so confused and out of it I didn't think too much of it. But the more I thought about it, about all that happened, those words... the pain. Oh god. The pain. I cannot even begin to describe to you how it felt. God just. The pain. And then I started to think, is this what the voice meant? I'd have to survive this pain again at some point in time? Would it happen more than once? And just. God. I couldn't do that again. I can't do that again. So I just..."
Another sigh. Tears began swelling in their eyes. As they went to wipe them from their face, their friend pulled them in for a hug, using the palm of their hand to wipe the tears away
"Oh, hun."
That warmth. That sensual, intoxicating, tender warmth. The warmth that enveloped you and made you feel safe. The warmth that excited every sense, the warmth you couldn't just feel, but also hear, smell, taste, see. The warmth that many have lost themselves to just for the sake of experiencing it for just a moment. Love. It has been so long since they felt it.
"I'm... sorry I didn't keep in touch with you. I just didn't want you to see me like this. To hear all of this"
"Are you kidding? At the end of the day, my only concern was that you were okay. And like.. My best friend is a fucking superhero. With fucking super powers. Why wouldn't I want to hear about that?"
"Superhero?"
"Yea, what else would you do with all that going on? Be an accountant?"
They let out a laugh from the gut "Yea, maybe. Who knows? I could save the world from potential tax fraud"
"Well you're in luck cuz theres no shortage of fake bitches out here"
They lost themselves amongst the banter and the laughter, the sun finally laying itself to rest in the midst of it all. It was now dark, and being a little ways away from the nearest path with street lights, it was getting hard to see. The holy light once again enveloped their hand
"Come, I'll lead us back"
"Aww see, look at you using your powers for good already"
They couldn't help but crack a smile "Oh stop."
They headed back through the creek that leads to their special little spot, a trodden dirt path that was made overtime by other fellow adventurers trying to take a shortcut to the shore nearby. The cool summer breeze died down, replaced by the symphony of the night. The cacophony of crickets, the soothing rhythm of the stream, the percussion of the tree branches rustling above. It was oddly silent, though, between the two of them. They looked over to their friend, their friend's brows furrowed, face now deep in concentration, staring off into space as if they're looking for something in the air. Their eyes darting back and forth, clearly putting two and two together. About what, exactly?
"Hey, so.."
"What is it?"
"You said you don't die. So like, meaning you're immortal?"
"I... guess so, huh"
"But like... survive. What could an immortal possibly have to survive? You're immortal"
Both of them stopped in their tracks, looking at each other, waiting for the other to give a possible answer.
"So you get it, huh. It's what been at the back of my mind since I came to in my backyard. Though, If it's anything like the pain I had to endure I...I don't know what I might do"
Their friend, not being able to think of an answer either, shook their head and sighed. They continued on.
"Well, I don't know what it possibly could be, or what will happen next, but knowing that someone like you was chosen for this power makes me feel much safer already"
"Really?"
"Of course. Could you imagine anybody else getting this power? The world would be more fucked than we already are"
"Huh... guess you could be right"
"Oh please, you know I am. Just, whatever does happen, make sure you saving my ass first, okay?"
They chuckled, "Of course"
They smiled back, "You know, despite it all, something tells me there's so much good waiting for you over the
Horizon."
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