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#we didn't ask for multiple timelines but i guess that's what we're getting
vinjaryou · 8 months
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"vincent and cid are sort of important, so they won't be involved much with the storyline. but zack is SUPER FUCKING IMPORTANT, so he is a vital piece."
y'know, 'cause cid wasn't a former shinra pilot who got screwed over by the aeronautics division. vincent wasn't a former turk that was shot and experimented on by shinra's head scientist. totally not important.
zack didn't have his own game already where he thought shinra was awesome and then realized they were shits and tried to escape, and ended up dying for it.
....
*slaps the star trek red shirt on zack. again.*
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maxwellatoms · 1 year
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as a person on the inside of the animation industry, are there signs that we might be heading to another dark age of animation like the 1980s (e.g. animation is regulated to just glorified toy commercials or dark fantasy movies)?
"Kid Vid" regulations mean you can't advertise for stuff kids might buy from within a show anymore. Generally, you can't even have (say) Yogi Bear wearing a shirt with his best friend BooBoo's face on it as a gag, because "what if someone made that shirt one day?" Then it would be a retroactive ad, I guess? I'm not schooled in reverse-time law like studio lawyers, so I can't really say. Still, it's almost impossible to get even a fictional product into a kid's show these days, so I think the 1980s will probably stay in their timeline. At least in that way.
I do think a bit of a "Dark Age" is upon us, though. Maybe just a small one. Just a wee little snip of a Dark Age is all.
As far as I can glean, there are going to be precious few animated shows coming out over the next couple of years because not much was picked up during the pandemic. There are only a few things being developed here and there, and I'd wager that those properties "win" simply by existing in a competition-free environment. It takes a long time to produce animation, so almost anything greenlit right now is looking at a full year for turnaround. If you talk to people in the industry right now about jobs, they use words like "wastelend" and "ramen noodles".
Then you've got A.I., of course. The other night I was having dinner with a friend and I found myself in the A.I. conversation I always imagined myself having one day-- the one where we're talking with some immediacy about what the rest of our futures look like as artists, because we know they're not going to look the same ever again. It was pretty cool in a William Gibson sort of way, but I honestly didn't expect to be having that conversation for another decade. Turns out A.I. is becoming a problem right now.
I've already talked about the "art theft" angle, and that's not the problem I'm speaking about here. The problem I'm talking about is the "what do I do when what I do becomes trivial?" problem. If anyone can make a TV show or movie in a week or a day using AI assistance, who determines what gets seen? Networks, I'd imagine, would become redundant. You don't need to fork over $15 a month for Netflix if you can make Netflix-quality content yourself. And if you can't make anything decent even with A.I. assistance, surely someone on the internet can. There would be an incredible glut of content to choose from, so again... who decides what gets seen? An algorithm, probably. Who owns the algorithm?
Peak Dark Age will be the time period when the networks realize that they're going to die, and sink all of their resources into forcing their own survival on the rest of us. I imagine massive layoffs (you don't need multiple writers or artists or support staff when you've got the right tools.) Studios will want to own the tools (of course) and/or suppress the use of those tools by anyone who might want to cut into their profits. Expect to see "A.I. is just too dangerous for the public to utilize, so it needs to be left in the capable hands of corporations". Expect to see customizable Batmans, the ability to put your mom in any Star Wars, and the serialized fever-dreams of billionaires.
I think that's the next 5-10 years. And while that's happening, the tools will keep getting better and better until literally anyone can sit down, ask for an Oscar-worthy part-rom-com/part action movie starring a twenty-five year old Steve McQueen and and eighty year old Daniel Radcliffe rescuing Air Bud from the Death Star, and then watch the resulting film with some degree of satisfaction. There'll come a point when content of any visual, auditory, and written complexity can be generated on-the-fly, and the traditional limits of budgets and schedules will just be gone.
It's easy to spin off into fantasy and try to guess exactly what's coming. I could probably spin on that all day. But what I know is that the future of the animation industry won't look anything like what I've become accustomed to. And maybe that's okay because what I've become accustomed to looks nothing like the industry I started in. Things change, and you roll with the punches. Thanks to the self-fulfilling dystopian prophecy we find ourselves in, just about everyone on the planet is finding themselves rolling with the punches coming from the Powerful Greedy. That's less a "me problem" and more a planet-wide problem we should probably all sit down and hash out, like, yesterday.
My immediate problem as an artist (and yours if you're an artist too) is figuring out how to get your ideas seen in a world where the amount of entertainment content is exploding exponentially. Especially if you're the sort of artist who needs to eat and live somewhere.
So yeah, I think there's going to be just a little peppering of Dark Age coming up. But in every time of change, there are opportunities. Hey, I'm down for an animated Dark Fantasy movie. Let's do this!
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misc-obeyme · 11 months
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I didn't realize Lesson 19 was happening today, but as soon as I figured it out you can be sure all my other plans for the evening got tossed out the window.
I apologize in advance for the length of this post. I had more to say than I thought I did. And I'd already wrote the whole thing, so I was like I don't wanna break it up into multiple posts now!
Spoilers below the cut as always.
I'm going to lose my whole mind. There is no way that this isn't the "visiting and kissing every brother" scenario that happens before the end of a season. And yet I still have SO MANY QUESTIONS.
I am very much under the impression that we are not going to be leaving the past by the end of season one. Which is ANNOYING. I keep thinking about the brothers in our present timeline. I might have to write some angty story about it to make myself feel better.
But also, what're they gonna do? Send MC back to the human world? I mean, every other season has ended that way...??? Maybe it's different because we're in ~Nightbringer~ now. We'll see I guess!
Anyway, this lesson certainly wasn't bad and there were a lot of interesting things happening to these past versions of our bros.
AUGH THE BROTHERLY LOVE IN THIS LESSON THOUGH.
Okay, so this is not really the same as how they were in the OG, but I think this makes sense considering how much time has supposedly passed between the two timelines. I mean, think about how siblings are when nothing's wrong and they're all just getting on each other's nerves most of the time. Then think about how those same siblings might band together when things get dicey. That seems to be the family dynamic we have going on here.
Leviathan, my sweet boy, I really loved how he reassured all his little bros that everything was going to be okay. He was so confident and firm in his decision in this lesson, too.
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And then the way they were all surprised about it was so cute, too.
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I just loved this whole moment.
Okay. And obviously we have to talk about Mammon.
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This whole part really showcases Mammon and Lucifer's relationship, I think. To me, it seems like Lucifer is very much going to lock himself away, not talk to anybody about his feelings, and possibly prepare to do something drastic because he thinks it's what's best for his brothers without actually asking them. But Mammon knows this. He knows exactly what's going on with Lucifer. He doesn't have to talk to him to know. And he also knows what's going to help Lucifer. Not just the pudding, but sending MC with it, too.
Honestly, Lucifer does not give Mammon enough credit in general. Mammon is always doing stuff like this. And then throughout the rest of the lesson, he's being the big brother, too. It's like Mammon thinks that Lucifer is the one who carries all the weight on his own, but really Mammon is the one keeping that family together, I swear.
The thing about it is, none of them will do anything without Lucifer being on board. And Mammon knows that, too. So he's like okay I'm gonna send this human with some pudding to talk to Lucifer and because those are two things that Lucifer really likes, he will probably get it together enough to make the decision we all want him to.
And I think Levi understands this, too, to a lesser extent. He's over here trying to make the younger bros feel better while Mammon is trying to make Lucifer feel better.
Okay now we have to talk about Satan.
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First they hit us with the Satan telling everybody to leave him behind and go back if they want to.
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And then this part where they all call him out on saying he's not their brother.
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And then when he finally admits he wants to be their bro and Asmo hits him with the I'm so proud of you... when I tell you I was tearing up...
I want to point out how Asmodeus and Beelzebub are the two who chimed in with these lines after Satan says he wants to be their brother. Because I think these two are the most open with their feelings in general. While Belphie will be quick to call someone out if he's annoyed with them, both Asmo and Beel are quick to praise someone. It isn't just that they're happy he finally said it, they understand that he needs their reassurance in that moment and they have no problem giving it.
And all of this was so good! It was such an excellent culmination of all the stuff that had been leading up to this point regarding Satan and his relationship with his brothers. This is exactly the kind of understanding and closure I want to have for all the other weird junk that we have no answers for yet! I should be grateful we at least got this, I suppose!
And then Lucifer makes it all crazy with an explanation I thought we'd never get about what it was like when Satan was "born."
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I think it's pretty clear that they're saying exactly what some people were pointing out in the vampire event. Because Satan got vampiritis even though it only affected fallen angels. And I was definitely like that doesn't make sense! But some people said well considering he came from Lucifer, Satan probably has angel in him. And you guys were right! Because I'm pretty sure that's what Lucifer is saying here.
He may have never lived as himself in the Celestial Realm, but Satan has that same angelic power in him.
Lucifer's relationship with him is really quite interesting. I know he says he thinks of him as his brother, but... the way he talks about him... to me, it still sounds like he thinks of Satan more as his son. But I think it's easier for the game if he's one of the seven brothers lol. I personally headcanon it as Lucifer just doesn't want Satan to feel any more out of place than he already does. Also, that's kind of the familial relationship that all the former angels have in mind when it comes to each other, since they have a collective Father figure and I know Lucifer doesn't want to be seen as anything close to that entity.
And then Lucifer talks about how his decisions have caused the others to suffer. And I think this comes back to what I was saying when I was talking about Mammon - the rest won't do anything unless Lucifer makes the decision. Mammon knows this and Lucifer does, too. He talks about how he almost made a huge mistake because he was thinking about sending the others back to the Celestial Realm.
And I have two things to say about this:
One: Lucifer shouldn't have made any decision without talking to his brothers first. He needs to stop shouldering all the responsibility himself.
Two: If he really thought they would have wanted that, he really hasn't been paying attention. Sure, they've had some conflicting feelings about being in the Devildom. But they've all said they made their own choice to follow Lucifer. Does he really think they would want to leave him now? And everybody says Mammon is the idiot.
But then he surprised me by admitting that he was ashamed for almost doing that. And he apologized to them all. I couldn't believe it!
And one of my favorite parts of the whole thing:
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PFFFF if that isn't the Satan we know and love!
Anyway, all in all, this lesson gave us some things that I have been wanting. Very specifically, Lucifer told us what he remembered about falling and Satan's "birth." And I can't believe we got Lucifer finally being open and talking to his bros at the end. It makes me annoyed because why hasn't present timeline Lucifer done anything like that, huh?? But yeah, it's because a billion years have passed or whatever and he's older and crankier in the present lol.
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delyth88 · 7 months
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Mid season trailer breakdown
Finally found some time (ha!) to take a closer look at the mid-season trailer.
It starts with a very brief shot of Loki time-slipping in a spaghettifying TVA that we've seen before, and then a split second shot of Loki walking into the pie room. But the lights in the pie dispensers are all off. Does this mean it's near the very end of the timeline where the power was cutting out? Or is there some other significance to this? Where is my anon who suggested they need to go through enough repetitions of the time loop to eat through all the pies...!
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Then we move on to this scene of the gang in front of the model of the gantry and the Time Loom.
OB asks, "Loki, how much do you know?' and Loki replies "Lets assume I don't know much but I'm a fast learner, and I'm a god."
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Timely is still holding his device, so this is towards the beginning of episode 4 shortly after Timely arrives in the TVA, and before the pie room or the Dox in a box.
I'm assuming Loki has just explained to them the situation and they're just going with it! :)
Then it skips to this scene where Loki says "Here we go".
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Later in the trailer he follows on with a voiceover saying "Listen to me carefully, hit the green button", and then shows this shot again as he says "it can be a little sticky".
When he says "Hit the green button", Loki seems to be quite fearful and intense, with a slightly more whispery quality to the sentence, than the following shot where it's more light hearted when he says "It can be a little sticky".
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Now if I'm not just reading too much into this (which to be honest that is exactly what I'm doing in this entire post, but its fun), it looks like this might be two different instances of the same event. Maybe the first is earlier on and the second is later on once it's resulted in destruction a few more times? Or perhaps the other way around once Loki's been through enough repetitions to be confident this bit will go well. *shrugs*
We then see what I assume is Timely again (because he's the only one missing from the shot above) out on the gantry having actually made it as far as the sphere at the end, pressing the green button.
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However, we ALSO see this shot of what I again assume is Timely, but from behind this time. He's not wearing a helmet and we can see his hair, and the throughput multiplier is leaning against the wall. The airlock doors have been opened though and he's being spaghettified again.
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So it looks like we're going to be seeing this attempt to fix the Loom multiple, presumably spectacularly unsuccessful, times. Poor Victor. :(
There's also shots in the operations centre (what are we calling the room looking out onto the Loom. Oh. Okay that just wrote itself, didn't it? XD). In the LOOM ROOM we have another shot of Loki saying "Here we go" and Mobius excitedly shouting "Yes!" as Loki drags him over towards the control panel / airlock. Which I'd guess is once they successfully manage to get a Timely out to the end of the gantry, or possibly even fire off the throughput multiplier.
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There's a shot of Loki in the Loom Room turned back to face OB and the other while it looks like the Loom is exploding. He looks more dishevelled than he was in the scene we saw in episode 4. And I can't tell if he looks sad and defeated or suspicious. He's looking towards Sylvie, OB, Casey, and B-15. There was that whole weird moment with Casey and the throughput multiplier that just seemed off, so really putting my effort into leaping here, could this be that Loki's suspicious Casey sabotaged it?
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Then outside the TVA we get those shots of Sylvie listening to music. I'm really not sure where she is - but I'm assuming since she looks to be wearing a T-shirt rather than her armour under her coat that she's on the timeline.
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For Casey we get the shot we've seen of him in a tunnel, immediately preceded by this shot of what looks like a searchlight at a prison and audio of a siren. So is Casey escaping from prison? A POW camp?
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They show Casey in two short shots in time with the music - does this mean anything? Like indicating the repeating of events? Or does it just look cool.
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I do wonder if they're going to make some of the really likeable characters have a despicable past on the timeline and use that to further the discussion of free will and the power to choose to be different. That could be interesting. But I'd like Casey not to be a horrible person. :(
There's a couple of shots of a new location we've not been to, but one that still looks like it's within the TVA. There are pneumatic tubes behind Loki and great big fans. Some old armchairs on one side, and a pinboard on the other. The shot starts with what looks like spaghetti strands with Loki's magic radiating out from the centre.
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As the magic fades we see the strands have disappeared and there are some other people in the room with him.
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B-15 in plain clothes, and Sylvie just moving out of shot as the camera zooms in towards Loki. It also looks like Sylvie is in her outfit with the grey T-shirt.
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So does this indicate Loki can use magic to hold things together to stop them from spaghettifying, even if only temporarily?
We get a fairly horrifying shot of Loki being distorted in front of spaghetti.
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And I'm afraid this next image is going to give me nightmares, but it looks like this is in the same room - we can see the yellow on the wall and the same ceiling lights behind him.
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By the time he's slipped away the spaghetti is gone. So again, is this because he somehow carries this destruction with him? Or is this a shot shown in reverse because time really got all timey-wimey on him and time is actually flowing backwards at points? (That would be pretty damn cool to see how he deals with it!)
Then we get another shot of that room and Casey, OB, and Mobius are there with Loki. All in their plain clothes. But this shot is flipped around from the one above that had the chairs on the other side of the room. Again, is that meaningful, or just somehow one of the versions looks cooler? Or does the room just have a pneumatic tube gizmo at both ends?
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There's also this shot which I can't figure out where it is. Sylvie's still in her T-shirt, and Loki is either pointing at the ceiling or making some magical gesture. All around them are spaghettified strands. I still don't quite understand how it's possible for people to be in the same space as anything else that's spaghettifying (I never thought I'd need to use that as a verb so often!), without becoming spaghetti themselves.
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It looks like that record player Sylvie was using might be in the background, if so does that mean the last thing Sylvie was doing while the universe crumbled around her was listening to music? And then Loki turns up to get her out of her timeline and take her to the TVA to help? Or is the spaghetti somehow related to Loki?
It looks like we get the final shot of episode 4 in reverse. My bet is this is the opening of episode 5.
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And finally we get to see Mobius on the timeline. And the house he lives in.
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Loki visits him at work and says "The TVA is gone."
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Mobius has absolutely no idea what he's talking about. So I think we can assume that Mobius is the first person Loki tries to find on the timeline and he wasn't expecting Mobius not to know him. I wonder how on earth Loki manages to convince him about the madness that is the TVA!! I think that's going to be a fun conversation. :)
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I also wonder how Loki is actually able to find them all? Does he jump back and look everyone up in the system? Does he use HWR's special tempad?
I'm not usually a big fan of trailers mid season, but there's still so much unknown at the point that I've really enjoyed looking through this and trying to work out what might be happening. :D
Tagging my partners in wild speculation @pinkpondofasgard @woodelf68.
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desultory-novice · 9 months
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What are a few theories you have to say in regards to the Mirror World?
[Edit: Wow, this ask was well timed! Happy KatAM release!]
M-Mirror World... :shivers:  ... I mean, n-no! Why would I be scared talk about the mirror world?! That's r-ridiculous! :knows that everyone else already has much better mirror HC than me:
Err, in truth though, I do get a little nervous when asked about the mirror world because I really never paid that much attention to it at the time?! It just seemed like a cutesy gimmick for a game and I guess I didn't see the massive potential many other fans saw in it.
When it showed up again in TDX, I was like "Ohhhh! ...Huh." and when DMK returned for Star Allies, I was like "...I guess we're sticking with this now?!" (Speaking of, I was really ambivalent on DMK at the time but have since adopted the edgy boy as one of my blorbos mostly because everyone else seems to kind of hate him/have nothing interesting for him except to have him swear even more than MK -purportedly does? And well, Dess loves an underdog!)
Anyway, I've said it once and I'll say it again (and again and again until I finally finish drawing "Through a Mirror Darkly", the prequel to "Unspoken") I think Dark Meta Knight was a double agent...!
I think he was "working" for Dark Mind only to the degree necessary to overthrow him. Why else would he split Kirby into four equally powerful selves when Necrodeus proved it was indeed possible to simply weaken the powerful, pink, and puffy?! Because come on, he's Meta Knight's shadow given form! Why does that instantly mean he has to be significantly dumber than Meta Knight?! Why can't he be as clever and farsighted as the champion fighter?
Remember how Meta is very subtly implied to have trained Kirby to face off against Nightmare during Adventure? I hold that DMK was doing the same thing, having given up on training his verse's own Kirby. DMK being a secret dark hero would certainly make sense as to why Kirby handily invites him to join the hero party in Star Allies!
(As for why he attacks Dedede out of nowhere, well, I believe he probably has... complex feelings regarding his own Dedede(1))
Err, sorry, I know this wasn't specifically about DMK... Let's talk about the Mirror World in general! It's very... hmm. It's very...unknown?
Trying to piece together (haha...) the mirror world based on the information we have now feels like trying to count sands of grain in a jar from a distance. Or trying to correctly guess the Ancient's backstory as revealed in Star Allies using only what we know in RtDL.
I think, by the time Kumazaki and the team are ready to return to it, we're going to be pretty shocked by what we find out! But as long as we're not interested in correctly guessing something (...that HAL themselves probably don't know EVERYTHING about) but simply want to bandy ideas back and forth about what we know... 
I myself am most interested in a) it's timeline b) the logic behind Mirror World residents c) how/if does it stand on it's own?
If the Dimension Mirror is an Ancient Artifact, and it has all the signs of one, so I don't see any reason it shouldn't be (I even speculated once the mirror's wings could be based on Elfy) then it is OLD. Pre-fall of Halcandra old. In which case, the Mirror Dimension should be at least that old, right? But what even IS "the mirror dimension?"
Because Amaz(e)ing Mirror showed us a series of multiple interconnected worlds, linked by much smaller mirrors. And let's think about the name for a second: "The Dimension Mirror." Why would the Ancients create something that just makes ONE dimension? And the dimension in question is one where everything kinda sucks??? That... doesn't make any logical sense.
I think the original purpose behind the creation of the Dimension Mirror was to, quite simply, make a portal. The Mirror could have been the predecessor to the Lor Starcutter even! A kind of "stargate." Using it, you can see into MULTIPLE different dimensions, and potentially travel to the ones you wish to using smaller gate like mirrors scattered all over the place. (2)
But, like everything they built, the Dimension Mirror was a two-edged sword. And there came si~de effe~cts! We generally know that the Mirror Residents are like "worse" version of the people we've seen so far. So just imagine that everyone who traveled through the Dimension Mirror to get to some other dimension... left a copy of themselves behind? Similar to one of the more grisly theories on how matter transportation might be possible: that the best you could do would be to perfectly clone/replicate someone in a different position, all their memories intact, while quietly destroying the original as they :cough: teleport. BAM! "You" have now been transported!
With that in mind, the more it is used, the more copies are created, and thus... the birth of the Mirror World? It's certainly possible!
Why are they "evil" though? Well... that could be the "side effect" of wicked power developed off of the suffering of baby chinchillas or it could be that they aren't really all that "evil" to begin with.
Again, I argue that Dark Meta Knight is not really evil Meta Knight at all. (You can write the "corruption theory" for the purposes of fanfic or fan ideas or whatever but I WILL tear my hair out if you try to convince me/you believe it 100% based on evidence in game.) I think Dark Meta Knight is simply Meta Knight unleashed.
Shadow Kirby was considered worthy of being the "hero" of the Mirror Dimension. Bloody King Dedede is kind of a jerk but so was regular Dedede in the past. Plus, going by the stomach in the mouth thing, King Bloody seems to still be possessed by Dark Matter so we can't really know what he's like on a good day!
And then there are critters like King Golem, who is almost unmistakably Whispy Woods just built out of bricks and stone.
So, Mirror Residents simply misunderstood? I'd wager so.
But where is it and why does it persist? Those are all good questions that I don't have the answer to. I might have theories down the line... Are there mirror versions of the rest of the Star Allies? I suppose there could be, if any of them hopped through the mirror/got a really close look at it at any point! Do the people created by the Dimension Mirror truly "exist independently" at this point?
I... I don't know. To be honest, I think one really just has to work with the story that is the most interesting to them. Like... going by my theory above, the first Mirror Dream Lander would be DMK, the second would be Shadow Kirby, and the third would be Bloody Dedede, right? Or... is it?
In Dess's Unspoken-verse, Shadow Dedede has been around long before the days of Triple Deluxe and even before Amazing Mirror began. (Although that does make sense, given the Dark Matter thing would place his existence around at least Dream Land 2) So... Did King Dedede see the mirror BEFORE Triple Deluxe or are there Mirror versions of everyone already? Honestly, because the mirror seems positioned in the sky over Popstar, you could say that anyone who's taken a walk on a sunny day has a mirror duplicate out there!
But Magolor implied on Twitter he wouldn't have a mirror duplicate?! Is he just making a joke about his own wickedness/two-facedness? Did HE actually come from the mirror dimension originally or did he already kill (?!) his own mirror counterpart?!
TLDR, I have NO idea. But I think that until HAL comes back with more info N number of years down the line, it's fine to engage in writing whatever mirror HC suit you and continue to come up with fun and interesting mirror versions of the rest of the cast.
Speaking of, I still need to make my Mirror Marx + Magolor...
...
PS: Oh yeah, and are they all MADE of mirrors?! DMK sure seems to be but honestly, what does that even mean for them?! And how was he permanently scarred? Did the piece of mirror that got broken off when Meta Knight attacked him become lost sometime between that and the end of his fight with the Kirbys?!
...Mysteries...
-
(1) The way I ship Meta Knight x Dedede - when I ship it - is entirely under the table. No hugs, no kisses, no confessions, no ceremonies. They don't even admit to "loving" each other in that way. They are just "very important" (tm) to each other. Yadda-yadda-sworn-partners-yadda. But, because I'm me and I enthusiastically love tragedy, I like to imagine that Shadow Dedede and Dark Meta Knight were in love in exactly the way Meta Knight and Dedede weren't.
Keyword "were." Also "tragedy." You can figure out the rest I'm sure. ^_-
(2) So you notice how those portal mirror things kinda sorta vaguely resemble the goal doors? What are the chances that eventually, the Ancients DID figure out portal technology w/o evil twin side-effects and Popstar's goal doors are exactly that?!
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Lost Boys
Fandom: DC Comics, Batfam, Superfam
Summary: After Jonathan Lane Kent wipes himself from existence by canceling his own timeline, he finds himself stuck in the afterlife where he meets Jason Todd. He still wonders about the life un-lived on Earth, and how his parents would've felt about him.
Jason Todd, who is making the most of being dead, struggles with the reality of what he's left behind. He has one wish and one wish only: to send his family one final message.
Chapters: 5/?
Characters: Jonathan Lane Kent (Laney), Jason Todd, Catherine Todd, Boston Brand, Bruce Wayne, Clark Kent, Lois Lane, John Constantine, Raven, Talia al Ghul, Ra's al Ghul, Dick Grayson, Tim Drake
Relationships: Platonic JayLaney
Additional Tags: Angst, Platonic Relationships, Magical Jason Todd, Resurrected Jason Todd, Queerplatonic Relationships, Canon Divergent AU, POV Multiple
Chapter Five: Don't Let Me Be Misunderstood (Laney's POV)
Do people in heaven get sick? I wished more and more with every passing day that there was Google or an encyclopedia of sorts for the afterlife. Jason started getting headaches a few weeks after the dance. He tried to hide it from Catherine and me, but we could see it in his eyes. Jason was fading.
After the dance, we sometimes flew over the ocean at the beach, and we'd do cannonballs into the water from the sky. Somedays, all we'd do was laugh and play like children. Other times, we'd sit in the meadow and tell each other all the things we'd say and do if we could live all over again. I told Jason about how I grew up, and he told me all about the things he swore he'd never speak of out loud. He told me about his birth father, about what happened to him after his parents died. He told me things no one knew.
By the time he'd gotten really sick, we were in the meadow watching the clouds. Jason didn't want us to see it, but he couldn't hide it anymore. All we could do was pretend not to see it. "I see a little dog where you saw your turtle," I whispered as I pointed to the sky.
"Now, how do you see a dog there?" Jason asked as he started giggling. "That's obviously a turtle. Lookit. See the shell?"
"Jason, no, he's like one of those short dogs with the wolf ears," I argued, "See, because those little wisps right there, those are his ears."
"We're pointing to two different—." He stopped speaking and sat up. I turned and looked at him, and he looked paler than usual. "Sorry, what was I—. We're pointing at two different clouds, Lane." He took a deep breath and came back to me.
I touched his cheek with the back of my hand, and he took my hand away. "You okay?" I asked. Jason nodded. "I still think it's a dog."
"A corgi? You see a corgi up there?" Jason asked. I nodded. "I guess I could see it... Think my ma's still out on her date?" Jason stood up and stretched out his arms.
I sat on the ground and looked up at him. "Yeah... Are you okay with her dating Boston?" I questioned. "I mean, he's really not that—."
"I know he's not that bad... I mean, I actually think I might like Boston for Ma. He makes her laugh, and he's good to her. He might be the first guy that was ever good to her," Jason replied as he pulled me to my feet. "If Ma's happy, I'm alright."
"Yeah, and you gotta admit he's kind of cool too... I mean, he gets to travel back and forth—."
"Laney, come on. Even if we could go back, I don't wanna leave my ma," Jason interrupted. I nodded.
"Jason?" I called as I walked on my hands just like he taught me. "Can I say that I love Catherine? Is that weird?"
Jason raised his brow and playfully tripped me up with his foot. "How do you mean it? Because if you mean it like that, we might have problems, Lane," Jason joked.
I stood up and pushed him with my shoulder. "No, not like that! I love her like—. I dunno, like how you love her... I think," I explained.
Jason offered to carry me home on his back. I rode on his back, and he let me rest my chin on top of his head. "Jason, were you this strong when you were alive?" I teased. Jason chuckled.
"Yeah, yeah. I may not be the biggest guy around, but I trained hard. I coulda carried you if I wanted to," Jason replied, "Besides, you're Superman's kid. Of course, you'd be taller than me."
We didn't make it all the way home. He stopped to rest, and he stumbled on the way to sit down. "What's wrong?" I asked. Jason shook his head. "Let me carry you the rest of the way," I offered, and he held up his hand.
"I'm fine, just—. I'll catch up with you," Jason whispered. I wouldn't leave him, so I picked him up and carried him home. By the time we got home, he was fast asleep. I set him down on the couch and waited for Catherine to come back. We never slept, so it was so strange to see him unconscious.
He came out of it for a moment, and he chewed me out for carrying him home, but I didn't care. I knew he didn't mean any harm. He stormed out of the cottage, and I let him have his space. I regret that I didn't follow him.
Catherine and Boston came back around sundown, and by then, I was hysterical. "Catherine, I don't know where he went, but he was sick, and I—."
"What do you mean he was sick?" Boston interrupted me. "He can't get sick anymore." Catherine rushed out of the cottage, and Boston nudged me. "He can't—."
"He is! He's sick, and he's fading in and out. It's like he's a—..." I trailed off, and Boston asked me to take him to the places where I hung out with Jason. He wasn't there, so we circled back around to the cottage. Catherine was inconsolable.
"He's nowhere to be f—." She swallowed hard. "I can't find him," she sobbed, and Boston touched her arm and waited for her to collect herself.
"I'll find him," Boston promised her, and I stopped him before he could go anywhere.
"I gotta go with you. If Jason's anywhere on Earth, I can find him. If he's there, I can find him. Please," I pleaded. Boston looked at Catherine, and she nodded. Boston sighed and nodded.
Boston placed a steady hand on my shoulder, and he told me to remain calm. He was going to take me back to the world of the living as a ghost, and I was going to find my best friend.
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cloudcryptid · 5 days
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HI HELLOso this is a very out of the blue question but if u feel ok sharing how did u go about making ur whf ocs into their own original universe?? a close pal of mine and i have been into whf for years and we still love it but want to separate the ocs we made for it into our own universe w some of the same general themes, so i guess what im asking is, do u have any advice from ur own experience of doing that? u dont have to answer this if u dont want to btw no pressure :3
so i've been thinking on how to answer this one, since i struggle to put concepts into understandable words and honestly i would consider asking @theshiaxartist about it as well as he's the one i did this with, he's usually better at explaining things in my opinion, plus multiple perspectives always helps :>
but also i didn't really?
so me n shiax looked at our ocs and the relations we'd built between them and decided we didn't want to change that, so we just kinda, transplanted it over
are we using whf itself? no, but we are using a lot of the concepts that play major parts in it: -completely isolated island -major mood changing and manipulating drugs -it was supposed to be a better place and ended in dystopia and destruction -etc etc
we took this concept and moved it over to a technically premade world (in actuality it was just bits n pieces of worlds that we'd both made but no longer has use for and so just slapped them all together, we're still constantly adding and developing to it, friend's connected universes are real)
i suppose why it seems like they're no longer fan ocs now is that we're not currently in that portion of the timeline, we've moved on
for us, the events of the isle (our stand in for whf) happened, it is a very important part of the oc's backstory and character development, without it they'd be completely different people but canonly, where we are in the timeline of things is roughly 2-5 years after they escaped and the isle essentially had a nuclear meltdown
we made them our own sorta, think kinda like how aus take the base content and shift it slightly to the left (yes they can shift further out but for the sake of things here, just a little for now)
its a simple and easy option and i think people are a little afraid of ideas being too similar but being heavily inspired is better than being stuck
worlds are large and ocs are fictional have fun
i suppose for tips tho:
-figure out what really makes the ocs, well them, what major events and relations are required for them to stay as they are, keep those or find something similar enough to get the right outcome
-building a whole new world for them can be fun, but it can also get you stuck up in minute details or floundering to have everything explained, it's ok for characters to exist in a void until you can fill it with something (you should also ask shiax about this, his world building is always really fun and he's great for like, looking at how things actually work together, ie. if there's 2 moons, how does that impact things)
-frankly, don't be scared to just rehaul as well, some ideas simply won't work in certain contexts and you'll have to figure something else out
-you are free to play around, nothing is set in stone, make as many different possible worlds and lands and settings until you find the one that sticks people get stuck on making it right the first time and this applies to oc creation too
i know this doesn't really like, set you in a definite direction, but creation is fickle and whimsical like that
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mimisempai · 3 years
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I will always find you
Summary:
End, continuation and fixing of the episode 6, Loki is facing Mobius who does not know who he is and Mobius does not know where to look for Loki. Will they manage to find each other?
Notes:
I had to fix it, it's done. End of The story of Loki and Mobius - Season 1 series on AO3 I'll begin soon a whole rewriting of the season 1. Follow my other series for more Lokius oneshot post-canon.
https://archiveofourown.org/works/32584870
3008 words - rating G
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He was back at the TVA.
Mobius!
He was about to rush to find him when he stopped abruptly.
Sylvie... the kiss...
Now that the adrenaline from the fight had worn off, thinking about the kiss gave him such a weird feeling.
He didn't know what had made her kiss him, if it was a desperate attempt to change his mind or if it had been to betray him.
He had not even answered the kiss, too shocked to react, and she had taken advantage of it to send him here, at the TVA through a Timedoor.
Mobius, he had to find Mobius. That was his only thought.
He ran through the hallways in a desperate manner. Everywhere there was turmoil.
He came to the archives, between the familiar shelves, and there he saw him, next to Hunter B-15, finally.
It was like coming home, the sight of the familiar face and stance giving him an unimaginable feeling of comfort, the impression that everything was going to be alright, that anything was possible despite the disaster.
Mobius seemed flustered and as Loki went on, he heard their conversation.
"That's, what, 63 new branches in this unit alone?"
"Does he want us to just let them all branch?"
"At this point, how are we gonna stop it?"
Loki shouted, "We can't!"
Mobius looked at him surprised, "What? What'd you say?"
Loki shouted back, "It's done, Mobius. We made a terrible mistake."
Loki wondered why Mobius didn't react, why he seemed so distant, as he asked him, "What's done?"
Loki answered hastily, "We freed the Timeline. We found him beyond the storm. A Citadel at the End of Time. He's terrifying. He planned everything. He's seen everything. He knows everything. It's complicated. Okay?"
Mobius replied, bewilderment on his face, "Right."
Loki continued, "But someone is coming. Countless different versions of a very dangerous person. And they're all set on war. We need to prepare."
Mobius tried to soothe him, but something wasn't right, "Take it easy. You're an analyst, right? What division are you from?"
"What? What are you talking about?"
It was Loki's turn not to understand as Mobius asked him, pressing, "Who are you?What's your name?" and that Hunter B-15 was calling for reinforcements, "Boots on the ground now. Archives."
To Loki's dismay, Mobius asked again, "Who are you?"
Loki felt the same pain break his heart as when Mobius had been disintegrated before his eyes. Panting, he slowly turned around and his eyes fell on the spot where the three timekeeper statues normally stood. Instead, there was a statue of the man, the demon, he didn't know what to call it, the one who was in the Void.
Loki understood.
It was not his TVA, it was not his Mobius. It wasn't him!
As the guards came towards him, he felt hope returning and the wheels of his brain turning at full speed, he had to find a way to get back to the TVA from the main timeline.
———————
Meanwhile, Mobius and Hunter B-15 watched the main timeline split into hundreds of timelines.
Mobius, more than a little worried, said aloud, "No turning back now."
Hunter B-15 replied, "Who said anything about turning back?"
"For all time."
"Always."
One sentence remained while the uncertainty was complete.
"Mobius! Mobius!"
Mobius turned at the call of his name. Casey was beckoning him over. He quickly rushed toward him.
"What?"
"You told me to tell you as soon as I had access to data about Loki! I found it! Because of the multiplication of timelines, we now have access to the Void's timeline. We can see what's going on there! Look at it! There he is! Loki is here!"
Mobius pulled up a chair and sat down next to Casey, his eyes focused on the screen, deaf to everything going on around him.
Sylvie and Loki seemed to be in a castle or building and across from them stood an unknown man who spoke, "Better hurry. Timeline's already branching."
Sylvie seemed to look surprisingly aggressive as she addressed him, "So, what are you suggesting? That we think about it. And what precisely is there to think about?"
Loki turned to her, looking almost imploring, "Weren't you listening to what he was saying? That's the gambit. Remove the dictator and what fills the void?"
The way the screen reflected the image, he couldn't see Sylvie's face, but he heard the animosity in her voice when she said, "Ah. You want the throne?"
Oh no...After all that Loki had done to become better, how could she say something like that?
Loki replied in an urging tone, "No, that's not it. No."
"I don't believe you." Sylvie's tone was unmistakable. Mobius, who knew Loki perfectly could read all the distress on his face as he tried to convince Sylvie.
"Sylvie, the universe is in the balance, everything we know to be true. Everything. I know the TVA has hurt us both. But what if by taking him out, we risk unleashing something even worse? All I'm suggesting is we just take a minute to think about it. I promise you from my heart this isn't about a throne."
Of course not! I always knew it. Only you didn't know it Loki, you thought that's all you could be, that that was your glorious purpose. I always knew you were capable of much greater things.
Sylvie insisted, " What was I thinking trusting you? Has this whole thing been a con?"
Mobius' heart broke for Loki who answered her, his voice clearly strained, "Really? That's what you think of me... after all this time? Sure. Why not? Evil Loki's master plan comes together. Well, you never trusted me, did you? What was the point? Can't you see? This is bigger than our experience."
Sylvie, completely unmoved by Loki's argument, answered him, "Why aren't we seeing this the same way?"
Loki replied, looking defeated, "Because you can't trust... and I can't be trusted."
Oh yes Loki. You can be trusted. I trust you with my life, without hesitation, without even thinking for a second. Don't you see that you are not the same as you were?
"Then I guess we're in a pickle."
After these words, Sylvie attacked him. On the screen it was impossible to follow the whole fight, but it was clear that Loki was only defending himself and refused to go on the offensive, until he magically placed himself between Sylvie and his target. Mobius saw with horror Sylvie's blade on Loki's throat. a.
"Stop. "I've been where you are. I've felt what you feel. Don't ask me how I know. All I know... is I don't wanna hurt you. I don't want a throne. I just…" Loki sighed deeply before continuing, "I just want you to be okay."
Sylvie lowered her arms and suddenly kissed him. Mobius' heart sank as the kiss dragged on and suddenly Sylvie stepped aside and said, softly, "But I'm not you." before pushing Loki through a Timedoor.
"Where is he? Casey, where is Loki now?"
Casey didn't have time to answer, as the screen blurred and Loki was back on the screen. This time the surroundings were much more familiar.
"It's the Time Theater!" shouted Hunter B-15.
Mobius started to run, arriving at the door, he opened it and called, "Loki!"
Nothing. The room was empty.
"Mobius! Mobius!" Hunter B-15 was coming running in, "You need to come back and see this! Right now!"
"What?!"
"Hurry up! Come on!"
He rushed up behind her and they reached Casey's office area again. Hunter B-15 showed him the screen.
Loki was walking the hallways of what appeared to be the TVA, the ones past the time theater, but Mobius knew that couldn't be the case, they had just passed through.
"Casey, are you sure this is happening now?"
"Yes, we're in real time!"
Loki was now in the archives, and seemed to be looking for someone, maybe him, Mobius, between the shelves.
"Mobius!"
Mobius gasped, in front of Loki a few shelves over were himself and Hunter B-15.
"What? How?!"
"Wait, wait, wait!"
On the screen, Loki continued to advance toward their duplicates, and they heard Mobius say, "That's, what, 63 new branches in this unit alone?"
Hunter B-15 answered, "Does he want us to just let them all branch?"
"At this point, how are we gonna stop it?"
Loki intervened, shouting, "We can't!"
Their two doubles looked at him in surprise.
As he watched Loki try to explain what was going on to the two stunned doubles, Mobius' brain began to race, trying to pick up clues from what he was hearing.
63 branches in this unit alone. 63 branches in this unit alone.
This unit alone. That means there are several. Think Mobius. Think!
He began to speak aloud, "The main timeline branched, that means there are a lot of timelines now, what if each timeline has now a TVA? Could it be that..."
On the screen he looked at Loki and asked, "Who are you?"
Loki, looking shocked, slowly turned around and began to breathe heavily before releasing a gasp, which Mobius and those around him in front of the screen repeated in echo.
Where the statues of the three timekeepers should be, there was a single statue, that of the man Loki and Sylvie were with before.
"Casey! keep looking, cross-reference the data, try to figure out what date it is, I need my Tempad!" Mobius ran to his office.
_____
Loki looked back at the one who was not his Mobius and did not answer, quickly assessing the danger, he had to find a way to find the TVA he knew, but first he had to escape since Hunter B-15 seemed to have called a squad to stop him. He concentrated, closed his eyes, and saw the room he wanted to teleport to, the one he had arrived in. He felt the suction, then reopened his eyes, he was there, the relief short lived, because it would not take them long to find him. Still, he summoned a spear to put across the door, to at least delay their arrival in the room.
Think about it Loki, you're not supposed to be here, but now that the timeline is branching, how can they find you? Everything is chaos...
Spinning around in the room, he sighed, wondering how the situation could have slipped away from them like that. In fact, he knew, they had never been in control of the situation, their enemy was ahead of them.
Sylvie... who had not hesitated to betray him while he for the first time had found a "glorious purpose" that was greater than him, in fact it had nothing more glorious, because he no longer needed glory, he had discovered that it was much more rewarding to fight for a cause greater than himself. But now...
Mobius... His Mobius, where was he? How to find him? Did he get through it? Had he been able to warn all the other agents? He missed him so much, his reassuring presence that had the power to calm him down. How he had developed such a strong bond in such a short time was something that still amazed Loki. In Mobius, he had found someone who had believed in him when he had only seen the worst Loki was capable of, who had seen beyond what Loki was showing the world.
He had told Sylvie that love was not real, but in the end...love had a name.
Mobius…
"Mobius...", lost in thought, he didn't realize he was saying his name out loud.
When suddenly the now familiar sound of a Timedoor opening made him turn around. Summoning his sword, he braced himself ready to attack.
The Timedoor was just forming, when he heard the door to the room trying to be forced open, as voices shouted at him to open it from the other side.
Suddenly a figure he knew well stepped through the time door, "Loki! It's me Mobius!"
Loki, suspicious, did not dare to let his guard down. What if it wasn't his Mobius? How could he be sure?
The man in front of him looked uncertain and did not move forward. He lowered his hands in surrender as the banging on the door grew louder and louder.
"Loki, it's me, Mobius, the real one."
"How can I be sure?"
"Ask me a question. Something only the two of us would know."
Loki began to think quickly, what question to ask? Then suddenly he knew.
Cheeks slightly flushed, he asked, "Where did our first kiss take place?"
Mobius shook his head and smiled fondly, "The elevator."
Refusing to give in to the relief that washed over him, Loki asked another question to be sure, "Why?"
Mobius sneered, "To shut you up."
"It is really you, my Mobius!" shouted Loki before rushing into his arms. Mobius closed them on him. In an instant they reconnected with the emotions and sensations of their last embrace. Once again Loki felt like he was home.
"Yes, it's me." The door rattled, interrupting them. Mobius let go of him, took his hand and pulling him behind him, he led him to the Timedoor saying, "Quick, let's get out of here first, the explanations will come later."
They rushed through the Time Door, which closed on them as the door to the room gave way to the guards.
It was odd because they ended up in the same room, but in the TVA that Loki knew, there was the table and chairs from the last interrogation before Mobius went to join Loki in the Timecell. It seemed like only yesterday that Mobius had refused to believe him, blinded by jealousy as he himself had said."
"You-"
" How-"
"You first," Loki told him.
"Come on, let's go sit down," Mobius told him. They did, but instead of being face to face, separated by the table as they had been every time they were in this room, Mobius slid his chair next to him.
After an awkward silence, Mobius began to speak, "So, you and Sylvie..." then he stopped, aware of what he had just said.
Loki raised his head, shocked. "You... you saw?" he didn't even give him time to answer, "Mobius! I swear I didn't mean to kiss her, I didn't even respond to the kiss, I don't even know why she kissed me, I've never felt that way about her, never, you know that, Mobius, it's you I love, I know we haven't really had time to talk about our relationship and I'm not the kind of person who can be trusted and I've lied in the past, but please, you have to believe me, I would never- Hmph"
Mobius had not let him finish and had crashed his lips against those of Loki. He kissed him in the same way as their first kiss in the elevator, the difference was that it was no longer their first kiss, it was a kiss of reunion, of familiar sensations, of shared intimacy.
When they separated to catch their breath, Mobius murmured, his lips against his, "This is really the best way to shut you up..." and laughed softly.
"Hey!" Loki pushed him gently. Then he got serious again, because he wanted to make sure Mobius believed him, "Mobius, I'm serious."
Mobius took his hand and replied, "I'm not going to lie to you and tell you that I didn't feel jealousy, I'm human after all, and seeing the man I love kiss another woman was pretty hard to watch. But I also chose to trust you, that means all the time and not just when it suits me. So if you tell me that kiss meant nothing to you, then I believe you."
This time it was Loki who barely let Mobius finish his sentence and who put his lips on his, settling astride Mobius' knees and putting his arms around his neck. This time, they took their time, the kiss was soft and slow, then they caught their breaths, their foreheads pressed one against the other, neither of them wanting to be separated more than by a few centimeters.
Suddenly Loki kissed Mobius again, this time forcefully, he was shaking, his hands clutching Mobius' back, holding him tightly. Mobius, feeling a wetness on his cheek, pushed him gently.
"Hey, hey easy Loki, it's okay, it's okay now."
Loki " I-I, I really thought I had lost you, when your double asked me who I was, I thought you had completely forgotten about me."
Mobius wiped away the tears with his thumbs, letting his hands linger on Loki's cheeks before kissing him gently. Then he cradled Loki's head on his chest, resting his chin on his head as he hugged him tightly, Loki's arms wrapping around him again.
"Never, you hear me, never will I forget you. And even if I did forget you, I'm sure you'd find a way to get my memory back."
They stayed like that for a few more moments, tasting the relief of having found each other again and of having once again overcome an obstacle. Together.
Then Loki came down from Mobius's lap and held out his hand to help him stand up.
"I guess there's a lot to do now that the timeline is branching out."
"Thanks for the reality check... but yes you're right, as nice as this interlude has been." replied Mobius, keeping Loki's hand in his.  Then he continued, walking towards the door, "Come on, it's time to introduce you as a member of the team."
At those words, Loki had a strange feeling, something like belonging, and asked with a smile, "What's the TVA's motto again, For all time...?"
"For all time. Always." answered Mobius.
Loki squeezed Mobius' hand as he continued to walk forward. When Mobius opened the door, he repeated softly, "For all time. Always. Together."
They didn't know what was going to happen, but one thing was certain now, they would face it. Together.
_____
Whole series : The story of Loki and Mobius
As always, bear with me as it is not beta'd I hope you enjoyed it 🥰
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Text
Supernatural Novel: The Unholy Cause
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Welcome to my review of the fifth Supernatural novel, The Unholy Cause
Author: Joe Schreiber
Timeline: Set after Episode 5.08 Changing Channels but before Episode 5.16 Dark Side of the Moon
Location: Mission's Ridge, Georgia
Synopsis: As the pressure mounts for the upcoming apocalypse, Sam and Dean head to the historic town of Mission's Ridge, GA, where the Civil War is less about the past and more about the present. With interference from Castiel, demons, and Judas Iscariot himself, how can Sam and Dean prevent a major catastrophe from befalling this small town?
Review: ⭐️⭐️⭐️⭐️⭐️
Warning: Spoilers abound!
After the last book, I was really hoping to see an improvement in this one, and boy did I! I've finally hit the Supernatural tie-in novel I was hoping to read from the beginning! It read like an actual episode, I could hear the actors speaking through the character's words, and I really couldn't find anything that contradicted canon.
In addition, the actual storyline was compelling and the side characters interesting. With the other novels I've reviewed, it's taken me most of the day to read them because I kept getting distracted. This one, I read straight through without stopping. I love reading a book like that!
Side note: This novel does dive in to Christian theology and the story of Judas Iscariot (who betrayed Jesus). If you are uncomfortable delving into that portion of Christianity, you may not want to read the book or this review (though my review notes about that will be minimal).
Now, since I don't have any canon vs. non-canon comparisons to make, today's review is simply going to be a list of my favorite scenes and how certain scenes relate to what's going on during this period in Season 5.
Cameo!
Sam and Dean are informed of the case by one Rufus Turner! He's only in it for a brief bit, but he's still funny as heck asking the police to pay his dry-cleaning bill.
We get a nice character introduction of enigmatic (clueless) Castiel who's trying to heal Civil War reenactors who are understandably frightened of him. He's still searching for God at this point, but we also get this nice character beat for him:
"I walked the battlefields of the South a hundred and sixty years ago," Castiel replied, a faraway look entering his eyes. "I moved among the men and brought their souls to glory. And now..." Something moved over his face for just an instant, so rare and brief that Dean almost didn't catch it; a flicker of hope. "And now," he repeated, "I'm healing again."
Of course, Dean has to explain that none of the reenactors actually need healing and he goes back to being determined to find a 'First-order witness' - someone who broke bread with Jesus Christ.
I found this part surprising within the book, but as I thought about it, it made more sense. The TV series has to tread a very careful line with Christianity so as not to offend a bunch of viewers, but the books have a much smaller audience and can take these liberties. Personally, I was fine with it. They didn't go too deep and stuck with the witness being Judas (who doesn't exactly have a great reputation to begin with).
There's a fantastic brotherly moment where Sam shares the sheriff's name (Jack Daniels) and they then go back and forth trying to guess what this Jack person is like i.e., fat vs. skinny, bald vs. hairy...
Dean: "Nam vet. Buford Pussar type. From Walking Tall." Sam: "Deliverance refugee. Civil citations all over his desk."
One of things I love about this book is the brother's relationship. This banter and other character beats really feel authentic as opposed to the prior novels. (I won't spoil what the sheriff is actually like - needless to say, they play a major role in the book.)
Just a few pages later from this great banter, we're back to the drama as Sam and Dean argue about a nightmare Sam had that he can't remember, but which could be relevant to the case.
"What's this about Dean?" Sam demanded, "Is it about you not trusting me? Because if it is, there's not a whole lot of places we can go from there." "Yeah, you're my brother," Dean said. "But you're also Lucifer's prom dress, and if he's seeding your dreams with hints about the master plan, then maybe it might be a good idea for you to look at 'em as close as possible. That's all I'm saying."
And of course, Dean gets concerned about Sam as they split up to cover more ground. It's music to my ears! There are a number of other conversations like this that really emphasize the strained relationship Sam and Dean display in Season 5.
Another surprising character beat is the influence of Lucifer on Sam because as he's doing research at the local historical society, Sam (and the historian) are surprised to find out he can read Coptic, an ancient Egyptian language. It startles Sam and once again emphasizes how different he is.
At a particularly gruesome crime scene (a mass grave), there's a brief moment with Dean that really shines as he looks down on the skeletons in the mass grave and finds a similarity to what he did in Hell:
Because that was what he did after spending years down there, doing what he'd done... Through sheer force of will, Dean shoved those notions aside...Now more than ever he didn't want that experience contaminating the way he looked at the world... not that he had a choice. Hell had been his Vietnam. It had stamped its mark on him for all eternity, and no amount of denial or self-imposed ignorance was going to change that.
There's an additional moment of traumatized Dean that I wish they could have shown in the tv series:
Sam: "Are those bloodhounds?" Dean didn't answer... When Sam finally caught a look at his brother's face, he saw that Dean's cheeks and forehead had gone absolutely white, as if every drop of blood had been sucked away... "They're not hellhounds, Dean, they're just dogs..." Dean didn't answer. He was still listening to the barking and howling noises coming closer, crashing through the undergrowth. He seemed paralyzed by the sounds.
There are more to these Dean passages, (too much to copy), but I really like that we see actual effects of past experiences.
There's also a nice scene with Sam and a young teenager that really highlights his ability to connect with kids around that age (of which we see later in the TV series):
"My brother and I grew up without a Mom, too," Sam said... "It wasn't always easy... Not everybody gets that." "I still dream about her sometimes, you know? Even though I was young when she... when it happened," Nate blinked at Sam. "Weird, huh?" "Are they good dreams?" "Yeah." "Then it's good. That's your way of remembering her."
The last third of the book is very action-oriented and has multiple instances of hurt Sam and hurt Dean, with the requisite caring from each brother.
Once again, I've gone on too long, but I'll end with a couple of favorites: Humor:
The sheriff glanced out the window, (referring to Baby) "And haul that piece of crap car to the impound lot. I don't want it cluttering up my street." "Woah!" Dean snapped, a sudden rush of anger rising in his face. "Watch your damn mouth. You can't just---"
Drama:
"This is blood money," Sam reached into his pocket and pulled out the Shekel. "Bobby says the only way anybody gets their hand on this..." The rest of the sentence was getting stuck in his chest, and he made himself finish it, "is by betraying someone you love." Dean stared at him. "Dean..." "Look," Dean broke in. "Don't get too hung up on it, okay? It doesn't necessarily mean anything," he stood up and brushed off his jeans. "Whatever happens between us, we'll deal with it then..."
Thanks again for reading! I'll be back again next week with War of the Sons!
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