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#tw fatphobia
lylahammar · 6 months
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skinny ppl learn to shut the fuck up when the conversation isn't about you challenge
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Don't you just absolutely fucking hate it when you look up references of fat people for your art, and you find more fatphobic jokes and AI pictures than actual refs ? I'm sick of this shit.
If anyone knows of a website or google doc or whatever with fat people in different poses, I'd be so grateful if you sent it to me 🙏
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thesockdrawersblog · 3 months
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old married spirk:)
I like the way you draw Spock’s ears
Tw:Self Hatred/Internalized fatphobia (dw it’s not as dark as it sounds, it’s just a self deprecating comment!)
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McCoy:STOP BEING GAY ON THE BRIDGE!!
(Also THANK UUU, I love Spock’s ears)
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bonefall · 3 months
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Warrior Bites: Dietary Needs
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[ID: A fish carcass, bird carcass, and mouse carcass on a stone slab.]
Are you wondering how much prey a Clan needs a day? What they should eat to stay healthy? Why food processing is useful at all? All the answers to these questions and more, contained within a general guide to dietary needs for your Warrior Cats!
As an obligate carnivore, a cat's entire diet revolves around processing meat. More specifically, the ideal diet should be 55% protein, 45% fats, about 1% to 3% carbs, with the remainder being various micro-nutrients. You can expect the average 10-pound warrior to need 350 calories per day, about 3.5 mice on average.
I've also included a section talking about obesity, which dives into how canon's depiction of it is both harmful fatphobia and wouldn't make sense from a cat perspective. It also discusses obesity in realistic cats; and how you're free to choose the realism on that aspect.
Below the cut;
Caloric Intake
Nutrition
Food Processing
On Obesity
Caloric Intake
The general rule for how much a cat needs to eat is that an active, non-neutered tom will need about 35 calories per pound of their own body weight, per day, just to remain the weight they are.
That means that the average warrior, assuming they are 10 pounds, will need 350 calories a day.
Kittens, pregnant and nursing cats, and large warriors will need to eat more than average. Neutered cats, elders, and clerics/medcats will eat less. There are calculators online for determining how much an individual will need, but you can estimate how much an entire Clan will need just by taking 350 and multiplying it by population!
Assuming the average population is about 30 cats, that's 10,500 calories to feed a Clan for a day! To put that in perspective, that many calories would feed 7 large humans. If you felt like fighting a group of angry cats to steal their day's worth of mice, I mean.
Generally speaking, land prey will have a caloric value around 5 calories per gram. Aquatic prey is significantly lower, around 4 calories per gram. Birds will be just below 6 calories per gram. To find out how many cats a piece of prey will feed, or how many pieces a cat will need that day, take the category and multiply by the prey's weight in grams.
So for example, the average house mouse is 20 grams and it is land prey, meaning its caloric value is around 100 calories! A warrior will need 3 and a half mice a day to stay healthy, and a Clan will need 105 mice daily to support 30 cats.
105 mice may seem like a lot, but remember that a wild rabbit is 1,800 grams on average which means 9,000 calories. 2 big pieces of prey will feed the whole Clan, with leftovers.
Those estimates include every part of the animal. Cats eat organs, small bones, and even skin. Skeletal muscle, or "fillets" in reference to fish, is so low in calories that it's typically somewhere between 1 kcal to 1.5 kcal per gram. That's what you're buying in the supermarket; but wild animals don't usually cut their food into choice strips.
(unless you're writing a clan that does food processing of course!)
QUICK FACTS
Average warrior will need 35 calories per pound of weight
10 pound warrior needs 350 calories a day
350 x 30 cats = 10,500 calories to feed a Clan for a single day
Birds provide the most calories per gram, land prey the middlemost, and aquatic prey the least.
Calculate calories in prey by taking the weight, converting to grams, and multiply by 4, 5, or 6 depending on broad category.
If you're having trouble feeding a Clan on small animals, look at bigger prey like rabbits and trout.
Muscle fillets are inferior to organ meats and have a much lower caloric value.
Nutrition
Not all food is the same. The more important thing to consider about any particular meal is NOT its calorie count, but its nutritional value. This is especially important to cats because protein is not stored as fat. If the body has no immediate use for it, it's flushed out.
Since cats should not eat more than 3% carbs, ALL of their fat stores will need to come from fat.
The ideal piece of meat would be at least 55% protein and 45% fat. Every individual species will have a different ratio, and more importantly, individual cuts will have a different ratio.
Skeletal muscle has a higher ratio of protein to fat. Organ meat, also sometimes called "offal," will have a more balanced ratio. That said, nearly all meat skews towards protein. PURE fat is very hard to find on the sorts of animals Clan cats hunt, and must be carefully divided, collected, or processed to make sure all warriors are getting proper nutrition.
I'll be going more in-depth with dietary fat at some other time, as this guide is meant to just be an overview! Just know that some Clans will need to eat MORE food to stay healthy because of this.
Cats need more than the "macronutrients" to stay healthy. They can't JUST rely on the juiciest cuts of meat to keep their health intact, they also need several vitamins and minerals to support their body functions, and avoid getting a deficiency.
Here's some of the important micronutrients, where to get them, and what happens they don't get enough;
Vitamin A: Livers, mealworms, eggs This is one of the most important micronutrients in a cat's body, used for practically everything. Without this, their coats will grow dull, and their joints stiff, and they'll start to go night-blind. In a severe state, they'll start to lose the ability to heal skin lacerations and die. Pregnant cats and kittens need more of this than usual, but it IS also possible to get vitamin A poisoning from getting too concentrated of a dose.
Calcium: Bones, eggs With a calcium deficiency, the warrior will feel stiff and sore, and experience painful muscle spasms. Most cats will simply crunch the bones of small prey and never have to worry about this, but if your cats cook or scavenge, they have to be told to NEVER eat the bones of a roasted bird. Because bird bones are hollow and cooking makes them brittle, they can splinter and cause fatal internal bleeding.
Thiamine: Trout, boar meat, mealworms, eggs Called a Fish Seizure because raw carp and raw bream contains thiaminase, which will destroy thiamine in the body. Lack of thiamine will cause neurological issues, such as the aforementioned seizures, general confusion, memory loss, and muscle weakness. This can be counterracted by eating trout, which is so high in thiamine that there's a theory that carp evolved it specifically to eat salmonids better.
Potassium: Trout, boar meat, mealworms, eggs As cats get older, they begin needing a lot more potassium for their bodies. It's a very common micronutrient found in most meat, but elders should get the first bite of special snacks "out of respect" which helps keep their potassium level up. Without it, they become very weak.
i feel like that evil struthiomimus from land before time with how many times i typed eggs
QUICK FACTS
The ideal ratio of a cut of meat is 55% protein 45% fat
Organ meat > Muscle meat
Micronutrients are important
But micronutrients can also cause poisoning if, somehow, they're too concentrated (very hard to come across concentrated micronutrients without the science of chemistry tho. Like if a cat swallowed a vitamin gummy.)
Food Processing
"Food Processing" is when you do something to your food before you eat it. Just a little bit of care is going to go a LONG WAY when it comes to health of the warrior.
Cats that eat raw meat the way canon warriors do are almost guaranteed to get worms. Roundworms, hookworms, and tapeworms are all passed through the infected tissue of rodent prey, and in fish, roundworms, tapeworms, and flukes can pass through raw meat.
All parasites do something a little different, but most digestive worms aren't fatal unless the cat is sick or a kitten. However, nearly ALL of them screw around with digestion, making the cat need to eat more just to stay healthy, or causing stomach irritation. Some of them can even pass in milk, infecting a suckler's nursing kits.
The easiest way to reduce this kind of infection is simply to slice the prey open from mouth-to-butt, Tigerstar-style, and hook and lift out the GI tract before eating. There's nothing in that worth eating raw anyway. It can just be discarded, or cleaned out and used to case tiny sausages! But it's only a reduction; there's still a risk of catching worms from raw meat.
There's also always the possibility of getting salmonella poisoning.
Many believe that cats are immune to this, but that's not true! Carnivores just have a shorter GI tract than omnivores and herbivores, so salmonella spends less time in their gut and ergo has less chance of causing an infection. It still happens, ESPECIALLY when cats hunt songbirds.
Nothing can be done about salmonella in raw meat, besides eating it as quickly as possible. It's innate to the bodies of birds and reptiles, and usually found on raw eggs too.
Some animals are small enough to be dried and carried around as rations, such as minnows or grasshoppers. Others could be sliced up into strips, and marinated in spices like valerian or catmint for an extra boost of energy. It could also be worthwhile to cut the pelt off a particularly soft animal, like a mole, to dry and keep as bedding material.
All of the above examples of food processing are possible without fire, but if your cats DO have fire, they will have a DRASTIC increase to the quality of their health.
Such as;
Cooking will almost completely eliminate those foodborne parasites. Their eggs don't survive extreme heat.
No more salmonella poisoning! GONE! Cooking is the only way to eliminate this!
It can increase caloric absorption from anywhere between 20% to 50%. Our example warrior who needed 3.5 mice a day could suddenly need one less mouse; and even a meager 20% drop in how much the entire Clan needs saves 2,400 calories a day. 24 whole mice!
I HAVE TO STRESS HOW BIG THAT IS. You save anywhere from 2/10 to 5/10 successful kills.
Thiaminase is destroyed by cooking, making bream and carp healthier and reducing "fish seizures."
It allows for fats to be processed and stored as tallow, lard, and oil, so it can be added to other dishes to make them both healthier and tastier.
Most food preservation requires fire in some way; by heating, jellying, boiling, etc. The only other two ways to reliably store food is by having access to a ton of salt, which is hard for most non-coastal clans to acquire, or vinegar, which is so acidic it's a notorious cat-repellent.
While cooking can also destroy some micronutrients, its benefits FAR outweigh any potential "strengths" of raw food. Destroying micronutrients is also not always a bad thing; as TOO MANY micronutrients can cause poisoning. Fire-using Clans will be more likely to "seek" micronutrients than non-fire Clans as a result, though they probably won't recognize the science behind a hankering!
QUICK FACTS
Worms. Basically unavoidable if your cat's eating like a canon warrior.
Some parasites can spread through milk.
Slicing and lifting out the GI tract can significantly reduce the chance of catching worms.
Salmonella can only be eliminated with cooking
Cooking will drastically increase the quality of a Clan's health, if your cats are advanced enough to figure out fire.
Warriors need to hunt a LOT less prey, and can store that prey, if they have fire.
Fire-using Clans will intentionally try to put more types of food in their diets and get 'cravings.'
On Obesity
Warrior Cats is not a realistic series. The boundary that any particular writer draws between humans and warrior cats is completely arbitrary. The series itself follows no sense of realistic genetics, regularly shows the cats using herbs that would poison them, and gives the characters human-centric morals like monogamy and paternal involvement.
So when it comes to being fatness in your project, please keep that in mind. You do not need too follow realistic cat weight distribution, if that's not what your project about. That said, let me tell you about humans vs cats in this department!
Humans have a massive diversity of weight distribution, with varied genetic predispositions to gaining and losing weight. The shame, bullying, and medical discrimination that comes with fatphobia is a LOT more harmful than being fat itself, and the causes of the "obesity crisis" are ridiculously more complicated than "ppl r snorking 2 much food".
Realistic cats aren't the same way.
When REAL cats are fat, that's VERY bad. It's a sign they are being fed the wrong things by humans, or live somewhere that they are able to eat what they shouldn't. They just don't have that same diversity in fat distribution that humans do. Because of how adipose tissue secretes certain hormones, feline obesity is like a chronic inflammatory disease which can cause arthritis, bladder stones, hepatic lipidosis, and more.
But with that in mind, fatness should be perceived very differently even in the most realistic settings. In comparison to humans;
It is harder for a wild cat to put on weight. Most of what they're eating is raw protein, actively trying to fill the 45% of daily fat intake they need to stay healthy. Protein isn't stored as fat, it's immediately discarded by the body if there is no use for it. A cat would need to be taking an INSANE amount of prey to start becoming dangerously overweight. Housecats are often fed human food, which has carbohydrates. Low-quality cat food will also use carbs as filler. High carb food is VERY bad for them, since they're only supposed to have 3% carbs at most. This is one of the reasons why it's easy for pet cats to become overweight.
Realistic cats don't look start looking overweight until they are significantly obese. Most of their fat is stored around their ribs and internally, unlike humans with our thick hips and round bellies, and they are covered in a naturally sagging pelt of fur. It's not as obvious with them. Visually, weight will be noticed best from a bird's eye perspective, unlike humans where it's apparent at every angle.
Putting on the fat that CAN be acquired is ridiculously important 3.5 raw, whole mice a day, per cat, are needed to fill their basic dietary requirements. There are going to be days or months especially during winter where they might be below that number, and that stored fat is going to be lifesaving. Bulking up is actually a big deal!
So not only is how canon treats overweight characters full of malice, it's full of lazy malice. It makes no sense from a realistic standpoint for wild cats to develop an association between fatness and greed or laziness. It's important, hard work for them to acquire it!
Though the Clans are notoriously xenophobic and kittypets are more likely to be overweight, it still doesn't make sense from a realistic cat perspective to be fatphobic in the same way as canon. It's more likely they'd see fat housecats as having "unearned" weight given to them by humans, like they're cheating, or they might be disdainful of how much junk food they eat, or pitiable because it's a sign of a bad twoleg... or just "sour grapes" variety jealousy ☕.
Bottom line is that there's a LOT you can do here which is better than canon's vicious bullying. The writers just lifted British cultural disdain for fat people and put it into the books. They simply did not think it through.
So please do what they didn't, and just put a little extra thought into how your project is going to view fatness! Consider if fatphobia is even a theme you need in your text.
As stated, you do not even have to write weight in your cats as being realistic in this way! I encourage you to pick and choose what's most fun and fitting for your own work. I personally give my characters a more human weight distribution, simply because I want to spite canon and be more body-positive. I am a fat people and you can take Bumble's big chunky bod from my cold, dead hands.
You can choose to make your work however you'd like, and now with this guide, you can have an easy reference for what your cats should eat! Thank you, StarClan, for this prey <3
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My opinion about the Illymation versus Think before you sleep drama
I think this drama is stupid as fuck. Like I feel so bad for illymation. Like imagine this from her perspective like 1 day you Make a video about how kids shouldn't be going into drastic diets because of how they feel about their body. And then some random ass Conservative Youtuber makes a whole ass video about how your indoctrinating children and that you're trying to make people fat. And because of that random ass conservative Youtuber, you're getting harassed by his fans. you get so much harassment That you have to turn off your comments on that video you made. And then After a while of this, you decide to respond Like an adult By making a post on Tumblr Telling your fans not to watch the video and to just report it. And then Out of nowhere. Conservative Youtuber decides to make a 32 minute video Pissing and shitting himself over the fact you dare to make a tumblr Comment Telling people not to watch the video. And in that video he directly tells his fans that you're cyber bullying him And you're trying to censor him and you're trying to censor people with disagreeing opinions. Which makes the harassment much worse. And you're just stuck in limbo not being able to do much about it because if you try to say anything again he's gonna make another video about you which will create more harassment. I want to become an alcoholic cuz of hearing this whole situation. I cannot imagine what it would be like being her in this situation. if By any chance illymation is reading this I just have to say I am so sorry that a Whiny conservative Manchild Is doing this to you. I don't know how to end this sooooooo um byeeeee
psa: DO NO SEND ME DMS ABOUT THIS POST GUYS I THOUGHT THAT WAS OBVIOUS, if you do it anyway then you WILL be blocked
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cuddly-vamp · 9 days
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Fatphobia doesn't have a justifiable reason. Just because someone's problematic, doesn't give you the right to insult their weight. If someone pisses you off? No. Fatphobia for ANY reason isn't okay. If you think it's funny to mock someone's weight as a shot back at them you can go get fucked.
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tocomplainfriend · 3 months
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VIV is constantly criticized by her own fault.
TW: Mention of: SA, Rape, Transphobia, fat phobia, Antiblackness.
(Hey, i'mma probably do a post eventually about episode 4. Btw, awfully shit, worse than I thought it could be... BIG TW OF R-PE AND SA IF YOU'RE GOING TO SEE IT. AND TW of the minimization of those topics too.)
(SORRY FOR BAD ENGLISH IN THIS POST TOO)
BUT I NEED TO CALL ATTENTION TO THIS! One of the reasons I criticize a lot of Viv specifically is because of how much she puts herself out there. She sees something she posts on Twitter about it a shit ton (even on "threads" lol). AND because of how lacking of improvement she has being. (I personally know people I have considered terrible when we were teens, but I have seen legit improvement from them in recent years. They seem like people who struggle, but got to grow up and made up for any problems (or pain caused to me or others). People have the ability to change and become better. Something that matters at pointing out issues or discussing-is the idea of creating change on others. It is better to get someone to change for the better than to cast them into the forever jail of nothingness (unless, IDK, they Sexually Assaulted someone, for example). Specially when they are young people. Doesn't mean YOU have to stick with other people that hurt you, no. Doesn't mean people get to do what ever and get away with it.
BUT All of this problem I have seen from Viv are from age 19-30. (you can change at anytime btw) And see constantly repeats herself and her actions. Seems to have never accepted criticism (said by herself too), and never able to see her own faults. The fact that is a continuous behavior is a problem, how she always responds is awful. My post of "Viv has being transphobic for 10 years", was to signal that. If she really had changed over those 10 years to a genuine thing- I could've taken that! But no, the shitty double standard against trans men... the weird treatment. THE MANY STORIES OF EMPLOYEES GETTING MISGENDERED HEAVILY, TOO.
(I know people who were transphobic [When they were teens mainly], that Genuinely improved and changed their beliefs. Now they treat trans people with respect and care! And still learning about gender-fluid people, too!)
It just seems to be further and further away from getting better! The fact that she only decides to take in account voices from SA victims that agree with her- it's painful as a victim, my self!
And yes, people who sent gore or dumbass shit to Viv (or the team) don't help. And go get help why you're looking and sending Gore to anyone. (Also, stuff like this does lead to people not listening to others people genuine callouts). The fact that I criticize something doesn't mean I agree with the people that go and do shit like the thing I just mention above.
AND ALSO A IMPORTANT THING HERE!
This drawing was created by DollCreep. BUT ALSO FUCKING REMEMBER this was done in response to the shit that Viv drew of him.
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If you didn't know Viv drew a transphobic caricature of DollCreep using the name Jojo (his old nickname). This put together with a shitty anti-sjw meme video. DollCreep is a transman, Viv drew a character based on him. A furry wolf girl, If you can see in the image the main thing listed below the character name is the fucking "Sex=♀️". SO ON PURPOSE, CHRIST. Like... AND YES-is shitty from both to have drawn this (even if it was in respond) mainly immature in DC part. But that, or any toxicity coming from DC, doesn't delete the transphobia here. (imagine drawing a racist caricature of a poc person, because they are shitty to you). THE POST LINKED ABOVE SHOWS THE SITUATION, and in the end of the day. Viv says that DC is an abusive shitty person to her, but never realizing her own faults or anything she could'be possibly done wrong! (and again, any wrong done by DC in general can not be deleted by the fact of having being treated badly. If he did shitty stuff himself, that doesn't delete the wrong done in general to him or to others by viv)
Here about transphobia:
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(this is like 8yrs old too)
Again, she never acknowledges anything that she might have done wrong. "She is a thoughtful person, that wants tor write queer and disabled characters! She wants to tell empowering stories of..." It doesn't even feel close to that when people bring up actual problems in her writing that are stereotyping or bad, and she just yells and cries. It all feels like empty sticks she is only interested in in the surface level, she doesn't want to actually deal with.
When she says "This characters is black guys ♡♡♡" and then the fucking 7th, a grayish character with zero black features. She can not actually try and draw a black person with a different hair texture, she'll faith is hair isn't straight and spiky (has done this so much too). She is all for positivity and diversity (can not draw more than 1 character that isn't a fucking stick with the same stupid face).
She can not write relationships in general. She cannot do gay couples, then don't lean on the stupid old uke uwu defenceless x big rough seme protector stuff. Again, all the interactions with Husk and Angel are sexual harassment. They are already a revealed future couple (and episode 4 is terrible for them, specially with that song). Stolitz is toxic, and predatory. That is not acknowledged, and all Stolas's predatory behavior and power dynamics are put in the background, cause- "look how sad Stolas is :(! HIS DAD IS SOOO MEAN, HIS WIFE IS A BITCH". All her gay characters are in pure surface: over-sexual twinks that are assholes, which also fit into the top/bottom as personality boxes.
Any other point includes sexual harassment as a joke. BUT KNOW SHE WANTS TO BE LIKE "GUYS SA STORIES MATTER, LOOK AT WHAT I WROTE" as if she didn't lean back into the problem of the diminishing of SA and r- (in general and done to men) with her jokes in HB. With all the sexual harassment that Angel Dust puts on Husk and others. (AND YES THERE IS NO WARNING IN EPISODE 4, FOR ITS HEAVY TOPICS! I do believe all series/movies with this need it. SPECIALLY IF IT'S SO GRAPHIC! "Sexual content" is not the same as a warning for SA or R-pe. An adult can see a movie with sex or sexual nutidy- when they see that- but it's different to get straight assault on screen. Victims can watch movies/series with sex in them all good, you cannot just group consensual sex in the same assault or R-pe...)
The thing where Mammon (the only fat character that isn’t from the fucking background.) is like FIZZ YOU NEED TO LOSE WEIGHT. AS IF SHE COULD EVEN DRAW ANY DIFFERENT BODY SHAPE WITHOUT DYING. Like there is only Mimzy (hasn't appeared yet, not given any importance. In the female lead show). Mammon the piece of shit (does the same as Blitz, but he is actually fully bad.) His design is done with 80 fucking layers on top. Like all the test of the skinny character's clothes suck up to their body except for Mammon. His body is hidden in layers upon layers of clothing (that's all you got?). All you main guys need to fill "the skinny have nothing men" and "skinny woman with big hips and legs, but no fucking stomach"?
AND YES! VIV DOES DO THE FUCKING, "FAT = FOOD LMAOOO". You know the thing HH fans and hater where like the "Bee needs to fat thing is bad, cause of fat = food (only food) is reductive and shitty"
(Can I refer to how the show Bojack H, make Diane gain weight cause of anti depressants- and it wasn't a joke! And she was happier too?)
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(mine, from post right below)
... like is a bundle of issues. And Viv will never accept that she might be /or is wrong. That's why it hits the fan with stuff. -And again I liked many of the little concepts and stuff in HB and the original pilot of Hazbin. Shit- I still like Sir Pentious and Nifty. I do like Mammon as much as he is a pack of problems to call out, I fucking love the piece of shit Australian jester- The artist work hard on it, and I'm happy it's an openly queer! (as limited as it gets, too....). I liked Huni-cast, I loved the original voice cast! -and that happens! I could be writing this about other stuff too, not only Hazbin... if I created this blog earlier- IT WOULD ALL BE ABOUT RWBY, DANGANRONPA, even svtfoe...Ladybug... or Agretsuko's ending too. So yeah, sorry for the long post (as if all my post weren't)
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thebibliosphere · 10 months
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Lying in bed thinking about the conversation I had with my mother tonight. I called her to let her know the GI doctor seemed good, and we'd be going ahead to schedule the colonoscopy + endoscopy, and how I'm hopeful I'll finally get some answers and maybe start a treatment plan that might help alleviate the excruciating pain I've been in since May.
Her reaction was catastrophic devastation. "Oh no, how awful, those procedures are so horrifying, this is devastating. Are you sure you have to do it?"
And, I'm just like... as opposed to what I'm dealing with now?
I can't eat solids. I am barely tolerating liquids. Everything hurts. I can't sleep. I can't focus. I've dropped 40 lbs since May. I am barely functional right now. And I know neither procedure is pleasant. Name a single medical procedure that is. But if shoving a camera on a roto rooter from one end of my digestive tract to the other tells them what the fuck is wrong with me (chrons is suspected + MCAS complications), then it'll be worth not dealing with this anymore.
And there's a small, jaded part of me that knows her and knows how she thinks and the way she used to control my food intake that can't help but wonder if she's just glad I'm thin again.
Maybe I'm being cruel. Maybe I'm projecting back the childhood trauma she gave me. But I also can't help but recall how she saw a picture of me holding my niece at Christmas, both of us beaming and laughing, and the only remark she made was, "Are you still on the steroids? They make you gain weight, you know."
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schsas · 8 months
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(ps this is a joke about how this particular show treats relationships between these characters when the average dialogue between these two usually looks like this fatphobia is obviously not a joke)
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moralyte · 5 months
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The disgusting comments that i’ve seen about g3 Draculaura, Iris and Catty (who mind you, is still a prototype) are so wild because how are you gonna be fatphobic to characters in a franchise that’s all about accepting yourself and others, regardless of looks?????
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poisonheiress · 5 months
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I feel like more people need to talk about the fatphobia in Helluva Boss. Besides the"fat jokes aren't funny and are actually just assholish" conversations, making Mammon be fatphobic towards Fizz just doesn't have the same impact as Vivzie intended it to have or really an impact at all when you look back at all the fat jokes towards Moxie that Luna and Blitzo have made.
Some may argue that Luna and Blitzo were joking, but while Blitz's one line may fall under that argument, Luna's doesn't. From tone, to when/where the joke was said, to Moxie's reaction, Luna makes those comments or "jokes" to be mean to Moxie, and does not feel sorry for what she did. While this does solidify Luna's character and the idea that no joke is off limits for Vivzie so to speak, it also unintentionally lays the ground work that fatphobia is fine both in the show and in hell. While this agrees with the "its hell" argument that Vivzie always pulls out to defend her questionable character decisions, it doesn't work with the audience taking Mammon's comment towards Fizz as something we should actually care about.
You can't make fat jokes towards other characters and at the same time, tell the audience that fatphobia is bad simply because its a villain that's doing it especially in Hell where most moralities fall under morally grey. It's like having those at I.M.P critique someone for being a mercenary and killing humans; it doesn't work.
It's horrible writing and its makes the creators and the characters themselves hypocrites . Blitzo being a hypocrite could work cause he is piles of messed up, but the show nor its creator show it as that. Instead, they show it as a moment that helps solidify to Blitzo how bad Mammon is both for Fiz and the general public. In the end, Vivzie shot herself in the foot again and its now becoming more clear due to just how many times shes done it.
Of course, there is also the added issues of one of the few fat characters (if the only one) Vivzie shows being the one to be fatphobic while also being depicted with so many fatphobic media stereotypes, but that's for another post.
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rollercoasterwords · 2 years
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i don't want to hear about your diet i don't want to hear about your weight loss "journey" i don't want to hear about your clothing size i don't want to hear about your "healthy alternatives" recipes i don't want to hear about your fucking nutrient dense protein pancakes or your green juice super smoothie metabolic booster lemon water cayenne honey tea i don't want to hear about your workout routine i don't wanna hear about your slimming shapewear i don't want to hear about how much you hate your arms or legs or stomach or hips i don't want to hear about how "bad" you've been for eating too much dessert i don't want to hear about the number on your scale i don't want to hear your casual fatphobia dressed up in the language of "wellness" or the excuse of self-hatred!!!!
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theredofoctober · 2 months
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MANNA- CHAPTER TWELVE: FRUIT
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Dark!Hannibal Lecter x Reader x Dark!Will Graham AU fic
TW for eating disorders, noncon, abuse, drugging, Daddy kink, implied child abuse
This is chronologically the twelve chapter
READ AFTER THE CUT...
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You ascend to your room alone, glancing back over your shoulder in the paranoia that one or the other man pursues you like night after the sun.
Neither have taken you by way of carnality since Will rutted you against the wall. It seems an unnatural strike of fortune, and one unlikely to last.
There is too much lust between these beings, hunger of such echoing depths that the sensual urge is but one chained within. Their eyes all evening have picked you to the bone like carrion set at by desert birds. Your cunt parts, empty, about the memory of Will’s fingertips; there is a sense of art unfinished, a crescendo in the crashing of keys only the hands of men can bring into violent birth.
In dread of missing the sound of their approach across the landing you lie quiet in your bed, no music nor comforting hum of the television as your night-time companions. Yet footsteps only halve the house when your captors go to bed, each in their own room, an anti-climax. 
You think of Hannibal, tossed amidst the curse of unsung ardour, then of Will, crushed under the density of an unsated sleep. Such lonely men, in their way, divided by what lies unchartered between them, and with you.
Though by now settled, the skin which Will has touched—struck—still seems to burn with him. Five fingers, the rounded oblong of a palm, a hand that feeds dogs, has fired a gun, has rocked you, fucked you. A hand that Hannibal Lecter reaches for across dead miles of darkness to know as you have, and to love what you have loathed.
Unsettled, you roll on your stomach, but the pulse you hear when overwrought seems to peal through your very bones in its jeering song.
Filth, sin, soil: you taste your shame in its salt, as you have each night since long ago. Yet before your taking for the purpose of this ritual science there had never been pleasure in it, only the experience of staring always at the edges of things. The corners of ceilings, the light at the top of a door, a wall torn to grain by the night, liminality your legacy of innocence.
With Will, with Hannibal, you cannot look away, are made to witness and to partake in every aggression and gentleness with the same focus of attention. For that is what they want, your immersion in the devil’s playhouse. For you to be a doll, a daughter, embraced after the most inclement incident into a state almost soothed.
You cry yourself to sleep, wanting such a practice of love from someone who’s never once hurt you.
*
Hunger wakes you in the night, a restless drumroll that compels you upright in its rallying beat. As you stretch, thinking morosely of the marvel it is to have gorged and still not be full, you hear someone stumble in the nearby hallway, thudding against the adjoining wall.
A fight? Some drunken struggle? An intimacy overheard? No—
There is but a sole pair of scuffing footfalls on the floorboards beyond, too unbalanced to be Dr Lecter’s.
In consternation you go to your door and try the handle. It gives way easily under your hand, allowing you to peer out into the black mystery beyond.
Will lists against the right-hand wall, his eyes glazed and rolling under twitching lids. As you stare, abashed, his limbs fall under him, and he sprawls thrashing in unconscious spasms of animation.
There is blood on his face where he’s bitten his tongue, ebony in the negation of light. An oil spill on a seabird, drowning. A splash of mud on a bog's sunken dead.
You should let him suffer, step over his convulsing form and dart for nearest open window or outer door, but horror shakes you senseless of the thought before it takes full form.
Will’s fit continues, throwing the young man’s slim frame about like a machine caught in the throes of grim malfunction.
God help you: you pity him. He is human, and you are, as well.
“Will?” you say, stepping gingerly towards him. “Daddy? Can you hear me?”
It occurs to you that Will’s death is also yours, your lifelines enmeshed, a symbiosis in which only he would survive your parting. You kneel with your palms hovering over him, recalling very little that you know of First Aid, and entirely terrified of making him worse.
Hannibal’s voice comes from your left, uttering your name with a softness that somehow bears all the authority of a bellowed command.
He steps up quickly behind you, his hair disrupted from its usual tidy arrangement.
“Will’s having a seizure,” you say, in despair. “I don’t know what to do.”
“I’ll help him,” says Hannibal. “Go back to your room.”
You stare at him, dumbfounded by his apparent calm.
“But—”
Again Dr Lecter says your name, without raising his voice, or with any particular emotion. Yet you scuttle back the way you came, jarred by the suggestion of temper in that subtle repetition.
You hear Hannibal calling to Will, the sound of him lifting the other man and carrying his dead weight back to the spare room. The door closing, the subtle murmur behind it of Will rousing, his friend's soft, reassuring reply.
Silence, as of an exhibition ended.
Half an hour edges by, and not once do you stop shaking despite the heat of the autumn night.
Presently a knock comes at your door, and the doctor enters, his eyes lowered in remorse.
“I apologise if I spoke harshly to you. I know that you weren’t being deliberately disobedient. It wasn’t my intention to imbue your evening with additional distress.”
“It’s not your fault,” you say, quite disarmed by the apology. “It’s nobody’s fault. I mean, I shouldn’t have left my room, but I couldn’t just not go out there and see what was going on.”
Hannibal’s expression is opaque, a mask of ivory.
“I detect a concern for Will that isn’t entirely manufactured for my benefit,” he says. “Could it be that such a little cynic loves something other than her hunger?”
“What choice do I have but to care about Will?” you ask, shrilly. “What’s wrong with him?”
Adrenaline runs so high within you that you see the room on a tilt like some demented circus mirror reflection.
“What’s wrong with him?” you ask, again.
This time Dr Lecter answers, his tone low and even so as not to incite further upset.
“I suspect that Will is suffering from a combination of stress and fatigue, although I can’t deny the possibility of a neurological disorder.”
“Jack said he was sick,” you mumble. “And the other night, when I— you know. He looked awful.”
Will's face is punched into your retina like a flash of light, all blinding awfulness.
“And he’s been getting so angry with me,” you say, in a panicked rush. “Even though sometimes he’s almost nice. Is that why? Because he’s not well?”
“Will’s health has certainly contributed to his recent outbursts,” says Hannibal, smoothing your rumpled coverlet with fastidious hands. “The absence of control he feels amidst his fever leads to acts of impulse, particularly when in an environment he’s uncertain of, or feels threatened in.”
“I’m not threatening him,” you insist, hotly. “How could I?”
“I don’t mean in the literal sense. Will has very few close confidants, and those he possesses he guards dearly— that, or it is he himself that Will defends against his competition.”
You look up sharply, and Hannibal smiles, all benign conspiracy.
“Yes, little one. Having considered your thoughts on Will's dislike of you, I suspect that he also fears you may supersede him, or else share intimacies with me that he alone would otherwise possess. Yet Will’s envy is more complex than mere romantic ire, for unlike other rivals he has contended with, Will finds himself in the position of dizzying power over you.”
Dr Lecter pauses, his head at a rueful incline.
“For my part, I admit that it was rash to elect Will as the disciplinarian between us without taking all factors into account. It seems that I underestimated how antagonistic your relationship would become as his immersion in your treatment progressed.”
This you do believe, at least in that the doctor’s dissuasion of Will’s most outrageous verbal lashings is clearly genuine. Your bickering, in its familial likeness, he enjoys: an outright skirmish, repellent it its indecency, he does not.
“As you’ve indicated,” says Dr Lecter, going about your room to address its customary disorder, “Will’s becoming aware that his resentment is not entirely warranted as he finds himself increasingly sympathetic to your case. Such feelings are at odds with his desire to be alone in my company— an intricate conflict for any mind, let alone one so fiercely ablaze.”
“Ablaze?” you repeat. “What do you mean?”
“If my suspicions are correct, then Will’s condition may have been agitated by the ingredients in various dishes served in my home these past few weeks. The symptoms are closely matched to Will’s behaviour— disorientation, loss of consciousness, personality changes, mood swings. It’s unfortunate that I didn’t notice this much sooner.”
There is something performative in Hannibal’s guilt, his unshed tears like the glass eyes of a taxidermy animal. He’s known of Will’s ailment far longer than he suggests, and as he turns his back to close your chest of drawers you feel relieved, no longer forced to entertain this show of lies.
“You mustn’t mention any of this to Will until he’s received a formal diagnosis,” says Dr Lecter. “It may be that he’s simply mentally unwell, which would be a far more complicated outcome to navigate. But what you’ve seen of him lately is merely a conjunction of symptoms and heightened territorial emotions. Will’s true self you’ve yet to meet.”
The assurance is of little comfort to you, being that the nearest you’ve come to perceiving Will at his most natural and honest is in his private conversations with Dr Lecter. Through these you’ve glimpsed a complex creature, one that approaches evil with a newborn’s chary exploration.
You want to believe, for your own sake, that the sensitivity you’ve received from him sporadically evidences the continued persistence of his soul. Yet you cannot decide if he began a good man, changed through Dr Lecter’s influence, or if he’s always been a hunter, each kindness a flash of marsh fire luring you to drown.
The image of Will—twitching, defenceless—ultimately overrides this dilemma of thought.
“So what do we do now?” you ask. “We have to help him.”
Pleased by your concern, Hannibal leans across the bed to kiss the downturned corner of your mouth.
“I’ll reschedule tomorrow’s appointments so that I can tend to him. Will needs rest, first and foremost. As for his role here, it would be safest for him to delegate the majority of his more strenuous duties until he's recovered. I’ll continue them, in his stead.”
Choosing not to linger on the implications of this, you ask, “What about me? What can I do?”
“Healing Will is not your responsibility, little one.”
“But I’m making things worse,” you say, fretfully. “I know it. How can I make him like me?”
Not without humour, Hannibal says, “You can begin by tempering that sharp tongue a bit. Like Will, you rarely attempt to sweeten your words. I’ll never encourage you not to bite, but it is important that you roll on your back when we bid it. You must be our good girl, above all else, or if not good then charming, at the very least.”
You roll onto your side, crushing your face into a valley of pillows.
“I guess I really haven’t been playing along enough,” you mutter.
Hannibal chuckles.
“Not nearly enough, for all your promises. But it’s early days yet, sweet girl. We’ll see how you are once we're used to one another.”
*
 
Morning comes rudely, stalling the excitement like an opera’s intermission.
You take breakfast with Hannibal, only distracted from the usual struggle of eating by the presence of Will’s vacant seat. Having thought of him without respite for hours you’re in state of nervous delirium, your flinching knee a seismic force under the table.
“I want to see Will,” you blurt out, at last. “I want to see if he’s alright.”
“I’ll be taking a tray up to him in a few minutes,” says Dr Lecter, scarcely bothering to hide his delight in this new interest. “Don’t ask him too many questions. No doubt he’s feeling somewhat delicate this morning.”
You watch as Hannibal prepares a separate meal for the other man, cutting fruit and stewing tea leaves with loving ceremony. When he puts a strawberry to your lips you take it, your tongue rasping the juice gamely from his fingertips.
The shock of the previous night has amputated your mulish declination to humour him; even the disgust that meets your every concession is hushed, made redundant by a renewed vow to leave this house on soft feet rather than screams.
Other women have befriended their keepers and lived, as will you, if you can bear to pander to Dr Lecter as long as they.
*
Accompanying Hannibal to Will’s room you find that you’re oddly excited, even gleeful in anticipation of the visit. You’re taken with the notion that his seizure will incur some unknowable change, though whether in Will himself or the dynamics of the households you cannot predict.
Never have you seen him so utterly fragile, the dilapidation of a man. You think of a child, foisted on a detached father by a mother Will had never seen fit to name.
Will he be ashamed that you’ve seen that self so clearly? Will he be angry, indifferent, or else fear the power his weakness allows you as though your thumbs press deep in the fluttering dell of his very throat?
There is another possibility, however, the one your morning-fresh hopes hang onto by their nails: that he’ll remember how you’d crouched at his side and called to him as he shook in the darkness.
“Wait here for a moment,” says Hannibal, as you crowd up behind him at Will’s bedroom door. “I’d like to speak to him alone first.”
You hang back as Dr Lecter goes in, pressing your ear to the door the moment it shuts at his back.
“You’re awake,” says Hannibal, simply. “How are you this morning?”
There is a pause as he sets down the beautifully arranged tray somewhere in the room.
“I feel like I could sleep for another forty-eight hours,” says Will, his voice thick and slightly nasal, a sickbed tenor. “I should probably get up and head home. I need to check on the dogs.”
“I called Alana and asked her to look in on them,” Dr Lecter replies. “It’s inadvisable to drive in this condition. Try to eat. You’ll revive much quicker if you line your stomach with something.”
“Yeah, well. I can’t make any guarantees of keeping it down.”
You hear the metallic scraping of a fork about Will’s plate and writhe in envy. Even unwell he eats without thought of the fat that disallows your enjoyment of any meal. You live vicariously through him, in that moment, imagining the liquor of fruit across his tongue, the forbidden pearls of white sugar.
What you’d give not to be a slave to thinness, the goal whose end will never form.
Hannibal says, "Present issues aside, I can't help observing that you've been conflicted, as of late, Will. One might even say confused."
"Have been since the start of all this,” says Will. “The clouds still haven’t cleared. A bilious forecast.”
"Yet you've no wish to abandon this project for brighter climes."
Will gives a little snort of derision.
"I'm too enmeshed in this household to extract myself now. The night I first touched her was my signature at the end of the page. Indelible ink. No taking it back."
You flatten your face to the door so as to better interpret Hannibal’s silence.
"You feel a genuine duty to our little one, for all your misgivings,” he says, at last. “I was beginning to question if I’d made a mistake."
"She's abrasive,” says Will. “Not exactly malleable. I believe you know what you’re doing, but on paper it seems like an ill-fitting adoption."
"Children are reflections of their parents, and so far she’s shown herself to be a mirror of you. Towards me she is cool, distant, and distrustful. With you, there is an attraction of sorts. Not sensual, nor even familial, but it’s enough that, in spite of your every rebuttal and harsh word, she’s beginning to develop something of a rapport with you."
Laughing tersely, Will says, "Not sure I see it."
"You don't allow yourself to,” says Hannibal. “But you’re aware of that truth, all the same. Each time you relent into even momentary tenderness you turn against her in savagery that is vastly unearned.”
“You asked me to punish her,” Will says, sharply. “Encouraged me to— relish it.”
The admission does not move you; these men have knifed ecstasies of you like oyster flesh enough times to have indicated their tastes.
It is the why you listen for, the object they skirt about with the same flirting avoidance of a tryst that cannot be.
“I’m not referring to punishment,” says Dr Lecter. “This I have openly supported. It’s how you address our charge that’s beginning to make her feel displaced.”
“Are you criticising me, Dr Lecter?” asks Will, with a smile in his voice.
“Certainly not. I’m merely observing a pattern of behaviour, and its impact upon my patient.”
To this Will says nothing, but the tension between the two men is as visible as the door that stands between you.
"If you yearn for the hours that you and I once spent alone, I'm able to accommodate by replenishing that time together,” Hannibal says, at last. “But the blame for that neglect is solely mine. I've foisted our little one upon you without consideration of what response such an abrupt change would elicit."
"You don't have to apologise,” says Will, as surly as ever. “It’s an adjustment. I’m getting used to it.”
Your ears catch the delicate action of him lifting the tea cup on his tray, then of setting it down again.
“I spoke to her alone last night,” he says, abruptly. “Told her of my intentions to stay part of this. For a moment it felt like we connected. Like that was the promise she was looking for. But when I refused her something she wanted, she accused me of being ‘like him’. I figured you'd know who she was referring to.”
“Yes,” says Hannibal. “I can make what I imagine is an accurate guess.”
“Whatever parts we try out here, I don’t want to become the unnamed shadow that stands at her shoulder. It made her the way she is. There’s a tastelessness to that kind of evil.”
"I know. It’s more than apparent that you repel her less through genuine hatred, and more through the necessity to protect yourself from what it would mean to know her, and for her to know you in return.”
As Will replies you hear the huskiness of genuine emotion forced out between gritted teeth.
“All this would be a wasted effort if she were ever taken from me.”
“That won’t happen again,” says Hannibal, at once. “The pillar of salt left when you looked back at Abigail will never form with our new charge. When our second daughter turns to me with the same thirst for intimacy she’s developed for you she’ll be, at last, our Chloris, the nymph turned mistress of flowers."
He speaks with such tender compassion that it starts an ache somewhere in the underwing of your ribcage. What necromancy he conducts here to wake your dead and mangled innards into a living heart you cannot guess, only fear the compassion you’re capable of towards such creatures as would destroy you.
"Our little one would like to speak to you, it seems,” says Dr Lecter, closing the previous subject with a seamless finality. “Should I let her in?”
Will shifts uneasily on the bed, creaking its springs.
“She asked to see me?” he asks.
“She did.”
You imagine the younger man scraping a tangle of hair back from his temples as he gathers his thoughts.
“Where is she?”
Thus your cue to enter announces itself: you open the door, peeping at its edge, oddly shy.
"Hey,” you say, in a semi-whisper.
Will is as grey and moist with feverish sweat as deep-sea stone. His vast eyes nest in violet shadow, the whites a thread work of capillaries.
You pity him, this shambling experiment of Dr Lecter's creation, one of many, no doubt.
"Hello,” says Will, dully. “Sorry about last night."
Edging into the room, you allow Hannibal to slip discreetly away behind you with a light pat on your shoulder.
"Are you okay?" you ask. “How are you feeling?”
"Tired, mostly,” says Will. “I'll get over it. Need to. I’ve got a case to work on."
He scrutinises the half-empty tray before him from under lowered lashes.
"I'm surprised you helped me. You could have run off. Hit me over the head with one of Dr Lecter's vases."
"I wouldn't do that,” you retort. “You even said so. That I— can't."
"No, but you could have gotten away. So why didn’t you?"
There is no surprise in his voice, nor even suspicion, which you’d expected. He merely sounds ill, and trying to be interested, in spite of it.
“I don't know,” you admit. “I felt bad for you, seeing you like that. I didn’t want to leave you."
A weary cynicism twists Will’s features into momentary ugliness.
"You were afraid of being alone with someone you could never hope to understand without me."
"Not just that,” you insist, alarmed by the truth of the insight. “I was scared for you. Really. You should go to a hospital. You need tests. Meds. Scans and stuff, maybe.”
Will searches your face with eyes like dull rain, and some of the guardedness falls away from them.
"If it gets any worse, I will,” he says. “Just not today.”
You see how much he detests his own weakness, the potential to be devoured like an animal fallen in a savannah. If you strike, he will struggle, and sick as he is, you will lose.
So you offer him the gift of submission instead, the cunning exertion of a child's mite power.
"Okay, Daddy.”
You feel rather than see Will straighten in response to the word.
"Don't think I'll ever get used to that,” he says. "It’s alright to use my name. There aren't any rules against it."
"No, but he wouldn’t want me to.”
“When have you ever cared what Dr Lecter thinks?”
Shrugging, you mumble, “I guess I’m just sick of fighting all the time.”
The sick man scrutinises at you for so long that you hop from foot to foot in discomfort, itching your sole against your calf.
“It’s going to be hard for me to trust you,” says Will. “You’re probably just going to pretend until you see an avenue to get out of here.”
“Everything’s pretend, here,” you say, smartly. “Nearly all the conversations in this house are about myths and dreams. Dr Lecter talks about them like they’re real, or something.”
Amusement lights the sunken dark of Will’s gaze.
“He finds their philosophies more valuable than the moral structures most people follow.”
“And me?” you ask. “Am I valuable to him?”
Being that you’re still convinced that your worth to Dr Lecter is entirely reliant on Will’s continued interest, you only ask to discern if he himself understands this, or if he believes Hannibal would love you of his own accord.
With a tired caution, Will says, “Right now, I think you entertain him. What else he feels about you I don’t know.”
“And what do you feel?” you persist. “Still don’t like me?”
At this the young man laughs and shakes his head.
“Ask me again once I’ve gotten to know you. If you can agree to a truce, that is.”
“Fine,” you say, and you put out your hand for him to shake. “Truce. Let’s try that.”
With a wry grin Will accepts, letting go almost at once with a sharp inward breath.
“You’re freezing!”
“Haven't you noticed?” you say, hastily stuffing the offending hand under one arm. “I always am.”
It’s an unfavourable symptom of your hunger, this blood and touch of ice. Under even the sweltering gasp of summer’s heat you’ll shiver, knock-kneed, and suffer at the slightest feather of a draught.
Still, that cold affirms you. Were you to be warm again you’d hate yourself, having regained enough of the weight your system craves to regulate its heat.
Glancing up, you notice Will examining his own hand as though he shares your temperature, his fist a twin to frost.
"Come along, little one," says Hannibal, materialising in the doorway again. "Will needs more rest. Perhaps you’ll see him later on.”
But by late afternoon Will has dragged himself home without saying goodbye, and as before his absence eats a crescent into the house.
*
Some days later you pass an evening with Hannibal like so many others, yet unlike for the new state induced in you through his medicinal enterprise.
You're accustomed to the concoction of drugs that regresses you to a needy youth, the sleepers, the stimulants, the tea that lowers you from the electric heights of righteous hysteria into something slowly numb.
Yet whatever element comprises the pill flushed down by water from today’s gently tipped glass elevates you to orbit a heaven above you, so removed from your imprisonment that you observe all below with an objective eye.
Dr Lecter has bestowed upon you the rare trust that you may eat without prompting or assistance, and you have done so, temporarily rescinding your disordered agitation to a mycelium half-dream.
Thus entranced, you watch yourself drape the tines of your fork back and forth across your half-eaten plate, enthralled by patterns on the porcelain that are not there.
Your eyes drift repeatedly to a painting on Hannibal’s wall, mounted coyly for any dinner guest to comment on.
Naturally, you’ve seen the piece many times before, and have been, in turns, startled and disturbed by its subject.
Now you find yourself dully intrigued, as you were by the Japanese prints. This attention does not go unnoticed by Dr Lecter.
“What is it, little one?” he asks, intently. “Do you have an interest in art?”
“I don’t know,” you say, confused by the banality of the question. “It’s just this picture. Isn’t it... rude?”
Hannibal smirks, eyeing the image with a fond appreciation.
Its focus is a supine young woman, draped, half-naked, on a rumpled bed towards which a curious swan approaches with its curved neck bowed.
Likely it is the original painting, procured at auction, its price unimaginable; all things in this house are ripe with expense, even you, its demanding charge.
“Artistic nudity is only considered rude by children,” says Hannibal, blithely, “or else by shallow and ignorant adults. Does the depiction of genitalia offend you, my darling?”
You gaze up at the cowrie of a cunt under its shadow cap of hair, pinkly presented on spread silk, and think how often your own has been arranged likewise for Will or Hannibal to admire.
“Why is it in this room, specifically?” you ask.
You struggle with the syllables of the words, spitting the sibilants in a manner unbecoming of so distinguished an event as dinner with Dr Lecter.
“Doesn’t it put people off their food?”
“I find it makes for an amusing conversation piece,” says Hannibal, pouring himself another generous glass of wine like the blood of some celestial giant.
You attempt to grimace, none of your muscles quite taking to the motion.
“I don’t think it’s funny at all. Just creepy. Sad.”
“Are familiar with the story of Leda and the Swan? Zeus, a virile and insatiable God, looked upon the queen of Sparta and desired her. So, in order to seduce her, he transformed himself into a swan so that she would be fooled by his beauty and appearance of vulnerability to take him to her bed.”
“He tricked her,” you say, quietly. “He didn’t seduce her, at all.”
Dr Lecter’s face scarcely moves, but there is something of laughter in the lines of his strange beauty.
“So it’s the deception that unnerves you,” he says. “The pretence that he was an innocent creature rather than the all-powerful and lustful deity he truly was.”
You nod, not wanting to admit that you see your own face mirrored in the brushstrokes of the damned queen.
Prophet-like, Hannibal interprets the gesture with flawless vision.
“You empathise with Leda. Recognise the parallels between her story and your own.”
“Is that why you put it there?” you retort, emboldened by the miles between you and the girl slumped in the dining chair. “Because you think you’re the swan?”
“The bird is a shield for the truth, remember,” says Hannibal. “So what would the swan be, in me?”
Dropping the fork with a discordant clatter, you consider.
“The polite, handsome doctor,” you say, at last. “You fool everyone: Jack, Alana Bloom. My parents. They would never have left me here if they knew what you really were.”
Hannibal turns his head at a slight angle, as though by doing so he might uncover some mystery in your face.
“And what am I, little one?”
“I... don’t know,” you admit; a killer, certainly, though there is more to him even than that. “There are a lot of things you’re hiding from me.”
“Tell me your perceptions, then. There’s no need to spare my feelings; after all, you so rarely do.”
Amidst your mushroom-made divinity, you are fearless in your answer.
“You’re a bad person. You’ve done things that would get you into a lot of trouble. Hurt people. Not just me. Not just Tobias. And you don’t feel bad about it. You think that everything you do is right, somehow. Like you should be allowed to do it. Like you’re the gods in all these stories.”
Hannibal absorbs this with the silence of having been sated by your answer.
“And what about Will?” he prompts, some moments later. “Is he, too, a starving monster under the cunning guise of a tender animal?”
“No,” you say, with less certainty. “He’s... sick. You're using him, making him think that this is what he wants.”
Your captor laughs over the rim of his wine glass.
“That’s where you’re wrong, little one. The Will you think you see is only one wing of a swan. Soon, you will glimpse beyond that fragile veil, and feel the mythic need of all immortals to plunder from the weak, merely for the pleasure of knowing that they can.”
A sudden sadness tugs you back to earth like a choke chain, iron-like the lump in your throat.
“So you don’t want to help me, after all,” you mumble. “It really was all a lie.”
Taking your hand across the table, Hannibal presses a thumb to the pulse at your wrist, a soothing motion.
“Not at all,” he says, firmly. “I’m quite fond of you. I wish you to be strong. Each time you find yourself resenting Will and I you must remember that Leda did not die after Zeus bedded her: she became a mother. In you, I seek another outcome. More than one, and not all of them so horrible as you imagine. There will be beauty in this conversion, as well.”
You gaze at him with disbelieving eyes, close to rejecting the hope he grooms in you.
“What other outcomes are you looking for, Dr Lecter? How can I become all the things you want if I don’t understand them? What’s really going on?”
Hannibal kisses your knuckles and places your fork back into your hand.
“Nothing you need to think about at the moment,” he says. “Now, finish what’s on your plate. I’d like you to move on to dessert.”
Just like that, you are his little girl again, the moon having passed across the sun.
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Someone recently sent a comment on one of my posts about the absurdity of how some people will say aces/aros “are just like that because they know they’re not good-looking enough to find anyone who’ll want them” and... Yeah god y’all got this literally all backwards
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(TW: body image, fatphobia)
Ok oof this has been in my drafts for MONTHS but I still think it’s important so I’m gonna close my eyes and queue it 🙈
I feel like we need to open discussion about fatphobia in the Lockwood and Co books. I spent 5 mins the other day scrolling through one star reviews on Goodreads (because I saw one who said Lucy is a boring narrator(?!) which baffled me because she’s great???), but most of the negative reviews pointed out that Lucy is always commenting about George’s appearance negatively in one way or another, and I do agree this is true but I wondered what other people thought.
I think this happens a bit more in the first couple of books, which are the ones I’ve read the least recently making my memory a bit fuzzy.
I don’t have any real salient points to say on this topic (yet), but here’s some stuff maybe to get us started:
Lucy is an unreliable narrator in general. It doesn’t make anything bad she says acceptable, but it’s something to consider because we are seeing absolutely everything from a subjective point of view
We know Lucy has low self esteem and body image/insecurities which I guess projects onto how she views others too
I think there’s value in the contrast between Lucy judging people on appearances and then George completely not seeing outward appearances which we start to see more of later on
Please let’s all be calm and respectful if you do have anything to add! We can all learn from each other :)
(and pls pls let me know if I need to add more tws)
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mogai-sunflowers · 11 months
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okay maybe a hot take but even though I’m as ACAB as they come, I don’t. uh. Love those jokes about how cops are pigs because they eat donuts like crazy. Because I see people MUCH more willing to call cops pigs if they’re fat. I only ever see the “donut” jokes about fat cops. and believe me, fat people see those jokes. I hate cops more than pretty much anything but if you are so willing to make fun of them for being fat or “donut eaters” because of their body type then maybe don’t because there are much better things to criticize pigs for. People act like “pig” is a synonym for “fat ugly cop who just sits around eating donuts” but it’s not. All cops are bastards, all cops are pigs. Fat cops are not pigs because they’re fat, they’re pigs because they’re fascists. Stop throwing fat people under the bus in your righteous anger at cops.
not to mention that being ACAB is about fighting anti-Blackness and other forms of bigotry, but fatphobia is intrinsically rooted in racism, anti-Blackness, misogyny, and queerphobia, so defending fatphobia is not very ACAB of you in the first place.
anyways fuck ALL cops.
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