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#tricolor hair
topnotchquark · 2 months
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Tricolour hair my beloved 🇮🇹
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old-web-cats · 2 days
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"kitty cat" - vaughn28oz
"sleepin"
Uploaded to Flickr on November 11, 2007, Taken on January 25, 2005
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maykitz · 2 years
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let me be clear that this isnt supposed to be a smug "fix" but rather a quick test of my hypothesis that the main thing making this design not land is the colour scheme. first palette is from a genshin character (since that seemed to be most of the unfavourable comparisons), second is a more typical fire emblem lord palette. feel free to discuss!
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elytrafemme · 4 months
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i can't get a normal screenshot of them because i'm actively watching the video but firstly observe how dan turned this the fuck out with the weird futuristic wetsuit and the earring (the wetsuit was mentioned in the "Dan is leaving me" video but the fact that he WORE IT legend and he looks so fucking good)
secondly please note Phil and please empathize with the fact that i am HAVING THE THOUGHTS. like he has had so many good fits lately but this one... the return of the QUIFF... it's over for me. How can two men be so pretty.
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meowtime · 10 months
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The closest I’ve gotten to Jackie in the years I’ve known her. All thanks to the temptation of a long orange string.
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time-machine-salon · 2 years
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Happy Ganesh chaturthi from Time Machine Salon and Academy
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suguann · 2 months
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REDAMANCY—JOHN PRICE
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✎. You tried not to grow feelings—you really did. Feelings make things complicated, but you can’t help it. | wc. 1k+
tags. fem!reader, getting together, strangers to fwb to lovers, mild smut [18+ only]
masterlist
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“John, I…” You hesitate and allow your fear to get the best of you. “We’re friends, right?”
With his sweaty forehead pressed against your shoulder, a tangle of pointy knees and elbows, you can’t bring yourself to ask him to stay. It’s never been about staying or soft-spoken words between the sheets, but things feel different from the first time he picked you out from the crowd in a bar and fucked you up against a dingy bathroom door.
Maybe it’s just you. 
The fluttering in your chest when John stops by your office at the clinic as soon as he makes it back to base, how he wraps his hand in your hair and kisses you in the entryway for everyone to see—two thick fingers in your mouth to keep you quiet as he peels your uniform out of the way to wrap his mouth around a nipple and cup you between your legs.
Perhaps it’s the softer things: a kiss on your forehead before he leaves, another souvenir from one of his missions on your bookshelf, flowers for the vase on your counter.
You tried not to grow feelings—you really did. Feelings make things complicated, but you can’t help it.
John’s just…John.
He’s quiet for a moment, then two, and you wish you could see his face until he nods, whiskers sending goosebumps across your shoulder blades. “Yeah. We’re friends.”
Somehow, you feel like you hadn’t said the right thing as he gets up and slips his jeans over his thighs—the taste of whiskey and cigarettes still on your tongue long after he’s gone.
You hadn’t believed him—still don’t.
Not when he rushes into the emergency room a few days later—some of his tactical gear still in place—right after you get into an accident, panic written all over his face. He glances at your torn scrubs and the bandages across your shoulder, assessing the damage. And when he finds that everything on the outside looks fine (or as fine as a few scrapes and bruises can be), his shoulders visibly relax—if only by a minuscule. 
This is your answer.
"It’s not as bad as it looks. You should see the other guy."
His mouth tilts ever so slightly, worry still etched across his features. "Is that right?" 
The nurse looking over your chart arches a brow at you, and heat blooms across your face, forgetting that you’re not the only two in the room. 
John clears his throat. “Could you give us a minute?”
She smirks. “Of course. If you need anything, I’ll be at the nurse’s station.”
Once the nurse leaves the room, it goes quiet. He slowly approaches the hospital bed like he doesn’t know what to say, picking up the clipboard the nurse left on your bedside table. 
“I was chasing my neighbor’s dog—Gizmo, you remember him; he likes chasing the mailman—when a moped knocked me out,” you tell him, the painkillers turning your thoughts into a tricolor ball of playdough. "Did you know I almost bought a moped once? I can't imagine why. Those things are a deathtrap with tiny wheels."
He makes a grunting noise in lieu of an actual answer.
You watch his eyes shift over your chart, thinking it’s now or never—
"Do you want to go on a date? With me?"
He glances up and stares at you with wide eyes. "Do you want to go on a date?" 
"Well, I…” You lick your lips, glancing wildly around the room. “You don't?"
"I just didn't think you'd want to."
"And why wouldn't I?"
"A number of reasons, actually. One, I'm older than you," he ticks it off like a grievance on his finger.
"So? That's never bothered me.” Then you smile. “Fucking older men is all the hype now, didn’t you know?"
John ignores you and holds up another finger. "And…"
"And what?"
He drags a hand over his mouth. "I, uh, well… I’m not good with relationships."
"That doesn't bother me either."
"It should."
"Why?"
"Because you're young.”
You roll your eyes. "You say that as if you're old. "
"Love, I am old. You can find someone better."
Love. You ignore how that makes your stomach flip pleasantly.
"You know, you play a poor devil's advocate. I’m already looking at the man I want."
He sighs, sitting at the edge of the bed with you. "Okay, let's play a game of what if." When you nod, he asks: "What if I took you on a date? Where would you like to go?"
"Hm,” you hum. “How about I tell you what I like?"
This makes him crack a smile. "That wasn't the question."
"I like music,” you tell him anyway. “Sometimes I like to go to the art district, even though I know nothing about art. I enjoy corny walks on the beach, and I don't mind flowers."
"I already know you like flowers."
“Then it should be easy.” Your lips twitch, thinking of the tulips he brought you the other night still sitting in your kitchen window. "And what if I said yes?"
"I'd say…” he sighs, reaching for your hand to delicately trace around your scratched knuckles with his thumb. “I’d pick you up from your place once you feel better. It'll probably be too cold for the beach, but maybe I’ll take you to this nice place Gaz mentioned a few weeks ago. Then I'd bring you back home,” his eyes trace over your bare collarbones and down to the top of your pants, “and make up for lost time."
You bite your lip, your heart fluttering wildly. Hopeful. Knowing it’s no longer a game.
(Was it ever? Maybe it was two people who never really knew how to find each other—who had to grow together.)
"So, it’s a date?"
“Yeah.” He kisses the back of your hand. "It's a date."
You wonder if you should get used to the pain in your cheeks from smiling so much—not that smiling from being happy is a terrible problem to have.
“Took you long enough to ask.”
“Took you long enough to say yes.”
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orderforbrian · 1 month
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@jonmartinweek Day 5 - cryptids | webs & weaving
i ALSO did make this a while ago for day 5 bc i thought about web!martin weaving jon a sweater out of spiderwebbing, however i also wanted to make that other drawing so have double the web for today lol
[START ID: Two drawings of Jon and Web!Martin from a Web AU of The Magnus Archives. Jon is a thin Persian man with dark short, curly hair, rectangular glasses, and a mustache/beard. Martin is a fat mixed Polish/Korean man with dark short, wavy hair and several beauty marks. 1st panel: Jon is wearing a sweater with a repeating tricolor wavy pattern and is itching the back of it with a gruff expression, a couple spiders fall out of it. He asks, "Ugh, this is so itchy - what'd you say this thing was made out of?". 2nd panel: Martin smiles widely with two fangs and eight eyes, his cheeks plump with a happy pink. He holds up a detailed web in the shape of a heart and exclaims delightedly, "SPIDERWEB!!" with several hearts around the speech bubble. End ID.]
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mariekanker · 7 months
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lineup but i had 2 cut it into pieces #verticalwebsite but you get the idea
[IMAGE ID, IMAGE 1: A fan lineup of Luffy, Zoro, Nami, Usopp, and Sanji, in that order, all post time skip. They are drawn in a cartoony art style and deviate quite a bit from their canon designs. Luffy is looking face forward at the viewer, smiling widely, and holding a peace sign towards in front of him. He's a little shorter with cartoonishly large eyes, ears, hands, and feet. Zoro is standing with his chest puffed out to the side, fists clenched, and glancing over at the viewer. There are no major changes to his design, though he has a mullet for some reason. Nami is smiling, mouth open, and holding her clima tact with Zeus emerging out of it and floating over her head. She's drawn to be more chubby, freckled, and has a cowlick in the shape of a stem and leaf. She's wearing a green button up, that isn't buttoned at all, exposing her black sports bra and stomach. She's wearing white jeans with a berri belt buckle and her regular sandals with heel shoes. Usopp looks a little confused, and is holding the kuro kabuto, with a small plant head attached like when he uses the grow up kabuto move. Usopp's eyes are cartoonishly large and the top of his hat covers the top of his eyes slightly, acting as a second brow. Instead of a long thin nose, he's drawn with a shorter fatter nose that connects directly to his top lip, almost as if his head was a sock puppet. His skin is colored much darker than an in the anime. Sanji looks at the viewer, annoyed, holding a cigarette in one hand, and resting his other wrist on the elbow crevice of his opposite arm. He is drawn with a short torso to make his legs look longer and more spindly, with cartoonishly large hands and feet. His hair is drawn more curly to make his eyebrow, and colored a strawberry blonde. IMAGE 2: Continuation of the lineup, this one has Chopper, Robin, and Franky. Chopper is looking at the viewer, facing forward, and holding a rumble ball in his hoof. He's been redesigned to have smaller eyes and a wider nose, thick human like eyebrows, and a tricolor fur coat of brown, darker brown, and cream for the chest. His hat remains the same, and he's wearing a pink tank top that says "Yay" on it and his magenta pre-time skip shorts. Robin is standing and a three quarters angle, glancing over at the viewer. She's been redesigned to have more jagged hair with cartoonishly large hands and feet to contrast her thin limbs. Her clothes are mostly the same as her default outfit, with the jacket redesigned to have longer sleeves and show less cleavage, the pattern on her skirt simplified, and her legs and feet are drawn as if her pants and shoes are one and the same. Franky is standing face forward, smiling widely, sunglasses on, head cocked to the side, and doing a thumbs up with one of his mini hands. Simplistic chest and stomach hair have been added, matching his hair color. The chest hair is in the shape of a star. His shoulders have been completely recolored to be black with a red stripe, white lettering, and have blue flame decals on them. He's wearing his default pre-time skip shirt and black speedos. IMAGE 3: Continuation of the lineup, this one has only Brook and Jinbe. Brook is playing his guitar, has his mouth wide open, and cocking an eye at the viewer. He's wearing his sunglasses, but they're pulled down to show the tops of his eye sockets. He's wearing his default outfit, the only changes are that the back of his suit is ragged and his pants are a bit scuffed. The floral pattern on his pants have been simplified as well. Jinbe is standing with his arms hanging down, looking to side at nothing in particular, mouth slightly agape. He's wearing yellow and white robe and purple cape from the wano arc. White spots are speckled across his cheeks, sides of his neck, backs of his hands, and tops of feet, meant to resemble the spots of a whale shark. His hands have a more paw like appearance with the fingers thicker and tiny claws sticking out. END iD]
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springsteens · 2 months
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herbal teas guide —
🌿🍃 having conversations with my mutuals all over the world, i was stunned to find out that not every country/culture practices drinking herbal teas for health issues. as a slavic person i decided to create this little guide because – and i'm saying this as a skeptical person who hates superstitions – they really work. 🌿🍃
mint tea (mentha piperita) is for digestion and relaxation chamomile tea (matricaria chamomilla) is for digestive system horsetail tea (equisetum arvense) is for skin, hair, nails condition, remineralization and circulatory system linden tea (tilia cordata) is for a cold lemon balm tea (melissa officinalis) is for relaxation and sleep nettle tea (uritca dioica) is for urinary tract sage tea (salvia officinalis) is for when your throat or teeth hurt fennel tea (funiculum vulgare) is for digestive system white mulberry tea (morus alba) is for carbohydrate metabolism pansy tea (viola tricolor) is for clean skin and body detox purge tea (cistus incanus) is for immunity hawthorn tea (crataegus monogyna) is for heart and circulatory system damian leaves tea (turnera diffusa) is for anxiety and libido dandelion tea (taraxacum officinale) is for liver, stomach and digestion st john's wort tea (hypericum perforatum) is for emotional balance, good mood, digestive system and kidney function
🌿🍃 to create this guide i was using a booklet from my pharmacy store. if you google them, you will find out that each of these have even more usage methods than the ones listed. 🍃🌿
🌿🍃 if you're from a different country/culture and you know more herbal teas like these, feel free to add them. 🍃🌿
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old-web-cats · 22 days
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Top left to bottom right:
"Cats 154" "Cats 153" "Cats 152" "Cats 151" "Cats 150" "Cats 149" "Cats 148" "Cats 147" "Cats 146" "Cats 145" -Andrew Rogers
Uploaded to Flickr on March 29, 2006, Taken on March 29, 2006
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bizarrebuns · 4 months
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"Charlie Blue" - Livermore, CA
I kid you not, a friend of mine had a cat who looks exactly like this guy. Gives a new meaning to "dust bunny"
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bethdehart · 1 year
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Mousegirl May Day 4: Fancy
Not only fancy in style but fancy in fur (based off of tricolor fancy mice).
[ID: A sketch of an anthropomorphic mouse girl. She has white fur with gray-brown and goldish-yellow spots. Her hair is dark brown with dark-gold streaks. She is wearing a long black dress with black jewelry and shoes.]
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mywitchcultblr · 7 months
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RPG be like:
"You can be an elf or a dwarf! Or maybe a human with draconic ancestry! You can be a dream furry cat girlfriend or even a badass talking lizard! You can have horns, devil eyes, scales and tricolor hair! With edgy scars and try hard evil tattoos! You can express yourself and be anything you wanted!
What? You are asking for a fat body type? Now, now don't get yourself too excited, that's too much!"
*sigh* 🙄
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meowtime · 1 year
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Wego and DC settling in for a post-meal nap.
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aspoonofsugar · 10 months
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Blake Belladonna's Design
This is a quick appreciation of our Cat Girl's design. Its objective is to offer a short analysis by incorporating elements of other metas. Ideally, the end result will be something similar to Yang's post. Finally, this is the final piece of my mid-summer Blake meta spree :) So, enjoy!
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JUST ANOTHER CAT GIRL?
Blake's design plays with the idea of "cat girl". Cat girls are common in anime and mangas, but are often overly sexualized. In particular, cat ears are usually presented as an overly cute trait and sometimes a fetish.
RWBY takes this idea and subverts it in 2 ways.
Blake's ears are initially hidden, so that her affinity with cats gets highlighted through other aesthetical elements:
Gambol Shroud's ribbon resembles a cat's tail and it being a whip may reference the infamous cat o' nine tails
She decorates her eyes with cat eye makeup
She is able to make copies of herself, which get jokingly referred to as copycats
In Mistral she wears leg boots, which bring to mind Puss in Boots
In Atlas she wears a catsuit
Blake's cat trait becomes a core part of her identity, which is explored on a double level:
It represents her faunus heritage, which makes her different from humans and discriminated
It is a symbol of Blake's troubled past and of her involvement with the White Fang
So, Blake covers her cat ears to run from both society and herself. Just like a scaredy cat ;)
As you see, with some limitations and worldbuilding, Blake manages to be a cat girl with much depth to her. Still, there is more to her cat design.
FROM CALICO TO TUXEDO
Let's juxtapose Blake's initial concept art with her final design:
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What changes is the cat used as the main inspiration.
In the initial concept art it is the calico cat (tricolor cat):
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In the final character design it is the tuxedo cat (bicolor cat):
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Why the change? Let's explain it by highlighting one similarity (1) and one difference (2) between the two kitties.
1- Both cats are called after a type of cloth:
Calico is a fabric, which originates in India (the set of the Jungle Book - Blake's secondary allusion) and is famous for its colorful printed patterns. I wouldn't be surprised if Blake's clothes in the concept art were meant to be calico made.
Tuxedo is a formal wear, which consists of a black suit over a white shirt and a bow tie. Well, Blake's final design is a revisitation of the traditional tuxedo with a shorter jacket and a bow worn in the hair, instead than as a tie.
The idea of "cloth" is heavily used in Blake's design, which may be one of the reasons why the tuxedo is eventually chosen. This kitty, thus, offers a pretty poignant metaphor.
It all starts with Gambol Shroud, where shroud means a piece of cloth that conceals or protects:
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Here come two thoughts:
Blake's bow is her shroud which is why it resembles her weapon’s ribbon (same color and similar material). The bow is the ears, while the ribbon is the tail. Together they complement Blake’s cat design.
Some tuxedo cats are called tuxedo masks because it is as if a black mask covers their whole faces. It is easy to see how this concept fits Blake, who conceals herself thanks to a little piece of fabric.
Basically, Blakes's bow is her tuxedo tie, which is worn as a mask.
2- The two cats differ when it comes to their color:
The calico is a tricolor cat, which is mostly known as having a white coat with some orange and black patches
The tuxedo is a bicolor cat, which has white and black fur
These two color patterns are another reason why Blake has been characterized as a tuxedo instead than a calico. As a matter of fact the black and white dychotomy fits our beautiful faunus girl more.
WHITE AND BLACK = BEAUTY AND BEAST
In old English, Blake's name means both black and white. As a result, she is linked to both colors, which tie with her light and shadow motif:
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Blake is associated to the twilight because it is where light and shadow meet. What's more, her musical theme is built on this duality. She starts in the shadows and climbs her way up towards the light.
Well, Light and Shadow are linked to two Jungian Archetypes:
The Light is the persona, so what is shown to others
The Shadow is what is repressed, so the hidden parts
And these two archetypes are explored in The Beauty and The Beast:
The Beauty is the light - she is beautiful, lovable and accepted
The Beast is the shadow - he is ferocious, scary and misunderstood
So, Blake's own allusion can be read as the integration of beauty and beast, light and shadow, so that a new unit (a new individual) is born. This is also Blake's arc in a nutshell. She starts as a shadow because she hides herself, but with time she steps into the light and shows the world who she is.
In other words, Blake's Beauty and Beast allusion is referenced in her appearence not only in her nature as a faunus, but in her color scheme too. She is both beauty and beast, light and shadow, white and black.
This is also why these two colors are incorporated in respectively Sun and Ilia.
Sun is white, as he leads Blake towards the light:
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Ilia is black, as she forces Blake to face her own shadows:
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Through them Blake integrates her shadows and stops hiding:
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This is why her design changes in Mistral in two notables ways:
She gives up her bow once and for all
She wears a white jacket over a black top
These two details mirror Blake's inner journey. She learns to show herself more, so her ears get to be out in the open and the light (white) surfaces. In Beacon, instead, the ears are concealed and Blake is wrapped in shadows (black).
Ironically, this means Blake's design loses the core traits of her tuxedo cat inspiration. As a matter of fact she has no bow tie anymore and the color pattern is inverted, which doesn't work. Why this choice? It is because Blake is going from Beast (black + cat) to Beauty (white + individual). Symbolically, this happens as she shows her faunus trait more openly:
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She grows more beautiful (human) as she openly embraces her beast side (cat).
GOLD, BLUE AND PURPLE = HOT, COLD AND JUST RIGHT
The shift from calico to tuxedo brings some consequences to Blake and Yang's complementary designs.
Let's compare the bees exploratory ideas:
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As people have noticed, Blake and Yang are aesthetically and symbolically linked since early on.
Here, we have:
Blake with one gold eye and one blue eye
Yang with a blue bandana
This chromatic choice ties into Yang's allusion and design. As a matter of fact our Goldilocks uses colors to represent the too hot, too cold and just right. Specifically:
red/orange is the too hot
blue/green is the too cold
purple (blue + red) is the just right
So, in the picture above Yang's looks play with the dychotomy between too hot and too cold. This same duality is mirrored in Blake:
She is both too hot (gold eye) and too cold (blue eye)
She wears much gold in general (Yang's main color)
The idea is clear. Blake is Yang's hot and cold. In particular, she brings some needed blue in Yang's life. She helps Goldilocks cool down and become more balanced. Similarly, Blake proudly wears Yang's golden tones, as she has to grow more like her Golden Beauty.
So, how have these ideas evolved in Blake’s final design?
Blake has gained a strong association with purple, which makes her Yang's just right
Blake's color scheme has ditched gold in favor of silver, which makes her and Yang complementary
Blake's link to purple is interesting because this color calls back to her family and to the surname Belladonna (beautiful woman in Italian). In other words, it is connected to both Ghira's legacy and her Beauty side. So, it is not a surprise that Blake grows more purple in each arc:
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She is slowly blooming into Yang's just right by reconciling with her legacy and by becoming a person worthy of our golden girl.
This transformation is highlighted also by Blake integrating some gold into her:
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In both her Vale and Atlas's designs Blake is linked to silver, so that she can complete Yang's gold. Still, in Mistral she has some gold details because this is the arc where she integrates her missing parts. This integration ends with Adam's death and Blake's rebirth:
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So, Blake's design tells a story of inner growth, which leads her to stand beside Yang as an equal:
Blake: She's not protecting me, Adam. And I'm not protecting her. We're protecting each other.
This theme is important for Blake's Cat Girl archetype. Cat Girls, thus, are often reduced to love interests, but Blake's arc is a deconstruction of this idea. What would happen if the male partner of a Cat Girl is abusive? Blake explores this concept and tells a story of liberation and development, which ends with a reconstruction of the trope. Our Cat Girl ends up in a happy relationship, but not as a shallow prize. Rather as a winner.
BEASTS, LIONS AND WOLVES
In conclusion, Blake's design alludes to the Beauty and Beast on three levels:
Society= Blake is both human (beauty) and animal (beast)
Couple = Blake and Yang are drawn as complementary
Individual = Blake is both white (light) and black (shadow)
Still, this is not the only fairy tale our Cat Girl ties into thanks to her animal features. Here come three examples.
Blake is Bagheera's daughter and a small panther (a cat) in the Jungle Book
Blake is a Scaredy Cat to Lioneheart's Cowardly Lion. Except that of course the cat is braver than the lion
Blake is Ruby's black beast in team RWBY's LRRH team allusion
This last reference is foreshadowed since Red Like Roses:
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Black the beast descends from shadows.
After all, the Beowolves appear when Blake's line comes up.
Moreover, Blake's secondary allusions all come together to strongly link our Black Shadow to wolves. In the Jungle Book, Mowgli is raised by wolves, just like Blake grows up in the White Fang. The name of the group itself calls back to wolves, as it references the title of Jack London's book about a half-dog half-wolf, who fights to be accepted by humans.
Finally, it turns out Blake is not the only Cat, who turns out to be a Wolf:
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In short, Blake's design lets her freely move between allusions and references. Not only that, but it is crafted to add depth and thematic resonance to her character and her arc. Not bad for just another Cat Girl, uh?
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