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fanaticsnail · 4 months

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"Someone. Someone Help Me."

Word Count: 531 - Sanji Pollen Drabble

Masterlist here, Pollen Masterlist here

@gingernut1314 tagged me a while ago to release a snippet of writing for WIP Wednesday. Only issue is, when I get writing: I can't bring myself to stop until it's completed. Like a shark with blood in the water, a cat being coaxed with a piece of smoked salmon, or more like a Snail with the temptation of a crispy slice of lettuce. So, I present this drabble as my small gift to you, dear. This is a small snippet of a collab piece @sordidmusings and I dreamed up a few nights ago - This portion of it being solely Sanji. The larger plot may include this portion as a break away from the main pairing to be disclosed later.

Warnings: Pollen!Sanji, MDNI, Sanji has inhaled pollen, Sanji can't relieve himself, Edging, Crying, Whimpering, Begging, rutting, Solo!Sanji.

Minors, this is not meant for you.

Part 2 Here.

Within the vacant halls of the quiet ship, Sanji was struggling to deal with a foreign issue he had found for himself. He only breathed in a small amount of the dust falling from the soft, white and yellow leaves: rendering himself completely in shock and desperation

He was clutching at himself, fisting his cock hard and fast with a sense of panic falling from him in waves. Although he had reached the peak of climax three times, he was unable to spill himself over the edge. For the first time in his life, Sanji was unable to pleasure himself to the point of spilling his hot cum over his thumb and into an awaiting, silken paper tissue.

Oils, moisturizer - he even spat on himself - nothing was working. His spit even seemed to make his situation more dire, the taint of white and yellow pollen on his saliva making the veins on the underside of his cock fill even more with desire and pulsating blood. His shined, red, glistening tip of his cock was leaking with pearls of translucent pre-cum as he continued to pump himself desperately.

He had tried so many positions: rutting into his palm down onto the mattress below him with the rough snap of his hips, sitting on the edge of his bed and pulling at only the tip, falling onto his knees on the wooden floorboards below him, lying on his back and feeling the coolness of the floor sooth his burning skin while he used one hand to circle the girth of his cock and the other squeezing the exposed tip.

Nothing, absolutely nothing, was working. He needed more. Something more that he couldn’t provide for himself. He climbed back onto the mattress and lied on his back, starting up the pace once more to drag his way towards the finish line again.

Gasps, moans, groans and cries were not silenced, even with him clapping his unused hand over his mouth as he desperately brought himself to the edge of another orgasm; yet having it fall away as he continued to chase it harder with his hand.

Sweat pooling at his temple, his jaw clamped like a vice, and his eyes clenched tightly shut as hot tears trickled down his cheeks.

Whimpers, groans, hisses and stuttering breaths propelling him on to keep beating himself within his closed fist. Trickling out of the corners of his eyes, he began to desperately sob harder. He was being held hostage by his inability to climax, his tears falling freely from his eyes. His lips opened wide to reveal stringy and desperate dribbles of spit over his lips and into his palm, his eyes glazed and pupils blown.

"S-Someone. Someone h-help me" he cried, his heart beating desperately hard against his ribcage. His sniffles, sobs and whimpers alerted none to his current predicament; the remainder of the crew pursuing their own interests away from the kitchen and crew quarters.

“P-Please,” he whimpered, his hot tears of frustration falling to join the drips of sweat pouring from his hairline, down his temple and onto the soft pillowcase below him, “Please. I’m begging. P-Please, I-I can’t do this anymore.”

#sanji #sanji smut #sanji solo #opla #one piece #opla fic #one piece live action #sanji vinsmoke #one piece sanji #black leg sanji #desperate sanji #poor sweet sanji #op smut

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steftastan · 10 months

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Carian Stroll

“Tell Blaidd, and Iji…I love them.”

Before this piece, I had been wanting for a long time to create my own piece of Elden Ring fanart featuring Ranni. I had tried several sketches unsuccessfully, just wasn’t particularly feeling the ideas I had sketched up until that point.

One day of usual internet scrolling, I stumbled upon this gorgeous piece of art by Shimomura Kanzan.

I knew immediately I wanted to do something like this for my Elden Ring fanart. In fact, if you look at this piece, there is tons of inspiration that I drew from the original artwork, such as the style of the yellow leaves and the main subject matter being a prominent silhouette of the brightest value, placed at approximately the bottom third of the image.

The main character is cleverly shrouded amidst various layers of trees and foliage, giving us the impression that we're peeking into candid moment of their life. In the case of the fox, we caught it during a mid-day snack. In the case of Ranni and her party, we caught them in a leisurely stroll, while Iji outfits the dreaded Fingercreepers with their iconic rings.

I wasn't sure if I wanted to capture a happy moment, but Ranni goes as far as to ask us to deliver to Iji and Blaidd the message that she loves them dearly as her quest draws near its end. I would imagine they all must have had fun moments together as a family. Hey, maybe even the hands liked to be around them?

The process

youtube

I started this on my iPad using the procreate app. Sadly the full process is not captured on video, as I switched to Photoshop for the rendering phase of the illustration. This video is a fun window into my chaotic process and how I iterate on the fly on the same canvas. I probably wouldn't do that in a professional setting where you often need to have color keys and iterations to be reviewed and analyzed. I like to I cut myself some slack when doing personal art to keep things fun.

Trying and failing some more

This illustration was not a straightforward path. I haven’t been very diligent about personal art, and at some point I started deviating too much from my reference by adding too many levels of depth to the background and suffocating the piece. I got into a weird loop where I would randomly open the PSD, play around with the values, pushing Iji to the back, then bringing him back, cranking all the levers on Ranni, etc., decide it would look horrible, then begrudgingly determine I’d never complete this image and go on with my life.

As artists we likely have unfinished work sitting everywhere, be it in our sketchbooks, canvases, or hard drives. But it’s a different kind of sting when you feel like you can’t even nail the fundamentals.

Anyway, so a couple weeks ago, I decided to give it another go, but this time I would get rid of all the unnecessary stuff, even stuff that I had been trying to render for ages. I would not hold on to anything, I would try and recapture what drew me to Kanzan's beautiful painting to begin with.

After it became a matter of pushing and pulling pixels until the image was finished!

That’s about it. I didn’t go crazy in depth but lately I’ve been enjoying reading into artists’ processes and I’d be remiss to not share my own thought process also.

Thank you for viewing!

#elden ring #lunar princess ranni #blaidd the half wolf #war counselor iji #illustration #artists on tumblr #fromsoftware #digital art #video game #fanart #Youtube

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atrueneutral · 2 months

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Feel free to just ignore this if the prompt is too horny but uh...

Mephistopheles having some fiends deliver a present to the boudoir (for Raphael or Haarlep). That present is a very confused, but also very naked, Tav who is all tied up with silk and has a collar and chain on her neck. (for her part, Tav isn't opposed to being in this... ah... position, but she'd have preferred Raphael or Haarlep be the one to have brought her here via invitation rather than... whatever this is)

I hope you don't mind a little humor! ---

Of all the strange situations Tav had found herself in (including the entire tadpole debacle), it was safe to say that this was the one of the strangest.

How it happened - well, frankly she’d been kidnapped!

It all started when she’d received a message from Helsik by way of a Scroll of Sending; the message wasn’t very descriptive outside of ‘please come to the Devil’s Fee at your earliest convenience’, and, thinking it was a job to add more (needed) coin to her pocket, Tav had gone immediately.

Into the Devil’s Fee she walked without a care in the world, only to have Helsik give her an empty smile and an emptier apology. Tav had no idea what the apology was for until two fiends burst forth from nowhere. They quickly rendered her immobile with a spell (before she could even think to defend herself), and she was subsequently blindfolded and spirited away.

By the time the blindfold had come off, Tav was naked.

Naked on a bed.

A bed in a boudoir.

A boudoir in a House of Hope.

Above her, a golden horned devil head was laughing at her predicament from where it was centered at the top of the velvet tufted headboard her back rested against. A lengthy piece of red silk hung fastened around its neck, and at each end were her bound hands. Her feet were in a similar state, ankles tied together by another piece of silk, and she was annoyed to feel a leather collar against the skin of her neck. Attached to the collar was a weighty chain that messily decorated the silk bedding.

It was an added frustration to see an unattainable, sealed note at the foot of the bed. She assumed it likely wrote out an explanation on why she’d been plucked and placed in Raphael’s gaudy boudoir.

For a split second, Tav thought to call out to Haarlep; the boudoir was mostly their domain, and maybe they would come and help her. But she wisened up and remembered that Haarlep’s definition of ‘helping’ was wildly different from that of a morally inclined person; she’d be inviting the incubus to tease her, grope her, and use her.

Which would be fine on a day where she’d been told in advance and had some semblance of knowing what-the-fuck-was-going-on.

It was probably in her best interest to call for Raphael, as embarrassing as the situation was. She expected he’d be equally perplexed by why she was in his House, naked, tied up, and in his bed.

“Uh, Raphael?” she called out meekly into the ether, thinking he could somehow magically hear her from wherever he was. “You, uh, around?”

After about a minute of getting nothing in response, Tav cleared her throat.

“RAPHAEL! You bastard! I’ll loot this place dry once I figure out how to untie myself!”

It took about fifteen seconds, but there was a burst of fire and embers - signifying the arrival of-

“What have we here!” trilled a voice that sounded vaguely like Raphael but assuredly wasn’t Raphael. “I thought I heard a guest yelling in the boudoir! And yelling without me?”

They tutted, and Tav inwardly cursed the gods.

“Not you…” she bemoaned.

“Now why do you say it like that, little thief?” Haarlep faked a frown as they sauntered over to the end of the bed. The frown didn’t last; it flipped into a fiendish smile when they devoured the wickedly risque picture she made. “Have you gifted yourself to us? It’s good to see some results after master’s constant planning…”

“Aha! So it’s his fault I’m here!” Tav shouted like she’d deduced the perpetrator for a murder, but as Haarlep’s words further registered, the perpetrator suddenly looked like Raphael and the person murdered was her. “Wait - what do you mean ‘constant planning’?”

Haarlep continued to smile with mischief dancing brightly in their infernal eyes. They scooped up the note and slid a clawed finger under the folded flap, breaking the wax seal. Their gaze shifted from Tav to the words on the parchment.

The incubus grimaced. “And here I hoped you’d already signed yourself away to us.”

“Not today, I’m afraid,” Tav said. She awkwardly readjusted in her bindings. “What does it say? Who is it from?”

To her horror, Haarlep decided to join her on the bed with the note in hand. They crawled over, mattress dipping with each knee they took, and they situated themself over her so that their legs braced either side of her thighs - giving Tav a bird’s eye view of their barely clothed erection.

Haarlep (thankfully) shoved the note in front of her face rather than their crotch.

”I can’t read it,” she said dryly.

“Poor thing.”

To help, Haarlep read it out loud.

“Haarlep,

This mortal is a much better distraction to my son’s ambitions than you.

I suggest tempting her into a contract with your persuasive talents.

Lord Mephistopheles”

Tav swallowed. “This is a joke, right?”

Haarlep folded the letter and tossed it aside on the sheets. The back of their fingers came to caress her cheek. “Mm - no, little thief. It’s very real, as are you… here, tied up… helpless…”

“While that may be true…” Tav was beginning to feel nervous, and she resisted the urge to wriggle underneath them lest it provoke them. “Unfortunately, this situation isn’t as much of a turn on as it would be if I was here of my own volition.”

“It’s a turn on for me regardless.”

“Sure…” Tav officially hated the gods. She did not know how she was going to talk herself out of this with an incubus who was hovering over her restrained body with a hard-on, a lust-filled gaze, and an order to get her to ‘sign a contract’. She lowered her voice to a throaty whisper. “But you know what really gets me wet and wild, Haarlep?”

“Do tell…”

She raised herself up an inch by pulling on her bindings and stared at them with budding (pretend) lust.

“Not signing a contract.”

Was that jingling bells she heard entering the boudoir?

“Do you not want to stay here with me?” Haarlep purred, their hand trailed down to grip her chin while the other found and her collar’s chain. “You’d get to be master’s pet - my pet…”

They tugged up on the chain and Haarlep’s head moved in for the kill - intent on giving her an intoxicating kiss that would turn her to putty in their hands.

Shit.

“Ra-” Tav attempted to shout, but the cambion’s name was cut short by Haarlep’s smiling lips pressing against hers. The chain was given a light tug to force her closer, and their hot, forked tongue slid across the seam of her locked mouth…

She did not know how long she could hold out; her lips were tingling in a pleasant way, her blood was racing, and the promise of pleasure was right there if only she would give in…

The lust she felt was no longer the pretend kind.

“Haarlep, pray tell, who is your wayward plaything?”

Tav mentally and woozily cheered; it was Raphael!

“Was my warning not explicit enough? I will not tolerate you inviting in stray visitors because you’re bored,” continued her maybe savior.

Tav could not see Raphael, as she was too busy being lip locked with a younger version of himself, and she wasn’t sure if he could see her with Haarlep’s wings and body in the way.

The chain went slack as Haarlep broke away. They relinquished their hold on her leash and discreetly swapped the chain for the nearby note. Between their bodies, the piece of parchment combusted into flames - destroying the proof of Mephistophele’s intentions.

Tav hissed as the melted seal dripped hot wax onto her chest.

Haarlep winked at her, and she responded with a glare.

Meanwhile, jingling boots arrived somewhere around the foot of the bed.

“Look who is here, Master!” The incubus said suddenly, removing themself from her body and moving over enough to reveal Tav in all her naked, restrained glory. “I wrapped her up like a little present! Just for you - specifically as she instructed…”

Heat crept up her body and flared in her loins.

Raphael, a talkative fiend who often talked too much, was rendered speechless and slack jawed. His brow furrowed and his nose scrunched while his mind worked to process what and who was in his bed.

It was a reaction that almost made up for being kidnapped.

His confusion cleared when his mouth snapped closed, and the look in his orange and yellow eyes turned insanely desirous.

“Uh, hello,” Tav said, giving him a polite wave while also trying to ignore the wetness that rapidly continued to pool between her thighs.

Her lips still tingled from Haarlep’s kiss, and the scene wasn’t too far off from a fantasy she’d had more than once.

“What are you doing here, Little Mouse?”

“Isn’t it obvious?” Haarlep unhelpfully supplied. “She’s here to have fun with us!”

She was grateful that Raphael looked somewhat skeptical. “Is this true, my dear?”

“It’s kind of a long story…” Tav replied.

Raphael glanced at her silk bindings.

“Forgive me - I don’t see you going anywhere anytime soon?”

“Ah, yes. Touché,” she conceded.

“I want to hear it from you,” Raphael said, a warning threading into his tone. “Why are you here?”

She looked to Haarlep, and they seemed all-too-curious in what answer she would give. It was anyone’s guess as to why they destroyed the note from Mephistopheles, and Tav wondered if they would feel at all indebted to her for not spilling the beans.

“Korrilla told me it was your Name Day last week. I realize I’m a little late, but I wanted to do something extra special since it was your… wait, how old are you exactly?”

“Funny.” Raphael’s thin smile did not reach his eyes. “Try again.”

“I was kidnapped?”

Why did it come out as a question?

“Haarlep, do get the mouse’s lips moving, won’t you? I think I will get comfortable and watch…”

The incubus happily motioned to return to his previous position over her.

“Alright - hold on!” Tav yelled, causing an amused Haarlep to stop. “I’ll tell you the truth - under one condition.”

Raphael barked a laugh.

“Again you show up in my House uninvited, this time naked and fettered to my bed, and you think you have the right to demand conditions?” His gaze turned stormy. “You are lucky that my fondness for you extended into forgiveness the first time.”

“You’ll forgive me for this second time as well, I think.” Tav smiled mischievously and parted her legs to give both cambion and incubus a better view of her sex. “I’ll give you the truth, Raphael; what I’m asking for is that I be returned home, safe and sound after we… reacquaint ourselves - without the talk or the signing of any contract.”

“You’ve already honored your contract, and I have not yet come knocking at your door with another.”

She shrugged with a shoulder. “I’ve learned you can never play it too safe with devils.”

Raphael turned suspicious. “What are you up to?”

“Just agree, Master,” Haarlep said. They licked their lips. “I’m tired of waiting.”

Judging by Raphael’s dark expression and the stiffness in his breeches, he was also tired of waiting.

“Very well; I will return you to your home, safe and sound - albeit sore. No contract will be signed during this visit. Now, the truth.”

The words easily left her.

“The truth is I want you to fuck me, Raphael. I’ve wanted you undiluted and raw since meeting you, and imagine my disappointment stumbling upon Haarlep on my first visit. You should know they said some very scandalous things about your… performance.”

The (undiluted and raw) darkness that overtook Raphael’s features would have frightened her… if she weren’t so turned on by it. It was a dangerous mix of desire and fury; desire for her, fury for Haarlep.

“What did you tell the mouse, Haarlep?” he asked, head canting with a piercing stare directed at the incubus. “About my performance.”

Haarlep did not immediately respond; Tav could tell they were frantically plotting how to navigate a floor covered in eggshells.

“The mouse asked if you were good in bed...”

“And you told her?”

It was Haarlep’s turn to be nervous, and Tav savored every second.

“And I said, jokingly, of course, that you… weren’t. A-ha!”

“I see,” Raphael said flatly. “Well, since I am not ‘good in bed’ your participation privileges for this bed have been revoked.” The cambion’s unblinking, penetrative stare turned to her as he stalked over to the side of the bed.

“It was nothing but a joke, Master! At least allow me the opportunity to watch you fuck and fill the mouse?”

“No.” Raphael picked up the end of the chain and wrapped it once around his hand. “She’s mine...”

Sinfully wet after such a declaration, Tav turned her head to throw a secretive wink at a pouting Haarlep before they resentfully disappeared with a burst.

There was a snap of fingers, and Raphael came to be instantly naked and was very, very aroused. A second snap followed, causing a flash of heat to singe her skin as her silk bindings went up in a puff of smoke.

The cat gave the chain a tug.

“Come to me, my little mouse.”

Before her mind could be overrun by sex and pleasure, Tav thought of a note to (never) send back to Mephistopheles.

Lord Mephistopheles,

No need for a kidnapping; all you have to do is ask. I’ll be more than happy to return to your son’s bed, no contracts necessary.

Sincerely,

The Better Distraction

#thanks for the prompt!#this became longer than expected #bg3 #raphael bg3 #raphael x tav #raphael x tav fanfiction #my writing #answered #haarlep bg3 #haarlep #baldur’s gate 3 fanfiction

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goron-king-darunia · 7 months

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Eggtober 6th 2023

"Splat" or "Fun with Colors": Raw Egg.

(Clip Studio Paint, Gouache Brush, Pencil brush for details and highlights. 12 colors, I think? 1 Hour.) I actually really liked the rough version I made, so you're gonna get that one at the end as well, for anyone who also likes the rough one better than the smooth one.

But first... I finally discovered a feature of CSP, so now I am unstoppable and I will NEVER AGAIN have to ask myself "How the fuck did I do that?"

Because now I have EVIDENCE. Now curious friends, followers, and my forgetful ass, can watch the full process of how I made a thing. Including what references I used so it's clear how much is iterative and how much I am drawing directly from the visual reference. Today I had to do a lot from imagination because I couldn't find an exaggerated splashy egg, but sometimes I really am just making a study and trying to do a one-to-one recreation of a reference. So now y'all get to know all my filthy little secrets. I was intending to grab footage starting with Eggtober 1, 2023 but OBS needs a version of an NVIDIA driver that will absolutely wreck my computer with BSODs because I own a junker apparently. But it turns out CSP (or at least V2, IDK if it was in V1) has a way to capture a speedpaint natively when you create the file.

Now I am unstoppable, powerful. No more taking a break from art when life gets busy and coming back to pieces I drew 10 years ago and wondering "How the hell did I manage that?" I can just check. It's over for all of you. Once I practice anatomy again and start being able to draw shapes and volumes perfectly from imagination, I will become all-powerful. I will ascend. Hell, maybe someone might even pay me if I learn to draw anything that isn't an egg or a meme. XD Radical self-confidence, baby. I can art now, and I have evidence. My horizons are infinite!

And now, hopefully, any baby artists that are just starting out can get an idea of how I do it from this and future pieces so I can pull you all up with me in a bid of apotheosis. For the EGGsthetic! (Aesthetic.)

I wonder which version of this egg @lady-quen's breadbugs will snap up?

And I wonder which one @quezify will like best? My money's on the sketchy one.

I can't tell which I like better honestly. The smooth one us much more "My aesthetic" because it matches how I render eggs but... The rough pencil-y gouache lines you get with light pressure really remind me of how the classic modern quezify eggs look, and I of course only started doing eggs because of the first Eggtober so, like. On the one hand, smooth and painterly look that goes with all but one of my previous eggs (Eggtober 1, 2023 was a study from memory of quezify's style, after all). But on the other hand... dramatic color changes! Textrure, shine! Colors that aren't in the actual references! EXPRESSIVENESS. Two different moods on the same egg art and I really dig both of them honestly.

#Eggtober 6 2023 #Eggtober 2023 #my art #art by GKD #Raw egg #style experiment #speedpaint

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cycat-carisi · 5 months

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Lonesome Superhero

Pairing: Gator Tillman x f!reader (not romantic)

Summary: Gator keeps hitting on you and you finally give him a piece of your mind. He's not the sweet boy you once knew anymore - or if he is, it's far too difficult to see.

Tags: No spoilers! Angst. Post episode 1 and 2.

Warnings: language, misogynistic themes from the show

Length: ~1.3k

A/N: This just popped into my head and I needed to get it out. Gator is despicable and unless he has some major character growth, I can't bring myself to romanticize him. I do think his character is super intriguing though. I hope we get to dive deeper into what makes him tick throughout the season. (:

(Plus, I have a theory that Gator may have unintentionally been a witness to his mother's murder as a boy...)

Fic below the cut or on AO3 here

It's in the way the frosted glass door harshly swings open that immediately lets you know who is behind it. There could only be one person who felt entitled enough to barge into a retirement home like he owned the place.

You swallow thickly. Not again.

Turning around from your medicine cart, you find him standing there in his camouflage cargo pants and a black t-shirt that is two sizes too tight. His hands perch on his hips as his narrowed eyes and cocky smirk aim in your direction.

"Gator, please. Not today," you speak coldly.

His smirk only grows. "Oh, c'mon, babycakes, you don’t know what you're missin'!"

"Gator!" you scold, trying to hush your voice in front of your patients. "Come with me, please." Anger bubbles up inside of you as Gator's face contorts into a triumphant grin. He saunters forward as you lead him toward the back entrance of the small facility.

In the shadow of the building, the fall air nips at your bare arms. The chill, however, is easily quelled by your boiling blood.

"How dare you come to my place of work!" You waste no time laying into the Tillman son.

Your ferocity catches Gator off-guard, causing panic to dart across his features. He takes a half-step back, pulling his head and neck along with it.

Oh, but you’re far from done with him.

"For weeks now, you've been popping up wherever I go, asking me to go out with you in the most degrading ways possible! Every. Single. Time. I have turned you down, yet you clearly cannot take ‘no’ for an answer! And now you have the audacity to show up at where I work and do the same? No! It doesn’t work like that, Gator. I worked hard for my career. I went to college, got my license, and came back here to help my community. I am respected in this building, and I will not tolerate you waltzing in here like God's gift to women and disrespecting me in front of my patients!"

Out of breath and seething, you continue to stare Gator down. He looks downright gobsmacked – a mixture of a wounded pup about to run and a cornered hound ready to bite.

The silence is deafening. You wait for Gator to snap back like he always does – some moronic comeback that's as pathetic as his barbed wire LOL tattoo.

And predictably, he does just that. "What the hell?!!" he cries out, stepping towards you and invading your space. The pungent odor from his last puff of vape wafts off his breath. "I'm the law in this town! I'm a winner! All you ever do is humiliate me! You're fucking awful!"

"I'm awful?!" you scoff, eyebrows shooting skyward. You're about to rip him a new one when you simply stop and shake your head in pity. "What happened to you, Gator?"

Once again, the Tillman son is rendered speechless. His dark brow pinches together in confusion. "Wha-?"

You seize your opportunity to dive a little deeper. "I mean, what happened to the Gator from middle school? The one who used to be my friend? The boy who was sweet and kind and would spend lunch hours reading comic books with me. It's like you suddenly woke up one day and decided to become an asshole, always acting out in class and purposely bullying other kids. Doing reckless shit because your dad could get you out of trouble. And now? I think you've gotten worse! Hell, Mrs. Lakeland told me that you all but pushed Gladys Baker out of the way at the corner store the other day. What the heck is wrong with you? Who do you think you are?"

"I - I -" he stammers, head spinning. Then Gator swallows, puffing up his chest. "I take what's mine! I take what I'm owed. I made it through police training. People in this town owe me their respect, so I take it as I see fit."

"Newsflash! That's not how you get respect, sunshine," you retort. "Respect is earned, and from where I'm standing, all I see is a pathetic man-child whose daddy got him where he is today. 'My father is the sheriff' are the magic words that force people to step out of your way. That's not respect; that's notoriety from being a grade-A asshole!"

Gator's face twists into a snarl while his fists clench and unclench at his sides. You've clearly hit a nerve.

Even though you’d love nothing more than to lay into him some more, you remind yourself that it’s notworth the fight. Instead, your chest constricts with disappointment. "I don’t get it, Gator,” you speak softly. “Why do you let your father run your life? He says to jump and you ask how high. When are you gonna wake up and realize that he's just using you?"

If it wasn’t clear that you’d struck a nerve before, it certainly is now. Gator’s combat boot strikes the gravel, sending up a cloud of dust and dirt, and his cheeks glaze over with a deep red flush. "I don’t – He doesn’t –" Lost for words, Gator simply clamps his jaw shut. He kicks at the ground again and throws his hands to his hair, letting out a frustrated yell.

You hop back in surprise; a fearful gasp escapes you at his sudden outburst.

Gator's head whips back up, and those dark eyes meet yours.

Middle school was a long time ago, yet Gator remembers everything. He remembers how nice you were to him; how one day you saw this quiet boy sitting alone at lunch with a comic book and decided to come over and ask what he was reading. He used to dream of being as invincible as the superheroes in his books – Gator's way of shielding himself from everything that he'd seen. But then you came along and somehow made him feel a little less alone. He adored you and your friendship, eventually developing a little crush. That was, of course, before Gator was taught that girls weren't supposed to like comics, that men lead while women follow, and that his father's word was absolute. If he pleased his father, any situation could go Gator's way. The power sought after by characters in his comic books was right at Gator's fingertips; all he had to do was prove to the senior Tillman that he was worthy. Nothing else mattered.

And now? Gator almost had it. He was so close to having his father's approval. He was certain of it! Why couldn't you see that? Why couldn't you see how awesome he had become? He had buried his crush on you away while you were at college, but now that you were back, there was no reason to hide that he wanted you. And there should be no reason why you wouldn't want him either!

Except…your words today hurt. They made Gator feel puny and pathetic. How could you say that he was just his father's pawn?! He was his own man! A tough and strong and important man in this town...right?

You watch as despair briefly flashes across Gator's face before quickly being replaced by aggravation. He grunts again prior to spinning on his heels and stalking off.

No! Gator is his own man, and you were just the type of woman his father had warned him about! His crush is stupid, and so are you...

As Gator storms off, his ears catch your quiet words laced with pity. "Silly me for thinking that the sweet guy who read comics with me would still be in there.”

For the first time since he was a boy, tears stab at Gator's eyes. He scrunches his eyes closed and shakes his head, instead focusing on the sound of gravel crunching under his boots as he slinks away.

Thanks for reading! Feedback is loved ❤

#gator tillman #fargo #fargo season 5 #gator tillman x reader #my fanfic #fargo fx #joe keery #lonesome superhero series

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nina-ya · 6 months

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HI BBYYYYYYYY first off, your writing is so good and yummy I'm literally eating so well I think about your Sanji wound patching nightly on god no CAP

But uhh, if it's alright, maybe, if you want, no pressure, may I have a wound patching for Doffy? You can toss me in the trash if the answer is no dw 💗 /g

Patching up Doflamingos Wounds

Zoro Law Sanji Shanks Ace Luffy Sabo Doflamingo

A/N: UMIIIIIIII I'm glad you enjoyed the Sanji one I am going to only write Sanji from now on just for you /hj OF COURSE YOU CAN GET DOFLAMINGO I went uh a bit in a different direction with this one I COULDNT HELP MYSELF AAAAA I HOPE YOU LIKE IT Pairing: Donquixote Doflamingo x Reader CW: Doflamingo being a manipulative shit. Choking, blood/wound licking, nicknames (my dear and good girl), bondage. WC: 954

You had devised your escape plan from the clutches of Donquixote Doflamingo, believing it to be foolproof. Weeks of relentless effort had been poured into sharpening a minuscule shard of sea prism stone, honing it to a razor's edge. In the dead of night, while Doflamingo slept, his strings binding you to the bed right beside him, you began sawing through the tough restraints with your treasured shard.

As you regained the use of your limbs, you inched your way toward the slumbering blonde, heart pounding with a mixture of fear and determination. With a quick, calculated movement, you drove the shard deep into his chest, holding your breath to stifle any sound. Your heart raced as you bolted away from him, fleeing as far and fast as your legs could carry you.

In your eyes, the plan was flawless. The sea prism shard would nullify his devil fruit's powers, rendering him defenseless and too weakened to give chase. But oh, how cruelly naive you had been. You didn't make it far before the telltale sensation of Doflamingo's viscous strings coiled tightly around your throat. In an instant, your air supply was cut off, your vision clouded, and the world faded to darkness.

You gradually regained consciousness, your surroundings coming into focus as you blinked away the haze. The disheartening truth was undeniable; you were back in Doflamingo's bedroom, ensnared in his clutches. Your hands and feet were cruelly bound to the bedposts, leaving you utterly defenseless. Disorientation and fear clouded your thoughts.

Doflamingo, the sadistic puppet master himself, lounged in a chair nearby, legs casually spread apart. The wound you'd inflicted on his chest remained untreated, seeping with crimson life essence that painted a morbid tapestry across his abdomen.

"Fufufufu, look who's finally decided to rejoin the living," he taunted with a malicious grin.

The stark realization of your failed plan set your heart pounding relentlessly. Tears welled in your eyes, and you felt the beginnings of panic swell within you.

Doflamingo's laughter mocked your despair. "You know, I have to admit, that was quite the creative plan you hatched," he continued, his sinister delight in your agony palpable. He extended his puppeteer strings to encircle your head, forcing you to meet his sinister gaze. "That scheme might have had a chance to succeed... against anyone but me." His fingers tightened around the sea prism stone shard before extracting it from his chest, the gleaming relic of your failed attempt. Blood gushed more profusely from the grievous wound, painting the shard in a scarlet hue. "Where did you get this, my dear?" he inquired, his tone deceptive in its casual cruelty.

Overwhelmed by terror, you stammered out your answer, voice quivering with desperation. "I found it on the street! A marine was wielding a weapon coated with sea prism stone, and a piece chipped off, so I... I took it!" Each word felt like a desperate plea to loosen his stranglehold on your body.

His laughter echoed through the room, a haunting noise in response to your futile struggle. "You're smarter than you appear," he commented, setting the shard aside before using his threads to forcefully draw you toward him. Your body knelt between his outstretched legs, vulnerable and at his mercy. "However, your audacity has consequences." He reached out to your face, his fingers tracing your skin with an eerie tenderness. "I could punish you severely for this act... condemn you to perpetual darkness, deprive you of sustenance, sell you into servitude to the wretched and abandon you to decay..." His hand paused in its exploration. "But you've treated me well. I've grown rather fond of you, wouldn't you agree?"

Your voice trembled with fear and pain, words stumbling from your lips. "Yes... I just want to treat you well," you whispered, tears and blood mixing in a gruesome display as they dripped onto the floor. Submission was your only option, the torment too much to bear.

"Good," he declared, an evil glint in his eyes. "You can begin by cleaning up the mess you've created." He motioned to the wound on his chest, your confusion now apparent.

Doflamingo yanked on the strings again, forcing you to lurch forward until your face hovered dangerously close to the wound. "Clean it," he ordered, a command that left no room for refusal. You reluctantly understand his demand, leaning closer to the source of your torment. Your mouth opens, and your tongue timidly grazes the edge of the cut, the taste of metallic blood overpowering your senses. You trace the contours of the wound, the sickening flavor and texture nearly making you retch.

An involuntary cough escapes you as you swallow the blood, your body shivering from the overwhelming emotions. After what feels like an eternity, Doflamingo releases you, using his threads to neatly stitch up his wound. He raises your head, his gaze locking onto your soul. With a cruel grin, he leans in closer.

"You won't dare to act so foolishly again, will you?" he demands, his icy eyes drilling into yours. You respond with a frantic shake of your head, desperation evident in your eyes. He seems satisfied with your answer, a cruel chuckle escaping him. "Good girl... that's the response I wanted."

Before you can react, he closes the gap between your lips and his in a forceful, open-mouthed kiss. His tongue invades your mouth, a familiar intrusion that you've grown numb to. He moans, savoring the sensations and flavors. When he breaks the kiss, a string of saliva lingers, a vile reminder of your powerlessness.

"You'll need to do much more to make it up to me," he states ominously, your heart sinking at the promise of what awaits you.

#one piece #one piece x reader #donquixote doflamingo #doflamingo x reader #doflamingo #donquixote doflamingo x reader

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ribbonetteart · 3 months

Text

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I was confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be, working against my usual style, rendering a background, so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

#Barbie in the Nutcracker #Sonic the Hedgehog #Blaze the Cat #Sonaze #Jess's Digital Odyssey #Sorry for not posting frequently it may happen again

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ghostinthelibrarywrites · 2 years

Note

prompts! werewolves + arranged marriage + truth/lie revealed + on a cruise :D

Here's a Geraskier modern with magic AU! Warnings for mentions of past character injury and child abuse:

The cruise was Jaskier’s idea.

“We need a honeymoon, Geralt!” Geralt’s new husband told him barely five minutes after they’d exchanged their stilted, awkward wedding vows, and barely twenty minutes after they’d clapped eyes on each other for the first time. “This marriage may not have been what either of us wanted, but we still deserve a proper celebration.”

In retrospect, that should have been the first indication that something was off. No werewolf with a working nose would subject themselves to all the smells—never mind all the sounds—of thousands of people trapped together on a boat.

“You’re not a werewolf,” he says slowly, letting the words sink in. He and Jaskier are sitting by the pool on the top level of the cruise ship, surrounded by the scents of chlorine, sweat, and sunscreen as children shriek and parents shout around them.

“No.” His husband looks the picture of decadent ease, wearing indecently tiny, bright yellow swim trunks with a neon pink, flowered shirt that’s unbuttoned nearly to his navel, with a colorful, frozen drink replete with an umbrella clutched in his hand. Only the faint, sour scent of nervousness gives him away.

“But you’re a Pankratz.” That’s the whole point of this damn marriage, to seal a peace treaty between the Lettenhove and Kaer Morhen packs. The union between Geralt, the second son of Vesemir Morhen, and Jaskier, the fourth son of Alfred Pankratz, is supposed to symbolize the new union between their packs after decades of tension.

“In name only, I’m afraid.” Jaskier flashes a smile that’s only slightly strained at the corners. “I bear a startling resemblance to a human journalist who visited Lettenhove to do a piece on the pack about nine months before I was born. It seems I take after him in more ways than one.”

At the wedding last week, Geralt noticed that Jaskier looked nothing like his burly, fair-haired father and brothers with their humorless mouths and beady hazel eyes, but he thought nothing of it, assuming that Jaskier resembled his late mother. But if Jaskier isn’t even a Pankratz…

“This renders the treaty moot,” Geralt says. “Your father realizes that, doesn’t he? If you hadn’t told me, I would have found out in two weeks, when you didn’t shift at the full moon, and the treaty would be as good as over.”

“I imagine he fully realizes that, yes.” Jaskier looks away, smiling at a pack of children wrestling over an inflatable orca in the pool. “My father is many things, but he’s not a fool. “

“If he had tried this with Calanthe or Vizimir’s pack, he would be signing your death warrant,” Geralt says, then goes cold when not a single flicker of surprise crosses Jaskier’s face. Instead, the nervous scent grows stronger.

“Yes, Geralt,” Jaskier says lightly, taking a sip of his drink. “I assume that was the point. He marries me off to you, you rip me apart on the full moon when you realize that you were deceived, and then he has legitimate reason to declare full-out war on the Kaer Morhen pack. Plus, he gets rid of his wife’s inconvenient human bastard.”

Geralt closes his eyes. Suddenly, a lot about this past week makes a horrible kind of sense. “That’s why you wanted to go on this damn cruise, so you could tell me somewhere we’d be surrounded by human witnesses, far from my pack.”

“I do apologize for that,” Jaskier says. “I knew all the sounds and smells would leave you off-kilter, which I thought might give me a chance if I needed to defend myself. By the time I realized you weren’t the kind of man to tear my still-beating heart out, it was too late to turn back. Plus, after I booked the tickets, I learned that a truly alarming amount of people vanish from cruise ships every year. Apparently, it’s much easier to make people disappear at sea than I counted on.”

Geralt grunts. “I’m not going to make you disappear.”

“I know that now.” A gentle hand touches his wrist and Geralt opens his eyes to see his own reflection mirrored in Jaskier’s oversized sunglasses. It’s the first time Jaskier has looked at him since they started this conversation and suddenly, Geralt wishes his husband weren’t wearing those sunglasses, so he could see his eyes.

“Then why are you still afraid?” Geralt asks, because that nervous scent is only growing stronger, nearly overpowering the scent of Jaskier’s sunscreen and the strawberry-and-rum scent of his drink.

Jaskier grimaces. “Well, you have other options, if tearing me apart and dumping my mangled corpse overboard isn’t your style. My father married me off to you under false pretenses, after all.”

Geralt watches him for a moment. “You’re afraid I’m going to send you back to Lettenhove.”

“I doubt anyone could blame you if you did,” Jaskier says. “You wanted a proper werewolf mate and instead, you got a defective halfbreed who will never do your pack a damn bit of good.”

He says those last words in a cadence that isn’t his own, like they’re something someone else has said to him many times.

“What will happen to you if you go back to Lettenhove?” Geralt already knows the answer.

He can practically feel Jaskier’s gaze on him, even through the sunglasses. “He’ll find another way to get rid of me, I imagine. Or he’ll try to turn me again and see if it sticks this time.”

Something hot and furious rises in Geralt, not so much at the words, but at the matter-of-fact way Jaskier says them. He schools the rage from his expression, so Jaskier won’t think it’s directed at him. “Again?”

He remembers the scars he’s gotten glimpses of at various points in the past week—a slash across Jaskier’s thigh, a bite mark on his shoulder, the curve of claw marks on his side. He’s thought nothing of them. All werewolves have scars, but Jaskier isn’t a werewolf. He’s a human.

“My mother died when I was sixteen,” Jaskier says. “My grandfather passed away not long after. Once they were gone, there wasn’t anyone to stop my father and brothers from doing what they’d been threatening to do since I hit puberty and they realized I couldn’t shift.”

“They tried to turn you.” Geralt swallows back the bitter taste the words leave. There’s a reason turning humans is banned by all the major wolfpacks in the Northern Kingdoms, except in extreme circumstances. It’s a brutal process, one that requires bringing humans to the brink of death before biting them. Most of the time, it’s unsuccessful. Geralt only knows of one werewolf that was successfully turned: his younger brother, Lambert.

A woman walks by them, carrying a wailing toddler in her arms while another young boy trails behind, loudly protesting his innocence. “He said I smelled like cheese!” the younger child blubbers.

Jaskier chuckles and catches the mother’s eye. “Brothers,” he says and the mother smiles and looks up at the sky in exasperation before hurrying away to soothe her younger son’s hurt feelings.

Geralt can see the edge of the scar on Jaskier’s thigh peeking out from underneath his shorts. He wonders which of Jaskier’s brothers put it there, or if they just watched while his father did it. He thinks of a sixteen-year-old Jaskier, wide-eyed and baby-faced as he was hunted down and savaged by people he should have been able to trust.

“A friend of my mother’s helped me get away,” Jaskier says. “My birth father mysteriously vanished not long after my father realized who I looked like, but his sister lives in Oxenfurt. She knows someone who knows someone who was able to help me create a new identity. So I stopped being Julian Pankratz and lived for fifteen years as Jaskier. I finished high school, went to Oxenfurt, eventually got a job teaching at Oxenfurt, all as Jaskier. I thought my father had forgotten about me, right until my brothers showed up and shoved me into the back of a car to bring me back to Lettenhove and get married.”

“You should have said something at the wedding,” Geralt says. “My pack would have helped you. I would have helped you.”

“I know that now, but you were a stranger then, and a werewolf to boot. Before I met you, this—” Jaskier pulls aside the neckline of his shirt. “Had largely been my experience with werewolves.”

Geralt stares at the ridge of pale scars across Jaskier’s shoulder, a line of teeth marks in the shape of a wolf’s jaws. He can imagine it clearly: a werewolf pinning Jaskier to the ground and sinking their teeth into Jaskier’s shoulder, tearing soft flesh and crushing bone. He’s been on the receiving end of such wounds many times, but he’s a werewolf, not a breakable human. Jaskier is lucky he didn’t bleed to death. Geralt reaches out to trace one finger along the line of scars. Jaskier shivers at the touch, despite the heat of the day.

“I’m sorry,” he says. It’s inadequate, but it’s all he can offer Jaskier. “This shouldn’t have happened to you.”

Jaskier smiles a little sadly. “What now, Geralt?”

Geralt never wanted this marriage, was furious when Vesemir told him what the treaty with the Lettenhove pack would entail. A week ago, he would have jumped at the chance to declare the marriage void and to get back to his simple, quiet life. But what would that mean for Jaskier? He could return to his life at Oxenfurt, but how long will it take for Alfred Pankratz to target him again? How long before Jaskier is dragged away to be used as a political pawn again, or slaughtered outright? Without protection, Jaskier will never be safe from the Lettenhove pack.

“We’re going to spend the next week on this fucking ship,” Geralt says. “We’re going to go to the couples ballroom dancing class you signed us up for tonight.” His lips twitch at Jaskier’s snort of laughter. “I’m going to teach you how to play Gwent tomorrow, because we’re going to win the Gwent tournament on Sunday, so something will come out of this cruise. And then we’re going to go back to Kaer Morhen and tell Vesemir what your old pack is up to. And then we’re going to kill your fucking father.”

Jaskier stares at him, seemingly shocked silent for the first time since Geralt met him.

“Unless you don’t want me to kill him?” From what Geralt has heard, Alfred Pankratz deserves a violent death, but he did raise Jaskier. Perhaps there’s still some affection there.

“The treaty—” Jaskier croaks.

“The treaty was entered into under false pretenses,” Geralt says. “It’s void. And even if it wasn’t, I don’t give a fuck about the treaty or pack politics or any of that bullshit. Are you safe, as long as your father is alive?”

Jaskier swallows. “No.”

“Then he has to die.” Geralt realizes that he’s still touching Jaskier’s shoulder and quickly withdraws his hand. “Werewolf, human, it doesn’t matter. You’re my husband. I’m not going to let your father hurt you again.”

“And your pack?”

“They’ll help.” It’s a testament to what a clusterfuck the Lettenhove pack is that Jaskier doesn’t realize that, Geralt thinks. Of course Vesemir, Eskel, Lambert, and the rest of the Kaer Morhen pack will come to Jaskier’s defense. He’s one of them now for as long as he wants to be.

Jaskier stares at him for another long moment. Just when Geralt starts to wonder what he said wrong, Jaskier surges forward. Most of his frozen drink sloshes down Geralt’s front, but Geralt hardly notices, because Jaskier is kissing him. It’s the first kiss they’ve shared since the single kiss they exchanged to seal their wedding vows and it’s nothing like that quick, chaste peck on the lips. Jaskier kisses Geralt almost desperately, one hand fisting in the front of his t-shirt, lips warm and insistent against Geralt’s. When he finally pulls away, they’re both breathing hard.

“He made a mistake when he married me to you, didn’t he?” Jaskier laughs, sounding almost disbelieving. “He thought you’d be like him, that you’d do what he would do to a human he didn’t want.”

Emboldened, Geralt slides his hand up Jaskier’s face to take his sunglasses off, revealing those blue eyes, which are watching him with hope. He doesn’t smell nervous anymore, Geralt realizes.

Water splashes over their legs as a kid cannonballs into the pool and a lifeguard blows their whistle, the sound sharp and shrill. Neither Geralt nor Jaskier notice; they’re watching each other. For the first time, Geralt feels like they’re in this together. Maybe this won’t be a sham of a political marriage. Maybe Jaskier won’t just be a husband foisted upon him, but his mate.

“Well,” Jaskier says with genuine levity instead of the terrible, false brightness he’s carried with him for the past week. “I suppose if you’re going to suffer through ballroom dancing lessons tonight, I owe you a drink, don’t I?”

“Do they serve anything that isn’t pink and frozen?”

“Oh, please, don’t pretend you’re above pina coladas and strawberry daiquiris, just because you’re big and broody.” At Geralt’s flat look, Jaskier flashes a shit-eating grin. This is the Jaskier that Geralt has only caught glimpses of for the past week, someone full of mischief and life, someone that Jaskier has been keeping carefully hidden behind a veneer of false good cheer, probably in an effort not to piss off his new husband.

Geralt likes this Jaskier far better.

“Fine, I’ll get you a boring beer,” Jaskier says, rising to his feet with a sigh.

“Maybe some paper towels too.” Geralt pointedly looks at the strawberry daiquiri sloshed down his arm.

“But it looks good on you! Adds some color to your palette.” Jaskier’s smile gets wider when Geralt rolls his eyes. “Fine, a boring beer and some paper towels. I’ll be right back.”

Geralt watches him walk away, trying and failing not to notice how tiny those shorts are. He’s going to need to contact Vesemir as soon as they get back to the cabin, to tell him that Alfred Pankratz is up to something. And then when they dock in Novigrad at the end of the week, he’ll have to start planning how to deal with Pankratz once and for all.

But for now, he thinks he’s going to let himself enjoy his honeymoon, ballroom dancing and all.

Trope Mashup Prompts

Tag list: @kueble @mollymawkwrites @feral-jaskier @geraltrogerericduhautebellegarde @dawnofbards @thisislisa @mosaicscale @tsukiwolf42 @rockysstupidity @fontegagrilledcheese @kuripon @help-i-need-a-cool-username @julek

#the witcher #geraskier #geralt x jaskier #geralt of rivia #jaskier #ghost's writing #prompt fills #barely managed to resist the urge not to make this a 30K fic

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punch-aholic · 2 months

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I love your art style, I was wondering what your inspirations were/your process for getting your art style to where it is now

Oh my gosh what an amazing question!! Thank you so much, I really appreciate this :) I'd love to talk about my style and how I've kind of honed in my style over the years. This will be a bit of a long one so I'll put in a cut!

I've been drawing DC art for a long, long time. Since I was really young back when I was playing Lego Batman lol. Before I was doing digital art I was really focused on designing my own versions of characters. I sort of learned how to draw one thing at a time. I learned how to draw hair, then eyes, then noses etc.

I wasn't very good lol. I think these are from like 2016? I took a lot of inspiration from DC Comics actually! I always describe my style as almost-realistic though, because I actually grew up as a life-drawing artist. I can't stress enough how important it is to take the time to really study the human body if you want to draw people. I went to college for Life Drawing and Anatomy studies and it really helped me figure out posing, how certain parts of the body move and stuff like that

I use myself as a reference a lot too. You're your own model! It leads to some pretty funny pics too haha (I ended up changing the pose a bit, but you get the vibe)

These are older and my handwriting is unintelligible but you get the picture. Learning how to translate emotions and character into a pose is really helpful and then of course figuring out how to draw clothes is helpful too. Before I was doing Superheroes I did a lot of fantasy art which helped me kind of perfect armor, cloth and those textures.

When I moved to digital drawing it really helped me learn how to render, which was kind of the final piece of the puzzle. Shading is so fucking difficult and I'm not perfect at it by any means (these drawings are two or three years old now and they still have a lot of issues). I mean, to show you how much my style has changed, this is the same character in 2016, 2020 and 2023

SO yeah! I get a lot of inspiration from older Disney, I really liked She-Ra's art style, and mimicked that a lot when it came out, and now I've kind of grown it into something all my own to the point where I can do full character scenes with my own designs. Anatomy, color theory and character design are big passions of mine and I try to show that in every drawing I do on here.

Thank you for asking by the way, I hope this is what you were looking for! Sorry for rambling lol

#batman #artists on tumblr #dc comics #simon's art #simon rambles

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littleplasticrat · 3 months

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Behind the canvas: Painting 'Finally getting that drink'

This is a post about some of my thoughts while painting Rugan's pin-up for this month. Some technical ideas, rambling and mild nudity below the cut.

Inspo and references

The pin-ups of Gil Elvgren are on the left, and 'Elspeth Resplendent' by Anna Steinbauer is on the right.

Elvgren is one of my favourite artists and I spent some time looking through a book of his collected work to see what ideas I could take for this pin-up project. The things that jumped out at me were:

The women felt like 'subjects' rather than 'objects'. There's some implication of hobbies, an inner life. They're often in the middle of doing something when they're captured on the canvas.

The subjects know they're being looked at, and they are taking it as an opportunity to flirt (signalled through eye contact, coquettish facial expressions and body language). It feels like a conversation between viewer and viewed.

Parts of the body may be exposed, but the eye is drawn back and forth between the subject's face and more titillating parts of the image.

I knew that I wanted to show Rugan in a similar setup, then; in this case, he's halfway through dinner and then catches sight of the viewer. His eye contact and smirk are flirtatious and mirror what you see of him in Act 1.

I initially wanted the pose to mirror Elspeth's in this beautiful Magic the Gathering planeswalker art by Anna Steinbauer, whose work I am obsessed with. Since I started taking art seriously, it's been my goal to paint for MtG, so I often try to study from artists whose illustrations I admire.

However, I didn't want to copy her pose or the composition of the piece. Don't get me wrong, I'm not above doing this - but I felt it just didn't work with the subject. The horizon line (shown in red) is very low. This is a gnome-level view of Elspeth. And I didn't want to place the viewer at the eye level of Rugan's penis.

I kept the composition similar in some other aspects though - there's still a T shape (pale green) that draws the eye to the focal point (pink). I did some sketches where Rugan is leaning forwards/sideways in the same way as Elspeth is, but I feel that this final leaning-back pose demonstrates more dominant body language and allows me to paint the musculature of his torso in more detail. This acts almost as a 'ladder' that draws the viewer's eye up and down between the two focal points of the nude variant.

Painting

I've already said quite a lot on a post that was supposed to be short, so I'll keep it brief here and write more about the painting of Gortash and Raphael (February and March respectively).

It's been quite a while since I've tackled such a detailed painting, so I had to do some research/studies to remind myself of some helpful rendering rules:

Veins beneath pale skin might look blue, but they're actually just a desaturated version of the same colour. There are other parts of this image where the veins are particularly lovely. I'll leave that to your imagination.

2. Highlights on leather are not as saturated as you'd expect until you get to the most reflective part of the material. Also, a good texture brush can work wonders.

3. I try to use as few layers as possible when painting, but I remembered the importance of putting design detail on a separate Multiply layer. Multiply allows the layer to modify/darken the layers below, so you can more easily add detail that follows the shape of the object. For example, the body hair or the snake's head going over the chest. If I were painting traditionally, I'd have had to put in a lot more effort. With Multiply layers, it's one colour. Nice! I got a great tip from @dustdeepsea about the blue-ish tint that tattoos, particularly older ones, can get. I felt like this massive tat is not something that Rugan has had done recently, so I added a Gaussian blur as well.

Well, if you got this far, thanks for reading! This is a great way for me to reflect and record what I've learned from the painting. I want to paint sexy stuff, but I also want to keep improving as an artist!

Keep an eye out for updates on my next pin-up, who will be Lord Enver Gortash. Time to practice using my hair/fur brushes 🥵🥵

#rugan #digital painting #digital illustration #illustration #pin up #male pinup #bg3 fanart #bg3 #painting diary #male pin-up #male pin up

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greenerteacups · 9 days

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Hello GT! I almost never comment on anything online, but (after binge-reading Lionheart in about three days) I'm overcome with a desperate need to confess that I've developed an enormous intellectual crush on you as an author. I've never been particularly drawn to Dramione as a pairing before now - or even the HP universe in general as more than a very casual fan - but after reading nearly 600 thousand of your words, I'd be craving more even if that number was 600 million. Thank you very much for sharing Lionheart with the world.

It's a rare pleasure to read something where an immense thoughtfulness shines through so brightly not simply in bits and pieces here and there, but consistently throughout every line and every subplot you stitch together. There are other works of fiction out there that I love, but very, very few of them have been carefully crafted enough to allow me as a reader to sit back and have unshakeable confidence in the depth of the author's vision. Everything you write, from the smallest descriptive details to the grander puzzle pieces tying together each book, is delivered with such intentionality. Sometimes when reading other fiction I'll find myself impatiently wondering "okay, fantastic build-up, but when are we getting to the *really good* part"; with you, every part is the good part. The oft-cited slow-burn mantra of "it's not the destination, it's the journey" doesn't even ring true for me with Lionheart - because in your capable hands, you hurl us straight at that destination with every chapter. All of this to say that my starstruck inner writer is currently pinning a hypothetical pin-up poster of you to my hypothetical writer-ly bedroom wall as someone to look up to.

One of my favourite aspects of your work is how utterly hilarious you are both in your character dialogue and your prose. You've made me laugh more than you've made me cry - and you're guilty of making me cry a lot, especially in Book Four. You balance us between hysterical (funny) and hysterical (dirty, raw feelings) without a trace of whiplash, quite often imparting both simultaneously. Is interweaving humour with Everything Else something that comes naturally to you while writing or is it a process you're consciously juggling?

I've brooded and preened over this message for entirely far too long, and it's not fair to you. Suffice it to say you're kinder than I deserve and this made me want to cry. Any and all pin-up posters of me should render me looking like a deer in headlights, as is the appropriate reaction to this kind of honor.

I'm especially delighted by the hysteria (plural)! In general, it's easier for me to write humor than it is for me to write drama. Not that either one is easy as such, but I think drama requires more architecture. You don't have to explain if a joke is funny; it just is funny, and the audience knows why the characters are laughing/amused/happy. In drama, you have to achieve a certain level of technical character work to set up the punch of a moment; there's stakes, plotting, resonance, etc., and then you have to actually deliver it in a way that isn't either flippant, ironic, or Narm. Basically, there are more axes of failure. And the stakes of a joke failing are pretty low, too: worst case, your audience is like "eh, not that funny" and they move on. If a dramatic moment fails, it can take the legs out from under a whole arc.

One of my tests for whether a moment is ripe for comedy is the question of what the comedy is doing. Is it a realistic reflection of the character's voice in that situation? And, perhaps more importantly: why am I feeling the need to put comedy in this scene? Do I want it because it's natural and tone-appropriate, or am I trying to disguise my own insecurity about the dramatic content of the scene? If the latter, I tend to cut. You can't write from fear, you know?

#greenteacup asks #'with you every part is the good part' this is so wildly moving and poetic. what the fuck. i'm stealing this for my wedding vows.

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feyspeaker · 2 months

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Hii me again. I'm not sure if I sent the ask I'm talking about on anon, so maybe that's why you didn't see it? It partially got answered with a recent ask you got anyway so no worries. I was just wondering if you use 3d in your process and if so, how? I've seen other illustrators use it to varying degrees and it seems like a really helpful tool to push your work.

Oh that's so weird! No I periodically go through my asks in chunks and I didn't see anything like that. I've had a few people in the past few months send me asks that looked like the second half of something else with no context, so maybe it's Tumblr fuckery. Sorry!!

I recommend learning Blender so you can help sculpt shapes and render lighting onto them in order to get the weirder/more complex shadows right. You can also apply colors onto the things you sculpt in order to see how the colors act in different lighting. It's pretty much an invaluable tool to me as it keeps me from having to problem-solve too much. I did a lot of digging around in my house to build references to photograph but it was just impractical to achieve the things I want to a lot of the time. I still do that, and you would not believe how many goofy photos I have of my husband in the poses you've seen me paint Astarion in lmao...

I do think that it needs to be used in moderation if you are a more beginner artist- I think that using 3D is DANGEROUSLY close to becoming a massive crutch for a newer artist and improper usage or over reliance on it can lead to stiffness or artificial looking colors. You need to be able to train your eye to create compelling compositions by bashing things together, and train your hand to replicate/add/subtract as needed from your references with an organic feel.

I will say this as a total committer of this crime myself in the past, it's VERY easy to tell when an artist relies too much on, for example, Clip Studio Paint posed models as bases for pieces without a good enough grasp on their fundamentals. And I also used to prickle when I saw more advanced artists warn of this, so I do think maybe it just has to run its course sometimes, because I know that using 3D for reference seems like an easy-button.

I've taken a lot of in-person classes for live figure drawing and painting, as well as just totally done drills, basically, on sketching and painting from life before relying too much on static imagery/3D/etc.

I often fret over every piece I do looking too stiff even still.

You have to do a LOT of the boring hard stuff the old fashioned way. And I regularly go back to it over and over when needed.

For example, I recently did a stupid amount of rose petal/flower studies deconstructing and painting ugly little paintings/doodles over and over because I know that I've been horribly weak at painting flowers for years (actively avoiding them). And I've been doing a lot of floral stuff lately due to that.

Whenever I start a new piece in new territory, I know it's going to mean several 3AM nighters where I have two other tabs open on Photoshop where I test out different textures or do a couple of studies. I'm working on a piece of my OC right now that has a lot of gore/medical instruments and I've been working on testing out different methods for shiny metal painting and some anatomical studies. I'll come to a snag in a painting and go "here we go" and work through it one piece at a time.

My Halsin piece, "Secret Spot" in the hot spring, was a massive undertaking with a lot of these moments. The Karlach x Dammon piece took 3 times longer than it should have due to me just having to go back and fix things knowing I could do better after doing some studies.

Ultimately I personally find art tutorials to be quite useless overall once you get to a certain point, unless they are teaching the use of a tool/software because you HAVE to figure out what works for you. And even then I use Blender like a monkey with a keyboard, I suspect, because I've just bruteforced through it, so I could probably use a tuneup from a good teacher on that haha. I hope this helps some, and sorry if I overstepped if I sound preachy.

#ask

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hurricanek8art · 6 months

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Okay, I don't know what's going on with Tumblr and everything has been absolute chaos with my life the past few months, so y'know what, screw it. I think I'm actually brave enough to share some of my art. At least it won't just be sitting on my tablet that way.

This is my Sith Inquisitor turned Force-sensitive Outcast from SWTOR, Roodaka Greatstorm-Kallig. I haven't really plotted everything out with her regarding her story, but she's not my Outlander. She leaves the Empire right after Ziost, after losing all of the family she'd used her Dark Council connections to find and save from slavery, and Lana recruits her to help Sana-Rae run the Enclave about two years before the Outlander (my Knight Aja Verdona) is rescued. She's prickly and petty and spiteful but I love her dearly. And because I've never posted art before, art process and a little bit of character lore ramble under the cut, I guess?

I usually work with lined art/sketches that are admittedly very messy, but when I did the first one back in May I was experimenting with actually rendering/painting, and I saw a fashion post thing that looked like something Roo would wear, so I was mostly just playing around, it's not a solid outfit design for her. It's janky and wonky and oh Lord please don't look closely at the anatomy or face it is not up to my usual standards, but I was so proud of myself for the lighting on this one, as well as how I managed to render the muscle. Like, the lighting! I have no idea what I'm doing but I think it looks so flipping good! And I was happy with how the crackly lightsaber blade turned out—it is supposed to be Aloysius Kallig's lightsaber, meaning it's at least over a thousand years old, right? It should be a little janky with age!

The second one is supposed to be post Fallen Empire, after she's left the Sith and become sort of a wandering Force-user—think Ahsoka as of, well... Ahsoka, but more on the side of Ventress if she'd survived TCW (don't get me started on that choice 🙄🙄🙄). I came into it knowing a little more of what I was doing, but I kinda got in over my head and gave up on the 100% lineless thing, you can definitely tell with the sword/clothes. 🥴 The second piece has been sitting unfinished in my WIP folder for months, so I just said screw it, finished up some details and called it because I am SO PROUD of her face and hands (I DREW A GOOD HAND WITHOUT LINEART WHO AM I?!?!) and how I rendered her skin, I don't want it to live in WIP purgatory forever. You can actually tell that's muscle! And a neck!

I'm proud of how her tattoos turned out, too. I played around with Cham Syndulla's tattoo pattern, turning it at different angles. It felt like a good way to root her in Twi'lek culture despite the Kallig bloodline having been separated from it for so long. She gets the first one to cover up a slave tattoo, and the rest after Ziost to further reclaim her identity and culture, leaving the Sith behind.

I have no idea how to close this post. Um... thanks for reading all this, if you have? I've never posted art before, I'm kinda terrified. 🤣🤣🤣🤣🤣

#K8's Art #(never thought i'd have the guts to make that tag!)#K8 Rambles about SWTOR #swtor #swtor sith inquisitor #swtor fanart #star wars the old republic #SWTOR OC: Roodaka Greatstorm-Kallig #i am utterly terrified of posting this but if i don't do it i dunno if i ever will #so here we go! deep breaths kate 🤣🤣🤣#edit: i'm gonna pin this at the top rather than that meet the artist because if i look at that self portrait anymore i'm gonna combust 🤣

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lizzietrashkittie · 1 month

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Having art block sucks.

Here's some things I do to help myself work through it while still being creative:

● Play with a different brush/program then your used to. Just start doodling with it. See how it feels, see how it might influence how you handle certain lines in your work. Don't focus on mastering it, just play with it.

● Play with Colors. Google "Color Palletes" pick one that catches your eye and challenge yourself to draw with it. You could also set your work space into B/W mode and challenge yourself that way! Which could be good for working on values. Ultimately though, just focus on using the colors given in a way that feels most right for em. You don't have to have a fully rendered piece at the end. Just the specific colors.

● Play Dress Up. This ones for my oc artist! Take a character of yours and just draw up a new outfit for em. Use a base for their body if you need to, do whatever. Maybe try drawing them in something they wouldn't normally wear, or challenge yourself to include more little details then normal. Just dress em up.

● Play with Symmetry. I tend to mix this one with the dress up because it's easier to draw a fully body and outfit when you're not focusing so hard on each side being perfect. If your program has a Symmetry tool, click it on and go to town. When it's too overwhelming to draw a full face/body..draw half!

● Try a different Medium. If you normally do digital, try traditional. Or buy some cheap paints and try that. Maybe dabble in animation or clay! Sometimes your brain gets tired of doing the same old same old. So do something different for a bit to give it a small recharge. Even if it's something you've never done before. Or something you're not as good at. Any act of creation is valuable in your journey. You learn regaurdless.

● Play with a Story. Get a friend, doodle a little creature, and then pass them the canvas and ask them to give the creature a gift. After that, expand. What if you have this creature a hat? Perhaps it's at a party and needs a friend. Maybe a jealous ex appears?? Go back and forth and keep doodling on more and more of the story. Have fun with it.

● Remember, It's okay to be imperfect. Alot of artist will hammer it into you that you shouldn't have any mistakes in your work. And often times this leads to unsatisfaction, which contributes to art block. It's important to sometimes just create for the sake of creation. Let yourself doodle imperfect shapes. Let a few eyes look kinda wonky. Allow yourself and your art to not be perfect. You don't have to focus on every little detail all of the time. Breath. And just let the lines happen.

Lastly, remember that struggling with this doesn't make you less of an artist. And there will be times where the best option for you IS to step away and take a break from art all together. Again, your brain gets tired. That's not a fault in you and it doesn't make you less of an artist. Treating yourself and your creative journey with compassion is important. You're a person. And that's okay.

#art #artists on tumblr #digital artist #small artist #original art #art advice #advice

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