#this is both very specific and vague as hell

[anidealistatbestburntoutatworst]

ah yes there’s nothing like my favorite trio…. and what is my favorite trio you might ask- well i’ll tell you:

it’s two people who find eachother INSUFFERABLE to be around but are brought together for the common purpose of protecting the third person who just so happens to be completely unsuspecting of the world and wants for everyone to just get along.

#this is both very specific and vague as hell #heavens official blessing #yona of the dawn #vanitas no carte #the dumbasses in question just so happen to be characters i kin #does anyone else feel this way? #friendship #the unholy trinity #they’re all idiots #i love this dynamic #they work well together #it’s meant to be that they’re all gay and stupid #i love them #hehe i love them #the silliest and the goofiest #the trifecta of dumbassery #it’s me- i’m the dumbass #ok bye thats all

[a-sketchy]

persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”

like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”

and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea

#i’d really need to rewatch slinks to give more indepth thoughts or pull specific examples #but i’m right and i pace about it every day #i’m not really talking about naoto that’s a whole other can of worms a long way down the line #rambles #if persona’s all about wish fulfillment where’s my persona game where i can be a feminist huh #p4g posting #p3p posting #yeah both of those. i’m not far enough in p4 to have seen the payoff but i know that its fucking persona 4 #and jesus christ yukiko!! i only vaguely know of ai. chie in the main story/dialogue options you have #jesus christ the dialogue options. can you ask literally every girl if they have a boyfriend?? and ‘thats very feminine’ DIE #and man p3p. persona main plot misogyny is weird when you’re on the other side of it #it’s a very different experience being the one getting peeped on #and then saori. and mitsuru. and fuuka. kinda rio. idr a single thing about yukari’s slink i’m sorry but probably her too #also my vague recollection of p5 with haru. ann by default though idr her slink #and goddd of course the. everything else. i’m not touching on. main plot misogyny and inherent writing stuff and etc etc etc etc etc etc et #GOD. #persona is hell

[alpaca-clouds]

The history of Solarpunk

Okay, I guess this has to be said, because the people will always claim the same wrong thing: No, Solarpunk did not "start out as an aesthetic". Jesus, where the hell does this claim even come from? Like, honestly, I am asking.

Solarpunk started out as a genre, that yes, did also include design elements, but also literary elements. A vaguely defined literary genre, but a genre never the less.

And I am not even talking about those early books that we today also claim under the Solarpunk umbrella. So, no, I am not talking about Ursula K. LeGuin, even though she definitely was a big influence on the genre.

The actual history of Solarpunk goes something like that: In the late 1990s and early 2000s the term "Ecopunk" was coined, which was used to refer to books that kinda fit into the Cyberpunk genre umbrella, but were more focused on ecological themes. This was less focused on the "high tech, high life" mantra that Solarpunk ended up with, but it was SciFi stories, that were focused on people interacting with the environment. Often set to a backdrop of environmental apocalypse. Now, other than Solarpunk just a bit later, this genre never got that well defined (especially with Solarpunk kinda taking over the role). As such there is only a handful of things that ever officially called themselves Ecopunk.

At the same time, though, the same sort of thought was picked up in the Brazilian science fiction scene, where the idea was further developed. Both artistically, where it got a lot of influence from the Amazofuturism movement, but also as an ideology. In this there were the ideas from Ecopunk as the "scifi in the ecological collaps" in there, but also the idea of "scifi with technology that allows us to live within the changing world/allows us to live more in harmony with nature".

Now, we do not really know who came up with the idea of naming this "Solarpunk". From all I can find the earliest mention of the term "Solarpunk" that is still online today is in this article from the Blog Republic of Bees. But given the way the blogger talks about it, it is clear there was some vague definition of the genre before it.

These days it is kinda argued about whether that title originally arose in Brazil or in the Anglosphere. But it seems very likely that the term was coined between 2006 and 2008, coming either out of the Brazilian movement around Ecopunk or out of the English Steampunk movement (specifically the literary branch of the Steampunk genre).

In the following years it was thrown around for a bit (there is an archived Wired article from 2009, that mentions the term once, as well as one other article), but for the moment there was not a lot happening in this regard.

Until 2012, when the Brazilian Solarpunk movement really started to bloom and at the same time in Italy Commando Jugendstil made their appearance. In 2012 in Brazil the anthology "Solarpunk: Histórias ecológicas e fantásticas em um mundo sustentável" was released (that did get an English translation not too long ago) establishing some groundwork for the genre. And Commando Jugendstil, who describe themselves as both a "Communication Project" and an "Art Movement", started to work on Solarpunk in Italy. Now, Commando Jugendstil is a bit more complicated than just one or the other. As they very much were a big influence on some of the aesthetic concepts, but also were releasing short stories and did some actual punky political action within Italy.

And all of that was happening in 2012, where the term really started to take off.

And only after this, in 2014, Solarpunk became this aesthetic we know today, when a (now defuct) tumblr blog started posting photos, artworks and other aesthetical things under the caption of Solarpunk. Especially as it was the first time the term was widely used within the Anglosphere.

Undoubtedly: This was probably how most people first learned of Solarpunk... But it was not how Solarpunk started. So, please stop spreading that myth.

The reason this bothers me so much is, that it so widely ignores how this movement definitely has its roots within Latin America and specifically Brazil. Instead this myth basically tries to claim Solarpunk as a thing that fully and completely originated within the anglosphere. Which is just is not.

And yes, there was artistic aspects to that early Solarpunk movement, too. But also a literary and political aspectt. That is not something that was put onto a term that was originally an aesthetic - but rather it was something that was there from the very beginning.

Again: There has been an artistic and aesthetic aspect in Solarpunk from the very beginning, yes. But there has been a literary and political aspect in it the entire time, too. And trying to divorce Solarpunk from those things is just wrong and also... kinda misses the point.

So, please. Just stop claiming that entire "it has been an aesthetic first" thing. Solarpunk is a genre of fiction, it is a political movement, just as much as it is an artistic movement. Always has been. And there has always been punk in it. So, please, stop acting as if Solarpunk is just "pretty artistic vibes". It is not.

Thanks for coming to my TED Talk, I guess.

#solarpunk #solarpunk aesthetic #solarpunk fiction #political movement #history #history of solarpunk #amazofuturismus #put the punk back in solarpunk #scifi #science fiction #clifi #climate fiction #ecopunk

[baldursgate3tempobsessed]

Your stories have definitely scratched that Astarion itch that I've had since I started the game!

One thing that's diffently not sat right with me at the end of the game, is how tav and the gang don't run after astarion after he loses his immunity to the sun. I would imagine that if the player character was romantically involved with the guy they would atleast try to shield or comfort the poor guy. A short drabble on that would be awesome!

That's so sad, I heard that's what happens 😭😭 I'm in act 3 and haven't had to see it for myself yet so yes, let's do some preemptive therapy there! And just warning since I haven't beaten the game yet I'm sure this will be inaccurate as fuck, but also with spoilers somehow ~

~

It was an exhilarating feeling, to win against all odds. One that Astarion had never been confident he would experience. It felt good, final. The official beginning of his new free life, even if it was bittersweet.

This was the bitter part, the end of his illithid protection. The sun was barely peeking over the horizon, and the burn was already starting. He was being an idiot, standing there with the rest of you like he belonged, waiting for the last possible second before he had to scuttle down in the darkness. But he wanted to see this out. Hadn't he earned that right?

According to the laws of reality, no. No he hadn't, because you had barely opened your mouth before the pain started to overwhelm him. The others would be able to hear it, the sickening sound of his skin crackling.

He was out of time. But before he could make a break for it, you happened. Astarion had been a little preoccupied with his impending doom to pay close attention to what you had been mumbling. But then sudden blackness was blanketing above your heads, opaque enough to make it as dark as night.

Astarion's eyes widened as the pain subsided, surprised beyond belief.

You were looking at him with concern in your eyes, gesturing to the think cloud of darkness above your head, "Will this be dark enough? Can it still get through?"

Astarion stared at you, momentarily confused on why you would do something like that. Before he remembered, oh. Yes. The extended care for his well-being was probably included in the whole love thing. Of course. Obviously.

That was definitely going to take some getting used to.

But the reasoning didn't stop an idiotic smile from blooming on his face.

You grinned back at him, somehow still managing to read his mind even without the tadpoles, "Did you really think I would forget about you?"

He had, but through no fault of your own. One of these days he was going to actually remember that he was worth the effort to keep alive.

"Thank you darling," Astarion said, ignoring the quested as he waltzed up to you. He grabbed your hand in his, bringing it up to his lips to kiss, "Just what would I do without you?"

"Speaking of," You turned to the Emperor, a question in your eyes as you vaguely waved upward, "Is there anything we can do about this particular problem?"

"The astral tadpole is still-"

"I'll pass on that, thank you very much," Astarion interrupted, cringing at the very thought of willingly letting another worm into his brain, "But I appreciate the thought."

There were worse things than living his life in darkness. And Astarion was counting becoming a mind flayer in the top three.

He watched, participated even in everyone's final goodbyes, always eyeing you at of the corner of his eye. It's not that he thought you would leave after you both declared your eternal love for each other, but... the two of you hadn't exactly talked about the specifics of the future either.

But that didn't stop you from leaving together. Astarion hadn't expected you to keep the dark cloud above his head as you walked the streets, startling nearly every passerby. But hells, the heroes of Baldur's gate had earned the right to a little strangeness.

You both had decided on going to the nearest, most windowless inn that you could find. Astarion wanted nothing more than to scrub the brain viscera from his skin and sleep for three days. Preferably with you in his arms.

But before all that... he had to know something.

The question was out of him as soon as you both were behind closed doors, "So what happens next to the great hero of Baldur's Gate? I'm sure you have something in mind."

He was just praying those future plans still involved him.

You blinked at him, head cocked like he was asking a silly question, "We go and find you a cure so you can walk in the sun again of course. What else would we do?"

That took Astarion aback, "I-Do you think that's really possible?"

"Well," You started, counting off on your fingers, "We know that illithid powers can do it. As well as devil contacts and ritualistic demon sacrifices. If that's all possible then that means there has to be something else on the other end of the spectrum, right?"

Astarion didn't exactly share your blind confidence. But you did have a point. The two of you had managed so many impossible feats in such a short amount of time. What was one more?

"I suppose there's a chance," Astarion said, hope fluttering in his chest with every word, "And if there is a chance no matter how small, I'm going to take it. But..."

He didn't want to ask, but he needed to know, "Are you sure this is what you want? I would... understand if you wanted to go your own way."

In all honesty, Astarion would not understand. He'd be absolutely furious. Especially after everything you'd been through. This was more of a confirmation for his waning self-confidence than anything else, versus a sincere to desire to let you go your own way. He had no intention of letting you go, not if he could help it.

But his near certainty in your feelings was the only thing that gave him the confidence to ask the question in the first place. And you did not disappoint.

"No, this is what I want," You insisted, reaching out to take his hand in yours, "You're what I want."

That was exactly what Astarion needed to hear. He used your joined hands to tug you closer, face to face.

"Good, because as selfless as I am, I really did not want to let you go," Astarion smiled, leaning in to lightly press a kiss to your lips, "I hope you realize that my love has made me a tad bit obsessed with you my dear."

"I'm sure it's no worse than me," You sighed, resting your forehead against his own, "You've really ruined me for anyone else haven't you?"

Astarion grinned, leaning in for another kiss. He had every intention of making it stay that way, for as long as you would have him.

#astarion #astarion x reader #astarion x tav #baldur's gate 3 #long fic #asks #im feeling these asks #a mix of real dialouge and orginial #i make them so touchy feely #i feel like he kind of would be #but i dont blame the game guess that would be so much to animate oh my god

[bigfatbimbo]

Lute and Sinner!Fem!Reader

a/n — Taking an Idea I had from a request and running with it because I completely twisted it into something else in my head.

Summary — Lute has a very homoerotic rivalry with fem!sinner!reader in the form of vague headcanons and loose storylines.

Warnings — unbareable sapphic tension, mention of injuries and blood

Let’s start off with the obvious; Lute has no idea how to process feelings for the reader.

I mean you’re literally a demon from hell, there should be nothing appealing about you in the slightest.

Unfortunately for Lute, she found absolutely everything appealing about you and this pisses her off to an insane amount.

She would spend hours trying to justify it in her head only for every excuse to fall flat. If she wasn’t already practically pulling her hair out over this, now she is.

She finds herself looking forward to the next extermination more and more. The scary part was that the reason wasn’t just because of the chance to slaughter vile demons.

She wanted to see you. 

So what does every lesbian in denial do when they have complicated feelings for someone they shouldn’t? Start a rivalry.

Every extermination she seeks you out and fights you specifically

“You, vile demon! Come out here and face me!” She would absolutely make a scene as she is incredibly intense.

I feel like you would surprise her with being able to keep up with her fighting skills, or at least almost.

Like I feel like she would go easy on you at first. After all, she just wants your attention, she doesn’t actually want to kill you.

After a little bit she would actually have to start really trying in order to not actually lose.

Of course that would piss her off and turn her on at the same time, leaving her incredibly aggravated.

Maybe after a couple exterminations you would be already used to Lute and her shenanigans and you would play along.

“Hey, sweetheart, how’s heaven treating you these days?” You would tease while dodging her sharp spear.

“Don’t call me sweetheart, you demon scum!” She would hiss back at you, trying to hide her blush by violently jabbing her weapon your way.

I don’t think she would play along in your flirting at all. She wouldn’t even humor you, just get slightly more angry and flustered.

OH. MY. GOD. There would be SO MUCH unresolved sexual tension. 

Obviously Lute is too loyal to heaven to give into lust so there’s just a lot of pining, lingering touches, and bedroom eyes.

Threats are definitely the main love language here.

“That’s right run! I’m going to ruin that pretty face of yours when I catch you, you vile creature,”

“Aw, Lute! I never imagined you were such a flirt,” You would wink back, thrusting your dagger towards her in a swift motion.

She dodged it and fell back, “I—I meant with my spear, you sick pervert!” 

“Still called me pretty.”

“UGH, I’m going to rip your head off its shoulders!” she would storm at you and hope you dodge her blow last second.

If one of you ends up on top of the other while fighting, that would literally kill her.

You would both be so close, breathing into eachother, faces inches apart, lips slightly parted and—

“Distracted much, Lute?” You would raise your eyebrow and she would immediately switch positions and fall back into the rest of the exterminators.

I do think that as much as she pretends to hate you, she would genuinely loose her shit if one of the other exterminators hurt you.

Like she would be screaming at them.

“What the fuck do you think you’re doing? You think you can just attack her like that and—“ She would realize how this looked and correct herself “—um, with that form? Can you do ANYTHING right, you useless excuse for a soldier?”

Then she would chase you off to where none of the exterminators are watching and corner you.

“I don’t have much time,” she would look over your wound, “Are you alright? Are you— are you bleeding out?”

“Well, I don’t imagine i’m in the best condition, thanks for asking,” you nod down to the where the angel stabbed you and glance back up at her. 

She looked off, almost like she was genuinely concerned. Her hands would hover over the stab wound as she assessed what to do.

“What’s gotten into you?” You would inquire, trying not to wince.

“I just— well, I’m—“ she would stammer, before ripping off a piece of her uniform and pressing it against your injury. You suck in breath.

“I can’t have my favorite enemy dying from an angel who’s not me.” She would finish, trying to sound cold even though her voice was borderline wavering.

“Sounds like you’re going soft on me,” You smirk weakly.

“Never going to happen, demon,” she would almost smile at you. 

There would be a moment of silence as her fingers grave your open cut and linger against your stomach.

She cleared her throat, awkwardly, “Apply pressure to the wound and clean it as soon as you can. You’ll be fine.”

With that, she would leave and go back to slaughtering demons, probably wishing she could have stayed with you.

a/n — smut of her later tonight because i’m obsessed and need her biblically (Haha)

Also you guys are so Once More to See You by Mitski coded.

#hazbin hotel x reader #hazbin hotel x you #hazbin hotel #hazbin hotel fluff #hazbin hotel smut #hazbin hotel lute #lute x reader #lute hazbin hotel #wlw x reader #rival Lute

[mauesartetc]

Redesigning Helluva Beelzebub

Hoo boy, roll up the sleeves for this one.

The Original

In my review of Helluva Boss 108, I mentioned that Beelzebub's character design put me in mind of how some DeviantArt kid's fursona might look. And... Yeah I stand by that statement. The most likely reason I can figure Viv Medrano wanted her to be dog-like was to make a reference to her Die Young music video, which featured an anthro wolf singing a Kesha song (for context, Kesha herself voiced Beelzebub and co-wrote a song for this episode).

But for those who are unaware, Beelzebub's traditional depiction looks nothing like this.

Really the only visual similarities the Helluva version shares with the Infernal Dictionary version are the insect wings, six limbs, and the crown thingy over the head. (At least I think that's a crown-? Kinda hard to tell on both counts.)

Bee's eyes get somewhat more insectoid later in the episode, but that feels like a cop-out. Wow, her eyes and colors changed. Totally a bug demon, right?

They had the same problem in Hazbin Hotel with Katie Killjoy, who's allegedly supposed to be a praying mantis but barely resembles one, even after her transformation.

I understand the desire for fresh takes on old figures, and taking creative liberties so the new interpretation doesn't feel generic. But the changes should at least make sense. By now it's pretty clear Viv couldn't care less about representing Ars Goetia demons faithfully, as demonstrated with Paimon, Andrealphus, and now Beelzebub. You could slap completely different names on these characters and it wouldn't change a thing. I posted this meme a while back but it's never been more relevant:

On top of that, what reason could there possibly be for the design to be this damn complex? Why did she need so many markings on her face? Why did she need so many layers of hair? Why did she need flowing goo for her hair, tail, and body, each requiring dedicated effects animation?

When it comes to a hand-drawn production, less is more. Any superfluous details on a character just make unnecessary work for the animators.

Anyway, here's what Viv has to say about it.

Alright, I'll admit: The lava lamp bit is a little clever. Basically it works as a regular stomach does, but on demonic steroids. But it wouldn't look so much like Viv's making this up as she goes if we'd seen Bee's stomach performing its intended function in the episode. Let her chow down on a giant piece of food (maybe that cotton candy she's been handing out-?) and swallow it, and let Loona (and the audience) see it dissolving in her transparent belly. As a general rule, if it's not shown or explained in the work itself, it's not canon. Like I've said before, Viv: Elaborate on the nuances in the story you're telling, not on social media.

Also, "Her ears are designed after beehives"? Wh...Wha? Ma'am have you ever seen a beehive.

(Hell, even if you told me the ears were inspired by the generic cartoon beehive we're all familiar with, I wouldn't have guessed. There's a difference between being subtle and being vague.)

I can kinda see it in the overall shape, but that's a very specific design inspiration that wasn't clear at all in the design itself. Same with the "animal trainer" thing: I never would have picked up on that if Viv hadn't pointed it out. If a character design doesn't visually convey all the necessary information, it's not a successful design. Show, don't tell. There's a communication breakdown between what Viv's telling us and what Bee's design shows us.

(It's possible she actually meant "Her ears are designed after honeycombs", but even then, each compartment has a specific pentagonal shape that's not coming across at all here.)

I also find it interesting that Bee and Loona have almost the exact same body type. Of course Viv's pretty infamous for samebody syndrome, but it's actually unnerving how similar these two are.

Might this be a reference to Vortex's "type"? Is this foreshadowing a relationship with Loona? Am I overthinking this? Yeah, probably. Viv's demonstrated a clear preference for tall, skinny body types over the years, so it's safer to assume that's the explanation. It's all aesthetics. It ain't that deep. Occam's Razor and all that.

Finally, Bee how the hell does your shirt work.

The Concept

So at this point it seems most logical to lean into the "bee" thing for the redesign, and scrap all the canine elements. As for the blobby hair and tail... yeeeah let's nix those too. We're going for a streamlined version that's easier to animate. And because I ignored the ringmaster look for my redesign of Asmodeus, it only makes sense to do the same for Bee's animal trainer vibe (what little there is) for the sake of consistency. I know this version of Hell has a circus theme with its highest-ranking demons, but there's never been an in-universe explanation for why that is.

Let's look at actual bees, then. A quick peek at Google has informed me that certain insect species have smaller, "simple" eyes (also known as ocelli), in addition to their compound eyes. In bees, this manifests as a triangular grouping of three beady eyes on top of the head.

In her Helluva Boss episode, Bee's full demon form has three eyes, which could be a reference to this triangular arrangement, plus her regular form has two spots on her forehead in addition to the third eye. So it's possible Viv actually did research for something. Pleasantly surprised on that front.

Next, the body. I've noticed that some folks find Bee's skinny body type refreshing, as the sin of gluttony is too often personified with fatness. And that's fair. That's valid. But consider this:

Imagine any Vivziepop character saying that about a chubby person. Imagine the series sending the message that fat people can be sexy too, and that they have worth outside of their appearance, enough for at least one character to consider them girlfriend material. That they're valued and appreciated regardless of this culture's beauty standards (which we know nothing about since the worldbuilding is as thin and flimsy as tissue paper, but whatever). Imagine if this show finally had a fat female character who wasn't relegated to the background. Don't know about y'all, but that would be refreshing to me. And when you take into account all the fat-shaming of a character who isn't even fat, portraying a fat character as attractive would be a nice change of pace for this show.

Now let's talk about clothing. In the episode, Bee's clothes show off a lot of her body, with a cutout crop top and short shorts. We can take a similar approach for the redesign (something that still shows off her chest, belly, and limbs, in keeping with the extroverted "party girl" persona), but that perhaps includes more queenly elements.

The Redesign

Because this is a redesign, many elements were already in place, but I still had to figure out how this character would look as a bee. Here's where the preliminary sketches came in. Lots of trial and error in this process.

Wrestling with this character's face got a lot easier once I realized I could mold it into a pentagonal shape akin to a honeycomb compartment. It took a few tries, but at last, I had a final sketch.

All that was left to do was test out some color combinations.

I tried a few different approaches, but in the end, this is the version I felt worked best.

I used many of the colors from the original, but pushed the orange much harder since orange is the symbolic color of gluttony as a sin. And overall it gives Bee a nice honey-ish look rather than the generic black and yellow we already see on so many bees in cartoons. I thought the colored outlines on her clothing would add a soft, feminine touch, as well.

And just for kicks, here's a quick sketch of her giant form, inspired by the Infernal Dictionary drawing of Beelzebub.

Conclusion

The canon version of this character exists in the form she does for no reason than to stroke her creator's ego. "Hey guys, remember when I animated that Kesha fan video? Remember how cool that was? Wanna see me foist this unnecessarily-complex character design on other animators while I take a victory lap?" I wouldn't mind so much if Viv animated any of this herself, but she didn't. I could almost excuse this if she had no animation experience and didn't know how much work it requires, but she does. The self-aggrandizing entitlement is just off the charts. But a nonsensical design is leagues better than a stolen one, so... brownie points for that, I guess.

#character design #redesign #helluva boss #helluva critical #helluva beelzebub #vivziepop critical #body positivity #long post

[idolomantises]

What inspired Sera's design? I've always loved her design and would love to know some of your thought process when you were making her

Originally she was actually going to be very human and a fallen angel. her dynamic was basically the inverse we have now. a very forward and sexual angel who tries to seduce a shy and social anxious succubus. (sorry this is the only concept art i have rn thats not uh, lewd. the comics were originally going to be a lot different and for a separate account)

but i lost interest in the concept since i'm more of an opposite attracts type, and i wanted to explore both environments (cant exactly explore heaven if your wife is rotting in hell).

So I went with a more typical "serious angel x sexual succubus" type, but then went, "what if she actually was the more intimidating looking of the two". succubi are meant to be sexy and approachable, so what if her girlfriend was fucking weird and scary. I had a rough sketch (which i cant find for some reason) where Sera is this just this massive rings of fire with a giant head/eye inside, but then I felt like it was... kind of boring.

which is funny considering ive had people claim that my current sera design is trying too hard to be "biblicly accurate" but i wasn't trying to be! I wanted it to be a mix of version depicted in biblical art AND more humanized form. I wanted a partner for lili to hold hands with. An angel design that felt unique. Sorry if the answer feels vague, I never really had a specific design in mind when drawing her.

#monsters and girls #ask quill

[ratcandy]

A Very Rough Analysis of Bug Beauty Standards in Hallownest

thank you @arty-cakes u've enabled me to have thought processes and now we're in a hell of our own making

Bear with me. Ok. This started because of discussion over Zote's horns. I'm gonna be combining both in-game dialogue and some irl bug things to come up with some vague understanding for how, potentially, bug beauty may be perceived in Hallownest. Because there is quite a FEW possibilities here, and I wanna dissect what I can.

And of course in my humble opinion there are no real, true Standards. Bugs are only full of love and there is no real concept of "ugliness." Because I said so. ...And, I mean, this would actually have some ground, because Hallownest is a conglomerate of a LOT of different bug species!! Truly, for there to be any one consensus wouldn't make a lot of sense, because everyone's going to have different standards Per Species.

(I implore everyone here to look up stalk-eyed flies (<LINK GOES TO PICTURE OF A BUG). To some bugs out there, that is, in fact, the pinnacle of sexy. So the idea of true beauty could REALLY, REALLY VARY.)

But hey. I'm having fun. So take my hand. Let's analyze nothing for no reason. this is a very long post. THERE IS ALSO ONE (1) PICTURE OF IRL BUG IN HERE; ITSE BEETLES. Be aware!

So, first of all.

These are sexy. This is considered sexy by bug standards. Or at the very least by Bretta and Godseeker's standards respectively. The words used to describe GPZ are "gorgeous" and "beautiful" while, as everyone knows, Flukemarm is "alluring."

So what this tells me right off the bat is that bugs seem to value Big and Round. The larger the body mass, the more attractive that bug is. Godseeker even refers to her real-world form, which looks like this,

with this dialogue:

"...And this? Our form swells? Large? Nay. Immense. Majestic. Hibernation, so long forced upon Us, yet the shell that results is strong... So strong! Thine gaze is adoring. Ye must think Us Godly. Amusing, foolish. But thou art faced with enormity and beauty, true..."

"Linger and gaze. Linger and gaze on Our magnificent shell. Our overpowering beauty!"

So like. I've at least a little reason to believe that Big and Large = Conventionally Attractive in some manner when it comes to these bugs.

To be fair, the Godseeker isn't from Hallownest. So her opinions on this matter might not align with everyone else's. But Bretta, who we have no reason to believe isn't a Hallownest native, does envision a sexyman Zote to be just as Big and Large.

Oh, and, of course:

This big guy is literally Called a "gorgeous husk." We could assume it's the golden shine that allows this one to be Gorgeous, OR we could assume it's the roundness. I, for one, think it's the Roundness.

HOWEVER, there is some possible contradictions to his idea. For one, the Gluttonous husk,

Is referred to as having a "grotesque shape" by the Hunter. Now, the grotesque-ness may be due to overconsumption (as is mentioned in the same entry), thus causing a bloated, unnatural shape that we can't totally see due to the artstyle/lack of reference. But it is worth Mentioning.

Also, of course, Salubra seems to think Ghost is quite a Fine Specimen, despite Ghost being far from Large or as Round:

"You're even more the attractive bug, clad in all those wonderful, sparkling things. I may have nothing more to give, but you must come back and visit from time to time. Such a dashing figure frequenting my store. I bet the whole village is jealous. Mmm hmm!"

"...Dear dear, I really must hold it together, must appear calm, but this creature... is just divine..."

"It's rare enough that someone enters my store, but even rarer to meet one so striking! Those impressive horns! That fierce weapon. The air of mystery! Ooooh. It's enough to make me swoon."

It's VERY possible a lot of Salubra's thoughts on this matter are due to charms, though shdgKJSDHG. A lot of her thoughts are specifically connected to the charms, thinking Ghost looks dashing with those charms on, etc.

But interestingly, she does mention Ghost's horns as "impressive," which brings up a whole other slew of questions on what "average" would be for horns. And since this whole thing initially started as a discussion on Zote's horns, well. Now I'm just wondering!!

Because in Bretta's sexyman version of Zote, she doesn't give him symmetrical horns. Sure, in a meta way, you could argue that's just a way to make sure GPZ is recognizable as a version of Zote. BUT!!!! When I was talkin earlier, I was speculating an idea where symmetry could be conventionally attractive in some way, and asymmetry could be generally unappealing. So it's interesting that a potentially unattractive quality would be kept on the Sexyman version. I suppose if Zote told Bretta he lost his horn in some grand battle, or whatever, of COURSE she wouldn't get rid of his epic battle scar. But at the same time, if he DIDN'T say that, then she just chose to keep it..... perhaps assuming it was a scar herself, or perhaps Bretta just doesn't take symmetry into account as a Beauty Thing. I dunno! Many possibilities there.

And if Ghost's little baby horns are impressive, then... Good lird, what do we make of the Hollow Knight then, right? Or hell, even Hornet!

I'm not sure if we wanna use that as a True scale for Horn standard. Especially especially seeing as Ghost isn't even physically mature, as far as we're aware (the Hollow Knight is specifically mentioned as "fully grown Vessel" in the Hunter's Journal, so). After all, it is ALSO very possible that Salubra was just Saying things as a means to convince you to buy stuff.

So for now let's abandon Salubra's thoughts. Let's go elsewhere.

In IRL bug talk, horns are generally a means for mate selection and/or competition with rivals. Usually these two things go hand-in-hand (competition is For Mates, I mean. or other resources).

after all, how are you gonna toss a guy off a tree if you don't got horn.

So it's not out of the question to think that horns on the Hallownest bugs would have some sort of Meaning. Especially since we see a LOT of bugs with varying horn sizes/shapes. And if we want to say every face we see is actually a mask, then that's even more telling! Because then horns are specifically being added to masks for one reason or another.

So that makes me Really wonder.

like this is obnoxious. what do you need all that horn for. Those don't even look practical for battling with. Granted, the shape of the Pale King's "crown" looks VERY similar to the mouth of the Wyrm corpse, so it's possible he just Kept that shape as his crown rather than intend for it to be horns.

But STILL. How do you think the bugs of Hallownest felt about this thing? Like that's so many horns. If he's meant to look like a "common bug," how to those Common Bugs feel about all those horns. Like sir that's excessive. We don't have all those. The most any one common bug has is three, iirc. So like. Huh.

Or would More Horn = more attractive? I'm uncertain. PK might not be all that conventionally attractive anyway. Given the lack of Large and Round going on. He is, in fact, small and pointy. So who's to say.

Anyway. Drop the horn talk for now. I want to go back to Bretta.

Bretta forms crushes on Ghost and Zote. But I don't think she's attracted their actual honest-to-Wyrm appearances. She creates idealized versions of her crushes and seems to only tangentially connect them to the real person, given... well. GPZ looks like that, and Zote does NOT look like that.

In her thoughts, she considers Zote "beautiful." In the first diary entry, she calls Ghost "beautiful." But she also writes Ghost as "standing tall," while Ghost is anything but tall, and. Yes. Again. GPZ. And in her last set of thoughts about Zote, she seems to only then see him as "smaller, tattered and stained." At some point, she seems to stop seeing a real Figure, and only sees an idolized, fake version of that Figure.

So I don't think she sees either Ghost or Zote as physically attractive on their own. More the idea of what they "could" be.

Does that all make sense? God I sure hope so. I have another Bretta thing to mention, though.

In one of the Zoteling Hunter's Journal entries, aka a snippet from Bretta's zote fanfiction, we've got this:

""That lowly map-maker's wife? Hah! My Queen, how could you compare yourself to her? In the face of your intoxicating beauty, all other females are merely dust!" The Grey Prince trembled with anger and indignation... and love."

So. That tells us Bretta sees Iselda as conventionally attractive in some way. Or, at the very least, feels a need to compare herself to Iselda to the point of writing about it in her fanfiction. So let's look at Iselda.

The only thing we can say for certain about Iselda that follows with anything we've spat out so far is that Iselda, while not Large in a GPZ way, is very TALL. To the point where Elderbug has a whole thing of dialogue talking about how tall Iselda is:

"She's a tall bug, the wife. I told them to take a larger house, especially given they're all empty, but they liked the look of that one. The way she has to bend just to get through the door...I wouldn't put up with it myself."

So we do have the Large-in-a-Way thing going. And for all we know, since she used to be a warrior, she could also have SICK muscles. She could pick me up and throw me, I think. And round... I mean. Her, um. Well her abdomen, I suppose, is . Rather round. But she's otherwise not Round in the sense that Flukemarm is round, or the Gorgeous Husk is Round.

So who knows!!! Perhaps it's just the Largeness/Height that contributes to attractiveness as opposed to fat. But I choose to believe fat is a positive factor anyway. Because I can, so there.

IT'S TIME TO TALK ABOUT SMELLS.

ok, technically, I could end that there. Because I can't find TOO Much more dialogue talking about the Beauty of Bugkind. I've checked around, but... MMm. Not too much, really!

BUT. While not, perhaps, part of a bug's seen appearance... There does seem to also be a little variation on Smell opinions. Which could definitely add to conventional attractiveness, especially since irl bugs are CHOCK FULL of sexy smelly pheromones. looking at you bombykol ....

And by that I mean. Responses to the Defender's Crest.

Leg Eater thinks it's a "tasty" smell and will give you a discount for it. Tuk recognizes the smell as that of a "friend," and well also give you a discount for it (in that case, it's more likely she just recognizes it as Ogrim's smell as opposed to anything Attractive about it, lmao, but STILL). Of course, Ogrim thinks it's a "just" smell.

Elderbug and Lemm are the only ones I can think of that have blatantly negative responses (Elderbug says something about the air smelling horrid while Lemm. Um: "Urgh! What do you think you're doing, coming into my nice little shop stinking like that?! These relics have been through enough. They don't need you spreading your stench all over them! Crawl back to the Waterways or wherever you came from!").

The White Lady obviously also associates it with Ogrim, saying it brings "joyous memories."

SO you're probably thinking. Hey Clam, this is a strange side-tangent to go on. There's not too much about the Defender's Crest smell that really works with your theory. Two characters dislike it, and two others only like it because they associate it with Ogrim. So, what gives?

divine's dialogue:

"Ahhhh, that smell! So strong, so virile..."

do you know. What virile means?

i'm sorry . I do not think Team Cherry meant it this way. But GOD HELP ME if it isn't REALLY FUNNy,

OKAY. Okay. I think... I think I'm done for now. There isn't a hell of a lot more I can find within game to go off of. and when it comes to irl bugs, well. Again, it varies pretty heavily by species!! So much is possible here. Refer to stalk eyed flies again. Sometimes, to a bug, having super long eye stalks is what's hot. Other times, all it's about is if you can throw a guy off a tree.

Or you're a giant water bug and being a good dad is sexy. I'm not joking. It's called sexy dad hypothesis. And well. I'm not here to shame the dads of Hallownest, but...

So. Yes!!!! OKay. I said words. I wrote this all in one very quick sitting and now I'm wandering away. I have things to do that I am presently not doing because I'm analyzing bug beauty standards.

#clamtalk #hollow knight #analysis #I don't know what all to tag this with. #it is what it is! #VERY long ramble #<-haven't used that tag in ages #ask to tag #<- in case something should go here that I'm forgetting. #ok. wanders away into the aether

[goodomens-hints]

Episode 1 plot summary (+complete list of scenes) and more details about later episodes

SPOILER WARNING SPOILER GOOD OMEN SPOILERS BELOW i'll leave my inbox open in case anyone has specific questions about season 2 eps

Scene 1: star creation scene Crowley needs help building constellations so he calls out at a shooting star-shape that turns out to be Aziraphale, who materializes in front of him. He asks Aziraphale to hold up an open scroll with schematics for the galaxies. When Aziraphale does so, Crowley pokes the center of the scroll with his hand crank device and twists it, so that nebulae shoot out. Yes there is a scene where Crowley says "look at that, gorgeous" and Aziraphale gets flustered. They watch in awe until Aziraphale tells Crowley "you do know after 6,000 years it'll be gone right? I read about it in the Great Plan". Crowley gets upset and protests, questioning the almighty, how there should be a suggestion box where they can put suggestions, and Aziraphale advises him not to say such things. Crowley says it's not like asking questions gets you into trouble. They watch the galaxies bloom and Crowley veils Aziraphale with his wing as shooting stars fall toward them, similar to the Garden of Eden scene but in reverse. Scene 2 aziraphale goes to record shop Aziraphale gets a note in the bookshop that says there's a matter of great "ugrency" (misspelled). He visits Maggie in the record shop and she's crying because she can't pay rent, so she's prepared to move. Aziraphale says if she gives him the records he requested, that'll be equivalent to the rent she owes. Maggie asks how he can forgive her and he says "I'm all about forgiveness, actually" and leaves.

Scene 3: crowley talks to shax this is the one posted on youtube, though it's a lengthened scene that includes the beginning where a spy tries to talk to crowley on the bench and he redirects him to the guy feeding ducks. those are the guys crowley is yelling at later. there is also a part where shax implies that crowley owes her specific information? it's very vague but it's probably why she's giving him updates on hell. yup, crowley does say he hasn't seen aziraphale in a while but it's clearly a lie lol Scene 4: michael mentions book of life

in heaven, michael is arguing with someone on the phone about the book of life, i thought at first it was beelzebub on the other end but it's probably uriel

Scene 5: gabriel appears on earth maggie visits nina who remembers her coffee order (skinny latte). then they're distracted by the commotion outside wherein gabriel shows up naked carrying a box. aziraphale is listening to the records but gabriel knocks on the door of his bookshop. there's a huge crowd outside and the moment aziraphale opens the door, gabriel says "I know you! :D" and hugs him in front of everyone while still naked LOL. aziraphale gets really embarrassed and brings gabriel inside. the rest of the scene is the one on youtube where gabriel explains he doesn't remember who he is. Scene 6: muriel finds matchbox short scene where muriel finds the matchbox with Job's passage on the floor of Heaven. you can see a bit of this in the trailer

Scene 7: crowley throws mail and meets shax again Crowley is in a random street throwing the mail shax gave him into a garbage can. Suddenly shax calls and crowley picks up, snapping at her that she shouldn't call and appear suddenly at the same time. shax appears behind him and says "why not?" this is the pic where both shax and crowley are on the phone -- theyre actually talking to each other lmao. shax tells crowley there are rumors of gabriel being missing and crowley is happy. she leaves. Scene 8:

aziraphale is talking to gabriel and we get the whole trailer scene ("you know that feeling where...") but in the real ep aziraphale's reaction is SO ANIMATED, with him standing up and saying "No! definitely not! I have no idea!" LMAO it's so funny, he's so in denial. We hear FLIES when it cuts to gabriel btw so maybe beelzebub is spying? HOW SUSPICIOUS. At one point Gabriel says "I love you" out of nowhere to Aziraphale and Aziraphale says "I..." and Gabriel smiles, looking like he's expecting an i love you back but Aziraphale just says "hmm". People were laughing so hard at this.

Aziraphale calls crowley and asks to meet at the coffee shop. Crowley informs him that gabriel is missing.

Scene 9: short scene where michael and uriel argue because michael said now with gabriel gone, someone has to be in charge...

Scene 10: Maggie brings Nina a record but Nina doesn't have a record player. Nina reveals she has a partner (Lindsay) and Maggie gets disappointed and leaves. She bumps into Crowley and Aziraphale on the way out and tells Aziraphale "you're an angel" lmao.

Scene 11: Crowley is PISSED PISSED PISSED the whole time, in fact the whole ep he looks like he's about to explode. We get the coffee shop scene HOWEVER right before that Crowley asks Aziraphale "what's wrong?" and Aziraphale says "why do you think something's wrong?" all nervously and Crowley says "you only ever call for 3 reasons: one, you're bored, two, you accomplished something and want to brag about it, and three, something's wrong. And you're using your 'something's wrong' voice." YUP THIS IS THE NEW 'i know what you smell like!'. we then get the naked man convo and crowley realizes immediately that aziraphale is stressed and says "is it something i can help with?" and aziraphale nods and THEY IMMEDIATELY GET UP and go to the bookshop with a plate of eccle cakes lmao. once crowley sees gabriel he and aziraphale start fighting. crowley gets mad at aziraphale and tells him he didn't command gabriel to answer properly. He yells at gabriel "WHAT ARE YOU DOING IN THE BOOKSHOP?!" and uses his hypnotism but gabriel just says "I'm dusting" and does the passive-aggressive feather duster motion. we get the "carved out for ourselves" convo .aziraphale says "fine, i would love for you to help, but if you won't, then feel free to leave". crowley says "i'm not helping" and storms off. he goes out into the street and says to himself "dont do anything rash... wait 10 seconds before doing anything..." but he's already emmitting smoke. We get a funny convo between nina and maggie who are watching crowley from the coffee shop. Nina's all "the man who drank six expressos! He's smoking!" and maggie says "well of course, he needs to calms down!" and nina says "no i mean actually smoking!" Crowley does the lightning thing (maggie thinks he was actually struck by lightning) and it ends up locking Maggie and Nina in the shop and killing their phones. Scene 12:

seroquel and muriel show michael and uriel the matchbox. It has "The Resurrectionist" on it. They are baffled that something material has made its way into heaven. We get the "Gabriel, I think he's gone to earth" line.

Scene 13:

Crowley's in his car and flies start buzzing. beelzebub appears in his car and teleports them both to hell using flies. This is the pic in the poster where beelz and crowley are sitting on chairs side by side. crowley is disgusted and spits some flies out lmao. beelzebub says he can come back and work for hell (and even get a promotion) if he finds gabriel, and that according to heaven, anyone involved in hiding gabriel will be erased from the book of life. crowley is teleported back to his car and begins panicking. Scene 14: nina and maggie bond while locked in the coffee shop. maggie doesn't drink wine and didn't party, nina opens up some wine and drinks it out of a teacup. she says her girlfriend makes her text if she's late by 10 minutes and that she must be freaking out right now. they see someone walking outside and try to ask her to help free them but she doesn't notice them.

Scene 15:

Crowley is mad in his car, speeding, doing the usual etc. Good Old-fashioned lover boy is playing!!!! Scene 16: Crowley arrives and Nina and Maggie catch his attention. They signal for help and he just goes "oh" and snaps his fingers, unlocking the coffee shop and bringing back the electricity. He walks off lmao. Nina and Maggie are weirded out, Nina groans because her phone is bombarded with texts from Lindsay asking where she is. Crowley enters and we get the "I'm back" scene. Aziraphale says he has to do the apology dance and Crowley is all "no way" at first but Aziraphale says "I had to do it in 1861, 1942..." and Crowley says fine and dances.

IT'S REALLY HILARIOUS. HE ENDS IT WITH A BALLERINA BOW LIKE THIS LMAO

So we get the "we need to hide him" convo and they decide to each use half a miracle so that their miracles wont be detected by heaven/hell. crowley will hide gabriel from heaven and aziraphale will hide gabriel from hell. they do the hand-holding thing (like in the pic). theyre not sure if it worked but crowley tests it by standing on a chair and poking at the space above gabriel LOL and there's a hint of a shield so he says it worked, and that he's sure heaven or hell didn't detect a thing. Gabriel is all "now i have two friends :D" and crowley says "We are not friends >:(" Scene 17: an alarm is blaring in heaven because CLEARLY they noticed the half miracle ahahahaha. michael, uriel and seraquel go to the globe and see purple smoke streaming out of the UK. they 'zoom in' and realize it's coming from aziraphale's bookshop.... (interesting that michael refers to aziraphale as a 'former angel' here)

End episode Soon I will summarize ep 2! Some hints for future eps too: -There's a big rain scene -There's an epic scene in the bookshop that took several weeks to film! (youve seen some hints in the trailer) -There are at least 3 jokes about aziraphale and crowley having sex that are scattered throughout the season LOL one of them is nina noticing crowley grumpy and saying "you look like mr. fell didn't let you top last night" and crowley's reaction is amazing. I'll say no more (for now)

#good omens spoiler #good omens spoilers #go2spoiler #go2spoilers

[howtofightwrite]

I have read your post about how size doesn't really matter if the two fighters are equally trained, but I wanted to ask if the same holds true in an armed fight? Like sword fights and the like? Sorry if this has been asked before, or if it is not your specific area of expertise. Thank you!!!!

I'm pretty sure we've covered this before but I'll go again.

The way you've phrased it is a little vague, and the answers are different.

If you're asking about to fighters with roughly equivalent gear, then, no, their size and weight won't matter that much. If you have a thirty-six inch razor blade, and your opponent has a thirty-six inch razor blade, it doesn't really matter if you're an inch taller. Hell, at that point, it really doesn't even matter much if you're a foot taller, yes that means your effective reach is going to be a little longer (about 6.2 inches in this case.) But, the difference between being able to take a swipe at someone standing seventy-eight inches away from you, versus being limited to a mere seventy-two inches, isn't a huge deal. Now, that extra six inches of reach isn't nothing (and, realistically, those numbers will be a little lower overall (I'm halving average arm/span, and assuming they're six and seven feet tall, which does result in one abnormally high number. When you start looking at more nominal height ranges, like 5'7 vs 5'11, the actual difference in reach will drop around an inch. Bluntly, that doesn't matter.)

Now, if you're asking about their weapons, this is an entirely different situation. A specific case we had in the past was someone who wanted their dual wielding dagger user to go toe to toe with someone armed with a greatsword. In the real world, greatswords tend to have, at least, a sixty inch blade, while most knives are going to be under a foot long. In a situation like this, the greatsword creates a five foot kill zone around its user that the dagger wielder cannot traverse. As a result, they cannot attack the greatsword user without some serious creativity, or the element of surprise.

This is true for all weapons. They all have both a maximum and minimum effective range, and while the wielder can often do things to keep the weapon, at least, partially functional at very close ranges (such as pommel strikes, or half-handing), the effective range of a weapon is extremely important to understand. Also, and I hope this was clear already, but this applies to melee weapons. It's pretty common to think about ranged weapons having a max effective range, but this is just as true of a sword or spear. Similarly, as I mentioned, they have a minimum effective range as well. A lone spear user can keep themselves safe from a dagger wielder if they can keep the knives out of reach, but if the dagger fighter manages to get past their spearhead, that weapon is going to be far less effective (though, it won't become completely useless. It is still a staff, with pointy bits.) (Also, minimum effective range does apply with ranged weapons as well. Again, not something we think about often, but it is true, and why things like the eight foot rule exists for handguns.)

It's a little out of scope here, but the weight of your weapon is also extremely important. The heavier a weapon is, the faster it will tire out its wielder. And, to slightly oversimplify, an exhausted fighter is a dead fighter. This is why swords are remarkably light, frequently weighing less than two pounds, with the upper end of the spectrum (the greatswords like the Claymore or Zweihander) still weighing than a well fed, adult, housecat. Heavy weapons can easily become a death sentence to their user. And you do not need a lot of weight to get the job done. An eight pound hammer is both shockingly heavy (as weapons go), but it will do unspeakable things to anyone it solidly connects with.

In a competitive sense, if your weapon is heavier that will turn into a disadvantage over time. It's difficult to exploit in a one on one fight, but on an afternoon battlefield, where the fighting has been going since dawn, that will have had a chance to wear down the wielders.

So, yes and no, it depends if you're asking about the fighters, where it doesn't matter, or the weapons, where it becomes extremely important.

-Starke

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#writing reference #writing advice #writing tips #starke answers #how to fight write

[gravelsong]

I call this the "what if I overanalyzed the HELL out of the Arcee and Carly interaction" post because this scene was really good

Before this, the ONLY time we've really seen them interact is when Arcee saved Carly from falling. They're still on unfamiliar terms, probably only knowing each other through name. Arcee's come over to see Carly, being curious about her, wondering what she's doing, or both. Carly clearly doesn't give a shit though, responding in a very short, and clipped answer.

Okay, so she doesn't seem to be that thrilled about Arcee being over there. That's okay, Arcee will simply ask what Carly's doing instead of beating around the bush, which Carly ALSO responds to with a short, sarcastic answer. Her answer doesn't really help Arcee work out what's going on all that much, so she asks for further elaboration, both wanting to know more and also learn something new about Earth.

Carly gives another vague answer ("gotta start somewhere") so Arcee offers to join her in her activity, maybe hoping that they can connect more and she can learn further about what's on Carly's mind. However, Arcee's blaster causes a solid amount of damage, but it seems to catch Carly's attention and even makes her smile, impressed with the sight.

With Carly seeming more open, Arcee talks a bit about her own skills, her own history with weaponry. She IS a very impressive shot, as vouched by Optimus, but with her time spent fighting in the war, she's mournful over this, as her skill with a blaster adds to the carnage and horror she's seen (the flames in the background serving as a reflection of her memories, what she's witnessed through her talent).

Carly, who just recently lost her father to Starscream, is baffled by this statement, saying that Arcee's skill would REALLY help with killing decepticons (as she seems to have missed the point with what Arcee was trying to say). Carly even specifies Starscream, which makes it clear that she's practicing specifically for revenge purposes against Starscream (great news Carly, Soundwave already took care of that problem). Arcee recognizes this desire for revenge, and states her thoughts clearer: that she can see how Carly's falling to her rage, that her hurt is driving her to future pain (with Arcee probably reflecting on her familiarity with her own hatred).

Unfortunately, Carly is no longer open to listening, switching back into being angry and annoyed. She knows that Arcee's analyzing her, thinking that she knows better than her (also Carly is a teenager, and hurt teenagers tend to shut themselves off to focus on what they think is best for them). The remains of Arcee's shot also look like a burning inferno behind Carly, used as symbolism for her own feelings, her own rage.

("I apologize. It's just... you remind me of myself, when my gears were beginning to turn. I had a teacher then.")

Arcee isn't using subtle dialogue or small talk anymore, she's outright telling Carly of her own history, of how she was the same way. Of how she had someone she loved and trusted so dearly, but he died (ALSO MAGNUS IS DEAD AUGHH) because she allowed her hatred to control her. She was so focused on revenge, she lost another loved one. Even now, Arcee's reflection on her journey of healing is that her hate costed her far more than helped her. It's a painful memory for her, and she doesn't want to see someone else go down the same path she did.

But she's too caught up in her desire for revenge to really hear what Arcee's telling her.

Hell, even in the scene afterward, Cliffjumper is berating himself for not killing Starscream, and that Carly isn't even speaking to him anymore because he couldn't kill Starscream. Jazz tells him that there's no shame in pulling the trigger, but if that was true, then why does he feel so awful (he feels awful because he feels like he hurt Carly right there and then. Also, Starscream immediately grabbed her, and would've killed her if he hadn't been crushed. Cliffjumper is feeling guilty over not taking the shot because it could've killed Carly, and even though she survived, a part of her was still killed in that moment.)

#I LOVE THESE CHARACTERS AUGH #transformers #transformers skybound #transformers 2023 #arcee #carly #(fuck it this is her temporary tag for now) #cliffjumper #my post #long post #transformers spoilers

[technicallyverycowboy]

playboyy: no fags, no femmes

okay, so. playboyy meta. thanks to @lugarn, @chaos0pikachu, and @cryptidafter for talking all this out with me <3

i originally started this post with "not to be that guy," but honestly, i do want to be that guy. because so much of the critique and analysis of playboyy i'm seeing is a) grounded in a lack of knowledge about queer history and aesthetics and b) veers unintentionally but wildly into unexamined homophobia.

so, given i'm going to reference susan sontag's notes on camp several times, i've decided i might as well go full queer studies major about it and copy the list style she uses. (i would highly recommend reading notes on camp. it is academic and somewhat dense, but it's a tame 13 pages)

1. so many people are confidently asserting that playboyy is not camp, regardless of what the creatives behind the show think. to which i have to ask: how are you defining camp? what things are campy to y'all?

2. the personal definition of camp that i arrived at after writing a bunch of papers about it is two-fold: camp is exaggeration, treating things that are serious casually and treating things that are casual seriously. camp is about an aesthetic of inhabiting a role, where something is a little bit off or being something that it's not meant to be.

and to be clear, this is a wildly incomplete and simplified definition, because one of the points of camp is that it's a vibe, not something concrete. It’s also something that shifts over time the relationship between queerness and society changes.

2a. camp often intersects and overlaps with surrealism, like in rocky horror picture show. very often media that is campy exits the mundane world and enters a heightened world of exaggeration and stylization. 

3. so, is playboyy campy? i sure as hell think it is. i think lugarn and chaos0pikachu both made really good points about the campiness of playboyy and it being specifically sexwork camp. (both replies are at that link.)

4. a brief list of things that specifically resonated as campy to me: first throwing american dollars in the pool for soong to catch, zouey's fantasy of feeling up teena in art class, every single element of nant's room (especially the projected images), captain's sports plot that involved zero doing the sport and 100% fucking and fantasy, the softly romantic framing of nuth and phob's sex scenes, jump's pleather tank top & coverall combination, prom wearing assless chaps to a rooftop party at 2:30 in the afternoon, the entire concept of investigating a disappearance via a themed party... i could go on and on, but i said this was brief.

5. i think the actual problem a lot of people have with playboyy is that it doesn't care about straight people.

6. what i mean by that is that playboyy is not a universal story. you could not plug different characters with different sexualities into the plot and preserve the essence of the story. the gayness of the characters is integral to the plot. the sex work is integral to the plot. this is not a world where homophobia doesn't exist and being gay is just like being straight.

7. additionally, these characters are all performing gender in a specifically queer way. they are femmes and fags, they are obvious, they are clockable, they're visible. when nice gays talk about the people who are giving gays a bad reputation and making it harder for everyone (to assimilate into heteropatriarchy) they're talking about playboyy gays.

8. comparing playboyy to only friends is low hanging fruit at this point, but i would argue that the reason boston stood out in that cast and was so viciously punished by the ending is because he was a fag stuck in a nice gays narrative.

9. and this is where the fandom homophobia comes in. so, so many people describe these characters and chaotic and messy, watchable as incoherent and vaguely amusing from a distance, but without real substance. the resulting narrative is often that no one could take their characters or their stories seriously or resonate with them.

10. again, why? why was ray and sand's high and low, blow up fights, calling each other whores relatable but soong and first's miscommunications about what they mean to each other unbelievable chaos? why is white taking black's place an acceptable plot point, but nont pretending to be nant is absurd?

11. most bls do not deal with flamboyance except in limited capacities by comedic side characters. flamboyance is a baseline trait for most of the playboyy characters. so if they feel too much, too loud, too out there, consider asking yourself why they do.

12. to a large extent, i think a lot of the criticism of playboyy is rooted in a bad faith refusal to engage with the show beyond a surface level pearl clutching about the sexual content. the unspoken belief here being that sex scenes are inherently vulgar distractions. they can't be integral to characters or their relationships. they can't be vital pieces of a narrative.

to which i say, there are nine thousand other BLs out there where the kissing is chaste and sex scenes are ~tastefully abstracted shots of shoulder blades and hands. watch those instead.

13. if you decide you want to watch it anyway, take a couple minutes to examine what parts of the show make you uncomfortable and why. and to be clear, i think there’s a lot of value in watching things that make you uncomfortable; media is often one of the best ways to dip into interrogating your emotional responses from a safe distance. 

but don’t use discomfort to dismiss the possibility that there’s meaningful artistic and stylistic choices made to serve a meaningful narrative. take a second to sit with your reactions and ask yourself where it’s coming from. 

#playboyy #playboyy meta #i want you all to know i hunted through three emails to find the rhetoric of camp essay i wrote in college for this

[crepes-suzette-373]

In chapter 1066, Shaka explained this story about the Void Century. It was a big dramatic reveal scene, and most of the chapter was about Ohara and their research efforts on the Void Century. In the cover, sensei chose to depict a zoomed out view of the Germa castle, with all its "66" banners.

Is this a coincidence or a hint?

Based on the fragmentary snippets that we've heard of Germa's history, it sounded almost like... Germa's destruction is a "smaller scale" version of what happened to the ancient kingdom. They were able to continue to exist somehow, but their history was so obscured that barely anyone know the truth about them.

Even someone like Brook was only able to vaguely know that "they conquered North Blue".

Previously I assumed that World Government destroyed the empire, but I now consider the possibility that the other North Blue kingdoms just allied together to defeat it. A mirror of the Void century history, but localised in the North Blue instead of the whole world.

Judge had said he wanted revenge against the North Blue kings. It would stand to reason that he might have wanted to do that because the other kings banded together to take down Germa 300 years ago.

Germa might have been allowed to continue to exist as a smaller kingdom because WG is not involved in the destruction. They just turned a blind eye towards its destruction.

That being said, though, I have been suspecting for a while that Germa is hiding knowledge related to the old Void Century kingdom.

Germa has been a kingdom of science for generations, but lineage factor and cloning was Vegapunk's discovery. So what was Germa doing before?

Very likely, it's something more similar to what we would call "engineering" in our world. Back in MADS, Judge was seen building that spear that would eventually become his main weapon.

Not to mention that even in the drafts, sensei had planned for Judge to be titled "Earl of Mechanisms". Both of those, plus the snail ships and the raid suits, they all seem to suggest that Germa's main scientific endeavours before were machinery and gadgets.

So, when did Germa develop the snail ships and why? If these were newer, then I would be wondering "What did the Germa kingdom look like before they made the snails? Just normal ships?".

However, if these ships have been around since their land's destruction 300 years ago, then was the Germa empire's eventual goal to conquer the entire world? Why else would they need the snail ships that can climb the Red Line otherwise? Did maybe the old empire had wanted to make All Blue? Perhaps due to their knowledge of the Void Century?

This assuming that All Blue here is not a specific location, but just "the open sea" in general, not blocked by the Red Line.

Something about all this is just so weird.

I had the vague idea that Sanji is going to ironically be the one to "fulfil the goals of the old Germa empire", which was originally not evil whatsoever. I just don't know what the hell that "goal" is. But if their goal was in fact "All Blue", then it's an even more insane irony. It also fits the samurai conspiracy I had (TL;DR, basically "unification").

Another thing related to the machinery.

Is it possible that Germa had been the one to send the ancient robot up to the Red Line? Nobody knew who sent this robot, and it just died midway because it ran out of power.

It's possible that it was done by some other unknown entity. For example, from the same island as Professor Tsukimi who built the small automatons, since that shows that there's someone knowledgeable in robotics. Or maybe the robot just woke up on its own and started moving around. Especially with the revelation in chapter 1111 where it woke up apologising to Joy Boy.

But if Germa is a nation with very advanced ability in mechanics, it could be that they found the ancient robot and reactivated it. They just might not have known how to refuel/charge it up, so it collapsed midway.

It's rather unlikely, but it's not impossible.

This is also somewhat related to how the snail ships were able to climb the Red Line. If the old Germa's ambition was something to do with the Red Line (like, perhaps destroying it), then it's not unreasonable to think that they would try to send this powerful looking robot to do the job.

#one piece #germa kingdom #germa empire #germa 66 #analysis #theory #conspiracy theory #vinsmoke #vinsmoke family

[the-s1lly-corner]

hiiiii can u write a few headcanons for a Sir Pentious x Insecure reader? Dw u don't have to if ur uncomfy w it ❗❗

Sir Pentious x insecure!reader

My back hurts so so much, at least at the time of me writing this LMAO

Listening to jack stauber lifeline has me feeling something

Notes: Reader is GN! Since no specific insecurity is listed I'll try to keep it vague/touch up on personality insecurities and physical insecurities

CW: None, I think!

He notices that something is off very quickly, and it's not going to take long for him to ask you if anything is wrong

And if theres anything he can do to help you

If you happen to talk badly about yourself or make jokes of yourself, he asks point blank why you do that... why would you say something so mean about yourself?

If you feel bad about a specific facet of your personality, Pentious tries to reassure you that it's not that big of an issue.. ignoring the fact that you two are in Hell and there are far worse people- he genuinely does not see much flaw with you

He pushes that having flaws makes you complete, in his own clumsy pathetic way

If you're insecure about how you look hes quick to shut it down

While he can't physically smother out a personality trait, he can drown you in cuddles

If.. you're in the mood to be touched of course..!

Very cheesy, he lists off everything he loves about you.. going into detail about how perfectly unique you are

He points out his own flaws to show to you that hes not perfect either in an attempt to make you feel less alone

You're both insecure, but you find stability in one another within the chaos that is the pride ring

#hazbin x reader #hazbin imagine #hazbin hotel imagine #hazbin hotel x reader #hazbin hotel x you #hazbin x you #sir pentious x you #sir pentious imagine #sir pentious x reader

[tibby]

i think it's partly bc of rerecording her albums and having fans love the vault tracks that she now feels she cant leave anything on the cutting room floor just in case

i definitely think that's part of it, but - and i say this as someone who likes a majority of the vault tracks - i think it was a good thing that they were initially left on the cutting room floor. including them originally would have detracted from what the albums were trying to say.

speak now and 1989 are the best examples of this. the point of speak now was two things: taylor wanting to prove she could do it on her own, and each song referencing a specific person or scenario. with the exception of when emma falls in love (the weakest of the lot imo) and castles crumbling (which has a feature), the SNTV vault tracks are more...vague in who/what they're about. and sure, if they'd been released on the original album with the secret messages we might have more context, but that isn't something we can say for certain. speak now is the only album that's about multiple people and we can pinpoint who or what each song is referencing (except maybe sparks fly which was included for the fans, and haunted but that could be because i've never cared enough to investigate if it's about john or joe).

as for 1989, i think the vault tracks are definitely stronger than some of the songs that made the cut (as much as i love WTNY and HYGTG, they're not her best work), but i don't think they would have fit into the story she was trying to tell. whether taylor successfully made an album that is about independence and not love is up for debate, but she claims that was her intention. IION and say don't go aren't great fits for that story, especially since it was one she was trying to tell within the secret messages.

i think red's biggest problem is that it was already too long of an album (which is also part of speak now's problem). i think the red vault tracks fit the theme of all the varying degrees of love, but red TV clocks out at over two hours. it's possible that forever winter in particular was too raw a song to release at the time (has she played it live yet? i haven't kept up with eras tour that much).

and while i love the fearless vault tracks, i do wonder if including them would have earned it less acclaim. they're good songs, but fearless is by far her most polished album imo. even the deluxe tracks, which i also adore, kinda take away from how well rounded the standard album is. it's very possible it's only capped at 13 tracks because cds back then could only hold so much, but i also think that it was a better decision for the marketing of the album itself.

but now, with ttpd and the eight million versions of midnights, it's harder to find the good shit because it's surrounded by so much filler. and yeah, part of it is that some of the songs on those albums are just...not good (bejeweled my deepest enemy), but i think a culling would have greatly benefitted them. ESPECIALLY with ttpd. taylor's always been songwriter who releases stuff that could be diary entries, but at least before it was like...you at least edited this. now it just seems like we're getting every single journal entry as is. and it's tiring. 31 songs is too much. hell, 16 songs for lover was too much.

ultimately i think it comes down to the fact that she no longer gets any push back from the people she works with, and fans are both willing to accept quantity over quality and (for many swifties, but not all) there's just a refusal to criticise her work at all. and i think taylor's desire to constantly release new content (which i think is a combination of a constant need for relevancy combined with the fact she's always writing) combined with being surrounded by yes men and adoring fans is impacting her work negatively. which has been the case since lover if not earlier, but i think midnights/ttpd are her most glaring examples of it.

anyway lmao sorry this got long. sorry for never being on here and then finally showing up to have opinions about taylor swift. do you guys still think i'm hot.

#ask #anonymous

[badaziraphaletakes]

Aziraphale is NOT "stubborn" about "getting over it". He voluntarily rebelled against heaven as far back as in Eden, then again in Uz and in 2019.

Also, who says he's never asked Crowley about his experiences? Maybe he did and Crowley told him. Or maybe Crowley told him never to ask. Or maybe he has the sense that Crowley doesn't *want* him to ask, and is being considerate. Or maybe he fears it would be dangerous for Crowley if hell overheard his answer. We just don't know.

And who says he wasn't learning the gavotte and doing deep thinking during that period of time? You can do both. Leaping to the conclusion that he spent all of the late 1800s doing nothing but prancing around the room is absolutely nasty. I guarantee he spent a good chunk of that time being devastated for Crowley and what he was suffering. (Learning to dance was almost certainly to take his mind off that.)

Don't come after my Autistic-coded angel's special interests - I will smite you with a flaming sword. Our boy is allowed to have some fun. His existence sucks to an unimaginable degree. He needs a diversion every once in a while. If doing a silly little dance gets him through, then let him have his blessed gavotte, for the love of Frances McDormand!

"Might have come to some conclusions that would have changed things" - the wording of this is incredibly vague, which isn't surprising, because if you were any more specific, this argument would fall apart. Because what could he change? Nothing. People love to talk about how Aziraphale should supposedly think different things, but are conspicuously silent on how, exactly, him having different beliefs would lead to an improvement in his or Crowley's circumstances. (Not to mention we don't *know* what Aziraphale actually believes about a lot of things because he isn't free to talk about it.)

THE PROBLEM IS NOT HIS BELIEFS - IT'S THEIR CIRCUMSTANCES.

(Side note: PLEASE stop with the "Aziraphale is really smart in *some ways*, but in other ways he's an idiot" takes. It's giving autiphobia and I really don't like it.)

"Can't see the forest for the trees" - what, precisely, can he not see? He is very much aware of the terrifying, violent angels ready to smite him if he puts one toe out of line and the terrifying, violent demons ready to torture Crowley or possibly just wipe him out of existence if Aziraphale takes any risks. He knows his situation sucks.

"Stuck in his identity" - the problem, again, is not Aziraphale's identity/angelhood or what he believes about it.

"Hit him over the head with one of his books" - why TF are people so bent on violence to Aziraphale? It's beginning to feel genuinely disturbing.

Also this is irrelevant, but I literally have no idea what the word "syllogism" is supposed to mean in that second sentence. It makes no sense there lol.

#good omens #goodomens #aziraphale #good omens 2 #badaziraphaletakes #goodomens2 #cw: abuse #cw: torture