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#this guy has done a lot of illustrations
no-side-us · 8 months
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Small Internal Illustrations for The Invisible Man (Человек-невидимка), 1940
Drawn by Nikolai Anatolyevich Travin (Николай Анатольевич Травин)
Source
The rest are below:
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privartidahos · 7 months
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shithole apartment
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weaselishmcdiesel · 1 year
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my next animation project is going to focus on backgrounds, whiiiich i have a lot of trouble with, and it doesnt help that the computers in school absolutely botch my colors when i open the file on my laptop ^^;
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gemharvest · 1 year
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tinylilvalery · 17 days
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God I adore opposite character development.
I adore a good person gradually becoming corrupted, not becoming evil necessarily, but their choices stepping further and further away from anything good, their sense of morality bending until it's so distorted that they don't know who they are anymore, grasping tightly to that one thing that justifies it all to themselves and gives their continued existence purpose, until maybe they lose even that and are just left a shell, aimless.
I adore a bad person being tempted out of the darkness that they'd grown accustomed to and comfortable with. Some situation arises, forcing them to confront the fact that they are in fact a complex multi-faceted human and not an inhuman evil force, that despite everything they've done, they still have capacity to feel, to love, they have the ability to choose to do the right thing, and here they find themselves doing just that, whether motivated by circumstance, self serving, or for someone that they care about. And the more they find themselves doing good things, the more they question the foundations of their existence, of everything they've done, and is it too late for them to be good?
And I mean, what is more devastating: being a good person, but that pillar of identity fading to exist the more bad things that are done? Or being convinced that there is no point to goodness and even relishing living in that way, only to realise that despite it all, capacity for goodness existed this whole time, but it that every bad thing you did will always exist no matter how much good you do afterwards.
#watching Lost rn#and the character development goes crazyyyyy#got really good sweet people disintegrating into shells of who they once were#vessels of violence to serve their own agenda#they know what they're doing is wrong#and yet they do it all the same because they feel they must#and i do love bad guys turning good#because there is a horror to it#realising all that they've done cannot be undone#and thus the choice for good is so much more poignant with this realisation#because what is to be gained from this realisation?#it gives no motivation to walk further into the path of the light because of all the stains left behind#doing good after making the choice to do bad for however long only makes the past actions that much worse and severe#a lot of people mistake a redemption arc as something biblical like washing away sins#but a redemption arc done well actually takes into consideration the accountability that is then suffered forever after the fact#even if they are forgiven#they will forever know all the bad things they did#and they will forever know how they felt when they themselves did them#I'm a big fan of characters once bad choosing to be good and even their last action being a Good thing#again I think people largely misinterpret this on both sides#People hate it because they feel they are being manipulated into liking and forgiving the character#Some people love it because they do end up liking forgiving and even defending the character due to how they died#and both these people are wrong#doing a good thing doesn't equate to that person being good through and through and all of their sins absolved#but it does illustrate some level of change#(again change doesn't = absolution)#and that in their last moments their last choice was for Good#It illustrates that good and love is always an option#that change for the good is always an option#even a character that has done terrible things can choose to change for the better. can choose a positive impact rather than a negative sel
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mobblespsycho100 · 2 months
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which one’s toshiro and whys he autistic?
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[ID: full body colored illustration of toshiro from the dungeon meshi manga. /End ID]
THIS FREAKIN GUY!!!! anyway
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[ID: anonymous tumblr ask: "would def love to hear ur autistic shuro thoughts". /End ID]
awesome. rant under the cut because it will be long
So before we understand why Toshiro is the way he is we must first understand two things abt him:
1. his household situation is a very traditional clan of warriors type situation. his father is very strict and he left his homeland to go to the Island and explore the dungeon to train and become a warrior to be someone suited as the family head
2. Eastern and Western cultures of respect/propriety are different, and Ryoko Kui highlights it well even in her fantasy world.
With that in mind, heres some bullet point rapid fire thoughts that consume my current state of dunmeshi brain:
Toshiro has an avoidant personality. He fears upsetting others due to his upbringing, and rarely tells others how he feels not because he thinks they would simply understand him but because he doesn't want to seem rude and imposing / cause offense to others especially since he's not in his own homeland / hes a foreigner that should respect the land's customs, not his own wishes.
Setting boundaries is hard for everyone, but especially autistic (and some other ND, like those with Avoidant Personality Disorder) people. Those with ASD, at least in my experience, don't want to be isolated from others. So they mask.
They mask what? their desires. their true selves. their opinions. their discomfort. all for the sake of pleasing others (who are often neurotypical)
With that in mind, suddenly, what Maizuru said abt him as a child makes sense. Due to his strict upbringing, Toshiro had to more or less hide his preferences and force himself to adapt to the rigid constraints of his culture and the pressure to be the next family head, this responsibility is his burden to bear and he cannot be someone who expresses his selfish desires instead of focusing on being a strong warrior and leader
"Why did he say he hate Laios and that it should've been obvious that he disliked/found Laios' treatment of him uncomfortable??" BECAUSE IT SHOULD BE OBVIOUS. I'm not going to write off Laios' autism/autistic coding, but its baffling (note: definitely racism and bias for white autistic ppl) to me that a lot of ppl don't see Toshiro's perspective and straight up ignores it. This is a lack of wanting to be rude by speaking up that is based on culture difference on Toshiro's part, and straight up ignorant of his microagressions/racism and lack of self awareness on Laios' end. They were both right, they were both wrong too. This is a complicated conflict that cannot be boiled down to simple ableist/the NT vs ND divide. There's something called . intersectionality. Which brings me to the next point
Toshiro never actually hated Laios. He found him uncomfortable, yes. But he didn't /hate/ him, he was speaking out because he's had enough!!! he's done tolerating Laios' racist bullshit, and he's done following the arbitrary Eastern rules of respecting others and not being rude!!! He. Wants. Laios. To Understand. What. He. Was. Feeling. Because he just had enough!!!!! alright!!! he's at his limit hes at his breaking point, the one he loves is now probably beyond saving, and this is a good time as any to break the news to Laios that he thinks that Laios is impulsive and doesn't fully understand how his actions have consequences!!! Hes right abt this. His feelings on this is valid, just as valid as Laios'
General autistic traits I find from Toshiro: his admiration of Falin's indifference towards insects ("woah shes so brave and gentle!! just like me, fr!!!"), His lack of regard for his own needs and wants (needing to sleep and eat and drink) because he was super focused on saving Falin, His lack of like drastic expression changes, his discomfort with physical touch when it's initiated without consent (see: Laios hugging ppl extra bonus art by Ryoko Kui), his manner of like speaking short and concise, people pleasing tendencies, his like quick way of combat, rule upholder/routine following enjoyer, he seems distant from others even those he consider family not cuz of like any terrible reason but hes just. someone who enjoys his own time alone like. yeah
aannnnndd. thats abt it? i think.
Big part of this is definitely me relating to Shiro as an Asian (specifically chinese indonesian) person who is probably Autistic lmao. I hope this brings more insight on why Toshiro is actually one of the silliest and epiccest dunmeshi characters ever I love him
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bitethedevil · 1 month
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Am i delulu or does raphael admire tav/durge? I know its him performing, but as gale says "inviting to dine with devil is devils equivilant of serenade and roses" and first scene where we meet him he does eye tav/durge througly from bottom to top. Also he says "im fan of your work" to durge. So idk?? It lowey feels like raphael is fond of us in game but i need proof/ professional analysis. [Ahem you are the professional mouse afterall heehee~]
He Loves Us, He Loves Us Not: What is Raphael’s Relationship with Tav/Durge?
*Puts on my little mouse glasses* I’m glad you asked. I’m summing up a few points that I have also written about in another analysis called ‘Raphael and weaponized mortality’, so if that sounds interesting, you can find it in my reading list.
Everything about Raphael screams wolf in sheep’s clothing (or a cambion in man’s clothing if you will). Here are a few points illustrating this:
Cambions naturally have a really predatory kind of stench to them because they are entirely carnivorous. Yet, he is described as a perfumed trickster who smells of cherries and sulphur, most likely because he is trying to cover up that smell.
Poetry, an art that is very dependent on nasty mortal concepts such as ‘feelings’, is something we know he uses a lot. He’s not really good at it and he even says it’s not his ‘main interest’ to Karlach in the second act. His theatrical nature and use of poetry humanizes him, and I think he is well-aware of this.
When you call him out as a devil in front of Mol, he says something about how she wouldn’t believe them anyway, ‘not with his angelic complexion’. We also know that Gortash’s parents sold him to a ‘warlock’ and that’s how he ended up with Raphael. I’ve seen multiple places that that warlock is supposed to be Raphael himself.
Now this all makes me believe that he usually does not reveal his true nature to his clients unless: 1) they’ve already signed, or 2) they are so utterly fucked that they have already reached the point of no return with him and are forced to take his deal no matter what.
Yet, he reveals his true nature to us from the get-go. Yes, one could argue that the tadpole-gang does fulfill option 2) according to him and that’s why he does it, but I think it could also be something else. I think he knows from early on that we are his best bet, so he chooses to lay out all his cards on the table and tries to build as much trust as he can from the beginning.
This is also the function of helping us with Astarion’s scars. Dealing with a devil when you’ve never dealt with one before? Scary. Dealing with a devil when he has proven once before to keep his word? Much less scary. He’s ‘grooming’ us for trusting him to keep his word with THE deal (and he gets to fuck over Daddy Meph by potentially robbing him of a lot of souls. Win-win.)
I think Gale is right on the money when he says that it’s ‘a devil’s equivalent to serenades and roses’. Raphael is like a bird or something. He’s showing off, charming us, but also reminding us that he is big and scary. Although despite the fact that he is big and scary ‘he simply wants to help us’.
He’s done his research and already knows everything about us, so he knows exactly how to play us. This is demonstrated in the comment to Durge in the beginning and the thing he says in Last Light if you tell him he knows nothing about you: “Don’t I indeed?.
I really think that we turn into an obsession for him at some point and that the lines between the obsession about the Crown and his obsession about us blurs. This seems definitely to be the case in his journals. I mean the poor guy has nightmares about us…
I also am so sure that he is not even trying to trick us into anything with the Orphic Hammer. He truly does believe that the Emperor is a threat to us. See this:
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I DO think he admires us or at the very least is heavily rooting for us. I don’t remember the exact quotes, but Korrilla tells us in Sharess’s that her and Raphael made a bet about if we would make it to the Gate, and Raphael won that bet because we had. He really believes in our merry little band of idiots.
His reaction if we betray him is also very telling I feel like. Notice how his eyes widen for a moment before they narrow and say the ‘You’ line. He seems surprised. In that whole sequence he is obviously pissed, but most of all I also just get the feeling of a man that has been humiliated and who is angry that he had put so much time, work, and trust into us.
He says that ‘he is fond of us, in his way’ and that I completely believe. It might not be out of love or affection or anything like that, but he is as fond of us as a cambion can be of someone. We’ve grown on him, and he sees potential and use in us. We fascinate him and I’d even go as far to say that he respects us. I feel like even if you give him the Crown of Karsus and he gets to rule the Hells, he will not forget the people who brought him there. He would not flaunt the fact that he had mortals help him get the Crown, but I think that when he goes on his spree to fuck up the realms outside the Hells, Tav and gang would at the very least be spared or even given privileges in that new world order. Is that a bit fucked up? Yeah…But we have to remember what he is: a devil.
(Thank you so much for the ask <3 That became a long answer. I love to yap lol)
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purplealmonds · 5 months
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Continuing to fire on all cylinders to make this Sky 🤝Mononoke collab a reality! 🐲⚖️🌊
Process GIFs and artist commentary below the cut. ⬇️
Left: Process GIF Middle: Just the background, cos I really like how it looks! Right: Illustration without the collab logo
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And here are my notes on my inspirations and references. There's a lot of 'em, so instead of embedding relevant images one by one I put them in a callout sheet! For accessibility, I also included transcript (with bonus ramblings) below each sheet.
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Ofuda circle modeled in Google Sketchup 2017, then lightly transformed in Photoshop to flare out. I tried my best to hand-draw these, but it the results came out really clunky and stiff. I figured if Mononoke shamelessly utilizes 3D in their show, I can too!
Krill and sky kid composition roughly inspired by the Ayakashi DVD cover illustration. On the surface level, the krill's black-and-red color scheme mirrored that of the bake-neko. Not to mention, in the world of Sky, the krill would be the best fit of a mononoke-like entity. The red background is also a nod to the red skies seen during a shard eruption in Sky.
Sky kid gesture based on the Festival Spin Dancer's Tier 3 poses and the Medicine Seller's iconic pose in the Zakishiwarahi episode as inspiration. This was the idea which springboarded this illustration into existence. I wanted to do my take of the Medicine Seller's pose, but in a more dynamic manner: rotate the pose to a profile position and set the ofuda in a diagonal, flared out arrangement.
Cape inspired by tenbin design featured in the 2024 Mononoke movie. This one's an interesting one - I wanted the cape to be a stiff material that doesn't "flap" when in flight - similar to the Aurora wing capes. It ended up looking like a kite of sorts, which I'm not entirely opposed to! I haven't had the opportunity to showcase the back view of this cape design, but I envision it having some mechanical aspects to it - the "wing" which are flared out in this illustration fold in like moth wings, and a little bell is attached to the "tail" part and it jingles a little whenever the sky kid flaps!
Bandana is based on the Scaredy Cadet's hairstyle from the Season of Assembly. Mask design utilizes the 2023 Days of Style mask and the Nintendo Pack mask as bases. Pretty self-explanatory. I basically went onto the Sky wiki and found the cosmetics that most closely matched what I was looking for. Then if necessary, I went to the Office space to do photoshoots to get the appropriate camera angles for them all.
Seasonal pendant inspired by the classic Medicine Seller's necklace and the eye motif featured in the 2024 Mononoke movie. Possibly the only one-to-one homage to the classic Medicine Seller design here, but his garnet necklace was too good of a match to the seasonal pendant. A side tangent: does the new Medicine Seller possess a necklace, let alone a mirror? So far all the shots of him don't feature it. Fascinating.
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Dark dragon krill anatomy references a custom figurine crafted by @/escaflowne_n07 on Twitter. Until I found this, I was honestly at a loss finding reference for this - be it on the internet or during in-game photoshoots. The lighting on the krill in-game focused on its menacing silhouette rather than its structure. And not to mention, getting a close-up shot almost always set off the dark creature's aggro. I have no idea how this guy found the references to put this model together - well done!
Mantas, elder constellations, and sun dog references murals in the Cave of Prophecy. Krill aside, the overall illustration was leaning a little too much towards Mononoke so I tried finding opportunities to insert more Sky into it. Added bonus is that now there's storytelling in the background: during a shard eruption, a giant krill rises from the frothing waves of dark water to hunt down a flock of mantas.
Clouds behind the sun dog reference the ones featuring heavily in the Umibozu episode. This illustration has a lot of ocean theming, so I figured this would be appropriate.
Rendering style of the background is lightly inspired by the 2007 Mononoke illustration. Mainly having a 2D inked style to contrast with the more polished render of the sky kid. Funnily enough, this was a tertiary inspiration, which lead to the discovery in the next point!
Dark water waves and sun dog composition heavily references Hokusai's "The Great Wave". The waves were modified to be bottle-green of the Golden Wasteland's dark waters. The sun dog is in the spot where Mt. Fuji is in the original composition. these were all hand-drawn by the way! I merely emulated the style of the source material. As a side note, I also borrowed the spotted sea spray rendering for the krill's red spotlight.
Background pattern taken from the ofuda design featured in the 2024 Mononoke movie poster. Mainly to add some gritty texture to the sky. I worked pretty hard to replicate this ofuda design as a high-res asset so I wanted to use it more!
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revelingrexan · 7 days
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made a reference sheet for Lucifer! :) he's wildly inconsistent in the show, so this sheet has helped me a whole bunch
QUICK IMPORTANT NOTE: BECAUSE HE'S SO INCONSISTENT, THERE'S NO "RIGHT" WAY TO DRAW THIS GUY. JUST HAVE FUN, REALLY! AND DON'T MIND MY SHEET AND NOTES IF YOU DON'T WANT TO
(NOTE DONE) the facial expressions in the lower left corner are more inspiration for pushing his expressions since he's SO EXPRESSIVE!! :D ...rather than direct reference since too many features change between screenshots there
(close-ups of sheet at bottom of the post but before the cut)
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(his front view hair should actually curve in toward his two hair "sprigs" like it does in every other angle, but the way i drew it is just my own personal preference at times -- it helps me think of him as a bit more 3D)
below is how on earth i laid out that crazy-looking collection. there's a method to the madness! (the dashed line in the middle of the turnarounds is the "front view," and then the images spin Lucifer left and right from there. sometimes the screenshots in the turnarounds are just for body/leg/arm shape reference rather than face reference)
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the note at the bottom of the "Hat angles" box says "The hat angles in the center of the ring are usually intended only for animation in-between frames, rather than for longer poses or for illustrations"
"The Ideal Man" in the upper left corner is a partially joking section name and is the Lucifer design i tend to aim for. i think of his face as "very round except for his pointy chin + his eyes are close together and take up almost the whole width of his face (except for in profile view, and except for when it doesn't look good)."
I WANT THIS POST TO STAY SORTA SHORT, SO UNDER THE CUT ARE SOME NOTES ABOUT HIS HAT plus some hat-less screenshots / screenshots where all or almost all his hair is visible
close-ups of reference sheet:
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____
SO ABOUT HIS HAT. HIS HAT CAUSED ME SO MUCH CONFUSION UNTIL I THOUGHT OF IT AS A NON-PHYSICAL ENTITY LOL
short explanation: Vivziepop's art style, and especially Lucifer's design, is heavily based on what "looks right," rather than what is physically possible. so, my hat thoughts:
it's a droopy hat that folds down at the sides. so its brim droops in the back
BUT it also curves upward in the front, both to show his facial expression and in a way that sort of matches the curve of the top of his hair--
--so his hair doesn't look awkwardly cut off on the top
examples:
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also, the top part of the hat has a smaller base than you might expect and then angles outward, with the front part always being taller and arcing down to the back
not every moment follows these rules, but they help me a lot when drawing him
(i often take liberties especially on the base of the hat and just do what feels right to me, usually based on similar characters i've drawn before -COUGHBLACK HAT FROM VILLAINOUSCOUGH- and based on where i sketched his head under the hat)
NOW SOME BONUS SCREENSHOTS FOR HAIR HELP. GET THAT HAT (MOSTLY) OUT OF THE WAY LOL
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david-talks-sw · 3 months
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I got a good feeling about "The Acolyte"
Not even kidding. Like, I've spoken before about why I'm wary of it.
George Lucas' Star Wars is something that intentionally has black and white morality, rather than shades of gray. Those movies are meant for kids and projecting a "gray" morality onto them then proclaiming it was George's vision all along is doing so in bad faith.
The narrative of the Prequels doesn't frame the Prequel Jedi in as negative a light as Leslye Headland, Dave Filoni, etc etc do.
See here for more details, but bottom line: yeah, a show that has a darksider as the underdog is bound to demonize the Jedi (who are the actual underdogs in the Prequels), and obviously that rubs me the wrong way.
BUT.
The trailer looks fucking cool. It really really does.
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And more importantly? I've done some research... and Leslye Headland is ticking a lot of good boxes, in my book.
1. The Acolyte won't be a 10-hour movie.
I've criticized Disney Plus shows before, explaining that a big source for most of their issues is that these series are being structured as "long movies" rather than, y'know, actual shows.
But in this interview with Collider, Headland addresses that: it'll be a series. Not a long movie that you need to watch across four weeks.
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Thank God. You have no idea how much that comforts me. Finally a showrunner who's, y'know, actually running a show.
And this goes hand in hand with what she told IGN, here, about how she's going about building suspense.
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Yes! Exactly! That's how it's supposed to be!
Like, compare this to Baylan Skoll's storyline in Ahsoka.
In no possible way was that emotionally-fulfilling. For 8 episodes we had no idea what he was after, and the season ended where we still don't know. What does he want? What is he after? Your guess is as good as mine, it's something Mortis-related.
So yeah. Maybe getting the Emmy-nominated trained screenwriter on board to run this was a good idea.
2. Maybe the Jedi will not be as demonized as I originally thought.
Don't get me wrong. 80% of what she says about the Jedi makes me cringe. It's the typical fan's interpretation and y'all know I disagree with that interpretation.
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It's painful to see her refer to the Jedi as an institution (not how the Prequels' narrative frames them) and to see her frame "Balance" in the "oh there's so many of them and just two Sith, that means the Force is out of balance" meaning... but at least she acknowledges the Jedi are a benevolent institution.
They're not an "elitist force hiding in their ivory tower" as others have described the Jedi.
Moreover, there'll be a variety of Jedi POVs, many personalities.
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Yord Fandar, is described as a strictly by-the-book Jedi Knight and guardian from the Jedi Temple, is an overachiever and a rule follower.
The question now becomes: will the narrative frame him as "your typical Jedi" or is it just this one guy? I'm hoping it's the latter.
I also like how her reasoning goes re: Jedi drawing their lightsabers.
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Which explains the hand-to-hand combat seen in the trailer.
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This teenager is coming at Carrie-Ann Moss with a dagger, of course the Jedi won't draw her saber.
3. She's a fan of Star Wars... but a screenwriter first.
You can tell in the interviews she's a fan. She's using words like "BBY" and "EU" casually. In the above-linked interviews she's bringing up the Nightsisters, Timothy Zahn, The Clone Wars, she mentions she has a tattoo of Ralph McQuarrie's concept art of Leia, the High Republic books, etc.
She's done her homework. She's a fan.
But the vibe I'm getting from these interviews is that she's weaving in these various lore-elements in a more organic way, rather than in the "fan-servicey" way Dave Filoni has been doing in his shows.
The references and Easter Eggs will be there, but the narrative won't bend over itself just so you can get it. Crafting a good story comes first, and Andor is a beautiful illustration of why this is true.
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Which is why I was never bothered about one of the writers never having watched Star Wars before getting the job. You need those fresh eyes when you're tackling something of this scale.
That makes sense to me. Maybe it's because of my own screenwriting experience, but yeah. That out-of-the box perspective is precious.
And like, obviously, that writer watched the films eventually, but for some reason everyone who bitched about Headland omitted that detail and opted for a more bad faith interpretation.
Hm. Wonder why.
Maybe it's the same reason that months ago this clipped audio circulated socials without context, in which she debates whether Star Wars only came from George Lucas and only Lucas is the key.
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The FULL context of that interview reveals that she's actually:
debating the "autheur director" myth and positing that it was achieved by a collective of excellent filmmakers and craftspeople that George was skilled and smart enough to recruit...
the studios now think it's a simple as hiring one guy and throwing money at him, because they have no idea what the fuck they're talking about. See Napoleon (2023) for example.
Yes, she also does a jab to the Prequels, which speaks to the generation of fans she's a part of... but overall she's giving Lucas props whilst also stating an ideological difference, that's it!
George is a proponent of the "autheur" theory, Leslye isn't.
However, guess what, in like half the talks George gave post-selling Star Wars? He's giving shoutouts to everyone who helped make the first film, even remembering their names.
So I'm not even sure he'd vehemently disagree with Leslye, in fact they'd prolly have a conversation about it and immediately bitch about how stupid studio executives are :D
But that's not as incendiary, is it? Again, the more I do the research, the more it feels like the reason most of these influencers are hating on her is purely sexist.
I mean, on IGN she's even acknowledging that she does plan on taking stock of fan reactions for Season 2.
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It's not a guarantee that she'll incorporate the feedback, but at least that's more consideration than, say, JJ Abrams or Rian Johnson gave the fandom.
She's even bringing the moral ambiguity that the Gray Jedi-loving edge-lords love so much.
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"No, she's a woke feminist! Anything she does is evil! Eww, girls!"
🙄
Needless to say... I'm gonna give it a shot.
I think it's gonna be a good show, I think it's gonna be a solid story.
I'm crossing my fingers that they won't as biased against the Jedi as it seems they'll be. Even if they are... if it's still an enjoyable experience, I'll gloss over it.
As @gffa states in this post:
Worst case? It's not a story from George. I can dismiss it from my headcanon without a moment's hesitation :D
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starrbright · 6 months
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Carnality in Adoration
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“I want to swallow you, have you melt into me and flow through my veins." The Vegetarian, Han Kang
Everything he feels seeping in. Surfacing from the depths of the beginning. It's heavy. Deeper than he thought he could have carried in such a short time. It's terrifying. He welcomes it freely.
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Miya Osamu x Reader
Illustrations: Stephan Sinding, Adoration Max Švabinský
I've yet to read 'the vegetarian', but I am aware that the novel is quite horrific as others have said. And using the passage would be out of context, but I couldn't help it, when I saw that words while having this piece in my drafts, I knew i just had to do it.
Nearing 6k words. characters are in their late twenties. established relationship. fluff. smut.
all my y/n are fat and of color.
september 24, 2023, I began this and had to shelf it. And now December 19, I'm finally fucking done😭 spent a little lot of time in a coffee shop today just so to finish this and here it fucking is😭 had three black coffees and am so worn out and shaking. I'm so tired, you guys TT. Been so busy nonstop and I just had to fucking suck it up and finish this one, I hope you like it. A little treat for the holidays. Enjoy and take care!! 💐💌
@iwaberry, @mood-romantica, & @shaisuki my lovelies💘
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God. Gods. Angels. Saints. To Osamu, he's unsure if he believes in them. Maybe he does. Maybe.
He's not religious, you've found him to be. But these days, he's making you question so.
Few days of being truly together. Blissful kisses. Sex here and there. He cares for you truly, you know and feel this. He feels for you. You never doubted him the very first moment he made himself known in your life.
From the ardor in his eyes that you saw by how entranced he was looking at you the first time you felt he felt for you. From how firmly but tenderly he always hold your hand to fall his lips on your knuckles before anything else. From the way his eyes closes as he does so, or even more so how he hold his gaze to you when he does it.
From how tired he is at the end of his work, he still makes you a fresh batch of your favorites before you see each other at the end of the day or night. From how you can see the light in his gray eyes whenever you happily eat his food.
You never doubted him, not even when he has yet to say those three delcaring words. He has already uttered such loving words to reflect it. Always. You never doubted him.
And how could you ever ever doubt him--as he has his big hand on your neck, his fingers grasping up until on your plump cheek to take your lips for his own. Drinking the wetness of your mouth to your sounds as he moves his lips and tongue against your own in a way that always has your chest heaving while he doesn't seem to be affected at all as he only hums deeply as calmy--a stark contrast to your soft whimpers, despite the hardness of his erection on your behind.
His big and strong hand holds the round of your stomach against the fabric of your top, him having you from behind is always a delight to him; all the fat and softness of what you have melts onto him, a welcome to the edges he has. A home he's found that he always enclosed with open arms.
A deep breath you let out from your mouth when he finally pulls away, mouths dripping with drools. Osamu takes his breath back by burying his face on your neck, nose and wet lips pressed so against on you, his air so hot on your skin. Hearts thundering against one another.
Finding your voice, before it further unfolds to resulting taking too much time. "We should go now." You say, a little breathy. It fell nothing to his ears.
What didn't fall nothing to your ears is a deep hum that contracted in his throat as his hand squeezed some of your fat on your belly. "Samu." You breathe. Both of you knowing what that all means. But it's always nothing to him. Yet you always still try. A game between you two. Almost.
His mouth begins to move, lips dragging greedily on your skin, the sweetness of what you routinely used melts in his palate. It fuels his need to taste you more, the very taste of you, always.
A hand of his on your neck goes wrapping around your throat firmly, fingers pressing down that your breath hitched as his mouth slides down to your shoulder. Having worn an off-shoulder top gave him access to all what he's doing right now. And you know you wouldn't be wearing clothes that shows skin as whenever this happens, you're always marked. He can't help it. He doesn't want to. To see all what he leaves on you always pleases him. A reminder you're his.
Osamu bites down on the supple flesh all over, wanting to feel the warmth and goodness of your fat in his mouth, inhaling and swallowing each bite, grunts and groans leaving him. He squeezes your throat and breast at the same time, resulting a strained whimper from you, the tightness of his hold on your throat contracts in you, heavy pain of pleasure there to going down your cunt.
"Stay still." He murmurs deeply in between the ministrations of his mouth on you as he squeezed your throat and breast again. It isn't a question nor plea. A command.
It has your cunt fluttering the same of your heart.
Pants of breath, slowly, you calmed your slight squirming against behind him, your right hand that was on his nape never leaves there holding onto him as lifeline. His arm around you that still holds your breast tightly began to squeeze you to him. His cock that was hardened the moment his lips met yours, tight against his pants, pressing on your ass twitching. Your short and tight skirt riding up higher, showing your cheeks, prettily hugged in your white stockings and black panties. "What you do to me." His dripping mouth now on your ear, low and breathy resonates through you, your body shuddering with a whimper once more. "Every. damn. time." He groans each hard hump he made on your ass-friction against his clothed cock and your thinly covered ass, so hot and strained.
His hand stays restraining your throat as the other slowly comes down between your thighs, squeezing you there before slipping his hand in and cupped your mound. Your body flinching slightly with a soft gasp leaving you. His face heavy on your cheek, minty breath reaching your nose and mouth. "Open your legs." A moan escapes you as he speaks, his demands always has you uttering sounds, whether it's the futile denial or meek obedience. At times like this, it's always both.
Your skirt rides up even higher as you opened your legs more, muscles in your limbs beginning to twitch as his palm stays cupping you. Two of his fingers pressing hardly on your cunt against your stockings and panty as he rubs you, wiggling them to squish in your folds, your clit being found and assaulted then. Your wetness spreading and seeps through. "Samu." You moan, your head lazily leaning on him, eyes turning heavy, nails lightly digging on the skin of his nape.
"Need me?" He asks as his tongue slides to the corner of your mouth, dragging that damn muscle to your cheek until to your ear, his saliva painting your skin--already knowing your answer. His digits being drenched by your slick the more he rubs your cunt. He just can't get enough of you. He never could.
"We need to go." It just pleases him more whenever you deny him, well, at least you try to.
And it always fails. ''Wrong answer." But it's the right one for him to keep going. It always is. It just makes his endeavors more pleasurable than it already is.
Just how could you doubt him when he now kneels behind you, his face etched on the back of your thighs, fingers gripping them tightly between your inner thighs. Nuzzling on your fat flesh all over. His eyes drinking in the above him, ass cheeks tight on your black panties against your stockings. He'd tear your stockings if he could and he could, easily so by just his teeth but he doesn't want to piss you off (he does, as always) he just knows you love the outfit you're wearing and he can't have his beloved sad at him. So he makes do with trailing soft kisses on you, his drool leaving of its little marks. Inching up his face by nuzzling on you again. Up, up, up until it reached your ass, nuzzling his face once more.
You have no choice but to stand the there and let him. His lips you feel, his hot breath, the littlest drop of his drools seeping in the thin material. Your hand finding its way to his hair, lightly gripping it as his own two grips your cheeks, spreading them apart. A gasp left you, "Samu-" Your cunt was suddenly licked, hard, tongue wide flat and dragged it slow until to the slit of your ass. Your slick thick on his tongue and he swallows with a guttural grunt, savoring what he can have for now. "How do you expect me to stop when you're fucking dripping."
His damn head buried beneath your ass, panties and stockings just tightly hang low under his chin—as he devoured your cunt from behind, still standing in your heels, no less.
Not a single drop was wasted. Limbs trembling and all as he still held a tight grip on you while he eases your high. His hands so gentle then as he put back on your clothes below you.
Suffice to say, your man was satisfied enough to let both yourselves go out already. And he was more than satisfied. Smug as hell as you sit besides each other along with his parents for a dinner, with his twin, no less—that you have no doubt the said bastard had a feeling something happened between you two before going to their family home. Atsumu can see it in Osamu's eyes after all, something like this is not new.
The lingering taste of your cunt still there in his mouth.
He's a man of unquenchable thirst.
And of selfishness.
You never miss the glint of immediate displeasure in his eyes when someone takes notice of you long enough for him to catch them. And certainly not when his arm secures around you more, and how could anyone miss the moment of him holding your face up to land a firm and long kiss on your mouth.
He's a man.
What can he do when someone is staring at you like he isn't there? And he does it proudly if not even pissed off. He just can't help it, really, even to your friends or closest ones. Seeing them near you, when he's with you, before you could free yourself from his grasp to greet them, his fingers twitch, his hold suddenly tightening—knowing you always greet them with a hug or a kiss on the cheek. It's nothing, but he can't help it.
And he couldn't help but be filled with that selfishness when you told him such a thing; that you'll visit your friend to another country, by yourself, no less. Even if it's only for a day. It filled him with dread.
But still, he allowed you, reluctantly so. You know he didn't want you to go, so you didn't. You didn't want to ruin your short trip while thinking of your man with the state you're both in.
Arguments, it rarely happens. That one wouldn't even count as one. A lesser misunderstanding. Jealousy. That much you already know of Osamu anyway. There's times when you almost feel giddy at his blatant displays of jealousy, but suppose the opposite to it is normal as well--just like right now.
As you sit alone on the floor of your apartment, while you paint, the night young--your heart heavy. And it skipped when you heard the door opened, those familiar heavy footsteps coming close.
As much as you wanted comfort, you weren't ready to see your man again. However, he is. As surprised as he was you were in your home....you didn't go—only then he realized, he messed up.
Osamu sighs as he walks in the living room, seeing your form there, quiet and unmoving but just the strokes of your paint brush, his steps grew light with each of it he takes as his heart sinks more.
There, he sits behind you, his arms immediately but gently as ever wraps around your stomach, hearing the soft hitching of your breath as he enclosed himself behind you, falling his face on your neck.
Your hand stops moving along the canvas, the paint brush just softly dangling between your fingers as you blankly stare at the colorful frame. His weight heavy on you as he holds you tight, yet your heart begins to unburden itself. You breathe, easing yourself as you feel the blues let go from you by his comfort. Gently laying your left hand on his arm and he let out a deep breath, holding you even tighter but so at ease. His breathing hot on your skin, the beating of his heart calm but deep and strong against your back. Silence remains as the long seconds passes by.
Osamu can be a man of words, he's not afraid nor hesitant to say what he thinks or what he truly means, but in this moment, he knows there's nothing needed to be said more than—"I'm sorry." His voice in a deep murmur.
Your head tuts aside gently, the blankness of your gaze melting soft as your hand on his arm then begins to merely caress him there. "I know." Is what you only say.
Osamu breathes out a hum deeply as he nuzzles his face on your neck, inching himself up to your chin to the side of your face, inhaling you. It's only been a mere day and yet he misses you so much. His heart begins to race despite the calmness of the moment, it never failed to do so whenever he holds you, but maybe an exception tonight as knowing his mistake was gracefully forgiven. Nevertheless, it took him a few more push for him to say his remaining gnawing thoughts. Fingers pressing on your stomach, his mouth beginning to caress your cheek. "Thank you for not going. And I'm sorry because of it." He tells softly in between in the trailing of his lips on you.
Your lips could almost smile but it didn't as they remain as calm, nonetheless, your eyes melt more and more to its fondness for him. Again, "I know." Is what you only say. Gently, your head falls to his own as he then stops kissing you to lean and nuzzle his head onto your own. Your caressing hand on him never stops, eyes closed and hearts near to beating the same way as silence made itself known again.
All that burdens you both fades into something more to be easily carried despite its heaviness.
Osamu speaks then, as softly, "Can you turn around?"
You did so, and now you face each other close while still sitting on the floor. His hands finding your own as he never breaks gaze with you, drinking you in at last once again. How he missed you, the amount of time to him is nonexistent.
"Are you alright?" He asks.
How deep his eyes for you always threaten you to look away, but you never do; seeing what you think you are, the parts of you that gnaws you--afraid of you to see that in his very eyes. And he does. He has before. And always will. Before you could turn your eyes away from him, you see the adoration in them, just as the first time you saw them in him, for you.
"I am now." You answer, your voice just as soft.
"When will you go again?" He asks once more.
Your gazes remains held, you couldn't bear to look away. "Maybe soon." You answer simply and he nods. Before he let go of your one hand, trailing it up to your neck so as to pull you closer for him to press a kiss on your forehead.
"Ya better bring home lots of souvenirs," he remarks, his face still close to you. You only laugh so breathlessly against his cheek and he smiles, his cheek rising against your mouth, few tears falling from your eyes and rolls down on him. His smile doesn't falter nonetheless. Happy you were both. "I missed you."
"'ve missed ya, too." He spoke clearly, before he pulls away lightly to take a look at you again. You gaze at each other once more, letting go of your held hands so as for him to cradle your face in his hands. His thumbs gently wiping your tears away.
He'll make it up to you. He doesn't need to say it because he will.
Your eyes stays as glazed while his own as calm and of that lazy look. The roughness of his hands sculpts against your tears stained chubby cheeks.
He doesn't know who to thank for such a blessing. To have a beloved gaze upon you like the way you give your eyes to him. But there you are anyways. So he figures, it's only you to thank for.
"Beautiful." Osamu spoke. It took a lot from you to not tear off your face from his grasp, let alone his boring gaze.
"Don't." You try. Of course, yet again, he didn't listen.
"Lovely." As a thumb of his softly glides on your lips.
"Stop."
"Pretty."
He strips you off with only his eyes, washing your doubts you didn't even know that was there. "Osamu."
"Mine." He murmurs as his thumb slides in your mouth, dragging it down gently on your teeth up front open, reaching until it presses on your tongue. Your mouth agape by the finger, your gaze close to turning little, your breath hitching. "Pretty." He breathes, his head tilting as his eyes never parts from you—sliding his thumb even further, "Like this." The smallest of whimper escaping you and you saw how his jaw clenched at that, a rough breathing sound following from his throat.
The view before him is new. Good. Saliva begins to gather more in your mouth, he feels and sees. He'd want to see you like that more often, satisfying to his eyes, a good way to keep his fingers warm as well. He keeps his finger pressing there, only staring at you, staring at how your drool pools more in your cavern, little drops of it escaping from your lips, rolling down to your chin.
Yeah, he'll really want to see and have you more the way he is doing right now.
And you can't deny the goodness of the slow moment you both are having. How you let yourself be gazed upon in such a way.
While Osamu's heart begins to waver of that steady rhythm the longer he made you remain in the state you're in. Everything he feels seeping in. Surfacing from the depths of the beginning of you both. It's heavy. Deeper than he thought he could have carried in such a short time.
It's terrifying. He welcomes it freely.
Slowly, he retracts his thumb, a thin line of saliva following and a sheet of it covers his finger as he lays it on just your chin--before he kisses you.
Slow and gentle. His first kiss of the day he takes, the first kiss you share after you both made up, the first kiss you share with the revelation found in him--unbeknownst to you. Osamu kisses you as if it was his last to be. He gives and holds his kiss deeply, lasting. A way to be heard of his specifically unspoken words for now.
However, you remain to be blissfully unaware of it; seeing this of nothing new as it's normal for you for him to be like that--and he knows. So it wouldn't be too long for him change that.
As you pull away, a little breathless, blinking the fluster away in your eyes. "I should fix this up and prepare for dinner." You said. Reluctantly but he doesn't let you feel it, he lets you free yourself from his arms as you stand up. Osamu keeps his eyes on you gather the art materials you've used.
As much as he would always praise what you create, as much as he'd always think it to be beautiful of whatever you make--the art is already before his eyes, not on the frame.
He does what he does whenever he takes you in, how an admirer would be in art gallery. Quiet. Intent. Deep.
Flesh rippling with every little move you make. Your round upper body snuggled well by your little top, breasts hanging free against the fabric, as well as showing a little of the fat of your tummy. Your bloomers too short and tight on you. A wonder for him. Your ever wide thighs. Dent and marks painted on your skin. Along that, he sees what his mouth and fingers left on you from before a few days. Even more beautiful with what he marks on you. He'll always prefer you to be marked by him.
"If you're done staring at me." Your voice breaks him out of his trance.
"I won't ever be." He replies simply.
A little laugh you echo at that while you walk back to him, now standing in front of him as he remains sitting there with his legs crossed on the floor.
You above him is divine to be. Maybe he's religious as he wonders so. At least when he gazes up at you while you look down upon him. A goddess of his.
Both of your hands comes to one another on your bodies; yours on his hair and face, while his on your legs. You'd be lying to yourself if you say you didn't like it when he's beneath you. At times like this, is where you question where he lies on higher beliefs--because the way he offers his eyes to you.....could be described as when one worships their divine being.
Osamu sees the little rose of your chest with your mouth parting ever so slightly, the gentle wonder in your eyes. He can't get enough of it.
Finding your voice, "What do you wanna have for dinner?" You asked, gently petting his hair and caressed his cheek.
A deep but short breath he took as he welcomes your doting on him. His fingers firmly caressing on your legs, slowly working their way up. "You know the answer to that." You wonder why you still asked.
You didn't roll your eyes instead you narrowed them, "I'm serious." It was hard to be as his hands crept up higher, reaching to your thighs, tingling sensations coming through.
He almost smiled. "So am I."
"You're so annoying." You sighed, raking your fingers through his hair. Such happiness in the little moment you both have.
Such happiness.
Maybe it was time.
"Osamu—"
"I love you."
Your voices met one another, his just with more.......conviction. You faltered. He didn't. He doesn't. He remains steeled just of his resolve.
The soft disbelief on you. You didn't know if you ever hoped for him to say it sooner, there wasn't anything bad if he didn't say it for the mean time either, but--the joy that blooms in you couldn't be brighter. Such simple words, how heavy it tolls on you.
Your hands gently cupped his face, still as silent you were, the words you were about to say now lost. Osamu nestles his head on your palms, never breaking gaze. He feeds off the awe you uncontrollably portray. He'll do anything so as to have you keep doing that only for him. The way your nose takes a breath, going from your mouth with your chest following as it rise, your voice remaining unfound. It's addicting to see those little things. and it's freeing to say those words, so he says it again. "I love you."
Heavily dazed but ever awake, your eyes never dare to blink, tears starting to sting, the walls of your throat threatening to crumble.
Osamu feels every little twitch. Feels it all. He wants more. He stays nestling his head on your palms, keeping his smile at bay with his unfazed look. "I love you." His voice now bright.
An ask to be answered.
Your tears fell, blinking slowly as you broke from your trance with a broken smile and breathless laughter. You cradle his face so lovingly as he held you the same. His arms tightly hugging your legs, hands gripping your thighs. Loved. And there your answer for him. with little more breaths, carrying the weight of all what you feel--"I love you." Voice almost to nothing from how breathless it was, nevertheless it graces his ears, finally letting his smile move on his lips.
"Again." It's sweet. Too sweet how you ever so slowly lit up as he said that.
"I love you." He can't stop himself from smiling more as you repeat them, his cheeks growing in your palms. Too rare. A smile of his that makes your heart hurt every time. Lips etched up lazily, little of his teeth showing.
"Again."
"I love you."
At the same time again.
You didn't think that his smile couldn't get bigger but it did. It's brighter than you ever seen before from him.
While he stays high in your gaze.
"I love you."
"I love you."
He now kneels, never tearing off his hold on you nor of his eyes. Osamu finds that there is glory in kneeling. And if there's anything Osamu loves more than food, it's winning. So he reigns in victory as he kneels before you.
So you let him have what he wants—his dinner.
Letting go of his face, he gently dives down on your legs, falling his lips there all over. "I love you," he murmurs with each breath he takes on your skin. "I love you." His hands squeezes your thighs repeatedly while your keeps caressing his hair. "I love you." His eyes began to flutter heavily, never stopping of working his mouth on you, dizzying himself by you. "I love you." He groans, his voice dragging deeply as he drags his face all over your flesh.
You could only look down at him as he tranced himself, look at him so fondly as he indulges himself, seeing him deeply enjoying of what he does—you let yourself feel all what you've been feeling since the moment he held you. Heat brewing in your belly, melting down into your cunt, slicking through your folds, soaking a little sticky patch in your panties.
It wouldn't be too long for him to feast upon it.
And he knows. Osamu already knew your body was working even before he began, his meal prepared for him. "Fuck, I love you." In a loud groan, he breathes as he pressed his face on your thigh again, firmly rubbing his cheeks there. His hands holding onto the back of your thighs goes up ever slowly to your ass--a deep hitch of breath you inhale. He slides in through your shorts and panties, fingers strongly massaging your ass cheeks, while he keeps making a mess down on you.
"Fuckin' love yer thighs so much," he swore, his voice gone rougher from his never ending groans that he moans. Although that much has been known between you both he never gets used to it, nor do you. Not when he relishes his teeth on your fat with each bite. It's almost no different from a beast breaking its fangs through its prey to feed.
His sheer thirst he strongly satiate has your cunt aching so much, but still, you let him enjoy more a little longer. Keeping in your plea with your breathy sounds of elation. And despite how deep Osamu is in indulging himself, he knows your needs, though that's in the back of his mind for now--eyes dead set on the abundant offering for him. The last feast he'll have for later.
A mistake of thought you had.
For now, he continues to worship your thighs. Thick trails of his saliva from strings to drops dribbling down. No territory left unexplored as he takes the back of your limbs as well. Your hands in his hair keeps on shaking, your lower body twitching, trying not to flinch away from him.
Even then, he only continues to repeat what he's been doing. Nuzzling and rubbing his face all over so harshly, inhaling roughly while he licks his tongue with each move. His groping hands on your ass not stopping as well. He's too much all at once. Standing again, no less.
If not for Osamu's strength, you would have been long lying on the floor. Still, he continues for more, your wordless whines for him to stop unheard, muted by his own hungry sounds.
By now you're a leaking mess, not of just your pussy completely soaked, but your limbs covered with sheet of sweat along with his drool everywhere. Even his face you see and feel that it's wet, of course, he couldn't care less. The flesh of your ass sore, thighs and legs all marked up, muscles already hurting.
In the short time of you and him being together, he was never this....eager, much more eager, that is. And he's only beginning. No mistake this time, you could already tell that when he actually begin you'll lose your damn mind--and you're about to.
As when you managed to pry off his face away from your thighs, your palms on his cheek again, looking at him. His hair so disheveled, pupils blown yet his eyes more droopy than usual, while he breathes so deeply and rough from his mouth, all over his face drips of his drool, his sweat and your own.
"My darling." You utter so breathily, a thumb of yours gently gliding on his chin to his lips, smearing the wetness on him there even more. So much for calming him down. If anything, he's getting worse. He's a babbling mess and when he's like that, there's no fight against it.
"Can I eat ya, angel?" He says as he keeps licking your thumb. The man has you gulping and breathing in the same state of his hunger with your awe to his needs. His want. "Please, sweetheart--need to have yer pussy s'bad. Can I, angel?" His eyes darted from your own to your cunt so close to his face.
Your breath and spit caught in your throat--you nod once. "Yeah, baby?" Your damn poor heart so tired from its jumping because of him.
He's already back at it. Kissing your thighs again before slowly pulling down your shorts--leaving you only in your panties, showing how damp your center is. "Fuck." He breathes in a rough groan as he beholds your mess.
"Only for me--"
"Always." Your voice managed to murmur amidst.
His gaze shooting up to you, as deeply. "I love you." He declared once again before he finally goes to his feast.
Never having yourself prepared for it.
Osamu's face buried up against your cunt, inhaling you so deep from his nose to his mouth, little slicks of your arousal he begins to taste, his soaked mouth wetting you more, eyes rolling back to his head. With your fingers immediately grasping on his hair, tightly pulling on it with a loud gasp flying out of you. Ever sensitive you are, and Osamu already so familiar with your body. Feeling how your clit twitches so slightly like a bunny's tail as his lips confines your cunt, his tongue stroking you so slowly, gathering his spit and your juices—before he gulps it eagerly deep.
"You've no idea how good you are for me." He says once he pulls away from you. He's a fucking dog. Heaving for breaths, it'd be no different if his mouth was foaming.
You have no response from that but could only look at him, already overwhelmed from his little start and yet wanting so much more. It goes by unsaid.
Samu's one hand goes to your panty, grasping around in the center and pulled the cloth up tightly, the line slitting through your folds and shows your hair painted of your wetness there. His teeth finding his lip as he does so, your clit and hole fluttering from the small but impactful tease. "Samu..." You whined, almost.
Not minding it, not caring from how you're gripping his hair, "So fucking pretty." He murmurs as he toys with your damn cunt by pulling on your panty continously. You'd gape at him for how almost ridiculous what he was doing if not of you finding it so good to see, let alone feel.
Your calls of his name just slipping out of his ears, continuing what he does. "Look at you." Barely a whisper from him as he let go of your panty, now laying his thumb on your slit to your clit, rubbing it against the wet fabric. You hissed a breath, bearing his not so tease, knowing how he can be just so entranced with what he does. "Fuck." He curses again while he keeps the pad of his digit rubbing hard on your cunt, before eyeing at the string of your slick from your mound to his thumb as he slowly stops.
Finally, your body eases in his hold, already worn out. "Shit--shit." You whisper to yourself, from your weakened state and knowing what was to come next.
You liked him below you as he praises you, yes, but you couldn't deny that were was so much struggle with his found liking for the specific position; having to bear the tiredness off yourself along with so much pleasure to it. Especially by how he was far into it. Your little hole parted open by two of his fingers as his tongue glides in halfway through your walls, while his lips suckles on your folds sloppily. 
Osamu finds himself swimming in the ocean without a care for time, nor of anything, not even of your sounds of ache to come to finally be done, let alone how much you've been trembling in his hold. There's just so much to revel in his love for you through his worship. Such a thing should never be rushed just for the sake of satisfaction. He intends to grasp and freeze this bliss, for you to always have him engraved in the very depths of your being.
With hooded eyes, he looks up at you and sees how much of a mess you are. Still, he only remains the same of his slow but hard pace, only making the knot of your release just boiling as he keeps his tight hold on you, not even letting you move against nor away from him. But, seeing your continously flowing tears and hearing your endless whines, is very much of a reward for him anew. So, "Grind on me."
And that was all that it fucking took for you to finally break. Lost in your tiredness and ache for relief; you do what he said--grind on his damn mouth. Letting yourself use him so desperately, the way he wants you to. Your fingers have never let go of his hair from the start, pulling on it so much repeatedly while you move your hips and have your cunt drag hard on him.
He flows against your rapid waves easily, at last meeting your desperation by his unwavering conviction. No uncharted waters could prevent him from taking up eternity with you.
With enough time, from all he's doing and yours, you finally found yourself dropping to the highest edge of pleasure.
In a sea of one could suffocate—Osamu has never breathed so freely.
No, you could never indeed doubt him.
249 notes · View notes
ro55ocorsa · 5 months
Note
i love the carlos theory, but is there evidence??
we must see - for scientific purposes, of course 👀
Apologies at how long it has taken me to prove my theory, but I come bearing proof of Carlos' twinkishness! Firstly, we must consider the definition of twink. This is what wikipedia describes a twink as:
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So how does this apply to Carlos? First, let's focus on having a slim physique. Carlos definitely fits this descriptor. I know a lot of you will think I am crazy. 'But Carlos is buff!' You will say. However, this is a misconception. Consider the following;
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See how skinny his upper body is compared to his race suit? In the bottom image you can see its like a centimetre or two thick fabric which pads him out a bit. I think the video of him walking to the podium after Miami 2022 really exemplifies this:
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I think because we usually see Carlos in a race suit, we perceive him as bulkier. Not convinced by this alone? Lets actually compare him to an F1 driver usually called a twink, Charles.
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See how they're actually about the same size and body shape? If anything, Carlos has a slimmer waist than Charles, and both are about the same in terms of muscle. Lets compare him with an F1 driver not considered a twink by the masses, Pierre in terms of muscle:
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Carlos is pretty bulky arm wise, but just look at how crazy huge and defined Pierre's muscles are. If you look at more pictures of Pierre he's much bigger than Carlos or Charles in size. Look at this guy!
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So if Carlos is closer to Charles, a known twink, than Pierre, i think its safe to say he is much more twinkish than we give him credit for. But i'm not even done. Carlos has in fact been DECEIVING you by being an athlete and having muscles, under all that he is built like a twig. You can see this when he was younger. Look at this. If you're willing to do some digging back to his karting days, you can see before he started lifting he was weirdly long and built fairly skinny.
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So that completes the 'slim' part. Next is youthful appearance/age. Carlos is nearly 30, but as Wikipedia states you don't have to be an older teen or in your early twenties to be a twink. It's about the presentation, and Carlos certainly fits that youthful vibe with his always messy hair, toothy smile, and big eyes. He also likes to rough house and push people around as a sign of affection, which just screams young guy to me lol.
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Next is body hair. I admit my theory hits a slight snag here, as we all know Carlos is hairy af. However, we also all know he's dedicated to waxing every last piece of chest hair off. It's harder to find a picture of a hairy Carlos compared to the many pictures of him with no body hair at all. So I think we can say he's pushing himself towards a twink vibe with this. (below picture isn't the best to illustrate how much he shaves his chest i just think its funny)
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Finally, flamboyancy. Defined as 'tending to attract attention because of their exuberance, confidence, and stylishness.' This is Carlos to a T. He's always confident, perhaps not super 'stylish' but he does have a good dress sense and seems to know what clothes suit him, and he's been proven to be quite excitable and exuberant when hanging out with friends. I think his hypercompetitiveness shows this as well. Is this picture not the epitome of careless confidence and flamboyance?
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So. There is my evidence. Agree or disagree as you will. I will say he is probably more a twunk than all out twink, but he for sure has some twink in him. Here's a few last pictures to really try and convince you, but for now, ciao.
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Ok but I was just thinking
Jooster is kind of the only actual solid relationship in Jeeves and Wooster?? Like platonic or romantic, let me explain
Like obviously it’s the focus, but like. Listen.
Everyone else hops from girl to girl, or guy to guy, and each one is filled with turmoil. This is just talking about Bertie’s friends, right?
But also, as friends, they really suck. They constantly get him to do things for them and do nothing in return.
Even the aunts and uncles don’t usually have spouses that are actually on screen!! Who knows if there were divorces or something?? Like people’s parents are hardly ever present it’s always some rich aunt or uncle, with Bertie yes but even with all his friends 😅😂
Everyone in that show is just so… detached from each other. There’s a particular moment where Bertie is driving Bingo and Tuppy home, and they’re just ranting about their women to each other and not listening to the other, and Bertie is just so done with it. I think that illustrates this point pretty well.
Anyway, Jeeves and Bertie are so not that. There’s another post somewhere on Tumblr talking about how Bertie always replies to Jeeves’ subtext and they pick up on each others moods essentially, which I think is a great point. And generally they just really like each other. Just read any of the books to see how much Bertie admires Jeeves, and read “Mr. Wooster Changes His Mind,” which is from Jeeves’ perspective, and you can see how he cares a lot for Bertie as well.
And like. They have their own language. Bertie is used to Jeeves materializing into rooms (this generally freaks out other people), he is now comfortable with it. Also he knows that whenever Jeeves is cold to him it’s almost always about his fashion choices, and that is a constant theme of how they interact. They have their quips about music sometimes. Jeeves always helps solve Bertie’s (and friends’) problems, and even when Bertie gets the short end of the stick, if it’s Jeeves’ plan he immediately is satisfied with the conclusion.
The biggest thing, though, is probably their brief break-up. Like. They had a disagreement and broke up, and then missed each other. There weren’t even any hard feelings, just longing tbh. And at the end they got back together, and stayed together, and were happy to see each other again. They clearly enjoy each others’ company. And Jeeves seemed to think that the other candidates for his employer did not even compare to Bertie.
Name another couple in this show who is as devoted as they are
Half of the women go for men for their status, the other half at whims
All of the men go for women on whims, and half of them find another girl when they have some sort of disagreement with the previous one
And even if they get back with a previous partner, there’s no guarantee that they will stay together
But Jooster is in for the long haul. The most consistent relationship, the most caring relationship, the most in-tune relationship, the most long-term relationship.
Oh yeah also with familial relations and all that. Aunt Agatha has been quoted to say she thinks Bertie should probably be put in some home. Like, that’s pretty rude and everything. She also tries to get him to marry all the time, she doesn’t care about him in a way that is healthy at least, only so much as he can be out of the way and out of trouble. Even Aunt Dahlia, who says he is her favorite nephew, and who takes advantage of his nature to get him to do things for her, insults him and throws things at him sometimes. His cousin Gussy, when he gets drunk, insults him in front of a crowd, going so far as to say he hates him. Claude and Eustice put him into the soup without a care for how mad Aunt Agatha will be at him.
Jeeves never insults him, or not his character at least. Yes, they have their disagreements about fashion and music. But Jeeves never insults his intelligence. He never calls him clumsy. He never underestimates him. Yes, he is his employee, but I have a feeling that it doesn’t have to do with that. Even when he was split up, like I mentioned, he came back and said the other employers weren’t up to snuff compared to Bertie.
Omg and then there’s all the women who think Bertie loves them/who want to marry Bertie. Of course, they all have delusions about him, because if they knew him at all they would know he is not in love with them. They would know that he’s too much of a pushover to say no to them. But they don’t. Which just shows further the disconnect everyone has in this show.
Ok referencing one more post because I like the point they have. It was something about how the actors keep changing for the side characters, unintentionally showing how Jeeves is really the only constant in Bertie’s life. Again showing the difference in their relationship vs his disconnected everyone else is. While I’m sure it’s not an intentional choice in that regard, it certainly is an interesting connection.
Anyway like I said at the beginning of this, you can interpret their relationship as romantic or platonic or somewhere in between, but it’s definitely the only solid one in the series.
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kitty-av · 5 months
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Hello! I got a new sketchbook and I decided to try it by drawing a Danny with my markers. I might try doing something with gouache too, because I honestly really enjoy the process and the look of painting with it.
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I also have some things to ramble about under the line, which isn't strictly dp related, more so me comparing how I work with different mediums and being a little analytical about it, you know, as a treat to my brain because it needs it. •^•
So, to start with the Danny above, it's nothing overly ambitious, I was just vibing, but I think it looks nice. Here's the thing though, it looks weird to me, and the reason, probably, is that the process I use with the previously mentioned gouache doesn't translate well to markers.
Here's the process in question btw, a smol sketch to illustrate the way I work with paint but with markers:
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See, that's a process that's clearly a bit more suited to painting imo. So it looks good but a little off with markers. And it's not just to markers. Here's what I mean:
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This is digital. With the same process.
It's even weirder than the markers imo, but you can still tell that there's a process going on that's shared.
And the gouache version of this process looks like this: this is my most recent painting ( literally yesterday )
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This was done in flat brush, and I think you can clearly see that the process I used across all these paintings started with my gouache work. Which also might be why Danny looks a bit different than them because I had to adjust my process. Rather than starting with colouring my canvas and starting the face with a contrasting colour, both Danny, and as far as I can remember the digital dude, started blank and I had to do the glow effect thing a lot less naturally - especially with the lack of brush strokes. The scratchiness of them is aesthetic. Like, brush stroke and direction is important guys, it adds a lot.
I think if I try to draw this Danny in gouache and explain my process better this would all make sense, but I haven't had the time to get back into art because of uni, and I rather like to. I especially want to try doing digital art again, but I've been doing it so rarely that I haven't really got a process anymore, so I'm a bit intimidated to do anything but portraits.
In any case, if anybody has good Sai brushes that could help me get that painterly vibe there, I'd be very grateful •^•
I want to start drawing and creating things for the Phandom again, but all I have currently are sketches, which I know aren't traditionally the easiest things to interact with visually, especially without colour. Still, I'm just going to share things I make and vibe, I suppose.
I have some interesting designs I'd like to try to make digitally, like that mermaid lady ghost from a while back, and her sister who I decided was Pariah Dark's fabulous ex. Still not sure on Queen's design, but I just want to draw a regal lady.
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Yes, I am dumping previous designs here so I can share them again, partly to remind myself of them without scrolling back my Tumblr for a thousand years.
Also my Bois, the clones, who I still want to write into a story and don't know how, but like - I love them and want to show them to more people.
Well, that's all for now. Hope you all have a good day. •^•>💚💜💚
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chronicbeans · 1 year
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Human Illustrator Wally x Reader (part 7)
Phone anxiety 101
TW: Anxiety, Low Self-Esteem, Hallucinations
🐻 You are so nervous right now. Your hand shakes as you look down at your phone. You are trying to call Mr. Darling, wanting to try to ask him out to a coffee shop or something. Maybe the library? You know, a bit like how you first met up with him in private. As friends. Yes, FRIENDS. You definitely do not have a crush on him. After all, why would he like you that way, anyway?
🐻 But, what if you are bothering him? What if you are calling at a horrible, horrible time? You pace around your room, looking at your phone. You take a deep breath, dialing his number, then calling. It rings a few times, before Barnaby answers.
🐻 "Hello? (Y/N)?" You nervously smile, asking in a shakey voice "Hi, Barnaby! Is umm... Is Mr. Darling there?" There are a few seconds of silence, before Barnaby asks "Can I ask you a favor?" "Sure." "I was planning on bringing Wally to the library at around 12 pm. He loves the library. He's loved it even more ever since he met you there. Can you go there, too? Kinda like a little surprise!" You chuckle "Sure, why? Is something going on?" "He has been a bit down in the dumps since an... incident last night. I won't go into it. I just think that seeing you will cheer him up."
🐻 Needless to say, you are more than willing to help. He has been nothing but kind to you and the children you care for, so he deserves kindness back. You put on your best outfit, hoping that you look presentable. Then, once it is time, you head out to the library. You decide to sit by the back of the library, where the children's books are kept.
🐻 You hear Barnaby's voice alongside the door to the library opening. "Here we are, bud! You wanna look around for a bit on your own, or do you want me to come along?" "Come along." You tense up at the sound of Wally's voice, feeling your heartbeat pick up. You hate anxiety... You hide your head a bit further in the book you were pretending to read.
🐻 After a bit, you hear Barnaby point out where you are, chirping "Look, Wals! It's (Y/N)! Hey, (Y/N)!" You look up from your book, your eyes locking with Wally's.
🐻 His eyes widen, a look of... shock on his face? Not good shock, by the way. Bad shock. He doesn't run, however, instead quickly masking his expression with a smile. He fidgets with his fingers, chuckling "Good afternoon, (Y/N). I didn't expect to see you here..." You smile, despite your concern, saying "Hello! I am so happy to see you! I hope your day is going well." "It has been alright."
🐻 There is an unbearable silence in the air. Barnaby gives an awkward chuckle, stepping away as he says "I gotta... Go use the restroom... Stay here, guys! I'll be right back!" Then, he leaves. You and Wally simply stare at each other for a moment, before you ask "Is... Everything really alright?"
🐻 Wally hesitates for a moment, before shaking his head. "No. No, not really. I umm... I am not alright. I don't want to go into it. I feel like you will hate me if I do." You nod slowly "Well... just know that I could never hate you. You have done so much for the children at the daycare, as well as for myself, that I don't think I could ever truly hate you. The only real things I could think of that could do that are like... if you hurt or killed someone. Both things I know you would never do."
🐻 Wally tenses up, again, before nodding. "Okay... is it alright if I ask some questions? They umm... have to do with what is upsetting me. So umm... don't take them personally." "Sure. Shoot." He sits across from you at the table, clearing his throat. "Umm... how much do you know about me? More specifically, how much did you know about me before you met me?" You look at him, seeing the seriousness in his expression. You try to remember what you knew back then.
🐻 "Well, I only really knew that you illustrated a lot of the books the kids at Apple Castle Learning Center loved. Just a name. I only learned that you were popular when one of the kids mentioned that you were visiting the library for a book signing." He starts to relax a little, continuing "Then... After that?" "I only know what the kids and you have told me. I don't waste time looking up celebrities. I don't really care, unless they are spouting nonsense that could affect the lives of myself and the kids negatively." He relaxes even more.
🐻 "One last question... do you really care about me...?" You look him in the eyes, slightly surprised by the sudden change in direction. "Of course. I umm... I was actually planning on calling you this morning to invite you out somewhere. I got too nervous, though, and just came here. It says a lot that, despite only really meeting up with you for a few time, I actively want to spend time with you. You left a very amazing first impression."
🐻 He finally smiles, for real. It is an amazing sight, his smile. It still holds a bit of what seems to be sadness in there, but the happiness still shines through. You remember his completely happy smiles from when he visited the daycare. You want to see it again, to be the reason for his smile, too. However, just being able to cheer him up slightly is good enough, for now. He is clearly going through something at the moment. You ask in a soft voice "Are you feeling a bit better?" He nods, looking around the room.
🐻 "A lot better. It was just that I had a rough night, last night. I had a bit of anxiety that melted into this morning. It happens relatively often, but last night was particularly bad." He then rests his elbow on the table, placing his chin in the palm of his hand as he leans against it. "I kinda got worried about how... well, I'm famous. I'm famous, but want a normal life. When I first started illustrating books, I never expected to get this far. Then, after a while of being famous, you realize how people could just... just get to know you and be your friend, all to be famous, themselves. I had that happen, a few times."
🐻 You cringe at the thought. That sounds awful. You nod your head "I see. I don't blame you for being a bit suspicious of me." His eyes widen, again, his face growing a bit pale "No, no! It wasn't that! I umm- Well, it was in a way... it was just that I got a bit suspicious of everybody. Everybody, including you and Barnaby... the stupid voices in my head kinda just... took over." You sit still, listening to him. He seemingly stops, as if he let something slip past his lips.
🐻 You want to ask about what he told James, however, you aren't even sure if you were supposed to hear it. You don't know if mentioning it would increase his anxiety. So, you try to make your question seem as general as possible "Did you hear voices that said those sorts of things? Like, hallucinations, not thoughts. Or did you just mean thoughts when you said "voices in your head"? That is a common expression, after all." He sighs in disdain "Yeah, I did hallucinate. Like, I know that the voice isn't real, but just... it is kind of like it plants thoughts in my head, you know? Then, those thoughts, I know aren't true. Deep down I know they aren't, but my mind then thinks about them to the point of rationalizing them. You know?"
🐻 You chuckle "I think I get what you mean. Besides the hallucinations, sometimes, I get very bad anxiety. Not as bad as yours, I believe, but still kinda bad. Like this morning, when I had trouble calling you. I started thinking about the numerous ways I could end up bothering you by calling, and how mad you would be if I did. I knew, deep down, that you wouldn't be mad at me. You are too nice to feel that way. It still kept me from calling, because my mind made reasons for you to be angry if I called." He thinks for a moment, before nodding. "That is kind of the same. Yeah. Actually, it is pretty much why what the voices said still hung over me this morning. They weren't saying anything, this morning, but I kept anxiously obsessing over them. To be honest, I still am..."
🐻 You grin "That makes sense. It isn't easy to stop anxiously thinking about things, even when you know they aren't true, or have no reason to think about them. Just call me if you feel you need me for anything. Goodness knows I would have too much trouble calling you! Haha!" Wally chuckles halfheartedly at your words "Yeah. Thank you for talking with me. It has helped, a bit. I think I should go check on Barnaby. He hasn't come back for a bit. I hope you have a nice rest of your day." "You too, Wally."
🐻 Wally stands, leaving the area to go check on Barnaby. You panic, placing your head in your hands. Did you just call him Wally? He might think you're rude... No. No, don't think that way. He didn't seem to mind. He didn't even seem to notice it. You still need to go home and recover from everything that has happened, today. Nothing really bad occurred, it was just a bit unexpected to have Mr. Darling, a famous individual, load all of that onto you.
🐻 It was a bit... nice, actually. Not what he said, goodness no. You can't imagine what he must be going through. Nobody could, really, except for himself. It was just nice that he trusted you to do so. It was also nice in the fact that, despite being so popular, he acts human. You have heard stories of celebrities that, after getting big, completely change into something unrecognizable. Mr. Darling, however, is so human compared to them. He even seems to use his fame to help others, considering how excited he seemed to be visiting the daycare, as well as to simply sign a book for the children there.
🐻 You honestly cannot wait to meet him, again. Be it inside or outside the daycare. Preferably outside the daycare, however, so you can get to know what he is like in a less... Chaotic environment.
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rosvyy · 1 month
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cute lil "no longer you" analysis
Ok guys so like we know how the oracle works? Yeah yeah yeah, they say smth and no matter what you do, it will come true because of what you do. However, there are different pathways obvs. So tiresias is like, "Yeah theres a lot of your journeys, odysseys if you will, and there are good an bad endings. I know there is a good ending here for you, but I dont know it here, it isnt yours." HOWEVER it could change. It isnt set in stone yet. He sings the prophecy. He sings what is most likely going to happen from this moment onwards, how in the musical Eurylochus stands up and is killed 'a brothers final stand' and the 'sacrifice of man' being scylla and how odysseus didnt do anything to prevent the death of the men. I think the 'last breath' is in reference to "Get in the Water" but it could also be when he washes up on Claypsos shore, although I doubt it cause thats a stretch. Cause like... yeah no. Odysseus is like "Hold on. No thats not fair. We have been well, we have been using other means instead of violence so we can be fair, this ISNT fair! Then Tiresias goes on to recite more of this version of the prophecy, how Penelope will be reunited with a man who isnt anything like Odysseus is. NOW this is where it matters imo. This prophecy differs so heavily from the book, but in the book there is a choice. He tells the men to not eat any cattle they come across or else they will suffer from it and Odysseus will arrive home much later than what he would like. The option of choice is still there, eat the cattle or do not. Odysseus being doomed by the narrative has this choice screwed by his crew, but it was still presented to him none the less. Epic doesnt go this route on a surface listen. There is no clear choice but the indication is still there. After Tiresia has finished the current prophecy, it comes down to Odysseus to place how the story will go. He could either "greet the world with open arms" and try beg Tiresia to tell him the other worlds and other prophecy's, or he could go down the path the Gods favour of anger and suffering. Upon hearing his wife is with a man "with a trail of bodies", he screams "who" with such desperation and anger which the audience has never heard before. Without even saying so, it has implemented and foreshadowed the vengeance and anger he holds to this man who has taken his wife. This is dramatic irony to the audience who knows what will happen, how he turns into this man. He doesnt hate him, he becomes him, so that he can seek vengeance on who Tiresia described. It also can be interpreted from the lines already presented by Tiresia that the man is Odyssesy, as his crew, the 558 men who died, trail behind him as 'the past is always close behind'. A trail of bodies which he met only a song prior to "no longer you". The "Who" line which Odysseus screams cements his fate, the anger and choice of bitterness athena steered him to and Poseidon reimplemented being chosen over the advice his dead friend gave him. This is when Tiresias repeats the first verse, the repetition illustrating how that world now is this world. It cements that there is no change to be done, Odysseus path will end in a trail of bodies which is greater than the one he already bears, and the sacrifices he must make in order to reunite with his wife while becoming something akin to the Devine whilst staying mortal, a monster.
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