new metric for media literacy for film bros is if they understand the barbie movie.
the kens are first presented as accessories to their barbies and it's pointed out loud that they don't even have places to stay in barbieland. one of the barbies straight up asks "wait, where do the kens stay?". they're just arm candy made to look pretty and cool while the barbies run their world.
but that's fucked up!!! the film presents it as fucked up! that's why ken screams "YOU FAILED ME!" and why he is insecure in the first place because he wanted to be respected and seen as a person, not someone who only exists in relation to someone else. should he have done what he did? no!!! that's why it's part of the conflict! the root of both of their breakdowns was in their society in that the barbies are supposed to be perfect and the kens exist in relation to them! it's barbie and ken. he was a footnote. that's why barbie apologizes to him in the end and tells him he can be himself. she doesn't have to exist by some set of rules and neither does he! it's barbie and it's ken! sure, the resolution to the whole barbieland issue wasn't perfect, BUT KEN'S WHOLE ARC IS ABOUT HOW THEIR WORLD FAILED MEN. WHAT DO YOU MEAN THIS MOVIE WAS 'WOMEN GOOD MAN BAD'. WHAT ABOUT THE NUANCE
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this is my favorite author's note/comment from Worm so far it's the first time i've seen Wildbow use an emote at all and i love the placement here
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Seyka
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more burning shores thoughts (seyka’s characterization)
tbh i don’t agree with the critique that seyka is a “carbon copy” of aloy. her quickness to anger, unyielding self-reliance, and cheeky arrogance are all things we’ve seen aloy grow out of because of her friends. and her humor, warmth, and skill are hardly unique to aloy.
i agree there’s not a ton that sets seyka apart from aloy or the other companions beyond circumstance. but what does stand out to me is how seyka questions and challenges aloy from the start. and she does it in a way where aloy can’t shrug it off or plow ahead with her own plans (a la the bulwark or leaving varl and erend behind). aloy is never in a true position of authority or power with seyka, and that’s in large part because of seyka’s personality and self-assurance.
if you’re gonna call seyka a mary sue, a flawless, overly positively portrayed character, don’t you kind of have to do that to almost all the sympathetic characters? the things that make the others interesting are the circumstances they’re in and how they react to them or grow. not necessarily their opposition to aloy or their own personal flaws (with the exception maybe of sylens, beta, nil, and tilda)
i get why some people don’t find her compelling, but if the only reason is that she’s too similar aloy or too perfect (??) i don’t think we played the same game?
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i think everyone on sunnytwt needs to be sat down so i can explain to them what basic human empathy is. and then maybe i put them in a blender until they agree to write meta about the characters instead of whether or not charlie day got facial reconstruction surgery.
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Okay, you know that scene in Catwoman v.1 where Selina begs Maggie to scream, cry, lash out, & curse her rather than turn to a darker version of herself?
I need you to understand that, if it were written with any sense of integrity, that would be the attitude Bruce has towards Jason post-resurrection. At least after becoming privy to the fact that Jason does not personally blame Bruce for his death.
In my opinion, Bruce would sell his arm for a penny on a streetcorner providing it gave Jason non-homicidal means of coping, for Jason to view him as responsible, as a second murderer. For him to curse "hereoism", & vigilantes, & the whole fucking lifestyle- decry it as an unbelievable farce & leave it all behind to go back to being Jason Todd of Crime Alley, who only did what he had to do to survive. Bruce would be so far beyond willing to carry that weight if it meant his boy would be off the track of his homicidally self-destructive rampage. If it meant Jason realizing he is more than just a revenant, that he is alive, that he can have a life.
The only way it makes any sense to me is if Bruce would accept, even embrace a world in which Jason views him as a horrible dad, an irredeemable piece of shit who is directly responsible for his murder, if it just meant that Jason did not have to utterly sacrafice his sense of humanity & compassion to make it through the world. He'd give near anything for it or it makes no sense. That's his son. His son who was dead but is now alive, for all he does not seem to grasp that himself.
Also he should have let Jason pop the clown. Not even for ethical reasons, but in the chase of giving Jason a chance at the realization in the world they do live in where Jason will not allow himself to view Bruce that way. Because he refuses to harm his son, or let him be taken in another explosion. Not when he just got him back, not when his son has not even gotten the chance to truly come back to life.
(I also think it would be a far more interesting jumping-off point post-utrh for Jason, but that's somewhat besides the point.)
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it's still genuinely funny to me that the only eggs to use "she" pronouns decided their pronouns themselves lmfao
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my mom messaging me from the plane: I think Marissa's being controlled by Ezekiel??
me: tbh I still have no fucking clue what was going on with the Ezekiel thing
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Yesterday during Pre-FYP pitch:
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another thing lsk does is consistently take away kdj's choice: declaring herself the murderer, writing the book, and then she literally locked him up and went off to kill the person that matters to him the most, like ma'am you had all that time in prison to reflect and you did jack with it. the nerve she had to not only be jealous of yjh but Hate him for?? being there for her son when she refused to??? i shudder to think what would've happened to kdj if she actually killed yjh
See this is what I'm saying though, LSK represents an aspect of narrative sense/reality that influences ORV as a work. The sense of "this is the way things have to be" which strips agency from the characters of a story. This aspect of fiction is then equated with "reality," LSK is both KDJ's real mother that connects him to his life before TWSA and a representation of Korean literature's ancien regime. It's significant that she's put opposite to YJH, whose story is one that appeals solely to Kim Dokja despite in all likelihood lacking any substantial literary merit. Webnovels that are unrealistic, too far out there, way too silly to be "real." Her need to assert "reality" over KDJ's affection for YJH stems from the fact that LSK has consistently used "reality" as the rationale behind the decisions she made that have hurt her son. But the thesis of ORV is then blurring the line between the real and the absurd, it's fanfiction about historical literature, it's a gritty apocalypse novel with an OP self-insert protagonist, it's a loser with no friends in real life being loved by fictional people as much as he loves fiction. Thus, I feel that in ORV's metanarrative the conflict between YJH and LSK represents the clashing literary worlds of time held classics and modern webnovels that may have each raised a reader in their own way.
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I blame the wave of #girlboss feminism (mostly adopted by white women) in the 2010s for erasing media literacy and like... just basic thinking and making everyone hate disney princesses with their "terrible messages" for little girls. like. were people even watching the movies?
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You asked for a fic rec so I’ll toss this one at ya: https://archiveofourown.org/works/46767358?view_full_work=true Stick through the formatting for the characterization, tone, and really the whole vibe of this fic. I haven’t been able to get the bathroom call between Daigo and Majima out of my head for weeks since I read it with how naturally it all flows. My own little Daigo characterization booklet to review when I feel like I need a refresher on him.
so I may have stayed up until 6am reading this (would’ve slept earlier but I couldn’t stop reading it) and hgggahaghhhhaggahshhhhhhhh that was one of the most well-characterized fics I’ve ever read what the fuck. like the differences in how each character speaks (both tone-wise and in differing levels of authenticity) and how they speak to specific others (the daigo and majima dyanmic specifically- how they actually take into account how long they’ve been working really closely- SO good), the mental anguish and chaos vs the overwhelming emptiness of being daigo dojima but no longer The 6th Chairman Daigo Dojima……….I could keep going but I think you get it.
tbh I’d been wanting to write something exploring a similar set of dynamics/situation (post-kiryu’s fake death, interactions with haruka, daigo, and/or majima specifically, reflecting on his shortcomings while acknowledging the heavy Grief left behind) but now I’m like. well I still could but this was so well written in regards to daigo and haruka that, as far as something between those two goes, I don’t feel the need to.
thanks for the recommendation! my brain is broken now (affectionate)
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My PokeMiku rankings (not open to criticism /j).
If anyone wants to make their own tierlist, I used this one. And heres all the Project Voltage art.
I was tempted to rank the "Announcement Miku" (the art with Farfetch'd in Project Voltage) and the previously existing Snow Miku collab I discovered via Bulbapedia's Project Voltage page, but realized theyd be unfair comparisons, lol.
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There's a few "league gets adopted by Rei / Rei takes care of the league" fics out there and I love them dearly even if i have to admit that they're all quite unrealistic, mainly because they tend to paint Rei as a better parent than she actually is. Sort of what happens to aizawa in fanon, too, completely accepting and eternally affectionate. The "comfort" in hurt/comfort personified. I get why this happens, it hits like a truck watching people who were denied parental affection finally get it.
But, as always, with fanon tropes, there is a part of me that's melancholic for all the potential that gets left behind. Because there's a kernel of truth in these fics that i'm sad isn't highlighted enough, there's something that could draw rei to the league outside of one of them being her literal thought-to-be-dead son or some nebulous perfect motherly instinct. And that truth is: Rei is not an amazing parent. Her faults are mostly of inaction, and the whole thing with Shouto was due to the abuse she suffers herself. But she has- and she knows this- failed her childen as a mother.
And what that gives you is a woman with a deep massive guilt over failing to be there for her kids when they needed her. She believes one of them died and it was, in part, her fault. Shouto she can reconcile with, but Touya, she thinks, will be a wound that never heals. And why wouldn't you, as a fic writer, use that?
What i'm saying is, if you were to- in the right circumstances- throw a traumatized child also failed by their parents her way. (Perhaps, say... a child rejected by her parents explicitly because of her quirk, wink wink?) And it reminded her just of how much she herself had failed as a mother, specifically because she was too scared to do anything, then she would absolutely want to take care of that child. She just wouldn't be all that good at it. Really, she'd be terrified to even try. But she'd want to try. And wouldn't that make for a story worth telling, one that could be just as cathartic in the end as the 'perfect mom takes care of her new murder children' fics?
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Whoops life lesson don’t finish a presentation ten minutes before you have to give it 😶
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I'm not gonna say Yotsuyu was right bc like. she's not.
but the fact that her backstory is well known and it just makes people hate her more hurts me. it makes sense! it's hard to be sympathetic to the woman who is making your life a living hell, but also I cannot look at her and her story, and feel anything other than deep sympathy and rage towards everyone who made her this way.
esp bc like. in 4.x with Tsuyu we run into her whoremaster and we let him go for his sake and not hers? Like I know I would have found that mfer later and put the fear of the WoL in him like damn. the anti-sex worker sentiments are real and i hate that, esp since my main WoL has always been a sex worker.editing to say I also hate the anti sex worker sentiments bc Yotsuyu never chose to be a sex worker. She was forced into it and now she's being damned for it.
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