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#they technically exist within the canon
liliallowed · 6 months
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guys why do I keep making my blorbos hot 😭
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tongue jumpscare
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whatudottu · 3 months
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Honestly Ben 10 is probably one of the most based science fiction series out there by sheer virtue of it having the balls to showcase any alien concept it wanted to no matter how ridiculous, and whenever someone is like “there’s no way in Hell that could ever be scientifically feasible”, it dared to look them in the eyes and go “Yeah, well, this is a world where magic and superpowered mutants also exist. What are you gonna do? Cry about it? You grown ass adult who’s expecting scientific feasibility out of a cartoon meant to sell toys to preteen boys that has lore so inconsistent it’s almost impossible to tell what’s canon and what’s non-canon? LMAO loser.”
I mean OS had it all- obviously aliens but not only that, at minimum 10 of them; mutants in daily life across at least America, no doubt in other places too; magic, albeit one without a system beyond ‘there’s a spellbook and some charms’. The shift to purely alien in AF makes the wonderful nonsense sci-fi stuff into frustrating logic trees of ‘how does xenobiology get this powerful’ which I had definitely fallen into. Ben 10 is unabashedly science fantasy, so why not go the full fantasy and bring back mutants and magic, haha!
Admittedly a good implementation of magic in a series tends to follow a magic system, which I’m not especially great at coming up with, especially in comparison to speculative biology which come with pre-established rules. But hey, I don’t exactly expect it to be fleshed out, at least not as well as the alien aspect of Ben 10; even then, there’s only so much fleshed out, it’s to tease us into making lore for it lmao-
To be fair though, Ben 10 itself had to whack itself on the cheek in order to be reminded of its magic and especially mutant parts, which unfortunately in the latter case was central to major retcons so…
#ask#anonymous#ben 10#my favourite mutant characters that come to mind when i say ‘mutants in daily life’ in os#are gatorboy and porcupine- from ready to rumble#you can see a lot of mutants there and how fourarms- visibly an alien- doesn’t look out of place#the lore implications alone- a mutant wrestling ring with monetary winnings- are enough to entice fan expansions#then that mutant rep- even if only in the background- was lost to the tides of af making everything exclusively alien#magic being taken away because 1) anodites but also 2) charmcaster and hex and others came from ledgerdomain#and thus are technically alien to this dimension- or whatever plain of existence ledgerdomain exists on#the only ones who canonically use magic are those connect to- reside within- or holding something from ledgerdomain#which kind of makes it exclusively alien in a way that’s kinda i guess radioactive? not the word#sorry i shouldn’t say only- the others are mr jingles santa’s elf- sir george holding an apparent galvan crafted magic sword (no thanks)-#or ben 10000 who learnt magic from gwen but is also technically part anodite in the same way gwen is#to note on ascalon- sure maybe azmuth’s creation of it and the subsequent destruction of the incursean homeworld got him motivated to#make and save life rather than destroy and warp it#but come on a sword? a magic sword? like seriously azmuth your ass did not make that#i bet the omnitrix was actually made for the intent to fix malware but azmuth’s isolation and general grievances with the universe#ultimately made it appear he was abandoning his suffering (son) creation to fuck off and mope#he’s already an asshole that fits more than him making a bloody magic sword for ascalon’s sake#it could simply be a magic sword from the incurseans that had been used to destroy their planeg#i mean milleous seemed to think the annihilarrgh was a viable persuasion technique despite the fact if activated it would destroy everything#including the very fleets he would clearly be much more interested in expanding rather than erasinb#it fits the INCERSEANS to destroy their planet with a powerful magic sword- let aliens have magic
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iinexorabile · 6 months
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smth smth, this blogs muses have a main connected universe via their fandomless au's
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aparticularbandit · 4 months
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"Cited Works: Danganronpa/Zero."
GAME.
WHAT IS THIS.
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bbyboybucket · 5 months
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Guys did I miss something in the episode? Why are we thinking Bucky is evil? Cause from what I gathered in his short appearance was that he was doing actual good things through shield and that he and Steve completely took down hydra and all that was left was the red room? Like other than that I think only time he was even really brought up again was Peggy saying he had a family and then Melina saying the assassination attempt was a ploy in her game? I was getting that Secretary of State Bucky was meant to show what shield could have been under a good person? But am I out of the loop?
I’m genuinely asking, no sarcasm here
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doodlboy · 9 months
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My inner mind is a rich and complex enigma
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tuhbanbuv · 9 months
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if Earthworm Jim x Squidward smut can exist and no one raise a brow then I think writing a prequel to Shadow having a baby will be fine
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lgbtlunaverse · 9 months
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Considering wwx's canonical breeding kink and his general fondness for dubiously safe scientific experiments it is technically within the realm of possibility that a few years post-canon he just invents cultivation hrt and transition surgery by accident.
He just rocks up to a cultivation conference one day 5 months pregnant like "I turned my body into that of a woman! Yeah the boobs too we travel a lot and don't want a wetnurse. I'll reverse it in two years or so." And every single trans person and egg in the culivation world simultaneously sits up and goes "wait what?"
Imperical to understand that wwx still fully identifies as a cis man and does not know trans people exist. He did not know he was gay while actively being in gay love, this man is very smart but he doesn't know shit. Just a few weeks after the conference people start coming over like "hey... that thing you did... can you do that to me?" and he's like damn sure are a lot of dudes who wanna get pregnant. One day a "female" cultivator comes and is like "so you said you're going to reverse it... you think you can do that on a body that's already female? Turn my body into a man's body?" And he just goes well probably, let's find out!! It's so great all these people wanna help him perfect his techniques, isn't it lan zhan?
Years later they run into one of the trans women he first helped and doesn't even recognise her as she's thanking him and after the clarification just goes "wow! haha damn you're even wearing women's clothes! Should I start calling you guniang?" sort of as a joke but she's like yes please and he just says alright nice to see you again ma'am (still doesn't get it)
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grendelsmilf · 2 months
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the term headcanon can be useful to describe a very specific phenomenon but is largely conflated with simply reading or interpreting the text in a way that leads to some degree of extrapolation. gonna use dungeon meshi as an example (i first tried using hamlet because i figured it’s more universal but as it turns out i have way too much of a stake in shakespeare scholarship and we don’t need this post to be a million words long). “kabru would be a psych major” is technically a headcanon, but it’s also one that is grounded in the text as it relates to kabru’s fascination with human behavior and their psychopathologies. “falin would listen to joanna newsom,” on the other hand, is not in any way grounded in the text (that i know of), but rather something i nonetheless believe because she has good vibes: it is a headcanon. “marcille is in love with falin,” however, is not a headcanon, but rather a coherent interpretation of what is explicitly depicted in the narrative. sure, there is enough plausible deniability that you could argue “they’re just really good friends who have a deep, sisterly bond,” but that is also a reading. do you see the difference. if something is not explicit in the text but nonetheless can be extrapolated from direct textual evidence, calling it a “headcanon” rather than an interpretation, reading, or even extrapolation, is actually just reductive. i’m sick of making posts that directly cite multiple textual examples to ground my claims being tagged with shit like “cool headcanon.” when i said chilchuck would smoke from a fanciful contraption of a bong, that was purely conjecture, that was a headcanon. actually employing direct quotes from the text to guide a specific reading of it is not a “headcanon,” however, unless literally all analysis constitutes “headcanon” since it’s the canon that exists within your own subjectivity. but that would make it far too broad and nebulous a term to ever be useful. so let’s not kid ourselves here, and let’s refrain from conflating genuine analytical work with self-indulgent fancy. both play key roles in how fandoms and engagement with fiction operate, but there are degrees to these things, and i think those distinctions matter.
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anonymous-dentist · 5 months
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I’ve seen a lot of people genuinely and sincerely wondering why the Federation can’t heal Empanada back up to two lives using the Egg Hospital, and that just means that the Federation Propaganda is working.
So let me explain how the Eggs work within the lore of the QSMP:
The Eggs, in the beginning, were supposed to be a one or two week event. The parents with the happiest egg would get a prize. The parents with dead eggs would be punished.
Within Lore, these original eggs- Dapper, Leo, Chayanne, Ramon, Tilin, Flippa, Bobby, and Trump(et)- were the children of a “dragon mother” who had flown away from the island after the islanders blew up the wall. Tallulah was a later addition, but she is “biologically” (we’ll come back to the quotation marks in a second) related to the og eggs. So is Pomme, who had been stuck under the adoption center for over a month waiting to be adopted. Our outliers are Richarlyson- who wasn’t even supposed to exist yet, Sunny, Empanada, and Pepito.
And then there are the other Eggs. The dead ones. Like “Hope”, the egg the Federation left to die in the middle of nowhere waiting to be adopted. Or Egg A1, the egg ElQuackity was experimenting on that burned to death. Or the several dead eggs mentioned in the Maze Book, the ones who would be Sunny and Empanada and Pepito’s siblings if those three really are the three surviving eggs from the Maze Book.
You see, the Eggs aren’t real. They’re artificial. We’ve known this since May/June when SOFIA analyzed “Richarlyson’s placenta” (don’t ask) and found, wow! The Eggs are essentially artificial, inorganic lifeforms. And then we see ElQ experimenting on A1, and then we hear about the Maze Experiment, and then we find out about Egg Island and how the Federation technically owns it, and we realize, oh. Huh.
The Eggs have never met their supposed dragon mother. That’s because she doesn’t exist. The Eggs were created solely for the purpose of the experiment the islanders are unwillingly part of. They’re tools, and the Federation doesn’t care about them.
The Eggs, to the Federation, are more or less expendable. The Feds’ primary focus is the islanders and keeping them under control. The Eggs still being alive now is only because the Feds quickly realized that their test subjects would fucking lose it if the Eggs were taken away like they were supposed to have been.
But if the Eggs happen to die on their own, so be it. That’s fine. They’re kids, they’re fragile.
Tilin and Flippa and Trump and Bobby are all dead, and it’s been shown that the Feds could have brought them back permanently by putting them in the hospital they canonically have, or by bringing them back “by magic” like how Sapo Peta revived Flippa after the trial. This is why Cellbit infiltrated the Feds in the first place and it’s a HUGE part of why he hates them now! He knows that they could keep every egg safe and alive, but they choose not to because, again, the eggs are expendable!
If the Federation had their way, the Eggs wouldn’t have been retrieved at all when they disappeared. But the islanders started going berserk and rebelling and the Feds went “Oh, shit”, and thus the Eggs’ return was made a priority.
The Eggs are a form of control, and everybody even remotely questioning the Federation knows it. Keeping the Eggs around and alive serves to keep the islanders in line. If they rebel, the Eggs could die. This is why the Eggs were brought back in the first place, and it’s why the parents of dead eggs and those without eggs in the first place were the ones assigned to Sunny, Empanada, and Pepito. Those people couldn’t be controlled, but now they can be. People like Tubbo won’t mess with Cucurucho anymore because they don’t want their kids dead; it’s why Cellbit only started lashing out after Richarlyson had been gone for almost two months.
So… why don’t they just keep the Eggs alive?
Easy. Because the Eggs are expendable. Them living is the easiest option, but them dying isn’t really a huge issue. People like Jaiden have been easy enough to manipulate after losing their egg. Grieving parents so far haven’t had huge explosive reactions (except for Maxo, who very notably did have a huge explosive reaction.) Slime and Mariana fell into depressive states, Jaiden became easier to manipulate, Quackity was able to be kidnapped and brainwashed. Roier and Maxo kept their illegal rebellious activities under wraps, and neither really made any big huge moves against the Feds (again, outside of the nuke.)
If the Eggs die naturally, it’s fine. It’s the parents’ faults for letting their child die- just look at how nobody blamed the Federation for permanently taking Bobby away, but people both on the server and off blamed Roier for “getting him killed”, or how Mariana is the scapegoat for the Federation not bringing Flippa back to life when they easily could’ve done so.
Eggs dying naturally turns islander aggression inwards… with the exceptions of Cellbit, Roier, and Maxo, and now Bagi and Mousey. The Feds don’t want anyone getting angry at them, they want the islanders to get angry at themselves. That way, nobody can organize against them.
So the Feds won’t reverse a life lost. They won’t revive a dead egg. They don’t need to. The Eggs aren’t the experiment here. They aren’t important.
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riacte · 16 days
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Re: popularity and clout gap, this thought has been lurking at the back of my mind but it didn’t hit me until a friend pointed out it was like how some parts of the audience used to treat hermits in MCC. As in: the hermits could achieve something technically amazing but were ignored simply because they weren’t popular (see False’s back to back win being ignored post MCC12) when the exact same achievement would cause them to lose their minds if it was done by someone who was more “popular”.
Post Demise 2, I joked this was like Blue Bats over again in which False (and Ren) won with the power of friendship in a wholesome storyline yet some parts of the audience chose to be salty their fave didn’t win instead. Sometimes you can see such a severe cognitive dissonance because people watch different hermits. Like that post on Reddit innocuously asking about Perry when I’d seen him around for weeks now and people pointed out Perry had been featured in the Neighbourhood’s videos for a while. (Nothing wrong with the post but it shows how vastly different the viewing experience is.)
It’s kind of like we’re back to 2020/21 era esque “hermit erasure” but it’s (unintentionally) done by some hermit fans. Okay, actually I’ll erase the unintentionally. Plenty of people only watch a few hermits and I emphasise that is fine and you can do anything you want forever. Enjoy HC in any way you like. Be free. The problem only surfaces when people pretend their corner is the only corner that exists and everyone else are the side characters. Like, it’s really fine to admit you don’t know everything. Someone on the MCC Reddit tried making teams and admitted they didn’t know the hermits well but somehow their teams ended up being more hermit accurate than most teams I’ve seen.
This situating done by some parts of the audience of some hermits as “main” and some hermits as “side” to the whole production of Hermitcraft makes me think of 2020/21 MCC again. In which people were discussing protagonists and villains and cannon fodder. Which was why I wrote Battle Scars, a parody / satire / sincere piece of work / whatever, to show that my faves (Blue Bats) could be the protagonists too. And it feels like I’m back. Scrambling to script my faves as characters worthy to have their stories told. Why are we back again.
And why does it lowkey feel worse because this is happening within the same fandom.
… And now I realise that’s also part of why I wrote Feel It Still, another crack treated seriously fic. Because it’s a Superhero AU proudly situating my faves in the lead roles based on canon stuff, while the typical protagonists of Superhero AUs in this fandom are delegated to side characters and are the trainees under a main hero. It’s this sort of twisting of canon that I keep on (subconsciously) doing, attempting to give some sort of spotlight to my faves by mimicking / parodying fandom trends and tropes, trying to make them more palatable and spread propaganda or whatever.
Tldr: it feels like we’re back to “hermit erasure” era and there’s a lot of fanon attention on a few. And you just know certain events would receive significant more attention if they were done by the popular hermits instead of the less popular ones. But it’s mostly crickets outside my circle and the people that I know of. Like hey yeah this is someone I know from chat and someone I know from Twitter. And I know about “being the change you want to see” and “make stuff you want to see” and “promote your faves”. I know. We all know.
It just gets tiring sometimes.
In the end, a number’s game is a number’s game.
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fansids · 29 days
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Shadow of the King Au Art Dump
Since I very rarely get past the sketching phase any presentable art is rare, but I managed to find some for ya'll
Warning for some old ass art:
1. The Stalwart Generals
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I spent an ungodly amount of time figuring out the designs, dynamics, and personalities of all of these monkies so I'll be damned if I don't show them first.
The Generals take care of anything SWK is unable to. They are in charge of FFM when he's not present.
Marshal Ma - While technically all the generals are the same rank, Marshal Ma is considered SWK's unofficial second in command. She's calm in every crisis with a very low bs tolerance and is 75% of the reason why the island doesn't fall to chaos every time SWK leaves. She's highly respected by all the inhabitants and can and will break your spine Bane style if the situation calls for it.
Marshal Liu - Mean bisexual. Marshal Ma's sister and the bane of her existence. On duty she takes her role very seriously. Off duty she likes to keep Ma on her toes with her dumbassery. She's easy going, hates clothes, and loves to fight. She has a slightly concerning amount of knives on her person at all times. She is big gay for General Beng.
General Beng - Meaner lesbian. A siamang and the largest and tallest of the generals. She enjoys dressing up, tea (both kinds), and a good party. She has a very short fuse. While her size and strength alone would generally deter anyone from testing her temper, there are always idiots. She can fight, but she knows her Liu would enjoy it more.
General Ba - The youngest of the generals. While she's not shy, she is very quiet. She does not waste her words. But, when she speaks, the others will stop whatever they're doing to listen. She likes to spend her free time in the libraries. Get her in the right mood and she'll argue with you for hours about the most random subjects.
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2. Macaque face evolution
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Was trying to get a feel for Macaque's face and how it changes throughout the au. Top right is the youngest, bottom right is the oldest. Bro gets all sorts of messed up from the whole died and resurrection thing and very much looks wrong afterwards.
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3. New fit
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Macaque and SWK have the whole cape thing going on, I figured SWK gave Mac one of his own when he was still training under him. I like to think it holds a lot of sentimental value to him since he still wears it in present day but he would rather get his head smashed in again than admit it.
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4. I'm sure this won't come back to bite anyone later
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Eeesh. Imagine spending your whole life training to receive and keep the Sun Wukong's attention only for him to casually give it to some random human boy thousands of years later. I mean, Macaque did betray him and everything, but it's the principle.
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5. The Tongbi Gibbon Concepts
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One of the four world-wrecking/celestial monkies. My brain was very focused on the whole pulling celestial bodies out of the sky part of her abilities that I made her based around that line.
Don't know if this fit is still canon as she and the Horse Monkey had a large role to play in Shadow of the King, and I'm considering if I should take them out
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Bonus:
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I consider the Tongbi gibbon and the Horse Monkey to be older than both Sun Wukong and Macaque in Shadow of the King. The Horse Monkey is the eldest, but the Tongbi's age is nothing to sniff at.
That being said, that does not mean she can't be bought.
Takes place after all the traumatizing shit in SotK
Panel 1
Tongbi: Child, I am an ancient being. I hold the power of gods within me. I was witness to the birth of the Great Sage himself. I have seen nations and empires rise and fall. I have gathered and spent innumerable wealth. Yet you think you can bribe me with 20 yuan?
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The host: ...how 'bout 30?
Panel 3
Off-panel (Horse Monkey): TONGBI!!
MK: I thought the nimbus made you airsick
Red Son: Not helping, Noodle Boy
Tongbi: BOTH OF YOU SHUT UP!
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tonyfavgirl · 8 months
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We don't talk about Marcus Volturi's power enough
I just saw a comment on TikTok about how Marcus has the most "trash gift" in Twilight, and, okay, everyone has their own opinion, but I am absolutely outraged. Like, omg, how do people not see how useful his gift is?
Man, Aro reads people's minds, so he sees people like they see themselves. Marcus, on the other hand, sees the bonds between people, which allows him to understand how individuals are truly connected to the world, often beyond their own comprehension. He can literally use his gift for manipulation, espionage, breaking people, dismantling covens, and so much more that it isn't even funny.
Aro wanted to keep him in the Volturi by any means possible, even by killing Marcus' beloved wife—Aro's own sister, who also had a gift. Just with this information, we can already see exactly how much power this man has at his fingertips.
Considering that in the book canon, Marcus is only 19 years old when he becomes a vampire, it's quite possible that older vampires who were transformed at a more "mature" age might have initially ignored him while the Volturi were ascending to power. Age often commands respect among vampires, and being a teenager technically, Marcus may have been dismissed as non-threatening in the beginning (maybe even later).
However, when you analyze the power dynamics within the Volturi coven, it becomes clear that Marcus played a crucial role.
Marcus likely served as a sentinel, watching over the coven and ensuring there were no leaks or betrayals. This is especially significant because Chelsea, who could manipulate these bonds, was born much later, after the Volturi were already very powerful.
E. G. Marcus undoubtedly identified potential traitors before they even realized they were inclined to betray the Volturi, making him an essential pillar in the construction of their power and ensuring their continued existence as the ruling coven throughout the centuries.
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beanghostprincess · 7 months
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I wanna know who your favorite vinsmoke sibling is so bad actually please tell me 👀✨
My friend and my brother laughed at me when I told them my favorite Vinsmoke is Niji, and I genuinely was embarrassed that day because I didn't really know much about him at the time (I think I had only watched a few eps of WCI) and it's pretty clear in the show that he's, uh, the worst of the Vinsmokes. And by "the worst" I mean: The one who's portrayed as the worst because he's the most active one when it comes to abuse and supremacism within the family line. Unlike Ichiji (who's more serious) and Yonji (who's more playful, somehow) Niji is the one who has to actually fight for a role in his family and that's why I think he's so fucking annoying all the damn time. I hate him. I love him. I want to hug him. But also I wouldn't mind punching him very, very hard. I have mixed feelings, but yeah, Niji is my favorite Vinsmoke. And you haven't asked why, but I feel the need to do some sort of mini argument about this because I am a very resentful person and I want to show my friend and my brother that Niji is actually a very interesting character!! And my fiancé thinks I just like him because he's hot, and she's right but only like a 20%. Maybe 40%.
I will try to put my thoughts into words, but it's pretty difficult because I have a lot of things to say about this blue evil gremlin.
I like Niji the most because I think he is, between the three brothers, the one who shows feelings and ambitions outside their emotionless selves the most. I know they technically are the same, but I don't think so (btw, please assume I'm not including Reiju in this text because she's canonically different from them and I'm just referring to the brothers).
As I mentioned before, I think Niji is the one brother who is the most annoying and evil because he feels the need to stand out. Ichiji is serious, and calculative and has a secure place in the family. He is the number one, even if Reiju is the oldest (I would like to talk more about how Reiju, being a woman, even if she's the oldest, she's the number 0. Because she is the oldest but she's a woman, so she obviously doesn't and would not be able to wear the number 1 like a man would. She is the oldest and yet, she has less significance in the family line than Ichiji. But, yeah, this is something that has nothing to do with Niji, sorry). Ichiji, like all of his siblings, wants recognition from his father, but he doesn't have to try as hard as the others to be impressive because he is, after all, the oldest. The typical "older sibling in an abusive household who has to deal with all the bullshit to protect their siblings"? That's something Reiju took over. That's Reiju's responsibility as the oldest and the woman. Ichiji literally doesn't have to do anything besides leading the team and being the evil, emotionless machine his father created. That does not mean that I don't think he could be able to develop more feelings, because I think he could and I love the concept of him being the first one to protest against Judge's behavior, but you get me. When you're the oldest brother with an even older sister, your responsibilities are pretty limited. So he doesn't have to be anything but there and himself.
Yonji, on the other hand... He is the youngest. Even younger than Sanji. He doesn't have to try, because Niji and Sanji should be the ones to do so. Little siblings are not expected to do much besides existing because irl parents are usually tired of raising children and they end up either getting neglected or seen as decoration. As a little sibling myself I can confirm that these things affect really badly to your brain growing up, but I got a more Sanji treatment so I can't speak for Yonji here. The thing I can say, though, is that in comparison to Niji, Yonji is just there. He's silly and goofy. He's funny. He's dumb. He has the excuse of being the little one to act that way. Getting lost eating or doing whatever. Even the fact that his powers are more physically focused instead of power/intelligence centered shows that he can just punch away his issues. He's the gym bro of the siblings. Don't expect much from him. <- Thing that's often said about little siblings, btw, and affects real fucking badly in early teenage years. The fact that he's portrayed like that is so on point tbh but after all, they don't have high expectations for him, so little to no effort is everything he does.
Then there's Niji, of course. My favorite. Love him. Hate him. Whatever. Niji is the middle child. And God, do I have to say things about middle siblings.
The thing about Niji is that he actually has to try and make a name for himself in the family because otherwise he'll probably get forgotten. I often wonder if he had that fear of becoming the next Sanji once he "died" (he's the only one genuinely asking if Sanji died on them before Yonji and Ichiji say they don't care) because his role is not as noticeable as the others. Reiju is the woman, Ichiji is the successor, Sanji is the weakling getting bullied (being technically one of the little siblings but still being in a limbo of middle/youngest because the little one is Yonji), and Yonji is the little one. Then... What's Niji?
Niji needs Sanji way more than he's willing to admit, and I love that. I absolutely love how he's written because he constantly shows that he needs Sanji, through both words and actions. He needs him because without Sanji's existence -without Niji being his bully- Niji is nothing but number 2. And there's nothing more frustrating than being the number two when it comes to family hierarchy. Not going to mention every little thing he does, but as I said, I love how well-written he is. He's the sibling Oda uses the most to show the abuse Sanji went through, but that's only because Niji is the only one who needs to do that. Niji is the one to talk to Sanji first, all the damn time. He gets angry when Sanji doesn't respond. He gets angry because Sanji can't be bullied anymore. He gets angry out of fear, in my opinion, because if the weakling can't get abused anymore, then he's not worth anything. If Sanji isn't the third, the second one is left alone. 2 can't fight 1 because 1 has the protection of starting the line. And 2 can't fight 4 because there's a missing link that keeps 2 from 4. So Niji is mad at Sanji because Sanji isn't the same weak crybaby he used to be, and he can't use him anymore to be secure and safe.
That's fucking horrifying when it comes to family hierarchy.
I like Niji because, despite being an asshole, he has reasons to be like that. First of all, because his father literally made him this way. But also, the little feelings he has (selfish emotions, yes, evil. But they're feelings, anyway. Urges. He's supposed to be emotionless and yet he knows how Sanji feels enough to use that to his advantage) are used as a way to feel superior and safe because he feels inferior. I think he's the one showing more emotions out of the three, even if those emotions aren't healthy or good and it's just him being angry all the time. That means that if he has urges and needs like that, even if he doesn't fear his own death, he could end up developing more and more empathy. His type of empathy comes from a place of fear. He feels what Sanji feels. And it's not that he doesn't care (I mean, I am aware that he technically doesn't, but let me dream) but it's just convenient for him not to care and keep bullying him to secure his place in the family.
Also pointing out that I like Niji because, being the one who says he hates Sanji the most, he's the one to protect him with his own body when that scene of the siblings helping Sanji escape happens. The others only clear the way, Niji stays with him. There's a really cool post about this on Niji's tag somewhere!!! I personally think he does this because, as that post said: Niji keeps seeing Sanji as weak, instead of believing in him enough to just clear the way. He protects him because he thinks he can't protect himself. Because he's weak.
And yes, it might sound offensive and emotionless and it doesn't make Niji a better person. But it makes him an older brother. Believing in Sanji would be great, but thinking that he's weak and needs protection after years of projecting on him only shows that the weak one is Niji. That he wants and is willing to protect his brother, too. If he didn't care about his well-being he would've just cleared the way for him, not caring about what could've happened to Sanji. But he goes all the way to help him out and protect him longer than the others did. Idk. I find that a very beautiful way of ending their relationship.
All of this being said, I have to be honest with you: When I said I liked Niji for the first time I only did it because people around me kept saying he was the worst one and it bothered me because I found his design pretty fucking cool. And tbh when he started being an actual character? I loved him even more. Because during WCI he's a fucking asshole but the way he acts towards Sanji is wanting to get a response from him, and I just find that so curious and complex... Like, if he just wanted to be evil he'd be more the Doflamingo type. But Niji looks for a response in Sanji's eyes. He wants to feel powerful because he knows he isn't.
And also, well, he's very cute and I like his hair a lot and he makes me furious sometimes which is great because if a character doesn't make you want to punch him at one point, is he really a good character? Look at him! He deserves to get slapped in the face. But also, I would love to kiss him afterward. What's that Olivia Rodrigo lyric? Ah, yes: "I wanna break his heart, then be the one to stitch it up. Wanna kiss his face with an uppercut." That's how I feel about him.
I really hope it's obvious, with all of this, that "Succession" is one of my favorite TV Shows, because I could go on and on and on (and nobody would listen but idc) about how the Vinsmokes are just the Roy family. Both One Piece and Succession deal with family in which hierarchy is crucial in a very specific and accurate way. It makes me sick. I love it.
Anyway, have some pics of my blue idiot:
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I want to hit him in the head with a baseball bat.
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fernsnailz · 8 months
Note
Wait, Shadow and the rest of Team Dark worked for G.U.N? That feels really weird given his backstory, as well as Rouge's distaste for the law...
yeah lol, it's a bit unclear because they only work for GUN in some canon. rouge has always been an agent of sorts, starting in SA2 where she worked as an undercover agent for the president. however, the president and GUN are treated as two separate entities in that game, and rouge doesn't seem to have any connection to GUN.
the first time it's mentioned that team dark works alongside GUN is Sonic 06, where rouge and shadow are explicitly stated to be working as GUN agents. rouge is in communication with them pretty consistently throughout the game, and shadow's story begins with him on an official GUN mission to find rouge and the scepter of darkness. omega's role with GUN in 06 is a bit unclear - as far as i can tell, it's never explicitly stated within the game whether omega works for GUN or not? idk. if anyone has any sources stating otherwise lmk
of course, given that 06's timeline is basically completely erased from existence once the game's story ends, it's entirely possible that team dark's involvement with GUN starts and ends within the 06 timeline. future games never bring it up as far as i can remember... which brings us to the archie comics (as it always does).
the archie comics take 06's concept of team dark GUN agents and REALLY runs with it. all three members seem to work for GUN full time, where they operate under commander tower (aka the commander from SHtH 2005) and work alongside hope kintobor (genius teen related to the robotniks. it's complicated. she's also only there pre-reboot).
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pre-reboot archie doesn't dive deep into why each member decided to join GUN. shadow starts working for them soon after he regains all of his memories and seems to work alongside them to ensure the general safety of the world, rouge is likely there for a paycheck (and any missions that involve chaos emeralds and various gems), and omega is. complicated. technically archie omega (pre-reboot) is a combination of e-123 omega and e-102 gamma (quite literally. like both of their personalities in one robot) and he was just kinda brought to work at GUN after shadow found him in the middle of a forest. don't worry about it
GUN mostly serves as a vessel for team dark to be sent on missions and adventures throughout the various archie sonic stories, and team dark is able to work alongside them without much conflict. that is, until the reboot.
after the super genesis wave (aka the reboot), team dark's first mission with gun is to destroy the black comet 2 and the black arms forces on it. they're not alone this time - they have a number of other GUN soldiers with them, and here we start to see the cracks between GUN and team dark form. given that they're fighting the black arms and shadow is half black arms, some of the GUN soldiers very clearly Do Not Like Shadow and Do Not Trust Him.
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but what really matters here is what commander tower does during this arc - before the mission, he asks rouge and omega to neutralize shadow if he falls under the influence of the black arms.
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while the reboot never had enough time to dig much deeper into the gray morality of GUN, it's very clearly a consistent trait of the organization. it's most apparent in the arc i just talked about, but future arcs hint at some shady stuff happening when they can. for example, GUN seems to have snively robotnik (aka eggman's evil nephew) on staff as a scientist, and they very clearly show us (in this panel i think is honestly kinda hilarious) that snively is Up To Some Evil Shenanigans.
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with all that in mind, i can finally give my opinions on team dark as GUN agents. i completely agree with the sentiment you expressed in your ask - shadow working for GUN completely conflicts with his past, his traumas, and his characterization within most of the games. despite shadow being a "for the greater good" sort of person, i don't think he would ever trust GUN enough to work alongside them. and i think the same goes for rouge and omega, though to a lesser degree. while i think both of them would find it beneficial to work alongside GUN in some cases, ultimately they're both entirely self-driven and wouldn't see much of a reason to work for GUN full time. and because of this, i generally think it was probably for the best that the modern version of team dark just kinda dropped the GUN agent narrative. it puts less limitations on their characters, and the stories don't have to make every team dark related event about GUN.
and yet... i really like the stuff that post-reboot archie had going on. i love the inside look at GUN, and i love seeing how much pressure and strain they put on team dark. because ultimately, GUN is an antagonistic force that a group of heroes are working for. the military is a consistent obstacle in sonic stories, and to see how they impact the characters they've hurt the most from the inside of their organization is so interesting to me. GUN is doing the same thing that all of team dark's previous foes have tried to do to them - they're using team dark as weapons and turning them against each other. maybe the members of team dark wouldn't want to work for GUN, but GUN would do ANYTHING to keep the three of them around because all three of them are liabilities if they're let loose into the world with no supervision. GUN is keeping their enemies close and using them as weapons. and i fuckin love that
so while i'm ultimately glad that team dark is no longer associated with GUN, i would have loved to see a version of the narrative exploring why they left. they would all know GUN was just using them, but what would have been the final straw? did they resign peacefully? are they all on the run as rogue agents? i dunno! but i wish it could be explored a little, even if it wasn't canon or whatever. wghelp that's all i got for this one good night tristate area
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henrysglock · 5 months
Text
Local Man Uses The Cyclical 27-Year Torment Nexus To Try And Change His Fate [EPIC FAIL COMPILATION]
You probably guessed that this is the time-travel post I've been slaving over. You'd be right. This is the newest and most formal iteration of my long-standing time loop theory (I have drafted flowcharts back from February that actually predicted a dimension/time fuckery event in 1943 in relation to Brenner, which was made canon by TFS). So...Let's just dive right in. Note: I'm planning to keep calling TFS Henry "Henry" here just for simplicity's sake.
Now, fair warning: There are a few big "bear with me"s in this post. I promise they make sense, I just need you to hear me out.
It all started with Henry's self-proclaimed superhero name: The Stardust Spider.
Some of you may have seen my original post about The Rise and Fall of Ziggy Stardust and The Spiders from Mars (here).
Before anyone says "Oh, but that album didn't exist yet", a reference in 1959 about a Bowie album that wouldn't be recorded until November of 1971 is in keeping with TFS's habit of directly referencing things from the '70s that "don't exist yet".
However, all that aside, there's a specific piece I want to return to, because it bugs the living daylights out of me.
There was a cut song that was meant to go on the album The Rise and Fall of Ziggy Stardust and The Spiders from Mars titled "Shadow Man":
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For obvious reasons in relation to Henry in The First Shadow, this song already stuck out.
Specifically, though, these few stanzas hit me weirdly:
You should call and see who answers For he promises to come running Guided by the truth For the Shadow Man is really You Look in his eyes and see your reflection Look to the stars and see his eyes He'll show you tomorrow, he'll show you the sorrows Of what you did today You can call him foe, you can call him friend You should call and see who answers (see who answers) For he knows your eyes are drawn to the road ahead And the Shadow man is waiting 'round the bend ('round the bend) Shadow man is waiting up ahead
The Shadow Man is you from the future. He's waiting up ahead to show you the the truth/the consequences of your actions.
Considering that the TFS version of Young "Henry" has a direct connection to both the Shadow and Dimension X from a young age, and he also experiences what seem to be Vecna-type visions, this becomes particularly interesting to me...Especially seeing as said fates are not only possible for future "Henry", but also canon for future "Henry". (See: Vecna guy vs Mindflayer guy)
So, when I see an almost comical number of lines in TFS relating to rewriting known, undesirable endings (here are a few of my favorites):
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And when we revisit some of the on-film classics:
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I start to think it's time we revisit the concept of time-travel and trying to change your own fate.
It's always hard to know where to start with posts like these, so I'm going to kick things off with the technical aspect: The Cycle.
Something I've talked about in the past year, mostly on Discord, is this concept of a time loop. Not just any old time loop, though. A 27 year cycle, specifically.
Not 20, not 30...
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Now, we all know the TFS timeline is messy as hell and doesn't actually align with anything that's possible in filmed canon...or within its own time span, even.
For example, the attack on Mr. Newby happens both some point after October 1st, 1959 and before November 20th, 1959...but the papers for the incident report it on March 20th, 1958:
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The timeline we're given also largely fabricated, as I pointed out in relation to the newspapers with dates that don't actually exist.
However, much like NINA, the sequence itself being fake doesn't mean the events didn't happen. It's just not happening in the time frame we're told it's happening in:
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It's a set of real events, just portrayed on a different time scale.
So, with all that in mind, I want to lay out a timeline, starting from Season 4 and moving backwards in time:
— Vecna opens the rifts, and El opens a gate to Dimension X in NINA, both in 1986. The March 1959 Creel Murders occur exactly 27 years before the Rifts and NINA's Dimension X gate open in 1986...at which point the Mindflayer is shown to be active.
— Mothergate opens through to Dimension X at some point between November 1983 and October 1984, this being somewhere between 16-28 months prior the Rifts opening. The paper about the attack on Mr. Newby, dated March 20th, 1958, is released exactly 610 days, or 20 months, prior to the Creel murders on November 20th, 1959. It's not necessarily the exact dates that are important here (again, these dates are relatively unreliable), but the gap between the dates.
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When put in accordance with filmed dates (i.e. setting the release of this paper exactly 610 days prior to March 22nd of 1959), the paper for the attack on Mr. Newby would have been released on July 20th, 1957. This would be in line with Edward Creel's move to Hawkins in the spring of 1957...while also occurring 27 years before July of 1984, at which point Mothergate is open, and the Mindflayer is active.
This July date is especially funny to me considering we get "throwaway" lines like this...with shots in filmed canon from summertime:
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Top: Joyce and Jim beginning their investigation into the attic attack. Hopper Sr. is questioning why Joyce and Jim are investigating, rather than attending school. Bottom: Alice and Henry with the rabbit death scenes in filmed canon, the setting showing full foliage and both children in summer clothing. "Is it summer break?" I don't know. You tell me, Chief.
Per TFS, Henry went missing in a cave system near his home town of Rachel, Nevada (hold that thought) at some point in the year prior to the attack on Mr. Newby. We've been told that Dimension X was involved in this event in Nevada, something happened there that left "Henry" altered physically. He was also flayed at some point around this time.
This all coincides with Henry's dramatic mood shift from a "normal and good" boy to one suffering from Mindflayer-induced psychosis. This change happened in tandem with the Nevada incident, dating back 10 months prior to the attack on Mr. Newby:
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If we set Henry's initial disappearance in line with filmed canon like before, it becomes September of 1956, which is just over 27 years before Will's disappearance in November of 1983, at which point we know at least one gate is open.
We also have 1952, at which point TFS Henry would be 7 per his age as a 14 year old/freshman in play canon. This exists in a 27 year interval against 1979, when El opens the original gate that sends One to Dimension X, where he subsequently shapes the Shadow into the Mindflayer.
Here comes the first "hear me out".
My questions are:
Since Henry/Vecna/The Mindflayer/etc. in general don't show any capability for opening gates before 1986, then how the hell is the Mindflayer possessing anyone in 1959?
How did "Henry" get involved with Dimension X in Nevada in the 1950s?
Unless, by some chance:
Dimension X exists all the time simultaneously (i.e. it's a space outside time)
The gates exist simultaneously across time and space in the Right Side Up in 27 year intervals. By which I mean: A gate that opens in, say, 1983 would exist simultaneously in 1956, so on an so forth.
There's the disappearance of Captain Brenner and the USS Eldridge in 1943, which would, interestingly enough, align with 1970, the supposed year of El's conception.
Then, 1952. Now, I'm not sure what's special about 1952, when TFS "Henry" was 7, because they don't actually say what happened to make that year important! They make a point to show it to us, though, meaning something happened...we just don't know what. All I can say is that 1952 does exist in a 27 year interval against El's 1979 gate. Hold that thought.
Those addressed, let's fast-forward 4 years: 1956/1983.
Now, to be fair, there is some uncertainty in my mind about whether this specific gate incident stems from Brenner's involvement with Project Rainbow in Nevada pre-1957*, or if it stems from Mothergate in 1983, or if they created some kind of wormhole between the two locations 27 years apart...but that's a concept I need to explore more thoroughly in a another post.
In short, though: Did a singular El open a singular Mothergate? Did El open mothergate? Did Mothergate actually open on November 6th, 1983...or are we just supposed to assume it opened the same night Will went missing/the demogorgon came through? We're never given a concrete date for when Mothergate actually opened.
* In TFS, Brenner claims he's dedicated his life post-1943 to Project Rainbow with the goal of finding Dimension X, and that he's doing so in pursuit of knowledge regarding the circumstances of his father's death in connection with the Philadelphia Experiment. The USS Eldridge, Brenner Sr.'s ship, disappeared into Dimension X briefly on October 28th, 1943. "Brenner Sr." was the sole survivor. "He" returned to the Right Side Up with a completely unique blood type, supposedly altered by his travels into Dimension X. This is what ultimately led to him succumbing to his injuries, due to his body rejecting all forms of blood transfusion. Brenner Jr. tells us that about 10 months prior to Henry's first stay in HNL, a scientist from Project Rainbow escaped Brenner's lab carrying a container of a dangerous material, and ended up near the same Nevada cave system Henry disappeared into. We don't know how or when this material was collected, or what it was, but we know they found Henry's Captain Midnight spyglass next to a body (identity unspecified) with no trace of that dangerous material. We get no further detail about the Nevada Disappearance.
Anyway, someone opens a gate in the fall of 1956 and/or 1983 (my money's on it being directly linked to an El in 1983 either way). No matter who did it, though, someone opened a gate at both time points, showing us this 27 year link between the 2 dates, 2 key locations.
"Henry" goes missing in Nevada in 1956, and ends up involved with Dimension X...Which aligns with the choice of song surrounding this version of the Creel family while they move into their new home:
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Coincidentally, 27 years in the future, so does Will, in Indiana. Their experiences are linked across those two spaces via that 27 year period.
We know that regardless of the gate in Nevada...Mothergate, at least, stays open until from fall 1956/1983 to fall 1957/1984. That covers exact time frame that the adjusted dates for both Henry's accident with the boy in Nevada and his accident with Mr. Newby fall in (as well as Will's time between his disappearance and his flaying).
The closer we get to Will's flaying in 1984, and the closer the Mindflayer gets to crossing through Mothergate, the more TFS Henry sounds like One (post-1979) while he's possessed in 1957, the more strangely he behaves in general (almost as though the Mindflayer is more enmeshed in his everyday life/closer to the surface), and the stronger the possession attempts seem to become overall. He begins giving nightmare visions to other people, namely tormenting Virginia with spiders and her past. He has his final and most powerful "Vecna" vision on the night of the attack on Mr. Newby.
Any kind of reciprocal gate irt Mothergate in the '50s would have gone unnoticed, since the papers in TFS indicate that HNL wasn't established until Brenner showed up to take Henry in.
Mothergate closes briefly, only for a gate to open in July 1958/1985 in the underground location of the future Starcourt Mall. This, in 1958, is during our unaccounted-for 20 months between the attack on Mr. Newby and the Creel murders. (Something rattles about this and the scene where Henry nearly makes full contact with the Mindflayer, when he has a handful of duplicate lines re: his 4.07 monologue self, but I don't have sufficient evidence to make that claim with any certainty.)
That gate closes, until Vecna opens gates in Hawkins in March of 1986, and El opens a Dimension X gate briefly and simultaneously in both Hawkins/Nevada in September of 1979 (September of 1952) and Hawkins/Nevada in March of 1986 (March of 1959) during NINA, concurrently...at least one of which may have gone unnoticed, since the Rainbow Room and the surrounding labs seems to have been abandoned entirely after 1979, and HNL as a whole has once again been abandoned after the events of 1984 ("unnoticed" and "abandoned", I say as if the building isn't still being surveilled by Brenner/Owens et. al...I just mean that the building isn't in use by the government at that point in time.)
We're shown the Shadow activating all the way in Russia due to one or multiple of these events. 27 years earlier, in March of 1959, the Mindflayer once again becomes active, per TFS's adjusted dates. Chaos ensues.
At this point, "Henry" starts swapping between sounding like his young self and sounding like his 4.07 Monologuing Adult self again, doing that kind of "I've seen the future" foreshadowing talk with Joyce that his visions did with him:
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Here, he also sounds distinctly like ST3 flayed Billy, specifically in the way of the scene with El in the cabin when "Billy" outlines the Mindflayer's plans for her, her friends, and all of Hawkins while crying.
The rest is, well...history. Whatever fuckery went on, it doesn't seem to have made much of a difference. After all, TFS is a "canon event", meaning it had to end the way it did.
Remember those thoughts I asked you to hold?
TFS being a "canon event" means it had to end with Henry in the lab alongside baby El...thus completing our loop, which starts again with the events of 1979/1952. A 27 year loop. TFS may be indicative of a time loop.
Hence:
Out of place dates from the 1970s start to bleed into the 1950s: - A town like Rachel, Nevada, which wasn't established until 1978, now exists circa 1952-1959 after El opens a gate to Dimension X circa 1979 in Nevada circa 1986 via NINA, which exists...about 40-50 miles from Rachel.
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- An album like Ziggy Stardust and the Spiders From Mars (November, 1971) or a song like "Chuck E's In Love" (April, 1979) gets referenced circa 1957-1959. - An article about a "younger, more handsome" alien clone of Elvis appears in a 1959 Weekly Watcher paper about the Creel murders, despite Elvis having been 24 at the time...making this an article more likely to have appeared in the '70s or later, likely sometime around Elvis' death in 1977.
2. The Shadow is always depicted as the fully formed Mindflayer circa 1956-1959, despite the shaping event happening in the 4 years between 1979-1983:
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3. Henry has Vecna-type visions, despite being the only vision-giver we know of circa 1957-1959.
4. 6 different guys later in the HNL massacre: 2 with the original baby El, 2 with teen El via NINA, and 2 in an as-of-yet unseen product of NINA's Loop (see: the final scene of TFS).
All this laid out, some questions remain:
Why do Henry's visions show him the genuine, terrifying reality of his future?
Why are these visions generally lacking in coercion?
Why are Vecna chime sounds heard before the major supernatural events that deal with visions, even though we never actually see the clock? (They're heard before Virginia in the attic, before the attack on Mr. Newby, before the Creel murders, and in the basement when Henry monologues at Joyce while viewing the corpses of his family.)
Why don't these chimes play when the Mindflayer alone is present, e.g. when no visions occur? (See: Henry contacting the Mindflayer in the lab)
And we don't really get an answer to any of these. Not an easily spotted outright answer, anyway.
But what's really fascinating, which I mentioned just a second ago and takes me back to the top of this post, back to the "Stardust Spider" and Shadow Man, is the fact that despite occurring concurrently with the possession attempts...none of these visions contain an ultimatum. There's no "If you don't obey me, I'll hurt someone you love", no "I'm showing you what's going to happen if you don't obey me", nothing of the sort.
The closest we get to coercion is the bathroom vision, when Henry fights off a possession attempt in the school bathroom and ends up in a vision regarding Patty. When "Patty" starts to talk to him about his future, about how Henry's going to kill her and so many others, Henry says "you're not Patty...what are you?" Then he gets into a physical brawl with her, which is surprisingly well matched. Vision Patty encourages him during that fight, saying things like "That's it!", "We want the same thing!", and "We can have her!"
Those seem like pretty straightforward "the Mindflayer's encouraging Henry to kill" encouragements, right?
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Yeah, at first glance. However...lets read that back right quick, but with Moral Objectivity Goggles on this time. Henry openly, verbally identifies that Vision Patty is "not her, not Patty", but is, in fact, something else. He does this multiple times before he lunges at "not Patty", and he is subsequently encouraged by not-Patty...who tells him they want the same thing. That's not suspicious at all. The motives here are definitely crystal clear and totally aren't conflicting in any way.
There's the straightforward surface aspect, and then something else piggybacking on it, complicating it. Hold that thought.
Other than that instance, the negative parts of Henry's visions are all just...information. They're showing him what will come to pass...almost like they're motivating him to fight the Mindflayer. Hold onto that thought too, it buddies with the previous one.
Henry's freaking out about Prancer because he's getting close with Patty, and he's worried he'll hurt her?
His vision informs him that he's going to kill more, that he's going to hurt things, that he's going to kill Patty if he stays around her and/or gives into the Mindflayer's desires. And then it happens. All of it. He kills more animals. He hurts things and people, the pets and lab animals, Mr. Newby, and Inmate 58361 being prime examples. He gives in to the Mindflayer's desire to kill and kills Virginia. He does, by the extent of his perception, kill Patty in the accident.
The same goes for his vision in the attic. Henry's up in the attic using his powers to find someone/snoop on them, fearful of opening himself up for a possession attempt?
The vision version of Patty's mother catches Henry and tells him she "wants to tell him a secret" while his body is being puppeted to attack Mr. Newby. The next time the curtain rises to show us the inside of Henry's mind, he's seeing himself as Vecna, strung up on the tentacles and strangling people with them...just like the end of Season 4. Once again, he's seeing the future that will come to pass...should he fail to fight the Mindflayer off.
We can tell it's a vision, not what's physically happening in reality, because: a) Henry's watching himself in the attic from the stage below. b) It's got the messed up red lighting c) They show us reality just moments before, not a tentacle in sight and without Henry on the stage there observing:
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d) The ending of the vision doesn't match with reality:
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At the end of this vision, Henry passes out both in the void and IRL, while the vision version of Henry remains crouching. That is a different guy, entirely separate from IRL/Void Henry. There is at least one other person in the visions who is not a product of the vision itself.
Remember those thoughts from a bit ago that I asked you to hold?
Well. This also happens to be the sequence where we not only get Vision-Patty repeating Henry's own words from just after Prancer's death ("It's not real. It's not real. It's a nightmare") back to him, a phrase IRL Patty has never heard, but we also get:
Visions Patty telling Henry how to fight and evade the possession, as if she knows what she's doing ("It's your dream, remember? Anything is possible").
Vision Patty telling Henry she loves him as the last-ditch effort when his "good dream" memory of the real Patty fails to save him from the possession.
These are both things IRL Patty wouldn't know or think to say, since IRL Patty fully believed that Henry attacked her of his own volition out of malice, and she needed to be shown a drawing of the Mindflayer by Mr. Newby in order to abandon that belief.
IRL Patty's behavior is not the behavior of someone who a) knows the ins and outs of Henry's situation with the Mindflayer, and b) coached him through overcoming a possession attempt a little while earlier. It's just not.
Just like before, we're seeing contradictions and complications between vision-selves and IRL selves, along with a sense of piggybacking within possession attempts, wherein the vision serves as motivation for Henry to fight harder in resistance to the Mindflayer...while the Mindflayer is possessing him.
It's starting to become my favorite thing in the world: A pattern of behavior.
In summary:
Henry's are visions are visions of his future, and they're being shown to him by someone.
They are separate from, but piggybacking on, the Mindflayer's possession attempts.
The purpose of the visions isn't solely to torment Henry or coerce him into doing the Mindflayer's bidding. In fact, the content of the visions seems curated to make Henry fight harder in resistance to the Mindflayer.
So if, for example, Vision Patty ≠ IRL Patty, but she's acting against the Mindflayer's best interest/in support of Henry...then...
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I think my answer to the questions of "who", "when", and "how" should be at least somewhat clear by this point:
Someone...from the future.
Specifically, someone from 1979-1986 who has access to the gates from the Dimension X side, someone with both vision-giving and time-related abilities who's directly connected to the Mindflayer/the Hive Mind, but who has a vested interest in countering the Mindflayer, saving Henry Creel, and trying to change the course of the future.
A traitor. A spy, if you will.
"A spy...from the future?"
[gestures at the Signs] Yeah, you heard me.
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A spy from the future.
So, on that note: The point in this section wherein I ask you to hear me out.
I get the feeling TFS Henry is being told and/or shown what will come to pass in the future by himself...the Mindflayer.
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And you're probably going "How do you figure that one, James? Isn't the Mindflayer a villainous force?"
I mean, yeah. Of course it is. However...
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There are clearly multiple forces at play within the Mindflayer (hive mind!), and TFS shows us that Henry Creel wouldn't choose to be a villain.
Thus I think the visions in TFS are situations where, as in the 4.07 rabbit scene, things look really damning on first view. They play on our empathy using small, visibly-frightened, helpless victims and shocking, violent circumstances to guide us into making the assumption that everything about the situation is inherently malicious.
We're shown this poor little guy, "Henry". He's 14 years old, he clocks in at 5'5", he's skittish/scared of (ha) his own shadow, and he's geeky to the nth degree about comic books (just LOOK at that Captain Midnight salute? What an cute little nerd). He's immediately lovable. He's also, we find out rather abruptly, plagued by horrific visions and murderous fits of possession.
The immediate response is to go "He's being psionically tortured by some sick, sadistic son of a bitch who hungers for nothing but blood and control", just like Nancy and the ST fandom collectively did with Young Henry's rabbit scene...only to be proven wrong about Henry's intentions via TFS.
I mean, does anyone (anyone who's able to read this post, anyway 🤭) look at TFS Henry, filmed Young Henry, or even Orderly Henry and go "Yeah. He totally wanted what he got, and if he had the chance, he definitely wouldn't try to save himself from that fate"?
No.
TFS Shows us that "Henry" was a terrified, traumatized boy who wanted it all to stop. He's kind, brave, and stronger than he seems. We're also shown that he's capable of overcoming the Mindflayer to issue warnings to people he cared about (i.e. telling people to run, or prophesying dangers he'd seen via the visions). He was trying to survive with next to no help while causing as little harm as possible. He was a good kid, and he certainly wasn't evil.
So, all that said...I think that, via the Shadow's hive-mind capabilities, Henry's "fronting", in a manner of speaking, in order to show this version of himself the future. Probably as a warning, probably as motivation to fight the Mindflayer, and all with a nice side-dish of "here's how you fight this thing off so that my current future doesn't become our future" before someone else tapes over the figurative laptop camera.
[coughs, drops this Brenner-Mindflayer collage on the table in front of you, and then scurries away]
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With that said, I'd like to loop all the way back to the top of this post: The "Shadow Man" may be Henry from the future. He's waiting up ahead to show his younger self the true outcome of his choices.
We all know how TFS ends, though. Hence:
[EPIC FAIL COMPILATION]
This brings me to my final "bear with me" point: The matter of the strange double-agent vibes from the UD in every season.
I'm not sure if anyone else outside the unholycule has noticed this, but in every season there's at least one instance of the UD just...offering up information.
"It does?"
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Yup! Let me explain.
On first glance, we look at things like Nancy's vision and even El's vision with Billy in the cabin, and we go "Oh, it's because [insert "the bad guy's cruel/he wants to scare her/his hubris will be his downfall/all serial killers want to be known for their crimes" etc here]"...but maybe that's not the case.
For example: Vecna told Nancy his backstory, and then he immediately went
"Oh hey, so not only am I revealing my identity (Which may help you find out more about me via lab records later on, things like...maybe a list of my abilities, or my weaknesses, like the fact that I have a nut allegry. Allegedly.), but I'm also gonna give you a sneak peek of my apocalypse plans. For free. As a treat. Don't use these to prepare or anything. I'm totally not giving you a head start".
Terrifying, yes. A taunt and a threat on surface view, yes...but also showing his hand. "I want you to tell Eleven everything you see" Why. Why would he want that. He may be confident in his plans, arrogant, even...but he's not that stupid.
I'm serious, though. Check it out in comparison to Henrys visions of the future. The pattern is patterning:
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We can track that back to El's cabin scene with Billy, wherein he tells her she shouldn't have looked for him, warns her that they all can see her, and that they're going to be coming after her...and he cries about it. That's vision Billy. That's someone else who piggybacked into El's mind from Billy's mind. That's not real Billy, just like how Billy in Max's vision wasn't the real Billy. The person giving El that vision warns her. Why on earth would he tell her that they can see her, that they're coming for her? That's sensitive information! It would be smarter to let her think she's safe and use that false sense of security to catch her off guard.
In fact, this pattern patterns so well that I'd like to argue this: Henry's TFS visions, Nancy's vision, and El's vision are all the same type of behavior displayed in NINA's chess scene, just in different contexts.
Henry ("Henry") gives some kind of scary prophetic information ("He and the others are going to attempt to kill you", "I would very much like to show you where I am going", "You're going to kill me, aren't you?"), and then we're left to question if it's a scare tactic, manipulative misinformation, or helpful inside information.
It's not that the Mindflayer or Vecna can't hide things from people (see: "Somewhere he didn't want me to see")...like, say, the fact that the Mindflayer is now able to see El, or that Vecna's planning to open 4 gates with his 4 kills.
It's always this miraculous "Huh! Weird info-dropping behavior from the UD's side. Shouldn't look that gift-horse in the mouth though. It's probably just a writing oversight or a shoehorned exposé, so really there's no need to question it." situation where it's just...information that's offered up with no real explanation.
Some of my favorite examples:
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...and it's all topped off with Max's line:
"He's been telling us his plan this whole time".
That is to say...You're telling me:
The first message from the Upside Down isn't any of the messages that are concretely Will's, but instead it's the one that's a repetitive Henry line...and it's conveyed in a distinctly not-Will style? A message that saves Joyce, something that's definitely not in the UD's best interest given her tenacity in finding her boy...but is definitely coming from the UD nonetheless?
Will, who fell total prey to the Mindflayer in less than 3 days, was not only able to figure out how to defeat the Mindflayer, but was also strong enough to convey it in Morse code? The Mindflayer, who is able to keep secrets (see below), just...let that information slip?
El, who acknowledges that the Mindflayer is more than able to hide things from her, is suddenly released into Billy's memories and allowed to find the source unimpeded?
The Mindflayer, as Billy (Remember: not actually Billy, because Billy can't give visions or invade minds), is telling El that because he's able to see her now, she shouldn't have looked for him? The Mindflayer, which was supposedly building the Fleshflayer to track El down and kill her? Suddenly he's telling her she shouldn't have done the thing that allowed him to find her more easily?
Vecna's giving up all the information about himself and his plans before he's even gotten the 4th gate open, despite him being so secretive about it up until that point?
Henry's visions in TFS are going to scare him into resisting the Mindflayer, making it less likely that he's going to upgrade to killing humans, i.e. the very thing the Mindflayer wants him to do?
None of that makes any damn sense...until we hit this last point:
Orderly Henry is known for giving inside information about "Papa" to El with no clear motive other than getting her to leave the lab.
Now, if you know my page then you know Em's been talking about double meanings in phrasing recently (see: this post about "who"s and "what"s).
So, with that in mind, I'd like you to chew on this:
"He's been telling us his plan this whole time." vs "He's been telling us His plan this whole time."
By which I mean: "He's been telling us some other man's plan this whole time."
[Mike voice] Superspy.
As a parting thought, I made it all into a nice, neat set of collages:
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Not to mention this final, parting bit:
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