#they love playing with storytelling forms

[mihai-florescu]

Putting a message i sent earlier under a read more, it has some thoughts ive expressed before tho. ES, of course

My thoughts as an EichiP... i view ! and !! as different stories in the way they're approached tbh, what i fell in love with enstars for was the character driven storytelling of one event seen through different perspectives, where you see the antagonist in one perspective become a protagonist in another story and can empathize with the entire cast like this. I fell in love with eichi's story of second chances, getting what you want and regretting your actions in the process, redemption, desperation, overcoming fate and asserting one's self into the story, saving a school in a dying industry that saved your life by giving you a dream; i consider it an arc fulfilling to the reader at the end of ! era. But we still had to continue... and it's not like we didnt get inklings of eichi's dreams of idol utopia, the idol soldier idea goes back to main story 1, but !! loses the charm of the original series through expanding the worldbuilding so much and shifting to a plot driven story that opens 10 cans of worms instead of offering resolutions. There's not really room to breathe if the stakes just keep getting higher and higher...

As for the colonisation plotline, it's been here since the beginning of ES2. The SS arc makes it obvious, but i remember even before, the talks about ES taking over from local businesses, trying to be seen as the standard, it was always the direction ensemble square as an institution would take. But the "antagonist in one story, protagonist in another" approach doesnt work anymore with such subjects. The guys responsible for this are your coworkers you share dorms with. I read the stories but cant empathize anymore, so i've been feeling disconnected from eichi for a while. I see enstars with eichi at its core but i didnt care for his center event, i read it, didnt like the ending, and overall felt off. Eichi becoming the villain of ! to attone for the war kind of loses significance if a year later he is a cartoon villain idol colonialist you can't even sympathize with anymore because of the magnitude of events. However i do think !! has done good things for some characters pushing them further or developing them in a way ! didnt. But for others...

I also have my issues with sci fi elements becoming the norm, even taken metaphorically or as hyperboles, when one of the central themes i love about enstars is humanity. Then again, i am a war era fan that relied on manipulating human desires and perceptions, and the fact that there were no monsters or gods, just humans framed as such, playing on people's fears and beliefs, it's a bit jarring to me to have them introduce AIs forming from escaped comatose brains (im minimizing the switch climax rn, i didnt even hate it as a whole, just this resolution im unhappy with)

It also feels like we've lost some of the meta aspects of the writing i liked, a certain awareness of being characters in a story and there being an audience. But im still struggling to word my thoughts on this matter. I felt it present in main story 2, even if it annoyed me at parts in its obviousness ("good thing we're not protagonists, no one would want to read about us" youre right aira you are not interesting to me. And yet i'll read your story to try and empathize nevertheless. I have other thoughts on aira too, perhaps for another time). I wish we explored a bit more what it means to no longer be the central protagonist, from trickstar's perspective...and brought back the successors topic. But i havent read every ts story yet so i'd be foolish to complain before really making sure i've checked everything. To me ! ended satisfyingly with room left for elaborations and imagination, but i dont feel like !!'s ending is really ending anything at all. Not necessarily bad since it's not like the game is shutting down, but overwhelming worldbuilding wise while underwhelming character wise...

Let's see... im not sure how to end this. Just a bit of a stream of consciousness as a ! fan who still loves enstars despite my critiques. Mainly, well, no one's gonna take away the stories that already exist that i do love and impacted my life greatly. And i do think !! had some really good things too it brought, or at least stories i hold dear too. Change is scary and i don't think it's always for the best, but it's also fun to see where it goes next...

#enstars

[insomnianoctem]

So anyways the bard and I absolutely drive our monk insane to the point of they can’t tell if they want us to just be profusely annoyed at each other again or for us to hurry up and kiss.

We agreed on a slow burn and it’s causing agony for our fic-loving monk.

So anyways after almost an ENTIRE SESSION of fighting flirting+neither really want to acknowledge the crush/not know what to do about the crush our characters finally confessed to each other AFTER their fiancé called out my character.

It could be poly if it wasn’t for my rogue and the fiancé mutually thinking “he’s got but he’s everything I’m against”, while the bard is just torn and wants to hold both their hands.

I’ve been playing DnD for 5 years if you include the two year break where I never got to play so I just watched CR and made characters and it is so find having a romance plot line. I love chaos RP and most of our sessions are ‘serious/straight forward quest’ being completely side tracked.

I know that’s standard for many DnD groups but the first DM I played with was a goofball who had fun but had 2 serious veteran players at the table who would bring up the rule book frequently and then the next 3 campaigns I played were far more serious ones with inexperienced RPers and veteran DMs (inexperienced RPers included me).

#DnD #OCs #sometimes I forget that it’s me and another person talking instead of two characters #so I always pull back on the RP because what if im pushing a line? #and every time I get told GO FOR IT AND HAVE FUN YOURE FINE by the rest of the players #but social awkwardness with some anxiety does that to someone I guess #i also found out my DM steps so far outside their comfort zone with the romance stuff because they suspend disbelief really well #and see it was a form of storytelling #which same so it makes me less nervous about it #blah #word vomit #tldr I really love DnD and im having a super fun time playing a flirty bi genasi when I am an ace aro sex repulsed hooman #also side note: I think I get what people mean by sex can be a big character indicator? #like itssupereffectives Jessic Jones overview talked about how her sex scenes tell so much about her character in contrast to Peter/MJ #and it’s like ‘but why have sex at all if this is fiction and it doesn’t need to be there?’ #even if it never gets talked about out loud it did make me think about my characters history since it would greatly differ from my own #and that was a learning experience in of itself #also Trash Taste’s interview with Shindo L also made me learn a bit on how it can affect story #I dunno #even if it’s never openly acknowledged I can understand now why it can come times be important for storytelling #that’s a weird and long rant #I’m probably gonna get some anon about that #i probably didn’t even put it into words right #I’m just gonna post this now before I learn the tag limit on tumblr

[its-your-mind]

ALWAYS rotating TAZ: Balance around in my brain like microwave but ESPECIALLY with the announcement of The Suffering Game graphic novel

The dope thing they can do (and are doing) with the graphic novel series is sprinkle in moments of foreshadowing and hints to the reader about what REALLY might be going on here, which is so cool and I’m a huge fan of it, especially when you’re telling a story in this form.

But what is REALLY FUCKING TASTY about Balance as a story is that none of the motherfuckers telling it had any clue what they were doing when they started

Gerblins is dick jokes and not knowing how dice work and making fun of each other for voices. LICHRALLY the scene where Taako grabs the Umbrastaff is immediately proceeded by Clint trying different voices for Merle while Justin begs him to stop, as Taako. Merle gets launched across the room cuz he failed his save, and now Taako has an umbrella. The scene moves on.

Griffin brought them up to the BOB, introduced them to the Director, and gave them memories of a war fought over nameless, lost, powerful but mysterious artifacts. The memory that Taako takes from it is the idea of soured cream (ya know, for his taco quest).

And then they’re off, on different adventures, making friends, saving lives, making more dick jokes, and Griffin is in the background, slowly building in the meta-plot, as all DMs do.

But this meta-plot was HUGE. It was ALL-CONSUMING. It completely changes everything we know about this world and these characters. It takes the moments of dick jokes, and arguments about character voices, and flirting with death, and adds a layer of tragedy and complexity that just wasn’t present the first time they told that story.

AND THAT’S WHY THIS STORY KICKS ASS. The vibe of the story changed as Tres Horny Boys grew closer and closer to remembering the lives they had lost, as Griffin upped the stakes, as people started dying. They still don’t know shit for most of The Suffering Game, but you absolutely could not have predicted the tone of that arc after just listening to Gerblins. It sounds like a completely different story. And so when the other shoe drops, when shit breaks bad, when it’s the end of the world… again, and they have to reclaim their Stolen Century…

It makes sense. The tone has shifted enough to accommodate that kind of change. The characters have grown (back) into themselves enough to make this work.

Because TAZ: Balance is a tragedy. But the tragedy happened before the podcast even started, and had been erased. So of course it started off with goofs and dildo jokes. Of course the three of them started being standoff-ish with each other and making light of every situation that should have had a lot more weight. They didn’t know what they had lost, and we, the audience, didn’t either. So it was easy to laugh and joke… until slowly, it wasn’t so much anymore.

Plenty of people have praised Griffin’s storytelling abilities, but I think the thing that was most impressive to me was how he took the disparate threads laid out behind the Boys on their adventures, and followed them backwards, into the story they had lost, and forwards, into the ending they earned. I fucking love that he settled on Istus as the deity to interact with them, because I don’t think there’s a better representation of the story Griffin was weaving behind the scenes of the arcs.

Story and Song wasn’t really an arc driven by dice rolls and role playing - but it wasn’t railroading either. Griffin took every story they had told, every happy ending they had fought for, and twined them around and through each other. The world was saved not because of a lucky nat 20 roll, but because every person they had helped through the story came out in force to fight beside them to save their world.

And so in the end, the Stolen Century was a tragedy. But The Adventure Zone: Balance was a story of hope, of family, of the power that just a few loveable doofuses can have when they move through the world, making friends and saving lives. So when the world was ending and they needed help, there were dozens of people waiting to hear the Story and the Song that would give them the push they needed to fight, and the hope they needed to win.

#taz #taz balance #taz balance spoilers #taako adventurezone #merle highchurch #magnus burnsides #McElroys #griffin mcelroy #the adventure zone

[loveemagicpeace]

🐚Creativity and Focus💿

🌙5th house & 12th house are considered houses of creativity. Only for the 5th house, it shows itself through hobbies, visibility, activity, impulsiveness, fun, joy, passion, and the 12th house through the deeper art with which we show our emotions and our imagination.

🦋Pluto in the 5th might confer the gift of writing a good detective novel; being creative in other ways, can be an all-consuming and transformative experience, giving rise to a deep and unassailable power within yourself. 🌱Uranus here might suggest that creative ideas fall like heavenly sparks, trying to find a place to land and take root. You have potential for genuine creative originality, although your challenge might be to allow it to land and take form, because each idea is rapidly superseded by the next. You can create something very unique and different. These people usually have very interesting and unique talents.

🪐Saturn in 5th house-maybe you find creativity through the lessons of life (everything you've learned). Real creativity can come later in life and so can the inspiration you find. Saturn in the 5th house brings a strong desire for fame, recognition, and success but may result in delays and disappointments in love life and artistic creations. Your chosen pastime might be chess or something equally strategic. Creative work can become a honed skill, from event planning to sculpture or pottery.

🧜🏼‍♀️💫Neptune in 5th house- your creativity shows through your imagination, which is limitless. Many times people do not understand the creativity and hobbies that these people have - because it can be something completely different, mystical. They have a vivid imagination and often surprise others with it. You find a lot of your inspiration or creativity by the sea or places that are more emotional. Music or poetry might appeal to you, and you may find it easy to lose yourself in artistic activities. These can bring a sense of emotional and spiritual fulfilment.

❤️‍🔥Jupiter in 5th house- traveling is your passion and you can also do something that involves traveling. You can find hobbies everywhere. These people are many times famous abroad. You might opt to have a large family or just enjoy indulging in holidays and recreation. Taking time out to play can be rejuvenating.

⚡️Mars in 5th house-For you, sexual potency might well be a form of self-expression. Games are competitive and having children could bring your fighting spirit to life. You can show your creativity through sports, especially more dangerous sports or sports that require a lot of energy. You like things that give you an adrenaline rush.

🩷Venus in 5th house-Romance needs to be at the heart of a relationship for you, a sense that your worth and attractiveness are admired. Creative skills might involve design or fashion. You can also show creativity through the love or feelings you have for someone.

🎄Mercury in 5th house- Your creative impulse might involve words and communication - inventive writing or storytelling. You seek praise for this, since this is a side of you that can shine. You can have many mental abilities. People may see you as a person who can solve a lot or a person who can compete well in words.

🌙Moon in 5th house- Attuned to the playful world of children, you have an easy creativity and fun-loving side. You might also want your personal needs to be placed centre stage. You feed your mind through different learnings and attaining knowledge. You are likely to have a strong desire for creative self-expression.

☀️Sun in 5th house- You can be a natural performer or creative artist, happy to take a place in the spotlight or put your heart into your creative work. You seek attention and praise. You need to give yourself permission to be who you really are. You are gifted with the ability to remind others about the importance of creativity and fun. You can have a very beautiful childlike energy.

🎞️Chiron in 5th house- Perhaps adoption or surrogate children are part of your experience. Any form of play can help to nurture the wounded child within, both in yourself and in others. It suggests that you are a creative and unique person but sharing your gifts with others is not always easy for you. You remind people how important it is to be you and express yourself.

🌟12th house energy. This is a place where you can conjure images and connect to non-ordinary worlds.

🥑Mercury here you might be interested in myths and fairy tales, or be attracted to symbolic languages (such as astrology!). You might be curious about the spiritual or intangible dimensions of life, including myths and symbols. Imaginative story telling allows your voice to be heard Or with Venus here, perhaps art or photography appeal to you, or losing yourself in a romantic novel (or writing one). The perfect lover probably does not exist - but hold the image in your head and you might then recognize it as a projection of your own beauty or gifts. Even Saturn enters into the spirit in this house - Saturn here might serve you well if you are a designer, a composer, or the manager of an art gallery, giving form and substance to imaginative conceptions. Remembering you are not responsible for the world's suffering can help you to focus your dedication around truly worthy causes. You have a gift for bringing order to chaos.

🩵Mars in 12th house- On your own you might feel as though your efforts do not hit home - yet you can fight effectively and courageously on behalf of those who are weaker or less fortunate. You find your creativity through passion, energy, actions - you can have many hobbies and you are very good at many things. You have many hidden talents. You can also express art through anger. When you're angry and you doing things you do things better. Mars here suggests that you can solve problems in a unique and creative way. You can use your planet here for making art, writing, or in any creative way. The 12th house is the house of fantasies, illusions, music, acting―with placements here, you can easily tap into the ocean of the unconscious and turn into something unique and beautiful.

🌛Moon in 12th house- Care work might appeal. Focusing your compassionate efforts in this way can be more fruitful than trying to care for the whole world. You find yourself emotionally connected to people and understand their emotions on a subconscious level.

🌞Sun in 12th house- many times you show your art through things that others cannot see. You want to show what people can't see.To go into the unknown and unconscious. With your artistic expression, you often inspire other people and people can find you as someone who helped them a lot through (music, writing, dance...) whatever you do, you do it to inspire others. You can talk a lot about mental health or how to find the light. Your identity and purpose can emerge from a life dedicated to service. You may shine as a performer or actor, easily shifting into character.

🔥Jupiter in 12th house- Bliss might be the perfect trip abroad or time spent celebrating in jovial company. For as much as you give generously, you might also feel blessings magically arrive. You can bring happiness to the people around you. You can do a lot of things that are fun, optimistic and inspire a lot of people with your work.

🫧Neptune in 12th house- Perhaps you give everything to the cause, leaving nothing for yourself - but you can be a beacon of compassion in a troubled world. These people express their art through the most spititually imaginative things. They have their own imagination. They live in their own fantasy world and many people find their work very interesting.

🪁Uranus in 12th house- Perhaps you hide your unconventionality so as to fit in - reclaiming this can heip set you free. Your radar for collective trends can put you ahead of your time. You often have a unique and unconventional personality. People with this placement usually try to avoid being in the spotlight.

🏹Pluto in 12th house- If you do not accept your own power (or feelings of powerlessness) you can undermine your efforts. You have the capacity to probe the psychology of the collective mind. You can leave a mark with your work. Many powerful people hold this position. ( Steve Jobs, Marilyn Monroe, Kurt Cobain, Jennifer Lopez, Katy Perry, Lana Del Rey, Tom Hanks..)

🛼Chiron in 12th house- This suggests a desire to heal the collective and show compassion to all. Perhaps you have had to conceal your own suffering, making you sensitive to others' hidden pain. You have the potential to become a remarkable psychologist for others. By overcoming your fear of self-exploration, you can understand the mechanisms of healing and utilize them to heal others with subconscious wounds.

✨Ig-bekylibra✨

🎸For personal readings u can sign up here: https://snipfeed.co/bekylibra 🎸

-Rebekah🫧💿🦋

#astrology #energy #zodiac signs #planets #astrological houses #creativity #12th house #5th house #imagine #chiron #pluto in houses #5th house jupiter

[gremlingottoosilly]

Cabin in the woods (yan!slasher!Konig x fem!Reader x yan!slasher!Horangi) part 2

You listen to the story about those woods. Turns out, real life is way, way nastier than any of those stories. Don't lose your head.

TW for the chapter: Blood, gore, dead bodies, slut shaming(usage of outdated horror tropes), knife play, blood play, mentions of STDs

— Do you know what animal is this? 

The body of a small creature – rodent, probably, you don’t think there could be any other animals around – was lying on the road near the place you decided to stay for the night. The “Coolest fucking thing in the world that is also just a few hours from here” was still a few hours from here because it was fucking dark and you already left your car on the sidewalk, hoping no one would steal it because honestly, why would anyone need this pile of burning crap. 

— According to the “Basic Bestiary of Austrian Animals” it might be an extremely rare Austrian Marmont.

You fucking hated Max. Mostly because his form of being different was “being an intelligent asshole” and also because he would never forget to rub the fact you were behind him in the grades into your face. 

— Waaaaaaait, a mamont? But it’s small! You have to give Karen – blonde, tan, tall, straight C everywhere except for her chest (then it would be D everywhere) – credit. As adorably silly as she was, she was still the only person you could have a meaningful conversation with. Except for the times when she was fucking your boyfriends. Or when she forgot that you don’t have a boyfriend so he doesn’t need to fuck random people just to spite you.

— Perhaps, if we are extremely lucky, a European edible dormouse, also known as…

— Fuuuuuck, people eat this thing? Yuck! Austria is like, literally the worst country EVER!

You feel like every second of this conversation, even though you are just listening to it, is going to take 10 years from your life span. You never knew why the two got together – maybe because Max loved fucking someone dumber than he is, and Gretchen loved placing the responsibility for her actions on her beloved sociopathic boyfriend. 

You wanted to say that this was literally a fucking squirrel, but you know better. Not like anyone is going to listen anyway. 

You get to the supposed location a few hours – already deep in the night, everything that you hate about forests – unkept environment, horrible living conditions, mosquitos, and occasionally wild animals are making you squirm each time your butt switches the place and you involuntarily sit on the cold, damp ground. You lick your lips, trying to adjust in the position in front of the fire. Fire that you probably shouldn’t be making in the middle of the private territory, but Chad said the place belongs to some weird hillbillies who wouldn’t care about a bunch of college grads having fun. 

You just finished the last of your coke – mixed with cheap whiskey and rum you got back at home, you feel just buzzy and fuzzy and relaxed enough to at least try to engage with people around you. Just didn’t want to make Jenny embarrassed – she was the one to vouch for you, even though you didn’t want to go camping with them. 

— I heard there is something happening in these woods. 

Everyone around you groans and you comply, groaning too. Chad has the worst storytelling voice and even Marty – the resident stoner of the group – is visibly unhappy about having to listen to his dumb jokes. Brace yourself for at least twenty minutes of dumb story with a cheap attempt to scare you. 

— You talk like those locals. What can be here except for drunkards? 

— Very fucking funny, Marty, I hope you laugh at people’s death too. 

Everyone groans again. 

— Shut up and let me finish! So, there is something hiding in those woods…legends…

— What legends? This place was built like 20 years ago. 

— Shut the fuck up, Max! It’s the legends before the town even was built. In those very forests…

— Forests? I thought it was like, just a suburban area. 

— It’s wild Austrian woods, why I would put you to adventure in the fucking suburbs? 

— You’re a suburb baby. 

— Shut it! God, I hate you guys. Alright, so…these woods are populated with…creatures. 

— Ooooh, like the mammoth we saw! 

— Karen, seriously, what the fuck? These woods are filled with motherfucking human-eating killers, not just some animals! 

— Then why do you say “creatures”? — Because it makes for a good fucking story! God, everyone, this is why none of you are studying creative writing! 

— Only your parents have money to pay for it. 

— This is why you all are fucking losers. Alright…god, I hate you. People went missing in these woods. Mostly tourists, never the local population – this is why police don’t care about it. Bodies were found, half-eaten, rotting under that very tree! 

— Which tree? There are like 10 of them just here. 

— More like 100. 

— Under every fucking tree! — That’s a lot of bodies. 

Chad groans, visibly aggressive. You just tilt your head to the side, only talking to him once before taking the last sip of your Coke and standing from your place. You wanted to take a chance to see those woods before you’d be going even deeper the next night – Chad was planning quite an adventure in the wilderness, to your dismay, and you wanted to have a chance to see the cool part of nature before you would grow tired of it. 

To your surprise, Karen was nowhere to be seen. Knowing the girl, she is far too innocent and dumb to be here – probably ran away to not listen to scary stories or got lost while trying to find a good place to pee. You sigh, feeling that it is your responsibility to pick her up – she is Marty’s girlfriend, but he is too stoned out to notice her disappearance yet. 

You stumble on your foot – alcohol makes you dizzy, makes you relaxed and smiley. You don’t even care that no one came to ask what the fuck you are doing – as far as you aware, they all can go and fuck themselves while you have a lot more fun things to do. Like searching for a drunk girl in the forest in the middle of the night…yeah, you really should work on your definition of fun. 

You already a good few minutes into the forest. Nothing but trees, not even a squirrel or a wolf pocking around to feast on yummy bodies. Not like you wanted to see a wolf, of course, but meeting with the wild life could be fun. You’d like to see a bear, for example. 

(And you will – just a bit later) 

— Karen? Karen, are you alright? You decide to scream for her once you are far enough from your friends that they won’t question why you are so concerned for her. Poor girl was obviously scared and you didn’t want to embarrass her even further, so you stroll through the woods, an empty bottle of coke in your hand – not sure why you didn’t threw it away. Littering isn’t nice, after all. 

— Karen? You’re scaring everyone, come out! 

You scream some more – she is probably lost, deep enough that she can’t even hear you. You try not to panic, try to be the reasonable friend – it’s usually Jenny’s task but here you are, trying to be the cool one of your friend group. You yell for Karen some more, listening closely to every little sound that could be easily taken as her whimper or cry for help. 

Nothing. 

Just how far can a scared drunk girl go? Probably not further away than you – you’re already starting to get tired and you knew that Sidhey got far drunker than you are. Which means she could lay here, somewhere, passed from the exhaustion, freezing, with forest animals feasting on her…no, no, you can’t think like that. She is fine, she has to be, or you are going to get into so much trouble with the police and her parents. You never told any of your families about the trip, so you wouldn’t want to get in trouble what ould require their assistance. 

You take a step into deeper part of the forest – and you think you saw a glimpse of…something. Metal, probably, might be her phone or that atrociour hair dye she is using to stop everyone from calling her a mouse. You also think you could hear a sound of someone breathing – heavily, gruffly, definitely a male, but you don’t really know how. You squint, trying to see through the trees. 

You see Karen. 

— Karen? God, you scared everyone…well, me. Where the fuck have you been? 

You smile and wave at her, your drunken state isn’t allowing you to see that, for some weird reason, she isn’t waving back. Or moving, so to speak. She stared at you with that terrified expression of hers and you tilt your head to the side, not udneratanding why is she like that. Something happened between her and others? 

You take another step back and Karen falls. 

Well…her head falls, anyway. 

There are a lot of feelings right now. Panic, panic, panic, a little bit of panic and, oh, who could have guessed, another riel of panic which makes you freak the fuck out and sprint – towards her. Maybe she will be alive if you could put her head back on her neck really-really fast? 

— Is it too late to convince you this is all a dream? 

The voice. 

You don’t recognize it – it’s distorted and quiet under the mask and you don’t know anyone int his fucking place anyways. The voice is weirdly happy, weirdly laughing and you want to vomit from how easy-going it sounds. Like the corpse of your beheaded friend is nothing, like it’s a fun pun, like…

You laungh forward, trying to, maybe, get revenge on your not-really-a-friend. Guy lets go of Karen’s body, allowing it to fall down, her head rolling to the nearest creek and tumbling into the water like a sports ball. You can’t even sob – the situation feels too unreal, too shocking, you are still very much drunk and when the guy simply wraps his hands around your waist, not allowing you to move even an inch, you fall limp in his hold. 

You sob. 

His hand goes to grasp your face in a tight embrace, making you gag from the smell of blood splattered all across his hand. You hear chuckle. 

— Didn’t want you to see that first. Wanted to play hero, yes? 

You sob, you tremble, you can barely master a few words out of your mouth. You want to scream, but it’s like all the air just decided to disappear from your lungs. So, you cry instead. How brave of you, Karen would be so proud of her friend not even trying to avenge her death. 

— F…fuck…you. 

You master with all you strength. Guy is laughing again – his other hand goes to squeeze your waist even more, pushing you against a tree. He wears a full mask with some red drawings on it – a satanic cult, really? You thought about serial killer, maybe, but definetly not about crazy cult maniacs running around. The more you know. 

— Oh, kitten, I’d love to fuck myself. But you’re here for this, no? 

He called you kitten – you squirm in his grasp, not wanting to give him the easy way to kill you. Something pokes you to the side – it’s a knife. Large, sharp, military-issued, you saw it in movie and action TV shows – and now the bloody razor almost grazing over your skin, through the thing fabric of your open jacter and a simple T-shirt. 

— Wh…who are you? 

Stpuid question, really. 

— Why does everyone wants to ask who we are all the time? Would you die happier knowing my name? Would it help you escape knowing how many beauty marks I have?

It would certainly help the police if you were to survive the encounter. Even though you are certainly going to die right next to Karen over there. 

He pushes a knife towards your side, the blade cutting through fabric easily, You brace yourself for being gutted alive. 

— I don’t like stupid questions. Ask something wrong and I will see if you are as pretty on the inside as you are on the outside. 

In a normal situation, you would punch him for such a corny joke. But you’re too drunk for this, but you’re too exhausted for this, but you just want to curl away in some nice place and fucking die, but not because he was the one to kill you. You certainly do not want to give him the satisfaction of being the one for you. 

So, you feel your cheeks heating up with the faintest of blushes. 

— What are you going to do with me?

He pushes the knife deeper, sharp edge cutting the thin line into your side. You sob immediately, tears filling your eyes as you almost feel blood – not a lot of it, just a tiny sharp streak – fill your shirt. You want to vomit, hate pain, and everything that is related to it. Thinking that the knife is dirty already and he would probably infect you with whatever one of the 13 STDs Karen has if he were to proceed. He stops right before the blade can penetrate your skin. 

— I’m a serial killer. What do you think I will do with you? 

You shake your head, trying to search for the question that won’t make him plunge a knife into your body. 

— W…what is your favorite color? 

Good job. Amazing job. Let’s hope you don’t like your liver all that much because he is definitely going to cut it out and eat it. 

— Red. I like you. 

Suddenly, you are being pushed to your knees. Suddenly, he is standing right in front of you – he is tall, of course, bulky and big, and he seems even bigger from this angle. Your face is pressed against his crotch and you can feel the dread slowly filling up your weins. Is he going to…

He presses a knife against your lips – you part it obediently, nervously, you feel your face twitching with disgust as your mouth immediately fills with the metallic taste of Karen’s blood. You really need to vomit right fucking now, but he is petting your head with his other hand like someone would do to a dog or a cat, and you sob. Too scared to do anything and here you thought you would finally stop letting people walk all over you. You thought it would start a journey of self-actualization and finding your own priorities, but…

He presses the knife a bit deeper. 

— Someone here has manners. Your friend here was trying to fuck me until she saw a knife. 

Sounds like Karen. You still remember her fucked-out face when she happily stumbled out of your room, with your boyfriend that you thought was never into cheerleaders. She had her urges and it was normal until she started to get off with those urges on everyone who liked you, or who you liked – and with such an innocent smile that no one was ever mad at her. 

He presses the knife against your upper jaw, laying it flat on your tongue – you sob, trying not to shake your head too much as he wipes away your tears and pushes your throat even deeper on the blade. You don’t know how it still hasn’t penetrated you yet. 

— Squealed like a fucking pig, not even fun anymore. I assume she was the whore of your group? 

You shook your shoulders, not wanting to give him any answers. He laughs, pressing the blade down and slightly turning it to the side. You feel the string of saliva running from your open mouth – he wipes it with his finger, leaving blood stains on your face. 

— Clean the knife for me, okay? I might leave you live if you would be good for us. You launch onto the opportunity to save your life so quickly, that you don’t even register the word “us” slipping from his tongue. 

You suck the knife obediently, carefully holding your tongue from the sharp edge so you won’t cut yourself, trying so desperately not to hurt yourself on the blade, that it’s almost adorable, He looks at you, the way you even fucking hollow your cheeks to clean it more efficiently, like you were sucking a cock and, with every passing second, he doesn’t really feel like killing you anymore. 

He feels like keeping you bound to him – maybe cutting your ankles so you would never run away from them, maybe tying you up to the body of your friend and holstering you both to the house, making you watch him gut Karen so you’d know not to run away from them. 

He pets your head like you were a cat – and, god, he always adored cats. 

You hear the noises from the side – your gaze darts to the nearest bushes as the guy waves his hand to someone gigantic sitting down at your side. Two pair of hands are now petting your head like you were a fucking animal – and you’re still sucking on his knife, feeling the pressure on your lips. You want to die, but there is no choice but to keep living. 

— Scheisse, what do you have here? 

A hand goes to cup your face and turns you to the side, to meet the giant, bulky figure fully wrapped in camo gear. His face is concealed with some sort of hood, which makes you shake even more. They both look like soldiers – or soldier-cultist-butchers from a horror movie. But, then again, you are in the fucking horror movie, since the big guy has Karen’s head in his hand, holding her by the hair. You sob even more. 

— Stumbled across me as I was gutting the slut. 

— Is she a smart one then? 

The guy with the knife laughs, yanking the blade from your mouth. You want to close it immediately, but the second guy pushes his finger between your lips, keeping them apart – and you are too scared to even try to bite him. Instead, you sit here, obediently, feeling the alcohol in your system working its magic. Again. Making you drowsy and relaxed, panic drained so much energy from your body, that you genuinely feel horrible. 

— No, wouldn’t say so. Obedient, more like. 

— Not a cool one either. Are you a virgin, Schatz? 

You want to lie, just so you won’t feel so fucking embarrassed because of it – but something in the brutality of what they did to Karen made you reconsider. You just shake your shoulders, not wanting to give a definitive answer. 

— Cute. Been some time since we saw a cute one like this. 

Your sobbing intensifies and the big guy suddenly yanks you on your feet. You immediately feel ill, pressing your head against the tree and emptying your insides – mostly because of the panic and partly because of the amount of alcohol you drank. Their touches are surprisingly soft on your skin, gently removing any stray hairs from your face and holding a firm hand on your back, rubbing the blood and grim into your jacket. 

You stand like this for a few minutes, choking on your own tears, vomit, and blood. They coo at you, gentle hands on your body guiding you towards them just so the second guy – a smaller one, relatively of course – could get a hand in your hair and yank it back. Hard. 

— Calm the fuck down. 

— You’re scaring her, Tigeren. 

— Aren’t we here for this? 

— Thought you liked this one. 

— I do. But…

— But? 

— Not fun to take her just now. She can help stir her friends a little. Make them run a little. 

They fucking killed Karen and they want to…let you go? They made you clean their knives, stand on your knees in front of them, and then gently helped you empty your insides – just to let you go when you could run into the nearest policeman and destroy their whole little game? Are they dumb or overly confident? 

— She could run. I would rather keep her with us. 

— They won’t get out of these forests without phones. And their car is already…shit. Spoilers. 

— Alright. But I would be the first to take her next time. 

— She won’t be any good after you, Ko. 

— Our Kleine Hase has more than one hole, ja? 

This is it. 

You take the opportunity – they are distracted by their little conversation, so you duck under the hand of the bigger man and run in the close direction to where the group is sitting. You are covered in blood, and dirt, you shake like crazy and you can barely even run straight without getting right into the various trees, but you don’t care. You aren’t strong enough to sit here and listen to their conversation – not when the self-preservation makes you forget about Karen. Not when that feeling in your chest can only be described as “She got what she asked for” – because she was a bitch, but not nearly enough to deserve being beheaded by two psychos. 

They laugh as they watch you run. Horangi smiles, nudging Konig to the side – you’re not a fighter, but still interesting enough. Adorable and obedient, just vile enough to suck on the same knife that killed your friend – interesting mix, to say the least. Hongjin always wanted a cat, but never got the time on the various deployments – and you behave like a perfect mix of a kitten and bunny. 

Konig tilts his head to the side, watching you, this pathetic little thing, run like the devil was after you. He was, of course. and he came in double, but it was still funny, how a city girl like you seriously thought you would be able to get away if they weren’t allowing you to. You’re cute, for a tourist, and he wants to hunt you some more – perfect foreplay before destroying you with either his cock or his knife. 

One down – and both of them couldn’t wait to finally get to you. 

#cod #call of duty #cod x reader #cod x you #konig x reader #yandere konig #konig mw2 #reader insert #yandere cod #yandere x reader #horangi x you #horangi x könig #horangi x reader #kim horangi hong jin #horangi #slashers

[callaxe]

career rambles

#i think i finally found what i wanna do #once i leave hs. or at least hopefully #video game writer! #love storytelling in all forms except in novel formats and vid games ive always held good in my heart #maybe like lead writer/overall designer if i can one day #i want to be the top dog and see my ideas executed. having a little studio of my own would be fun #ive already taken all the lit/writing and art classes i possibly could at my school #so i may swap out one of my classes next year for compsci too #really just...... creating this elaborate #and making it playable and have it convey a message #and meaning through its environment and characters #i like that #the culmination of open world classical fantasy games ive played led me here #prince of persia dark souls #the crack that was borderlands #how open and interactive the gta and rdd games are #elder scrolls in its entirety #the witcher.. n many more #im a big fan of soma and subnautica and their different aspects of horror #and genshin. obviously #regrettably was probably the most recent game that rlly started pushing at my interest #wouldnt call myself a theorist and more so a speculator of lore but #from a storytelling point im in awe of just how much there IS in the game #and all the little bits of lore and details #character backstories #very nondescript and more often than not poorly done but it's still something that motivates me #especially like how obscure the history of old teyvat is in game #but that's an entirely different thing i could ramble about #there's so much more i think about but this is it roughly i think #a reasonable goal to finally work towards to

[babydollmarauders]

TIMELESS — JACK HUGHES

jack hughes x fem!reader

surprise song! part (and final part) of the Speak Now Fic List

summary: in which y/n writes she and Jack’s first dance song and it’s Jack’s first time hearing it

notes: Taylor doesn’t exist in this alternative universe, and you’ll understand why! (2.5k words)

“i want you to write our first dance song.”

when Jack had told me that just five months ago, i was at a loss for words.

i’m no pop star, by any means, and i’ve never desired to be one. i dabble in song writing as a way to release my anxiety and that’s it.

i’ve bounced lyrics off of Jack for as long as i can remember. we went from facetimes in high school, after practice, singing him verses i was unsure of, to sitting beside him in bed, my guitar in my hands as i tried to work out lyrics and having him put his two cents in.

he knew i never planned for anyone else to hear them. they were for he and i’s ears only. yet he still complimented my voice, my lyricism, the instrumentals i played out in the dead of night.

he told me i wrote like a poet. he called me the greatest storyteller who’s ever lived.

but the greatest compliment, and also the greatest challenge, he’s ever given me, was to write the song to which we’ll have our first dance as husband and wife. to write our love into the purest form of art.

it took me four months to write what our love felt like, into words. constant lyric changes, and multiple instances of scrapping a song altogether and starting anew. it took another month for me to get it all made in a rented studio. recorded and produced into the song it is now.

but as i took so long to perfect it to my liking, i took the greatest risk of my songwriting journey. i never once bounced lyrics off of Jack. i wrote only when he was on roadies, hiding my journal inside of an old blanket that sits on the high shelf in our closet when he was home.

i wanted this song to be a complete surprise once it was finished. i wanted him to only hear it once it was in its perfected form. and that would be today.

my leg bounces on the couch, my fingers playing with the fringed side of the decorative pillow that lies within my lap, as i wait for Jack to get home from practice.

my nerves are quickly rising, my anxiety getting the best of me. if he dislikes this song, then i only have one month to create an entirely new one.

i feel sick. like i could both pass out and lose my breakfast at any moment.

my head perks up as i hear the apartment door open, the un-hushed whispers of Jack and Luke reaching my ears, and when they step into the living room, the signature smile on Jack’s face brightens.

“hi, baby.” he grins, bounding forward to press a kiss to my forehead. “i didn’t think you would be awake already.”

“i got it.” i rush out, the monotonous small talk of the moment not appealing to me in the slightest.

“got what, doll?” Jack’s brows thread together in confusion, and i can hear Luke’s pots and pans clattering in the kitchen.

“the final demo of our first dance song.” my teeth sink into my bottom lip, watching realization settle over Jack’s face. “the producer sent it to me this morning.”

“that’s great, baby! why do you look like your gonna throw up?” he laughs, taking a seat beside me on the sofa.

“because i’m scared you’re gonna hate it.” i confess. “i spent so long on this one song, making it into something i’m proud of, but it all means nothing if you don’t think it’s good enough.”

“hey.” he coos softly, a gentle hand raising to cup my cheek. “i love everything you write. and i know that this song is gonna be no exception.”

his forehead rests against mine, my eyes fluttering shut as i take a deep breath.

“are you ready to hear it?” my words come out in a whisper and i can feel him nod against me.

“i’ve been ready since the day i asked you to write it.” i pull back to smile at my fiancé, heaving out a deep sigh.

“hey Luke?” he calls out, getting a distracted ‘yeah?’ in return. “you mind giving us a few minutes alone?”

“uhh-” Luke peeks through kitchen entryway. “‘in my room’ alone? or ‘leave the apartment’ alone?”

“in your room is fine.” i assure him gently and he nods.

i watch as he turns the stove off before walking to his room. as soon as his door shuts, Jack is turning to me with an excited smile.

“okay, let’s listen!” my hand shakes as i lean forward, clicking on my laptop that rests on the coffee table, pressing play on the file.

the first notes echo throughout the living room, the gentle guitar strums causing Jack’s eyes to crinkle as he smiles softly, bobbing his head, his eyes glued to the laptop screen.

“Down the block, there's an antique shop

And something in my head said, ‘Stop,’ so i walked in

On the counter was a cardboard box

And the sign said, ‘Photos: twenty-five cents each’

Black and white, saw a '30s bride

And two lovers laughin' on the porch of their first house

The kinda love that you only find once in a lifetime

The kind you don't put down”

he looks over at me, confusion written across his face, but his eyes still shining with joy.

“And that's when i called you and it's so hard to explain

But in those photos, i saw us instead

And, somehow, i know that you and i would've found each other

In another life, you still would've turned my head even if we'd met”

his eyes grow softer, my cheeks heating up.

sure, i’ve written love songs about Jack in the past, but this one was special. this one speaks a truer and deeper meaning than any of my past songs.

“On a crowded street in 1944

And you were headed off to fight in the war

You still would've been mine

We would have been timeless

I would've read your love letters every single night

And prayed to God you'd be comin' home all right”

his smile is gentler now, his eyes glistening with unshed tears as he snakes his hand over to hold mine, and i know he’s thinking about the same thing as me.

remembering the time early on in his NHL career, when i confessed to him that every time he went on a roadie, i had so much worry that he would get hurt and i wouldn’t be there for him. when i admitted that, regardless of me not being a highly religious individual, i prayed before every game that he would come out okay. that he would come home in the same condition as he left.

“And you would've been fine

We would have been timeless

'Cause i believe that we were supposed to find this

So, even in a different life, you still would've been mine

We would've been timeless”

salty tears roll down my cheeks at the sight of his, gathering on my chin and dripping down onto our conjoined hands, gripped tightly together in my lap.

“I had to smile when it caught my eye

There was one of a teenage couple in the driveway

Holdin' hands on the way to a dance

And the date on the back said 1958

Which brought me back to the first time I saw you

Time stood still like somethin' in this old shop”

he pulls me closer, until i’m practically sitting on his lap, pressing his lips to my cheek, and i wonder if he’s thinking back on when we first met too. but what he doesn’t know is that i saw him first. i’d never told him that bit.

how i silently pined after him for months until we really met. it’s written in my vows though.

junior year, when i first saw him in the school hallway and it felt like everything around me had frozen.

he had been standing at his locker, laughing about something that Trevor had said. i heard the laugh first, and my entire body felt warm. but then i turned and caught sight of him, and it felt like time had stopped. my heartbeat had sped up, everything around me drowning out until all i could focus on was him.

“I thought about it as i started lookin' 'round

At these precious things that time forgot

That's when i came upon a book covered in cobwebs

Story of a romance torn apart by fate

Hundreds of years ago, they fell in love, like we did

And i'd die for you in the same way, if i first saw your face”

our foreheads press against each other, my thumb wiping away his tears.

“In the 1500s off in a foreign land

And i was forced to marry another man

You still would've been mine

We would have been timeless

I would've read your love letters every single night

And run away and left it all behind

You still would've been mine

We would've been timeless

'Cause i believe that we were supposed to find this

So, even in a different life, you still would've been mine

We would've been timeless”

his lips slot against mine, perfectly placed in harmonious synchrony, our fallen tears mingling together upon the meeting.

“Time breaks down your mind and body

Don't you let it touch your soul

It was like an age-old classic

The first time that you saw me

The story started when you said, ‘Hello’

In a crowded room a few short years ago

And sometimes there's no proof, you just know

You're always gonna be mine

We're gonna be-

I'm gonna love you when our hair is turnin' gray

We'll have a cardboard box of photos of the life we've made

And you'll say, ‘Oh my, we really were timeless’”

my thoughts drift back to the first time we really met.

it was on new year’s eve in our junior year. Cole was having a joint new years and birthday party.

*** DECEMBER 31ST, 2019 ***

Cole’s house is crowded. insanely so.

i didn’t originally plan to come. but Cole’s become a good friend of mine through our shared history class, and he’s been blowing up my phone all day, begging me all day to attend.

so now here i stand.

alone in the crowded living room of Cole Caufield’s billet residence, a red solo cup in my hand as i people watch.

i’m unsure of what to do. Cole currently sits on the couch with a few of his hockey friends from the US National Development Program, and i feel awkward going over there. but i don’t actually know anyone else here.

i tend to keep to myself more often than not, which results in the rest of my friends being fellow introverts that would never be at a party like this.

“y/n!” my eyes grow wide, my head snapping to find where the call of my name had originated from, and i’m slightly surprised to find Cole grinning over at me, his hand waving in the air and motioning me over.

my eyes flicker beside him to see Jack sat next to Alex, both paying no attention to anything going on around them.

with none of Jack’s attention on me, i figure it’s safe to go over and wish Cole a happy early birthday.

i push my shoulders back, standing up straighter, attempting to push my way through a horde of fellow high schoolers.

but my walk is a lot less confident once i witness Jack’s gaze drifts towards me. i stumble a little, crinkling my nose as a guy i share pre-calculus with bumps me in the back.

“hi Cole.” i force a smile on my surely red face, fidgeting under the gaze of all the boys, but especially anxious now that Jack’s attention is on me.

“hey! you came!” Cole rises from his seat, pulling me into a hug, recklessly causing my drink to slosh in its cup.

“well you were texting me all day. you wouldn’t take no for an answer.” i chuckle as he plops back down to the couch with a sigh.

“i couldn’t throw my birthday party and not have my favorite girl show up!” he shouts, my face heating up. “oh! guys, this is y/n! she’s my friend from history!”

the guys all mumble out distracted ‘hey’s, no longer paying any attention to me, more interested in their new conversations or, in Trevor’s case, trying to charm a girl.

except for Jack. his baby blues are still locked on me, the corners of his mouth pulled up in a small smile.

“hello.” it’s only one word, but my heart races in my chest. i’ve been pining after this exact boy from afar for months, and now he knows who i am. “i’m Jack.”

“hi Jack.” i shake his hand, his touch sending shivers down my body.

*** PRESENT ***

Jack’s hand rubs my thigh, pulling me out of my thoughts.

“We're gonna be timeless, timeless

You still would've been mine

We would've been

Even if we'd met on a crowded street in 1944

You still would've been mine

We would've been

Down the block, there's an antique shop

And somethin' in my head said, ‘Stop,’ so i walked in”

*** ONE MONTH LATER ***

my arms wrap around my now-husband’s neck, my hands toying with the hair at the nape of his neck.

our family and friends watch on from their seats, Ellen’s eyes catching mine, tears already threatening to pour over.

the first guitar chords stream out from the speakers as Jacks hand wrap around my waist, and we begin swaying around the dance floor.

Jack’s eyes gaze into mine, smiling as he whispers the lyrics back to me, relieving some of my anxiety from our guests hearing my song.

i grin back at him, craning my neck to press a kiss against his lips as the song nears its end.

i purposefully avoid looking anywhere near the crowd, laying my head on his chest as the song ends, the final chords strumming.

his heartbeat echoes in my ears, quickening as he presses a kiss against the top of my head.

his words are mumbled into my hair, his lips pressed to my scalp- “our love is timeless.”

#speak now fic list #jack hughes #jack hughes x reader #jack hughes imagine #jack hughes fic #jack hughes blurb #nj devils #nhl fic #nhl imagine #faithlynn’s writings <3

[formulas-bitch]

streamer Lando Norris x artist/reader

In a world where streaming had become the new norm, Lando Norris found himself in an unlikely partnership with a female streamer. Their names were as different as their personalities; he, a young, charismatic racer with a penchant for speed and risk-taking; she, an enigmatic artist with a flair for storytelling and an uncanny ability to connect with her audience. Their partnership was not born out of convenience or necessity, but rather, a strange and inexplicable twist of fate.

As they streamed together, their chemistry was undeniable. Lando would bring the thrill of the race to the screen, his fingers dancing across the controller as he maneuvered his way through virtual tracks at breakneck speeds. His laughter and cheers echoed through the studio, filling the air with an infectious energy that seemed to lift the spirits of everyone around him. On the other hand, the female streamer would take the reins when it came to interacting with their audience, engaging in witty banter and sharing intimate details about her life as an artist.

Their fans, known as the "Lando's Angels" and the "Artiste's Aficionados," were equally devoted. They would tune in religiously to witness the dynamic duo's antics, often spending hours in their streams, cheering them on and leaving generous donations. The streamer pair's popularity only grew with time, transcending the boundaries of gaming and art. They became cultural icons, their influence spreading far and wide.

Lando and the female streamer continued to push each other to greater heights, experimenting with new games, art forms, and storytelling techniques. They embarked on charity streams, using their platform to raise awareness and funds for various causes close to their hearts. Their partnership was not without its share of challenges, of course. They had their fair share of arguments and disagreements, but they always managed to find common ground and work through their differences.

As their fame grew, so did the pressure. Lando found himself constantly in the spotlight, his every move scrutinized by fans and critics alike. He struggled with maintaining a private life and the constant need to be "on" for his audience. The female streamer, on the other hand, dealt with her own set of challenges as she navigated the often-misogynistic landscape of the streaming world. Despite these obstacles, they remained a beacon of positivity and resilience, inspiring countless others to chase their dreams and find their own unique voices in the world of streaming and art.

Their partnership eventually evolved into something more than just a professional arrangement. As they spent more time together, traveling the world for gaming and art conventions, attending exclusive events, and collaborating on creative projects, a deep bond began to form between them. Lando found himself falling for the enigmatic artist, her wit, charm, and unyielding strength winning him over. She, in turn, found herself drawn to his vulnerability, his willingness to open up and share his fears and insecurities with her. Their relationship was not without its fair share of challenges, but they faced them together, their love for each other serving as a guiding light.

As their personal lives intertwined, so did their professional lives. They launched their own production company, hiring a team of talented streamers and artists to join them in their quest to create something truly special. Together, they pushed the boundaries of what was possible in the world of streaming and art, exploring new genres, mediums, and storytelling techniques. Their streams became less about the games they played or the art they created and more about the stories they told, the lives they shared, and the connections they forged with their audience.

#f1 imagine #f1 blurb #f1 x reader #f1 #f1 fanfic #f1 fic #f1 fluff #f1 imagines #f1 fanfiction #f1 x oc #f1 x y/n #mclaren f1 #formula 1 #lando x reader #lando norris stream #lando norris x family #lando norris x reader #lando norris x y/n #lando norris x you #lando norris fanfic #lando norris imagine #mclaren #formula one #lando norris #ln4 x reader #ln4 #ln4 imagine #ln4 fic #ln4 fluff #team quadrant

[hannahmanderr]

Now that I have y'all's attention, I would like to bring up another subject matter that is sorely slept on in the phandom:

Danny Fenton with white in his hair.

There is so much potential there in terms of both art and storytelling and I see it so rarely used that I go feral just about any other time I see it.

Like I just got done talking about too-ghostly Fenton and not-ghostly-enough Phantom, well BOOM here's a perfect physical representation of how his two halves aren't completely separate - they play into one another and exchange information and make Danny into something beyond human or ghost entirely.

The white hair is a great visual for showing the fact that even in human form, Phantom is still there, bleeding over.

Bonus points if that white hair goes black when he goes ghost, showcasing the humanity and part of Fenton that will always remain.

Plus come on, y'all have to admit it looks wicked cool. Not like how they did it in Phantom Planet, but y'all can't tell me you don't love the idea of something actually well placed/executed.

If I were better at drawing, I'd draw it myself. Even still, you can absolutely bet that I will always try to work in the white hair streak into whatever story I'm writing, you cannot stop me

#danny phantom #danny fenton #dp #headcanon #i am lowkey begging artists for this #and writers too #screw it #LISTEN I JUST ALWAYS NEED TO KNOW WHEN THERE IS WHITE IN THE HAIR DANNY #GIVE ME ALL THE WHITE HAIR DANNY

[lurkingshan]

Thank you for leaving these tags @pharawee! Without getting into any speculation about how Dead Friend Forever will actually end, I do want to address your question and talk about why most of us want to see severe consequences for these boys. The short answer: it's about genre expectations and the psychological catharsis of a good revenge narrative.

To get down to the really basic point: people who love revenge thrillers love them because they are a fantasy construct in which good people survive and bad people get what they deserve. In a world where bad things happen and we rarely have any control, a good revenge story can be exhilarating, giving you the feeling that justice prevailed, villains received appropriate comeuppance for their wrongs, and the protagonist seized control back and experienced much needed catharsis for their suffering. Real life is very much not like this, which is why it's such an appealing genre of fiction.

So how do we calibrate what "appropriate comeuppance" means? This is where genre expectations become really important, because the genre the revenge narrative plays out in sets the terms for where that bar sits. In The Glory, a recent world class revenge drama, we were in the psychological thriller genre, so revenge came in the form of Dong Eun playing mind games with her bullies until they destroyed their own lives. No murder necessary. Dead Friend Forever, however, is in the horror genre, and specifically began its story by planting itself in the slasher subgenre, giving us a masked killer and setting up expectations that these boys are being hunted. When you watch a slasher, you come in with the mindset that most of the characters are going to die and begin rooting for it and looking for reasons why they "deserve" it. And typically, in a slasher, it takes very little for a character to "deserve" a death--you often see people die for the tiniest infractions, like making a rude comment, telling a bad joke, or having sex. But DFF went much farther than that and gave us a multi episode flashback in which we got a detailed accounting of every wrong this group of boys committed against Non, increasing the audience's bloodlust and conviction that these boys needed to pay.

So why do so many of us want the bullies to die? Because the genre demands it, and the story set the audience up to expect it from the outset. I have seen some discussion of the way the show is blending different horror subgenres and not sticking strictly to typical slasher conventions, and that's true, and expected. Slashers are usually two hours max, and this show needed to fill 10+ hours of content, so it's doing a really interesting blend of slasher, mystery, psychological thriller, and other horror subgenres. But the bones of the story still hold, and despite the storytelling choice to give the villains some nuance and fleshed out motivations for their behavior, they are still villains who destroyed Non's life. If you're feeling overly sympathetic to any of these boys at present, I encourage you to go back and remind yourself how they behaved in the early episodes of this story, which took place after the events of the flashbacks. These are not genuinely remorseful kids who made minor mistakes and then got their acts together and became upstanding citizens; they just want to move on and avoid blame and accountability for what they did, while Non's entire family was irrevocably destroyed by their actions.

If this story ends without Por, Tee, Top, Fluke, Jin, and Phee suffering genre appropriate consequences for their choices that harmed and betrayed Non, it will be a letdown and many will feel unsatisfied. In real life, we may believe that forgiveness is the right path, and we know that Buddhism teaches unconditional forgiveness. But this is not real life. This is a fantasy genre that is specifically meant to provide an escape from the constraints of real life morality and obligations. No one wants to show up to a fantasy party only to receive a moral scolding. The most disappointing thing a revenge narrative can do is wimp out on delivering the actual revenge.

#hope this helps! #i think folks coming to this show mostly from a bl lens and not grounded in horror genre might have a harder time with this #dead friend forever #dff the series #shan shouts into the void #thai bl

[renthony]

Animation (specifically 2D animation) is my preferred TV/film medium. A piece of live-action has to go above and beyond to get over my personal bias of, "most things would be better if they were animated," but it's taken me a long time to figure out what, exactly, makes a piece of live-action really do it for me.

I think what it really comes down to, for me, is the little details. If your live-action doesn't have some level of nuanced physical acting, intense detailing in costuming and set design, a strong sense of visual storytelling, or kickass practical effects, I'm pretty much always going to come away thinking, "I'd like it better as a cartoon."

I think some of this is due to my issues with face blindness--I need characters to have distinct silhouette and costuming, or they will all blur together in my head. Animation tends to stress the importance of silhouette, so I have an easier time telling everyone apart and following who's who. That's not to say that this problem doesn't happen in animation, or that it always happens in live action, but I do think it contributes to my personal preferences.

Anyway, just for fun, a random shortlist of some live-action that I think uses its medium well:

Child's Play/Chucky. Half the appeal of Chucky (IMHO) is the incredible showcase of practical effects and animatronics. Each incarnation of the Chucky doll incorporates incredible advances in animatronic and puppeteering technology. I have on multiple occasions compared the Chucky puppeteer team to Muppet performers. That shit is its own art form, and it's incredible. The current Chucky show makes some use of CGI, but it's all to enhance the practical effects, and the puppeteers are all given the spotlight in the show's credits. I love that.

Killjoys. The incredible nuance to the actors' body and facial acting is mind-blowing. The set design and costuming are gorgeous, and there's a lot of very good detail worked into the visual space that would be hard to animate. They use their CGI well when they do use it, but a significant amount of the show seems to be practical effects and props. Additionally, Hannah John-Kamen's ability to flawlessly portray multiple characters is so good it's uncanny and makes you forget they're literally being played by the same woman. She changes her entire body language, and it's phenomenal.

Jordan Peele's entire body of horror. His films pack in so much symbolism and subtlety that I could probably watch them all a million times and still find new details. The nuance in the acting, the sheer detail packed into the costuming and set design, the use of color...god. It's unreal.

Crimson Peak, because the set design for that film...holy fuck. The costuming and set design in that film are pure gold. The acting is also phenomenal, but I could probably talk about the set design for hours. The house is a character in its own right.

Galavant and Our Flag Means Death, both for the same reason: both shows feel like I'm hanging out at a ren faire being goofy with my friends. They feel like I'm watching a LARP. They feel like they could easily exist in the same setting as Muppet Treasure Island, and at any second Kermit is going to show up and start singing, and it wouldn't be out of place at all. I think I'd also include Dungeons and Dragons: Honor Among Thieves in this category, along with The Princess Bride and Labyrinth--all of which also include kickass practical effects, choreography, and costuming.

This isn't some sort of objective truth or anything. I just like that I've finally been able to nail down some reasons why I prefer animation, beyond just, "idk, cartoons are fun."

#original post

[prickly-paprikash]

One of my favorite things about Denis Villeneuve's style is how utterly masterful he is at subtle storytelling. Using the visuals to tell a tale that, even when you don't figure it out explicitly, one feels it immediately.

In Dune Part 1, my favorite form of this is at the very beginning when the Herald of the Change arrives to formalize the transition of Arrakis' ownership from the Harkonnens to the Atreides. The procession is full of pomp and posturing, with the Herald speaking in this loud, bombastic voice just to announce what is already a given, and Leto responds with his own spectacle—the armies of Atreides, chanting as one. It's all a show, since at this point House Atreides has been commanded by the Emperor. The contract is a legal formality; the costly procession on Caladan was (un)necessary showmanship. In the books, showing off the illusion of power and authority is vital in maintaining this cruel, unyielding power system, and without bringing mention of it, the film shows this off too. Then, once the Duke has sealed the form with his signet ring, everything just... drops.

Leto looks at the Herald in the eye, and asks, "So, it's done?"

And just as Leto replied to the grandiose display of the Emperor, the Herald now replies with the levity the situation truly deserves.

"It's done."

Both the Herald and the Duke know what this truly is. It's not a reward. It's not a show of love. The Herald, at this moment, is looking at a dead man walking. Millions of their currency sunk into this process, barely five minutes in total, and all to simply declare it all "done."

You can even feel a sense of satisfaction from the Herald.

The Emperor, in his paranoia and envy, guided the hand of the Atreides into a trap. And the Atreides know it is their doom, but they have no choice. They are popular and loved by the Great Houses, but they are bound by honor. And bound by might.

And all of this, narrowed down into one brilliant scene.

Once again, this subtle, visual storytelling is in full display in Part 2, and my favorite by far happens on Giedi Prime.

The Bene Gesserit Sister, Lady Margot Fenring (who is also a Lady of her own House in the books), watches on as one of their prospects, Na-Baron Feyd-Rautha engages in ritual combat for his birthday. Afterwards, in a hallway lit by only the fireworks outside, she stalks the Harkonnen heir, and Feyd catches on immediately.

Here's the thing: barring other Sisters of the Bene Gesserit, Paul Atreides, and some very gifted Mentat Assassins—you will never know if a Sister of the Order is stalking you. From the beginning, she had wanted to be caught by him. A lure. A tantalizing bait, perfectly designed to entrap the feral Feyd.

And he sinks in immediately.

Here is where my favorite visual storytelling comes into play.

In the hallway, we begin with a fully covered Margot. She is veiled completely in shadow, with the oil fireworks illuminating only her visage.

Next, Feyd strikes and holds his blade to her neck, revealing her face. But only her face.

Slowly, the scene shows off little by little her skin. In the hall, I believe the most we see is her throat, and I could be mistaken. The light flashes erratically, and we see her the way Feyd must see her.

In the shadows, a threat. In the brief sparks of light, a curiosity.

And when Margot confuses him, leading him to the Guest Wing where she stays, the light fully shows her off. She's still in formal clothing, but now we see her dress. It reveals a plunging neckline that barely shows off the top of her chest. Her top is sleeveless, showing off her shoulders and the soft musculature of her arms. In the dark, we could clearly see her wearing a veil that covered her body.

And the light mimics her, stripping away and revealing something beautiful. Irresistible, especially to Feyd, who despite his high intelligence and skill, is just as brutal and animalistic as his uncle and brother. All three so easily give in to their vice, and Feyd is no different.

He is allured by her. He lusts after her.

And all this without a word hinting towards sex in their entire shared dialogue.

Just the use of light, shadow, and body to tell a story.

Afterwards, Margot speaks to the Reverend Mother and Princess Irulan, revealing that she has secured a child from Feyd in her womb, which again without saying anything specific immediately shows that the Sisters have such power over their own bodies that they can ensure fertilization and have complete knowledge over their pregnancy. They even control what sex the child will be, as alluded to in Dune Part 1 when Jessica, out of the love she had for Leto and his desire for a son, rebelled against the Bene Gesserit's orders and sired a male.

Again, without info-dumping, we immediately understand that this religious order engages in Eugenics, and uses sex, fanaticism, and more to control the Great Houses.

Please watch Dune. Please read Dune.

#dune part 2 #dune movie #dune #dune part two #dune part one #frank herbert #paprikash ramblings #paul atreides #paul muad'dib #paul muad'dib usul #paul muad'dib atreides #lisan al gaib #kwisatz haderach #feyd rautha #reverend mother mohiam #lady margot fenring #princess irulan #leto atreides

[revretch]

This is definitely an unpopular opinion, but I think when video games were embraced as art it caused a loss of appreciation for the unique way that video games are art (even the people who loved gameplay above all else proudly not considering it art). The play became just a vehicle for linear storytelling, 2d art and 3d modeled art. Don't get me wrong, I also love these art forms! But it was really sad to see gameplay stripped down to bare formulaic skeletons, when gameplay should be art itself.

Portal, Undertale, and Prince of Persia are some examples of games whose stories and art cannot be separated from their gameplay. For a while, in the late 00s-early 10s, there was a wave of both AAA and indie games like this. The gameplay was a central part of the dynamic, not something to quietly prop up the other two. The Wii really expanded on this potential. And that's not getting into all the fun possibilities of dance and music integration DDR and Guitar Hero opened up!

And of course, my favorite--interactive fiction, like parser fiction and point-and-click adventures. The sprawling tree of possible interactions blurs the line between game and story in a way it's difficult to classify as either! Watching a linear playthrough could never capture the experience of navigating it yourself, because there were so many possible combinations, not just a different order of events.

And everyone was always pushing to find something new. Now, even with the vast potential of VR, I haven't seen a lot of that.

I miss you, gameplay as art.

#rev retches #game #interactive fiction #art

[damianbugs]

dc might not like to address how they've unofficially retconned a lot of jasons original robin run to end up being absolutely classist, but i most certainly will bring it up whenever i can. while this is definitely narrative criticism, it is more of a study, as i am not expecting anyone, readers or dc, to really change how they view the todds.

jason goes from being a rather reserved, kind and genuinely friendly child to an angry and cruel boy who was contemplating murder at some point (batman: urban legends). not to mention willis going from an absent but well meaning man who turned to crime to support his family to now being an abusive father and husband. catherine todd was originally stated to have died from overdose, but was later confirmed in death in the family to pass away from cancer, so while the 'poor addict mother' stereotype still applies, it is more complicated in her case.

it is no surprise that in modern tellings, all three of them represent very realistic forms of poverty. willis the abusive criminal, catherine the addict (her battle with cancer is always noticeably left out) and jason the violent child left to repeat the cycle.

dc simply couldn't allow the todd family to remain poor but an all in all good family (though i am careful to say they were perfect, past or present, since depending how you read him, willis can still be seen as a bad father and horrible husband), and instead had to dramatise negative stereotypes of poor people in order to really perpetuate the existence of jason being the "angry" robin. this mostly comes down to dc perhaps wanting to bury older comics featuring the original characterisation (since the only way to read them is through piracy), and there is no better way to do that than make his current characterisation nothing like his old one, at all.

after all, how else can we ensure readers are aware of how angry, evil and emotionally unstable jason todd is, if not making his life the pinnacle of why poor people are terrible and should not have kids? dc is not trying to hide it at all, it's almost laughable.

while the blatant classism is very clearly the biggest issue, from a storytelling perspective it is also really disappointing. deconstructing catherine and willis todd to their morally reprehensible, abusive and neglectful 2d personalities in modern telling leaves a massive gap is what made jason so personable as robin. personally, i also think it takes away how homelessness and his own poverty seperate from his family might have affected jason's morals and opinions on certain topics — another aspect of his character that is very important but often undeveloped.

especially with jason; making him having always been this quick to rage and violent child/robin takes away the true devastation of his death and subsequent revival. he died an innocent, damaged and complicated but caring boy, and came back vengeful and spiteful. he is a boy who has suffered a lot in life, with a sick mother he had to provide for due to his absent father, who also died due to a life of crime — and yet jason broke free from the cycle and became something more.

he loved to learn, to go to school, to play sports and to help people. he loved being a hero, even when it got tough, and though sometimes it was hard to remember, he always tried to stay on the bright side of things.

it's one of the main reasons bruce is so unable to process and accept his son's return, because to him, the person who came back is not the son he lost. though, that is another conversation entirely.

on the one hand however, i can see why jason's current life story might be more appealing to certain readers (and depending on the work, fanon or canon, it can makes more sense). since now that he's broken out of the cycle of abuse, he can use his strength to protect other vulnerable people. the true 'people's hero' in a way batman and other adjacent vigilantes can not be.

it is just a little regrettable that to fulfill this, he and his family must adhere to classist stereotypes to make it more believable. after all, jason was very much the 'people's robin' even without all the retcons to his character. he has always stood up for people who couldn't do it themselves.

#jason todd #robin ii #batman and robin #red hood #bruce wayne #catherine todd #willis todd #more of a word dump than an actual study #just some thinking #classism #dc #saki comic talks

[noirandchocolate]

Age of Calamity is such a funny game when you think about it because most of the characters go through Events and use their strengths and suffer hardships and stuff, but honestly they mostly end the game the same as they started it. It’s not “bad storytelling” or anything to have most of the main characters (Link, the Champions, Impa, etc) not change very much character-growth wise, I’m not insinuating that. They’re heroes and it’s fun to watch them BE heroes and in some cases have nice heartfelt moments together, etc.

But it’s just hilarious to me that the characters in the game who DO get some form of character development arc are:

3. King Rhoam (a distant third place but he does realize his kid’s interests were helpful not frivolous and he apologizes and lets her continue leading the army and fights by her side)

2. Zelda (expected, she is the main character after all, and she gets to grow from doubting herself based on her father’s words and how special and talented everyone around her seems to be in comparison, and being upset at not being able to help more, to realizing her worth as a capable leader whose love and passions were what saved everyone)

1. MASTER FUCKIN KOHGA (goes from trying to peace out and let his lackeys take care of every fight, to desperately NOT wanting to leave Sooga and the others behind (poorly and obviously hiding it behind “come on stick together so you can protect me!” while he as the PC for your first play of that mission is clearly doing all the work to protect them); ends up not only joining Zelda’s faction to protect/get revenge for his Clan despite his hereditary beef with the royal family, but PERSONALLY taking to the battlefield including in the final deadly dangerous missions; declares during that final battle that HE is gonna “send that giant menace packing,” ie the very same monstrous entity he previously served)

Like. It’s not even close. Master “Top Banana” “Kill You All To Death” Kohga. Has THE most character development in the game.

And it’s just. So unexpected and therefore great and entertaining to me.

#kidk says stuff #legend of Zelda #age of calamity #master kohga #yiga clan #age of calamity spoilers #I am insane about him sure but I still believe I’m objectively correct #some of the others (yunobo & riju come to mind) get small ‘gains more confidence in abilities’ moments #link is a very fun protagonist and ALL the characters are my favorites BUT #if we’re talking ARCS…yeah #this isn’t even considering headcanons—this is all in the literal text of the game #ps to be clear I’m NOT saying ‘Kohga has character development bc he ends up siding with Zelda/hyrule’s royal family’ #I’m saying he has character development bc he ends up against Ganon for the safety of the clan and isn’t a coward about it #they’re not the same thing #I have complex feelings/headcanons about the clan’s allegiances but this isn’t the time for that!!

[hannyoontify]

seventeen's reaction to you stopping to tie your shoelace

warnings | js a few curse words lol, not proofread

notes | inspired by @m00mis's post :D thank you to anon for finding the original post!

seungcheol 

cheol would instantly realize you were no longer walking by his side and stop to wait for you. stands next to you while he waits, and if you guys were in a crowded area, he would act kind of like a bodyguard and make sure no one runs into you or trips over your hunched over form. once you’re done, he’ll help you stand back up and press quick kiss js bc he wants to :D

jeonghan 

when you kneel down on one knee to tie your shoelace, he’ll wait a little bit before pushing you so that you would lose your balance and fall over. ‘yoon jeonghan! you’re a fucking asshole!’ as soon as he pushes you over, he’ll run away so he can escape your wrath but he’ll return right away once you start complaining. ‘’m sorry angel’ presses a kiss on your knuckle as an apology. throughout the rest of your walk, he’ll probably randomly giggle when he remembers how you fell over

joshua 

when you crouch down to tie your shoelace, he’ll tap a rhythm on your head while he’s waiting. ‘guess what song this is’ ‘shua you’re hitting straight quarter notes how am i supposed to know what song that is’ ‘wrong answer, it was sunday morning by maroon 5’ oh and LMAO he might ask you to check his own laces and re-tie them if needed. oh and next time your shoelace comes untied, he’s doing the tying bc he thinks you’re too slow (he doesn’t actually think that, he js wants to do it for you)

junhui

‘[Name], your shoelace is untied’ before you can react, this sweet sweet boy is tying your shoelace for you. while you’re waiting, you play with his hair and make cat ears with them since you’re bored. ‘wen junhui, you’ve become a cat’ and you can hear a small meow from where he’s kneeling (cute) once he’s done, he’ll jump back up and look at you with a proud smile. he’ll point at your feet ‘i turned them into bunny ears, aren’t they cute?’ you thought it was very cute.

hoshi

when hoshi sees you get down on one knee in the middle of the amusement park, he gasps dramatically and brings a hand over his mouth. ‘OH MY GOD’ he’ll literally start screaming hysterically and running around and everyone and their mother is looking at hoshi because he’s going crazy while his partner is calmly tying their shoelace like it’s nothing. ‘i didn’t expect you to do it here [Name]- [Name]? why are you standing up again?’ when he finally looks back at you, you’re already done tying your shoelace. you look at him with a confused expression, and he can feel the world around him crumble away as he falls to his knees in despair. ‘kwon soonyoung did you think i was proposing to you?!’ 

wonwoo

when you stop to tie your shoelace, you noticed that wonwoo always crouches down with you and just watches you tie your laces. so one time, you asked him why he always crouched down with you and he said that it was bc he didn’t want to miss a single word of what you were saying. his answer was unexpectedly sweet so now, whenever you’re done tying your shoelaces, you always press a kiss to your sweet boyfriend’s lips before standing back up

woozi

‘oh wait love, your shoelace is untied’ you both bend down at the same time, causing your heads to bump into each other and you giggle. you let woozi tie it for you, but you stay bent down, just to keep him company. once he’s done, he’ll get up first, help you up, and then compliment your shoes

minghao

if you crouch down on the floor to tie your shoelace, minghao is gonna stop you and pull you to a bench or something else that was elevated bc he does NOT want you kneeling on the dirty floor. he’ll keep a hand on your back/shoulder to keep you stable and once you’re done, he’ll grab your hand almost immediately. ‘done? good bc i want ice cream’

mingyu 

mingyu’s telling you some story about a joke the boys pulled on him and he becomes so immersed in his storytelling that he doesn’t notice you’re almost 20 paces behind him, tying your shoelace. ‘so that was pretty funny. wasn’t it, [Name]? [Name]? WHERE’D YOU GO’ he’ll whip around in a circle, looking for you frantically before you finally manage to catch up to him. ‘does this mean you missed half of my story’

dokyeom

when dokyeom notices that your shoelace is untied, he’ll get down, prop up one knee, and pat his leg, telling you to rest your foot on his thigh. you do so, and while he ties your shoelace, you use his shoulder to balance yourself. once he’s done, you put down your foot and kiss his cheek. ‘thanks min’ ‘anything for my princess’

seungkwan

mother seungkwan mode: activated ‘make sure you double knot… do you know how to double knot?’ ‘kwan, i’m the one who taught you how to double knot’ ‘right’ he’ll pretend to be done with you and be impatient, but he’ll immediately help you up once you’re done and brush off your knees. he was probably also the one who noticed your untied shoelace first and pointed it out to you

vernon

‘babe wait, my shoelace is untied’ before you can react, vernon hands you his drink so he can tie your shoelace for you. why do i feel like he can do the super fast thing where it takes literally one second to tie your laces anyway, once he’s done, he’ll pat your leg(?) like a dad before standing back up and taking his drink back. ‘it should be all good now. sorry for not noticing earlier’

dino

chan would do rock paper scissors with you to decide who re-ties them (it didn’t matter whose shoes, you guys always did it to decide). it wasn’t that he didn’t want to or you didn’t want to, you guys js thought that it would make it more fun :)) if he was the one who won, he’ll probably make groaning noises as he makes his way down, complaining about how old he’s getting and how his joints aren’t like they used to be anymore. ‘chan, you’re not even a quarter of 100 yet, stop being dramatic’ that usually gets him to be quiet (for now..) and once he’s done, he’ll get back up, kiss you, and then continue walking down the street with you

reblogs and feedback is always appreciated ^-^

#seventeen #svt #seventeen imagines #svt imagines #seventeen fluff #seventeen blurbs #svt x reader #seventeen x reader #scoups #jeonghan #joshua #junhui #hoshi #wonwoo #woozi #the8 #mingyu #dokyeom #seungkwan #vernon #dino #hannyoontify.works #on another note guys pls take care of your ears don't get tinnitus like me oh my god my right ear has been ringing nonstop all day #and there's so much pressure inside my right ear drum guys pls take care of ur ears #your hearing is vvvvv important