love when men cry about body hair bc "it's hygiene" and yet 15% of cis men leave the bathroom without washing their hands at all and an additional 35% only just wet their hands without using soap. that is nearly half of all men. that means statistically you have probably shaken hands with or been in direct contact with one of these people.
love when men say that women "only want money" when it turns out that even in equal-earning homes, women are actually adding caregiver burdens and housework from previous years, whereas men have been expanding leisure time and hobbies. in equal-earning households, men spend an average of 3.5 hours extra in leisure time per week, which is 182 hours per year - a little over a week of paid vacation time that the other partner does not receive. kinda sounds like he wants her money.
love that men have decided women are frail and weak and annoying when we scream in surprise but it turns out it's actually women who are more reliable in an emergency because men need to be convinced to actually take action and respond to the threat. like, actually, for-real: men experience such a strong sense of pride about their pre-supposed abilities that it gets them and their families killed. they are so used to dismissing women that it literally kills them.
love it. told my father this and he said there's lies, damned lies, and statistics. a year ago i tried to get him to evacuate the house during a flash flood. he ignored me and got injured. he has told me, laughing, that he never washes his hands. he has said in the last week that women are just happier when we're cooking or cleaning.
maybe i'm overly nostalgic. but it didn't used to feel so fucking bleak. it used to feel like at least a little shameful to consider women to be sheep. it just feels like the earth is round and we are still having conversations about it being flat - except these conversations are about the most obvious forms of patriarchy. like, we know about this stuff. we've known since well before the 50's.
recently andrew tate tried to justify cheating on his partner as being the "male prerogative." i don't know what the prerogative for the rest of us would be. just sitting at home, watching the slow erosion of our humanity.
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Danny no longer has a haunt. So… he decides to find another one. And while he technically has a whole world (other dimensions aren’t an option because he’s going to stay near where Jazz’s grave is, damn it) there’s only a couple of other places with enough ambient ectoplasm to sustain him. Nanda Parbat, Tokyo, and Gotham.
Nanda Parbat had a weird old musty immortal that kept trying to summon him and exchange power for the ability to “take a worthy body and rain as much destruction” as he’d like. As if Danny would need a body to bring the world to its knees.
Tokyo… it’s too far from Jazz’s grave. He could ask Wulf or even open his own portal but when Danny tried it out, Tokyo was too peaceful. Obviously there’s crime, but nothing… nothing big like Danny’s used to.
Danny ends up picking Gotham, even if the sewer zombies and the weird group of rich fruit loops with an adoption problem creeps him out. So, he destroys the portal, packs up his parents’ house and sells it, and hauls ass to the cesspool calling his name. His family’s stuff is stored respectfully in a vault located on the deepest parts of his personal haunt in the Infinite Realms.
And honestly, he’s doing better. Sure, he’s got a shitty apartment near another revenant’s almost-haunt and he feels like he’s drowning all of the time, but Danny isn’t in danger of turning into Dan, he’s catching up on royal paperwork, and he’s got like a job as a barista. In his own coffee shop that paid for using his parent’s money (who, despite their hazardous everything, made a crap ton of money off of their more normal inventions).
Gotham’s got some pretty interesting local gangs, most of which respected the sanctity of Danny’s cafe. Sure, they tried blowing it up and tried extorting money from him in the form of “protection costs” but after three months of failure, they gave up.
(Really, the local gangs gave up when they saw him take three shotgun shells to the chest and continued to work.) (They didn’t know it never hit him. Intangibility is extremely useful.)
The Rogues, on the other hand, just gave Danny flashbacks. Their gimmicks are different, sure, but after years of Box Ghost, Skuller, Lunch Lady, etc., Danny’s more than done with costumed villains. They don’t bother him either. Some of the reason is probably due to Harley and Ivy, who had walked into the cafe and (because they were bruised and scratched up from a fight) triggered Danny’s mother hen tendencies. They were promptly fed and watered and caffeinated and their hyenas were also similarly taken care of. They declared the cafe under their protection and that was that.
Red Hood stops by, and begins to interrogate him. But when Danny met his… helmet eyes? The crime lord paused, paid for his coffee, and sat in a corner table of the cafe for the rest of the day.
And he kept coming back?
But Danny figures it’s because Hood was a revenant and people who had come close to death tends to feel more comfortable around him.
(Considering this is Gotham where people almost die every other day? Yeah, he’s pretty much friends with everyone. Or at least, less likely to get shot.)
(Hood does stay because of the King’s presence and the Pit calming itself, but also Danny’s hot and he’s got a sleeper build and Hood definitely did not imagine himself in the place of the heavy box he saw Danny lift effortlessly onto a table. No.)
But of course, the peace couldn’t last forever. But by then, Danny was so antsy, he welcomed the trouble with open arms.
It starts with a clown. Danny knows who he is. He knows who Danny is.
So, Danny has no idea why the clown thought it would be a good idea to aggravate the owner of Gotham’s official neutral grounds. See, Clovkwork? Danny’s learned how to gauge his own political importance!
“HAHAHAHAHA! COME OUT, DANNY-BOY! LET ME TELL YOU A JOKE!”
Danny comes out and grabs a chair, and with a flat expression, says, “you’re not funny and I hate clowns.”
And then he swings and slams the chair into the Joker’s face. Over and over again until Danny’s sure the clown won’t get back up. The thing about Gotham’s outdoor chairs is that they’re mad out of steel and are bolted down to the ground to prevent undedicated thieves (dedicated thieves can and will steal the bolted down steel chairs). The Joker’s hired muscle just watched this scrawny twenty-something year old yank the steel chair and take some of the fucking ground and the bolts with it and beat the fuck out of their boss who is the literal Joker.
They surrender on the spot and is taken to jail. Danny just smiles at the officers who come by and since he’s got pretty privilege and they don’t want to mess with the guy who, again, owns one of Gotham’s official neutral ground and also beat up Joker without breaking a sweat, the officers just lets him go with a warning.
And then the bats comes, and wow, Danny’s playing mentor to a formally dead person again!
But before that, the Red Hood asks for an autograph on the Gotham Gazette article with a picture of a tired Danny standing over Joker’s prone body. Then Hood stammers through asking Danny out (which Danny said yes to because he’s tired, not blind, and Hood is built like a brick house and HOT).
Batman interrogates him. Danny, who can tell that this man needs therapy and is Sad TM, tells Bats that Danny’s died before and that’s why he’s like this. He also calls Batman a furry, but like in a nice way. And then he kicks Batman out with a coffee and a file on Nanda Parbat.
Now, Danny’s got a date to prepare for and he realizes that maybe this is what Jazz wanted for him- to be happy and mostly safe and happy. (Or, happier, he thinks. It’s been a long time since he’s been truly happy, but this might be a good start)
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Steve tries to stay quiet while he gets ready for work, but Eddie hears him. He keeps his eyes closed and just listens- to Steve grumbling to himself when his hair doesn’t sit quite right, who starts to hum and whisper some catchy song. Eddie turns his sleepy gaze onto Steve as he shuffles around their room- watching quietly as he slips on his clothes, his shoes, a simple chain with Eddie’s ring around his neck. A warm, affectionate smile breaks across his face. Before he leaves, Steve glances at what he expects to be a sleeping Eddie, but instead, he’s met with a rasped, ‘Hey.’ Eddie sits himself up, stretches his arm across Steve’s side of the bed, and reaches, fingers wiggling. Steve crosses the room to cradle his face.
Their foreheads press, noses bump, and Steve brushes his fingers across scars and dimples.
He breathes a quiet,
‘Sorry, I didn’t mean to wake you.’
Eddie huffs a tired laugh,
‘You know I never mind.’
Because, yeah.
Every morning Steve tries to stay quiet while he gets ready for work, but Eddie always hears him.
( another one from the poll | WIP )
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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