#they also have many different body type character models which is pretty cool? not used to having that for gacha games

[shewreckz]

Hey your art is pretty whimsical and radical my gender non specific broseph, per chance would thou be able to enlighten us on how you draw such bodacious fine art? Like how you draw bodies and fave and what have thee. (Fr tho your art really cool and I'd like to see how you make it)

okay i have whipped up a quick little visual of my thought process while drawing!! it might not be the best cause im not the greatest at teaching but if anyones curious ^_^

first lets start with how i draw bodies

a lot of people like to do the "skeleton" method which is where you draw lines and circles to plan out where the limbs should be. honestly i really dislike doing that because i like to always have volume and shape in mind when drawing bodies, but if it works for you thats great.

instead i separate the body into different pieces, kinda like an articulated doll. i think it helps visualize all the moving parts in a 3d space and makes posing and perspective a lot easier. i can also always add the detailed anatomy on top of this basic model like you see on the left. its always important to work from simple -> complex. drawing a pose while being too worried on anatomy will really hinder your drawing process.

to improve doing this it really just takes practice and observation. i could be here all day talking about proportions, and how many heads high a person is, and each specific muscle group, but i reccomend you go and watch videos and study professional artists on your own. as someone who has been drawing and studying these things for so long, i barely think about how many heads high a person is when im drawing a body. its kind of like learning how to play and instrument or driving a car. it becomes second nature eventually, but you have to apply those skills and work through that period of time where youre still trying to program it into your brain.

after you get a hang of the basics you can take this basic model and draw all types of body shapes with it. i say its always important to play around with making your body types diverse. its not only fun to do but helps make all the characters you draw unique and recognizable. (dont be like vivziepop).

dynamic posing can be the hardest thing to master for a lot of people. the best way to learn how to pose is to not think about it too much and just doing it. for example in my figure drawing class we had to sketch out gesture drawings from a picture in 15 seconds. excercises like that help a ton in making you feel more comfortable when drawing from a reference. you should definitely reference a LOT when it comes to poses, it helps build this visual database so that eventually you can get to the point where you can just draw accurate and dynamic poses from memory. after getting to this point eventually you kind of start thinking of your canvas as this tangible 3d space and considering your characters in 3d space helps make the poses feel a lot more realistic and interesting.

ok now a quick little tour into how i draw different faces yaaaayy!!!1!1!1

main thing with my art is that i LOVEEE drawing dynamic face shapes i think its so important to avoid drawing the same slim faces over and over. shape language plays a big role into this. like for example the face on the middle is more square, the one on the left is more oval and the one on the right is more circle. shape language helps communicate so much about your character without even saying a word about them and just helps differentiate people from a glance.

facial features also play a huge role into making your faces different. these are all drawn from the same exact face shape but look like entirely different characters by adding variety in the features. different noses, eye shapes, lips, etc. can make such a huge difference

i think before any of that its important to learn the anatomy of the face though. again im not gonna go into how many eyes wide a face it or how far the nose is from the mouth but like its always important to learn the fundamentals before stylizing stuff. again the face is a 3d space and if you dont consider your face a 3d plane the features will kind of just look like theyre floating on your characters face like soup...theres a lot of great resources and tutorials online take advantage of those!!! and reference from artists you like too it helps a ton.

and then you mix that all together and Boom you have cool and interesting faces. you will best that same face syndrome in no time if you take my advice Trust...

anyways yeah thats the soda design philosophy hit that like button if you liked it or douse me with tomatoes and kick me off the stage if you think i give bad advice ill leave the decision up to you

#soda's art #art tutorial #errmmm yeah idk how to be a teacher im sorry

[fioras-resolve]

Playing Style Savvy for the first time has been pretty cool, delving into a kind of game we don't usually play and getting to experience the fashion world as trans women. (Incidentally, I say "we," we're a plural system. Please don't get mad, at least not in the replies. I'm Maya, I love fashion, and that's about all you need to know.) But playing it has also called attention to something that I just cannot ignore as a fat trans woman, which is the lack of body diversity. So, let's get into it.

So, I wanna start with a concept I'll call "the world of pretty." This is a fictional setting where just about every character is some kind of attractive. Style Savvy is obviously a world of pretty, but so is Final Fantasy, Hades, a lot of anime, and the portfolios of plenty of artists on this site. And this is a good, fun thing, you know? It gives the work a kind of appeal that's incredibly straightforward to understand, so I don't need to dwell on it for too long.

Here's the thing, though. I am, as I said, a fat trans woman. Not many worlds of pretty include someone with a body like mine, because trans bodies are so often forgotten, and fat bodies are simply excluded from a lot of people's idea of what an attractive person looks like. So when Style Savvy doesn't even let me be an XL, the implication is that my actual body is not worth having in your world. And that's not even to mention the limited or non-presence of people of color in many of these works. When I realize that my own body is excluded from a world of pretty, the illusion shatters.

Now, the fact I mentioned tumblr artists as an example of this might raise some eyebrows. After all, this kind of thinking can easily drive someone to hassle an indie artist about changing their style or preferences. I don't want to encourage that here, and if you've received grief about not drawing fat, trans or PoC characters, I'm sorry that happened, and it shouldn't have. I've been in the position of wanting to have this kind of conversation, but knowing it could easily get drowned out by people who do not fucking speak for me. I just want you to be mindful that, when you make attractive character art for a long time, you inevitably create a world of pretty, for good and ill. I can't tell you how to use that power, but I want you to know that it's there.

And, additionally, there are excuses, some better than others. Final Fantasy and Style Savvy are both inspired by high fashion and normal people fashion respectively, so it makes sense their characters all look like models. Worlds of pretty are very marketable, and it can be a hard sell to break from that mold. And it is genuinely hard to have diversity in your work, in a way I will explain right now.

Okay, look. To give Style Savvy its due... gamedev is hard. I would know, this body does it all the time. So like, if you're making a game with any kind of visual element, you need either sprites (2D drawings basically) or models (Basically 3D puppets with potentially hundreds of moving parts). And these models will almost always require a rig, like, a skeleton with bones and joints, that determines how the model can move.

From a production standpoint, you can crank out new characters from the same base model, much easier and faster than if you spent the time building another model with a unique rig. I can't speak for this exactly, because we've never done 3D dev before, but it's just way less of a headache and a hurdle if you're trying to get the most "content" out of your limited budget of staff and time. It just makes sense not spending the time to make different body types, especially in a game like Style Savvy where they'd also have to do a metric shitton of work modeling all the clothing for each distinct body type. I understand this. We sympathize. But what it means is that fat bodies are not in the games' world of pretty.

(hey, Angie here now) so like, i am not immune to the world of pretty. it's part of why i like the things i do, and it's part of why i picked up style savvy to begin with. even as the illusion shatters, i still like a lot of media and artists that don't really do body diversity. but at the same time, as i was playing style savvy i started imagining a version of it that actually did have what i wanted, and used that to create an even more positive experience. like, imagine playing one of these games, playing a clerk at a boutique, and then a trans woman comes through the door, bashful about her looks but desperately wanting to find something that suits her. i'm imagining a world of pretty that includes all body types, that finds beauty in every body. and i know i can't create this because i'm a lowly game designer... but i imagine it and i start to feel happy.

#game design #style savvy #maya speaks

[yokohamabeans]

Hello Yoko , What type of girls do you think the guys from Tenjuku like, as well as Hanme and Kisaki, and which girls on the contrary repel them

Hello Anon!!

Hmmm, this is a hard question for me to answer and I'm not sure if you'll like my reply, cuz it'll be in no way helpful or specific 😅

For the most part, I don't think they have any hard, specific 'type' of girls they're attracted to or repelled by, as I think they'll probably consider the whole package. In most cases, they'll probably just see or meet a girl they find attractive and that's it. Same for the opposite.

For some of them, they probably have a certain look they tend to like, but won't fall for the girl just because she has that look. They won't dismiss a girl just because she doesn't either. Again, it's down to the whole deal.

That said, here's my attempt at this, off the top of my head. Do know that I really think their 'types' are totally open to interpretation. (A part of me also feels that Wakui didn't want to include this in the character book for a reason!)

IZANA, HANMA, SANZU: Truly have no type at all. Izana and Hanma are complex and perceptive characters who I think understand that people are multi-faceted beings, so they rather not pigeonhole them into 'types' or 'categories'. How they feel about someone can be a total wildcard, IMO. If they ever want a quick, non-commital thing, they'd probably choose someone with a "hmm, that will do" kind of attitude, if you get what I mean. As for Sanzu, I think he's simply disinterested, so he doesn't really give any thought to the kind of girls (or even people) he'd like. (Well, for that matter I think Izana and Hanma don't really think about that either, actually.)

RAN: Doesn't really have a type either, like Izana and Hanma. Whether he likes a girl or not is on a case-by-case basis, and I think he's been attracted to many different kinds of girls before. Considering how important appearance is to him though, he'll probably be turned off by someone who doesn't present themselves well. From his comment about how he admired Izana and Kakucho, I get the feeling that he'll also respect someone with dignity, whatever that means.

KAKUCHO, RINDOU: Pretty basic of them, but probably the 'nice girl next door' type. For Kakucho, it's mostly because he doesn't have much experience with girls, so he's mostly just guessing that as a sincere sort of guy, he'd want a sincere sort of girl too. Rindou is probably also used to seeing many hot, 'party/club' type of girls throw themselves at his feet for his reputation and money, but probably just wants someone who's sincere and will like him for who he is. (I say this because Wakui's ranked him one of the most desirable Tenjiku guys actually.) Kakucho is said to dislike weaklings in CB3, so he probably dislikes girls who whine and complain a lot. I can see Rindou really disliking two-faced hypocrites for some reason, or be turned off by girls with a temper (after his bad experience with grouchy Ran...)

MUCHO: Mucho seems to hold some traditional values and can be quite austere, so I can see him preferring the yamato nadeshiko type of girl. At the same time, I can also totally see him being attracted to a cool, composed sukeban (female gang leader). Basically, I think his type is someone wise and dignified, or someone he can relate to. Conversely, he'll probably have a hard time warning up to the ditzy, make-a-fool-of-themselves kind of girls.

MOCCHI, MADARAME: They're simple guys who like girls they think are 'conventionally' pretty. Or rather, they'd just like girls who possess conventionally attractive features, like an hourglass swimsuit model body, or a certain style of makeup. Mocchi is more discerning with his tastes, while for Shion it doesn't really matter if the whole ensemble isn't actually attractive. (Fun fact, I also headcanon that none of the Tenjiku guys actually find the girls that Shion likes attractive LOL). Both guys will also dislike overbearing, naggy girls. Reminds them too much of their mothers.

KISAKI: Canonically, he is dead set on Hina so I don't think he'll even consider any other girl. I'm pretty sure though he absolutely loathes the kind of superficial girls who only care about looks and popularity.

So there you have it!

#asks #anon #tokyo revengers #tr braindumps #tenjiku #tr headcanons #kurokawa izana #hanma shuuji #sanzu haruchiyo #haitani ran #haitani rindou #kakucho #mutou yasuhiro #mochizuki kanji #madarame shion #kisaki tetta

[ashxketchum]

Could you share a random hc for each of the chosen children? Any plans to make more hero academia type crossover edits?

Hello, thank you for the message Anon! Sorry this was sitting in my inbox for a few days, I've been dying from the heat lol.

Before I get into the hcs, I do have a few more cool Digidestined x a-random-ass-thing edit ideas, but I'm kinda in the middle of an event for a different series and am also low-key waiting for Digi week prompts to drop to see if they could fit in them instead. So it won't be soon, but occasionally I might drop something.

Okay onto the hcs, I've picked a theme which is alternate careers! These are just really random, personal opinions, no hate to the 02 epilogue.

Taichi - Easy, soccer superstar! I mean with the body they gave him Tri, you're telling me he doesn't go on to play the sport professionally? Preposterous, I refuse to believe. He'd be a pretty well-liked celebrity too, his interviews would always go viral for funny reasons and he'd have tonnes of branding campaigns in his hands.

Yamato - So this one is a bit difficult since I have so many different hcs and ideas for Yamato, but gonna go with TV Journalist, like a News Show host. Gets in through the connection of his parents obviously, but his personality changes completely when the camera is on, so he quickly becomes a household name and his show earns the highest TRPs on a daily basis. 

Sora - Wagashi (traditional Japanese confectionary) chef. Obviously has to rebel against her mother for this, but seeing how popular Sora's shop is, eventually her mother gives in and supports her. Her shop's speciality is yokan, and all the different flavours it offers depending on the season becomes a trend among high-schoolers and social media influencers.

Koushiro - To be fair I'm still unclear on what exactly Koushiro does in the canon ( do I care? not really). In my hc he often works as a robotics engineer. He's part of the doctoral research team for a top university and also teaches the under-grad class apart from working on his research projects.

Mimi - My best girl starts out as National level figure skater (thank you Tri promotional art) and eventually becomes a social media influencer who uses her platform to spread awareness about climate change. That's right she's a beautiful athlete, popular celebrity and an environmental activist, no one else could ever get on her level.

Jou - High School Math teacher, I always thought he's a better fit for a mentor figure to young minds than any of the other chosen. He's the student's favourite and is often found standing up against the school's strict policies and helping his students through tough times.

Takeru - This one is difficult since I actually love the idea of Takeru as a writer, but I picked YouTuber/Vlogger for him. His content would range from his daily life to DIYs and book reviews. He starts off as just wanting to do something through high school but a few of his videos on bullying and the education system go viral, and he becomes very popular within teenagers and younger children.

Hikari - A Model and Voice Actor. Scouted at a young age for her pristine looks, she has a steady career of appearing in magazines and being the face of many popular brands. She dabbles in acting a few times but it doesn't lead to much success, however she voices a few anime characters that become popular and earn her a few more roles in the industry.

#answered #digimon #taichi yagami #yamato ishida #sora takenouchi #mimi tachikawa #koushiro izumi #jou kido #takeru takaishi #hikari yagami #digimon au #writealot

[mstrchu]

recently learned that i am not immune to instagram ads ☠

#dislyte #nezha #ao bing #apollo #actually im not like 100% sure how dislyte's lore works ik they also have their own like #names #i usually scroll past ads p fast on reels but they flashed me the NEZHA and i was like hello #downloaded it to check out the design #and then i actually rolled him so that was the end of the line for me. #but also the character design in this game is pretty crazy!!!!!!! #they got like loki and chang'e and lots of others #they also have many different body type character models which is pretty cool? not used to having that for gacha games #the voicelines r... cringe... but it's ok... #this is by far the most cringe iteration of ao bing but the horns.... the spine/tail..... i am looking... #nezha (li ling???? @_@) also has some pretty cringe vcs but his pants say 转生恶童 in giant text which is so funny that it makes up for it #and love love love the pink #转身恶童 = like... reincarnated bad boy LMFASOOO #apollo is just very orange #i wanted to draw more but i should probably work on passing this semester for now FOR NOW #art tag #if u made it down here we're now legally married #oops *生 for that last part i was typing too fSt

[bubbledumbbinch]

Okay so can I ask for some general headcanons for a Fem!MC in twst? The game has gender-neutral pronouns for the MC so far and it's an all boys school. How do you think the characters reaction/interactions would change if the MC was female? (if all are too much you can just pick your faves, maybe just include the octa and Savannahclaw dorm?) Just your thoughts and some brainrot💖

I think the boys would definitely be a lot more flirtatious to fem!MC!!! (I just wanna call her FeMC so I could say… fem… with a c at the end LOL). This is an all boys school, what do you expect?!

These are mostly short I’m sorry! I wanted to try to fit everyone in!

Ramshackle

Grim would lay at night curled up beside you. On days when your period hit, Grim would sense you in pain and get near your abdomen and purr. He feels like it’s an instinctual thing to do and if if helps out his minion, he’ll do it! Plus there’s tuna in it for him, right? Pet his ears too!

Heartslabyul

Riddle would definitely blush when you are around, but not too heavily! Sure he finds you attractive but it won’t stop him from fulfilling his duties as a dorm leader! He can’t help himself when he gets flustered talking to you since the only woman he grew up around was his strict mother. Since you’re different compared to her, he can’t tell but feel warmth from you which he wants to keep in his heart.

Ace and Deuce would make jokes at each other’s expense, both of them sorta going neck and neck trying to compete for your attention! They know you guys are just friends… unless..? 😳 Ace would make the snarky remarks while Deuce would threaten to beat Ace up.

Trey would act the same towards you, knowing he has to be a respectful upperclassman! You ALMOST can’t tell he sets aside the cupcake with more fruits or decoration on it for you at the Unbirthday party. Trey would give his signature smirk and wink as he sets it down in front of you.

Cater would take you on shopping sprees and outings to have so many photo opportunities with NRC’s only female student! Girls would flood his comments asking if you were his girlfriend, but he never answered. He secretly hopes you like him back so you could do cute couple things together like match outfits!

Savannaclaw

Leona would still call you herbivore and treat you the same as always. Still as lazy as before. However he can’t help but show off when he plays Magift and you happen to be watching. He lowkey stares at your features and shape of your body when you’re not looking 👀

Ruggie would also mostly act the same towards you, but he would bump into you on purpose so he can have an excuse to touch or smell you! His body tingles when he can smell your scent on the blazer he accidentally knocked into you with! Still treats you the same as ever though!

Jack would be gentler towards you, he knows how rough and big his body is, he doesn’t want to accidentally hurt you! His personality is still the same, don’t think he’ll treat you any differently because you’re a girl!

Octavinelle

Azul would try to make shady deals with you to offer you protection against students who may be too forward with you since you’re a girl. In exchange? For you to work at the lounge! and spend time with him. He secretly likes you but would never tell you to uphold his reputation and he is also afraid of rejection ;w; Azul would also not mind seeing you wearing the lounge uniform, fufufu…

Jade would would act more like a butler type! You also find him nearby sometimes, feeling his striking gaze looking at you. He’s always there when someone is trying to confess to you and you look uncomfortable. “Oya oya, do you need some help, miss?” His voice teasingly echoes through the halls, scaring off the guy who was trying to hit on you. Jade would stretch out his hand and escort you to wherever you needed to go.

Honestly? Unless you had a super “girly” appearance, Floyd wouldn’t have noticed until he gave you a hug to squeeze you, noticing your body was different… more squishy... and your bone structure is different. Shrimpy is so squeezable!!! Huh? He has to be wary of your chest? He’ll just lift you up by your tummy! You being a girl doesn’t stop the hug train!

Scarabia

Kalim wouldn’t treat you any differently! He would still definitely invite you over as often as possible, not realizing his sweetness may come off as flirtatious! Might develop a small crush on you :) imagines all the pretty outfits he could buy you from his homeland

Jamil would at first be wary of you but once he realizes you aren’t a threat to Kalim or the school, he stops doubting you. Definitely isn’t the type to judge you differently based on your gender!

Pomefiore

Vil would smirk and think he finally has someone else to practice makeup on! He definitely uses you as a model to show off his products, whether it be makeup, skincare, clothing, etc!

Rook would be… protective. He likes you because you’re different, and he would subtly follow and stake you out to see what things you’re doing differently at NRC as a girl. Rook offers silent protection against those he sees as a threat to you before you can even notice.

Epel would definitely try to prove his manliness in front of you if Vil isn’t in the vicinity! Going out of his way to carry heavy items, be tough, etc. If YOU tell him he’s manly, it’s certainly gotta mean something right?!

Ignihyde

Idia thinks it’s like some sort of anime trope, you’re the female protagonist and it’s like a reverse harem because the whole school is full of boys! Cough cough breaking the fourth wall here! He would probably be more… nervous around you, not like he would ever get close anyways, but still! The idea of the only girl at school actually being friends with you and maybe becoming more makes his heart beat faster.

Ortho would not. Perceive you any differently LOL. He’d be intrigued would say like “A girl? Cool! The body analyses I’ve done from everyone around you reads their body temperatures higher and their hearts are all beating faste- MMPH!” He would be silenced by ADeuce…

Diasomnia

Malleus…. Once he knows how you don’t fear him and how you like him even without knowing who he is. All he can think of is how beautiful you would be as his queen. Who can blame him? He has priorities and he needs to think of these things! I can also imagine him picking petals off flowers and saying “She loves me… she loves me not…” because he’s romantic like that… my heart

Lilia would use his experience in his vast years of dating to his advantage, knowing what ways to talk to a woman best. He swears he is only flirting with you for fun! The way your cheeks puff up in embarrassment is just too cute to resist! He certainly doesn’t mind a gender neutral MC, but Lilia can appreciate the beauty in every gender and he certainly appreciates your beauty!

Silver said 😪😴 . You notice Silver has more of a knightly approach to you, offering to protect you when you need it. He understands how a situation between one girl and hundreds of male students could provide a sense of fear, so Silver would always be there to protect you if you need!

Sebek would blush when you’re around, but he thinks you’re trying to use feminine charm and wiles to seduce the young master, even though all you did was make a yawn noise, flip your hair, or put on a bit of makeup! You have to explain to him that you aren’t doing anything to try to seduce anybody. You just wanted to go to school. He is doubtful but finally agrees. Maybe he was becoming victim to your charm instead?

#twst x reader #twisted wonderland #disney twst #twst imagines #twst headcanons #heartslabyul #savanaclaw #octavinelle #scarabia #pomefiore #ignyhide #diasomnia #twst wonderland #twisted wonderland x reader #twst x you #twst grim

[tyrantisterror]

THE A.T.O.M. CREATE A KAIJU CONTEST 3-D!!!

YOU THOUGHT YOU WERE SAFE!  YOU THOUGHT THAT THE TIME OF MONSTERS WAS AT AN END!  BUT YOU WERE WRONG, FOR NOW YOU MUST WITNESS…

THE A.T.O.M. CREATE A KAIJU CONTEST 3-D!!!

That’s right, it’s back!  Celebrating the publication of The Atomic Time of Monsters Volume 2: Tyrantis Roams the Earth! (which in turn completes The Ballad of Tyrantis arc for this series), I’m holding another monster design jam.  The third of such jams, in fact!

Like the first A.T.O.M. Create a Kaiju Contest, the aim of this contest is to create kaiju that would fit within the setting of my big kaiju story series, The Atomic Time of Monsters.  Think of it as me letting you into my sandbox to play with my toys for a bit, or like you’re being put in the director’s chair of a new ATOM-verse kaiju movie.  That means your entry does have to fit into ATOM’s world, which in turn means that yes, there are limitations to your creativity here.  But limitations can be good sometimes - they can make us explore options we wouldn’t consider when given completely free rein to do what we want!

(also you don’t have to make a three dimensional image or anything, the title’s just a pun on how the third movie in a monster movie franchise will often be a 3-D film)

Read below the cut to learn the rules and whatnot:

THE RULES:

1.  You are limited to one entry per person.  Work hard and make your entry count!

2.  Your kaiju must have some sort of description of its physical appearance and its personality - you can submit a drawing or a written description (or both!) for the physical appearance depending on what you’re most comfortable with.  Using the same template/format as my official ATOM Kaiju Files (https://horrorflora.com/monster-menageries/atom-kaiju-files/) isn’t required, but it was cool when people did it in the last contest, so feel free to do so this time too!

3. The kaiju you create must specifically be created for this contest  - no repurposing characters you made for other, wildly different stories.  This is not “trick TT into drawing/canonizing my main OC” time.

4. The kaiju must fit the setting and aesthetics of ATOM.  I’ll explain this in more detail down below.

5. The kaiju should add something meaningful to the world of ATOM. The more unique and interesting your kaiju is, the more likely you will win the contest.

6. Don’t make your kaiju too dependent on pre-existing ATOM characters - no “Tyrantis’s long lost evil brother who’s the strongest kaiju in the world.” These should be to Tyrantis’s story what War of the Gargantuas is to Godzilla’s movies – heroes (well, monsters) of another story in the same world.

THE REWARDS:

I will make pencil sketches of the top 5 entries in the contest.

I will then make fully rendered illustrations (lineart, colors, & shading) of the top three entries.

The winning entry will be made into a model ala the ones I’ve been making for ATOM’s core 50 monsters, which can then be shipped to the person who created it (should they be able to cover the shipping costs).  That’s right, your kaiju could be brought to life in THREE GLORIOUS TECHNICOLOR DIMENSIONS!  (Hey, we worked the gag title in to the prizes!)

THE DEADLINE: All entries must be submitted by July 3rd, 2021.  You can submit it here on tumblr, via the horror flora e-mail, or any other channel you know how to reach me through.  I’m in a lot of places.

THE GUIDELINES (TO HELP YOUR ENTRY FIT THE RULES AND WIN):

The smartest thing you could do if you want to win this contest is familiarize yourself with the world of ATOM by, y’know, reading all the material I’ve published on the subject.  In addition to the many kaiju files that are free to read on horrorflora.com, there are now TWO, count ‘em, TWO novels in this series for you to peruse, both of which establish many of the rules of the setting as well as its general themes and tone!  You can get them in either paperback or e-book formatting (I’d recommend the former over the latter since I lack the technology to make a really nice ebook, but if money is an object, the kindle version is only $1).  Here’s the links again if you missed them:

Vol. 1: Tyrantis Walks Among Us!

Vol. 2: Tyrantis Roams the Earth!

However, since I know reading a bunch of stuff is, y’know, not something everyone is inclined to do, I’ll jot some good bullet points for you in an attempt to outline how ATOM works in a brief, easily digested way:

ATOM is an homage to the monster fiction of the 1950’s and 60’s (i.e. the Atomic Age), and is set in those two decades, albeit an alternate universe version of them where, y’know, monsters and space aliens exist.  If you aren’t familiar with the monster fiction I’m referring to, there will be some reference material provided at the end of this post along with some recommendations for further research.

Kaiju/giant monsters in ATOM work under very specific rules.  There’s a full description of those rules at this link, but here’s the jist:

ATOM Kaiju are created created by the radiation of a mineral called Yamaneon, which naturally converts harmful radiation into its own unique energy.  In natural circumstances, it takes hundreds of years of exposure to Yamaneon radiation for a creature to become fully transform into a kaiju (luckily, Yamaneon radiation slows the aging process while speeding up the healing process).  However, an explosive burst of energy - such as the geothermal and kinetic energy released by an earthquake, or the blast of a nuclear weapon - can speed up the process, turning a normal animal into a kaiju within a matter of seconds.  

All ATOM kaiju can heal grievous wounds within minutes or even seconds, are supernaturally strong and durable, and can convert harmful radiation to harmless energy that they then feed off of.  Kaiju do not have an equivalent of old age, and can theoretically live forever (though their violent lifestyle means that few do).

ATOM Kaiju generally don’t need to eat unless they are severely injured, getting most of the energy they need from solar or geothermal radiation - but many still have instincts that drive them to seek out food from time to time.

Most ATOM kaiju stand roughly 100 feet tall (depending on their body shape), i.e. smaller than the original 1954 Godzilla.  There are exceptions to this rule - younger kaiju can be smaller, while exceedingly old kaiju can be significantly larger, but these are rare.

In general, ATOM kaiju are significantly more intelligent and emotionally complex than people expect animals to be, though most are incapable of speech or complex tool use.  There’s a reason ATOM Kaiju Files have a “personality” section.

Most ATOM Kaiju are tooth and claw fighters - ranged weapons are a rarity in this setting.

While the terrestrial monsters in ATOM look strange, they are intended to fit within the taxonomy of animals in reality - reptiles, mammals, fish, arthropods, molluscs, etc.

ATOM’s mesozoic era was dominated by a fictional clade of crocodile-relatives called retrosaurs, which are based on the outdated paleoart that one would find in the 1950’s/60’s fiction - i.e. when dinosaurs were viewed as trail dragging lizards instead of strange birds.  You can learn more about retrosaurs here (https://horrorflora.com/2016/11/15/atom-kaiju-file-bonus-a-guide-to-retrosaurs/).

Kaiju appear on every continent in ATOM, but certain areas tend to be dominated by different types.

North America is mainly besieged by retrosaur kaiju and giant arthropods.

East Asia is technically also mainly plagued by retrosaurs and big arthropods, though they tend to look more fantastical and mythic - and, often, oddly well suited to being portrayed by a person wearing a monster suit.

Russia is beset by prehistoric monsters that seem to come from the Cenozoic, particularly the Ice Age.

Western Europe is plagued by creatures that vaguely resemble creatures from myth, if they were also prehistoric.  Dragon-y lizards, fiery birds, etc.

Towards the mid-way point of ATOM’s timeline, earth is invaded by a coalition of aliens from different solar systems called the Beyonder Alliance, and as a result a bunch of alien monsters can be found on earth.

Mars and Venus both host (or hosted in Mars’s case) animal life.  The surviving Martians colonized Venus, and sent some of their kaiju guardians to earth to help us fend off the Beyonders (who are responsible for the destruction of Mars’s ecosystem).  Martian and Venusian kaiju have specific anatomical quirks, which you can see by looking at these kaiju files:

Venusians:

https://horrorflora.com/2017/01/03/atom-kaiju-file-29-karamtor/

Martians:

https://horrorflora.com/2017/01/17/atom-kaiju-file-39-kemlasulla/

https://horrorflora.com/2017/01/17/atom-kaiju-file-40-podritak/

https://horrorflora.com/2017/01/17/atom-kaiju-file-41-sombarvot/

https://horrorflora.com/2017/01/17/atom-kaiju-file-38-ullawdra/

Giant robots exist in ATOM, but are big, bulky, and incredibly expensive.  Fancy beam weapons also exist, but are similarly clunky - there are no sleek, elegant machines in ATOM.

Since the fiction ATOM takes inspiration from was made at a time when interplanetary travel was only just beginning to be possible, its scope is significantly smaller than modern sci-fi.  Alternate universes/dimensions were pretty uncommon because the idea of alien planets still held a lot of wonder to it.  So, as a general rule, don’t try to go farther than the one galaxy.

ATOM is a setting for stories that are focused on humanity learning to coexist with monsters, rather than humanity destroying them.  A certain level of sympathy is put into almost every creature of its canon, even the ones that are meant to be villains.

REFERENCE MATERIAL

Here is a playlist of 1950′s monster movie trailers.  

Here is some reference material from various monster comics of the 50′s and 60′s. 

Good movies to track down to understand ATOM’s inspiration and tone include Ghidorah the 3 Headed Monster, Son of Godzilla, Destroy All Monsters, Them!, The Black Scorpion, 20 Million Miles to Earth, Gamera, The Giant Claw, and The Lost Skeleton of Cadavra.

And here’s the intro cutscenes for all the different giant monsters in the PS2 videogame War of the Monsters.

#The Atomic Time of Monsters #The ATOM Create a Kaiju Contest 3D

[shinjaeha]

ipytm ep 2 (thoughts + spoilers)

i’ve been trying my hardest to forget about iptym during the week so the countdown to each new ep won’t feel as long, but i don’t think i’ve succeeded. with each new ep i feel more and more nervous and excited bc i know the conflict and angst is only going to keep ramping up as the series goes on (and this ep was a good indication of that...not FULL BLOWN angst yet, but the undercurrent of angst is slowly starting to come to the surface). i’m def more prepared for it than i was during itsay, but that doesn’t make it easy ;;;

the standard ‘this is not a proper analysis’ here...i’m completely aware that this post in particular is really messy, but i just had a lot of mixed feelings and thoughts with this ep. one day i will learn how to condense my thoughts better, but today is not that day so i’m doing this under a read more for once bc it’s embarrassingly long 😂

we start off with teh in acting class where his teacher is explaining how you need to be able to understand yourself before you’re able to understand other people (and therefore put yourself in the shoes of the character you’re playing)...which even before i knew where this ep was going to go felt a lot like foreshadowing for the events that were going to unfold in this ep.

the acting exercises are basically a lot like the ones that we see bkpp (and the rest of the cast) having to do as part of their workshops in the documentary eps, so it’s kind of cool to see them incorporate parts of that into the actual show itself. feels more authentic since, if you’ve watched the documentary eps, you know that this is actually what the actors have to go through when they’re learning to let themselves go and get into character.

so through this montage of all of teh’s classes, we get to see how much he’s enjoying learning more and more about his major. it’s truly his passion, and he’s finally in his element. and it’s great that he’s surrounded by so many seniors that are also as driven and passionate about performing as he is...i find it interesting how teh, even from the start, has always been most attracted to people that have the same sense of ambitiousness as he does. in itsay, his best friend (aside from oh-aew obv) was tarn, who had a very similar mindset as him. so here, it’s not really that much of a surprise that all his uni friends are basically the drama club seniors that he sees as role models. oh-aew is kind of that one outlier bc he doesn’t fit that same mould/personality type that teh tends to surround himself with, which is where you can already start to see the discord between them arising. in itsay, bc oh-aew was working towards the same end goal as teh at the time, it wasn’t as much of a conflict. but in ipytm we can see that their paths are starting to diverge more and more. that being said, oh-aew’s someone that teh truly needs in his life bc he offers a different perspective to most of teh’s other friends, and as we can see later on, teh REALLY needs that.

now THIS was one of the interactions i was really interested in. we already knew from the ep 2 teaser that teh isn’t exactly happy with oh-aew’s new friend group, so i’ve been waiting to see how teh acts when he’s around them. everyone’s at q’s house celebrating plug’s birthday, and honestly?? they’re all really sweet and accommodating of teh (they get him sweet drinks bc teh tells them that he doesn’t drink bc it’s too bitter, and they don’t pressure him when he says he can’t drink bc he’s got morning classes). but then the conversation turns to teh and oh-aew becoming actors and earning lots of money (and how convenient that is), and teh starts to get a little riled up. i don’t think they mean anything by what they’re saying (they’re just playing around), but we know that teh's sensitive to this sort of thing, and i think to him, it’s almost like they’re saying it’s ‘easy’ to become an actor and start making bank. teh, who already knows how hard it is (esp since he’s been watching how difficult it’s been for khim in particular), starts getting defensive about it. the focus being on money hits a nerve with him too bc teh is very clearly majoring in comm arts bc it’s his dream, not bc of the money he could make from it. teh and oh-aew’s gang are just on different wavelengths, and you can really start to see how teh’s having trouble bonding with oh-aew’s gang bc of their differing mindsets.

it makes me slightly sad that you can see how worried oh-aew is about teh and his friends not meshing. it’s like we, the audience, are all feeling what oh-aew is feeling...his nervous glances at teh bc he’s afraid that teh might not like them. and the discomfort on teh’s part too. all of oh-aew friends tend to be a lot more like him, relaxed and happy to go with the flow, but we know that teh can be pretty rigid and intense about the things that he’s passionate about. oh-aew recognises this, which is why he’s as anxious as he is in the first place.

oh-aew’s tea tattoo in honour of teh is actually so sweet 😭 it shows how much teh means to him. he really got a permanent mark on his body to symbolise his love for his boyfriend ;;; but from teh’s perspective, it’s literally that first mark of change. it IS a pretty big decision, so i don’t blame teh for being shocked about it, but teh likely sees this as oh-aew’s friends being a ‘bad’ influence on him (which we know gets brought up again later). not bc of the tattoo itself, but bc of what it represents. it’s like he’s watching oh-aew start to change before his very eyes and he doesn’t know how to deal with that so he brushes it away for now.

the framing of that shot where teh and oh-aew are facing each other and then q comes to walk in between them is A LOT like how they used to frame the both of them in itsay and having bas walk in between them. interesting.

HOW MUCH DO I LOVE THE FACT THAT OH-AEW SPEAKS CHINESE WHEN HE’S DRUNK...that’s just plain adorable :’) it’s like he’s reverting back to when teh was teaching him chinese and they were first falling in love again. teh’s method of getting close to him was always tutoring oh-aew in chinese, so it’s as though oh-aew is trying to feel closer to teh again by speaking chinese to him. sort of like he’s trying to recreate that feeling all over again. i also love that this is basically the opposite of that oppo short film ad bkpp did haha.

we got the “ke yi ma” “ke yi” again ;;;;;;;; i love their little domestic moments. they’re so soft when they’re like this (i know we’re gonna have to weather the angst, but i hope we still have a lot more fluffy moments like this too pls). side note, i really love the lighting in these scenes!!

when oh-aew reads teh’s note about the kimchi jjigae and smiles but then reads the “do not skip class” and his smile fades away...oh, oh-aew, i feel u.

so now we get to see oh-aew in acting class, and the difference between oh-aew’s feelings towards class and teh’s feelings are like night and day. teh’s classes make him feel so fulfilled...this is genuinely something that he wants to do. but oh-aew is struggling. he doesn’t have that same sense of purpose as teh bc he’s starting to realise that this might not be what he really wants...he’s trying but just not enjoying it at all. when teh tells him about the casting call, i feel so much dread for him bc he’s clearly not looking forward to it whatsoever, but he knows how much this means to teh...so he’s willing to ignore his feelings for now if teh’s happy :(

is it just me or was this when oh-aew stopped carrying his ‘heart attack’ bag too??

idk this struggle in particular just feels so personal to me. i really identify with oh-aew when it comes to this bc when i was at uni i changed my major like 3-4 times (and changed unis a bunch of times on top of that) bc i had NO IDEA what i wanted to do. even now, i still have no clue what i’m doing a lot of the time. i’m glad that oh-aew at least managed to find some sort of clarity when he dropped in on his friends’ advertising class and realised that this was something that he enjoyed and was good at :’)

teh’s so excited and focussed on this audition that he can’t even see how worried and reluctant that oh-aew is about this. he wants them to have the same dream so bad that he can’t see that this might not be oh-aew’s dream anymore. but anyway, oh-aew is the sweetest, best boy as always. he’s so, so encouraging with teh. so patient. he really such a great balance to teh’s more volatile nature...but that contrast is also what makes you feel so bad for him when teh lashes out at him without thinking (as he’s prone to doing).

i LOVE khim. i just have so much respect for her. she’s always trying her hardest, and it’s painful to see her give so much of herself yet constantly be knocked down. the resilience that takes. i know that that’s part of the industry she’s in, but that doesn’t make it any easier to watch. there’s a lot to be said about how harsh the entertainment industry can be (and the inherent ageism/sexism/homophobia within it), which i don’t have the time to go into here, but having to hear criticism like that...purely based on your looks (you don’t look smart enough, young enough, manly enough, etc.) is so incredibly disheartening. teh commenting on how harsh it is, and khim saying that it’s super common and telling the both of them how they’re gonna have to go through all of that the more casting calls they go to...OF COURSE oh-aew is only going to feel even more dispirited about this when he’s already realising that this might not be his thing anymore.

being able to take rejection and criticism is really fucking difficult (i know i could never do it)...and seeing oh-aew being told that he’s not ‘manly’ enough/too ‘girly’ in acting class and again at the casting call is yet another knock at his confidence. the way you physically see oh-aew get more flustered and anxious as the audition goes on, when he sees the crew shaking their heads at him :((( i feel all the nervousness, anxiety and embarrassment that he’s feeling right down to my very bones. then to walk out from that audition to khim talking about how damn hard it is to keep doing this time and time again only to be continually rejected?? my poor boy :( what’s fascinating to me is how differently the both of them interpret khim’s speech. teh latches on to her words and sees them as motivation to keep going...to keep trying and persevering. like a challenge. but to oh-aew, he just sees the difficulty and rejection. the instability of this career path, and how hard this could potentially be on his family as well. they’re both hearing completely different things.

teh being so happy about his audition even though he didn’t get the part and the way he turns around to face oh-aew directly when oh-aew tells him they said he was “too girly” and how he couldn’t change his personality to be what they wanted :((( pls. i just want to hug him so bad. teh’s “i like you the way you are now” and reassurance that so many other people do too  😭i know he kind of makes a mess of himself later on, but i’m still so glad that oh-aew got to hear that from him at least.

this show is the best at making you feel all that nervousness and anxiety when any of the characters are about to drop some big news. i was waiting with bated breath when oh-aew told teh he wanted to transfer majors. it makes me sad though that oh-aew has to constantly feel like he’s walking on eggshells when it comes to teh...he’s always most worried about teh’s reaction, and that’s prob the main reason why he didn’t opt out of comm arts even earlier. but oh-aew has all these mounting doubts about his major, and there’s only so long he can stick it out for teh’s sake, and the casting call (and khim’s words) really solidified that for him.

teh’s "you haven’t given it your all”/”you haven’t done your best” rubs me the wrong way bc it’s easy to think that way when you’re set on something and know that that’s what you want to do...but when you’re doubting/not sure about something, it just isn’t the same thing. we all have different thresholds when it comes to what we can endure and how much we can put into something. teh’s a hard worker, we’ve seen how dedicated he can be when he really wants something, but not everyone works like this. not everyone can be a teh or a khim. and esp not when they’re having to give their all to something that doesn’t feel right for them. and oh-aew’s right...sometimes once is enough to know that something’s not a fit for you.

when oh-aew mentions that he sat in on advertising class and thinks he might be into it, it’s like a parallel of that scene when they’re kids and oh-aew told teh that he wanted to become an actor like him. only now it’s the opposite. teh’s had this plan in his head that he and oh-aew are going to reach their dream of becoming actors and the lead protagonists in a movie/series together for so long now that it’s hard for him to reconcile that oh-aew might no longer want this as much as he does anymore. it’s like he can see this ultimate goal of his crumbling. so just hearing that it’s bc of q and the rest of the gang’s ‘influence’ that oh-aew sat in on their advertising class in the first place (and this triggered his interest in advertising) is like strike two for teh vs. oh-aew’s friends.

i’ve def mentioned this before, but oh-aew has always been the more pragmatic of the two, whilst teh is more idealistic, so i understand why he would gravitate towards something that was more stable of a career for him. more of a guarantee. he knows that advertising/marketing suits him better (not to mention that he’s always had the resort as his safety to fall back on too), and it’s something that he’s discovering he actually enjoys more in general too.

when i first watched this, i was like “oh wow teh’s matured so much!!” bc he didn’t blow up at oh-aew during this scene...that kind of ended up backfiring on me towards the end, but at the same time, i do think there’s a certain level of growth there since he does end up trying to reassure oh-aew (even if the blow up still occurs later on). it’s a process though...and even baby steps are progress.

8 months later and teh’s walking past that same place he and oh-aew walked by during his first night in bangkok...only now the poster is no longer the same red one. it’s blue... as though it’s signifying that this is just teh’s dream alone now, and teh clearly still hasn’t come to terms with that yet.

i’m really happy seeing oh-aew in a much better place now!! it’s so good to see him happy and actually involved in uni with his friends. but watching teh struggle going through casting calls and rejections makes my heart ache. hearing khim’s experience with auditions, and actually having to experience it irl, are two entirely different things. it’s like the reality of the situation is starting to hit in for teh. and that, on top of oh-aew not being there to support him in the same way bc their goals in life aren’t similarly aligned anymore, is starting to take its toll.

god, when teh lined oh-aew and was waiting for his response i was like nooooo don’t do it DON’T DO IT only for him to open ig to check oh-aew’s story 😭(though it IS cute that they have couple pfps). but we’re regressing. and now that they have different social circles it’s even harder to connect than before. teh feels like oh-aew’s being pulled away from him, into another friend group that doesn’t include him...and his insecurities are bubbling to the surface again. teh’s always needed that reassurance that he’s ‘special’ to oh-aew. clearly, we know that he is...but even now that they’re dating, it’s still something that he questions. and esp now that oh-aew is starting to feel like he’s fading further and further away out of reach.

i love seeing all of teh’s friends encourage him. they all understand how tough it is, and to see them all pull together to lift his spirits again is so lovely. but then his mood completely changes again when oh-aew comes to join them for dinner :( teh’s doing that thing again where he says everything’s fine when everything’s not fine (cue that “they ask you how you are and you just have to say you’re fine when you’re not really fine” meme). the flash to teh’s face when top says that he didn’t pass the exam to get into anantasart, and you know he’s just thinking about how he gave up his spot for oh-aew initially, and now that oh-aew’s transferred, it’s kind of like he’s turned it down twice. oof.

when teh tells them all that oh-aew’s transferred to advertising, it’s as though this is his way of trying to separate both his worlds. like oh-aew doesn’t belong here with his drama club friends, and it’s that pettiness that we got from teh in itsay is back in full force all over again. it reminds me so much of that time oh-aew told the itsay gang that he was a virgin, and so teh told his friends at school that he was a virgin too. or when oh-aew sent him that picture of his and bas’ legs touching, so teh retaliated by putting that pic of tarn on his story and leaning in to kiss her. it’s like he always needs to one up oh-aew. he doesn’t want oh-aew to feel the same bond with his drama club friends that teh has (esp when he sees that oh-aew is so close to his uni friends). where oh-aew was anxious about teh and his uni friends not getting on, teh is anxious that oh-aew and his drama club friends will get on too well so he has to create this distinction between them. kind of like his petty attempt to be all “i have my own friends too!!”, but it’s also combined with that feeling of inadequacy that he might not fit into oh-aew’s life anymore. he might not be ‘special’. idk if that makes sense but basically i think that teh’s feeling a lot of conflicting things during this scene.

when he starts attacking oh-aew at dinner...that was really hard to watch. you ever feel like you want to reach through the screen and just put your hand over someone’s mouth so they stop talking?? it was rough :/ it’s one thing to fight when it’s just the two of you alone, but it’s another thing to tear your partner down right in front of your friends. i understand teh’s feelings (and i know that they’ve been building up over this time), but my frustration was through the ROOF during this. it’s on brand for him, but still. and then poor khim :( i know oh-aew didn’t mean it in that way but the awkwardness of this entire dinner was just overwhelming.

another thing that’s sad about what teh said about oh-aew is that this is a huge sore spot for oh-aew, and it’s always been one of his biggest insecurities. the reason they stopped being friends when they were kids was bc teh said that he was going to quit eventually, so for teh to talk about how “shilly shally and indecisive” he is/how easily he ‘quits’ at things is a low blow when he already knows how much those words hurt oh-aew.

teh has a habit of jumping to conclusions based on oh-aew’s social media posts instead of actually talking things out with oh-aew so naturally it would make an appearance again here as well. and calling oh-aew’s friends “shitty” bc they’re different to him (aren’t as driven as teh and his drama club gang...therefore a bad influence on oh-aew) makes it really evident that teh still has a lot to learn. he really needs to start taking those acting class lessons to heart so he can see that not everyone is the same, and that other peoples’ experiences and perspectives are valid too.

teh’s long pause and “maybe” to oh-aew’s “and if this is what i really am, you’re not gonna like me anymore, are you?” BIG SIGH. it’s so typical of teh. i know he’s honest to a fault, but he REALLY needs to learn to think before he speaks sometimes bc he always ends up regretting it. i love that impulsivity of his, but it’s also one of the most frustrating things about him.

one thing that i find kind of annoying with the time skip is that we miss so much of teh’s festering feelings that it’s a bit harder to empathise with him when he has his eventual blow up?? i think if we were seeing this more consistently, it would be much easier for us to understand things from his pov better. like if we could slowly see this building up more and more as time went on, rather than just time skipping the 8 months until the blow up.

anyway, now khim and top are graduating ;;; i really hope that we’ll still get to see more of them in the next eps. i also love how the people in teh’s life are always so concerned for him (and how oh-aew’s doing). the message behind the book teh gets for khim’s graduation present is really sweet.

when khim first tells them that she’s going to be a flight attendant and teh blows up, i felt really angry at him initially. but upon reflection and rewatching this ep again...i think i understand where he’s coming from a lot better now. obv i still think he was out of line bc of course what khim’s saying makes sense...she can’t keep going to casting calls and scraping by with minor roles when she has to support herself and her family. in the end, we all need money to survive, and sometimes we have to be realistic about it. i really loved what she said about how we can have multiple dreams at once. but yeah, my heart really went out for her so much here :( it might be difficult for teh to see (or accept) rn, but he’s a lot more privileged than he realises. he still has hoon and his mother to support him financially, but not everyone is in the same position. not everyone gets to be as lucky.

regardless, i still understand why teh gets as torn up about it as he does. khim is someone that he’s looked up to and respected SO much...and his own doubts and insecurities have been steadily increasing. first, oh-aew changes majors, then, he keeps getting rejected at auditions, and now, the senior that he respects the most bc of her hard work and determination, is giving up her dream (at least in his eyes) to become a flight attendant. it’s like the world keeps telling him to give up bc it’s not going to work out for him. and he’s invested EVERYTHING into this dream. it’s all or nothing for him. but it’s like everyone else is slipping away, and it’s getting harder and harder to hold onto.

when teh looks at the tie and is reminded of oh-aew always being there to put it on for him :(((((((( ngl i was hoping that teh would be the first one to approach oh-aew (since their fight was bc of him), but i’m glad he apologised at least. and that they had a good talk about their feelings. but then again, this reflection after their fights is what they’ve always been fairly good at. teh just has to learn to stop internalising things so much that he ends up exploding so they don’t get to this point in the first place. so much has flipped from the first ep where oh-aew was the one feeling lonely and out of place. now it’s teh’s turn to feel all alone as he sees everyone’s dreams and goals (but his) start to change. like everyone is moving on and learning to adjust while he’s being left behind.

when they’re promising each other that their love for one another will never change, it just makes me feel so SAD. seeing them in the moonlight like this compared to the first ep when they were on the beach in phuket and teh was so hopeful and oh-aew was so worried :( everything’s already changed so much. making this promise under the moon like this reminds me of how bkpp kept talking about how the ‘ipytm’ title itself means an impossible promise...the two of them hugging in the moonlight as the score plays just feels so painfully bittersweet somehow ;;; my heart is aching, and i want the next ep, but i can’t deny that my anxiety is slowly building.

anyway, i know the end of this sounds so negative but i’m still banking on our teh/oh-aew endgame!!!!!!! it just needs to get worse to get better, and there’s still so much space for them to grow and learn. so many more experiences in store for them.

#i promised you the moon #ipytm #text #i'm sorry this is so long and that it took so long #if you read this whole thing you deserve some type of medal bc idk HOW it got to this point #if only i was able to be this dedicated to my assessments back when i was studying #i was mad with teh during the first watch but that simmered down a whole lot during the second watch #i think it's just hurts me to see him keep shooting himself in the foot #but i know that you mature through your experiences and the way he acts in this is still so consistent with his character #just...can he not hurt oh-aew like this. i just don't want to see him sad anymore pls stop making him sad #ok i'm going to sleep now peace out and until next week where hopefully there'll be some structure to my thoughts for once

[cosplayinamerica]

Princess Daisy : pencils_and_pincushions // photo: that_fedora_photographer

I’m a Canadian cosplayer who has been cosplaying since 2007. I’ve had a love for Victorian fashion since I very young age (my little kid brain basically made the connection that Victorian dresses = women dressing like Disney princesses IRL), but the thing that kickstarted my desire to learn sewing was going to a fabric store with my mother when I was in my senior year of high school and seeing a Butterick pattern catalogue that had Victorian-inspired costumes. Almost instantly I had a lightbulb moment that if I learned to sew, I could actually wear those big fancy gowns I loved.   

I entered university and, over the next few years, spent my free time reading and learning everything I could about sewing. In 2007, my best friend invited me to Anime North - she was going as a gothic lolita-inspired version of the Queen of Hearts, so I decided I would make a Mad Hatter to accompany her.

I was so excited that I jumped in completely head-first, and it ended up being my first foray into both sewing and pattern drafting. In hindsight it was wildly ambitious for a first project (and I’m still a little surprised that I actually pulled it off!), but I’m so glad that my enthusiasm made me persevere and psh through the challenges, because I learned a ton from that experience and ended up with a cosplay I was thrilled with.

I remember seeing myself in the mirror the first time and being so happy when I realized I’d been able to bring something to life from my imagination. When my friend and I got to the con, things only got better from there - the atmosphere was so energetic and colourful thanks to all the amazing cosplays, and it was filled with so many fun, enthusiastic, and friendly people. From that day I was officially hooked on cosplay.

I’m part of the Toronto Steampunk Society and, each year at Fan Expo Canada, we hold an Annual Costume Challenge where we pick a theme and encourage people to make a costume based on the theme. A couple of years ago, the theme was ‘steampunk video game characters’ and one of my friends in the TSS, Modern Myths Cosplay, thought it would be cute to do Princess Peach and Princess Daisy.

I loved the idea and, after more discussion, we decided to do a steampunk twist on the Super Smash Bros Brawl version since it was fancier and seemed to lend itself well to a steampunk interpretation. Though Daisy isn’t officially in Brawl, my friend was fortunately able to dig up some fan edits of Peach in Daisy’s colours, so with that we were set.

I usually make my outfits myself, but since my friend and I wanted to ensure our cosplays matched, we decided to work collaboratively and divide things: I would create the bodices and accessories for both gowns, and she would create the skirts and crinolines.

I started off by drafting the base bodice patterns. Since I draft all my costumes, I used my existing bodice block/master patterns for myself and drafted a bodice block from scratch for my friend based on her measurements. One neat thing about working this way was that it basically turned into a girls’ weekend where I was able to teach my friend more about pattern drafting, which ended up making the process unexpectedly fun and memorable.

After I finished fitting my friend’s bodice block, I got to work drafting our bodice patterns based on the reference pics we had collected. Being able to tackle both bodices ended up working well since it enabled me to draft them in a way that made them visually match identical while taking our respective body shapes into account.

A couple of mockups and fittings later, we had an idea of how much fabric we needed, so we went fabric shopping. My friend suggested that we go with richer, more regal-looking tones instead of strictly game-accurate colours, so when we found a place selling gorgeous peau de soie and sparkle organza, I was instantly sold on a gold and burnt orange colour scheme.

We split the fabric based on our respective portions and worked on them separately. I cut and sewed the bodices, which was fairly straight forward but time-consuming! The part that sticks in my mind the most was the center front panel because it had so many pieces and layers - two types of satin, two types of organza (including one that had to be ruched to the base panel in multiple places), five rows of lace, interfacing...and that doesn’t even include the lining!

I also created our jewelry and crowns. The brooches and earrings were made from filigree settings that I painted, glued gems, and attached pin backs and earring hooks to, and the crowns are made from craft foam painted in gold acrylic, with embellishments assembled from painted filigree stampings and gems.

My friend created our cage skirts from 1/4 PEX pipe and brown grosgrain ribbon, which ended up being the perfect hoop skirt material since it was cheap, lightweight, and strong enough to support the huge, heavy skirts. She cut and sewed our skirts (including attaching meters and meters of trim that I’d painted white to better match the game colours) and she also made our bloomers.

The gowns were a huge undertaking and, thanks to work and general real life eating up time, we did end up engaging in the dreaded con crunch, but fortunately in the end we were able to get them to a state where they were pretty and wearable!

The response at the convention was absolutely amazing - I don’t think I’ve ever had a costume elicit the reactions that Princess Daisy did. We figured that, since we were cosplaying the princesses from Mario, there was a good chance we might be recognized, but the thing I wasn’t prepared for was how genuinely happy and excited people were, especially when they saw us together. We literally had kids waving at us from across the street when they spotted us.

Even grown-ups loved it - we were frequently stopped for pictures, and even a couple of the folks in the dealer’s room who were running booths would break into huge smiles and ask for pictures. Plus, people loved the steampunk twist and were delighted when they realized how much our costumes matched.

The best, most heartwarming response to my Princess Daisy cosplay happened when I met up with some other friends and one tapped me on the shoulder, pointed behind me and said, “I think she wants a picture with the princess.” I turned around and, standing a few feet away, was this adorable, super shy little black girl who was staring in my direction. My heart instantly melted and I went over to her and had a little chat and took a picture with her.

As a black cosplayer who has run several panels on BIPOC cosplay and spoken about the importance of diversity and representation in cosplay, being able to show that sweet little girl that someone who looks like her can be a princess - and showing kids of other races that Princess Daisy can be black - was a vivid reminder that representation does matter.

Since I got into the hobby, cosplay has been a big part of my life and has positively impacted me in so many ways. It has been an incredible creative outlet that has given me the chance to express myself, and it has allowed me to meet so many wonderful people - many of whom are now among my closest friends. However, I think one of the most rewarding things about cosplay has been how it has allowed me to provide BIPOC cosplay representation and visibility within my local cosplay community. I often do Afro-steampunk cosplay, and one of the most unexpectedly moving things I’ve experienced has been other BIPOC saying to me that seeing my outfits make them feel like they can cosplay.

It has been humbling and has motivated me to get more involved in the cons I attend. For the past several years I’ve run panels on diversity in cosplay/steampunk as well as sewing and cosplay construction, which has enabled me to share the knowledge and skills I’ve learned. I also lead the steampunk section of the Anime North Fashion Show, and I’ve made a point to recruit as diverse a roster of models as possible. I’m happy that we’ve been able to showcase steampunk looks inspired by various cultures including Chinese, Indian, and Morrocan.

Another plus is that the sewing skills I’ve learned from cosplay have come in handy in other areas of my life. It has been fun - and surprisingly empowering - to be at a point where I can use my sewing ability to create one-of-a-kind outfits for formal work events (like office holiday parties) that make me feel pretty and confident.

Something I’ve frequently mentioned during my BIPOC cosplay/steampunk panels is that the simple act of showing up to a con or event in cosplay can have an impact because you never know how much that visibility can inspire other BIPOC to get into the hobby, so my advice to anyone wanting to get into cosplay is to do it! Overall I have found it to be a fun, creative, energizing experience.

While I’ve been extremely fortunate to have had overwhelmingly positive experiences while cosplaying, I recognize that, unfortunately, BIPOC do sometimes face harassment and outright racist comments (especially online) that can make getting into the hobby seem scary. Finding welcoming, supportive spaces in person and online can be a big help (the POC Cosplay group on Facebook is great for this) - plus, thanks to things like #28DaysOfBlackCosplay, there is more visibility and inspiration out there than ever before.

The other thing I’d add is to treat each cosplay as a learning experience. Being able to work so closely with my friend on creating a cosplay was a completely different creation process than I’m used to, and it was really cool to be able to learn from each other’s different working styles and experience. It was great to teach her pattern drafting and see how happy she was to learn skills she could apply to future cosplays, and I was so excited when she showed me her PEX pipe hoop skirt method. Looking back on my Princess Daisy cosplay makes me smile because it’s almost like a physical representation of the fun we have cosplaying together.

#princess daisy #princess daisy cosplay #cosplay #black cosplay #black cosplayer #poc cosplay #poc cosplayer #cosplay interview #steampunk

[katyatalks]

Mob Psycho 100 Interview Translation - Character Designer Kameda Yoshimichi - Otome Visual 2017

Summary-style translation for Character Designer Yoshimichi Kameda’s 4 page interview from Otome Visual 2017, regarding elements in the creation of Mob Psycho 100 such as: what inspired this cover art, the influence of fan art in the anime’s creation, Tsubomi’s design, the process behind the package art for the DVDs, and more. Includes some genga. Under read more;

[TN: The reason why I elected to summarise this interview rather than do a full write up is because a lot of the information given gets covered in December 2016′s Animestyle010, in “The Making of Mob Psycho 100.” I typed that one out in full over on twitter but that’s a long interview, and I don’t have the time or energy to reformat it for Tumblr, but if you’re interested in a very in-depth look into how Mob Psycho 100′s anime came to be I’d really recommend checking it out. Direct quotes are given in “” here. Enjoy!]

---

*~The genga illustration for Otome Visual’s cover~*

“With the recent popularity that Skating Anime has had, what’s this - a Shouwa idol collab?! It’s all in the little details in their clothing - their wrinkled shirts, white trousers, black belts - both around their waists and arms.”

*~Kameda’s comments~*

“Can you heaaaar me!! I am currently speaking directly into your braaaain!!! What I’m grateful for with this commission is I was able to design the cover in any way I’d like!! A cover is a reflection of current times, so, of course, I went for ice skating! You wouldn’t be able to find this kind of amazing content in any time period other than now! That’s what I first thought! Like, Mob Psycho 100!! If there’s not a certain Mob Psycho 100-ness present in the art then what’d be the point, so, the characters are being very serious but they’re also pretty laughable. I tried to create a piece of art from which you could hear their voices!!! What’s with it being Shouwa-esque?? Being lame is incredibly cool!!! Huh? Does that describe Mob Psycho 100?? Can’t answer that if you ask!!!! Please feel the amazing Paradise Ginga x Mob Psycho 100-ness here!!!!!!”

---

Kameda describes how he wasn’t sure how best to adapt the manga into an anime format at first, since from the art he was shown he immediately knew it to be very unique - the idea of using Flash to animate the show was raised but quickly shot down

Originally, upon being asked about the show, he based his thoughts on what a web image search for Mob Psycho 100 gave him rather than having the actual manga in hand. “For the most part, the results that came back would be fanart (laughs). It’s a bit strange -  at that time, it was difficult to find art uploaded from the manga. If you could find anything, it’d just be art from the covers. So for the most part, an image search of Mob Psycho 100 would just bring you back fanart. A lot of that fanart would be… a shounen in a cool pose wearing a school uniform with smooth bobbed hair & sharp cat-like eyes, sort of like Hiei’s eyes (from Yu Yu Hakusho). Very different from the manga’s art. But when I looked at that art, I thought; this could work. Fanart is, fundamentally, ‘fans drawing what they like’, so I thought, ‘the anime having this kind of art would make the fans happy.’ Well, it didn’t work out that way, obviously. I was told the anime’s art should resemble that of the manga. (Laughs)”

He hadn’t read the manga so all he had for reference was art from volume 1 and the fanart he found online. “But I like things like spirits and urban legends, so seeing Dimple - a floating supernatural fiery ball - and being told the manga touches on the occult caused my interest to soar.”

Says that Teru is the easiest character for him to draw. “He’s overflowing with confidence, so it’s easy to put him into some cool poses. Mob and Ritsu in comparison, not so much. [...] With Reigen, he has a lot of poses that are like, he’s trying to look good. He takes a solid stance. I suppose Spirits & Such has such a shady air to it, and you have to hide that somehow, right? So, Reigen injects confidence into how he presents himself. A model-like stance.”

“The anime is faithful to the manga… ah, actually, Tsubomi-chan was changed with a ‘let’s make her more like a heroine’ conversation. So, I did so, but reading recent events in the manga I can’t picture her in her anime form (laughs). The manga’s Tsubomi isn’t much like a heroine, so I’ve found myself wondering, if we animate up until this part… just how will we approach it? The anime’s Tsubomi is so bright and sparkly, so she wouldn’t have snot hanging from her nose (vol.13 of manga), would she…? (Laughs). Perhaps we went a little too far with making her a heroine. Maybe, if we do season 2, we’ll turn her back into a normal girl (laughs). Well, Tachikawa-san is clever; I think he’ll find a way to make do with her current design.”

---

Picture text: "This is Mezato's first appearance, so I decided to make her cute!! Thank you in advance!!"

Picture text: "That girl was telling me such a stupid story this morning... aidzuchi* isn't easy, you know... I'll just ignore her tomorrow..." [* sounds made to indicate that you're listening to someone speak]

---

Asked about his favourite characters; “I love Mezato Ichi from the Newspaper Club. When I drew her in her character sheet in that pose where she’s holding her camera, I came to see her as being quite cute. So now I focus on her a lot; in fact, when I draw genga I sneakily choose the cuts that have her in them (laughs).”

“I also love Mob. Reigen stands out the most so your eyes naturally jump to him, but I love the balance that Mob has. His heads tall ratio... or rather, his face, and the way his body is proportioned? It makes him lovely. Ritsu is around the same height as Mob, but, how can I put this - the cuteness that Mob has, is lacking in Ritsu… due to the latter being quite standoffish, I suppose (laughs).”

Ritsu’s hair changing through the first season is discussed, and how it is purposefully shortened during the latter half. “I paid attention to making sure his hair was long especially while he was being possessed by Dimple. So it’d resemble thorns.”

“I feel Teru-kun is the most ‘yang’ of all the characters. The rest are more ‘yin’ in nature. Because of this, it’s easy to play around with his expressions - he’s fun to draw. Speaking in terms of Dragonball, he’s kind of like Mob Psycho 100’s Vegeta (laughs).”

“In episode 9, Dimple possesses one of Claw’s security guards, right? I don’t really understand why that security guard is so popular.” Q: What do you mean? “Because he’s just some middle-aged dude (laughs). He doesn’t even appear for long…”

After discussing the huge amount of SG!Dimple commissions received: “Unlike SG!Dimple, I don’t really get asked to draw Shou-kun. With this commission I thought to myself, I /have/ to include him here, and so I added him in. The initial brief excluded him.”

Asked about moments that stuck with him; “When Teru chokes Mob in episode 5. [...] Mob’s pained expression as he’s being choked is good, but Teru-kun’s face shows us… envy, jealousy, distress, anxiety.”

“Also, the ‘super real Reigen’ sequence from episode 12. The tension between Reigen and Sakurai is funny, but the art itself has had me laughing since production. It’s funny no matter how many times I look at it!”

Kameda’s idea to have the characters make number shapes for the volume art came from him watching ‘Tonneruzu no Minasan no Okage deshita’, specifically the ‘Mojimoji-kun’ segment of the show (where they try to make numbers from their bodies)

Volume 6’s cover art was first planned to have a whole ensemble of characters, but Kameda changed his mind on this - “if we do a second season, we can leave that for volume 12 (laughs).”

Volume 4's cover was originally planned to feature only Onigawara and Gouda, but Kameda found himself wanting to include the rest of the body improvement club

Regarding the pose we see on vol 6’s package art, “My original thoughts for that cover were to have Reigen and Mob in a ‘hell wheel’ pose, like, Mob pulling Reigen’s legs and arms… but that wouldn’t be very fitting for the final volume.”

His message to the readers; “Thank you for your support! With sales, the ‘this is popular!’ message gets conveyed, and the more support you give us, then there’s no doubt we’ll be able to produce season 2 and season 3!! Season 2 relies on your support. It’s in your hands - thank you!!”

---

Crossposted on twitter here.

#mp100 #mob psycho 100 #anime visual 2017 #Kameda Yoshimichi #interview #sg!dimple middle age man rights

[lexii-03]

Blog Post: Week 6

Why do you think some people display themselves differently in cyberspace than in real life? Have you ever done it yourself?

On the internet people have the ability to be someone they’re not. They can create a profile without completely disclosing their race or sex. People do this because it gives them the ability to be who they want to be without society telling them what they are and are not. As I look back on my usage of social media, I surprisingly don’t think I have ever done that. I don’t think I have ever thought about using my social media in that way which I now think is pretty cool. I like how social media gives you the option to decide who you want to be and it does not necessarily have to match your true identity.

How do 3D Realms harm young adults who watch movies or play video games?

Males and females in 3D Realms are perceived in ways that are either dominant or submissive. The males are seen as violent, strong, and a one man team. whereas the women are nude, have big breasts, and are usually being killed in these video games. These 3D realms harm the minds of young people who play these games because females are oversexualized. The yellowfaced cyborg is illustrated to be colonizing, raping, and killing people. They are viewed in this negative light that portrays a violent character.

How does racism occur in video games?

While watching Nakamura’s film it was interesting to see how racism is very present within video games and social media. She shares a study of when three different people sell the same product the only difference is that one person is African American, the other is white, and the last is white with tattoos. The results concluded that the white hands had a better outcome in the midwest whereas the African American hands had better outcomes in the west. It was also interesting to see how people would try to barter with them exchanging items or even drugs. This illustrates how people would stereotype these sellers and reach out or not reach out depending on the color of their skin. The character bodies that people are also able to obtain within these video games would receive judgement according to the color of their skin. This shows how when people had the ability to pick a “skin” that matched their own, people would make negative racist comments. Even people who were African American would not pick a “skin” that matched theirs since they would receive hateful comments. Racism occurs in video games in various ways. For example, the sound of one’s voice, the way their character looks, and even the skin tone of their character.

Have you ever experienced racism playing video games or people you know?

I personally do not play video games but I have siblings, cousins, and friends who do. A relative of mine plays video games quite often and I hear them yell mean comments and are simply rude while playing the game. This occurs when the other players are not playing good enough or when they’re “too slow”. I have gotten into many arguments about this situation with this person because this is not okay to do, they are part of the problem. It is even worse since there are younger children in the same space and they hear them say this. Although they do not play video games or take after that behavior it is not okay to be so exposed to this kind of behavior. This has even created a distant relationship between them and I because I do not tolerate that. Racism is not an okay thing to do even if the people are just playing video games or are “playing around”. There are many ways to be funny, be upset, or angry with your teammates but being rude, racist, or disrespectful in any way is not it.

TEDxUIllinois - Dr. Lisa Nakamura - 5 types of Online Racism and Why you Should Care  - YouTube. (n.d.). Retrieved September 30, 2021, from https://www.youtube.com/watch?v=DT-G0FlOo7g

Kolko, B. E., Nakamura, L., & Rodman, G. B. (2000). Race in Cyberspace. Routledge.

Fickle, T. (2019). The Race Card: From Gaming Technologies to Model Minorities. New York University Press.

#csufwgst320baddies

[mydriases]

Boyfriend headcanons for Epel and Lilia

Anon asked: Hello! Welcome to the fandom! I look forward to your future writing. Can I get some boyfriend headcanon for Epel and Lilia? Thank you!

Thanks, I've kept the format of my first post so I hope it's what you expected!

A small digression to thank you all for the +100 followers! I don't understand how so many people would want to read what I write lol Thank you to everyone who commented or sent messages of encouragement, it touches me deeply.

Epel Felmier

Like loads of people, when you first saw Epel, you thought he was just another pretty boy.

It was at the welcome party for Pomefiore’s new students that you changed your mind.

You heard him fuming over the fact that he wanted to be a Savanaclaw, saw him get reprimanded for his table manners and noticed the way he really seemed out of place, all of this convinced you that he wasn't just another narcissist.

You made a point to become his friend, not out of pity but out of admiration. He was a person with many hidden talents who was able to put up with an environment he despised.

It is true that you were also looking for a type of personality different from the one who invaded Pomefiore like ivy.

One evening, while you were reading in the living room, the incessant chatter of your classmates forced you to leave the room. At least that's what you would've done if you hadn't seen Epel trapped by three other people.

They were talking together about how Epel was a model of elegance and that some people should follow his example. Their discussion was one-sided, judging by the expression of embarrassment that covered Epel's face like a veil.

You made it your duty to get him out of this situation.

You approached the small group, interrupted them and then took your sweetest voice to apologize to these gentlemen because you had to work on a project with Epel.

Of course, they didn’t express any objection and let the two of you go away after a final praise.

Epel showered you with thanks and even asked you if there was any way he could repay you.

« I mean… I wasn’t lying when I said I had a project to work on. »

You don’t feel any shame for asking him that, since as a result the ice broke between you and him.

None of you was close with the other students of your dorm so you spent most of your free time together.

Step by step you discovered Epel’s inner fire, and it was hot pun intended

In spite of his shyness, he could be quite responsive and outspoken when the situation was too much.

He began to open up and talked to you about his insecurities. Specifically, about his own body.

You understood that what was for Pomefiore an asset, was for Savanaclaw a drawback. All the praise was nothing when his own body was telling him he hadn't the capacities.

But some things can't change, so he focused on his magical abilities more than anything else.

It was hard for you to find the right words, but you assumed that sometimes you just need someone to listen to you. You took his hand.

Nothing was really the same after that, from this point there was an unspoken intimacy you two shared.

You held hands and hugged easily. Epel became something more than a friend, he felt closer and soon there was no more words needed for you to understand him. In fact, it felt natural to know.

One evening, while some festivities were taking place in the dormitory, you two apologized and went for a walk in the gardens.

You were chatting on a bench enjoying the coolness of the night. Until a comfortable silence settled between the two of you, and Epel turned to you.

Out of the blue he decided that kissing you was a good idea. yes it fricking was

If you ignore the fact that he withdrew as quickly as he moved forward or the fact that you were so shocked that you almost lost the ability to think properly, it all went pretty well.

The new physical intimacy that came with that kiss was unknown to anyone because of how discreet you were in your pda

He starded to give your little presents more often : carved apple, homemade food and even bouquets if that’s what you like (doesn’t know how to romance but he's not gonna admit defeat let me tell you).

He'd take you flying on his broomstick, he isn’t allowed? Who cares ! For once he can break the rules.

He would use you as an excuse to get away from Pomefiore student, « sorry but my love is waiting » he would said in a polite but slightly smug way

You'd discuss ways to make Pomefiore's uniforms more cool and what should change in the dorm. It would happen most of the time after Vil made a comment that Epel didn’t like.

Kisses in the library between the bookshelves, kisses in the garden, kisses everywhere when no one is around.

The kisses with Epel are such a soft thing, his hair would tickle your face and his hands would slide slowly up to your elbows to cup them.

When the kiss would end, you'd stand a few inches apart and notice the beauty of his eyelashes as his breath would caress your face.

Lilia Vanrouge

It was a hard thing not to notice the strange character that was Lilia Vanrouge.

He could hear your discussions from across the hall, spoke in an archaic way and appeared before you without you seeing him coming.

Actually, that's how you first met him. You were looking for a book in the library and he appeared in your field of vision, the wanted book in his hands.

He introduced himself, asked if you were looking for this book in particular and disapeared after giving it. He literally disapeared. You blinked once and paf ! You were alone.

You understood that what happened wasn’t a dream when he actually called you by your name in potions and asked you to be his partner.

In the first place, you were quite astonished. From what the rumors said Lilia was old, like so-old-I-should-be-dead years old, which means that he is knowleadgeable. Although you surely were not the last in your class, you still didn’t reach his level.

Your regular partner was absent, so you had no reason to say no.

It was difficult to know if he was good or bad at potions because he could propose an ideal solution and then he would assume that « perphaps if we add that  the result would be better » (spoilers, it didn’t work but at least the final result didn’t change too much)

Since, he continued to appear unexpectedly next to you, only to disappear the minute you looked away. It was entertaining so you didn’t mind.

 « Good evening. I was wondering...is the answer to question number 15 « the heart of a legendary beast »? 

Yes, it is…Hey Lilia, as you can see I’m on cleaning duty and it would be nice if you could h-

Thank you very much, it is always a pleasure to discuss with you » and he disapeared the basta-

You would soon start to have tea together, it kind of happened naturally. He asked you once and the invitations never stopped.

At least that's what you would have wished for.

You didn’t get any explanations, from one day to the next he stopped talking to you. There was no more funny stories over tea, no more surprise appearances, not even a glance at you.

Three weeks, three weeks of being ignored. Who can blame you if you were mad at him ?

His absence made you realize many things, the first being how much he had become an essential part of your daily life. It was strange not to talk to him anymore, there was a kind of mourning inside you when you were seeing him, as if he was the ghost of a loved one.

Then, you got a letter from one of your roommates. Because apparently, Mr. Vanrouge didn't have the guts to give it in person.

You've never read such a letter from Lilia before. It was short, to the point and didn't even have a cheap joke as usual. It was for the better, you couldn't bear it if he had acted like nothing happened.

He didn't look up at you when you came to sit in front of him. You waited for him to make the first move.

« Look, I think you're aware that my appearance doesn't match my real age. This kind of advantage is not without a price, I have loved and suffered a lot because no matter what I do ,the end remains the same. Even today, in my darkest moments, I wonder if love is worth if, in the end, I find myself carrying such pain. Some of my loved ones have told me that when they find themselves on the brink of the grave, no matter how much pain our relationship has brought them, they will have no regrets. And it is to honour the memory of those people whose voices I have forgotten that I come to talk to you. What we have between us at the moment may just be a passing infatuation, but I know too well where it's going to lead us. That’s why before we go too far, I need to see your point of view on love. For me, love isn't easy, it's not constant happiness that solves all your problems. It's a complex thing that can pull you down as well as up… I’ve been a bit dramatic on the edges but you need to understand that even if loads of relationships don’t last till the end of a life, ours is bound to be harder. »

You were puzzled. This Lilia was different from the one you learned to know, he was dead serious and his saddened look made you feel a little bit ashamed that you didn’t think about how he felt.

« As you said, loads of relationships don’t last till the end and it’s fine. We don’t need to rush things and we don’t need to think about our future for now. It sounds reckless but to answer what you said : yes, it is worth it. »

You never thought you'd start your relationship with Lilia this way but, oh well here you go.

Everything was the same as before but better. He still appeared where you least expected it but now he hugged you from behind which almost gave you a heart attack multiple times.

Lilia loves passionately. He gives without expecting anything in return and has no reserve with his feelings. He is candid, not hesitating to say what is wrong as well as what is right.

It’s hard to be bored with him. He has always an idea to entertain you or something to tell.

He's quite reserved when it comes to kissing, it's a little dated but for him it's more decent to do it within four walls.

But once in private, that's a different story.

His lips would run through yours, he would take the lead and hold you close to him, it's impossible not to be out of breath after his kisses.

There's a melancholy running through you that you can't explain when he embraces you. It makes you feel small in the face of Lilia's longevity. You can almost feel the dust of those former loves on your fingertips, and one day you’ll be one of them. And Lilia will remember you, because there are some things you can’t forget entirely.

#twisted wonderland #twisted wonderland x reader #epel felmier #epel felmier x reader #lilia vanrouge #lilia vanrouge x reader #twisted wonderland headcanons

[seerofmike]

Weiss!

okay so this shit is about to get PERSONAL because weiss is my daughter (real) ((emotional))

THIS ? good. simple. i like her flared(?? idk words) sleeves. i like the red in her jacket and the lil black thing on her top for ruby and blake.

i like the blue and white and sparkliness of her design overall in 2d, which doesn't really get translated to 3d, but i think it looks fine. but in the early volumes when all the girls had that glowy effect to them, she was kind of unbearable to look at with all that white. that's where the red and black come in handy and i think a small amount of blue would've helped in 3d too.

also, her 2d design has little ice crystals on the end of her skirt that don't look as pretty in 3d--with all this in mind im giving her first outfit 2 separate rankings. 8/10 for the 2d design and 7/10 for the 3d model.

volume 2 outfit: this one will be quick but this is like, fine. white and black works well for her and the peacoat is cute. not much to say though. 6/10

mistral arc: i feel like i may be in the minority camp when i say this is, like, fine. its not horrible! i actually think it works rly well for where her character is at--she's at her father's house and her design isn't so bright white anymore, it's now gray. her open collar is now tight around her neck, and i think in the concept art her ponytail was straight back instead of on the side, which would've been a nice touch--she could've adjusted her ponytail back to the side after escaping, just that small show of rebellion--but ultimately its just, a side ponytail in the actual show. which is fine. wouldve been cool tho

its really not TOO different from her original outfit, and i think thematically it works fine. i like the jewels on her collar to spice it up a lil and give her more of that rich girl class.

which she had red and black back. also her boobs ? r bigger ?? 6/10

here we FUCKING go. THIS is what you wanna hear about. THIS shit. this garbage!!!!!! THIS DAMN OUTFIT !!!!!

there's so much wrong. it changes her silhoutte so MUCH. why are her sleeves puffy. rwby we've established your puffy sleeves don't look good !!!!! AND THESE ESPECIALLY DONT LOOK GOOD !!!!!!!!!!!! why are they such a dark blue ?!?!?!?! why are they two DIFFERENT shades of blue ?! are her gloves and sleeves attached?! they look like it. why !!!!!!!!!!

her skirt looks AWFUL in 3d, it has none of that ruffled texture or folds or creases and it looks like a BLOCK. its so stiff in motion. the red is back but it's LOST because her dress refuses to move !!!! she looks so heavy ?!

she's top heavy with her huge sleeves and her GIGANTIC BRAID HOLY SHIT THAT THING IS A LETHAL WEAPON, and she's bottom heavy with all her layers of skirts. speaking of her hair WHY DID THEY CHANGE HER BANGS ??? THEY LOOK SO SMOOTH ?????? ITS WEIRD ?!?!??!?

also, the asymmetry in her skirts doesn't look THAT atrocious in the 2d concept art, but again, in 3d, its so stiff. it looks janky and unfinished. it looks like a modeling error !!!!

WHY IS SHE WEARING SO MANY BELTS ??? WHAT ARE THEY FOR. shes fallen into the "modern design now feels like fantasy" trap. also what the hell is the 3rd layer over her 2 dresses? the one around her waist ?

ultimately she doesn't look warm at all. and like, maybe she's used to it, and to be fair when she was in atlas previously she was wearing a much shorter skirt so maybe she's used to the cold but if thats the case WHY CHANGE HER WHOLE DESIGN SO DRASTICALLY???

but wait, lets not forget the other important part !!

weiss has huge mommy milkers now !!!! she got a boob job !!!!! WHY DID THEY INCREASE HER TIDDY SIZE. all the girls just have the same boob size now but its especially noticeable on weiss because she was like..flat chested before, but now they all just....have the same body type. and its boring !! BORING !!!!!!

0/10. AWFUL job

[its-reyna-ramirez]

pjo/hoo characters as celebrities

*you are allowed to disagree and have your own opinions on these as well*

percy jackson- he is harry styles. everything about him is harry styles and for some reason i feel like percy would also have a good singing voice much like harold does. also the personality, the look, the lyrics, and pretty much everything sums up percy. HE ALSO HAS A SONG CALLED EVER SINCE NEW YORK WHICH GIVES ME THE VIBES.

annabeth chase- i cannot stress how much annabeth reminds me of emma watson. it’s insane. it especially lines up because emma played hermione and was almost exactly like hermione which screams annabeth to me. and emma watson is just immaculate no matter what.

grover underwood- this was a lil tricky and i don’t know why but i get major tom holland vibes? i just feel like they have very similar personalities and if you were to put tom holland as a pjo character he resembles grover the most.

thalia grace- billie eilish. BILLIE EILISH. the fits, the mood, the songs, the beats, the lyrics, the aesthetic, the style, the personality just screams thalia to me. i guess people could argue avril lavigne as well and i did debate which one to do but i think i like the idea of thalia grace being billie eilish the most immaculate.

nico di angelo- conan gray. do i need to explain? well for one we have the fact that conan here has a beautiful style and can literally pull off any look. and conan is an absolute mood. also are we gonna sit here and pretend like heather doesn’t scream nico singing about annabeth?

reyna ramirez- she gives me aoc vibes. like can you imagine reyna getting competitive in among us? it’s just perfect and i love both of them so much. also the amount of power both of them have to do so many things is just beautiful.

hazel levesque- i feel like hazel can just secretly sing and has a super powerful voice, but is shy and keeps it to herself but one day she becomes famous and for some reason she gives me rihanna vibes. also in rihanna’s company, she showed different body types for men modeling and i feel like hazel would be someone to show representation to things that aren’t touched upon that much. and obviously both of them would have to work harder being black women but would make it in the end and be role models for so many younger girls.

frank zhang- feel like frank could pass as kurtis conner? it kinda seems a little strange to think about since frank seems shy and would be one of the last people to be a commentary youtuber/comedian but i feel like their personalities are identical. i also feel like they both would make fun of americans saying “soda” instead of “pop” since they’re both canadian.

jason grace- ok here me out. niall horan? no i am not just saying that because they’re both blonde. ok i am but i feel like jason is a nice and wholesome guy like niall is. and also the album cover of heartbreak weather has a cool lightning bolt thunder kinda thing in the background which reminds me of jason.

piper mclean- okokokokokokokok but can we just talk about piper being ariana grande. can we please just aksjsksnanaksjsl. i don’t think i have met a single person who doesn’t appreciate ariana. i feel like piper has so much queen power in her much like ariana does.

leo valdez- is it safe for me to say john mulaney because imma say it anyways. i mean it’s pretty self explanatory. i can see that being funny as a personality can differ from being a comedian but i feel like leo would genuinely be happy and live his best life like this.

calypso- she gives me major shailene woodley/lily rose-depp vibes like it’s not even funny. i feel like she would look similar to them and have a kinda aesthetic that goes with their looks. also in an interview shailene said that she sings a good morning song every morning and i find that very wholesome and calypsoey.

[mrsreinhart]

The Women of “Hustlers” on Making “A Female ‘Goodfellas’”

Constance Wu, Keke Palmer and Lili Reinhart discuss playing exotic dancers and getting rid of the “chick flick” label

Lorene Scafaria’s Hustlers fictionalizes the true story of a group of exotic dancers who lured wealthy Wall Street men into unknowingly spending hundreds of thousands of dollars at their strip club. The film, based on journalist Jessica Pressler’s 2015 investigative New York magazine piece, “The Hustlers at Scores,” stars Constance Wu as Destiny, a new dancer struggling to pay rent for the apartment where she cares for her grandmother—until she meets Ramona, played by Jennifer Lopez. Ramona is a single mom and the most successful dancer at the club—but this changes with the market crash of 2008. When the recession hits, Ramona enlists fellow down-and-out dancers Destiny, Mercedes (Keke Palmer) and Annabelle (Lili Reinhart) to help her swindle men into spending big on a night out, with the men forgetting most of the previous night’s transactions come morning because their drinks were laced with ketamine and MDMA. The film’s cast is rounded out by Cardi B, Lizzo and Julia Stiles, who plays a reporter modeled after Pressler.

While some opening weekend attendees might be in it for the salaciousness that a “stripper movie” promises (it certainly does deliver on that front), the heart of Hustlers isn’t so different from any other gang film. The women at the center of the film are bound together by the need for something greater than what they had to begin with, and the wish to make their dreams for themselves and their families a reality by any means necessary. WSJ. spoke with Wu, Palmer and Reinhart at the Four Seasons in Beverly Hills to talk about working on their own version of Goodfellas, and what men really want from movies.

Hollywood depictions of sex workers don’t generally give women much agency. Was it important to you that Hustlers empowered them?

Keke Palmer: I liked that it was balanced because it either goes one of two ways. Either it’s like super, super sad, sad, sad or overly glamorized. When I read this, I felt like it was a balance of both. You had those moments where you thought it might be glamorous and you had those moments like, “Damn, this sh*t is tough.” And so whenever I’m looking at a character or a movie—no matter what the job, no matter who these people are—I want to see balance. This movie gave me that.

Constance Wu: Usually we see one archetype of a woman who is a sex worker or a stripper. And yes, we have racial diversity, but we had diversity in so many other ways—the way you look, the backgrounds of these women and also the different ways that they decided to pursue this job, to make their ends meet.

Lili Reinhart: We all came from such different backgrounds and we all ended up in the same job. So it’s not just this archetype —“Oh, trashy girl from a broken home ends up being a stripper.” That’s such a stereotype. That’s not the case. Women are supporting their children, or supporting themselves or their families, or their families kicked them out. I think strippers will hopefully enjoy our film.

CW: I hope so. Because we tried to humanize them as people. Other movies don’t—they try to portray them as objects or people to move the plot along for the story. We treated all of our characters like humans who have a similar job. That’s only one part of you, your job.

How did the all-female ensemble cast change the vibe on set?

CW: I think it was really freeing. Because it’s different if there’s only one spot for a woman. And then you think, “Oh no—what if I get kicked off?” But when it’s all women, I didn’t have to try to be sexy for guys. I didn’t have to try to pretend like, “Oh I’m one of the guys, I’m cool.” I just got to be myself. And [Jennifer Lopez] set the tone for that pretty well, too, because she’s just so cool.

LR: I’m so happy that this is a movie about women told by a woman, because nothing disturbs me more than a woman’s story told by a man, because it’s through the filter of a man. And so the fact that this was a women’s story told, written and seen through the lens of a woman was powerful.

KP: One of the first things that [Constance] said was, “It’s like a female Goodfellas,” and I’m like “damn right!” Lorene was really serious with the DP on getting those specific shots, those specific angles that you only see men have. It was just like, “Man, girl, thank you for those details. Not only does the script have heart and soul, but visually you’re going for this, you’re giving us a cinematic look. You’re making these women look cool!” That was all specific to show us in powerful positions.

LR: Not even sexy, but powerful. It’s not a slow-motion strut starting from the heels going up, showing the body. It’s the women themselves.

KP: It’s how they would usually do the Wall Street guys. It’s power.

CW: Like sometimes people say “Oh, it’s a woman’s film,” they’ll think that it’s less-than. But I think Lorene did a really good job of choosing a crew who treated the film with the respect of something they were really passionate about, not as like—

KP: “Girl movie.”

CW: Yeah, I mean there’s that term that people like to say: “Chick flick.” And I’m like, “Oh, does that mean every other movie in the world is a d*ck flick?” But that’s just a word used—chick flick—to demean a movie that is about women, and then d*ck flicks are just “flicks.”

LR: Just movies in general.

How is a story where you’re playing out, essentially, a love story with another woman different from one with a man?

KP: It hurt my feelings more when all that stuff went down with Constance’s character and Jennifer’s character.

LR: It’s more devastating.

KP: Way more devastating. I feel like people aren’t going to be pleasantly surprised to see the depth and dynamic of these characters and [that] this story is not just something eye-catching for you like, “Stripping! Fun!” It’s like, “Oh wow, these characters, I care about them. I care about this story.”

CW: It almost hurts more than a romantic thing because it almost feels more pure of a love, because there’s not the transaction of sex. The feeling of being forgiven—it’s a good feeling because it’s accepting that we all mess up, and that we’re still people who are worthy of love. And Jen—I couldn’t have done any of this without [her]. That was really just a two-way street; just the fact that she was so open and caring.

Was there anything challenging for you to do in the film?

KP: I think every girl secretly in their mind is ready to get on stage and see if they’ve got what it takes. I think most people would expect [dancing] to be the most challenging. But I think even the shyest person, if they had the opportunity to play a role like this or be in a situation like this—it’s like “Hell, if I’m going to do it somewhere, I might as well do it in a huge film.” I think those parts were exciting. It could be seen as challenging, but what I was excited about was to sit in this sexy place that I’ve never really sat in before. I don’t really think of myself as a sexy type of chick. And so it was cool to play with what that would look like for the camera.

LR: I feel like deep inside, every woman feels the need to get on a pole at least once. I think you grow up and you’re like “Oh, that’s what sexy is.” And you just want to try it. And truly, [to Constance] I’m sure you took probably more pole dancing lessons than I did, but it was just fun. And you’re like, “Damn, I look good!”

CW: I was just thinking when you said like every woman wants to get on the pole—at first I was like, “No, I don’t think so.” But then I was like thinking about it, and why that might be true. And if you think about it, these women are owning their sexuality, which is something we are shamed for, starting at puberty, we’re supposed to make ourselves—you either have to be the Madonna or the whore, and you can’t win either way. You’re not sexy enough; you’re too sexy. And I think when you’re on a stage and you’re dancing and you’re just owning your sexiness in the way that you want to do it, I think that is a thing that inside probably every woman—person—wants to do.

Do you think anyone who goes to see the film solely for the “stripper movie!” factor will be disappointed?

KP: Look, Jennifer gave you the show that you’re looking for right in the beginning. She gives you what we never thought we’d see. She gave us the most spectacular performance that I have ever seen a stripper do. I’ve gone to a lot of strip clubs.

CW: Me too. And I’m going to say something real cheesy right now, but I do believe it’s true: People might say they’re looking for t*ts, but I think they’re looking for heart. And they’re just saying tits because it’s a less vulnerable thing to need, to say. It’s cooler and more macho to objectify women. But at the end of the day, all humans want—

LR: They relate to stories about love.

CW: —is connection.

KP: Without a doubt. Every guy that I’ve watched The Notebook with has loved it.

#lili reinhart #keke palmer #constance wu #hustlers #hustlers movie #wall streeet journal

[dappercritter]

Star vs. the Forces of Evil for the ask meme!

(Based on this meme.)

The first character I first fell in love with: Marco Diaz. Although Star was a pretty fun protagonist from the get-go, Marco impressed me in the first episode with both his plucky attitude and intensely responsible, protective nature. He had everything to be a great friend to Star and, by extent, a deuteragonist. He knew karate and basic psychology, he could help Star with both her personal problems and on her exciting adventures, but he also had his own story to navigate with and without Star. He had his own family, a friend group, a crush, a rival, and a fighting style he trained in—all of which were a joy to watch him interact with! (Well, maybe not his other friends.) What’s more, I have tons of things in common with him; namely, his desire to be seen as cool in spite of his intensely safe nature, said intensely safe and responsible nature, body image issues, being awkward around my crushes, and so on.

The character I never expected to love as much as I do now: Toffee (of Septarsis). I mean, as a lover of cool villains, reptiles, and bespoke fashion, I liked Toffee the minute I laid eyes on him—as many of us did—but I never expected to be as attached to him as I ended up being. Besides being the most competent, menacing villain in the show, Toffee’s character was a mystery that both added to his allure and opened up the possibilities to a more significant backstory that we sadly never got to see. All we ever knew is that he had a passionate hatred of magic and the Butterfly family, a single-minded determination to destroy them, and a plan which almost succeeded perfectly. What we don’t know is whether or not he was a tragic anti-villain who wanted to free monsters from the terror of magic but whose motivation became clouded by vengeance, or if he was just a petty warmonger who only made things personal when he was humiliated. Either way, it’s Toffee’s combined sense of mystery, menace, and sophistication that kept him a permanent personal favourite of mine.

The character everyone else loves that I don’t: Glossaryck, but that might be a bit of a stretch. Mostly because I don’t know how many people liked him to begin with. Most people like to think of him as a weird deadbeat dad who did the bare minimum to take care of the universe, the MHC/his kids, and his students, the queens of Mewni until he finally gave up. As you can guess, that’s exactly what I think of him. But there are people who think his antics are funny and who sympathize with his weariness—not surprising given who he’s had to work with—but his inconsistent characterization throughout the series, and just his general uncooperative teaching style, I just can’t find it in me to like the little blue man.

The character I love that everyone else hates: Janna Ordonia. Don’t get me wrong, I know she does some sketchy stuff like harassing Marco in some shockingly intrusive and insensitive ways. But in spite of that, I like Janna for her troublemaking antics, her love of the weird, and especially her friendship with Star. She felt like a good friend for Star, Marco, Jackie, and Tom because her fondness for the strange and getting into trouble put together with her nonchalant attitude and street smarts, made her a good bridge between the two different worlds of the show (i.e. Earth and the larger multiverse).

The character I used to love but don’t any longer: Hekapoo. I’ll be honest with you guys: I was fascinated with Hekapoo since she first showed up onscreen, and after we got to know her in Running with Scissors, I… I had a crush on her. There, I said it. She was my type, alright? Sassy, adventurous, mischievous, but also ferocious and duty-bound. Everything I could want in a woman! But then we found out that she’s actually kind of a creeper, and she’s a self-righteous corrupt official who supported conspiracy, kidnapping, and genocide and didn’t apologize or try to make amends for it until the last possible moment. And even then she only did it of what appeared to be feelings of obligation to Marco and Moon, nor did she seem to be sorry about all the stuff she did. She vanished from existence with the rest of the MHC along with (most of) all their other magical problems, and frankly, I think that’s how I like it.

The character I would totally smooch: Well, uh, if that Septarian girl in the hat from Meteora’s Lesson is still around, I’d like to get to know her. Maybe take her out for a nice dinner. Go for long walks in the woods. Then wrap it all up with a nice smooch. I mean, if she’s interested of course.

The character I’d want to be like: Tom Lucitor. At first, I didn’t like Tom that much. I just assumed he was going to be a petty rival for Star’s affections that Marco would have to fight. But once we got to know him better and he began his journey of character development, I empathized with him to the point where I saw myself in his struggle to overcome his anger and grow as a person. I may not have made some of the terrible decisions he made early on, but I can be volatile myself, and I am always trying to change for the better as a person. I feel that Tom’s attempt to improve his anger management skills, make amends with the people he hurt, manage failed romantic relationships with maturity, and be a better friend and boyfriend in general make him a decent role model in my eyes.

The character I’d slap: Pony Head. This accursed disembodied unicorn head hasn’t done anything good since maybe Season 1. I used to tolerate her as an intentionally bad parody of valley girl friend archetypes, but after “Bam Ui Pati,” I lost all patience with her. Pony Head, I got two words for you: Shut up. Shut up, shut up, shut up. Shut up! SHUT! UP! SHUT UP!!!

A pairing that I love: Jantom. Starco used to be my main but since that drained me of all my lifeforce and slapped me in the face, my enthusiasm for these two dorks has diminished—significantly, at that. Jantom (or at least the concept of it) on the other hand, was a breath of fresh air. I believe these two feel like they have an even greater right to be together than Starco. I mean, think about it: Janna likes occult stuff, Tom is the prince of the Underworld. Tom likes troublemakers, Janna is all about trouble. And even if Tom is a bit more mature than Janna, we know Janna is capable of selflessness and compassion (one of the few good things we saw from Cleaved), and I like to think that Tom might share some of the life lessons he learned from his journey to maturity with her. …When they weren’t taking turns bugging Marco, of course.

A pairing that I despise: Marclipsa. NO. Hard no. Marco is just a teenager. Eclipsa is a married adult woman. I don’t care how funny you think the whole “Marco’s a harem protagonist” joke is, that is just gross.

#critter asks #critter questions #critter answers #afriendlyirin #svtfoe #star vs the forces of evil #ramblings of the critter