"no hints were dropped" ok not to be that person but here are the hints that were dropped regarding Colin and Trent being gay:
1. Colin mentioning Grindr in a joke
2. Trent touching the arm of a man in the background
Here is one of the hints that Keeley was bi (even though I do believe she's been canonically bi since season 1, but not everyone sees it this way)
1. Her desktop background was in the colors of the bisexual flag
Here were some of the hints that Ted was bi:
1. Bisexual flag colored triangles above his head in the hallucination sequence
2. Inverted pink triangle next to him in that same sequence (and you can't tell me the creators didn't know, when the Homomonument is based on that symbol)
3. Countless (countless!!!) comments about men's physiques ("huge muscular thighs all caked in mud", whistling at a picture of Pep, "look at that head of hair", "he's strong", "he looks like a Rodin sculpture in cleats", etc.)
4. About a man (Higgins) and a woman (Rebecca), he had to say: "that's a crowd I don't mind being smack-dab in the middle of"
5. Him checking Trent out in the pub in 2x07 (his eyes are up there, Ted!)
6. "It could go either way", "I contain multitudes" and other comments in this vein
7. Bi lighting as he entered the Yankee Doodle Burger Barn
8. Giving similar looks to the female waitress and the male waiters in that restaurant (including a waiter in a cowboy costume that looked like he belonged in a gay club, who tipped his hat at Ted when greeting him)
9. "That's cause you were put into a box", "That box ceases to exist today", the box in the hallucination sequence breaking into triangles (as in the bi triangles and the inverted pink triangke), "we've been playing too rigid", "our guys need freedom", "fast, fluid, free, with full support", the "box that one needs to break out of" being a prominent motif in season 3
10. Wishing Beard called him pet names ("Honey, is that an ingredient or something you just called me?")
11. His crush on Pep
12. The connection between Ted and Colin: "my whole life is two lives, really", both wearing orange in Sunflowers, "I just want to kiss my fella" (Colin doesn't say "fella" , but Ted says it all the time), Ted just needs to get inspired and Colin's play is "inspirational" after he comes out, as per the commentators
And so much other stuff that, had Ted not self-identified as straight (*cough* put himself into a box *cough cough*) , you could make the case that he was canonically bi.
Here are some of hints that there was a romantic connection between Ted and Trent:
1. They hit a lot of romantic beats, and not in the jokey self-aware way in which Roy and Ted hit them in "Rainbow", but in an organic and sincere way
2. They both checked each other out: Trent checked Ted out when Ted was changing in front of him, Ted checked Trent out when Trent came up to him in a pub and hit him with a pick-up line while his date that looked a lot like Ted waited for him outside
3. Did I mention that Trent was on a date with a moustachioed man who dressed in a similar style to Ted? Let's mention it again
4. In that very bar, during a 50 second long conversation, Trent managed to say the word "love" three times. I searched the word "love" in the transcripts of the episodes. There's no other instance in which its frequency is this high
5. "Love our chats" incomplete rule of threes
6. "Sport, it's quite the metaphor" (implied: a metaphor for love; see also "love's a beautiful game" from the song Ed Sheeran wrote for Ted Lasso), "Also makes for a heck of a nickname", "Good night, Ted", "Good night, sport"
7. The soft, romantic, melancholic song playing in the background of this scene, while Ted and Trent are the last ones left in the office, with lyrics such as "When your words begin to crumble like the sidewalks all around this crummy neighborhood / From the chalky cliffs of Dover / I'd come over, I'd start over if I could"
8. Trent wearing sunflower colors in the episode "Sunflowers" and in the finale; sunflowers symbolize Ted's home (it's not subtle). He's the only character dressed like that. I'm still looking for any other explanation other than "Trent is Ted's home"
9. Their constant flirting and the way they look at each other with incredible fondness
10. The entire episode "The Strings That Bind Us". It's structured around Ted and Trent's relationship, and the way Trent changed because of Ted (in season 2, Ted defined a soulmate as someone who changes your life forever). The red string metaphor. Ted points out that soulmates are connected by a string tied to their little fingers. Ted and Trent both extend their little fingers out in similar shots. They are connected by a huge block of red in their last scene of the episode. Ted makes several comments about other men that apply to Trent ("Look at that head of hair", "Frames his face nicely", "My favorite one, he was clean shaven"). Many more details that lead back to Ted and Trent: Nate tells the restaurant owner to tell Jade he said "Hello". Immediately after, Ted and Trent say "Hello" to each other. The map that Nate's father used to ask out his mom has the number 1.3 written on it and an illustration of two people at a table in a restaurant. Ted and Trent went to a restaurant together in season 1, episode 3. The last scene of the episode mimics a "Race for Love" scene from a romcom, with Trent chasing after Ted. Trent also does not say a word to anyone other than Ted in the entire episode. He is completely focused on Ted
11. "Trent, what do you love? Is it writing?" and Trent ends up writing a book about Ted and naming the manuscript after Ted and he only cares about Ted's opinion on it (he leaves the room when Beard starts reading, but stays in the office after hours just to watch Ted read. "I just wanted you to like it.")
11. Trent's crush on Ted, confirmed by Jimmy Lance (and also obvious in the show, if you ask me)
Now, why would I believe that none of these hints were intentional? Maybe some could be explained away, but all of them? The hints we got for Colin, Trent and Keeley were so much smaller than this, and those turned out to be intentional.
anon i wish i could offer you the response you deserve, but i cannot stop rereading this masterpiece & focusing on the portions of evidence you provided that i didn't even pick up on until you laid them out. holy shit
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The Justice League have a problem, one that needs some level of knowledge and expertise of a being from the Infinite Realms to give them a better chance of actually solving this problem.
However.
Every ghost they have summoned, without fail, took one look at Constantine. Squinted (yes, squinted). Then decided to go back to where they came without a word.
This. Would have been useful, nice even. If it was a situation where they needed the summoned being of a cult to head back to where they came without a fight.
But alas, that is not what is happening.
The Justice League, obviously, ask him why the ghosts keep fleeing back to their Realm at the sight of him, but Constantine can't answer because he genuinely has no idea why they keep leaving when getting a proper look at him.
So they keep trying and they do find some success in it. They summoned a boy, most likely older than he physically looks yet it still puts some of them off because of, well.
You know.
A boy with white hair and toxic green eyes. The boy stops short, as if not expecting to be randomly transported to somewhere else, takes a look around the room, then the Justice League. His eyes settle on one person.
Constantine, in particular.
He squints (Why do all of them squint? Nobody knows) and then a sudden looking of realization passes on his face. Different from the looks of vague fear and genuinely want to not involve themselves any further, his face held slight disgust and a heavy amount of disappointment.
Thankfully, he didn't leave immediately after that.
Constantine asks what's with the look on the ghost boy's face, the ghost boy in question squints even further. Stares at Constantine for a moment or two, buries his face in his hands and brings his knees to his hand and groans out.
"He could've done so much better."
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While we’re on the subject of names, is there an explanation for how traditional nicknames came about that are seemingly unrelated to, or have little in common with, the original name?
ie- John/Jack, Richard/Dick, Henry/Harry/Hank, Charles/Chuck, Margaret/Peggy/Daisy, Sarah/Sally, Mary/Molly, Anne/Nan, etc
I am actually over a week into researching a huge follow-up post (probably more than one if I’m being honest) about the history of nickname usage, so I will be going into this in much, much more detail at a hopefully not-so-later date - if I have not lost my mind. (Two days ago I spent three hours chasing down a source lead that turned out to be a typographical error from 1727 that was then quoted in source after source for the next 150 years.)
As a preview though, here’s some info about the names you mentioned:
The origins of a good portion of common English nicknames come down to the simple fact that people really, really like rhyming things. Will 🠞Bill, Rob🠞Bob, Rick🠞Dick, Meg🠞Peg.
It may seem like a weird reason, but how many of you have known an Anna/Hannah-Banana? I exclusively refer to my Mom’s cat as Toes even though her name is Moe (Moesie-Toesies 🠞 Toesies 🠞 Toes).
Jack likely evolved from the use of the Middle English diminutive suffix “-chen” - pronounced (and often spelled) “-kyn” or “kin”. The use of -chen as a diminutive suffix still endures in modern German - as in “liebchen” = sweetheart (lieb “love” + -chen).
John (Jan) 🠞 Jankin 🠞 Jackin 🠞 Jack.
Hank was also originally a nickname for John from the same source. I and J were not distinct letters in English until the 17th Century. “Iankin” would have been nearly indistinguishable in pronunciation from “Hankin” due to H-dropping. It’s believed to have switched over to being a nickname for Henry in early Colonial America due to the English being exposed to the Dutch nickname for Henrik - “Henk”.
Harry is thought to be a remnant of how Henry was pronounced up until the early modern era. The name was introduced to England during the Norman conquest as the French Henri (On-REE). The already muted nasal n was dropped in the English pronunciation. With a lack of standardized spelling, the two names were used interchangeably in records throughout the middle ages. So all the early English King Henrys would have written their name Henry and pronounced it Harry.
Sally and Molly likely developed simply because little kids can’t say R’s or L’s. Mary 🠞 Mawy 🠞 Molly. Sary 🠞 Sawy 🠞 Sally.
Daisy became a nickname for Margaret because in French garden daisies are called marguerites.
Nan for Anne is an example of a very cool linguistic process called rebracketing, where two words that are often said/written together transfer letters/morphemes over time. The English use of “an” instead of “a” before words beginning with vowels is a common cause of rebracketing. For example: the Middle English “an eute” became “a newt”, and “a napron” became “an apron”. In the case of nicknames the use of the archaic possessive “mine” is often the culprit. “Mine Anne” over time became “My Nan” as “mine” fell out of use. Ned and Nell have the same origin.
Oddly enough the word “nickname” is itself a result of rebracketing, from the Middle English “an eke (meaning additional) name”.
I realized earlier this week that my cat (Toe’s sister) also has a rebracketing nickname. Her name is Mina, but I call her Nom Nom - formed by me being very annoying and saying her name a bunch of time in a row - miNAMiNAMiNAM.
Chuck is a very modern (20th century) nickname which I’ll have to get back to you on as I started my research in the 16th century and am only up to the 1810s so far lol.
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