Tumgik
#there was a lot of unexplored potential. I think.
reiney-weather · 5 months
Text
thank you to everyone for being supportive of my dndads hermie reblog spree. it will happen again
6 notes · View notes
awkward-but-nice · 9 months
Text
Honestly, i just really like the concept of Korkie being the son of either a cousin or a 3rd Kryze sibling. Parent who were killed in the civil war, with Satine becoming his guardian after that. Like, at such a young age, when she's already faced with the responsibility of rebuilding their planet, to then also have the responsibility of raising another human being be placed on her shoulders? And then still stepping up to the plate and loving the boy as if he was her own, giving him the best life she could possibly give him.
i also just think it fits in well with her determination in bringing peace to Mandalore. to have this child, who will never get to know his birth parents, because the war took them away from him. and one of those parents being a family member as well, who she knew and loved.
12 notes · View notes
bakuliwrites · 2 years
Text
I find it so very interesting that Julian contemplated (and nearly followed through) with killing Lucio. I don't really feel like his route (or Lucio's) really touches on this enough. Like, sure, we see that Julian feels guilty because he thinks he is the one that murdered Lucio. Maybe I missed something (it's been a hot minute since I played either of their routes). But I'm curious to know how Julian feels about being so close to actually following through with ending Lucio. He rushes into the room because it's on fire. But, had it not been, would he have hesitated at Lucio's door, wondering if he was making the right decision? Or is the only thing that stopped him the fact that Lucio was already on fire? What were his exact thoughts in that moment and in the moments leading up to it? If Julian had been provided the opportunity to follow through, would he and Lucio have had a confrontation?
I think Julian is often made out to only be a sweet, innocent, self-sacrificing man. And while he is endearing, caring, and, indeed, self-sacrificing, there's more to him. Julian contains wrath and anger, perhaps driven by a sense of justice (his motivation to kill Lucio is to end the plague). He's intelligent, strong willed, reckless, and tireless. Had he murdered Lucio, would this not have been, in some way, self-sacrificing? He would be ridding the world of the plague, but he would also be setting himself up for potential imprisonment (or worse, I'm not sure what the laws are in terms of murder in Vesuvia). I think he would view it as something worth it because ending the plague (by ending Lucio) would be for the greater good. But I also feel that Julian would be conflicted about it as a doctor, someone who is dedicated to curing people and saving lives. The psychology behind him is fascinating to me.
(Do I plan on exploring this in EUH? 100% I do)
I also wish Julian had appeared in Lucio's route more (is his only appearance in the magical realms, with that haunting apparition?). Mainly because I think Lucio really needs to acknowledge and confront the fact that he's the one that gave Julian the plague (force-feeding him a plague beetle). But I also feel like it would provide opportunity for them to have a discussion about what Julian was doing the night of the masquerade and why Julian was on his way to Lucio's wing/why he was accused of the murder in the first place. I think this could have provided good closure for their characters. I have a number of issues with Lucio's route (I feel he's fairly infantilized in it and the gravity of his actions is downplayed significantly, but that's another post for another day).
(Do I plan on exploring this in EUH, too? You bet)
Anyway, that's my Arcana rant for today. This is not me calling anyone out. Please continue to interpret things and characters how you want to. I like to see people's creativity and varying interpretations. That's the wonderful thing about fanfiction/fanart. Everyone can have vastly differing thoughts and it's all wonderful.
83 notes · View notes
Text
Bioware bring back the City Elf Origin for Dreadwolf challenge.
19 notes · View notes
bibiana112 · 1 year
Text
Finished Danganronpa Lapse and tbh nobody gets it like I do because every review I've seen wasn't made by someone who's played zero escape Why did Echo do that? ZTD shifting strats that's why! Lyle's canonically a zero escape nerd who brings up the morphogenetic field as a quick joke and is introduced arguing about the funyarinpa, do I think all these references get in the way and that it's a bit underwhelming when this comes unexplained out of nowhere? Absolutely! But it's so clearly an element the creator was inspired by and wanted to include and play with rather than a lazy last minute deal to fix 'plot holes'
#honestly I enjoyed this game a lot and only let myself play because it ties into current hyperfixation but#it#wasn't fun to do the whole shifting thing again felt like it was way too caught up on both it's influences and trying to be it's own thing#at be very same time somehow#I liked it when it for ehat it was though#I found the characters charming to no end but sadly unexplored for the most part#loved Lyle loved Sei and Missy and so many others I want to draw them all so bad (is stranded away from drawing tablet and otherwise busy)#the bad endings inclusion feels weird#when the shifting started I thought for a second that we'd get two different trials depending on our choice which didn't turn out to be it#which I feel would have been a more fun exploration of concept than what we got#it's a free game and it's imoressive for what we got presentation wise I was in love with it begining to end I think the issues are more#at like a conceptual level#decisions that were made that could have used some more passes or even more people's input? not sure but it felt like a personal oc project#which is nice to see but just probably what's not matching expectations since the polish it lacks is in such a story structure kind of way#like the pacing and the order in which new concepts and themes are presented is a bit dissonant#and people's expectations of it being a fangan only exacerbate that slight issue#it was shorter than I expected and while I do think the pacing would have benefited from more time I get how it'd be a big undertaking#I'm overall happy and will go back to get the ending I missed but it mostly feels like there's untapped potential there#which is a great sign that whatever next project the person tackles will be pretty good#and also that I may or may not blorbo out to fill in the gaps#only time will tell though lol#danganronpa lapse
9 notes · View notes
orcelito · 1 year
Text
also THIS,,,
Tumblr media
from the Big Fall. 20 million casualties, 60 million missing (could be assumed now residents of Gunsmoke?)
802 ships destroyed. 74 emergency landings. 124 ships missing.
these are some fucking statistics.
we know that there are 7 main cities: April, May, Jeneora Rock, July, Augusta, Octovern, and December
but then there are other locations like November, New Miami, Valdour, Carcasses (in South Cornelia), Ripmela, Meldreck, Nouve Town Muncipal, & New Santiago...
there are mentions of ships being the center of towns, like Nouve Town Muncipal Ship (the location where Knives kills Everyone in the location). & we see these ships being the center of so many towns
im going to need to make a comprehensive guide for all these locations bc GOD there are so many locations. and if these stats are to be believed, then there are at LEAST 74-124 ish (maybe up to 198??) potential locations for ships that people could have built residences around. this could be as big as the giant ships that act as the basis for the main cities, or as small as the tiny little gas station we see built around one plant bulb that fell from a ship.
there are so many potential cites around this planet, & i'm taking note of every place that is mentioned. im Going to build a comprehensive guide on all the locations of Gunsmoke Yet.
3 notes · View notes
annymation · 5 months
Text
Reimagining the characters in Wish
(Part 1- Asha)
Tumblr media
Hey guys! I don’t really know how to start this, but let’s just say that I… Didn’t like how Disney’s 100th anniversary movie turned out, like at all.
But I can tell there was a lot of unexplored potential beneath this story, that in my opinion felt overly simple and bare bones.
But if you love it, that’s awesome, more power to you, I wish I could’ve loved it too. And I don’t want to rewrite it to show I’m “better than the writers at Disney” because I’m definitely not lol, I have no experience in writing, and I’m sure they put a lot of passion into the project and I respect them for that. But this movie inspired me with ideas for a different story that I think is worth telling.
But I won’t start telling it today, instead, I'll start a series of blogs sharing my ideas for changes in the characters and their stories, after I get some feedback I will start posting more of the story itself.
If you’re interested, then come along!
Asha✨
Tumblr media
Personality
- Asha is a 18 year old girl, with a passion for drawing and helping those around her, sometimes even worrying more about helping others than helping herself
- She’s like a big sister to her 7 friends, always being the voice of reason and acting responsible, but not in a bossy way, she’s actually very playful with them
- To the people of Rosas tho, she's seen as kind of a weirdo, for you see, she spends almost every time of the day drawing in her sketchbook
- She practices everyday to become a better artist, and the people of Rosas find this to be very peculiar, after all, why would you take so much effort to perfect a talent when you can simply wait to turn 18 and wish for the king to make you an amazing artist?
- Asha doesn’t mind these comments, although they have made her less willing to share her drawings with others that aren’t her 7 friends
- As the story progresses we see Asha flourish from a shy and introverted girl to a brave woman who after discovering a terrifying secret about the kingdom’s rulers, steps in and inspires others to join her and fight an evil sorcerer king and his alchemist wife (yes, I made Amaya an alchemist, more on that on part 2 when I talk about how I’d change Magnifico and Amaya)
- Some Disney characters that share similarities with her personality wise are: Belle, Tiana, Pocahontas and Esmeralda
Main Traits:
Calm and mature
Determined
Passionate about her interests (drawing, dancing, philosophy and stars)
Helpful and generous
Perceptive and always questioning things around her that no one pays attention to (like why do all the artists only paint the King and Queen?)
Playful
Compassionate
Backstory
Tumblr media
Oooh boy I gave this poor girl so much angst, okay let’s go
Asha grew up with her grandfather, her parents both died in a fire when she was just a baby
(this isn’t just to fit the “haha Disney princess has no parents” cliche, there’s plot relevance in this “mysterious fire” that I’ll talk about later)
Growing up with her grandpa, he’d always support her dream to be an artist, like her mother, who was an art teacher
Her mother not only drew really well, but she also was able to create the illusion that her drawings could move, by flipping through the pages of her sketch books
Tumblr media
In other words, her mom was an animator
Asha saw this technic her mom used as a form of magic, so she would often tell her grandpa she wanted to “Do magic just like my mom”
Her father was a philosopher (this was established in the actual movie but never explored haha whyyyy), who taught people that working hard to achieve your dreams is not only rewarding, but also essential, because it’s part of the human nature to persevere and fight for what we believe, even if we fail, even if it’s hard, just keep moving forward.
This philosophy may sound very “umm duh” for me and you since we all know and hear everywhere nothing in life comes for free… But that’s not the case in Rosas
In this rewrite the kingdom wasn’t created by Magnifico, but rather the kingdom has existed for many generations, being ruled by different kings before Magnifico who also granted wishes… but I’m getting ahead of myself.
The point is that the culture of just asking the king to give you or make you whatever you want to be has been in this kingdom’s culture since forever, so when Asha’s dad comes out saying “hey! Maybe we should stop just relying on the king to make our dreams come true, right?” He’s actually being quite a revolutionary… and sharing a very dangerous belief to other people…
At this point you might suspect what caused that “mysterious fire”
So, back to Asha, growing up with her grandpa, they shared a lot of happy memories together. Reading her father's books and her mother's art books helped Asha connect with them even tho she never had them in her life.
But as her grandfather grew older, he became senile.
Asha went from being taken care of by her grandpa to being the one who took care of him when she was still around 13 years old, and when she turned 15 her grandfather passed away of old age
Asha went on to live with her best friend Dahlia, the two became like sisters.
Though she managed to move on from the loss of her grandfather, she could never shake the feeling that he died without getting his wish granted... But she had no way to prove that, it was just a feeling
The wish granting system works different in my rewrite, instead of there being a public wish granting ceremony once a month, there would only be a public wish TAKING ceremony, that would work just like in the movie, you turn 18, you go give your wish to the king yada yada yada.
But the wish granting part would work like this: Almost every night the king would release the wishes up in the sky, they would float down like balloons to their respective owners while they sleep, and once they woke up in the morning they'd feel that their wishes were granted, for they would wake up changed.
With this method, there's no way of confirming if someone really got their wish granted or not, unless you went to ask the king.
Asha never did ask the king if he granted her grandfather's wish, but her grandfather would sometimes express how he wasn't feeling completely fulfilled in his life, he felt like there was something... missing.
This feeling of hollowness persisted in him until the very end, no matter how hard Asha tried to help her grandfather, she never knew him as his real self, because he gave part of his soul to the king, the most beautiful part of his soul, his wish.
Asha had no proof that her grandfather didn't get his wish granted, only a gut feeling.
But because of this, Asha wasn't that thrilled to give her own wish to king magnifico, knowing there was the possibility of it never being granted.
Not to mention she didn’t even know what to wish for, “I’m just 18 and you guys expect me to already know what’s my heart’s deepest desire? I’m still figuring that out, all I know is that I wanna draw”
Plus she wanted to follow her father's philosophy and achieve her wish on her own, eventually, when she figured out what her wish even was.
Asha never rebelled against the system tho, she wasn't a confrontational person. She just accepted the people of Rosas preferred to rely on the king's magic, but that just wasn't for her.
However, on her 18 birthday, when it was expected of her to give her wish to the king, she simply said she didn't have a wish, and even if she did she wouldn’t want to hand it over, she wanted to make it come true on her own. This lead to an argument with the king, and after a series of events (that I don't have time to summarize here, but you can find out about it on my rewrite) leads to her finding out a terrible truth about her kingdom. And that's how her story begins.
Design
Tumblr media Tumblr media
- I’d keep these braid ornaments that Asha had in the concept art
- Since in my rewrite she’s not that invested in the kingdom of Rosas, I’d remove all the Kingdom of Rosas symbols that are present in her design (there are a LOT of them)
Tumblr media Tumblr media Tumblr media Tumblr media
- I’d replace these Rosas insignia with more star and constellations themed symbols, to reflect how Asha believes that the stars are connected to people and they can guide us, just like how her father believed.
Final Thoughts
My intentions with these changes were to give Asha a strong emotional hook, and something that makes her feel relatable.
The emotional hook here is how she spent so much of her life taking care of her grandfather that she kinda never had time to worry about her own desires, that alone can be relatable to caregivers of elderly people that watch their grandparents or even their own parents lose themselves as time passes, and end up worrying more about the person they’re taking care of than themselves.
Asha has this internal emotional conflict where she feels she needs to constantly help others the same way she helped her grandfather, and one of the things she’ll learn as the story progresses is that it’s not selfish of her to want more for HERSELF.
Another thing that would be relatable about Asha is her passion for drawing, and how most people in Rosas would say she’s wasting her time practicing so much when she can just wait until she turns 18 and wish to be amazing at drawing.
She’d never stop believing that taking her time to improve on her talent and trying again and again was worth every second of her time, because let me tell ya folks, drawing is HARD, and animating like Asha’s mom did is even HARDER, it takes a whole lot of practice, and Asha was determined to keep trying.
She’d be much like Belle, remaining true to herself even tho those around her considered her odd, and very passionate about drawing just as much Belle was passionate about reading.
I also find it funny how Asha’s motivations are fairly down to earth, like in Disney movies you usually have:
I want to be free from these palace walls!
I want to explore the ocean!
I want to open a restaurant!
I want to find true love!
And then there’s Asha here like
“My life is fine, I just wanna chill and draw stuff”
And that’s it, but, in her environment where everyone is expected to have this great wish that they have to give to the king so he’ll make it a reality, she’s kinda the odd one out, and I love that. Would be a great subversion of the Disney formula.
Of course after she learns Magnifico and Amaya’s true intentions she gets a lot more agency and the desire to save her people, her “call for adventure” if you will.
But what are Magnifico and Amaya’s true intentions? Click here for part 2 and find out!
Thank You For Reading!
335 notes · View notes
victoriadallonfan · 28 days
Text
I saw a really funny meme about Victoria’s interaction with Gong, and it made me think…
There’s probably a LOT of unexplored potential in bias and prejudice against Cauldron capes, right?
What kind of micro aggressions can form due to this? How does it interact with capes in the same team, politically?
For context:
Tumblr media
- Dying 15.3
Victoria gives a pretty well explained summary of Shaker-Movers, helping to explain why the cape is acting like she has PTSD (which is why Vic’s orders work and Gong’s didn’t), and Gong’s simple response is that she is a Cauldron cape.
Ergo, she wouldn’t have these issues like “real” capes. Right? Victoria wants to argue against it, but she has no real proof of this. She has theories but that’s all they are. Theories.
But WE know the truth. Victoria is correct in that vial capes get powers based off of their personality and mental states!
Battery was a passionate and fiery person who uses memories of staying calm, using breathing techniques from her past to help her manage her fear and pain, which gave her the power to become untouchable so long as she forces herself to remain calm and unmoving to charge up.
Newter was insensate with pain, delirious, and his body torn apart when given his vial, and he gained a body that deals with damage, heals, and induces delirium in others.
Sveta was trapped, torn to shreds, skin peeling off in ribbons and trapped metaphorically in a body that wasn’t right for her. She was given ribbons that could get her out of danger, that would provide and protect her with minds of their own, and a body that was what she wanted while still not being hers.
And WB did a great breakdown of the travelers:
Tumblr media
There’s more to explore like how Alexandria had a desire to remain young, a mind foggy from drugs and a body sensitive to pain etc etc, but the gist is that cauldron capes DO have power issues related to what they can do. And according to Battery, they experience mind boggling amounts of pain with each drink of a vial.
However…
Would non-cauldron capes even care?
When Taylor learns about cauldron capes, her first reaction is disgust that these people didn’t earn their powers. That they didn’t suffer like REAL Parahumans did.
Even Victoria is offended when she learns Dean was a cauldron cape, as the intimacy of sharing their trigger events was seen as the next step of their relationship.
When Legend explains how they all should have had trigger events, but didn’t, it falls on deaf ears. No one responds to him and Taylor doesn’t give his words much thought at all.
And why should they? Cauldron capes are liars. They’ve been lying all this time. Nothing they say could be taken at face value. Eidolon could give a huge public speech about being born disabled, suffering from seizures, and his suicide attempts… and it would mean nothing.
He LIED to them about his origins. An unspoken rule has been broken. He didn’t suffer enough to earn his powers.
It’s interesting to me that the Undersiders nor Breakthrough had someone who was a voluntary cauldron cape. Sveta was an advocate for C53’s and hated Legend for being part of Cauldron, but we don’t hear her thoughts on people who simply bought powers. Taylor never knew Accord and Citrine were Cauldron until the very end.
I don’t know how to end this, but his line sticks out to me:
Tumblr media
- Blinding 11.5
70 notes · View notes
surely-galena · 1 month
Text
Tumblr media
I'm making slides for the bestie so she'll understand what I mean when I bring up ToT in our chat but in making this timeline, I realized that a super unexplored time is when Giann is gone but Neil isn't.
Like, how did Vyn feel at the time? Was it strange how close Artem and Neil were with each other (and by extension, did Vyn become sort of an odd one out)? Was Neil even a suspect then, or was everyone in shock about Giann? Were Artem and Vyn actually civil to each other at this point in time?
Similarly, that brief point in time before the disappearances (column 2) means that Artem has interacted with Giann before. I theorize that Marius only joined the team after Giann went missing, because he was away in Florence studying art, but since canon hasn't told us yet, for all we know, Marius could have been an online member for a while. But this means that Artem was at least familiar with all three founders before people even began to go missing.
Anyway, I think the pre-canon timeline has a lot of unexplored possibility and potential and it's really fascinating to think about :))
85 notes · View notes
plutoswrath · 1 year
Text
ᴀꜱᴛʀᴏ ᴍᴜꜱɪɴɢꜱ 2: ʟɪʟɪᴛʜ - ᴀɴᴄɪᴇɴᴛ, ᴡɪʟᴅ ᴍᴏᴛʜᴇʀ
Tumblr media Tumblr media Tumblr media
TW: themes of abuse, power dynamics, sociology, misogyny. Astrology + politics mixed, I'm leftist after all, if that's not your cup of tea, skip this one and save yourself the rage quit lol. Women/femme presenting is an all inclusive term in this post!
Tumblr media
So since a long time now I've been very intruiged by Lilith (mean, true, asteroid and waldemarth) but since we're most familiar with osculating Lilith and Black Moon Lilith, I will focus on these two specifically.
Keep in mind that there are multiple stories (even if it's just the tiny details that alter the story) and thus interpretations about Lilith, Lilith is also still very much unexplored in astrology.
But the stories of Lilith all do unite in the themes of demand, oppression, shame, morality, breaking free of limitations, isolation/ostracization, rage and autonomy. It’s about power dynamics, you and your raw self, all the desires and needs in relation to others/society. Lilith is described as dark and hidden because that’s exactly what we are taught to do with Lilith energy: hide it. Lilith is therefore often described as off putting, because nothing can be as uncomfortable as going against all reasoning and what you were told was ‘good’ and instead going by instinct and impulse. Lilith deals a lot with survivial. It can be both, a blessing in disguise or at times, a snake biting it’s own tail.
And before we dive deeper into Lilith, I want to say a few words on the practice of astrology, so you can get familiar with the way I use and practice it too:
Astrology is a tool to research our society/world and self, thus Lilith is a reflection of our societal circumstances and therefore you can't discuss Lilith without getting political and talking about misogyny/oppressive systems.
This does not (!) mean Lilith and its effects are limited to gender by any means, but because gender is a social construct, Lilith and it’s effects are influenced by the way we are socialized and by who we are politically. This is why people constantly find these weird power dynamics between men and women who share strong Lilith synastry in the first place.
Gender as we define it is not inherent in the stars and astrology, but our socialization will direct or at least set off the tone in which way certain astrological facts can develop potentially. This is why - very different to my usual approach - I do in fact want to highlight the performance and construct of gender in this take, because the themes of Lilith represent in the different roles and scripts that exist for men and women in our heteronormative society. It shows in the power dynamic that is created between those who are politically men and women or rather said those who are straying away from the script they we're ought to follow by those who hold more power over them. This is an universal experience that can be experienced by everyone, but I want to say that private and political self intertwine and it’s very much present in the stories of those who have experienced strong Lilith influence in their life. If you want to read further on my reasoning and understand my approach to astrology, you can read it here.
⇨ Sociology and politics aside, let’s get back to Lilith:
Naturally, because there is still a lot of mystery and complexion around Lilith, she is a very hot topic in synastry. But the assumptions of steamy sex and kinky encounters aside, and from what I've seen and studied, right now I'll go so far to say that when we deal with a (perceived) hetero relationship, it can only truly work out if the man involved absolutely sees the woman as an absolute equal and treats her as such. Even if difficulties arise and are set off by Lilith, both need to remain an be seen as an independend being with agency and acknowledge that at all times, no matter the decision. It's a choice both should commit to at the very beginning.
You think this is common sense in partnerships (should be at least) but Lilith has a very unique and personal relationship with ostracization, shame, humiliation, oppression and anger.
I often read that prominent Lilith contacts in synastry (but I'd add composite to that too!) need both partners to be healthy, functional (or at least have an idea of what that should be and look like) and communicate effectively and clearly, be vulnerable and honest. While this is definitely true, any strong Lilith energy in relationships between a woman and a man needs the man to dissect his views and held notions of women, I believe. Not that anyone should dissect and deconstruct what their internalized held beliefs of what gender, and what femme and masculine is, to begin with (duh), but I repeat my previous statement about Lilith’s themes: Lilith ultimately finds itself battling and dealing with power dynamics, because it represents you and your raw self, all the desires and needs in relation to others/society. Lilith is described as dark and hidden because that’s exactly what we are taught to do with Lilith energy: hide it.
The woman in the connection, especially if she is Lilith, will be the woman that will mentally have the man on his knees because her mere existence can challenge his previously believed authority he has on her/women, as well as the way people are wired and set in position in society. We see him questioning the ‘script’ or holding close to it like a dogma. There is (sometimes watered down) anger and resentment a man will channel towards the woman he has Lilith contact with. It can often be thoughts of ‘how dare she’ and ‘I’ll stop her before she even gets the chance to start’. As much as the escapism we search for online think this might turn out in an overly romanticzed femme fatale fantasy, reality often hits us hard when we see dysfunctional relationships unfolding right in front of us.
She will be the announcement of a possible challenge, a test of character, which he'll fail or master. It's a question of morality, for both. Because Lilith here can be the person he always dreamed of, but always has been too afraid to engage with. There is something uttrely objectifying happening when talking about lilith and it's effects, even if you don't want to, it is bound to happen living in the world we are in right now.
And this has all to do with what Lilith stands for. Especially those who have strong Liltih influence in their chart (doesn't matter which Liltih you use) - I'm talking in angular houses, on the angles, in contact to personal planets or to the chart ruler - have undeniably an interesting relationship with and effect on those people who want them to 'follow the scrip' in the way society wants it. And very important (!!): just because someone has strong Lilith influence, doesn't mean that they are in any way better or worse than other women. I want to highlight this because women with Lilith energy will get shit from anyone (!!) who has strong internalized misogyny in them. Think about the way women are raised to compete with each other and follow the script in order to survive and get by in a patriarchal society. Of course someone who's very 'Lilith' will trigger them. Same with men who encounter someone who's very 'Lilith'.
Lilith can join the club of the outsider that you'll find at the metaphorical table that is placed in an imagined highschool's cafeteria: finding her place right next to Scorpio, shaking hands with Uranus, Neptune and Pluto, nodding acknowledging to Cancer, Aquarius and Pisces.
I noticed women who have strong Lilith in their chart have had prominent themes of isolation, autonomy, exclusion and conflict in their life. Either born or forced in positions that has them relying on themselves and their gut instincts a lot (!) and the rest of their charts backed that up too. But whatever is touched by Lilith is bount to become fierce and brutal. Doesn't matter if it's natal, a transit, in composite; Lilith forces you to look within and unleash something inside of you, it works like a catalyst of some sort. Lilith also talks about demands. Think about how she demanded a different treatment, before she left the Garden Eden. Lilith's needs are that strong, that she is willing to face the brutal consequences of it. If anything, Lilith's pursue can be just as brutal (metaphorically, but perhaps phyiscally as well) as her will.
Tumblr media
Pop astrology makes Lilith out to be solely about the physical act of intimacy, and sexuality definitely is a theme for Lilith, but not in the way people think it is, I believe.
There is an undeniable generational trauma and influence Lilith has on those who are politically a woman (all inclusive term)/femme presenting.
I will be even bolder in my claims and say that we still view Lilith through the lense society views women that ultimately choose to abandon societal and cultural prestigue and status by choosing themselves no matter what will occure, especially if it also means having to play with those societal expectations or finding their own niche in those roles and scrips they have to follow to get by. And this is not me trying to #girboss Lilith, but rather me saying that our studies still integrate and reproduce held harmful beliefs of women.
Deciding to work with Lilith is deciding to choose yourself because you see beyond the oppression and injustice, no matter what you think that might be in your life or in the life of others. The reactionary nature is most of the times caused by pushing and pulling from those who want her to follow the script. But Lilith often wants to write her own script, or at least edit what people have been given to her.
This is why, for example, women with Lilith in contact with their Juno will be known as partners that are demanding in the eyes of those who want them to act as we expect women to be in relationships. They expect commitment that borders on obedience but these individuals will eventually combust under the pressure. They will find their way to assert their own role, but at the same time they can end up with people that are inherently lilith to them in the best or worst ways. Likewise, we see celebrity men with Lilith Juno contacts that are known to be immoral lovers, not caring if the spotlights are on them or not. The whole world is gonna see, how they want to have commitment and what it requires. (not to say that you are doomed to be a horrible partner just because you have Lilith-Juno contacts, this is just one way it can manifest!)
I believe that at it’s best and it’s very essence, Lilith is not about choosing hate over love, glorifying destruction over peace and community. I truly believe that at it's core and very best, Lilith is ancient and wise, she knows - because she has wisdom that is inherent to her - what is right and wrong for her and she downright rejects the status quo because she can see beyond the limitations and power plays people have put on each other. She is the link to our gut feeling, I believe. And it acts out, whenever something doesn't sit quiet right with us, or something might feel incredibly good (for better or worse). Again, Lilith was ostracized and forced to be alone, she had to be and sit with herself. That doesn't mean Lilith is the ulterior good, but rather the 'what if you would choose to not follow the script - what if you become mindful of your own and listen within yourself.'
She is very much wild and raw and instinctual as mother earth herself is (the sadow of the moon). Remember, after all, she is according to the stories the very first woman. She is following a very deep rooted beat of a drum, a melody, that will always guide her through life, she wants to connect to her own, inherent eco system.
When I research Lilith in astrological texts and read about her, no matter which Lilith it is, it most of the time feels almost like a caricature, oddly enough. If she's not 100% girlbossyfied, she is mostly only seen as the 'evil one' (or at least very constroversial figure). Despite the fact that she indeed can be bad, it's also a role Lilith was pushed to take on too, because after all, there hasn’t been any cooperation with her. So she doesn’t cooperate and rather does her own thing (for better and worse, but as long as it feels good to her, there's probably no one who can stop her). Looking at it from a more psychological and sociological lens, Lilith's story inherently integrates the idea of 'I play the villian you always thought of me as'. Which is in itself an (unfortunate) self-fulfilling and isolating prophecy. It's not inherently a cool, but rather a cruel thing, but she had to work her way around that too, I guess.
Growing up 'Lilith', I do want to talk about the many facettes she has. I don't think that the reduction of Lilith as a mere 'sexual' indication does her justice, even if the sexual part does play a role after all. Picking up the previous point about astrology and sexuality, I wonder how the extreme sexualization and fetishization of anything a woman does plays into the sex-focused interpretations of her (but I think part of the credit has to be given to the way sexuality - especially in women - is also used as a method and commodity).
I also often read about women that are Lilith and feel very wise and mature, being a spiritual teacher to their lovers. I personally agree. I feel the wisdom and knowledge of Lilith can get twisted - either she becomes the 'crazy one' or people take away her agency and personhood and reduce her to the (sexual) magnetism that she possesses by being deeply involved and concerned with her sexual energy (aka creative energy, it's the force we connenct with when we create ANYTHING). Thus, often resulting in her being very much in touch with it.
There’s also the concept of motherhood that I keep thinking about. After all Lilith made sure to revenge her killed children by.....kiling other children? Uhh, don't know really about that move but sure, you show them that was fucked up ig.
Since Lilith is the shadow of the moon, I wonder how much our upbringing, our mother figure and motherhood influence Lilith’s energy.
And of course: the other woman. Lilith came back to the Garden Eden just to find Adam with another chick!!! After she had to leave when she wanted to be treated with basic respect. And yes, she did take revenge on Adam too, but point is that Lilith also deals with betrayal and distrust.
There is so much I could write about Lilith. I feel one can't discuss and learn about lilith without getting sociological, political and a bit psychological as well. After all, she is one of the most complex and intruiging figures out there. Controversial. The dark side of the moon.
Tumblr media Tumblr media Tumblr media
623 notes · View notes
haunted-radishes · 8 months
Note
Hey, you seem to be a Wen Ning enjoyer, can you tell me what you like best about him? I feel like he has a lot of potential that isn’t really explored enough for him to be a fave so I’d like to hear your POV on him!
Honestly, right from the beginning he has always just made me happy :D
But to delve into it, the first thing that struck me about him was how kind he is. He's a sweet guy! I started with The Untamed, only reading the novel later, so my primary impression of him is the version that sneaks down to the dungeons to take out the evil dog and give Wei Wuxian some medicine, so he's going behind his sect's back to do what's right as soon as he has the opportunity to do so. I love how he's timid and gentle, but has the backbone of steel to risk it all to do the right thing.
But he's also kind of. Odd. Sometimes it ties into his hidden nerves of steel, like when he drugs the entire cohort at Lotus Pier to help Wei Wuxian and co. Like, it was an incredible act, but he just. Fucking. Drugged them. No hesitation. Absolutely wild behavior. Especially in the novel where he had only met Wei Wuxian once before this! I do prefer the drama version where his actions make more sense, but his devotion is at least a little unhinged no matter the version. But also, even besides the obsessive devotion, his energy is just. Endearingly strange and off-putting. Like when he decides that the best way to quietly contact Wei Wuxian is to dangle upside down outside his window. Or feels absolutely no need to make himself less terrifying when he power walks towards the tied-up juniors with a sword.
And then! The unexplored depths and unexamined tragedy! You're left to wonder so much about him! How DOES he feel about the whole fierce corpse thing? About his compromised autonomy? Would he have turned against his sect even if Wei Wuxian hadn't charmed him? Does he regret any of his actions before killing Jin Zixuan? How deep do his grudges run? Is there anyone from the Wen sect outside his established circle of family and cultivators who he misses or secretly mourns? What does he think about the other great sect members, especially the leaders? Plus so many more questions we'll never truly know the answers to, because he tucks his problems away and never speaks of them! The closest glimpse we get of his inner turmoil is his verbal evisceration of Jiang Cheng with the core reveal, and that does show us some interesting things about his character! For the first time, we see him choosing to be as hurtful as possible, showing how much he clearly resents Jiang Cheng, but how much of that is personal dislike, how much is anger on Wei Wuxian's behalf, how much is blame for the deaths of his family, and how much is gall at him benefiting from dear late Wen Qing's genius and service without even knowing it? Also, what is he going to do after canon? What is left for him?
Also he's relatable, lol. That awkward uncertainty he always carries with him is very endearing in an "oh, me too buddy" kind of way. He has so much going on inside his head, but all that comes out is, "oh! Excuse me >.<" People are having massive emotional moments right in front of him, and he's just..... There.
Anyway, Wen Ning! Love that guy! Makes my brain go "brrrr"
162 notes · View notes
Text
Tumblr media Tumblr media
Propaganda under the cut.
Princess Entrapta:
- A girl - A boss - She's good... generally. But more than morality, she cares about ROBOTS and SCIENCE. She provided a lot of help to the bad guys because of SCIENCE. But she's not fundamentally bad. She cares about good, but this is accessory.
Princess Azula:
homegirl was only 14 and scarier than her dad but let's be fr, her mum saw her as a monster back when she was a kid bc no one taught her how to be gentle. she was ozai's golden child born and raised to be his puppet. sure she's not a good person nor did she do good things but c'mon she was never given the chance or space to be good. the amount of unexplored potential in her is astronomical. also her lines are just iconic
She tries to kill people with lightning, and is controlling/manipulative of her friends and Zuko. However, she is very cool, so I think this should be allowed.
honestly what do you even say about azula that *hasn't* been said. she's a psychologically fascinating villain, evil yet so complicated and interesting to watch, she's so intriguing and well written. her immoralness mixed with seeing her Feel made her so so interesting to watch. she's an excellent cautionary tale and just a wonderful antagonist. definitely one of the most memorable parts of the show for me
She has never ONCE genuinely apologized for anything in her entire life. Everything she did was on purpose and with the direct intention of furthering her own goals and fucking everybody else over. Firelord of my heart.
139 notes · View notes
gegengestalt · 6 months
Text
Thinking about Mitya and Ivan
I think a lot about the unexplored dynamic of Mitya and Ivan. There is so much potential there, yet we only have the pieces.
Imagine being Ivan and meeting your half brother for the first time. You didn't know he existed until recently, he's practically a stranger. His manners are rough, he drinks, he makes scenes, he's debauched, just like your father, who made your mother suffer. He throws around money when you have to work to sustain yourself. It saddens me, but I can understand why Ivan dislikes Mitya so much.
But Mitya is no buffoon: he holds respect for Ivan and sees him as superior to him, even if part of it comes from his own self- pity. He's not the brightest, but he appreciates education and smarts when he sees them and wants to know what's on Ivan's mind.
Mitya is most likely eager to make a connection, but the obstacle is exactly the source of the personal pain in both of them and the only thing they had in common from the beginning, their father. Ivan pushes away those he cares about, but he can't escape Mitya, who will keep seeking attention from people and taking them for granted even when he knows they don't like him. And Ivan is too proud to not put up with it. This dynamic is a goldmine.
Ivan's relationship to both Pavel and Mitya is the answer to why although his idea has not been refuted, him as a person with prejudices had his downfall. In Mitya is the bestial man who was once one of those weeping children.
Mitya, a body aware of the mind, and Ivan, a mind aware of the body, as some critics say. Mitya, who would love God from the depths of Hell, and Ivan, who returns the ticket even in the face of salvation.
Perhaps they do have more in common than they think. I believe readings of Ivan as the rational one are very reductive, when his rejection of harmony is a question of his feelings towards the suffering of the innocent. His passions are bubbling under the surface. Both grapple with the tension between their pathos in front of reality and their unexplainable love for life, they have questions about sin and salvation expressed in different ways. Ivan presents the idea that if there is no God, everything is permitted, and Dmitri echoes it as a question that receives no answer. Even when Ivan became a representation of the intelligentsia and "Westernised" himself, he knows the eternal questions still plague his mind. Mitya barely thinks about God, loving God seems natural in him, and Ivan may think about God more than anyone else.
Despite their not- so- perfect relationship, it was Ivan who in the end dragged himself to court and claimed to be the guilty one, it was Ivan who came up with an absurd plan to free Mitya, and doing so he showed that he cared more than any of Mitya's relatives, who did absolutely nothing to help him (except for Alyosha, who could at least offer emotional support). It's almost poetic: the culmination of a relationship that was damaged from the start, as "Free the monster!"
Note: Their relationship to Katerina is also an essential piece to their dynamic, something that takes even more to explore and that I hope to see more clearly in future chapters of my fic, as well as the Ivan- Mitya dynamic I talked about here.
For now this is all I'll say about them.
140 notes · View notes
istadris · 5 months
Note
You told me you had Antasma headcanons. Go. Nuts. And tell me EVERYTHING!!!
Okay first of all : I think Antasma's potential is severely unexplored.
Granted, that's on me for expecting too much depth from a Mario villain. Still, it annoyed me that Antasma has such a cool design and concept...yet I was frustrated with how his comical "screeching bat with a Dracula accent" side was really played up despite being the main antagonist...
And then the betrayal. Again, it's a Mario game but even then, was I the only one frustrated by how obvious it was that Bowser wasn't going to share the victory with anyone ? It's presented as a surprise, but come on Antasma, even if Bowser was willing to share, you weren't exactly subtle with your manipulation.
Yet I love this character so much!! Onirism and nightmares are such fascinating themes and Antasma vs the Pi'ilo explores them, but it could have been pushed even further!!
In general I think Antasma's flaws are M&L: Dream Team's general flaws : amazing concept, but the story takes a lot of efforts to get to the interesting part and some of the jokes could have replaced by more interesting moments.
And it's interesting how it sometimes feels like Antasma and Dreambert have some kind of history; at least that's how I see all the moments where Dreambert tries to appeal to Antasma, and even how he pities him once Bowser turns on him...or maybe that's just me reading too much into details.
ANYWAY regarding Luigi and Antasma, I also have a LOT to tell about them :
I find it very, very interesting that even before any of the characters had any hints of Antasma & Dreambert, Luigi dreamed about him...and not just Antasma in his bat form, but in his most powerful one ! And it's never explained ! how did it happen ?? Did Antasma feel Luigi's "attunement" to the Dream World and try to exploit it ? Does Luigi has divination abilities ? We just don't know !
Another little frustration I have is that Antasma never pays any attention to Luigi...even if he's the key to fight him back. Without Luigi, Mario wouldn't be able to get to the Dream World, nor would he have enough power to fight the bat king. (Technically, Luigi is also responsible for Antasma's return, since he opened the first portal by taking a nap in the Pi'ilo castle...)
And it drives me insane ! But it makes sense at the same time, everyone always overlooks Luigi, except Mario, who knows his brother is the strongest ally he can count on! So while Mario isn't suprised one iota by it, their ennemies are always baffled by the brother's victories relying on Luigi.
But for real, all Bowser and Antasma had to do was to kidnap Luigi while he was asleep and either wake him up and force him to stay awak (and trap Mario in the Dream World), or keep him asleep but trigger effects by exposing him to elements that would slow Mario down...or just end his game. Like, the solution was there, guys.
Antasma's boss battle is my fave of the entire game because not only does his musical theme SLAP, he also has interesting moves...and he can PUT SOMEONE TO SLEEP IN THE DREAM WORLD!!! And he can CAPTURE DREAMY LUIGI !!!! Something that is NEVER done before this moment !! He changes the rules ! He rewrites the game !! How to not like it !!
But for an eventual AU where Antasma comes back, I have two very different ideas of how it could go :
Option A : the Redemption Road.
The battle left Antasma so weakened he barely survives in the Dream World. He doesn't even have enough energy to be angry anymore. He's just wasting away, waiting for his end. He doesn't recognize this part of the Dream World and doesn't care. He's dying, and for the first time, he's scared.
But what he doesn't know is that he's not trapped in the typical Dream World...but in Luigi's dreams. Luigi who has had strange dreams for weeks where he feels there's something with him whenever he dreams, but can't find it.
As his sleep gets worse and worse, he ends up returning to Pi'ilo Island, hoping to get help from Dreambert. Except the prince is currently away or too busy, which bums him a bit. Thankfully one of the Pi'ilo accepts to help him, or maybe he just finds a petrified one who hasn't been freed yet and despite not having Mario with him, he decides to try and rescue them by himself.
...Oh waaaaait. What if that petrified Pi'ilo is actually Antasma ?
So Luigi travels in the Dream World...and finds Antasma, curled on himself, pathetic and near death. A miserable little bat.
Who immediately jumps on his face and tries to feed off him.
What ensues is Luigi first panicking, but being too kind to just abandon someone in need, (not to mention he DOESN'T want Antasma stuck in his dreams anymore!!!) and being forced to cooperate with the bat king to free him.
Of course it's a long and frustrating road...and yet for once, Antasma isn't threatened or confronted or betrayed. He's lonely, and not used to kindness, and he ends up slowly warming up to this fool.
Option B : The Smart Villain Road
Antasma manages to survive and goes into hiding, and plots his revenge...but this time, he's learned his lesson.
He's been right before about Bowser being a more useful ally because of his power. But he realizes that not only Bowser is too egoistical to ally with, but he isn't even the most powerful.
Instead, he focuses on Luigi. Luigi and his almost unique connection to the Dream World. Luigi who's been the powersource of Mario through the whole adventure. Luigi whose subconscious is able to change the layout of the Dream World. Luigi who can summon a huge version of himself, almost as powerful as the Dream Stone Spirit...
Luigi who, Antasma is convinced, is the key to his success.
So his plan this time is to get his hands on the younger Mario Bros. By hiring goons, or sneaking into Luigi's dreams, or kidnapping him himself, or allying with other villains again (*cough* King Boo and/or Dimention *cough*), he will do anything to finally taste this incredible, untapped power, and seize it for himself.
55 notes · View notes
Text
As much as I love the idea of Fox being forced to shoot Fives because Palpatine threatened the Coruscant Guard, I feel there’s a lot of unexplored potential in him being under the chip’s control. For one, imagine being shunned by everyone you know and love for something you don’t remember ever doing. It’s gotta add another layer of guilt and pain to not remember the reason as to why you’ve lost everyone in your life, because you know something happened. You may even know what happened, but you don’t remember the actual moment. There’s just… nothing. You go through all that emotional angst and there’s nothing you can do about it, you can’t even explain why you did it, because you don’t remember. Also, I imagine Fox would feel pretty detached from the situation. He doesn’t remember, and in the video his helmet is on, so it would probably be pretty hard for him to truly feel remorse when his actions don’t feel like his (because they aren’t, really). He’d probably come off as a coldhearted bastard, since he doesn’t show any regret for killing Fives, even though that’s because he can’t get himself to feel like he did that even when he tries.
Another thing: Fox wasn’t in control of his actions (in this version of events), but… how do you begin to explain that? Fox didn’t hear what Fives was rambling about, and Rex didn’t believe him so he probably isn’t gonna bring it up while he’s grieving. So Fox has no idea why he couldn’t control his body, he just knows that he couldn’t. How do you tell someone that without making them think that A) you’re bullshitting them to get away with your actions or B) you’re losing your grip on reality? I cannot think of any way, because most people will question what was controlling your actions then, and Fox would not have an answer. So either he tries to tell someone and is not believed, in fact people will probably think he’s a slimy liar too which effectively makes things worse, or he doesn’t even bother and people think he’s a heartless monster because he murdered a fellow clone when he didn’t have to and doesn’t even bother attempting to explain his reasoning. He’s damned if he does and damned if he doesn’t.
58 notes · View notes
cerealboxlore · 1 year
Note
did you see that post about how the power of zeus has a lot of unexplored potential like shapeshifting?
it got me thinking… gender fluid billy
i personally really like the idea of cap having memories from past champions lives and surely those champions must have had a very large variety of genders
so he could potentially just feel really comfortable with any gender
i want to see him just casually switch genders while with the league because it feels write for him at the time and for them to just be super confused and for billy to not explain anything if even one of them acts like assholes
anyways just a little thing i like the potential of
I have not seen that post but it makes perfect sense! Where there's Zeus, there's bound to be unhinged chaos waiting to happen.
Genderfluid Billy is absolutely darling and dear to me! I often HC him as trans, but I love and accept every version of him that exists in the multiverse and to everyone else! I'm genderfluid myself, so that's very nice to have a hero who's like me :D
As for The Captain being able to recall his past lives and having been different genders, and having former identities in the past is absolutely incredible! It's great to explore the storytelling potential of the Champion of Magic and their former lives, who they were, have been, and can be.
I headcanon something similar, where cap has indeed lived through various past lives as different people throughout his entire existence, and in one of them he had a child who later becomes immortal, spending centuries apart from them and then finding them again...only to see that tiny Billy Batson is definitely not their parent from long ago, and that things are now a complicated family tree. I'm an avid believer in giving Billy Batson more found family members and combining multiple ideas into one, haha.
Cap really would feel comfortable with any gender, and with magic, could totally become anything he wanted, whenever he wanted. Magic is free and surgery is not, so Billy would be down to use magic to explore his gender identity ✨️
CM: Remember Kids, the American Healthcare system is a garbage fire, use magic instead
I could 1000% see Captain Marvel being bored in an extended JL meeting in the watchtower, yawning, then just casually switching over to another gender in the blink of an eye. Doesn't even give it a second thought. But everyone else is suddenly wide awake and floored by this sudden magic use.
Superman was going to say something, but remembered he got transformed into the opposite gender once, and decided to just let cap be. He remembered it being kinda nice.
Plastic man joins in and morphs into a hotter version of himself, seemingly trying to one up cap. It's not a competition. But he's still found a way to lose.
Everyone eventually gets distracted and the meeting ends up going longer than intended. Genderfluid for the win 🏆
Gosh this ended up being so much fun! I wrote more than I thought I would, haha
227 notes · View notes