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#the torment of aaron burr
therealadothamilton · 28 days
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Why is it people writing historical fiction keep erasing the existence of The Schuyler Brothers? John Bradstreet, Philip Jeremiah and Rensselaer are rolling over in their graves...
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icarusbetide · 2 months
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musical hamburr's first commandment is that burr must. be. obsessed. with alexander hamilton. he needs to believe in hamilton, see him as a threat, something greater than, to the very very end. in a way, musical burr defines himself through hamilton - by being un-hamilton, by not being in the room where hamilton is, and being tormented by it.
it's also exciting when hamilton's just as obsessed with burr. then you get that dynamic of both of them circling each other, never able to let go first despite both of them knowing they're on completely different paths.
but aaron burr being astronomically down bad is the basic requirement.
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cecescomposition · 8 months
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Whumptober Day 2: Delirium, “They don’t care about you”
This fic is based on and inspired by @jittyjames ‘s “the price of his war”. Her stuff is AMAZING please go read it ALL. (we also have a collab up on AO3 hehe)
“I hate you,” Alexander murmured drunkenly. When no response came, he finally looked up to make eye contact with the person across from him. He was met with his own cold eyes staring back at him, shining with the alcohol and tears that wouldn’t fall yet. His face was flushed embarrassingly.
“I hate you,” he said again a bit louder. “I hate you, I hate you, I hate you!”
In a blink the mirror was scattered in large shards in front of Alexander. A sob escaped from his throat as he ripped his hand back and cradled it against his chest, now slowly dripping with blood.
“Fuck!” He shouted in his grief, though to no one in particular as the house was empty to the point of an echo.
“Fuck!”
The sobs were ripped from Alexander’s throat, rough and painful. They were a hurricane of their own. Once they started there was no stopping them.
Alexander backed himself against the opposite wall and slowly sank down with his knees to his chest.
“Such harsh words, my dear.”
Alexander gasped in fright as his eyes shot open. He frantically looked around the room for the source of the voice. A terrified cry escaped from him as he was met with the image of the king standing before him.
“I would have wished you would have a warmer welcome for me.”
That horrible, tormenting voice he had tried so hard to escape.
“Don’t come any closer!” Alexander shrieked. “Stay the fuck away from me!”. He hated how his voice wavered as if it had never settled.
The king did not obey him, instead moving to kneel in front of him and touch his face.
God, even the touch felt so real.
“Oh, dearest, how far you’ve strayed from my lessons. Don’t worry, we’ll remedy that soon enough.”
Throwing his head to the side to escape the touch, Alexander shouted, “You can’t come near me anymore. Or-“
“Or what?” the king laughed condescendingly. “Or Washington will have my head? Or John Laurens will seek me out? Oh, my love, you really think they care that much, don’t you?”
Hamilton’s breath was caught in his throat as he tried to not absolutely lose it. Nothing felt real. He was questioning everything around him now that this apparition was back. He knew this wasn’t the real king, but-
“No one cares as much as I do.”
-But his words were just as the real king would be saying.
He couldn’t ever escape.
A knock distantly sounded at the front door and with one blink the king was gone. For now. Somehow on shaky legs Alexander made it to the door and peeked out into the night.
“Jesus Christ,” Burr exclaimed, “Hamilton, what’s happened?”
“Burr,” Hamilton half heartedly greeted.
Burr narrowed his eyes and gently shoved into the entryway.
“Come on in,” Alexander muttered, closing the door behind Aaron.
“No one’s heard from you in days, Alexander. What’s happened?” he repeated.
You think they care about you?
“Nothing. Did you come here to interrogate me?”
Burr sighed and held up his hands in a surrendering motion.
“Woah, listen, we’re just worried. John’s been worried sick the past few days-“
“Then why doesn’t John come see me himself?”
Burr sighed again and surveyed Hamilton up and down. Alexander hated it. He was tired of men leering at him.
No one as much as I, my dear.
Hamilton squeezed his eyes closed against the voice.
“Alexander, have you been drinking?” Burr’s voice came suddenly further away. Hamilton followed him to the kitchen and the bottles on the table entered his line of sight.
“So what if I have been?”
“Alex-“
“Since when is it a crime for a full grown ass man to take the edge off!”
Burr massaged his temples as he took calming breaths.
“Hamilton, listen-“
“No! You listen! I’m tired of you all coming into my home and telling me how to cope! It’s my life!”
Alexander punctuated his sentence with a weak blow to Burr’s chest. Aaron caught his fist and inspected it closely.
“Alexander, you’re bleeding!”
Oh, right. The mirror. He had completely forgotten. Burr had grabbed a cloth from the counter and was dabbing away the blood that was still sluggishly pouring.
“You can’t keep doing this to yourself, Alexander.”
You can’t keep doing this to us, Alexander.
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forthegothicheroine · 6 years
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Gothic romances for sale!
I am selling several of my gothic romances on ebay!  These include the first book of the infamous Torment of Aaron Burr series, as well as several titles from the Avon Satanic Gothic line!
The Torment of Aaron Burr
Angelica (auction starts at $50, or buy it now for $100)
Avon Satanic Gothic (all $20)
The Twisted Tree 
Red Wine of Rapture
The Devil’s Dance
Other Gothic Romance
Hunter’s Green ($15)
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duckymcdoorknob · 4 years
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Two Pints ‘A Sam Adams.
Prompt: The night after the Winter’s Ball, the guys hang at Laf’s house to discuss their luck. A very drunk John gets the blues when he learns Alex met someone. Until Laf gets an Idea...
THIS IS A TICKLE FIC!
Warnings: drinking, tickling, A N G S T Y.
Ships: Lams
Word count: too fuckin many. Probably about 2.5-3k
1780, A winter’s ball. And Alexander was the envy of all. Well, just of his friends. The guys were gathered around Lafayette’s coffee table, reminiscing the night’s events...
“She was totally into you Laf.” Hercules chimed.
“She was! But Alex over ‘ere...” Lafayette spoke with a condescending tone.
“Okay you may be right...” Alex replied fearfully
“But...?” Hercules asked lifting his brows.
“There is no but. Angelica was totally hot, I wanted to try my luck.” Alexander spoke with a smirk.
“You asshole!” Lafayette playfully hit Alexander’s shoulder
“Well I heard...” John finally spoke up, “that you met a special someone tonight...”
“What are you trying to ‘ide, Alex?” Lafayette asked raising his eyebrows twice
“Nothing! Nothing! John is just shit blasted, that’s all.” Alexander laughed off Laf’s question.
“Fuck off, ‘lex! I’m fINE!” John replied with a huff.
“John.. that’s your third pint of Sam’s.” Hercules interrupted.
“I’m not even wasted yet! Fuck you!” John yelled as he took another swing of his alcohol.
“Annnnywayyyys...” Alexander responded, drawing the attention back to him, “I did meet someone”
Hercules turned to face him, Laf’s eyes lit up and John was... scowling?
Alexander went on to talk about Eliza. He talked about her eyes, her smile, her personality... everything. Lafayette left to grab John some water, so he wouldn’t pass out and die.
As Alexander went on, John found himself fighting away his tears. “Why is she so special? I have pretty eyes! And a dazzling smile... and a... tolerable personality.” John thought to himself. He sulked down into his chair, plastered an interested grin and toned Alexander out. His own mind turned on him, putting himself down until he didn’t believe in himself anymore. John brushed it off, he always felt this way. He didn’t feel good enough. It wasn’t until after a few glasses of water, and a little bit of sobriety, when he noticed he was actually hurting.
“John?” Alexander’s voice suddenly sounded, “John buddy are you okay?” His voice was full of concern, as he awaited a response from his friend.
“Alex what’s wrong? Oh shi- John!?” Hercules scooted towards the man.
“Shit guys ‘mfine... what are you all-“ John pauses abruptly. He looked down at his pants to see they were covered in wet spots. He was crying. “Oh yeah... haha that’d probably concern you. This just happens when I get drunk.” John was practically sober now. It wasn’t from his drunkness, it was from Alexander.
“If you say so... we wouldn’t want anything to happen to you. We love you man.” Alexander replied.
“Heh. Thanks.” John replies with a sniffle. “Except you don’t... you love Eliza...”
The guys went back to shooting the shit, leaving John alone in his thoughts once again.
Lafayette looked up at John, who had his hands balled up into fists. He clung tightly to the material on his pants, teeth gritted, eyes watering. Laf figured it would be best to not make a scene, so he slowly inched toward John. Once he was near him he ever so carefully brought himself up to John’s level. “You don’t seem fine mon ami”
John looked up at Lafayette, who wore a concerned face, with sympathetic eyes. He then hung his head in shame... how embarrassing, Laf caught him crying, again.
Alexander and Hercules went into the kitchen to grab some food, too immersed in their conversation to notice what was happening.
Lafayette helped John to his feet, and helped him out the front door. It was a mild night, the heat had not yet broken in the city. The crying man collapsed on the soft grass, Lafayette soon sat down criss cross. “Now please, John. Tell me what’s wrong”
John immediately broke down, wailing as he buried his head in his hands. Lafayette practically flung himself to embrace the crumbling man in front of him. “Everything’s going to be okay mon ami. Shhh. It’s okay.”
“He... he... Im just-“ John tried to manage through his hysterics.
“Take your time.” Laf said as he rubbed John’s back.
“I’m... I’m just...” John sighed, he couldn’t take it anymore, “I’m just gay, Laf.” He hung his head in shame, expecting Lafayette to scold him.
“Oh John...” Laf spoke up, “I’m not going to shame you for who you are”
John sighed in relief; tears continued streaming down his face.
“I catch you staring at ‘erc and Alex’s asses all of the time mon ami.” Lafayette said with a chuckle. “Come on, let’s go back inside.”
Laf wipes John’s tears away and helps him to his feet. On their way in, Laf sees the curtain ruffle quickly. Hercules and Alex has seen everything. When they open the door, Alex and Hercules were back in their chairs talking about random things.
“Oh. Hey John, hey Laf! Where’d you guys go?” Alexander questioned with fake interest.
“Oh uh... on a walk.” John said quickly
“To the store.” Laf said at the same time
“To the st-“
“On a walk.” They replied at the same time once more.
“On a walk to the store, yeah...” John replied
“John... dont bullshit us, we heard everything.” Hercules said quietly.
John hung his head in shame. Why couldn’t he just be normal?
“John listen.” Alex said with a half smile, “we aren’t friends with you because we thought you were straight. We’re friends with you because we love you for who you are. Also, how’s my ass look?” He said as he turned around and wiggled.
John let out a genuine laugh, “peachy keen good sir!” he said with a bow, “Thank you guys but.. I just don’t feel good enough for you.” He sighed and looked everywhere but at his friends.
“Well this is quite the dillema we’re in isn’t it.” Lafayette said as he looked at the other group members.
They all plastered the same grin, they knew JUST what to do.
“Come here John everything is fine.” Hercules said as he opened his arms. He pulled John into an embrace and sat down on the floor with him.
“Okay Herc thats enough hugging... seriously let me go.” John said as he tried to wiggle his way out of Herc’s grip. He got stuck at about his chest, he couldn’t move a muscle! “Hercules I mean it! I’m stuck!”
Alexander crawled towards the duo, with an evil grin on his face. “You know John, I think you need to lighten up a bit.” Alex said as he sat in front of them. “You just need to see yourself from our point of view.” Alexander pulled John’s blue shirt up to reveal his toned stomach. “Wow! You’ve been working hard, you’re looking great.”
John hid his head in Hercules’ arms, “Alex you’re embarrassing me.”
“Well I don’t want you to feel down upon yourself! Let’s get our old happy John back! Shall we, Laf?”
Alexander then rested his fingers on John’s stomach.
John yelped and squirmed in Hercules’ grip. “You wouldn’t fucking dare.”
“Yes we fucking would.” Lafayette responded as he gave John’s knee a squeeze.
The two got to work on John. Alexander spidered his fingers all over John’s stomach and sides, while Laf squeezed his knees and thighs.
John felt giggles bubbling up inside of him. “C..come on guys! You d-don’t have to d-do this!”
“But we do!” Alex responded as he changed his attack. He began to squeeze at John’s sides and stomach.
“S-sohohon of a bihihitch!” John whispered as he started giggling.
“That’s the sound we’re looking for!” Lafayette chimed as he straddled John’s legs.
Hercules pinned John’s wrists to the floor with one arm. “Sorry buddy, but it’s for your own good.” He said as he spidered his fingers into John’s clothed underarms.
The man thrashed under all of his friends’ attacks. “Nohohoho! Stahahahap ihihit!” He could only lay on Lafayette’s hard floor and endure his torment.
“Ooh Laf! You thinking what I’m thinking?” Alexander said as he let up his attack.
“Right ahead of you mon ami.” Lafayette responded as he slowly took off John’s boots.
Hercules was still enjoying his time working on John’s underarms. “N-n-nohohoho! Lahahahahaf! Plehehehehahahse dohohohohnt!”
“Sorry John! It’s for your benefit!” Laf chimed in response as he took off both of John’s boots.
Hercules let up his attack, “this should be fun.” He said with a chuckle. He held down both of John’s arms in preparation.
“WAIHAHAIT! PLEAHAHAHAEHESE!” John cried as Laf brought a finger towards his most ticklish spot.
“Such a beautiful sound, John! I think we should hear more!” Alexander said while straddling John’s hips, “ready, Herc? Laf?”
Hercules nodded and the men assaulted their spots. Herc worked his fingers around John’s underarms, Alexander drilled his thumbs into John’s hips, Laf masterfully assaulted John’s socked feet.
John yelled in protest as his friends’ attacks were almost overwhelming. “GAHAHAHA- OH GOHOHOHOD PLEEHEHEHEAHAHSE STAHAHAHAP!” He pounded his fist into the hard floor beneath him.
“ ‘ey! be careful with my floor! Don’t you dare brea-“ there was a knock at the door. “Come in!” Laf chimed happily. The three men stopped their attacks, expect for Alex who would sneak a few squeezes to John’s stomach.
The door opened and standing in the doorway was an intrigued Aaron Burr. “What in the hell are you three-“ John yelped as Alex poked him again, “four doing?”
“John is sad. He needed a laugh.” Alexander said giving John’s side a firm squeeze.
“Burr! Buhuhurr you gohohot to hehelp me.” John said panting
“Well I was going to come to talk about the ball but... hey. No reason to wait for it.” Aaron rolled his sleeves up and positioned himself at John’s side.
“Im doomed.” John said with his voice an octave higher.
Lafayette took his opportunity to peel off John’s socks. “Burr ‘es a screamer. Prepare yourself.”
Aaron chuckled and hovered his hands teasingly over John’s stomach.
Giggles poured out of him and he writhed about to get away from Burr’s torturous hands.
“Im not even touching you! What’s so funny?” Aaron after fake offended.
“Where’d you learn to tease like that?” Alex said with a chuckle.
“Only the best.” He nudged Alex’s shoulder.
“One.” Hercules spoke up suddenly.
“Two.” Aaron said as he positioned his fingers above John’s writhing figure.
“THREE!” They all yelled. John said his prayers in his head as he knew he was about to be wrecked.
Lafayette held back John’s toes and began to rake his fingers up and down the poor man’s most ticklish spot. Aaron squeezed at John’s stomach, Alex drilled into the man’s hip bones and Hercules was content at his underarms.
John cried out in agony as his attackers overwhelmed him.
“OHOHOHO MAHAHAHY GOHOHOHOD FUHUHUHUCK!” He screamed.
“Yo! There’s no fucking cursing in my ‘ouse!” Lafayette barked as he stared to spider his fingers along The ball of John’s feet.
Tears of mirth formed in John’s eyes as he could only sit and endure his torment. His laughter flowed out of him. His eyes were tightly squeezed shut and his whole body was shaking.
Hercules gently put his knees on John’s wrists. Careful as to not hurt him, and pulled John’s shirt over his head. He then began to spider his fingers along the sides of John’s arms, up into his underarms and all over his chest.
John smacked Hercules lightly in the back, but gave up and endured the hell he was facing.
Aaron stopped his attack, audibly apologized to all his friends for what he was about to do, and prepared his next assault. “Watch this.” He yelled over John’s thick laughter. Everyone’s attack stopped and John took this time to breathe. “I learned this from a friend of mine.” Burr said while bringing him head down towards John’s stomach. He put his lips together a blew a fat raspberry into John’s stomach.
“BUHUHURR- AHHH! AHH MAHAHAHAHA GAHAHAHAD! DOHOHOHONT!”
The trio took this as their final stretch before John would be too tired. They all increased their attack tenfold and watched John move into hysterics.
“MER- MERHEHEHEHCYHYHY! I CAHAHAHAHANT TAHAHAHKE IHIHIT AHAHAHNYMOHOHOHOREHEHE! AH GAHAHAHAHAD PLEHEHEHEHEAHAHASE! STAHAHAP!”
Everyone stopped immediately and got off of John. Alex gave one last poke to John’s sensitive stomach. The man yelped and curled into a ball.
“Nohoho... nohoho mohohore.” He said in soft laughter as he felt a pair of hands on his body.
Lafayette picked up John like a baby and put him on the couch.
The three other men chatted with Lafayette as they let John rest. Nearly an hour into their chat, Alex spoke up.
“I think he feels much better now.” Alex brought up quietly.
“Agreed.” Hercules responded
“What was he upset about in the first place?” Aaron inquired.
“I don’t know.” Lafayette lied, “maybe ‘e was upset that ‘e didn’t bring ‘ome a date.”
John sighed in relief from his spot on the couch. “Thanks Laf.”
Hercules and Alex looked back at John, who was still smiling.
“Well.” Aaron said as he stood up from his chair, “I best be going”
Just as Burr went to open the door, the sky opened up and it was pouring outside.
“Since you cant go anymore.” John spoke up, “C..can you um... c..can you do that again?” He said with a flushed face as he looked to the floor.
Burr smiled evilly and sighed. “John Laurens, are you trying to tell me that you enjoyed us completely wrecking you? And now you want us to do exactly that once again?”
John tried to stutter out a response
“I wouldn’t be opposed.” Aaron interrupted, “gentlemen?”
The quad smiled evilly and charged at John, then they soon had him on the floor in the same position.
John’s sweet laughter was heard echoing for hours again.
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iwach4n · 4 years
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this is basically an AU me and @snazzieyama have been talking about where haikyuu characters are the actors in Hamilton, and i haven’t been able to get it out of my mind so have an obnoxiously long set of headcanons about it
(i wrote this listening to the soundtrack, proper jamming i tell you)
CAST LIST (hear me out on some of these)
alexander hamilton - hinata shoyo
aaron burr - akaashi keiji
eliza schuyler - kageyama tobio
angelica schuyler - atsumu miya
peggy schuyler - yachi hitoka
john laurens / phillip hamilton - nishinoya yuu
marquis de laffayette - bokuto koutarou
hercules mulligan - tanaka ryuunosuke
george washington - sawamura daichi
thomas jefferson - tsukishima kei
james madison - yamaguchi tadashi
king george III - oikawa tooru
maria reynolds - kozume kenma
james reynolds / the doctor - kuroo tetsurou
samuel seabury - sugawara koushi
charles lee - lev haiba
george eacker - yaku morisuke
the bullet - shimizu kiyoko
HEADCANONS
hinata auditioned for hamilton despite having literally no theatre experience besides like school musicals and like one community theatre show. he was cast in ensemble at first but worked his way up to hamilton’s understudy and then the official hamilton
tsukishima auditioned for burr. he was salty that he was cast as someone else (his dynamic with yamaguchi was too good to pass up and akaashi had a better voice for Wait For It) at first but then he immediately clashed with hinata and took great pleasure with being able to roast him every night
in Alexander Hamilton, the laffayette/jefferson and mulligan/madison parts switch actors every show so bokuto, tsukishima, tanaka and yamaguchi all get to do it. sometimes they switch it at the last minute because “please dude my grandma’s come to watch i need to be on stage as much as possible”
tanaka has the Best fun on stage. he never fails to get the crowd pumped, he is jumping around and bringing so much energy, especially in his part in yorktown. it makes you mad that its a musical and you can’t start jumping up and singing along
suga was cast as seabury because he was perfectly good at the role and they preferred kageyama as eliza, which he auditioned for originally. he’s really good at it but it took way too long for Farmer Refuted to come together because him and hinata kept bursting out laughing. they both consider each other, like, the least threatening people ever, and they couldn’t take it seriously whenever hinata would have to get in suga’s face
SOMETIMES IT STILL HAPPENS!! if you watch carefully, you might see one of their lips twitch while they try to keep a straight face. the minute suga gets off stage, someone always has some cushion or piece of clothing he can laugh into because once he started laughing while his mic was still on
THE BIGGEST CAST JOKE IS ABOUT THE HEIGHT DIFFERENCE BETWEEN HAMILTON AND ELIZA!! kageyama looks so much taller than hinata (coz he is but its so noticeable when they’re alone on stage) and they torment hinata with pictures where it just looks ridiculous
oikawa always absolutely steals the show. he’s so dramatic, but he’s also one of the most simped-for cast members and sometimes he’ll throw a wink into the audience in the middle of You’ll Be Back to make things more interesting. 
also the bits in act 2 where he just comes in to watch and laugh at everything that’s happening? he’s so fun! just because he’s not the main focus of the scene doesn’t mean he isn’t gonna make the most hilarious facial expressions. half the audience ends up focusing on him instead.
daichi is the most commanding washington literally ever. he just comes on and he immediately takes over the stage. he barely has to try to give the character the air of authority. literally the perfect actor for the role
he’s also been in the show the longest. was cast as washington right off the bat and has been doing the role for multiple years. it makes him the unofficial dad of the cast and the go-to for advice since he’s seen a bunch of people do every other role
the “CALL ME SON ONE MORE TIME” line was another one that took too long for them to do without laughing. daichi has been doing this for ages but when he practices with hinata, he can’t help but laugh because this is the kid who he witnessed choke on hello kitty gummies with five minutes until the show began (back when hinata was in ensemble). hinata does the line too well and its hard to take it seriously at first
akaashi singing Wait For It is the literal most beautiful part of the show. he’s an amazing actor and his voice is incredible and it’s the sort of thing you could rewatch on loop for an entire week non-stop without getting bored
bokuto got akaashi the audition for burr, and even though their characters don’t interact too much their chemistry is really good. The “everyone give it up for everyone’s favourite fighting frenchman!” line is so genuine they just really admire each other as actors
lev auditioned for lee for the sole purpose of getting the line “i’m a general, WHEEEE”. he got the role mostly because he was just,,, really good at that line
atsumu refused to interact with anyone outside of rehearsals and performances for a solid month. the instagram of the cast had loads of photos on the story that were just mugshots of him saying “day 24, atsumu still won’t talk to us :(” whenever any of the cast take over it for a day
akaashi is the second most simped-for actor in the cast (after oikawa). you can literally feel people in the audience swooning in Dear Theodosia because he’s just so sweet
when yachi found out she was the only girl in the main cast she was literally terrified. she latched onto kiyoko really quickly and there’s a ridiculous amount of pictures that every fan has seen of those two together
kiyoko is really mesmerising as the bullet!! when she’s lifted her form is just stunning she just looks really nice okay-
every wondered whether kageyama would be like,,, actually good because he just seems kind of awkward off stage, but the minute he’s on stage and following a script, he’s like the perfect eliza
nishinoya has the perfect range for both laurens and phillip. fun and friendly yet still principled and serious rebel? check. small sweet nine year old? check. charismatic flirt? check. heartbreakingly dying from a gunshot wound? check.
tsukishima is a really unique jefferson. he’s not as flamboyant as the role usually is, but he’s super sassy to make up for it. it’s really refreshing and SO fun to watch. “uh,,, france?” becomes “france.” with a ‘are you stupid’ expression
yamaguchi wasn’t expecting to get anything past ensemble but he came in to audition with tsukishima and he is so good at what few lines he has. “which I wrote!” is said with such a scandalised tone, it gets a laugh every time
everyone who knew kenma before thought he’d be too awkward to do maria but he is actually really good once he gets past the initial awkwardness, he manages to portray her like a victim really well
i’ve already done like two of these so here’s some more scenes that took too long before they didn’t burst out laughing: eliza teaching phillip to play piano in Take A Break (just imagine nishinoya and kageyama doing it i can’t-), the duel in Ten Duel Commandments (the height difference between nishinoya and lev made them laugh every time they turned around), 90% of Say No To This but especially the kiss (kenma would just stop and get off like ‘no, i can’t, i can’t do this’ every time it was about to happen while hinata just started cackling)
part of the reason noya got cast as phillip as well as laurens was because he’s one of the only people who auditioned who was shorter than hinata
in rehearsals, akaashi has fallen off the table from The Room Where It Happens because they couldn’t time him jumping while the tablecloth was pulled off. there’s a compilation of the falls on youtube, no one knows who recorded them, let alone who posted it (it was kuroo)
speaking of kuroo, he takes his like five lines and he runs with them. he’s awesome as james reynolds but he’s also the fandoms favourite instagram of the cast because he just posts all the backstage shenanigans. he’s somehow always recording whenever something is going wrong.
he also teases kenma relentlessly about how their characters are married, but kenma is having none of it. it always goes like “awe we’re married” “,,, you’re literally abusive” or “come on, do it for your husband” “i’m cheating on you”
(i stopped here to jam to That Part of Hurrican. i wrote my way out hell i wrote my way to revolution i was louder than the crack in the bell i wrote eliza love letters until she fell-)
bokuto managed to rap Guns And Ships first try. he listened to it like twice, read the lyrics, and he could immediately do it. he took ages to do a convincing french accent though, and it pained everyone
TSUKISHIMA COULDN’T DO THE FAST PART OF WASHINGTON ON YOUR SIDE AND HAD TO ASK BOKUTO FOR HELP
bokuto is just,,, such a good laffayette. he’s jumping all over the place, flexing his muscles while he does the fast raps without looking out of breath at all. it seems almost impossible
also!!!! kuroo has a ridiculous amount of videos of bokuto backstage fortnite dancing to serious songs like Burn or Its Quiet Uptown
kageyama in Burn!!! heartbreaking and beautiful but he burns his hand on the letter too often. he’s gotten used to it at this point so he only slightly flinches when the flames touch his hand. its worrying
congratulations was almost brought back because atsumu really likes it and he absolutely kills it. they recorded him singing it in like a studio and everything because its just that good
when noya found out yaku was playing eacker he was so happy because they’re both short and he already looks ridiculous and tiny enough in the first duel
tsukishima will never admit how much fun he has with “southern motherfucking democratic republicans!!!” but its so clear his eyes literally shine (he kind of carries that line coz yamaguchi and akaashi are a lot more mellow)
oikawa once got dared to fortnite dance in reynolds pamphlet when he’s throwing the one singular sheet of paper. he was going to do it but the directors found out about it and literally threatened to fire him if he did it (they did it in a rehearsal to make up for it)
you know that bit in Your Obedient Servant where its like “careful how you proceed good man, intemperate indeed good man, answer for the accusations i lay at your feet or prepare to bleed good man”? literal chills from the look on akaashi’s face when he does it
whenever other cast members get food gifts from fans and they leave them unattended atsumu will always steal them. only daichi has figured out its him and he has kept quiet on two conditions - he leaves his alone, and he gets half of all the cakes
sometimes yachi just likes to lie down in the middle of the spinny floor and spin to destress. yamaguchi joins her sometimes.
there’s always a ton of people waiting at stage door, and kuroo has made it his mission to come out first and announce everyone as they leave. people play along with it and cheer for every person. some of the cast (mainly oikawa and bokuto) make it super dramatic and do massive bows as they walk out. kageyama never fails to look bewildered despite it happening every day
oikawa chills in full king gear backstage way before and way after he needs to. like half of his instagram is selfies is him in it doing dramatic poses. he’s broken the crown too many times because it fell off his head
hinata sometimes subconsciously does the My Shot dance while he’s going about his life. he can’t escape
they can be sorted into three groups: is the literal sweetest baby to their fans and is kind of shocked they even exist, adores having fans and fully expects them to exist, and the ‘i appreciate the support but pls leave me alone i want to go home’
i don’t know how to round this off but this is getting too long and its gonna keep on going because i’m listening to the soundtrack as i write. maybe there will be a part 2 one day.
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randomrichards · 3 years
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BEST MOVIE MOMENTS OF 2020
HONORABLE MENTIONS:
Abe Makes Dinner from ABE
Teen chef protégé Abe (Stranger Thing’s Noah Schnapp) hopes that his dinner blending Israeli and Palestinian dishes will mend a bridge between his Israeli and Palestinian families (as well as his atheist father). But he gets a sad dose of reality when he learns the hard way that a wedge between families can’t always be solved with a meal.
“Wait for It” from HAMILTON
On June 16, 2016, Leslie Odom Jr. surprised many by beating Hamilton star/creator Lin-Manuel Miranda for the Best Actor award at the Tony Awards. And now they understood why thanks to Disney+ presenting the musical. And it all has to do with the song “Wait for It.”
In this soulful musical number, Odom Jr. allows us to understand Aaron Burr’s beliefs in letting fate leads his path. Whether it’s winning the heart of a married woman or watching all his loved ones parish, Burr is willing to wait for destiny to reveal why. It also showcases the contrast between Burr and Hamilton. This song changes Burr from History’s villain to a complicated anti-hero.
10)          Deku and Bakugo go full Super Sayan in MY HERO ACADEMIA: HEROES RISING
My Hero Academia always delivers great action scenes and they truly shine in their latest round in the cinema.
In his final battle to protect young brother and sister Mahoro (Tomoyo Kurosawa in Japanese, Dani Chambers in English) and Katsuma (Yuka Terasaki in Japanese, Maxey Whitehead in English) from ruthless power-stealer Nine (Yoshio Inoue in Japanese, Johnny Yong Bosch in English), underdog hero-in-training Izuku “Deku” Midoriya (Daiki Yamashita in Japanese, Justin Briner in English) transfers his “One-For-All” power to hotheaded classmate Bakugo (Nobuhiko Okamoto in Japanese, Clifford Chapin in English). The result is an image of the in super powered form resembling Super Sayans.
When Deku reaches 100% power, the film suddenly turns white then stretches into abstract imagery.
Honestly, the main reason I put this on the list is because it’s pure awesome and I’m not afraid to admit it.
9)            A Survivor Model from COLLECTIVE
This documentary follows the reporters of Romanian Newspaper Gazeta Sporturilor as their investigation into the Colective Club fire in Bucharest that killed 27 people and left 180 injured exposed vast health care fraud that caused survivors to die in the hospital and would bring down the government. Another key focus is a survivor who was so badly burned she lost most of her fingers. The camera focuses on her as she watches conferences about the fire.
In a standout moment, she models for photo shoots. In this moment, we see a beautiful woman who refuses to allow her disability to stop her, revealing her power.
8)            the Wuhan Flu Song from BORAT SUBSEQUENT MOVIEFILM
Many best scenes of 2020 will focus on the bed scene with Tutar and Rudy Gulianni. But I prefer to focus on the scene where Borat (Sacha Baron Cohen) performs the “Wuhan Flu Song” at a Anti-Masker Rally. Not only is it deliciously cringy and hilarious, but It perfectly captures all of Cohen’s strengths as a comedic performer.
As with Borat’s previous cringy yet catchy “Throw the Jew Down the Well, Cohen uses the Borat persona exposes the ugliest side of America. Watching the Qanon conspiracy theorists cheering on Borat (under the guise of Country Steve) singing about injecting Obama with the Coronavirus horrifies while splitting sides. This moment reveals the dangerous consequences of misinformation and conspiracy theorists on society. Plus, the song is shamelessly catchy as hell.
Add the fact that Cohen was nearly attacked during this scene shows how far he’s willing to go to make a point and get a laugh.
7)            The Dinner Scene from LET HIM GO
This scene is a perfect example of how you put subtext in a scene. On the surface, It’s just Weboy matriarch Blanche (Lesley Manville) serving porkchops to her daughter in law Lorna’s(Kayli Carter) former parent in laws Margaret (Diane Lane) and George Blackledge (Kevin Costner). But with the context of Margaret and George trying to deliver Lorna and their grandson from her abusive husband, you can feel the hostility in the atmosphere.
It’s a credit to the actors and their ability to hide their aggression under a mask of southern hospitality. It’s especially true for Manville, who brings to life a woman who is a master of hiding her cruelty under a pleasant smile. She may sound welcoming to them, but you can tell something’s off about her. No wonder she’s able to manipulate the police into siding with her. Hell, many audience will be surprised when they find out she’s British in real life.
Lane matches her every step of the way with the most nuanced jabs.
It won’t get as much appreciation due to it’s unassuming nature. But it’s a perfect scene to show how to bring nuance to a performance.
6)            The Restaurant Scene from THE INVISIBLE MAN
At first, it seemed Cecilia (Elizabeth Moss) finally has the drop on her sociopathic control freak ex Adrian (Oliver Jackson-Cohen). After days being tormented by him, Cecilia finally has proof of how he turns invisible. Now she goes to a public restaurant to convince her sister Emily (Harriet Dyer). But then a  levitating knife appears out of nowhere and slits Emily’s throat before flying into Cecilia’s hands.
Director Leigh Whannell and cinematographer Stefan Duscio do an excellent job using everyday envirnoments to create a sense of unease. Whenever the camera lingers on a kitchen, you search with anxious eyes for any sign of Adrian. In this case, they use the ambience of a crowded fancy restaurant to create a false sense of security. And yet, you can’t help but wonder if Adrian’s still watching them.
It’s in this scene where title character goes from a good villain to a great villain. Here we see what a cunning monster he truly is. The scene also showcases Moss’s terrific performance as her desperate eyes showcase the complete helplessness she feels in this scenario.
5)            Edna sheds her skin in RELIC
Rarely do the words “horror” and “heartbreaking” go together, but that describes the ending to this underrated gem.
Kay (Emily Mortimer) returns to her family home to care for her mother Edna (Robyn Nevin), who seems to be suffering from dementia. Now she and her daughter Sam (Bella Heathcote) find themselves trapped in the crawlspace while fleeing a warped Edna, who has been warped by a supernatural force. With contorted joints and decaying flesh, she has become monstrous. At first it seems they have defeated Edna and are heading out the door.
Then Kay looks back to see her mother lying on the ground, struggling to breath. This brings the film into a unexpected turn as Kay carries the creature that used to be her mother to bed. When Kay peels the skin off Edna’s body to reveal a charcoal skinned, dying creature, the film goes from creepy to heartbreaing. Anyone who ever lost a loved one to dementia will recognize to devastating feeling of watching them fade away right in front of your eyes.
4)             The one-take action scene in EXTRACTION
Well, we can’t have a best movie moments of 2020 list without mentioning the 10 minute action sequence from Extraction.
As black market mercenary Tyler Rake (Chris Hemsworth) shields the kidnapped son of a drug lord from other mercenaries, his race across a Bangladesh village delivers all you want from an action movie. Fast paced car chase? Check. Semi-automatic gun battles? Check. Hand to hand combat? Check. Parkour across rooftops? You bet. Sometimes you’ll even get people get hit by cars during hand to hand combat. All of this happens while cinematographer Newton Thomas Sigel makes it look like one take.
Sure, sophisticated viewers will recognize there the cuts are hidden. But when director Sam Hargrave is willing to ride on the hood of a car as it races across dirt roads for the sake of a shot, you can’t help but be impressed
3)            Opening Bike Ride from THE CLIMB
The film begins with what sees like a regular bike ride. American Mike (Director and Co-Writer Michael Angelo Covino) and Kyle (Co-Writer Kyle Marvin) are racing across the road of a French mountain before Kyle’s wedding. But then Mike reveals he’s slept with Kyle’s fiancé, resulting in the furious Kyle to chase Mike. Unfortunately, they’re both too exhausted to commit to a long chase.
The whole opening sequence could be its own short film. Covino and cinematographer Zach Kuperstein) shoot it all in one unbroken take, allowing the awkward exchange to flow more naturally. It leads to a hilarious moment when Kyle tries to chase Mike, but neither have the energy to keep going. Plus, it summarizes the reoccuring cycle of the film with Mike becoming increasingly self-destructive and a terrible friend and Kyle being nice until pushed too far.
2)            The Ending from UNCUT GEMS
After spending two hours in a state of panic, it looks like the audience will finally breath a sigh of relief. After locking his pissed off brother in law Arlo (Eric Bogosian) and his goons Phil (Keith William Richards) and Nico (Tommy Kominik) in the Jewelry store with him, smooth talking jeweler and gambling addict Howard Ratner (Adam Sandler) makes the biggest win of his life via pinpoint accurate predictions of a basketball game. Now he has millions of dollars; way more than enough to pay off his debt. Everything’s coming up Howard. That is until the furious Phil puts a bullet in Howard’s head and proceeds to rob his store.
With all his reckless behaviour (including putting his girlfriend at risk) and overconfidence, you knew at somehow Howard was going to be punished. But when the flilm cuts to scenes of Howard’s family celebrating the game and his girlfriend leaves with the money, you can’t help but know how bad they’re going to feel when they find Howard dead.
Then the camera zooms into Howard’s bullet wound to reveal the same colourful kaliedescope imagery as shown within the title uncut gems. With Daniel Lopatin’s enchanting new wave score playing, this moment gives the audience a moment to finally relax before closing with Gigi D’Agostino’s L’amour Toujours.
In spite of (or because of) his flaws; Howard is himself an uncut gem.
1)            The little things inspire Joe from SOUL
Everyone recognizes “The Pixar Moment”; that scene that elevates a Pixar film from great to extraordinary. No one can truly define it, but it’s the one scene from the film everyone talks about. It’s the ten-minute prologue from Up. It’s Anton Ego’s reaction after trying Remy’s dish in Ratatouille. Even a lesser Pixar film can have this moment; a perfect example is when Lighting McQueen allows Ramirez to race in his place in Cars 3. Now we can add another film to the list thanks to Pixar’s latest masterpiece Soul.
After a day of escaping the afterlife and being trapped in the body of a therapy cat, Joe Gardner’s (Jamie Foxx) has finally achieved his dream of being in a Jazz band. And he feels…nothing. So, he heads back to his piano to ponder his direction in life. Then he finds the items 22 (Tina Fey) collected while in his body. What results is a moment fans will be coming back to in their moment of need.
As Joe rests 22’s items in front of his piano and starts playing, he comes to realize how a pizza crust and a seed truly meant to her. In the process, he comes realize the moments that seemed meaningless at first had some magic in them. The joy of playing for his father. The feel of the ocean waves flowing on his feet. The taste of a café’s pie.
In a time when many people can’t do any major activities, this moment serves as a reminder of to appreciate the little things in life. I imagine many audiences will return to this scene in their lowest moments.
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herald-divine-hell · 4 years
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A Hamilton Meta
So, I’ve been really thinking about this, and extraordinarily impress about how Lin plays Hamilton in “Meet Me Inside”.
Throughout the first act, and even later on in the second, we often see Hamilton as charismatic, boastful, proud. He stands straight, he’s confident when he gets into a speech. He’s unafraid, he’s respectful to the authority that Washington posses and displays, but also is not unwilling to challenge Washington when he believes his skills can be put to better use.
But!
In “Meet Me Inside”, we see something that’s we only saw in “Aaron Burr, Sir”. In the beginning, he stands tall, he speaks confidently and surely, nearly reprehending Washington himself by defending his actions. Yet, when Washinigaton snaps and shouts “Or you could die, and we need you alive.” Hamilton closes in, his eyes goes down, he looks terrified, guilty, ashamed.
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As he says “I am more willing to die”, he seems scared, ashamed, but nevertheless eager. I theorize that for a moment, Hamilton is no longer speaking to General Washington. He’s remembering his father, the destitution of his time in the Caribbean, and his desire for death. He doesn’t like to be yelled at, he is reminded of his time with his father, when he simply left. Washington is a kin to a father figure to Hamilton. He helps him prepare for his wedding, his give him a support that James Hamilton could never do. (Historically, Hamilton had a more symptomatic look onto his father) To have Washington disappointed in him raises a shame and depressive thoughts that clouded his mind when he was younger. He wants people to be proud of him, because he could never gotten that from his father. Yes, Hamilton seeks glory, but he also seeks a way to be rid of the pain of societal shame of his birth and the horrible life he lived and witness prior to arriving at the Thirteen Colonies. It wasn’t out of glory that he says that, but admission that he has reasons for death as a martyr. Lin highlights Hamilton’s depression and suicide in this song, with his face and the slight quiver and desperation in Hamilton’s voice. 
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Hamilton is bent over, almost bowing to Washington, a sign of submission that we rarely see Hamilton preform. Even when meeting the General of the Continental army, Hamilton is straight-backed, his eyes confident. Here, Hamilton puts himself in an even smaller position, as if he is trying to close himself off from the world, a tatic used to those who had been abuse, as if trying to shield away from his ptsd and his growing anxiety, and to hide away from the verbal “abuse” that Washington delivers. You see it a lot with children, when they keep looking down, trembling, when they get yelled at. Hamilton here symbolizes that completely. He truly is terrified of getting yelled at by his boss, but also doesn’t loose his fire. He shoots back, his anger at being called son, his anger at his father, his worry of disappointing Washington, and that complexity of depression and anxiety that stems from his childhood fully blows through, and shows how much pent up aggression and frustration Hamilton held within him toward his family, toward his past. 
While Lin shows Hamilton as the brilliant tactician and statesmen he was, he also humanizes Hamilton and makes us relate to him, regardless if he has been dead for two hundred years. While we never had to life in the terrible cruelty that was the West Indies, nor most have to life through the abandonment of a parent and the death of another, not have to life the social stigma of being born outside marriage, we can relate and sympathize with someone who clearly hides most of his true feelings, his worries and stresses, behind arrogance and pride and a justified intellect, and a super-human level of work ethic. For a moment, we see a side of Hamilton that we only get to see at glimpses, especially during monologues, such as parts of “My Shot” and “Hurricane”. The only other person we see him show off this sense of vulnerability and torment is with Eliza, his wife, and whom the real Hamilton only shared such feelings toward and entrusted her with, besides perhaps John Laurens. But instead of being quietly confessed or announced strongly by Hamilton, this time it flashes out, like lightning.
 And that’s what makes Hamilton so great. Yes, he can be prideful to a fault, arrogant beyond all relief, inconsiderate at times. But Lin also took time to show that even the greatest men in American and world history had problems that stem away from politics. We tend to look at Hamilton from his political or legal accomplishments, yet we rarely ever look at the man, who was very much depress and haunted by his life in the Caribbean, who wanted love and admiration, but sought it took quickly and to uphold his personal honor, which he considered some of the few things ever owned, over all else. He was a great man, but he was just that: a man. A man who was tormented by his past, and blessed and cursed by his own brilliance. A man whom we should respect for his contributions to the United States, to sympathies for his mental health and insecurities, and to look down with disgust and disappointment of his actions with his personal life. 
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skyfirewolf · 4 years
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Evil Philip
I've had this AU for a while. Don't know why I haven't posted much about it.
Some info on this.
Everything happens the same as in the musical, until Blow Us All Away, where Philip consults his father before challenging Eacker to the duel. Hamilton, having been a soldier and in his fair share of duels (usually as a second), tells Pip not to challenge Eacker. Instead, he tells him to talk it out, and if Eacker still refuses to apologize, to leave the issue alone. After all, he doesn't want his beloved son to get hurt. Then the rest of the story continues in parallel with the musical. Eliza forgives Ham, Ham chooses Jefferson over Burr, Burr gets pissed, etc. Everything is the same.
That is, up until Hamilton is killed in the duel with Burr.
And that is when Philip snaps
Philip, like the rest of his family, is completely unaware that his father is participating in a duel, and even less so that this duel is with Vice President Aaron Burr. A man that, mind you, they've trusted wholly up until now.
And when Philip finds out that his Pops had been shot, he runs faster than ever from where he'd been hanging out with his friends to the house where Hamilton now lies.
Philip arrives, and throughout the many long hours that his father lays dying in agony, he and his mother are begging, pleading for him to stay alive, to stay with them…
All to no avail.
After proclaiming his eternal love for his family and telling Philip that he has always been intensely proud of him, Alexander Hamilton passes away at 2 in the afternoon.
Philip is devastated.
But more than that, he's angry.
Oh BOY is he angry; furious.
And once he goads a very reluctant Nathanial Pendleton to tell him who was his father's opponent in the duel, he's gone.
When he finds out that Aaron Burr killed his father, the charismatic, forgiving, friendly Philip Hamilton vanishes.
Now having graduated from King's College, the 23- year- old Pip says goodbye to his mother and siblings (with promises to visit) and disappears.
No one knows where Philip went, and some think him dead.
But... in reality, Philip is very much alive.
And he is out for blood.
Aaron Burr's blood.
Unknown to anyone, Philip has spent the years stalking Burr, watching him, taking aim, taking notes, writing essays against him and publishing them anonymously under the pseudonym Ares.
Then, years later, Philip makes himself known to Aaron. Shows him who his secret tormenter really is.
And Aaron is terrified beyond belief.
Philip pulls out his father's old pistol, the very same one he used in the duel that ended his life, and looks the mortified Burr straight in the eyes. "I'm sorry, I'm a Hamilton with pride. You put a bullet in my father. I will NOT let it slide. "He pulls the trigger, and sends a bullet piercing through the already broken heart of his father's murderer. Then... he leaves. Walks away, leaving Aaron Burr's dead body lying alone in an old battlefield, in a pool of the same cold blood that Philip's father died in. Then he visits his mother and family, pays his respects to his beloved father at his grave-
And is never seen again.
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prideofthewest · 4 years
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Westeros: an American Musical - Sentence Starters
From Act 1 of “Westeros: an American Musical,” a parody mashup of “Game of Thrones” and “Hamilton.”
Change the pronouns as you see fit.
“Small council” (Aaron Burr, Sir)
“pardon me, are you _____?”
“oh, of course, how embarrassing.”
“_____, at your service, i say with a wink.”
“i know your wife.”
“it’s just astonishing, i mean, how quickly you catch on, you’ll be running this place in no time at all.”
“in the meantime, you can see i’m gonna help you along, that is, if you want what i’m promising.”
“and you’ll be profiting?”
“admittedly, i would like to expedite my climb and rise above my station.”
“for your investigation, just be patient.”
“those were his final words, then he was gone.”
“it’s a mystery.”
“i’m glad you’ll assist me.”
“_____ insisted i persist in digging for evidence showing that there’s been trickery.”
“does _____ often speak of me?”
“perhaps, once or twice.”
“for her sake, let me offer you some free advice.”
“trust less. conspire more.”
“don’t let them know who you’re against or who you’re for.”
“surely, you just.”
“you want to keep your head?”
“fools who trust too much soon wind up dead.”
“what time is it?”
“showtime!”
“like i said…”
“i’m _____, the new monarchy.”
“i’m working on three.”
“i take it easy on the throne, keep my style free.”
“being king really hasn’t been working for me.”
“i agree, to a degree.”
“i must warn you.”
“the girl has been wed.”
“we should ensure she’s dead before the two have bred.”
“i’m flashy and fashioned.”
“i get the smallfolk rallyin’.”
“we should have killed her before, since of course she’ll implore _____ to torment our doorstep.”
“they would guarantee the task done.”
“who’s all in favor of killing?”
“i haven’t heard you make a sound.”
“why the frown?”
“fill us in.”
“break it down.”
“this girl’s a sea away and exiled.”
“why murder a child?”
“the child in her belly’s one we need to prepare for.”
“a child’s a child, _____ —so what are you scared for?”
“what to do?”
“why are you here, _____?”
“what do you hope to prove?”
“First Watch” (Story of Tonight (Reprise))
“we’re now in _____ territory.”
“the greatest ranging of them all.”
“i would gladly skip the glory, to us back upon the wall.”
“i don’t get our seasons.”
“winter seems to last a year or ten!”
“no calendar could tell you.”
“at least we haven’t found _____!”
“thanks to _____ for lodging us!”
“shame _____ is dodging us.”
“let’s rest before we have to fight.”
“well, if it isn’t our phenom!”
“i’ll be scouting soon with _____.”
“good luck beyond, _____!
“i heard you’re leaving in the morning?”
“i’ll be gone by dawn.”
“you mean you’re leaving us with _____?”
“don’t be long.”
“ignore them. don’t let these louts call you a craven.”
“i wish i could have your chores.”
“no, you don’t.”
“no, i don’t.”
“now, be sensible.”
“you’ll get things done while we just keep this keep defensible.”
“yeah, right.”
“_____ has been tardy every night, man.”
“is that so?”
“what are you tryin’ to hide, _____?”
“leave us alone.”
“what’s your plight, _____?”
“just tell me what is wrong, we’ll make it right.”
“well, thank you _____, but there’s no help you can offer.”
“what do you mean?”
“it’s a girl.”
“please, don’t tell _____, he’d be appalled.”
“i’ll see you on the other side.”
“i’m too proud to reprimand you.”
“she would leave with you, if you’d let her.”
“our dating pool is small.”
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I have a bad feeling about this...
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shakespearenews · 5 years
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What I didn't realize was that Burr was pretty funny. My initial impression of Burr was something a little more brooding and serious — tormented throughout. But it doesn't feel that way for me. He could have been as successful as Hamilton, but his envy and jealousy and poorly placed ambition got in the way. To meet a character that is actually put together — he's charming, he's witty, and he's got a funny approach to the world — and to watch that fall apart over the course of three hours is good theater. That's why I really compare him to Iago. He's got language, he's a narrator, he's got expression, but he's got this flaw that is going to be his downfall.
Daniel Breaker, currently playing Aaron Burr in Hamilton on Broadway 
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Current bracket line up (Subject to change)
From my twisted mind
The Golden Mistress & Notorious Eliza Jumel
My Dear Hamilton
Hamilton and Peggy
Love Theodosia
The Hamilton Affair
I Eliza Hamilton
The Secret Wife of Aaron Burr
A Master Passion
Scandalmonger
My Theodosia
City of Liars and Thieves
Alex & Eliza (Trilogy)
A Loyal Little Maid
A Story of Old New York
Alexander Hamilton's Wife, A Romance of the Hudson
Hamilton's Lover
Hamilton's Choice
The Lace Widow
The Torment of Aaron Burr (Trilogy)
The Conquerer
Hamilton vs Burr a Werewolf Tale
Theodosia, Daughter of Aaron Burr
Hamilton's Battalion
The Amorous Intrigues of Aaron Burr
From the Submissions
Jefferson's Sword
Thomas Jefferson Survives
The Phipps Conspiracy
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ao3feed-hamilton · 5 years
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by ElizabethBurr
Burr is a tormented soul searching for ways to stop obsessing over the witty, sleep-deprived freshman sitting two rows ahead of him in politics class.
aka Hamilton pays Burr a visit, and the two start talking. Then something unexpected happens, in which the writer has fun balancing Cu(NO3)2 + 2NaOH → Cu(OH)2 + 2NaNO3 (ha siKE you'll have to read the story to find out the unexpected).
Words: 921, Chapters: 1/1, Language: English
Fandoms: Hamilton - Miranda
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Categories: M/M
Characters: Aaron Burr, Alexander Hamilton
Relationships: Aaron Burr/Alexander Hamilton
Additional Tags: College AU, burr is a greek and latin scholar, he's clueless about french, but Hamilton knows french, burr has ocd, ham and burr are in the same politics class, "sleeping is for the weak" - A. Ham, at first angsty then a surprise, you think it's predictable until it's totally not!, ham teases burr about his ocd, burr has a therapist, he is very cool and collected, but internally screaming 24/7, burr is a hopeless romantic, Kings College, some crass language
from AO3 works tagged 'Hamilton - Miranda' https://ift.tt/2Qxf0bJ
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forthegothicheroine · 5 years
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I am selling The Torment of Aaron Burr: Angelica, an inexplicable gothic novel about time travel and former vice president Aaron Burr, for 50 dollars!  (The going price on Amazon is 142!)
Just click the link for the ebay listing!  I also have several other gothics, romances and gothic romances for sale there.
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