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#the lost beast
the-lost-beast · 4 months
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Work in progress 🍂 Tryna practice digital into Sketchbook now that I've got my graphic tab back
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diviously · 1 year
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I return to Tumblr after a deep slumber just to post this shit you're welcome
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emuanon34 · 4 months
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HISTORY IS REPEATING ITSELF, JESUS CHRIST.
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tiny-vermin · 10 days
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guardian 🦁
the good omens reference library (gorl) study club theme for this week is biblically accurate aziraphale, but i had the idea of doing this lion guy, since my oc samson is also lion guy bible fanart. and also heraldic lions are awesome.
iknow he's really small in the image but give him a chance okay <3 i have more sketches of him that i wanna finish so!! yay!!!! also possibly with naga crowley? don't know yet. i imagine them taking naps together in eden <3
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acorndudesworld · 8 months
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My boy Chicken Little brushing his crest alongside other of my favorites Disney protagonists Milo Tatch.
Im so glad to see this little buddy after all this years!
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goryhorroor · 6 months
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good (and maybe questionable) boys & girls of horror cinema
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thornedarrow · 8 months
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maybe in another life
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illustratus · 3 months
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Gorgons, Hydras, and Chimeras (Milton's Paradise Lost) by Gustave Doré
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telekitnetic-art · 1 year
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LOUDEST WARGLLGLLRARLLLR EVER
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THE BEASTS
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umboocowju · 9 months
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Beast peak's disciple Shen Yuan? Yeah 😌
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the-lost-beast · 1 month
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TLB - Chapter 8: To kill a mockingbird
Liens fr : Wattpad, AO3
Oak and Rev can't stand each other so they settle this on the duelling ground. Plus drama and backstory. Ooooh.
It's now gonna be a chapter per month, Ganon eat my soul if I'm lying. Trivia coming up soon
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thwackk · 1 year
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movie night at Titan’s Tower always ends the same
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prickly-paprikash · 6 months
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Whoever you ship Mizu with, it is ultimately gay as fuck.
Mizu and Akemi? That's just two angry wlw's haunted by the image of one another who have been pushed into different but mirroring paths that will one day intertwine, and their anger and regret will balloon into a terrifying clash. Violent? Yes. Passionate? Extremely. Sexual Tension? Nuclear-level.
Mizu and Taigen? Mizu didn't really mind the other acts of sex in Madame Kaji's brothel until she got to the dudes fuckin, and her immediate thought was how close Taigen and his lips were during their tumble in their duel. It's very clear Mizu sees her relationship with Taigen as homoerotic, and has shown some interest in it. That's just trans masc x bottom bi, baby.
Mizu, Taigen and Akemi?
So. Fucking. G A Y.
There ain't no cis-het reading of Blue Eye Samurai, bucko. This shit's the purest crystal queer in the market. It ain't cloudy. It ain't distilled.
This show is raw, uncut Mizumphetamine. Mizu is the chemicals injected into the water that's making the freaking fags frogs gay.
Mizu's the baddest bitch around. Be in awe of this undying fuck's energy. She is 2023's top bitch magnet. She doesn't get bitches. She pins them down, strikes the fear of her in them, and wields a fucking sword made to slaughter the heavens.
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mothymoon · 8 days
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I think it's kinda interesting how, while the Beasts are opposites of the Ancients, some feel like reflections to Ancients they're not directly related to.
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Starting with the pair that feels most obvious, Silent Salt and Dark Cacao. Their designs especially seem similar with the armor, sword, and color palette. Silence also feels like it can be related to Dark Cacao's isolation during his previous arc.
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This feels the same as with Pure Vanilla and Mystic Flour. Again with their color palettes, but also with their religious theming, both being obligated to help all those that seek their guidance.
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Again, mostly similar vibe with these two. You could even argue that Destruction can be considered an extention of Passion in a way. These next pairs get a bit weaker with their comparisons, which is why I started with the strongest ones first.
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My comparisons for Golden Cheese and Eternal Sugar come down to both of them having wings and some speculation I have. "Eternal" I feel could imply abundance, which may be a motivation for Eternal Sugar's slothfulness. It's possible they simply have all they desire, thus no longer having the will to do anything.
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Lastly, for White Lily Cookie and Shadow Milk, the biggest point of comparison I have is that Shadow Milk Cookie's theatrical presentation could also be considered an extention of freedom (especially since it's implied that he used to be an academic). This is the one I really stretch the most with, I'd say.
Why do I bring any of this up? What I think about these possible links is that the Beasts reflect what each of the Ancients could become, if taken to their logical extreme. Also, with those that share their Soul Jams being their opposites (Pure Vanilla being truth and Shadow Milk being deceit, etc.), it can imply that each of the Ancients are each other's opposites as well. Opposites that mesh well enough despite it, anyway.
I'm bad at analysis, so do what you will with this. I don't know if this is anything. Implications and whatnot.
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originalaccountname · 10 months
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Mori Ougai’s belief as the boss is [...] “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. [...] “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.”
Kafka Asagiri, for the BSD exhibition
On Mori and regret.
This man acts based on his perceived "optimal solution". It means relying on cold logic, detached from (his own and others') emotions. In that way, he fits right in as one of the smart characters of BSD, contrasting for example Dazai's way of working with/around people's feelings, and Fyodor's way of manipulating and twisting those feelings into monsters.
Mori remains cold, logical, distant, efficient. It meant disregarding Yosano's and the soldiers' deteriorating mental health during the war because the concept of an army that cannot be wiped out was too good. It meant following Natsume's plan and taking the old boss' place himself to fix Yokohama's underground and protect the city and its people. It also meant disposing of Mimic by sacrificing Oda in order to get the special ability business permit, despite (and perhaps because of) Dazai's attachment to the man.
The thing is, humans are not logical creatures, and will inevitably encounter conflicting emotions.
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(does this look like the face of a man without regrets to you?)
Mori in Dark Era tried to pass on to Dazai his practice of putting aside his own feelings for the sake of choosing the most efficient solution that will benefit the group. It backfired spectacularly, so much so even, that Mori regrets it to this day.
For the BSD exhibition, Asagiri wrote some individual character commentaries, all very interesting insights into their characters and the writing intentions. For Mori, here's what he wrote:
“He who fell out of the optimal solution” Mori Ougai’s belief as the boss is described in the novel “Dark Era” and “Dazai, Chuuya, Fifteen”. That is “The boss stands on top of the organization, and at the same time, be the slave of all.” For the sake of the organization, the boss must always take the “logical optimal solution.” That is the duty of the boss. There is an unspoken additional point to it. “Therefore, no matter how much your heart aches, you have to ignore your personal feelings.” We can catch a glimpse of that in this scene. [the ADA-PM alliance meeting] Mori’s expressions after “Burnt it.” and “Like what you did to your predecessor”, gave us a glimpse of his true feelings that were made sacrifices for the sake of the “logical optimal solution”. (By the way, it goes without saying that Dazai is inducing Mori’s thoughts by words that will make him regret the past. It is to make him decide to form an “alliance”.) source and translation: Popopretty
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(notice the inclusion of Hirotsu in this scene. Remember that later, Hirotsu suggests that Dazai knows why Mori did what he did to overthrow the old boss, which, in my opinion, is both a proof of Dazai's support in Mori's goal, and a reminder to uphold it.)
One of my favourite parts of the Dark Era light novel is a small scene during the epilogue that was not adapted into the anime. This is two weeks after Dazai defected:
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To quote Asagiri again, "Therefore, no matter how much your heart aches, you have to ignore your personal feelings." Mori is conflicted about the outcome of the Mimic incident. He holds in his hands the Silver Oracle he himself gave to Oda, and reflects on its purpose: to "help the man mentioned above without hesitation in the face of any and all trials". Didn't he fail to do just that with Oda? Didn't he set him up and sent him to his doom? Didn't he abandon him to his trial?
But he rationalizes the events by saying he got the permit they so badly needed. No matter if he sacrificed one of his men. No matter if he drove Dazai away. He accomplished his priceless goal. It was a total success.
And yet, he poorly folds a paper airplane with the very Silver Oracle he gave Oda, throws it, watches it crash immediately, and mourns the loss of his right-hand man, without ever moving on.
But we have a direct example of Mori expressing regret.
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The perception that Mori in BEAST is a completely different character than Mori is in canon, when that perception doesn't extend to any other character from that universe, rubs me the wrong way. The characters in BEAST are very similar to their canon selves, with some core traits getting a new twist. They are all one or two major life changes away from becoming these versions of themselves. As far as we know, Mori's only life-altering event was being forcefully removed from the Port Mafia by Dazai, and secretly put in charge of Atsushi's old orphanage.
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Mori unambiguously made that orphanage a better place, as stated by Atsushi himself. BEAST!Mori is a lot softer, vulnerable and honest. That Mori offers to be a father to Atsushi while he heals. He also expresses regret in not being able to help Dazai when he was in his care.
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I think it's very interesting, especially when knowing that Asagiri wrote both BEAST and Fifteen at the same time for the Dead Apple movie, because in Fifteen we have this:
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The beginning of the first chapter of Fifteen is a gold mine. It is narrated from Mori's point of view, the man of logic and calculations, and yet it is full of doubt. He is alone and struggling to fix everything with so many people against him. But, throughout this scene about grasping at the Port Mafia's power, there is also this secondary thought being woven in, of Mori having started to actually care for Dazai.
The teenager is scary to him, smart enough to be a threat should he decide to be done with all this and turn against him, and yet, he immediately (and with a hint of sadness) finds that Dazai reminds him of himself. This lonely, lonely man found a kindred spirit, bright enough to grasp any situation in seconds and prone to using an uncomfortable obsession to divert and keep you guessing his true intentions. Mori entered Mentor Mode™ then. He taught Dazai his ways, he shared his struggles and thought process, he fought tooth and nail to keep him alive.
So when he asked Dazai why he wanted to die, it was with the concern of someone who has started to care. It was with the mind of someone who is trying to prevent the worst by fixing the problem at its source.
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(translation: Reneray)
But it's also that self-projection/ability to relate that made him drive Dazai away, when he pushed too hard and forced Dazai to adhere to his optimal solution philosophy. Because Dazai cannot separate himself from his attachments, could not ignore his emotions like Mori does, and chose Oda over Mori's logic. From Dazai's point of view, that was betrayal. Mori and him were accomplices!
Dazai planted the idea that Mori was afraid of him taking over as boss, and Mori seems to agree with that thought (would it be because he feared for his life, or for Dazai's ability to replace him?) Yet, for a man afraid of his closest subordinate backstabbing him, he seems to be hanging on quite hard to the possibility of Dazai coming back, leaving his seat open to this day, inviting him back twice in the same arc, and...
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(yeah I used this picture at the start too. "I hAvE nO rEgReTs" he says)
Mori may try to convince himself he feels no regrets and no guilt over his own actions by weighting gains and losses objectively, but he still hurts and has a very hard time moving on. He's human despite his best efforts, prone to mistakes and doubts. He's lonely and wishes to impart his knowledge onto others. His cold logic has both helped him in fixing the city, and alienated him from some of the people he most cared about.
In a similar vein, should the ADA employee transfer be of topic again, and should Mori clash with Yosano again, I wish we get to see some similar conflicting emotions in Mori between the usefulness of Yosano's ability, and Yosano herself as a person. The war was 14 years ago, that's a long time, and I want to believe that counts for something.
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one-httyd-a-day · 3 months
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Your art is so cute :D Could you do a baby Bewilderbeast?
Of course I can, but the real question is;
Are YOU prepared to see THE most muppet looking baby dragon I've ever drawn??
Dragon #65 - (Baby) Bewilderbeast
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"STOP LOOKIN AT ME WITH THEM BIG OLE EYES"
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