Which theme of your blog has been your favourite so far? And which one was the hardest to create/maintain? Personally I liked seeing Chongyun smiling as your bg 😭💕
OH MY GOD I'M SO SURPRISED YOU REMEMBER THAT??????? THAT WAS SO LONG AGO DKDJRKDJR I'M GLAD YOU LIKED IT LOL
for a brief time i had a forest-y theme with venti as the bg, i thought it was very pretty and it was when i first found out about how to change my overall theme and such. I didn't have it for very long bc yae took over my life, but I really liked it and I wanna go back to that theme again.
But now that you mention it a chongyun theme would be nice dkjdkrjdr that theme i had back then was super chill and laid back cause i didn't know anything about themes (i still suck at them so-)
Now I wanna change my theme lol especially since it's a mess rn
oh- but the hardest to create/maintain was probably the yae one. I remember spending hours on it and messing around with each and every little setting on it. And there were/are some things that still look a bit wack with it that i had to fix since i messed with the formatting and such. I still like it! It's why I've kept it for so long, but a change in theme would be nice dkjdrkjdr
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When I used to be in uni, my psychology professor talked about identification, love and hate-
And I wonder, what does it mean to always be in the wrong team-
I always like the wrong and evil character, the anti-hero, always, like a plague, I don't care about the protagonist, they tend to be too much, naive, glorified, blind, coward - but not it's bad counterpart, no, this sad bad meow meow person is 10x better and complex, the good and bad, as every person is.
When we like them, it only means that we see and recognize the injustice they suffer, and more than that, we also know and accept their flaws, we accept and recognize their growth and loss of innocence.
I mean, Alicent? Little girl being hated because she is what women in her time are suppose to be? Obedient to her father's wishes, submissive, passive... but no, vilified as the friend who wanted (I'm cackling who would want to marry him, she wouldn't want to marry no dragon in fact, she clearly is terrified of them) to marry an old and sick man, the father of her best friend, forced to birth child after child as was expected of her because of course she wants to strip her once best friend from her title of heir, yes, it is written on her face. This girl wasn't having a day of peace ever - two children when she was seventeen*, four when she wasn't even near her thirties. A girl, sold, raped, judged and denied justice.
But her good counterpart? Oh, how glorious and modern of her to lie, throw tantrums and rage around, hide behind her weak father's judgements and run away from facing her problems and faults.
Don't even get me started on others... Like Hurrem.
A girl, enslaved, probably saw her family and people die before her eyes, sold from one palace to another, denied to practice her religious beliefs, denied her own language, letters, freedom. Condemn to serve.
But you see, look how pretty she became. Let's gift her to the sultan
Who knows the things they threatened her with, she was, before being a concubine, a slave, property of the sultan, not a woman, a thing.
The inferno she had to endure before having a son, before getting her freedom and a legal marriage.
But yes, she is evil, she wants to kill a child, the child of the woman she hates, a child that won't hesitate to kill her sons.
Because it is the fraticide law. Even her own children would kill each other the moment their father died.
Even to this day, Hurrem isn't remembered as a girl - who suffered and raise up to have the best life she could fight for - she is remembered as the evil mother, playing her children to be against their brother, the wolf among sheep.
Both of them, done dirty by the narrative. Two women called monsters, when they are but two humans, two women who suffered and had to reinvent themselves in order to survive and continue. I doubt it was completely for their own selves, but for those who depended on them.
I could go on and on about so many others, but I'll just talk about this two blorbos.
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I would very dearly like to know more about the invention of Chinese language typewriters if you care to tell!
oooooh okay so there's actually a GREAT book I read about this earlier this year: Kingdom of Characters by Jing Tsu (who is, y'know, a Yale professor. casual)
she tracks several key figures over the course of a century and a half and the various contributions they made to the journey of the Chinese language through industrialization and into the 21st century. like, the difficulty of learning a logographic language with tones is well-known, but have you ever given thought to what the absolute nightmare of trying to communicate via telegraph in Chinese was? have you contemplated the magnificent horror of typewriter logistics with logographic characters, and the ensuing debate over whether or not Chinese characters are indivisible units? because yes radicals are a thing but 火 and 灭 and 烧 and 热 all technically have the same flame radical but it's shaped/proportioned differently in each, so what does THAT mean if you're trying to carve a physical stamp to put in a typewriter to be compatible with other radicals to form a comprehensible and shapely character?
anyways, Zhou Houkun is a hero because I think I simply would have wept and given up
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