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blogquantumreality · 6 months
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Neo-Colonialism In The 100
I’d like to preface this by saying that I feel the Season 1 and 2 arcs are not implicitly in support of a colonialist “we have the right to take whatever exists here” narrative.
When the dropship lands, the young adults and teenagers (it’s hard to come up with one classification since we’ve got Bellamy at 23 all the way to Charlotte who might be 13 or so) don’t appear to be immediately targeted until they cross a river and Jasper unwisely (in retrospect, obviously) holds up a Mount Weather sign and yells loudly in what is obviously gonasleng.
Even afterwards, as wariness rises, the delinquents only secure for themselves a defensive space and Clarke tries to seek peace even though there are repeated incidents that make it harder to get. And Anya seems amenable to at least trying to negotiate something until Jasper’s itchy trigger finger ends up tilting the balance to war.
And even in the aftermath, the kids decide to take Lincoln’s advice and leave for a possibly more hospitable area - hardly die-hard colonialists intent on wiping out the indigenous population.
The Ark landing can be argued as the best of a set of essentially not-great alternatives, and luckily, none of the Ark fragments landed in populated areas. It could be argued justifiably that the Ark landing could have been better controlled to aim at a known uninhabited area.
The essential thrust of Season 2 is the discovery of a common threat amid efforts by Lexa and Kane, as well as Clarke, to secure a workable peace everybody can live with.
However, in Season 3, explicitly colonialist narratives begin to be articulated, which through the “lens” of the camera we the audience are asked to sympathize with even though there is no internal canon support for the allegations made by Pike and Bellamy. In addition, aggression and expansionism with no effort to seek peaceful resolutions are screaming neon bright signs of colonialist worldviews.
Even in Season 4, there are colonialist overtones in the meta-narrative surrounding the finale. It has been reported that S4 was intended to contain explicit S1 callbacks and that S5 is in a sense a “reboot” of the series.
What that effectively means is that all grounder identities have been essentially erased because the bunker, for all intents and purposes, might as well be dead; all the work that over a thousand people have put in has been for nothing. There’s just Nightblood Clarke defending her small patch of Earth against unfamiliar intruders.
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bellamyblake · 1 year
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rant for 1x09 cause I gotta but under cut since I’m sure I’ll get hate
I really don’t get the O.ctavia and F/inn point here especially at the end of the episode. Yes, Jasper shot first but he didn’t make up the grounders in the trees-they were there and let’s not mention the fact that A/nya arrived with TWO armed soldiers at her side and all L/incoln said was “I was told there’d be no weapons” but surprise surprise there were! 
And Clarke was right to bring Bellamy along and keep an eye on them since she was sure the grounders wouldn’t keep up with any promises L/incoln or F/inn tried to make and she was right. A/nya’s whole angry speech is another aspect I don’t get-yes, the 100 are invaders in a way but come on, you and L.incoln specifically, observed them for ages (if he knew he wanted Clarke to come along as the leader, let’s be real and let’s kinda ignore the fact that the whole relationship with O is a bit...well...I can dissect that but I won’t right now); 
The point is they saw those were just children who knew nothing about the ground, had no weapons and fought against each other from day one. Those weren’t soldiers who went out there to seek land and kill the grounders-those were kids. A/nya’s other point-the falres? Sure, that probably caused fires but it was unintentional. Meanwhile what happened to them-they crossed Jasper on a tree and impaled him, killed and hunted a bunch of the others without any mercy and without stopping to think about asking what they’re doing here and what they do know about the ground (which is nothing); Her other point-capturing L.incoln and torturing him, yes, that’ IS bad, no one is denying that but that happened only after they hurt Jasper on day 1 of them coming down and killing 10 more delinquents and him stabbing F/inn. Let’s be real here, L/incoln isn’t some sort of helper to the 100 at first at all, he just observed them for a while and fell in love (weirdly) in O/ctavia which is why he blew the horn and saved her when he found her fallen. Does he want to change that later? Sure, he doesn’t think what they’re doing is right and he gets in conflict with his people but at first he was sent to scout, observe and possibly kill. 
So none of A/nya’s points on that brdige make sense. They knew those kids weren’t invaders-they observed them and saw them for what they were-children, with no way of fighting (like the grounder children did if we are to think like them and know about the conclave) or any way to support themselves. They are just barely surviving. Yet you went there and killed them. THOSE are acts of war. Yes, what Clarke, Bellamy and the others did wasn’t good either-capturing L/incoln and torturing him but they would’ve done and they did the same to them if we look at Murphy and what happened to him. 
The fight at the end of the episode between F/inn and O/ctavia on one side and Clarke, Bellamy, Jasper and Raven on the other is just...plain stupid for me. Yes, F/inn can want peace but he’s delusional if he thinks he’ll get it that way and O/ctavia if we’re going to be real is the one who acts out most as a teenager out of them all. I like this grounder and I’m gonna be with him for the sole reason that it will piss my brother off and that he is something different and adventerous that I want. She acts like none of the 100 ever got killed or hurt by them. Suddenly it’s all rainbows and unicorns and everyone else is wrong.
I’m not saying war and guns is the way but in this particular case Clarke and Bellamy were right and acted smart and in accordance to everything they knew about earth so far. The narrative blames them though just like it does later on many occassions. 
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bellamysgriffin · 6 months
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why do you think lexa wasn't? genuinely curious/asking
happy to answer this one actually! so this is in reference to my bold claim that lexa's death on the 100 was not part of the bury your gays trope and i stand by that.
so the 100 was a show in which main characters died every season. when adc decided to leave the 100 there was truly no other way to write lexa's character off than to kill her. again, this is a show where lincoln would die episodes later, finn had died the season previous, wells died, monty and harper would die, jasper would die, kane and abby would die, and im sure there are plenty more i'm forgetting. main characters died all the time.
lexa is actually as far as i can remember the only canon queer character who died -- clarke, niylah, and miller all survive to the finale. there was no way to have lexa walk off into the sunset for a season and pop in and out. she was too consequential as a character. when adc left, lexa had to die, and i don't think the way she was killed was particularly disrespectful. in fact, i would argue that her death was the most resonant in the plotline long after she was gone. it advanced the plot, advanced clarke's character, and was a rather beautiful send off scene. lexa was mentioned post-death more than any other character on the show. i know there are some people who have issues with the fact that she and clarke had just gotten together when it happened, but that's just a common writing trope -- the character gets what they want only to die immediately after. super common.
now, that said, i understand that she was one of several lesbian deaths on television that year, and i don't begrudge any queer woman who mourned that death in a deeper way. there is so little representation that when a sapphic character we love dies so brutally it can feel like more than just a television death. that said, i don't think jroth (a man of many crimes) did anything wrong by killing off lexa nor killing her off in the way he did. it wasn't offensive.
the 100 is a survival show. as a queer woman i personally find it just as dehumanizing to demand that the only queer stories we get are happy as to say that every queer story must be tragic. and queer people deserve well-written, resonant tragedies. lexa's arc/clexa's arc on the 100 was beautiful and well-executed, and it wasn't offensive to kill her off. "bury your gays" is not just when a queer person dies. it's when the queer character is seen as expendable, is usually the only queer person in the cast, and usually not on a show/film where characters die regularly. it has ties to the hayes production code in which homosexuality was seen as immorality and was required under the code's rules to be punished, often resulting in queer characters dying or committing suicide.
i don't think that trope describes lexa. i think her death made sense for a show in which there was a lot of death and carnage, i think her character was well-written, well-developed and honored long after her death, and i think we would be remiss to say that she cannot die merely because she is queer when there are truly no other compelling reasons for why it would be wrong to kill that character off on a survival show. and i would hardly call it shock value, which is usually what the bury your gays trope is.
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frecklesandfanfics · 2 years
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*whistles* Off to write an Abby/Octavia dynamic that would have been amazing to see on the show, but most especially in Season 5. 
It never sat well with me that Abby, who completely resented the fact that Clarke ended up leading them (Abby: they’re being led by a child! Marcus: So are we.) was written to become a drug addict who pushed Octavia to make harder and harder leadership decisions. 
Season 5 could have done with several more flashbacks but when I think on it, no matter how many years you shove in there, it’s hard to believe that certain things are natural character progressions. 
Abby puts herself on Death Row rather than not save Jaha in Season 1, and later she risks being put right back there by releasing Jake’s video message. She let herself be flayed rather than go against her principles and allow Kane to stop searching for the missing kids in Season 2. She tested nightblood on humans and stole the bunker with Jaha because her personal motto was to save as many of her people as possible. She’s a principled woman and a strong one. And you can like or hate this character, I honestly don’t care, but this is how she’s written. 
But if you are going to take a character from the place where Abby was--tough, ready to fight for her people, and ready to make the decisions she personally feels are right regardless of how tough they are, you need a little more than “she was having these headaches” to take her all the way to being a hardcore drug addict who didn’t support a leader she promised to advise AND harmed the girl who was like a daughter to her AND walked away from her own daughter, the one person she’s been waiting to see for all this time! It is impossible to believe it’s the same character if you don’t have more context, and even with context I’m not sure I would have bought it. 
Just something irritating me tonight. 
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sunshine-zenith · 10 months
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Something about Ambrosius’s reaction to cutting off Ballister’s arm
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He drops his sword and looks like his mind went off line before doing a hard reboot. He acted on his lifelong training before he could process that the weapon he was “disarming” was attached to the man he loves. He looks dumbfounded and horrified, and sure some of that is probably “oh shit the queen is dead” and “did my boyfriend just murder someone?”
But
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This face, the way he looks at Ballister here. I’m not seeing “what did you do?!” I’m seeing “What have I done?!”
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halcified · 3 months
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ok. falls to the floor. something interesting i find about this omake is that reigens reaction to terus living situation is pointedly Not shown. reigen finds out that teru has no one and spends entire months alone in his apartment and his first course of action is to try to set up positive relationships for this kid while acting casual about it so as to not trigger terus defenses. insane actually
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yaraneechan · 8 days
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The parallels!
Mob learning from Reigen to work hard on himself and constantly reaffirming that he can change and be a better person, AND he joined a club about something he's not good in so he can get confidence from getting better at something with effort, so that he doesn't feel that powers are the only thing he has.
Vs Touichirou's lack of self confidence about any charactaristic of his except his powers, so his response to 'Shou is raised watching you so we need to be gentle' the "Shou is interested in my powers" so he doesn't have to confront how he's not good at being kind/gentle or consider that he can make an effort to change.
and then Mob saving him with 100% kindness anyway. Because charactaristics aside the truth behind one's charm is kindness!
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fxa · 1 year
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starflungwaddledee · 4 months
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this is probably why meta knight moved the conversation to the hallway
based on @das-a-kirby-blog's comic based on my comic. comic inception. colour palettes are from das.
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ellionwrites · 5 months
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If Geto and Gojo were so close, why didn't Geto try to convince Gojo to defect with him?
Because Geto knew that Gojo’s support would guarantee his success, but that success would come at the cost of hurting Gojo.
I believe that Geto cared more about protecting Gojo than he cared about building a better world.
..
Let me explain…
First, let’s talk about why it would’ve made sense for Geto to ask Gojo to join him:
(1) Gojo would’ve been Geto’s most important / most powerful ally
By the time of Geto’s defection, Gojo is already the strongest sorcerer in existence. He and Geto are two of only three special grade sorcerers. Having them both on the same side is essentially an automatic win.
(2) Gojo should’ve been (relatively) easy to persuade
Gojo had already told Geto that he didn't like having to save the weak and didn't care about the moral justifications for it…
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…Geto has also seen that Gojo doesn’t always value / protect human life. He was ready to massacre the Time Vessel Association without reason, but ultimately he didn't, because he deferred to Geto's judgement…
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…and, most importantly, they are best friends on a DEEP, unparalleled level. Geto is Gojo’s “one and only” best friend.
If Geto was truly dedicated to changing the world order, Gojo should’ve been the first and most important person that he tried to recruit to his insurgency / cult / mission.
BUT
Not only does Geto make zero effort to reach out to / recruit Gojo, he actively avoids him and pushes him away...
- - - - - Keep reading cut - - - - -
After he kills the 112 non-sorcerers, Geto runs into Shoko in Shinjuku. He happily approaches her and willingly answers her questions.
Look at his smiling face in their interactions:
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But, when Shoko calls Gojo, Geto leaves before Gojo shows up. Gojo tracks him down anyway and demands an explanation. Geto still doesn’t want to talk about it (“You already heard it.”)
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It's strange, right? Geto loves talking about his vision of a better world with everyone else.
Then, there is this confusing progression of dialog:
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Geto is hurt/annoyed that Gojo doesn’t believe in him, so he points out that Gojo’s argument against his plan is invalid. The plan is possible (“You could do it”), therefore (according to Gojo’s own logic) it’s not “pointless.”
In a way, Geto is admitting that he knows it would make the most sense for Gojo to join him.
But before Gojo can respond, Geto pivots to saying something extremely hurtful. He's questioning who Gojo is / would be if he wasn't the strongest. Is there really anything more to him? (See more detail in my post here).
Then, in the very next panel Geto turns and starts walking away.
In summary: (1) Geto avoids Gojo, (2) Geto only argues in favor of his plan when Gojo forces/baits him, (3) Upon invalidating Gojo’s opposition to his plan, Geto immediately puts emotional distance between them, (4) Geto then puts physical distance between them.
Why is Geto trying so hard to make sure that Gojo won’t follow him?
Is he just being prideful about doing this on his own? Is he so angry at Gojo's arrogance that he'd jeopardize the success of his life's mission over it?
These arguments aren't in line with Geto's characterization / known motivations (see the end of this post, if you're interested in more on that.)
Geto's main motivation is (a twisted form of) compassion. He wants to end the suffering of sorcerers.
He is a thoughtful, contemplative person, and would've thought about the ramifications of recruiting Gojo.
What are the ramifications?
If Gojo joins the cause, Geto’s plan would succeed, but Gojo would suffer for it.
Like anyone who joins Geto's cult, Gojo would become a pariah / fugitive from Jujutsu society. He’d kill people. He’d kill other sorcerers.
But because Gojo has the singular level of strength/ability to kill non-sorcerers en masse, he would commit the vast majority (or all) of the murder / destruction. The legal, social, and mental impacts would be most severe on Gojo.
(Also, at this point, I think Geto may still question whether he’s made the right choice. It’s difficult to go from a hardline stance on protecting non-sorcerers to wanting to gen0c1de them, within the span of a year, without any lingering ethical qualms. So he may be worried about moral costs to Gojo as well.)
Let’s remember that Geto (canonically) deeply loves Gojo. Gojo is his one and only best friend. Geto worries about Gojo when he overworks himself protecting Riko. Geto is shocked when Toji kills Riko in front of him, but he only flies into a rage when he thinks Toji has killed Gojo. (Again, see my post here for more on how much Geto loves Gojo).
So, it makes sense that Geto is ready to make sacrifices to create a better world, but it’s a cost he’s willing to put on his own head. Not Gojo's.
Ultimately, Geto cares more about Gojo than he cares about achieving the mission he has dedicated his life to.
The last thing Geto says to him is this:
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What he's really asking Gojo is: "Have you stopped loving me, now that I've committed myself to this dark path? Would you kill me to save them?"
If Gojo hates Geto enough that he’d kill him, then Geto never had a chance of recruiting Gojo in the first place.
Of course, Gojo can’t make himself hurt Geto. He still loves Geto too much.
Geto protected Gojo by pushing him away.
___
Addendum:
I'll also argue against two other possible explanations for Geto's behavior.
(1) Geto is jealous / prideful /wants to build his own legacy without Gojo stealing the spotlight
Geto has clear motivations for his goals and they’re not egotistical. He wants to end the suffering of sorcerers caused by non-sorcerers’ existence (e.g., Riko’s death, Mimiko & Nanako’s abuse).
Geto’s pride isn’t hurt when Gojo becomes the strongest. The only thing that bothers Geto is that they’re getting sent on separate missions.
After Gojo becomes stronger that him, Geto still has overt affection for Gojo (e.g., he asks Haibara to bring back sweets from his mission so he can share with Gojo).
Although Geto does believe in his superiority over non-sorcerers, he doesn't feel superior over other sorcerers and doesn't struggle with his 'inferiority' to Gojo.
Does Gojo’s lack of faith in Geto’s ability (calling his goal “impossible”), spur Geto to want to prove himself? Yes, probably. But Geto had already been avoiding Gojo before he said that. And I don’t believe that wanting to prove himself to Gojo would overshadow his stronger motivation to build a better world for sorcerers.
(2) He thinks Gojo actually is too moral to join him
After Geto kills the 112 non-sorcerers, Gojo is shocked and upset by what’s happened, but not once does he insult Geto or imply that Geto has done something unforgivable. In fact, he’s practically begging Geto to explain himself because he wants to be able to justify his actions. And, again, Gojo’s argument against Geto’s plan is NOT that “it’s wrong,” it’s that “it’s impossible.”
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thefiresofpompeii · 10 days
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the ninth doctor trusted rose enough to believe she would stay with him after his face changed. and twelve took some convincing but towards the end of deep breath accepted that clara would stay by his side no matter how old he looked. but thirteen was so used to losing people. her previous self had loved clara and lost her, he had looked after bill and failed to save her, he had tried to redeem missy and (to his knowledge) lost that cause too. no wonder she wouldn’t trust yaz to stay for her fourteenth face. no wonder she believed she ‘had to do this next part alone’. she had grown quietly distant with the new knowledge that she was no longer even an ordinary gallifreyan, not something of this universe, but outside of it, alien even to the aliens. isolated and inaccessible, standing on an invisible pedestal her ancestors placed her on — a pedestal that more resembled a cage. glass walls on all sides like the forced regeneration chamber. thin glass wall between her and yaz now, transparent but too solid to break through. harder than azbantium when there’s no solid footing to stand on.
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of course yaz would run when she saw her new self. of course she would leave. companions would never stay now, they would never fully understand. when thirteen said that she would need to do ‘this next part’ alone, by ‘next part’ she meant ‘the rest of her (potentially eternal) life’. it’s the classic gambit: push the one you love away before they get the chance to reject you. because they always will, now. either that or they die in horrible circumstances. better to flee like you’ve always done.
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this is why the bigeneration was a narrative necessity, why the giggle was the perfect vision of a positive finale. the original version of the doctor gets to settle down with people that he won’t lose. people that he won’t turn away from. people whose hearts he won’t inevitably break. he’s sitting there in the back yard and he’s not going anywhere…
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…yet somewhere out there in sheffield lives a police officer named yazmin khan. she’s not all sunshine and rainbows — all cops are bastards, after all. sometimes she takes her nameless rage out on a shoplifting suspect. sometimes she hands a parking ticket to a kid that didn’t deserve it. and sometimes she does genuine good for the community, sometimes she goes to the club and dances with strangers, sometimes she sits on the sofa and watches a documentary about space exploration and laughs at the painful inaccuracies. and many miles south, the doctor spends time with his family, but he’ll never get the courage to visit her. because she’d want to run away with him again. and he could never give her that, not anymore. anything but running.
yazmin khan loved the universe in the eyes of her doctor. oh, that doctor in the garden? the stay-at-home-doctor? he’s brilliant, but he would never be enough for her. his presence would never replace the cosmic vistas and myriads of stars thirteen gave her. and she’s never coming back
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bellamyblake · 2 years
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HI! I've read some of your meta and headcanons and because I love them I have to ask, do you think Bellamy would've still been made bad even without Bob asking for time off? What are your thoughts on it? I saw you didn't chose the easy way out like most ppl and simply call him OOC but you understood some actions in a different way.
aw, hey! that's so kind, thanks for checking out my stuff. i haven't posted meta recently cause even when i have thoughts i don't always share them but debate about it in my mind so i wont be annoying.
the short answer to that is-yes. i absolutely think bellamy would've been made the villian of the story no matter what bob asked for.
i think the season 7 storyline absolutely copies the season 3 one where the same thing happened and i think that the path here was the same.
he would've gone through what he did in Etheria just like he went through everything he did in s3 A's episodes-something painful would've happened, he would've accepted the idea of transcendence and then after making a few mistakes in which I still think, no matter how much Bob had filmed, the other characters would've acted absolutely the same-
because guess what-
we've already seen in s3, absolutely the same thing.
so they would've still hated him the same way and blamed him for everything instead of reaching out to him. and then ultimately he would've seen things from within this broken system and realized Cadogan was wrong and this is bad and made the decision HIMSELF, then helped the others out, perhaps gotten hurt (like Levitt was in that finale episode, I remember i read somewhere it was supposed to be bellamy) and then ultimately maybe ended on the beach.
that's exactly what would've happened, i have about zero doubts about it cause as i said, we've seen it already.
the problem with bellamy was never that he was OOC. that is why i see things differently-it is the way the OTHER characters see him. or more specifially, how the writers write those characters seeing bellamy.
jroth has always admitted he had a hard time writing for bellamy. that his wife often asked him about it and questioned what he'll do with him and the thing is i dont think jroth always knew what to do and when he didn't, he opted for making him lean into his darker thoughts and trust his heart when he is hurt and alone otherwise making him bad because it was easier and because he knew bob wouldn't mind playing a bad guy as he had stated he liked that in earlier seasons.
the season 3 storyline follows the absolutely same path to the season 7 one (or the one it should've been had it been developed absolutely in the way jroth wanted it to be).
bellamy is a little lost and confused, he's trying to protect his family but then instead of doing things the right way, more death follows, so he decides to trust in to those who offer another option-PIke in s3 who speaks into his grief and absolutely into the guilt he feels.
the reason why pike wins bellamy over is because unlike Kane who keeps saying none of this was bellamy's fault, because he simply cannot read bellamy the right way and clarke isn't there, pike tells him the thoughts he falls asleep with every night-it's your fault, you killed those people, you didn't save gina.
a similar thing happens in s7-deucette and the others offer a way out. if we have to be honest with ourselves, clarke and bellamy's *doing better* never actually worked and especially not in s6.
bellamy is seeing more and more that the more he tries, the worse it gets, even when he's doing his best.
seeing his first sin-his mom, who was the death he didn't want to cause but did because he let his feeling show and wanted to make octavia happy, just speaks volums to him.
i also want to mention here that there are two more people who definitely play a role in his choice to trust what they're talking about here and that are Jasper and Monty.
Jasper because he saw there was no way out of their violent ways and opted to leave the world and Monty who too, separated himself from the clarke and bellamy world and decided to live a quiet albeit lonely life with harper because he realized that IS doing better or at least living better. partly both their reasons were selfish and ultimately don't help the entire group.
what deucette and cadogan offer, do. they safe everyone. that is what bellamy wants-to help them all, it was always his goal from the moment he adopted those kids on the ground. frankly, clarke lost that somewhere, but i dont think he ever did, especially not after season 4 when he spent all those years up on the ring with the others.
i dont find him OOC. i find the story shitty, yes, absolutely but i think and i will get yelled for that but that the City of Light storyline in all honesty wasn't at all that different from the lights and finding another form of eternal life-it was just underdeveloped and ofc jroth couldn't do something like CoL again in 7 as it already existed so he made it these weird beans of light.
do you know who the only character who never was invloved with CoL or that SL from the hundred was?
Bellamy.
Do you know why? Because I don't think Jroth knew how to do that at all. he had that chance here again, to try and indulge a SL where he could perhaps put bellamy into this world. the only problem was that he doesn't know how to write bellamy into a major storyline without making him a villain or making his actions a part of some redemption ark (e.g s2 and s4).
and in all honesty, the problem was never with bellamy. it was with clarke and everyone else. because the same thing that happened in s7 had already happened in s3.
no one, not a single soul, tried to undrestand what was happening with bellamy then. clarke argued but she wasn't there and didnt see him suffer-in fact she left him and said-they are your responsibility now, something he has lived for his entire life and now repeated for 48 kids he barely got there. octavia lashed out and just wanted to leave with lincoln, have her own life, miller, harper, kane, sinclair all worked against him without understanding him. kane preached the entire time how he's making a mistake but he never once tried to speak into what he feels the way pike smartly did. monty was somewhere in the middle, ultimately turned good.
in s7, clarke, o, raven and everyone else argue with bellamy. he tries to explain himself, tell them what he saw, how it all happened, that his mom was there, that he saw something. do you know what happens?
nothing. they bash him and tell him he's nuts.
let's see some examples of the opposite:
in s 2 ep 16 clarke says-I have no choice, I have to do this.
What does bellamy do?
he covers her hand and turns the lever with her.
in 3x16-she says i have to go into CoL after taking the chip.
what does bellamy say-I trust you.
in 4x01-she says ALIE said the radiation is coming for us all.
Bellamy said-we're looking into it, I trust her.
in 4x03 Clarke says-I don't deserve to live, not after everything.
Bellamy says-Yes you do and writes her name on the list.
in 4x13 Clarke says-I think I may be dying, mom had a vision of me dying.
Bellamy says-so what? You will be okay. AFTER SHE ALMOST SHOT HIM IN 4x11 MIGHT I REMIND YOU ALL.
the problem was never with bellamy. not in s7, not in any other season. yes he is flawed that is without saying, he did make mistakes, and that is why i love him and clarke and octavia because they make mistakes.
but don't let us make the same one-that the way he sees everyone else is the same they do because it isn't and never was.
and
that is the tragedy of bellamy blake.
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russenoire · 1 month
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i don't think the background art in mob psycho 100's anime adaptation gets nearly enough love. it's full of mundane objects depicted in the most exquisite watercolors.
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like this electrical pole here. with its giant soup can-like transformer and attendant power lines against a cloudy twilight sky, all shot through with vibrant pink and lilac and creamy butter yellow.
not only does this painting–and it is a painting–bring new meaning to the phrase 'golden hour', it's still one of the most glorious things i've ever laid eyes on. and you might pass one of these utility poles every day without a second glance. since seeing this image? i haven't been able to.
this is a single frame of animation. there are hundreds of thousands more in this series, maybe just as beautiful. i wanted to call your attention to this one. just because.
it reminds me to pay attention.
to notice, and keep noticing, the beauty in ordinary things (and beings!).
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dontbelasagnax · 2 months
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To understand Obi-Wan, you have to understand that his reputation of being demure or a bitch are not mutually exclusive. In fact, I would say you can't have Obi-Wan without at least a little of both.
Obi-Wan is someone who always has a remark on the tip of his tongue. It's just his instinctual first reaction. Always some quip or bite of sarcasm. But the thing is, he knows when to rein it in. He knows when his choice words are appropriate and when they're not. And if he feels particularly compelled to be bitchy when he can't, he'll phrase things in a way that will be scathing without the target ever realizing what hit them.
He's known as the negotiator. He knows his way around words. Now, it's my understanding that we so rarely see him utilizing this particular skill set in canon because that's not what the story was ever about. It's demonstrated in other ways. How he's regal and more reserved amongst figures of respect to downright maliciously petty while facing foes like the Sith.
Take Anakin's perception of Obi-Wan. He sees Obi-Wan as a perfect, stuck-up, unflappable Jedi. This competes with the fact that Obi-Wan is particularly catty and playful with Anakin and routinely chides him for behaviors... yet does many of the same himself. He's far from perfect but obviously wants Anakin to know what's best and do better than him.
Anakin has this perception of Obi-Wan (not only because it seems he's never good enough for him) because it's how he perceives Obi-Wan's station in the world based on how Obi-Wan is treated by others.
To really get into Obi-Wan, one must talk about how his self worth issues constantly war his ego. Constantly building himself up only to tear himself down again. Going around saying Sith Lords are his specialty (having never actually defeated one lmao) yet finding himself shocked and deeply honored when Mace calls him the master of soresu.
His moments of grandeur are sharply transposed by his feelings of insignificancy and inadequacy.
He's a complex, multifaceted, hypocritical human being like any. He's elegant and bitchy and yes, at times a sopping wet cat.
He's all these things because he's Obi-Wan
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sunshine-zenith · 9 months
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Thinking about the “New Era” poster — why are all these knight-line kids grouped together with Ballister, instead of just Ballister alone? Why is Ambrosius of all people included?
Do you see it? None of these specific kids are white. And the fact that they’re included on an Actually This Controversial Thing Is Good poster tells us so much about the knights’ line
I saw a few POC in Gloreth’s village, but it’s likely that whoever chose the original knights (whether it was Gloreth herself or someone picking on her behalf since she was like seven) went with a largely white selection. Shoot, I wouldn’t be surprised if those knights were largely encouraged to marry among each other, given the obsession on bloodline. These kids might’ve been the results of controversial interclass(/interracial) relationships, having at least one commoner(/non-white) parent/grandparent
Ballister was tokenized, othered, rejected growing up, and he is scapegoated repeatedly for a crime he did not commit. Ambrosius’s VA specifically references the Model Minority myth when discussing his character. The entire movie is about how dangerous/deadly prejudice is. This poster alone confirms that the fact that Ballister being a man of color is just as relevant to the movie’s themes as him being queer
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halcified · 16 days
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dont get me wrong, i like tsubomi as much as the next mob psycho guy and i understand the desire to see more of her but i do think theres something to be said for the exact amount we Do know about her
shes the device through which the story is framed-- we begin on mob deciding he wants to impress her and end on finally asking her out. theres a lot that could be attributed to mob/shigeos inner state and how he sees her, and you can definitely say that the narrative is contained in the time it takes mob to accept himself, but since that sense of self is so deeply linked to his view of tsubomi its sort of difficult to separate the two, especially when that shadows onto her so heavily.
its important that their relationship is only referenced or implied, because this show is as shaped around her as mob is, and as such its important that We, The Audience dont know a lot about her, on a meta level. we get gleams of her personality from other characters but its never allowed to be substantial, because if mob Knew tsubomi through his main arc things would have to be significantly different, there would be a genuine chance at not being rejected in the end which would (arguably) unravel Other threads. the idea that you must be kind for the sake of it, for the sake of self improvement, would then conflict with the incredibly solid ending of Doing the right thing, being the kind person, but ultimately having to do it for yourself instead of to impress/win over someone else
this is also why tsubomis writing has never come across as shallow or like, misogynistic to me, bc in a lesser show she would be perfect and unattainable and mob would get with her at the end as a reward for being a good person, but mobpsy ISNT that show. it treats tsubomi with the same amount of care that it treats any other character. even more minor characters like mezato and the claw members, who dont have a lot of depth as a whole, have Something to say for themselves. there is something you could find there. so the amount of details put into tsubomis character (as the Leading Force of the show) is then made so much more deliberate. the one thing emphasized by this show (especially over time) is that shes a person. a regular person. and thats the best way she could have been treated
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