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#that was the first verse but the chorus is also really really good
nordicbananas · 2 months
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oughogh i have death, thrice drawn stuck in my head rn..
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hongjoongpresent · 7 months
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the entire essay I could write about the background vocals in terrible man. you don't understand
#onlyoneof#why do you think that first beat drop at the first chorus hits so hard. dude#that's the only spot in the song that I can find where the background vocals completely disappear#also the chorus is the only part of the song where the beat is completely clear and not muddy#there are 2 other spots in the verses that has a bit of the chorus beat too but it's not *as* clear as in the chorus#god when that motto motto tsunaide mou uso demo ii kara furetete HITS. it hits#this song is so insanely good and for no fucking reason I could write an essay about it. maybe I should#the intro has that . instrument that I can't name in it and then the verse has that too but with the beat from the chorus#and then the prechorus is all wahhhwoohohhf floaty. it's floaty airy breathy no clear beat#AND THEN THE. CHORUS HITS and man. uifkvfjvnfjjvjfjvbvfj yeah#also the way rie sings mimi kara karada kills me every time. unrelated to the discussion around instrumentals but#THE BACKGROUND VOCALS IN THE 2ND CHORUS BTW#the woaaahhh that continues into wooohooohh in the chorus...#the ohoohhh ohooooh#dude? listen to hidoi otoko by onlyoneof. that's what I'm saying here#really listen#put it on repeat all day and notice every little instrumental and background vocal detail in it. maybe then you'll be normal#cuz I sure am. so normal and regular about this song#GOD it's so good#sorry if you don't get it. I'm right#the only crime this song commits is being too short#the ohh woahh in the first prechorus. that part is different in the korean version of the song and that one little part is why I prefer the#japanese version of the song. literally just one woahh background vocal is what makes me heavily favor this version. lol#me when I'm so normal about my favorite background vocal parts of a song. is that even a thing it is now. it is to me
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landofgay · 1 year
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101 Damnations by invasives is the second highest song and also for good reason, that song is insane.
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writerblue275 · 5 months
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How Heartsteel would react catching their S/O singing/dancing to “Paranoia” (to their part if applicable)
Inspiration: Me being a dancing/singing/lip syncing fool every time I listen to the damn song, especially while I’m cleaning my apartment.
Genre: Headcanon
Category: FLUFF
Gender: Gender Neutral Reader
TW: Swearing
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^^(How did they get this GIF of me dancing?? 😂)
General things:
Setting the scene, let’s say it’s the first time they’re coming home after the song has released so they’re really getting your reaction to the finished song for the first time.
Ok let’s be clear, all of them would be so flattered and would love this.
Having a supportive partner means EVERYTHING TO THEM.
So even if I don’t put “it means a lot to them to catch you doing this, etc…etc…, it’s still implied.
Aphelios:
He’s had a long day in the studio working with Yone on the next album’s instrumentals after doing a debut music show, so he’s very ready to be home with you and to take it easy tonight.
Grins under his mask as he opens the door and hears “Paranoia” blasting on the Bluetooth speaker he got you for your birthday. He knows how much you love to jam to music!
Sneaks to wherever you are, not wanting to disrupt you and absolutely wanting to grab a photo he can send to Alune (after swearing her to secrecy [not that she would send the photo of you to anyone anyway! You and her are good friends too]).
Manages to get an excellent photo of you using the duster as a microphone, a smidge of dust on your cheek.
You’re so absorbed in your “performance” you don’t notice him at all.
Right after you mime the *ding ding ding* of the bell in Sett’s verse, your smart watch buzzes with a text message.
“I hate to disrupt your award-worthy performance, but what would you like for dinner? (Also you have a little dust on your cheek, cutie.)”
When you spin around and finally see him, he’s spinning his mask on his finger and giving you a sly grin, winking as you gasp in surprise and blush at being caught.
He grabs a tissue and gently wipes off your cheek before giving you a gentle kiss hello.
(I have a headcanon that he would primarily communicate to his partner using sign language)
*Signing* “I’m glad you enjoy our work, love!”
Seeing you love something he put so much effort and time into really brings him a LOT of pride and will continue to motivate him.
He helps you clean and asks you more about your thoughts on the song.
You were in the studio while he worked so you’ve heard parts of it, but you and him agreed that you shouldn’t hear the finished song until it released to the public. It was your suggestion actually. He was ready to let you listen to it early but you wanted to experience the full excitement of waiting for their debut just like everyone else.
Which he LOVED.
Ezreal:
This litTLE SHIT (said lovingly)!
Smug man #1
He will NEVER LET YOU FORGET THIS.
The SMIRK he has when he walks through the front door and hears the all-too-familiar intro to the song.
And when he hears you RAPPING along with Kayn’s part??
NO WAY is he missing this!!
He immediately makes his way to wherever you are and positions himself so he can see you without you seeing him.
Phone camera is at the ready.
Starts recording a video right before the pre-chorus begins and his part starts.
He can’t help but smile as you switch to lip syncing, clearly wanting to hear/focus on his voice.
You’ve told him many times how much you adore his singing voice.
(And he’ll never admit to anyone how much hearing you say that means to him but that’s a different story)
It takes every fiber of his being to not reveal himself while he’s recording.
He’s about two seconds from giggling.
Records through the end of the chorus before stopping the recording and immediately sending the video to the Heartsteel group chat with all the members and Alune. They all love you so he knows they’ll love seeing the video.
He puts his phone away and plans to sneak up on you. (Lmao sneak up? I mean flash.)
This man is an EXPERT at surprising you.
Flashes right behind you before the second pre-chorus starts and starts singing, bursting into laughter as you let out a surprised scream.
He gets a well deserved pillow to the face for that.
Later Yone texts you and tells you that he’s “glad you like the song enough to sing and dance to it throughout your daily tasks.”
And Aphelios hits you with the “:)”
And Ez gets another pillow to the face before bed.
Followed by a kiss because he is POUTING.
Kayn:
This SMUG motherfucker!! (Again, said lovingly!!!)
Smug man #2!!
Comes home to you cooking dinner for you and him, using the spatula as a mic.
Does THE shoulder lean against the door frame (y’all know what I mean, especially if you read romance novels) and just watches you with the biggest shit-eating smirk on his face.
That smirk only get bigger as the song ends and restarts and you don’t change it, telling him you’ve had their song on repeat for who knows how long!
If anything, you’re getting even more into it, starting to dance a little more now and adding some little ad libs while he raps.
Ex: “If you try to step to me, it’ll be the last time” You *in rhythm*: “FUCK YEAH”
He absolutely loves it.
Honestly you’re making him fall in love with you all over again.
Also gives him the idea to ask Alune if you can help make up the fan chants (although he’s sad because he knows they’ll have to be a bit more PG)
Can’t help himself as he lets out a chuckle, giving himself away in the process.
Holds his hands up peacefully as you spin around, ready to throw the spatula if needed.
“Sorry baby, I’m afraid you can’t use me for target practice.”
“God Damnit, Kayn, you know I scare easily! How long have you been home?”
“There’s a reason I stayed over here instead of startling you over there where there are a bunch more kitchen utensils you could have reacted with. And to answer your question, enough time for me to understand how much you seem to enjoy our song.”
You playfully, roll your eyes, shake your head, and smile as he comes over and wraps his arms around your waist, kissing you hello.
He’d definitely tell the guys what he saw, but he wouldn’t film or photograph you (this time 😉).
K’Sante:
I get such immaculate vibes from Heartsteel K’Sante.
Like I’m a BTS fan (woot woot ARMY) and I get very very similar energy/vibes from K’Sante and RM.
Like I do not know what it is, but I would trust K’Sante with holding/watching my drink at a club if I needed to run to the restroom. He has that sort of good energy.
I suppose it’s the…safe? energy??
Absolutely hilarious to use that word considering the batshit things they did in that movie studio.😂
But you know what I mean!
And being in a relationship with someone who has this sort of energy would be A++++.
(I know this is a bit of a tangent but I swear it’s relevant to the topic)
K’Sante’s part in “Paranoia” has that same sort of energy to it. (It’s so hard to explain what I meannnn)
And when he catches you singing and dancing along to his part, the bridge of the song, while you’re folding/putting away laundry, I think he’d watch you for a couple moments.
But only a couple.
He’d make his presence known a bit earlier
Because then I think he’d come join you! ☺️
He’d start singing with you and encourage you to keep singing with him.
He’d gently pull you a little closer to him.
And obviously the slower paced part of bridge doesn’t last forever, but even then I think he’d still dance with you once the song ramped up with you (hard to explain but think casual dancing with a partner at a club/bar).
It would be so FUN??? Such a fun sweet moment between the two of you.
He’d of course then help you fold the laundry.
“It’s only fair since I distracted you from it for a bit!”
You’d keep listening to music with him as you both get some chores done around the house.
Definitely making sure to take time for more dance breaks (duhhhh).
Sett:
(A/N: I love the entirety of “Paranoia” but something about Sett’s verse makes me absolutely FERAL!! THE LYRICS. THE VIBE. THE INSTRUMENTALS. PerFECTION! ØZI fucking nailed it.)
When I first started thinking about this, I thought that Sett would be smug guy #3.
Now I’m not quite so stuck to that idea.
Oh don’t get me wrong, he’d definitely hug you and tease you once you saw him watching you and blushed a deep red.
But they would mainly be half-hearted teases.
And internally? You know this man is melting about you and how lucky he is to have you as his partner and how much he loves you.
Sett clearly has such a soft side for the people he truly loves and cares about.
Have you seen how much he adores his Mama???
You are like the only other person who can really bring that soft side out of him.
And catching you already having the lyrics to his verse down 100% is something that would bring that out of him.
Speaking of his Mama…
Sett would absolutely take photos or videos of you.
But they’re only going to one person.
That’s right, to Mama.
We’re going to assume that his mother really likes you and you really like her. (You think this man is going to be with someone his mother doesn’t get along with? BFFR)
Though let me say I think she’d be very easy to get along with.
Like I definitely don’t think she’s the mother-in-law from hell I keep seeing stories about on TikTok.
But anyway, he just wants to show off his favorite person to his other favorite person (who also adores his favorite person).
And little do you and Sett know but that just inspired Mama to knit you a sweater that matches the beanie she made that he wore in the MV. As like a holiday present!
(I’m so sorry this one was admittedly a little self-indulgent but I think it’s so cute!)
Yone:
Oh this man.
Obviously everyone has worked extremely hard so that Heartsteel can debut. Everyone has had late nights and long days on little sleep.
But as Heartsteel’s main producer…
(Not to mention band mom!!)
Yone really had a record number of late nights at the studio.
Reworking a passage over and over and over….
And OVER
Until it’s right (or until Aphelios/Alune drag him out of the studio at 3am telling him to work on it tomorrow with fresh ears).
And he’d never tell you, but you know he’s felt really bad about all those late nights. All those nights he wasn’t with you.
Potential dates missed because of deadlines.
Not that you were angry with him or anything.
You love him and you know how much pressure he’s put on himself.
And the last thing you want to do is potentially add more pressure on him.
In fact, you and him made a routine the past couple months. Whenever he’d have to work on the weekends, you’d come over to his studio each night during the weekend and bring a movie/couple episodes of a show and takeout.
And he gladly lets you pull his attention away from work for other media and cuddles.
(I feel like in private Yone would be more cuddly than one might expect of a stoic man like him.)
But during these media breaks??
This tall man was like a damn koala the way he cuddled you (not that you were complaining).
So seeing you sing and dance to the song he produced…
Even though the production of this song meant you often went to bed alone….
Was so fucking cathartic for him.
It made him feel like every sacrifice was worth it. Just to see how happy you were to dance and sing to the song he put so much of himself into.
His expression would be so soft as he watched you.
And after you noticed him and gave him a smile, he’d come over and give you a hug, burying his face against your neck.
You are his MUSE, and don’t you forget it.
Ahh thank you for reading! This is my first bit of creative writing in over 5 years, so apologies if it’s not great!
Shout out to @coco6420 for telling me on my main account to not stop myself when I talked about being tempted to post headcanons for Arcane/Heartsteel. Well here we go. 😂
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waggledoogledoggle · 3 months
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⚠️Spoilers for Hazbin ep 4⚠️
⚠️Also, this post will talk about Abuse and SA, it is briefly mentioned a few times throughout the rest of this… whole long thingy I wrote⚠️
⚠️Also, brief mention of the scene where someone tried to drug Angel⚠️
Ok, I am just genuinely baffled at the people who somehow find a way to hate on 'Loser, Baby'.
Like, if you don't like Huskerdust that's fine... but 'Loser, Baby' is not overshadowing/brushing off Angel's SA. It's not victim blaming. And it's not Husk telling Angel to just shut up and get over it.
Like I've seen it so much, and you know what? Fuck it. Welcome to my TedTalk on why it's not all of those things.
For starters: Husk doesn't know about Angel's SA
When Angel has his vulnerable outburst (Side note, props to Blake I mean, they said 'take 5' he heard 'change lives') he talks about how he feels like he has to act the way he does to keep Valentino happy because he stupidly sold his soul to him. That he wants to get drugged up because that’s his escape. That he wants to be broken because maybe, just maybe Val will let him go. He wants to be free, but he can't and he has no one to blame but himself.
"What's the worst part of this hell, I can only blame myself" is literally the pre chorus to his song (Poison), and that is what he shares with Husk.
Not once does he bring up his abuse or SA. If he did, do you think a song would have even happened? Look how Husk reacted when someone tried to drug Angel's drink! Now that Husk actually genuinely cares about him? Dead. Dead. Valentino would be dead.
We as the audience know more than the other characters. We were given the insight of Angel's true trauma.l that he deals with on the daily. You can't get upset at a character for not knowing something they would have no way of knowing unless it was shared with them.
Moving onto the song itself, it's a song of empathy.
Allow me to explain.
Husk pinpoints perfectly what Angel is feeling in this moment:
"So things look bad, and your back's against the wall Your whole existence seems fuckin' hopeless You're feelin' filthy as a dive bar bathroom stall Can't face the world sober and dopeless You've lost your way, you think your life is wrecked"
When Husk starts singing, you can tell that Angel is expecting Husk to pull the whole "But that's not true! It's not hopeless! You're life's not wrecked!" and is very surprised when Husk doesn't.
Instead, Husks says "Yeah. You're right." And this is when a lot of the haters get angry- but hold on a second.
When someone is feeling all of those things, saying things like "That's not true! You'll be ok!" aren't helpful at all. That's brushing it off. Even if it may be true, that doesn't help anyone when they're feeling like hopeless, lost, losers.
Because that's sympathy, not empathy. Sympathy is feeling for someone, and trying to make them feel better. Empathy, is not trying to make them feel any certain way- better or worse- empathy is simply feeling with someone. And that's what Husk does.
During the first chorus, Husk is clearly teasing Angel a bit while doing so, but not without good reason. It's keeping Angel from closing back up again, he's being a little bit silly with him and teasing him. I mean, did you see the silly lil walk he did crossing in front of Angel? And Angel is super confused because he's like "how tf is this supposed to make me feel better??"
That's the thing. It's not. That's sympathy's job, not empathy's. Empathy just want's you to feel felt with, it doesn't want to tell you how to feel. And adding that bit of silliness gives Angel's vulnerability a chance to breathe and it prevents Angel from closing in on himself.
The next verse, pre-chorus, and chorus is when the empathy though really kicks in.
The next verse, is the first part of empathy: Sharing about a similar experience you went through.
In this verse, now that Angel is listening not just hearing, Husk shares that he has been gruesomely damaged. Calling back to what he shared literally seconds before the song. That he knows what it's like to sign away your soul, and constantly look back at it with huge amounts of regret. That knowing that moment is what turned him into the mess he is today, and that he has no one to blame but himself. Just like Angel.
Then in the pre-chorus where there's the whole:
"I sold my soul to a psychopathic freak Haha! And you think that makes you unique? Get outta here, man!"
That isn't Husk telling Angel to get over himself and this isn’t him undermining what Angel’s been through. That's him saying 'I did too, you're not alone’
And then the very simple word change from "you're" to "we're" in the chorus is SO FREAKING HUGE. Because Husk is essentially saying "You feel like a total loser right now. Ok. Then if what happened to you/what you went through makes you a loser, then I'm a loser too. Let's be loser's together." Instead of trying to make Angel stop feeling like he's a hopeless loser, he decides that he is too.
He meets Angel where he is.
Aka: ✨empathy✨
Angel finally feels seen, understood, felt with. All the goals of empathy. He no longer feels alone in what he is struggling with, which is HUGE! Especially for people going through/dealing with SA and abuse.
The bridge of the song, is also extremely important, because this is where they acknowledge the differences in what they're going through. Their root problem is the same, but how it messed up their lives and created the problems they deal with now are completely different
And that's around when the song begins to shift from just Husk showing empathy and comforting Angel, to them both finding comfort in each other.
Which you can clearly see by the chorus under the umbrella, where it's not just one of them singing the chorus, but it's both of them. Because they have found a place to go to and confide in, a place of comfort, with each other.
Like, I am genuinely concerned that people find this song toxic like... have- have you never experienced empathy before? Are you ok?
So yeah, to wrap this up, if you don’t like ‘Loser, Baby’ just because you don’t like the song in general? That’s fine (odd, but fine)
But if you hate it because it “undermines Angel’s experience and what he goes through” I…
words.
Thank you for coming to my TedTalk
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allamericansbitch · 9 days
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since y'all seemed to want this.... here's the live notes i took while listening to each song for the first time (bold are thoughts i had during later listens)
fortnight: 
‘i was a functioning alcohol till nobody noticed my new aesthetic’ what the fuck does that even mean…
love the fact she gave post the female collab treatment. don’t wanna hear what he has to say. 
they’re voices sound actually good together? 
some pockets of the melody are catchy
okay i don’t hate this 
ttpd:
her red flags are on fire in this song lol
this seems very half-cooked
also jacks weird mixing continues to plague us all
CHARLIE PUTH???? WHAT THE FUCK WHY HE HERE
tattooed golden retriever??? ……no way
my boy breaks all his favorite toys:
i blinked and it’s half over
this also is like… half cooked and didn’t need to be released tbh
i love the way she sings the second verse tho
down and:
the production does not match the vibe
did tpain produce this
i’m… kinda bored lol
like i have nothing to say this also didn’t need to be released tbh 
this grew on me a lot actually
so long london 
the production is so futuristic? 
oh im obsessed with how she sounds on this one
her talk-singing in the verses is great
honest lyrics without any clunky unnecessary metaphors! a win!!
the fast-paced verses with th slow chorus is really really cool
a favorite so far
daddy i love him
i can barely hear her? the bad mixing continues 
‘growing up precociously sometimes means not growing up at all’ oh yeah WE KNOW
is this…… is this about her dating matty and loving how people hate him… no fucking way she’s this stupid
SHE IS BEING THIS STUPID
‘it’s white noise’ yeah yeah that’s exactly how id describe him  
.... anyway y'all remember when fans really believed the little mermaid theory and this song was supposed to be about how 'joe stole her voice' lmaooo
we will pretend this one doesn't exist!
fresh out the slammer
are we getting another ‘i didn’t cheat technically’ song lol
what is this weird tempo change….
okay kinda catchy
it’s sounds exactly like you are in love at the end….. jack is really out of tricks
florida
‘my friends all smell like weed or little babies’ what the fuck is she even talking about anymore 
i’m sorry but i’m laughing at the phrase ‘fuck me up florida’
again the production sounds so detached from the vocals 
i honestly still have no idea how i feel about this one
guilt as sin
an real instrument?? wow crazy 
okay she’s kinda cute? catchy and fun, love the melody
i love when she goes up at the end of the vocal 
okay…. i don’t mind this one she’s catchy, a little too long and drawn out but cute
who’s afraid of little old me?
what is this production? it’s way too soft to be as threatening as they’re trying for 
why did jack push her vocals back so far when she’s supposed to scream…. that’s ruins the whole thing…. she’s supposed to be screaming and threatening….. not quiet and far away…. hello
this song is trying very hard to be threatening but it’s not... vigilante shit 2.0
‘you wouldn’t last an hour in the asylum they raised me’…………… upper middle-class pennsylvania? 
‘i’m drunk on my own tears isn’t that what they all say, that’ll  sue you if you step on my lawn’ okay bar?
the bridge was good but that’s about it.
i can fix him 
…………… not another matty song oh god
‘i can handle a dangerous man’…… im too stunned to speak this is so embarrassing 
wow taylor really is that girl who like ‘women supporting women’ and then dates/defends a racist bf…. a walking example of white feminism
intersectional feminism found dead.... twice....
loml
okay this is really nice? 
I WAS ACTUALLY ENJOYING THE SONG WHY DID SHE RUIN IT BY SAYING ‘MR STEAL YOUR GIRL’ 💀
if we ignore that one line we're good this is good. im refusing to let that line ruin such a good song
i can do it with a broken heart
‘bitch smile’ why are there so many cringey lyrics on this album lol
what is this song omg why do i kind of like it 
taylor please learn depressed isn’t a synonym for sad 
they recycled the mastermind production 
wait till taylor finds out most of the entire world is sad while they're doing their job and has to pretend they're not
smallest man who ever lived 
oh i think i like this?
‘you said normal girls were boring’ GIRL AND YOU DIDNT IMMEDIATELY GET UP AND LEAVE??? EWWWW??? she's not beating the pick-me allegations
'i just wanna know if rusting my sparking summer was the goal' okay love that line
i like this a lot
the alchemy
no….. no way this is real
i cannot
THE SPORTS METAPHORS WE JOKED SHED DO THAT AND SHE ACTUALLY DID IT OH NO 
touchdown ✅ teams ✅ benches ✅ winning streak ✅ the league ✅
she’s doing…… the worst thing ever this is so laughable 
the corny lyrics are on overload 
‘this time it’s heroine with an e’ didn’t she write folklore? i can’t remember 
that literally was an snl parody of a taylor song
clara bow
love how the guitar sounds… bet money this is an aaron track 
a stevie nicks reference!! a win!!!
i like this one a lot no cringey lyrics yet
nope never mind she name-dropped herself don’t like that
overall really liked it tho
the black dog
i think i like it?? this is kind of what i expected the album to be
okay for once the weird production choices kind of pay off
imgonnagetyouback
kinda catchy? 
she loves a fancy car getting wrecked line
the pre-choruses are the best part 
this would’ve been better without the jack of it all bc he loves a song that doesnt build to anything
this just comes down to personal preference: i don’t like her lighter vocals with jack’s heavy production (ie most of lover lol)
the albatross
a real instrument!!! production that matches taylor’s voice and is well mixed!!! aaron’s arrived!! 
i think it’s solid, has good writing and she sounds great. that's about it.
chloe or sam or…
took me a solid minute to have any semblance of a fuck to know what was going on but okay
okay i love this one
wayyyy more emotive than like… most of the original album
a lot of the 2nd version (or whatever this is lol) are way more emotive, maybe because her voice isnt drenched in reverb so we can actually hear her voice emote better
how did it end
this sounds like an old school adele song? 
i love this one too…. 
her being upset people wanna know what happened but then also feeding it while promoting the album oop 
i love the story of this one it's so refreshing
so high school
THE PRODUCTION is so good ugh aaron never fails 
the man here is a walking red flag girl and the lyrics are ~not it~ but the production is too pretty to hate it
fuck these lyrics are so bad lol
maybe if i disassociate hard enough i can ignore the lyrics and just listen to the production and vibe
give me a karaoke version of this song and we'd be so back
i hate it here
i mentioned disassociation and she made a whole song about it!!!! this one’s mine!!!! 
‘without all the racists’ GIRL HUH
WHAT WAS THE REASON
also... girl don’t act like we don’t know you’re fine with that lololololol
if i had a dime for every time i was liking a song to then have it slapped away because of a bad, out-of-pocket lyric…… 
thank you aimee
this isn’t grabbing my attention 
oh the bridge is interesting 
it’s meh 
i will never be thanking the people that bullied me thanks tho
i look in peoples windows 
what do you mean aaron didn’t produce this??? it’s well-made and has instruments? 
i love this one, again a really interesting and unique concept that's very refreshing to hear at this point when a lot of the songs feel repetitive
the prophecy
aaron guitar!!!! 
she’s nice i like her 
i've really grown to love how she sings this one, the melodies are cool.. however i feel like we've heard the same melody.. like on this exact album... where she upturns at the end of every line...
cassandra 
this seems very…. familiar… idk i feel like we’ve covered this (i mean there are 31 songs we’ve already covered everything lol)
this is such an aaron song, that's a classic 'the national' piano
i like her voice in this one tho, sounds good
peter
oh love i love this
now this? THIS feels the most like a taylor swift song
once again she’s at her best with a simple instrument and emotive simple lyrics
the piano reminds me of champagne problems
the bolter 
i like this! the chorus is so cute
oh i like that ending line a lot!
she’s cute, a little long and drawn out but cute
robin
i haven’t seen anyone talk about this one
welp…. i literally have no feelings toward this one but sounds pretty! 
the manuscript
oh this is soooooooo powerful 
i love this concept 
her ending the album on another introspective album that sums everything up a la dear reader yep yep!!
if you actually read of this ily 💗
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paper-mario-wiki · 3 months
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what's ur favorite erb?
i dont have "favorite" as much as i have "the ones i watch every now and again".
"Blackbeard vs Al Capone" i might just like the way EpicLloyd speaks as Capone, but i also cant help but be utterly entranced by a shouting match between to middle aged men who want the other one to be scared. Favorite verse: Capone 1 (of 2)
"Wonder Woman vs Stevie Wonder" although this one still has the signature simple and cheesy bar structure that ERB is known for, this is PEAK in terms of performers. nicepeter and epiclloyd (the main guys) are great, but after the first 30 videos it became very easy to detect their individual deliveries and cadences. t-pain is pretty iconic in his performance of stevie wonder. Favorite verse: Stevie 2 (of 3)
"Stephen King vs Edgar Allan Poe" watzky was unfortunately cursed by god to forever look like a little twerp, but he works with it really well and it fits very well for the real-life twerp that was Edgar Allan Poe. and zach sherwin is always a charismatic force to be reckoned with, his uniquely clever writing style and flow shining. Favorite verse: Stephen King 2 (of 2)
"Steven Spielberg vs Alfred Hitchcock" this one's just good fun. its a little battle royale among a bunch of really famous pop directors. i know that the character-appropriate cgi background is a staple of post-season-one ERB, but i really appreciate these ones specifically for some reason. Favorite verse: Alfred Hitchcock
"Kryptonite" this isnt an ERB and is in fact a completely unrelated normal rap song but i was listening to this one today. my oldest brother listened to a lot of rap when i was young and this one was one of his favorites. i remember listening to it all the time when he would drive me to blockbuster to rent gamecube games. i didnt listen to it for a few decades, but i looked it up on youtube a few weeks ago on a whim and i really liked it a lot. it's all about smoking weed which i love doing, and the chorus is really catchy, plus the instrumental is one of my favorites. Favorite verse: Big Boi 1 (verse 3)
"The Joker vs Pennwise" both rappers somehow look like different versions of matpat in heavy makeup, and joker works in a natural "we live in a society" which i like. i think that's all i got for this one. Favorite verse: Joker 3 (of 3, because this is the one with the we live in a society bar, but all of his bars were actually really solid)
"Tony Hawk vs Wayne Gretzky" another one for the "zach sherwin is one of the best thing ERB has" pile. he delivers in a quaint (if a bit cartoonish) canadian accent a scathing comparison between the actual real-life achievements and significance and skill between the two actual athletes. which i think is very spiritually fulfilling considering the name of the series. Favorite verse: Wayne Gretzky 2 (of 2)
"James Bond vs Austin Powers" might unfortunate austin only gets 1 verse because it's far and away the best part of this one. aside from a clever pussy eating joke near the end between the two feuding bonds. Favorite verse: Austin Powers
"Nice Peter vs EpicLLOYD 2" this is an actual real-life catharsis event between the main two artists behind ERB who seemingly put very real and deep-seated creative and personal frustrations they have with each other into their verses, plus a very real burnout over this series that they put all their money on being The Big One, creating a legitimately tense feeling in watching their performances. for reference, Peter rips on how Lloyd is an alcoholic and is unwilling to let the channel grow or change, and Lloyd talks about how Peter is obsessive and manipulative, referencing a real life issue involving a friend they fucked over in the separate video he appeared in. Favorite verse: Lloyd 1 (of ??? this one is almost a duet at times really)
"Babe Ruth vs Lance Armstrong" this one is specifically here because babe's second verse goes extremely hard in an almost uncharacteristic way for a series with very middling raps in general. Favorite verse: Babe Ruth 2 (of 2)
i could keep going i think but i just scrolled to the top of the list and my face flushed with embarrassment at how long its getting so im gonna end it there. you get the idea.
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milgram-tournament · 4 months
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MILGRAM Best Song Tournament, Round 1, Match 7 BACKDRAFT vs. IT'S NOT MY FAULT
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Propaganda for both options under the cut!
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Propaganda for BACKDRAFT:
"Backdraft may be a minute shorter than Bring It On, but it’s still over three minutes long, and it makes up for the lost minute with a complex form. The “Pressure! Pressure!” might be the only part that truly repeats.
At the beginning, Fuuta is showing off, acting cool. Then the music slows down as he ponders his verdict. Then the music picks up the pace again and gets more and more frantic as the consequences of his actions catch up to him.
See that structure in the three distinct verses that sound nothing like anything else in the song: cool, contemplative, and “oh no, what have I done”.
The “chorus” (burn burn!) never stays the same. You’ve got the “cool” first chorus. Then you have the muted second chorus as it sinks in that Fuuta’s victim was a middle-school girl, which leads into the tense final chorus (which is twice as long as the first) as the victim and Fuuta both burn.
The instrumental and the spoken-word from the beginning combine in the end, changing the mood of the stanza from confident and showy to panicked and desperate.
And the words… You can hear the wordplay in the last stanza, even if you don’t understand it.
Appreciate this chaotic masterpiece of a song."
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- Fuuta being very cocky at first before realizing how fucked he is (it is kinda funny) - The use of spray cans and overall graffiti symbolism, it’s so good - The multiple eyes and people off camera showing how paranoid Fuuta has become, it’s really well done without being obvious - The name backdraft meaning when a fire deprived of oxygen gets a sudden influx of it. A kind of metaphor for what Fuuta did. Then it being shown through a spray can explosion, aaaa it’s really cool! - Fuuta’s overall look changing, being more realistic on how he actually looks contrasting Bring It On’s idealistic version of himself - Es at the end!! The only time Es shows up in a prisoner’s MV!!! And they looks so damn cool - Also the entire eye thing referencing the audience, he perceives us lmfao
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"Back draft is incredible because it not only has great visual symbolism with the use of the spray cans but its visual symbolism shows a progression from ‘Bring it on’. In ‘Bring it on’ the channelling is glorious , fuuta is surrounded by people and fuuta idealised himself (taller , better teeth , better posture ect) , the people he cancelled were portrayed as these powerful rpg monsters but now in back now the channelling is portrayed as vandalism a crime as destructive , the ally is empty we only ever see others as hands or his victim fuuta is alone and fuuta is no longer idealising his appearance and his mind is now portraying his victim as a harmless cutesy drawing. This shows a change in how fuuta views his crime between T1 and T2. It wasn’t glorious, it wasn't justified , he was at fault. The fire being recontextsied as something out of control , all consuming and out of control which is the opposite of how it was portrayed in ‘Bring it on’ we really see how the vote has changed fuuta."
"There are so many things in the song that show a progression "
-“ deliciously scorched till your mouth waters” > “I don’t want any more”
-fuuta spray paints the camera hen as the end es spray paints him/the camera
-the pressure graffiti changing
"There’s so many interesting details like the applause towards the start of the song , the personality in the subtitles like them going from “Burn , burn!” To “burn , burn?” But the pressure’s punctuation mark stayed the same:   “pressure , pressure!” , the way FIRE is the only word in full caps till LIES. The thumbs down fuuta does during “the fights up here! Come up to the ring and face me!” Part which is like his T1 art , the way the lighting changes from green towards the start and becomes red by the end (stop go colours) , The way fuuta is constantly interacting with the camera , spray painting it twice and kicking it."
"Backdraft actually makes amazing use of the camera , things are often shown from the (camera)audience’s perspective rather than us seeing the events removed. We are there like we are the ones doing it/looking through the eyes of the person doing it. When fuuta/the others spray paint the graffiti of his victim and the ice gorilla it's from the audience’s perspective , we don’t see them do it, we see it like we are doing it. When the spraypaint can explodes it's like it’s exploding in our face and then when es spray paints fuuta at the end they are spray painting the camera(audience). "
"Backdraft makes the most references to the voting system and uses it well to make the audience re-examine if they really are any different. Aren’t we using little information and inferences to hold people accountable for crimes we have no stake in? Aren’t we causing unintended harm? Aren’t we judging them from the safety of our screens? "
"And on a more silly level"
-ARTHUR CONANT GOES SO HARD IN THE VOCALS!!!! COME ON LISTEN TO BURN BURN AND TELL ME THIS MAN ISN’T GIVING IT HIS ALL!
-cat mouth fuuta :3 how can you not love cat mouth fuuta?
-lowpolydog designed amazing graffiti 
Propaganda for IT'S NOT MY FAULT:
"It's Not My Fault is a beautiful song with a REALLY good song texture. Arisa Kori/Muu's voice is literally so amazing here, fitting perfectly with that confident and snarky appearance that Muu seems to want to give off. And just everything about it????? Muu did everything wrong free my girl- I love her bug design here, the pure drama of it and how she showcases Rei as a human in the bug world is so cool."
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inmf!! have you heard the instrumental?! its just so good!!
the way rei turns the hourglass at the beginning!!! and it switches to when muu was at the top of the hierarchy!!!! that was such a cool detail!!!
BUG MUU IS LITERALLY SO CUTE. her smile at 1:19 🥺🥺
The way her voice drops at 1:30 and her 'KAWAISO NANO!!' at 1:51!!!
shes having so much fun while singing this weeeeeee
she's always pitiful!! shes always the drama queen 🥺🥺
please her getting the worst ratio while singing the 'im not guilty' song should alone be the reason she wins
---
"INMF is what got me into Milgram in the first place so of course I have to shill for it. I think its one of my favorite MVs Visually as the scenes set in the bug-web location are so visually striking. Muu and the rest of the bugs dark-purple skin and Muu's and neon pink hair stand out so much against it and it's so Pretty and Vibrant.
Storytelling wise INMF is amazing, it's a complete 180 of how Muu is seen in After Pain but not to the point where it feels like Muu is a totally different character. Muu is both a genuine victim and (in my opinion) a failgirl queen. She's trying her best to keep the image up but she is...NOT good at being a manipulative mastermind. And like After Pain before it, you can figure that out just through the visual and lyrical storytelling, that to some extent this is Still Also a Role Muu is Playing.
It's good! It's really good stuff! Muu is a character of cycles and After Pain and INMF work really well as a cyclical story about bullying. I think Muu should Win on having Good Storytelling and Fantastic Visuals and Being a Worst Girl. You should do it for all the girls in the world who are the Worst."
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vax-merstappen · 3 months
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f1 boys as sour songs 💜
listened to sour for the first time in a while and remembered how good olivia rodrigo’s lyrics are. had to pair my favorite group of boys with the songs on a great album. this def got a little angsty because this album is pretty much pure angst so readers beware :)
if you like this, send me more albums to do pls!
Lando Norris
enough for you-
I’m sorry to say it but he would definitely move on for someone who he thought was better than you. I could see his girlfriend trying to live up to his expectations and needs. Lando seems like he would look for “someone more exciting” and the next second he would be gone. Also he seems like he would be oblivious to you trying “so hard to be everything you liked.” He has high standards that would be hard to live up to for anyone. I’m not sure that many people could be enough for Lando and this song is so much about that.
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Oscar Piastri
driver’s license-
No because Oscar angst based on this song would go so hard. Him teaching you to drive but then you breaking up before you get your license? Sobbing… anyways. I feel like if one of the drivers were to teach you to drive, it would be Oscar. Also I can imagine driving through the suburbs with Oscar. Like maybe this is just my imagination so feel free to disagree with me, but like Oscar and driver’s license makes so much sense to me. Breaking up with him would hurt so bad omg
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Max Verstappen
1 step forward, 3 steps back-
He screams an unpredictable lover. Like I could see him getting mad at you over something small but then being literally the sweetest person ever next time you see him. Like the passion and anger he has when on the race track could become a problem in his relationships. I feel like a relationship with him could involve a bit of “do you love me, want me, hate me?” Especially Max when first started f1 fits this, I think he’s matured a lot since then and Max today doesn’t apply as much, but early Red Bull Max 100% gives the energy of this song imo.
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Charles Leclerc
deja vu-
The first driver that came to mind listening to this song was Charles. Like I hate to say it, but I see him reusing all of the romantic things he did with his exes with a new girlfriend. He would not be creative enough to come up with new ideas lol, like “everything is all reused.” Also I can see him doing “car rides in Malibu” like in his latest YouTube video and also telling “her you love her in between the chorus and the verse” since he likes music so much. I definitely see Charles angst based on this song.
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Carlos Sainz
good 4 u-
Imagining an angry breakup with Carlos right now. He would definitely make you angry when he left and I can see him just moving on as if you never existed and you trying desperately to get him to realize how he actually hurt you. Also his life seems to be going great right now like “you’re getting everything you want” and “your career’s really taking off.” He is the type of guy to get everything he wants while you loathe it from afar. This would make such a great angst fic omg, I need someone to write Carlos with good 4 u right now
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Lewis Hamilton
favorite crime-
I hate to say it, but I see him leaving to focus solely on his career. Which would lead to lines like “I watched as you fled the scene.” He would be the one to leave and would be blunt about it, leaving you feeling like a crime scene. Also come on, the line “I crossed my heart as you crossed the line,” is honestly so formula 1 coded and I can see Lewis crossing the line both physically while racing but also crossing the line in a relationship. This man would be so hard to leave and you would have been trying so hard to hold on while he was pulling away from you, like “all the things I did just to call you mine.” Ugh it hurts to say it but that’s what I’m imagining for this song :(
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Daniel Ricciardo
brutal-
It’s giving Danny Ric being dropped by McLaren. “All I did was try my best, this the kind of thanks I get?” Like Danny definitely suffered at McLaren and this song screams the angst that must have come from that. Just imagine him blasting this in the car leaving his last day there. He’s “got a broken ego, broken heart” after all that. Could also relate to his hand injury, like with “ego crush is so severe, god it’s brutal out here.” Had to have been brutal for him to get his dream back just to have it kind of crushed again when he hurt his hand. Danny Ric and brutal just fits so well imo
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Yuki Tsunoda
happier-
Ok because if Yuki ever moved on, he would be the ex I would want to be happy. But like look at that man, I would be hella jealous but want the best for him in life. It would hurt to be left by Yuki because he seems like such a genuine guy. Simultaneously wanting him to do too well but to not move on just seems like how a breakup with Yuki would go. I know I’m purely going off vibes here, but like come on! I would hope he’s happy but not like how he was with me. Would not be able to let this man go.
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Alex Albon
jealousy, jealousy-
Out of the 2019 rookies, Alex has got the worst deal. I can imagine that he would constantly be comparing himself to Lando and George who have both have a lot more podiums than he has. Also having a teammate like Max at Red Bull also must have led to a lot of thoughts about him not measuring up. The line “comparison is killing me” just screams Alex Albon. Out of all of these drivers, he gets the most compared to teammates and the other drivers who joined the grid when he did. If anyone here is jealous, it has to be Alex.
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Logan Sargeant
hope ur ok-
Logan absolutely embodies this song and I will die on that hill. He fits the physical description for “blond with eyes of salt.” I feel like Logan has had to “unlearn all of their hatred” more than a lot of other drivers, as he did have a not so great season and received a lot of negativity. I actively hope Logan is ok and that he is able to be happy despite his bad start in f1. He deserves so much better and that is exactly what this song is about.
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longstoryshort22 · 4 days
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Peter is brand Taylor talking to real Taylor, I Look in People’s Windows is real Taylor talking to brand Taylor (the two were supposed to become one, but the more famous she gets the harder it is)😭😭
The whole theme of the album is Taylor herself and her career and how the industry has affected her, joe/matty/travis/kim are just red herrings bye im gonna go cry listening to Peter
(more details⬇️)
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I’m not saying that some songs aren’t about those specific people, I’m just saying they’re only PART OF the theme, I believe her father (and other big heads in the industry) had a big influence on her career and forced her to stay in the closet from the very beginning, that messed her up, she had to hide her true self and keep bearding, and in 2019 she planned to come out but didn’t because of the masters heist, now it’s because she’s gotten more famous than ever that she has too much to lose. So maybe these men he dated, she did like them and she had multiple feelings when these relationships ended, but it’s all part of who the industry had made her into; she had one true love (maybe Karlie) but she couldn’t be with that person that’s why some songs are about a true deep love lost, but that’s still part of the “her career” theme, because of her career, she can’t be with that person. (more details⬇️)
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What’s really interesting in this theme is that she’s calling out her father in multiple songs because he really made her life harder…
In Cassandra, (the obvious theory is that Cassandra representing gaylors bc we’ve been saying the truth but never believed. And the first verse is about her getting the news of her masters heist just before her coming out plan, and then “stone’s thrown” is referencing Stonewall.) And in the bridge “They knew the whole time that I was onto something. The family, the pure greed, the Christian chorus line. They all said nothing. Blood's thick but nothing like a payroll. Bet they never spared a prayer for my soul” she’s saying her family knew something but said nothing because greed and money, we saw the leaked emails of her father and how he cares more about making money out of Taylor’s career than caring about her as his daughter, so I think this bridge is about her father, also about religious trauma may or may not due to him.
In The Bolter, “A curious child, ever reviled by everyone except her own father. With a quite bewitching face, splendidly selfish, charmingly helpless, excellent fun 'til you get to know her, then she runs like it's a race” she’s talking about herself being a precocious uniquely intelligent ambitious child, which everyone reviled except her father. why? because he wanted to invest money on her, he controlled how she conducted her career from the beginning.
What’s crazier is that Robin may be about her father too. That song sounds like a sweet song but she’s faking it like “all this showmanship to keep it for you in sweetness”. If she’s referring to her father (only wanting to make money out of her career) in this song then “you’re an animal, you are bloodthirsty” makes so much more sense. And the “buried down deep and out of your reach, the secret we all vowed to keep it from you in sweetness” her father probably knows about her queerness but wants her and everyone to keep it quiet.
In But Daddy I Love Him, “people only raise you to cage you” is pretty obvious about her father forcing her to stay in the closet, and “people try and save you cause they hate you” is literally about homophobes. “Dutiful daughter, all my plans were laid” is about her father laying all the plans for her, which isn’t always what she wants. “I'd rather burn my whole life down, than listen to one more second of all this bitching and moaning. I'll tell you something about my good name, it's mine alone to disgrace” reminds me of that scene in Miss Americana where her father was lecturing why she couldn’t public her opinions. “Thinking it can change the beat of my heart when he touches me. And counteract the chemistry, and undo the destiny” is so queer coded. “Sanctimoniously performing soliloquies I'll never see / You ain't gotta pray for me” another reference to religious trauma.
So all of this, about her father, about her lover and other men, it’s all connected to her career and she’s looking back at it, thinking and reflecting on it, that’s it that’s the blog
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omegalomania · 2 months
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What are some of your favorite aro-/ace-coded fob lyrics?
oh fuck yes a little bowl of seeds just for me
boycott love from disloyal order of water buffaloes is a personal favorite of mine. its a lyric i really really want tattooed at some point. that's not the only lyric i latch onto from an aro perspective but it's probably the biggest one
basically the entirety of it's hard to say "i do" when i don't but a special mention goes to you are appealing to emotions that i simply do not have as well as the only ring i want buried with me are the ones around my eyes
it's true romance is dead / i shot it in the chest and in the head from the music or the misery is also a favorite of mine, also just that whole song in general
i thought i loved you but it was just how you looked in the light in hum hallelujah resonates with a lot of queer folks i've found, and it's no different for me
same goes for it's a strange way of saying that i know i'm supposed to love you from g.i.n.a.s.f.s.
i'm outside the door, invite me in / so we can go back and play pretend from alone together brings me back to when i was trying to perform heteronormativity/amatonormativity even if it was making me miserable
i also hold to a very similar vibe with she said "i love you 'till i don't" / i am just playing house, no idea what i'm doing now from sunshine riptide and also most of burna boy's verse, frankly. i fell in love but i didn't fall down and feel like i'm bulletproof, baby in particular
american beauty/american psycho, particularly the first verse. i think i fell in love again / maybe i just took too much cough medicine
golden is a big one for queer folks in general i've found. the chorus especially hits hard from an aro and/or ace reading. and i saw god cry in the reflection of my enemies / and all the lovers with no time for me
i've got a dark alley and a bad idea that says you should shut your mouth is a heavy song no matter how you slice it. but that chorus gets to me in particular: we can fake it for the airwaves / force our smiles, baby, half-dead / from comparing myself to everyone else around me
the kids aren't alright reads to me as one big anthem for platonic love above anything romantic, which resonates super hard with me. the second verse has a lot of good lines that i latch onto from an aroace lens too. your love is anemic and i can't believe / that you couldn't see it coming from me
pretty much the whole chorus of HOLD ME TIGHT OR DON'T does it for me, and those verses have got some good aroallo vibes too! i never really feel a thing... confidants but never friends...
the whole of fake out is a gimme. that chorus rings real true. starts with love is in the air, i just gotta find a window to break out and finishing with but it was all a fake-out
i've got all this ringing in my ears and none on my fingers is one that has another highly applicable title but the whole refrain of the truth hurts worse / than anything i could bring myself to do to you paired with the one-two punch of that second verse REALLY gets under my skin
and of course, the culminating one: you are what you love, not who loves you from save rock and roll. obviously there are a LOT of ways to read that line
there are a couple other songs i latch onto - wilson (expensive mistakes); a little less "sixteen candles", a little more "touch me"; the (after) life of the party to name a few - but the ones listed above are the big lyrics that resonate with me on a personal level
just in general i have a shitton of fob over on my aro playlist (which doubles as a general aroace/queer playlist but has a lot of emphasis on aromanticism) in case i forgot to mention anything but like i said those are the big ones
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starsandhughes · 1 year
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In Case You Didn’t Know
ft Jamie Drysdale
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a/n just a quick little blurb bc it’s all i’ve been thinking about lately and i wanted to start writing again
pairing: trevor zegras x reader
warnings: just kissing and pure fluff
summary: in which Trevor won’t let Jamie sing in the house, so y/n comes up with her own plan
~~~~~~~~~~~
“Trevor Zegras!” you yelled at your boyfriend as you shut the door this his place.
Trevor— who previously wore a shit eating grin, halted in his tracks to quickly mentally assess what he could’ve done wrong.
Nothing. He thought of nothing.
“Yes, my love?” Trevor asked warily.
“Jamie finally got the chorus down to the song he’s been working endlessly hard on, and you still won’t let him sing in the house?!”
Trevor’s tension left his body when he realized you weren’t angry angry at him, “He’s not a good singer, Y/N!”
Trevor walked up to you and placed his hands on your hips, pulling you in for a kiss. He thought your glare was precious, but only because it wasn’t from true rage. Now that glare? That glare was terrifying. You placed a hand on his chest to stop him from kissing you, and it was his turn to glare.
“Really?”
“I want to hear it!”
“He can play it all he wants, he’s just not a good singer!” Trevor laughed.
You rolled your eyes and yanked him back in by his shirt to kiss him quick. Trevor stumbled forward when you pulled away fast and left his grasp.
“Jamie!” you screamed for the other member of the house. Jamie came bouncing down the stairs, “Yes, dear?”
You and Trevor rolled your eyes playfully at the pet name. To Trevor, you were “my love.” To Jamie, you were “dear.” It started out as a joke when you and Trevor first got together, and it has evolved so much that you swatted at Trevor the first time he called you dear telling him it’s because “that’s Jamie’s nickname for me!”
“I wanna hear your song!”
Jamie smiled, “Really?!”
“Of course you big dork,” you laughed.
“No singing!” Trevor called out.
“Sit down and hush baby, just trust me on this,” you instructed.
Both Trevor and Jamie gave you inquisitive looks. You just said that Jamie wouldn’t be singing and asked if he was going to play the chorus, or start from the beginning of the song.
Jamie began strumming the opening verse to “In Case You Didn’t Know” by Brett Young. You smiled fondly at him, and at Trevor when you realized he was also softly smiling at his best friend finally feeling confident at player, then opened your mouth to sing.
“I can’t count the times, I almost said what’s on my mind, but I didn’t,” you sang quietly, semi adjusting your pitch to the key Jamie was playing in.
Trevor’s jaw dropped slightly and his eyes grew twice their size. Jamie stumbled in his picking to look at you, equally as wide eye.
“You can—“ Jamie stuttered out.
“Keep going!” you brushed off his comment.
Jamie told you he’s going to start over and began playing from the top. You finally found the right key to sing in to match well with Jamie’s playing at the chorus. “In case you didn’t know, baby I’m crazy ‘bout you. And I would be lyin’ if I said that I could live this life without you. Even though, I don’t tell you all the time. You had my heart a long, long time ago. In case you didn’t know.”
Trevor was looking at you so dumbstruck— you couldn’t help but laugh.
“You were great, Jamie!” you said while still laughing at Trevor.
“I was— I was great?! You were great! Did you know you could sing?!”
“I had an inkling of an idea,” you blushed.
“She had a… Trevor! Did you hear her?!”
Trevor used his arms to hold himself up as he inched his way across the couch cushions to get to your place on the ottoman, “That twang…”
“You’ve heard my southern accent come out before!”
“Yeah, but never like that! God you… Wow!”
“Oh yeah?” you smirked, heavily enjoying your boyfriend oogling over you.
“That pretty little mouth of yours does so many amazing things,” Trevor said breathlessly. He cupped your cheeks and slowly brought you into a slow kiss.
“Oh god, yuck!” Jamie groaned. “We were bonding! And then you became a pervert!”
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ghouljams · 1 month
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Ghoul ghoul ghoul, idk if you've listened to the new Hozier song "too sweet" yet but I'm having some SEVERE brain wormies and I need them out before they consume me. It's just ugh- At first I was like- oh man, this is totally a Ghost song and it could still kinda be a Ghost song. But then Hozier himself dropped from the clouds and slammed my head into the radio and that's when I realized, this isn't a Ghost song. No no. This is a Price song. I could see this as him rejecting a much younger person.
He likes you, he does. You're this sweet, young thing who's just fallen head over heels and he's flattered. Really! But... you're too young. Too sweet. Maybe one day when you've grown up a bit more, gotten some more life experience or maybe never. In truth, you may never be bitter enough for him. He needs someone that's aged like him, someone who can match his stride. Just AHHHHHHH it's so Price coded I swear I'm gonna cry.
- 🦈 anon
OK FIRST OF ALL
All day baby, we're on 48 hour Unreal Unearth Unheard lockdown. I'm studying these songs like I'm a gonna write a thesis on them. "Too Sweet" is a Ghost song baby, but it can apply to Price as well. Here's my interpretation of it. I was going to include how it relates to the boys but uh... this got long...
I don't think it's about a younger partner at all, I also see this as a song more about the narrator than the subject...
Diving in with Verse 1
It can't be said I'm an early bird It's 10 o'clock before I say a word Baby, I can never tell How do you sleep so well? You keep tellin' me to live right To go to bed before the daylight But then you wake up for the sunrise You know you don't gotta pretend Baby, now and then
Our subject is a morning person, they're up early while the narrator is sleeping in. The narrator clearly doesn't sleep well, for one reason or another, they even ask how the subject sleeps so well. But then we get this line that defines the whole song.
"You keep tellin' me to live right"
The subject isn't just an early bird, they're the sort of person who sees this as a health issue. They go to bed, sleep well, and wake up with the sunrise to enjoy the day. By contrast the narrator goes to bed in the wee hours of the morning and is clearly living a life that isn't healthy in the subjects eyes.
But the narrator also doesn't believe that the subject is truly the healthy person they "pretend" to be.
[Pre-Chorus] Don't you just wanna wake up Dark as a lake Smellin' like a bonfire Lost in a haze? If you're drunk on life, babe I think it's great But while in this world
Here the narrator describes his nights spend out in the darkness partying. Lost in a haze of booze or drugs, he says it's great that the subject is "drunk on life" but he'd prefer to get "lost in a haze." He questions why the subject wouldn't want to join him in this lifestyle, we go into the chorus with the understanding that the narrator is "enjoying" life through his unhealthy habits.
[Chorus] I think I'll take my whiskey neat My coffee black and my bed at three You're too sweet for me You're too sweet for me I take my whiskеy neat My coffee black and my bed at three You're too sweet for mе You're too sweet for me
He takes his whiskey neat, which gives this wonderful impression of masculinity and sounds very clean, but in reality he may as well be pulling straight from the bottle. Whiskey neat just means no ice, no nothing to distill the liquor down. Then he takes his coffee black, again we get this sort of rich bitterness, but he contrasts it, he drinks it in his bed at 3. There's no good 3 at which he's drinking black coffee, pm or am.
The narrator lives his life in bitterness, in unhealthy habits. Of course his subject is "too sweet" for him, they're healthy and seem happy. In contrast the narrator doesn't seem happy so much as he feels pre-destined to this life. He doesn't want to change his habits because this life feels almost deserving to him. He's lost in the haze, he's taking pulls straight from the bottle and waking up late in the day only to do it all over again.
[Verse 2] I aim low I aim true, and the ground's where I go I work late where I'm free from the phone And the job gets done But you worry some, I know But who wants to live forever, babe? You treat your mouth as if it's Heaven's gate The rest of you like you're the TSA I wish that I could go along Babe, don't get me wrong
Oof verse 2. This is where I think we really see where the narrator sees their lives diverging. "The ground's where I go" his life is going downhill, he's headed for an early grave, but he can't divert the arrow. He is forced to lower his aim because this is the cycle. Hozier himself said this song was meant for the circle of gluttony, and I hear it. The idea that his consumption, his over consumption is going to kill him one day.
And he tries to justify it! "I work late... the job gets done" he's away from his phone, the subject can't reach him, healthy habits can't reach him. But he deserves to let loose, because he's getting the job done. He sees this as a freedom, as a reward, and yet he knows it worries the subject, but by his own words "who wants to live forever"? If he's already destined for the grave why shouldn't he enjoy it?
Contrasted again by the subject. "You treat your mouth as if it's heaven's gate" he sees the subject as preachy, they keep trying to offer him salvation he doesn't want, and the words hit him as almost fictitious. He's so deep in the hole that even the hand held out to him seems like it's coming from heaven, so far is he from his baby. "The rest of you like it's the TSA" regimented, the subject has rules that they follow dutifully, they have a routine, they're strict with what they let through their filters. And the narrator wishes he could go along with it! He admires it, but for one reason or another he can't.
[Pre-Chorus] You know you're bright as the morning As soft as the rain Pretty as a vine As sweet as a grape If you can sit in a barrel Maybe I'll wait Until that day
Ok this is the part I think makes people imagine it's about a younger person. The lines "If you can sit in a barrel/ Maybe I'll wait" people think is about aging, but I disagree. I think it's about embittering the subject. Grapes are sweet, wine is dry and bitter, it's hot in the blood. The narrator is saying that if the subject can grow to be as bitter (and alcoholic) as he is then maybe he'd be able to stick to them.
BUT in the background going to the chorus we hear church bells, we hear wedding bells. The narrator is vividly in love with the subject even though they're such opposites. I think he wants the subject to save him, but he can't find the strength to ask. He's telling them that he loves them, they're all these wonderful opposites to him, but they don't understand his bitterness for one reason or another. He can imagine a future with them, he can hear the wedding bells, but he can't stop pushing them away. He knows they're right, knows they're good for him, but he's not ready to be saved yet.
[Chorus] I'd rather take my whiskey neat My coffee black and my bed at three You're too sweet for me You're too sweet for me I take my whiskey neat My coffee black and my bed at three You're too sweet for me You're too sweet for me
This last chorus really seals it for me. It's so powerfully sung, again the narrator is justifying his lifestyle to the subject, but it's more desperate. He's trying to convince himself as much as them. The wedding bells ring, the narrator pushes this too sweet person away because he knows he's bad for them. He wants to make them bitter, he wants to make them more like himself instead of changing his habits, and he knows that's wrong. It's a declaration, "You're too sweet for me" find someone else, find someone that doesn't drink from the bottle, that can wake up with you and go to bed with you, find someone that doesn't want to ruin you the way I do.
I think the fact that the bells ring all the way through the end of the last chorus lines signals that the subject sticks around, that they're determined to help the narrator, and finally when the song ends (rather abruptly) the narrator gives in. His life of debauchery ends, and that pretty thing, soft as the rain, is no longer too sweet for him.
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nogenderbee · 3 months
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♡˗ˏ✎*ೃ˚ 𝕄𝕖𝕝𝕠𝕕𝕪 𝕗𝕠𝕣 𝕪𝕠𝕦 ₊˚ˑ༄
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*ੈ✩‧₊˚ anon request: Could I request Neuvillette's s/o making a song about him and singing it with the Melusines and other Fontaine characters?
*ੈ✩‧₊˚ Of course! I did it only with melusines in the end so I hope you won't mind that!
Also omg, this is such a cute idea and I won't lie when I say my heart melted a bit just by imagining this. So hopefully you'll like it too!
Also I may've let my creativity carry me here-
*ੈ✩‧₊˚ fluff
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As someone who loved and even made music, you simply had to make a song about your boyfriend. You spent many days thinking of perfect way to turn your feelings into music. Untill one day... one pretty rainy day in Fontaine when you were away from your partner who had to stay at work.
You've realized that something calm and slightly melancholic but with rather lovely text would suit his appearence and your feelings perfectly!
And once you've figured it all out, you just needed to decide what instruments to include to math vibe of the song. That's when you got approached by a melusine on Fontaine streets.
"Good morning Y/N! Am I right to assume you're troubled? Do you need any help?"
"No, no, I'm fine. But thank you!"
You said rather confidently and were about to leave with last goodbye but that's when you got an amazing idea!
"Actually... can I count on your help?"
The melusine approved of your idea after brief explanation, seeing it as nice way to thank Neuvilette for his hard work. Before you knew it, you had group of melusines willing to help you out. Of course some had to decline due to work but you were still satisfied with the amount of help.
You presented to them your idea on how they can sing the melody instead of using instruments and others can be background chorus. It was kind of a love song so it was only natural for you to take the leading vocalist role as Neuvilette's partner.
You practiced with melusines almost every day for this specific moment. It was past 8pm, there was almost no one in the area and yet, Neuvilette was still on his office, dealing with work.
You just knew he was tired and what better way to get him to take a break than showing up with loveliest surprise?
You and melusines got ready, even with few papers in hand to make sure no one will mistake their text and role. It may look like a job or forcing it to some, but it really wasn't! You could see from looks on their faces that they were happy to make hydro dragon's night a bit better as well.
"And 3, 2, 1..."
You counted everyone in as you saw their ready glances. As soon as "1" was said, melusines began singing melody just like planned, so you could smoothly enter first verse with the chorus supporting your singing.
Neuvilette, upon hearing the song sang by many familiar voices, couldn't help but stop working on his paper work and get up to check what's going on outside his workplace instead.
Once he left, his expression was one of pure shock but it didn't took long for it to turn into purest smile. He noticed the group you've collected and the emotions you put in singing. Not only that, whole song just put him at ease in just a small moment. So when it ended, he clapped his hands, giving all of you small applause as smile on his face was even more evident.
"That was beautiful. Thank you everyone for surprising me with such an adorable gift."
He made sure to stay polite and thank every single melusine, even inviting them for a drink. Though at the end of the day, his eyes were set on you alone. And when it was just you and him, he made sure to give you a soft kiss, figuring the meaning and effort behind this song by now.
"Thank you for preparing all of that for me. I couldn't ask for better surprise."
﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌﹌
@bleachtheidiot @toyaswif3y - come get your otter judge!
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magical-wishies · 2 months
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To love or not to love, that is the questio-
Ok whoops wrong reference. Happy Valentine's Day everyone! I made a MV of the song "Darling Dance" by Kairiki Bear featuring my favourite little tricksters for the occasion!
I'd rather you go straight to Youtube to watch it because Tumblr always finds a way to cut the quality, lol.
Eng subtitles are available too!
youtube
Here it is! Hope you enjoy my pride and joy. Basically like a hopeful child but in video format. Reblogs are specially appreciated because Youtube sucks at promoting new channels!
This also acts as a behind-the-scenes post, so let's get straight into that, shall we?
MV Project 1 "Darling Dance"
Illustration time: 37 hours
Editing time: Approx. 30-35 hours
Total: 70 hours
*Cough* Holy freakin' moly does making an MV take so long. Before you roll off your bed, I'll say that part of the reason making the art took so long was because I have trouble drawing Marx consistently.
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Here's some unused assets! Look at them, they're all salty over not making the cut.
In all seriousness though, a lot of times I don't really see a lot of editors/ MV makers getting appreciation for their efforts. And now that I've personally experienced making an MV for the first time, it's also increased my admiration to the people who dedicate their time to this! All the kudos to them.
Now, I'll go scene by scene then comment along the way! Spoilers ahead!
Verse 1
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Pretty good for what it is. In the first image, you see that heart behind Magolor? I discovered the motion of it on complete accident lol. Capcut is hard to figure out..
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I also really like the color palette of 2nd image. That art of Marx was the last one I did during production (aka I drew it this morning), and just look at him. He's such a bastard he's the best.
Pre Chorus 1
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Mmmm yeah it sure is the pre chorus! I put a bar behind the text in the middle because I didn't want people to stare into their soulless eyes for too long. That probably worked!
1st Chorus
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When I first added in the expression change, I fangirled over it a little on the first rewatch. Like, come on! They suddenly look mischievous, and the color change on the background! I know I drew it but still!
For the rest, I experimented a little with all the "Nah"s! I think it ended up well. Most of the lyric editing in this MV is completely original, so I had a couple of things to try out!
Verse 2
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This song is horrifically outdated because it says Twitter instead of X!! (/sarcasm)
This scene is my second favourite. I'm really proud of the details on the tabs and the editing at the beginning! Wish I could put more images but the app only allows ten. Bummer.
Pre Chorus 2
I think it's cute, and I used it as my pfp on YouTube! That's about it though.. image limit is killing me I can't put anything here :(
Chorus 2
...Not gonna spoil it! I like how I drew them, but there ain't anything notable. Unless you look at the last image I put right before the bridge. :)
Bridge
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This is where my editing comes in freakin' clutch. Ooooooh it's so satisfying to look at. Chef's kiss. Also those Marxs (Marxes?) are really cute.
The second part of the bridge is nice as well! I tried to make the lyrics snap to the rhythm. Glad I added that tv effect in the bg too!
Chorus 3
This scene is my favourite! Wanna know why?
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This sequence right here. I think I will etch it into my brain forever... I love me some snappy editing. Like a lot. Like a lot a lot!
The second part of the chorus is like the original song's MV! I loved the hearts popping in and out whoever thought of that is a genius. Putting it into the MV was a good decision!
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And that's a wrap! Hope you enjoy the MV as much as I enjoyed making it. And, stay tuned for next time! I have a feeling a certain jester is getting his own solo MV...
Feel free to leave your thoughts either in the Youtube comments section or here. See you around!
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milgram-tournament · 3 months
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MILGRAM Best Song Tournament, Round 2, Match 4 TEAR DROP vs. BACKDRAFT
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Propaganda for both options under the cut!
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Propaganda for TEAR DROP:
"yuno kashiki enthusiast here anyways tear drop propaganda WE BALL
let's start off with the lyrics! holy fuck, i'm so glad yuno finally got to say what she's wanted to say!!
and she fully shows the fact that she does compensated dating through the lyrics ("the wanted wanting the wanted")
and even if it sounds like she's scolding the audience for the song, she's also scolding her clients! they only perceive her as a certain type of character and deciding that's all she is. She's upset that we decided based on how "naïve" she looked instead of her actual crime (to be honest, I could write a whole analysis into why her murder is perfect for her character anywa) and she doesn't care what will happen to her, she needs her opinions heard
also kinda rap section?? banger fr
THE VISUALS!! GOOD LORD THE VISUALS!!! THEY ARE SO BANGER!!! they're really pretty and gosh i literally don't know what to say, the scene where vampire is in the background and it transitions to yuno sitting on her bed... the pink tinted glasses (YES FUCK I LOVE THAT MAN!!!!) THE COAT!! THOSE INBETWREN SCENES i'm obbing
AND THE INSTRUMENTAL!! PLEASE IM BEGGING YOU ALL LISTEN TO THE INSTRUMRNTAL OF HER SONG THERES SO MANY SMALL DETAILS!! SIRENS, TEAR DROPS RAHHH THE CLAPS/CLICKING TJE TECHNO PIANO GUITAR??? THE INSTRIMENTS I CANT NAME I THINK THEY ALL HAVE SOME READON OF BEING IN THE SONG AND I WILL FIND OUT IN AN ANAKYSIS POST I JUDT LOVE IT AUEUEU
literally tear drop is the banger ever i listen to this shit religiously thank you for listening to my tear drop propaganda"
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-Yuno’s voice. Enough said. -The imagery in the MV is brilliantly used, and doesn’t shy away from the horrors of Yuno’s line of work. -Vampire cameo!!! -Almost Lo-Fi vibes to the instrumental?? I can’t really explain it but it’s a vibe and I’m 100% here for it,
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"For teardrop: The pink aesthetic in the MV as a whole makes it super nice to look at :D"
Propaganda for BACKDRAFT:
"Backdraft may be a minute shorter than Bring It On, but it’s still over three minutes long, and it makes up for the lost minute with a complex form. The “Pressure! Pressure!” might be the only part that truly repeats.
At the beginning, Fuuta is showing off, acting cool. Then the music slows down as he ponders his verdict. Then the music picks up the pace again and gets more and more frantic as the consequences of his actions catch up to him.
See that structure in the three distinct verses that sound nothing like anything else in the song: cool, contemplative, and “oh no, what have I done”.
The “chorus” (burn burn!) never stays the same. You’ve got the “cool” first chorus. Then you have the muted second chorus as it sinks in that Fuuta’s victim was a middle-school girl, which leads into the tense final chorus (which is twice as long as the first) as the victim and Fuuta both burn.
The instrumental and the spoken-word from the beginning combine in the end, changing the mood of the stanza from confident and showy to panicked and desperate.
And the words… You can hear the wordplay in the last stanza, even if you don’t understand it.
Appreciate this chaotic masterpiece of a song."
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- Fuuta being very cocky at first before realizing how fucked he is (it is kinda funny) - The use of spray cans and overall graffiti symbolism, it’s so good - The multiple eyes and people off camera showing how paranoid Fuuta has become, it’s really well done without being obvious - The name backdraft meaning when a fire deprived of oxygen gets a sudden influx of it. A kind of metaphor for what Fuuta did. Then it being shown through a spray can explosion, aaaa it’s really cool! - Fuuta’s overall look changing, being more realistic on how he actually looks contrasting Bring It On’s idealistic version of himself - Es at the end!! The only time Es shows up in a prisoner’s MV!!! And they looks so damn cool - Also the entire eye thing referencing the audience, he perceives us lmfao
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"Back draft is incredible because it not only has great visual symbolism with the use of the spray cans but its visual symbolism shows a progression from ‘Bring it on’. In ‘Bring it on’ the channelling is glorious , fuuta is surrounded by people and fuuta idealised himself (taller , better teeth , better posture ect) , the people he cancelled were portrayed as these powerful rpg monsters but now in back now the channelling is portrayed as vandalism a crime as destructive , the ally is empty we only ever see others as hands or his victim fuuta is alone and fuuta is no longer idealising his appearance and his mind is now portraying his victim as a harmless cutesy drawing. This shows a change in how fuuta views his crime between T1 and T2. It wasn’t glorious, it wasn't justified , he was at fault. The fire being recontextsied as something out of control , all consuming and out of control which is the opposite of how it was portrayed in ‘Bring it on’ we really see how the vote has changed fuuta."
"There are so many things in the song that show a progression "
-“ deliciously scorched till your mouth waters” > “I don’t want any more”
-fuuta spray paints the camera hen as the end es spray paints him/the camera
-the pressure graffiti changing
"There’s so many interesting details like the applause towards the start of the song , the personality in the subtitles like them going from “Burn , burn!” To “burn , burn?” But the pressure’s punctuation mark stayed the same:   “pressure , pressure!” , the way FIRE is the only word in full caps till LIES. The thumbs down fuuta does during “the fights up here! Come up to the ring and face me!” Part which is like his T1 art , the way the lighting changes from green towards the start and becomes red by the end (stop go colours) , The way fuuta is constantly interacting with the camera , spray painting it twice and kicking it."
"Backdraft actually makes amazing use of the camera , things are often shown from the (camera)audience’s perspective rather than us seeing the events removed. We are there like we are the ones doing it/looking through the eyes of the person doing it. When fuuta/the others spray paint the graffiti of his victim and the ice gorilla it's from the audience’s perspective , we don’t see them do it, we see it like we are doing it. When the spraypaint can explodes it's like it’s exploding in our face and then when es spray paints fuuta at the end they are spray painting the camera(audience). "
"Backdraft makes the most references to the voting system and uses it well to make the audience re-examine if they really are any different. Aren’t we using little information and inferences to hold people accountable for crimes we have no stake in? Aren’t we causing unintended harm? Aren’t we judging them from the safety of our screens? "
"And on a more silly level"
-ARTHUR CONANT GOES SO HARD IN THE VOCALS!!!! COME ON LISTEN TO BURN BURN AND TELL ME THIS MAN ISN’T GIVING IT HIS ALL!
-cat mouth fuuta :3 how can you not love cat mouth fuuta?
-lowpolydog designed amazing graffiti 
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