#AND THEN THE. CHORUS HITS and man. uifkvfjvnfjjvjfjvbvfj yeah

[hongjoongpresent]

the entire essay I could write about the background vocals in terrible man. you don't understand

#onlyoneof #why do you think that first beat drop at the first chorus hits so hard. dude #that's the only spot in the song that I can find where the background vocals completely disappear #also the chorus is the only part of the song where the beat is completely clear and not muddy #there are 2 other spots in the verses that has a bit of the chorus beat too but it's not *as* clear as in the chorus #god when that motto motto tsunaide mou uso demo ii kara furetete HITS. it hits #this song is so insanely good and for no fucking reason I could write an essay about it. maybe I should #the intro has that . instrument that I can't name in it and then the verse has that too but with the beat from the chorus #and then the prechorus is all wahhhwoohohhf floaty. it's floaty airy breathy no clear beat #AND THEN THE. CHORUS HITS and man. uifkvfjvnfjjvjfjvbvfj yeah #also the way rie sings mimi kara karada kills me every time. unrelated to the discussion around instrumentals but #THE BACKGROUND VOCALS IN THE 2ND CHORUS BTW #the woaaahhh that continues into wooohooohh in the chorus... #the ohoohhh ohooooh #dude? listen to hidoi otoko by onlyoneof. that's what I'm saying here #really listen #put it on repeat all day and notice every little instrumental and background vocal detail in it. maybe then you'll be normal #cuz I sure am. so normal and regular about this song #GOD it's so good #sorry if you don't get it. I'm right #the only crime this song commits is being too short #the ohh woahh in the first prechorus. that part is different in the korean version of the song and that one little part is why I prefer the #japanese version of the song. literally just one woahh background vocal is what makes me heavily favor this version. lol #me when I'm so normal about my favorite background vocal parts of a song. is that even a thing it is now. it is to me