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spiders-around · 5 months

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YOU MUST MAKE A WEBSITE

Oh wow, look at that! YET ANOTHER post urging you to make a webbed site! What a completely new thing that people haven't made a thousand masterposts for already!!

• Making a website might look scary. It is Not.

At first, I too thought making a website was too much work. It really isn't! It turns out that all you need is

an HTML file,

a web hosting service and

w3schools tutorials,

and that's about it!

This post will point you towards these resources, and others I found useful while figuring out how to make a website.

• VERY QUICK EXPLANATIONS:

What's HTML and CSS?

HTML is the content of your webpage, the skeleton of it. What shows up in a webpage is what's written in the HTML file!

CSS is the way the HTML is styled; the colour of the background and the letters, the size of elements, the font, all that!

Do I absolutely NEED JavaScript for a website?

Not at all! You don't need to worry about learning it before getting started.

• What do I make a website for? What do I put in there?

ANYTHING AND ALMOST EVERYTHING. Here's some ideas for pages from a post of mine were I was very normal about websites:

You can make a page that's only pictures of your pets.

You can make an interactive adventure.

You can make your own academic blog full of your own essays or articles.

You can just post a ton of art or make a full music page.

You can make a blog and infodump eternally, give book reccs and reviews. You can host a thousand virtual pets and nothing else.

Upload entire books in a single html file. Make a wikipedia for your ocs. Make a fake site for a random fictional place (restaurant, hotel, whatever). You can make a thousand fanpages/shrines about your favorite media. You can upload your own webcomic and make it all like a fancy website and shit.

I could keep going but, for the sake of "brevity", I won't.

• WEBSITE EXAMPLES!

If I started listing the websites I know, this post would be bottomless. Here's only seven:

https://publictransit.neocities.org/ - A webbed site, for sure

https://ribo.zone/ - A personal site

https://leusyth.neocities.org/ - An art archive

https://solaria.neocities.org/ - Personal website with A Lot of stuff (it'll come up in a bit, because it offers web making resources)

https://hog.neocities.org/ - The Hogsite

https://thegardenofmadeline.neocities.org/ - Another personal site! It also has a web resources page and has made another masterpost like this one (but better)

https://spiders.neocities.org/ - My own website, which must be weird to see in mobile . sorry

• You've convinced me. I want a webbed site. Where do I start?

https://neocities.org/

FIRST OF ALL: Neocities. It is a free web hosting service, and it's the one I and the sites I linked use!

When I first started, my website was a black page with red letters and a drawing, and nothing else! It was like that for a month, till i started picking up on how to do things.

Here's what helped me get an idea of how to make things work:

https://sadgrl.online/learn/articles/beginners-guide-neocities

An absolute beginners guide to neocities -- while when you make an account there you get a tutorial page from the site, this one's extra support for that.

https://www.w3schools.com/

Learn HTML, CSS, JavaScript and MANY other coding things for free. All the tutorial/reference pages have live testing windows for you to mess with!! helped me a LOT while figuring this stuff out!

https://htmlcheatsheet.com/

https://htmlcheatsheet.com/css/

Cheatsheets for HTML and CSS, respectively. It includes a JavaScript one too!

https://sadgrl.online/webmastery/

Sadgrl's webmastery resources! Also includes the next resource listed here:

https://sadgrl.online/projects/layout-builder/

Sadgrl's layout builder; not a lot of customization at a first glance, but I've seen wildly different websites all using it as a base, plus it works using CSS Flexbox, so it generates a responsive layout!

(basically, a responsive layout is one that translates well in different sized screens)

https://www.tumblr.com/fysa/728086939730919424/wikitable-code?source=share

Tumblr user fysa made this layout imitating a wiki page!

https://brackets.io/

At some point, you might want to do things outside the Neocities code editor and get one outside the site. I recommend Brackets, because my old as fuck computer can run that and absolutely nothing else apparently, and it works wonderfully! Though I recommend either turning off the code autocomplete or using it after a good while of already using the Neocities code editor, so you get used to coding on your own.

http://www.unit-conversion.info/texttools/text-to-html/

Turn your text into HTML code! i use this kind of pages for my lengthy blog entries that I don't feel like formatting myself.

https://imagecompressor.com/

COMPRESS YOUR IMAGES.

The heavier an image is, the more your site weighs and the more time your page will spend loading. You don't want that, specially if your site is heavy on graphics. This might help!

https://solaria.neocities.org/guides

Some CSS, JavaScript and Accessibility guides! Worth checking out!

https://eloquentjavascript.net/

This is a free, interactive book for learning JavaScript! NOTE: It is very intuitive, but JavaScript is HARD!! I still haven't learned much of it, and my website does fine without so don't worry if you end up not doing much with it. It's still useful + the exercises are fun.

And now, accessories!

• Silly stuff for your page :]

https://gifypet.neocities.org/

Make a virtual pet, copy the code and paste it in your HTML file! You'll get a little guy in your webbed site :]

https://www.wikplayer.com/

Music player for your website!

http://www.mf2fm.com/rv/

JavaScript silly effects for your site :]

https://blinkies.neocities.org/geoblinkies

Blinkie search engine!

https://www.cbox.ws/

Add a chatbox to your site!!

https://momg.neocities.org/

Infinite gallery of gifs. i've spent hours in there looking at moving pictures and out of them all, the ONLY gif i actually ended up using on my site was a rotating tomato slice. it is still there. trapped.

https://wrender.neocities.org/tarotinstructions

A widget that gives you a random tarot card!

https://www.websudoku.com/widget.php

Sudoku widget!

That's about it for now! I don't know how to end this!!! Remember to have fun and google everything you don't know :]

#neocities #indie web #webbed sites #website resources #web revival

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darkficsyouneveraskedfor · 2 months

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Bittersweet 1

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Part of the Sweet and Spicy AU

Warnings: this fic will include dark content such as dubcon/noncon, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Your startup business catches the eye of a powerful rival.

Character: Loki Laufeyson

Please comment and reblog if it’s not too much. I always love getting to chat about these stories and hearing all your ideas! You all are wonderful and loved.

“So, the Green Bundle includes a Match truffle, chocolate mint smoothies, and green tea infused fudge,” you explain to the trio of women across from you. “The deluxe includes peppermint cocoa as well and comes in a this mug.”

You present one of the few kits you have left in your inventory. As big a deal as getting a stall at the event was, you hadn’t expected the crowd. You’re overwhelmed, especially realising you’re the only stand with only a single body.

“That’s so cute,” the taller brunette remarks, “what about the Pink kit? It says strawberry and creme?”

“Ah, yes, that one sold out rather quickly today. I can offer a voucher for my online boutique or I can sell you a sampler box? It has the strawberry and creme as well as my more popular flavours.”

“Do you do this all yourself?” The curly blonde asks as she eyes the chocolate dipped cherries.

Another body crowds in, a tall men bending to peruse your hand-painted sign listing all your bundles and boxes. He pays you little mind as he eyes cling to the letters and he reaches to pluck up one of your cards. You return your attention to the blonde.

“Yes, they’re all hand-crafted. The mugs as well but I don’t do those. I’ve a friend who makes those.”

“The packaging is so pretty,” the first preens, “can I have a sampler then?”

“Sure,” you answer, “I do the packaging as well. All the stickers, the bows I tie myself, and I decorate each box.”

“Wow, that’s so cool,” the middle on remarks, “I’ll have a sampler as well and the green bundle.”

“Sampler for me,” the third agrees.

You go through the same process with each. You grab the product, put it in a bag, seal it with a sticker, and ring them through with a tap of their card. They all seem excited for their purchase and it’s contagious. It’s been a hectic day but you’re running low and you don’t think you’ll make it through to closing. Still, it’s good advertising.

“Green tea fudge?” The tall man slithers towards the center of your counter, “an unusual combination.”

“Yes, that one took a lot of experimenting.”

“Mmm,” he still has your card in hand, bending it slightly as he flicks it with his thumb, “the red bundle. Cherry, red velvet, and...” he leans back to check the sign, “cayenne. Interesting.”

“I try to make sure there’s variety in each,” you explain.

“Yes, so it seems. I’ll take a red then.”

“Sorry, sir, um, I’ve sold out of most. I still have the yellow, the black, and the green--”

“Sold out?” He raises his wrist to give an emphatic glance at his watch, “either you’re very popular or ill-prepared.”

You’re surprised by the accusation. He’s rather blunt. You’ve dealt with many different types today but they’ve all been relatively pleasant, after all, it’s hard to be in a bad mood at a Baking Show.

“Fair, I wasn’t expecting so many buyers, sir. But you have my card, you’ll see my online boutique is listed--”

“But I want to buy now,” he says as he tilts his head, dark brows rising just slightly.

“I understand, I apologise for the inconvenience, but I just don’t have the red on-hand. I do have a sampler here--” You grab one of the variety boxes, “it would have the cayenne and the cherry.”

“Do you think a one-person operation like this is sustainable?” He inquires sharply.

You wince and shake your head, “sir? I’ve only just started. I’m sure with growth I’ll have to adjust.”

“And do you have a business plan or is this some Etsy venture with no goals?”

You nearly choke. You don’t know what you’ve done to offend him.

“Well, sir, if you don’t want to buy, I do have free samples available. I don’t have any of the red flavours but I do have some banana peanut butter and salted caramel apple--”

“I didn’t ask about samples,” he insists, “I’m asking about your business plan.”

You bat your lashes and look around. Has he come to this event just to interrogate people over their bottom line?

“I suppose it’s something I will have to review after today,” you contend.

“I’d say,” he tucks your card into his jacket pocket, his hand lingering within as he pulls out a leather wallet, “if you have any questions...”

He slides a card free and offers it. You take it hesitantly and read the gold font on matte black cardstock. Black Snake Chocolatier. You run your fingers over the embossed lettering and narrow your eyes. You peer over at the large banner over that business’ booth. He must be from over there but he’s not exactly dressed for the work. His suit is pressed and stainless.

“I did sponsor that one,” he pulls your attention back, “but I’ve come down to take measure of my competition and possible... acquisitions.”

You nod slowly as you meet his green eyes. Is this intimidation?

“Loki Laufeyson,” he offers his hand as a glint of silver in his hair catches the light, “might I have your name?”

You trade your name and a handshake. He squeezes enough for you to wince. He lets go and you slip his card in you apron pocket with all the others collected from your fellow vendors.

“I’ll certainly take a sampler,” he says, “see if this little venture has any teeth.”

His every word is like a bite. He speaks with the fangs of the very logo of his business. You put his purchase into your phone and offer the square for him to tap his payment. He processes it and swipes up the box before you can package it.

“Do you want a bag?” You ask.

“I can handle it,” he tucks the box under his arm. “Best of luck to you doing the same.”

He glances around and slowly moves aside as a group of new customers set in. A family of five with three hollering children with grabby hands. Your eyes widen as you smile at them as best you can. This day has truly tested your social battery.

#loki #dark loki #dark!loki #loki x reader #drabble #au #sweet and spicy #bittersweet #series #mcu #marvel #thor

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poptivist · 5 months

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morse code vid & a review of BOOKS in tøp history

so, as everyone knows, ned's cozy fireplace had an ad that used morse code. here is that ad and a visual.

please let me know who to credit as the owner of the screen recording

and because nobody i know has any idea what to make of "BOOKS" -- and they have tried -- here's a look at books as they appear in tøp's body of work. just for the hell of it.

here we go!

2016: the cancer cover.

in the cancer music video, a person narrates their own impending death from cancer, and it's accompanied by an explosion books bursting out of a bookshelf. these green circles are just highlighting that this music video also included repeat book designs, like ned's cozy fireplace does.

that video and this one are by the same animator and designer, chris schoenman, who presumably didn't want to make like nine million different books. (but there could be more than one reason.)

the speaker in this song is consuming this media; there's a couple books on his coffee table.

our speaker is writing their own story with their descriptions and instructions to their family as the video goes on.

among the this person's collection of stories are some twenty one pilots songs. we'll see this later too.

2016. heathens.

these drawings on the wall are not books, but they are related to books, as we will see in just a moment. it's reasonable to say these drawings represent something this character feels or thinks about, in some cases over and over.

nico and the niners, 2018.

next, we have tyler/clancy in nico and the niners packing his backpack. we don't see him physically put this red pamphlet/book in his backpack, but given that the scene starts with a bed covered in stuff, shows him packing, and then shows a bed with nothing on it, we can assume the pamphlet got put in too.

the backpack is left for the kids to find along with the bandito clothes.

we know from The Outside that the kids keep the bandito clothes and presumably the backpack with its contents, including the red pamphlet/book.

the leave the city visuals also make a point to show a backpack left behind.

speaking of leave the city visuals:

these visuals fade from trench as a real place to drawings on the bedroom wall in dema.

like heathens, we can assume these drawings depict something that the person who drew them thinks about. because we recognize what's shown, we know they reflect what clancy knows or believes about his world: the figure of the vulture, the neon gravestones, the cage from hoty, the tree from trees and so on.

2021. the vialism pamphlet, released at the same time as choker. it reads "to live fully is to sacrifice all". this is important because it's the first and only time we know what one of these pieces of media the character is consuming is explicitly telling us.

the black pamphlet is a visual parallel for what josh is reading in choker.

2021. christmas saves the year.

we see here that santa also has drawings on his wall. and -- like the speaker in cancer -- is taking in media that includes twenty one pilots stories.

santa's drawings include things he observes in his world (the snowmen, the noodly skeleton and alien keys) and things he believes -- or at least speculates about (the radiant cosmic rays that defeat the snowmen).

this csty video is actually deep af, and i spent six long weeks making a vid on what i think is happening here if you want to watch it. be gentle. i'm doing my best.

these drawings on the wall are a parallel to the drawings on the wall in other places in that they show things the artist thinks or believes about the world they live in.

2022. tyler owns at least two books. they're right there.

2023: ned's cozy fireplace.

lastly, here's some of those same dema-and-trench drawings on the wall in ned's home, looping him firmly into those shared concepts about the neon gravestones, compass E, etc, and a written continuation of The Outside in the form of a letter.

and that's that on that for books in the history of tøp. i think this has absolutely jack to do with why the morse code says BOOKS, but it seemed neglectful not to at least review the topic and see what we can see. what i see: some as-yet-undefined significance in what we take in and how it informs how we understand our world.

fun little fact: the bourbaki group play a foundational role in modern mathematics and it's likely that some of your school textbooks cited bourbaki in the back of the book. so we've all consumed bourbaki book content at some point.

#twenty one pilots #twentyonepilots #fan theory #tyler joseph #josh dun #lore #dema #trench #lua #ned #ned's cozy fireplace #ahhhhhhhhh #books as a word has ceased to mean anything #whatever

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nitrateglow · 10 months

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Scattered thoughts on Oppenheimer (2023)

First, Cillian Murphy is INSANELY good as the titular character. There's a Shakespearean ambiance to the way he plays the part: he's arrogant and flawed, but also conflicted about his role in the creation of a weapon that might destroy the world. Every single moment felt so genuine.

That's not to say the rest of the cast was lacking. With the exception of a weirdly hammy Gary Oldman as President Truman, everyone was fantastic, with RDJ as the standout. My only disappointment is that Florence Pugh and Emily Blunt didn't get much to do. Their relationships with Oppenheimer aren't quite as developed as I would have liked. They're both good with what screentime they have at least, particularly Blunt.

The visuals are spectacular-- not just the explosive stuff but also the way Christopher Nolan uses shallow focus during some of the more psychologically intense scenes. I'm thinking of the scene where Oppenheimer tries giving a speech after the bombs are dropped on Hiroshima and Nagasaki: it's like he's trying to rouse his patriotism, but the horror of what's been unleashed prevents him from sharing in the communal joy around him.

However, there were a few things I didn't like. First, the score. It was fine in and of itself, but I hated how relentless it was. A lot of the scenes involve people talking and the score just pounds away beneath all of it, even when the scene itself is lowkey. Nolan almost NEVER lets the scene just play out without the music. It drove me nuts.

Red Letter Media's review of Oppenheimer discussed that too, and they made a little parody trailer of 12 Angry Men with that annoying ass music under it just to show how out of place it is:

youtube

Second, while I was glad the movie never dragged, it also felt like all the action was playing in fast-forward-- like I was watching a clip show from the middle of a long-running TV show. The movie never takes time to breathe.

Also, if you aren't intimate with the history being portrayed, the action can be a little tough to follow. I read the basics on Oppenheimer's life yesterday and I think if I hadn't, I would have been confused at points.

Overall, this is a pretty good biopic, well-acted and beautifully shot. I'm sure it will snag some Oscars. However, I did think it fell short of being a great movie and tbh that might be the result of the pre-release hype for me.

7.5/10

#thoughts #i feel like a party pooper #i know tons of people loved barbenheimer as a whole #i was more muted on both

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toy-powerhouse · 3 months

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Rise of the Teenage Mutant Ninja Disappointments: A Brutally Honest Review of Rise of the Teenage Mutant Ninja Turtles

Rise of the Teenage Mutant Ninja Turtles is the most disappointing thing since my son… And, my other three sons, my four sons who also happen to be teenage mutant ninja turtles. You know what they say: life imitates art. Much like my dissatisfying sons, I really wanted to like the series when I stumbled across it, but there was so much lacking in its execution that prevented it from reaching its potential (Editor’s Note: okay, Red Letter Media-esque joke over). Before its release in 2018, there were very vocal Teenage Mutant Ninja Turtles fans who were skeptical about Rise of the TMNT and many of the changes the series made to established lore. Raphael is the fearless leader, instead of Leonardo; April is Black American as opposed to white like she is in most iterations; and the series is more comedic in tone, unlike other recent adaptations that have an even balance of comedy and drama. I welcomed all the changes to the TMNT formula, and I was eager to see it. Now that I’ve finally finished watching it, I’m left disappointed with it. Before we jump headfirst into why this series can be dissatisfying, I want to preface this to state that many fans treat this series with a certain level of reverence often to the extent of hyper analyzing it. Here, I’m going to give it that sort of treatment, but this time to analyze its shortcomings as a work of fiction.

Bad Comedy, Worse Drama

The major driving force of RotTMNT is its comedy (that acronym is unfortunately very apt). It’s arguably the most comedy-centric animated television series since the 1987 TMNT show. With comedy being the most important quality of the series, the biggest question then is: is it funny? Even ardent dissenters of the show say it’s somewhat funny. As for myself, I’m a person who can find humor even in media that I may otherwise dislike. I’m a simple kind of gal, if it’s funny, then I’ll laugh. With something like RotTMNT, that I did, initially, like, I’d sit patiently waiting for any of the slapstick or quips to make me laugh. Smiling politely at the screen, just waiting, only for me to not laugh or even chuckle before the end credits rolled. So, what’s the problem? Usually, there’s something off about the humor that stops it from being funny. The character’s expressions are too exaggerated or too subdued, sporadic insertion of weak meta or fourth-wall breaking humor, jokes running contrary to canon events or characterization, gags end too abruptly or continue for too long, poor timing of punchlines, poorly directed line deliveries or less than stellar audio mixing (e.g., characters’ speech being difficult to hear from speaking too quickly or quietly), and so on.

Something else that causes the humor to fall flat on its face, is the overreliance on subpar slapstick comedy with lots of pratfalls while mugging for the camera. Too much of Rise of the TMNT relies heavily on characters making goofy faces and acting buffoonish in place of carefully executed comedic scenarios or witty dialogue. There are many children’s cartoons that largely avoid resorting to overusing such low hanging fruit, so RotTMNT cannot be excused for its limited variety in comedic stylings in a bid to appeal to its young target demographic.

The character that best reflects all this bad comedy is arguably, and ironically, the funniest of the turtles: Donatello (no, why’d it have to be the overrated one). Jokes that tend to land often involve Donnie and his funniness seems to be confirmed in-universe when in Season 1, Episode 16, “Shadow of Evil,” Splinter refers to Donnie as being the “funny one.” Because much of the humor is flawed, many of the jokes or gags with Donnie at the center of them don’t stick their landing. Using Donnie, let’s briefly examine how something like inconsistent characterization can break a joke:

LEO: “And Donnie, where’s your . . . your thing, your – emotionless passion?"

DONNIE: "[Head down, speaks very quietly.] Here."

This joke doesn’t work because “emotionless passion” is not something that accurately describes Donnie. He’s a very emotional lad. Even in the context of this episode, he’s a very emotional lad. The very notion of Donatello being “emotionless” doesn’t make sense as it doesn’t align with his baseline characterization. Case in point:

Yup, baseline Donnie is totally emotionless. Look at all that no emotion.

As a result, what could have been a funny joke, is ruined by clashing with what’s been established about Donnie. Were Donnie a more reserved character, it could have been somewhat chuckle-worthy. As is, it's pretty unfunny. While this is only one example of how the humor is off, it’s still very indicative of this issue. Like, I could go on, but this review is getting long enough, and I get the feeling I’ll need to check on my own unfunny teenage mutant ninja turtle sons soon.

Anyway, the only thing worse than RotTMNT’s comedy is the drama. While the comedy of the series very occasionally has its merits, the dramatic cues virtually all fail. For dramatic points in any form of media to be developed successfully, they need time to be set up. In this series, finer plot points don’t get the opportunity to unfold properly and are mostly shoved into the finales. The rush to introduce new dramatic plot elements and quickly wrap them up really depreciates the value of moments that are meant to be heartfelt or intense. Premature cancellation aside, more could have been done to avoid this problem. If the first season had not wasted so much time with bad comedy, the series could have set up crucial stakes and important characters sooner rather than later. The season two finale is especially guilty of rushed, poorly set up melodrama with how they speedrun introducing a key character like Karai only to send her off before we as an audience really got to know her. Speaking of poor set ups, this segways perfectly into my next segment.

Overly Hyperactive Storytelling and Underbuilt Worldbuilding

A common complaint levied against RotTMNT by critics is how fast paced everything about it is, to the point of being downright incomprehensible at times. From the animation to line delivery, the show is HYPERACTIVE, caps locked and bolded for emphasis. This is especially true for fight and action scenes, where all sense of direction is easily lost by how quickly characters, props, and backgrounds move about. It can become grating having to rewind, pause, or even reduce the playback speed simply to understand what happens. Goodness, even my disappointing and rambunctious teenage mutant ninja turtle sons think this show needs to chill.

I’ve taken to referring to the series as being a “memory vampire.” I can watch an episode and almost immediately forget what I have just seen as if RotTMNT is feeding off my memories like a loathsome parasite. I can recall watching episodes from other TMNT adaptations that I saw nearly a decade ago, I remember even the smallest details with ease. But an episode of Rise of the TMNT that I saw last week: I got nothing. Because it’s so much of a whirlwind of pointless action and bad comedy where very little is usually accomplished. I’ve seen fans make light of how Rise of the TMNT is “ADHD the show,” and while true, it’s definitely not a good thing.

If that weren’t bad enough, we also must contend with careless worldbuilding. That issue of ill-advised worldbuilding being most apparent with the Yōkai and their world, the Hidden City. Possibly one of the greatest missed opportunities of this series is how underutilized and underdeveloped the Yōkai are. Despite their species namesake being lifted from yōkai, supernatural creatures from Japanese mythology and folklore, they lack any significant connection with that very specific lore. Most Yōkai we see in Rise of the TMNT, are generic monsters and anthropomorphized animal beings that don’t appear to have any direct relation to traditional yōkai myth. There’s Big Mama, who is a jorōgumo, a nefarious spider creature who often shapeshifts into a beautiful woman to lure in prey, and maybe Mayhem who could be the show’s take on a komainu or lion-dog, those lion-like dog statues positioned at the entrances of Japanese temples and shrines to act as protectors of hallowed ground.

Aside from Big Mama, Mayhem (maybe), and a few others (including one-offs like the dragon yōkai Boss Bruce and his posse and possibly Tummytello, that could be a take on the parasitic yōkai disease, oseichu), there isn’t much Japanese mythology that influences the portrayal of the Yōkai. As a casual yōkai enjoyer, it’s disappointing to see the crew behind the show not make full use of that rich history through explicit representation. Maybe there were concerns about mishandling Japanese culture, but then why invoke the yōkai name in the first place if cultural insensitivity was a concern? Maybe there are more explicit designs or references to Japanese lore that I’ve forgotten to mention, again this show is a “memory vampire,” but even if that were the case, there’s still too much plausible deniability to it all. Regardless, the Yōkai mostly being a hodgepodge of indeterminate ghoulies is distracting and fails to create a more cohesive, immersive world.

Various yōkai that don't seem to make appearances in RotTMNT. This is just a sample of what could have been.

Collective Characterization: Friendless Losers with Unearned Power (cool band name, idk)

This will be less of an in-depth character analysis as much as this segment is a general overview of how the series approaches two things: the turtles’ status as underdog superheroes and their social support network.

Besides disappointing, another word I would use to describe Rise of the TMNT is unearned. For much of the series, our protagonists tend to bumble about, causing almost as many problems as they resolve. In fact, just about every major problem the turtles encounter, is of their own making; from releasing the oozequitos that mutated the denizens of New York to unleashing the Shredder who has villainous ambitions of conquering the world, just about everything can be blamed on them. These aren’t heroes, they’re troublemaking buffoon clowns. These buffoon clowns ultimately get rewarded time and time again for blundering misdeeds that they fix at the eleventh hour. This especially becomes tiring when it’s all nestled in the series’ ad nauseam lesson: the turtles need to focus and take things seriously. Over and over again it’s the same lesson of “get your (pardon my French) merde together.” I’ve seen fans misguidedly try to spin this as the turtles being lovable cringefail, losers, which may have been the case had the series not tried to portray them very earnestly as the ultimate heroes, without a shred of irony or self-awareness. In that way, the show plays itself too safe and yet not safe enough. Instead of a cynical romp with mutant losers with even looser morals, or well-meaning mutants who try their damndest to achieve their noble goals, we get something awkwardly caught in between, unable to commit to either in a satisfying way.

Being the insufferable screw-ups that they are, it’s not surprising that the turtles lack a support network. Friends, allies, helpful acquaintances, or friendly neighbors; doesn’t matter, because these turtles ain’t really got ‘em. In actuality, the series is more about making friends than friends as almost every character the turtles encounter becomes an antagonist. For a show that seems to pride itself in presenting more positive bonds between the characters, especially the turtles, it’s a little odd, isn’t it? In this regard, it’s hard not to compare Rise of the TMNT to other iterations, because it appears to be missing something inherent to many other adaptations. That something being the turtles desire to form connections with those outside their family unit and, seemingly against all odds, their ability to do so. A common theme throughout the franchise is their pining for meaningful relationships outside themselves and Splinter and how they manage to forge those relationships with other misfits. Rise of the TMNT has virtually no interest in engaging with this theme and, as a result, is left emptier for it.

While there are a handful of characters who do become allies, or even family members (e.g., the redeemed Baron Draxum), they’re largely kept at arm’s length with their loyalty to the turtles at times being, for lack of a better term, “dunked on.” For instance, in the season one finale, “End Game,” the following allies join April and Splinter to rescue the turds, I mean, turts: Bullhop (legit, forgot that dude existed), Frankenfoot (who deserves better than being a sentient punching bag), S.H.E.L.L.D.O.N (who, mind you, is basically Donnie’s son), and Todd Capybara (Splinter x Todd 5ever, fuck Draxum). Only for the quartet to be “humorously” captured immediately and never brought up again in the episode. RotTMNT is so strangely anti-friend/ally that the only relationships given any real weight are virtually all familial with April herself being upgraded from friend to honorary member of the Hamato clan by the end of the series.

The turtles lack a support system outside themselves and it’s not something they ever angst about or that poorly impacts them, despite how integral social deprivation tends to be for the turtles in other iterations. Even the Micheal Bay produced films portrayed that anxiety around being outcasts as worthy of attention, that the turtles are brutally aware of being misfits and that seeking acceptance from the outside world is important to them. This theme doesn’t need to be the focus of every adaptation. However, its absence in RotTMNT does strip from the characters an extra layer of depth and misses out on an opportunity to make them more relatable to members of the audience, especially those who’ve ever felt alienated.

The Cowabunga Conclusion: Let’s take a moment to enjoy our Hot Soup!

Not all of Rise of the Teenage Mutant Ninja Turtles is disappointing. There are good aspects of the series. The increased presence of female characters. Big Mama, Cassandra “Casey” Jones, and Sunita (Casey x April x Sunita = Caprisun, the best ship 5ever); I <3 these girls! Casey had the most satisfying, fully realized character arc of the series. The turtles get to be more emotionally vulnerable, which definitely is a welcome change. I love that Raph is a proud lover of plushies and other cute things, that’s so adorable. Mikey is explicitly artsy, and as an artist myself, I really appreciate that. It’s been confirmed by a show writer that Donnie is on the autism spectrum. Right on! Leo is gay (that’s not confirmed, I’m just being facetious). RotTMNT has brought a lot of good to the TMNT table. As a result, it breathed new life into the overall franchise and its fanbase. Post-RotTMNT, the wider TMNT fanbase has experienced a bit of a paradigm shift into becoming a more inclusive, safe space. Honestly, I’d say my return to the fandom was all thanks to RotTMNT and its rejuvenating effect on the franchise.

Nonetheless, the series itself is still a raging migraine. I’m only scratching the surface with this. I plan to explore other failings of this series more in-depth in other posts. Rise of the Teenage Mutant Ninja Turtles: The Movie… I’m coming for you… I got a bone to pick with how Draxum’s redemption was handled. The turtles’ deus ex machina mystic powers… Atrocious. The merchandise…

Sometimes a picture, of off-model action figures, is worth a thousand words.

I know I’m not the only one who thinks this series fumbled the ball big time. While executive meddling and lack of support from the network certainly contributed to RotTMNT’s downfall, a good deal of the show’s shortcomings cannot be blamed on those factors. Not the execs, not the airing scheduling, not the marketing, not the audience; the show itself is flawed and that in part led to its premature demise.

The series leaves me disappointed. Very disappointed. Like, Splinter is in “Insane in the Mama Train.”

RAPH: “Puppy dog eyes won’t cut it. [Splinter] isn’t mad, he’s disappointed. We need to make it up to him guys big time.”

Now, if you’ll excuse me, I need to go check on my teenage mutant ninja turtle sons. I got a text from the unfunniest one, and it seems like they’ve accidentally doomed the universe like the cringefail losers they are. Oh, well. If they fix their mistake in time, I might treat them to some pizza rolls. Cowabunga, dudes and dudettes! 🐢❤️💙🧡💜🥷

#rise of the teenage mutant ninja turtles #rise of the tmnt #rottmnt #teenage mutant ninja turtles #tmnt

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atsuwiee · 3 years

Text

accidentally confessing to your bestfriend! enhypen.

because, this actually happened to me irl- they ended up liking me back as well so this scenario (?) is purely based on what happened to me lmaoo

warnings: i think i put in some swear words- and slight angst on jay's part lol

also this is kinda long so be rEadY ?? anyways enjoy wie woo

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

heeseung

it was a normal weekend hangout at your place with heeseung, though he had noticed you were acting a bit strange when he arrived. both of you were at your room and your eyes were glued to your phone, thumbs moving at a fast pace, while heeseung was on the floor playing a video game alone. for the longest time you've had a crush on heeseung and you had planned on telling him countless of times but you didn't know when to- while texting your other friends about him and them persuading you to go on and tell him now- you feel your phone get grabbed out of your hands. "hey give me that!" you say as you reached for your phone only to be pushed back into the bed (playfully) by heeseung. "you're texting your crush, aren't you?" he said playfully as he kept your phone out of reach. "shut up and give it back, lee heeseung!" heeseung didn't listen to you at all instead he got on top of and started to tickle your sides. "tell me who! and i'll stop" he said as he got closer to your face, slowly the redness of your cheeks become evident. "as if!" you scoff as he continued to tickle you. "gosh, okay, okay! heeseung it's you!" you say in between laughter only for this to stop when you realized what you had just said. "i- okay i didn't mean that-" you say as you cover your mouth. "you like me?" "yeah dumbass-" you were cut off by his lips that pressed onto your cheek. "i like you too, cutie"

jay

playing the famous game never have i ever with jay at a literal ungodly hour, out of boredom, you both had been going back and forth at each other for any potential blackmail material you (both) could use. jay paused for a little longer than usual, trying to formulate his question. "aw, did you run out of questions?" you teased him. "no- oh i got one!" he says excitedly. "this is going to be such a cliché question but, never have i ever fallen in love with my bestfriend" jay said with a cheeky smile. "i want to hear your answer first" you say, trying to hide whatever you might spill out of your mouth. "never" he said, this only made your heart ache knowing he doesn't even like you back. "uh-" you paused for a bit making jay raise a brow "what? cat got your tongue?" he said in a playful tone. "well, i have... never..." you say while avoiding eye contact. "are you lying?" he asked as he got closer to your face. "me? lying? why would i be lying about having a crush on..." "crush on?" he asked, prodding into your attempted lie. "you" you say out loud. "you have a crush on me?" jay asked he distanced himself a bit from you. "yeah jongseong, so what? you don't even like me back" you say as you stood up. "i wasn't supposed to tell you until i was ready" you say. "i'm sorry" jay apologized. when you had left, jay wanted to tell you that he really liked you back- but how could he? he said "never" when he actually had a crush on his bestfriend.

jake

jake continued on and on, discussing about the topics you were struggling in physics. you had called him over to tutor you, but when he came to your aid, it appears you had gotten more distracted and jake noticed this as he saw you writing on your journal instead of taking a look at your notes and your textbook. "hey, y/n, are you even listening?" jake said while he snapped his fingers in front of you. "yeah, i am-" you said and quickly looked up from your journal. jake nodded and continued but once he did, your head was in your journal again- eyes glued to whatever you were writing. "okay, clearly you aren't listening, give me that-" he said as he grabbed your journal out of your hands. "i am listening!" you protest, jake was curious on what you were writing so he took a look. "i think i can't focus because of him... why am i even in love with him? wait- you're in love with me?" he asked as he pointed to himself. "stop reading that!" you say as you grabbed your journal out of his hands. your cheeks grew red, and you were quick to grab your textbook to cover your flustered face. you could hear jake giggle and moved the textbook from your face, he kisses your forehead softly and smiles. "well now we got that clarified- shall we continue, y/n?"

sunghoon

"are you free today?" sunghoon asked. "well, i'm not doing anything at the moment so, i guess i'm free today- also are you alright? you sound sad" you say hinting out the tone of his voice. "i just feel tired..." he says. "so uh- do you want to go to the amusement park with me?" he asks. "didn't you say you were tired? you need rest" "please? i just want to unwind with you for a bit" you then said yes later on to his offer. "okay meet you there in twenty minutes" you said as you hung up on the phone so you could get ready. both of you were having fun on the rides and games- not until he pointed to the rollercoaster and practically begged you to go on it. "i-" "pleasee, i'll hold your hand if you're scared" he said with a smile, you couldn't resist this man so both of you went on it. sunghoon knows nothing about your fear of heights so when the ride was about to drop from it's peak you held his hand tightly shouting "i fucking hate rollercoasters- i also wanted you to know i love you a lot, hoon, like a lot lot-!" sunghoon had heard everything and held tight onto your hand. after the ride you both had sat down on a bench. "did you mean what you said?" he asked then faced you, your face growing pinkish. "ah so you heard it... yeah i meant everythi-" you were cut off by his soft lips pressed on yours. "i just wanted you to know i love you too, like a lot, y/n"

sunoo

it was a normal afternoon for you both, sunoo was seated on the couch while you lay down placing your head on his lap, he played with your hair while you played a game on your phone. sunoo brushing your hair with his fingers and at times he'd braid some strands of it too. you were starting to get bored from your game and decided to exit the app to go onto your social media, but sunoo was watching and something on your screen caught his eye. "is that me on your homescreen?" he asked and you were quick to put your phone against your chest. "uh, what?" you asked trying to act clueless. "you used my picture as your wallpaper, you adore that much, don't you?" he said playfully. "ew, who says i have you as my wallpaper?" you asked back while he just scoffed. "i saw it y/n, don't lie~" sunoo said and you sat up from laying down on his lap. "fine" you mumbled out your answer. "do you have a crush on me~?" he asked, more onto the teasing side but you had accidentally spilled your actual answer to him. "haha you bet!" you say with awkward finger guns. "i- uh, need to use the bathroom, be right back!" you say as you quickly headed to the bathroom. sunoo knew what your answer meant, so now he's left there- smiling and giggling on how his best friend likes him back.

jungwon

you had been planning on telling jungwon about how you left through a letter and planned on telling later on the walk back home from school. "y/n" your classmate called before you exited the classroom. "you're a friend of yang jungwon, right?" she asked and you nodded. "could you please give this letter to him? it's regarding the quiz bee thing, i'm one of his teammates" she said as she handed you the folded paper, similar to the love letter (for jungwon) you were holding. "oh okay, i'll give it to him!" you say as you got the letter. "oh thanks, y/n" she said and bid her goodbyes as she left. as you walked beside jungwon back home you remembered the letter from your classmate. "oh jungwon, my classmate said i should give you this letter- its about the quiz bee thing" you said as you stopped walking and looked for it inside your bag. "ugh it's probably another reminder to review" he said as he opened the letter, but then you can see confusion evident in his face. "uh-you give me butterflies every time i see you... uh i don't think this is about the quiz bee-" "what do you mean, let me see?" you say as he shows you the letter. "i- oh my god! i didn't mean to give you that!" you say as you look into your bag again and give the other letter. "here-" "i'll read it when i get home, let me read yours first" he said with a soft smile and intertwined his hands into yours.

ni-ki

"i leave for a minute to use the bathroom and now my phone is missing- riki where the hell did you hide it?" you say, literally flipping all the pillows in your room. "ugh even one of my earbud is missing" you say. "why are you looking at me like that?" riki asks, trying to act clueless. "why are you always hiding my stuff? this isn't even your house!" you say as you walk around your room trying to look for your phone and one of the missing earbud. "please tell me where you hid it" you say as he just laughed and laid down on your bed. "what do i get in return?" he asks playfully. "i'll buy you some bungeoppang" you say, hoping he'll give back what he hid from you. "sounds good! here's your phone now" he says taking it out from under his shirt. "uh, my earbud though?" you say as put your hand out, signaling he give it now. "ah- that's for another deal" he says. "riki just what the fu-" "is jay hyung your boyfriend?" he asked. "no he isn't, where did you get that from?" you asked back. "people were talking about it at school- and i was really offended that you didn't tell your own bff" riki said with (yet again) a playful tone and with a pout. "i don't know why they would say that- because the only guy i'm in love with is you" you impulsively. "you what?" he asked. "i what?" you asked back. "you're in love.... with me?!" riki asks pointing at himself. "you know what- give me back my earbud when i get back, i'll go buy your bungeoppang now- bye!" you ran out the door leaving riki who's a flustered mess now. he then punches the air and you could hear his screams of victory "woo! y/n likes me!" you can hear which makes you more flustered as well.

#enhypen #enhypen imagines #enhypen scenarios #enhypen headcanons #lee heeseung #park jongseong #sim jaeyun #park sunghoon #kim sunoo #yang jungwon #ni-ki #nishimura riki #jay #jake #enhypen x reader #enhypen x gender neutral reader #enhypen fluff

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maadorii · 3 years

Text

you’re gonna wanna be my best friend— y. itadori x gn! reader

max.note’s: this is my child, my baby and i love it. probably my favorite fic i’ve ever wrote uwu i think the ending is bit rushed but that’s i was writing this at 4am (i’m also trying out a new layout-ish so yea)

synopsis—where you and Itadori came up with the greatest, yet stupidest idea in your lives: getting married to lower your tuition cost. what could go wrong? well, there’s getting caught by the government, and then there’s potentially falling in love with your best friend.

warning/tags: best friends to lovers, mutual pining, characters aged up (18+), high school/college au, modern au, fluff & crack, megumi is the only one with a working brain cell

w. count— 3.1k

“yuuji, what’re we gonna do!?” you exclaimed, pacing around the open space of said boy’s bedroom. itadori groaned loudly from his spot on his bed, tugging at the skin underneath his eyes with him.

looking down at the bright, bold red letters of the opened email on your phone screen, you internally cried to yourself, because… fuck. this is what all the hard work all four-years of high school led up to?

25, 580 dollars worth tuition left to pay, out of pocket.

“i don’t fucking know. ...wait, do you think megumi would have an answer?” he perked up at his own, and quite frankly, idiotic idea like an excited puppy. if you squint you can see a tail wagging behind him. turning around to look at the pink headed boy, you practically leaped across the room to slap him repeatedly upside his head.

“ow– hey... ouch! what the fuck?!” itadori whined, lifting his arms up to shield himself way from your merciless assault. “yuuji, are you dumb? we cannot, for the love of god, ask megumi. he’ll probably tell us to apply for a loan or something.” you snapped.

“we’ll do that then, it can’t be that hard.”

“have you seen your credit? there’s no way we're getting approved for a loan.” you exasperated as you folded your arms across your chest, plopping yourself down next to itadori. and the both of you were left to sit in condemning silence that laid itself like a thick, winter blanket over you. itadori could’ve sworn he heard the gears turning in your head because of the stark silence.

you suddenly gasped, jumping to your feet. it was almost like a lightbulb went off on the top of your head. itadori gaped at you as your eyes lit up like stars, turning to him, it was your ‘aha’ moment. the biggest smile he’s ever seen on your face. he couldn’t help the tinge of nervousness settle in the pit of his tummy, probably for good reason.

“here me out– what if we got married?”

you and itadori meet in the lunchroom on the first day of school your freshman year of high school.

to say you meet by pure coincidence is actually a perfect explanation to describe what really went down. you remember how you sat alone at the lunch table, scrolling through your phone on social media when all of a sudden a rather energetic boy with pink hair crashed into your table. face planted in your bowl of greek yogurt. and it was the fancy kind too.

the cafeteria around you erupted in laughter at the... spontaneous display happening before you. and although you wanted to laugh (in all honesty, it was funny), the boy below hasn’t moved an inch. truthfully, you were worried.

“hey, um, are you okay?” you asked, nudging the top of his head. itadori didn’t show any sign of getting up. you nudged him a little harder, shaking his shoulder. with a gurgled grunt, itadori lifted his head from the bowl and the first thing that caught your eye was the crimson colored blood smeared along the stark white of the yogurt. there was a delirious look in his eye as if he wasn’t completely there in the real world. the laughter has long since died down, only a few strangers coming up to the table to record the aftermath.

when itadori came to, he peered up at you through his yogurt clumped eyelashes and he felt his heart tighten considerably in his chest.

“you okay? you’re... bleeding, a lot.” you asked again, gesturing to the entirety of his face. he didn’t say anything as he wiped around his nose, seeing the blood covered dairy. he looked mortified, now catching onto the stares and cameras by nosy teenagers being shoved in his face. reacting quickly, you reached out to one his unoccupied hand, gently guiding him in the direction of the nurses office. your footsteps echoed as you walked down the empty hallway, itadori following close behind you. neither of you said anything during the trip, nor when you entered the nurse’s office. it wasn’t until you had a warm wash rag against itadori’s cheek, wiping away the food and blood mixture, that he finally said something.

“i’m... sorry, for ruining your lunch...” you stopped in your tracks, left to ponder in your thoughts. he’s sitting here with a busted lip and a shattered dignity... and he’s apologizing for face planting in your yogurt?

“hey, you have bigger things to worry about. so, what’s your name?” you continued to wipe at his face, waiting for him to reply.

“yuuji itadori.” and you saw the slightest glimpse of a smile tugging at the corner of his rosy lips. you returned the smile, teeth showing.

from then on, you two were joined at the hip. there wasn’t anything you didn’t do together.

there was something about itadori that brought out the inner child in you. he was sweet, loyal and compassionate. he was a lamp to a moth– hard to resist. hard to ignore. he was your first taste of an easy going life, being able to enjoy being a kid.

on the other hand, you were the foundation he needed. you were open minded, authentic and grounded. you were the first thing in itadori’s life that felt stable. obtainable. your ambition turned into his drive; he wanted to be by your side for as long as possible.

you both were something– somebody, each other needed the most. it’s like what they say: the best people in your life come when you need them the most.

“are you two dumb or something? now, i expect this kinda thing from yuuji, but not you.”megumi quipped, left eyebrow arched in concern as he gestured towards your direction with his pencil. nobara in a similar state next to him, working on the worksheet the teacher handed out earlier. it was currently mid-way through the school day, you, itadori, megumi and nobara sat at your assigned table in statistics. it’s been about a week since your discussion with itadori about your... rather brilliant idea.

“well, that’s harsh.” itadori grumbled, flipping him off. megumi snorted as he returned the gesture. “okay, now listen! they’re explaining the thingy.”

you cleared your throat, sitting up straight to try to make yourself look dignified. “when applying for financial aid, if you’re married, we’ll be considered an independent on the document. meaning? more money!”

“okay, well that’s great and all but, you do know you’ll be responsible for each other legally? as in, medical and money expenses. what would you do if either one of you dies? ” megumi questioned. you chuckled, wrapping your arm around itadori’s neck. “i’ve been legally responsible for him since freshman year, what’ll be the difference?”

megumi rolled his eyes, burying his head in his hands. “god, you’re both so helpless.”

“you know what megumi? i hope both sides of your pillow are warm when you go to sleep tonight.” itadori gasped in shock, hand reaching up to grip the cotton fabric of the shirt he was wearing. nobara snickered behind her hand to which megumi prompted to shift in her direction, whispering something along the lines of “don’t encourage them!”

“(y/n)! you did not just say that!?”

“i sure as hell did. and i’ll say it again!” you snapped your fingers, jutting out your hip. “and they’ll say it again!” itadori said, copying your actions.

megumi and nobara only watched in pity as the two of you continued to embarrass yourself in the middle of the classroom, other classmates turning to catch a peak of the commotion.

“wait, i got one, i got one! ahem, i hope you pour yourself a nice, big bowl of cereal of— what do you eat? apple jacks? only for there to be no milk!”

you sputtered out a laugh, pounding your fist on the table. itadori was loud with laughter as well, body slung over the back of the chair.

megumi sighed, picking up his pencil to erase a mistake he spotted on his paper. he watched as the eraser smudged the lead on the paper instead of actually erasing it. watching the scene unfold before you, wheezing out another laugh, and clutching on to your stomach for relief.

“shut the fuck up, the both of you.”

graduation was only a month away.

teachers were cramming review lessons left and right. completing any last minute work to turn in. senior activities, trips, prom, and getting ready for what was to be the biggest day of your life. where all your hard work and putting up with the shitty ass public school system for 13 years will finally pay off.

at least that’s how they make it seem.

itadori was currently sitting in megumi’s living room, sprawled out on the floor like a starfish. his political science textbook laid open next to him. he’s been unusually quiet this afternoon, megumi noted when he would glance up from his own textbook in his lap.

“hey, yuuji? something the matter?”

itadori didn’t respond right away, instead, he shifted himself closer to megumi to lay his head on the other boy's lap. caught surprised by his actions, megumi tried to shove his head off but itadori being the stubborn man he was wouldn’t take no for an answer.

“god, you’re so annoying—“

“then why are you still friends with me?” his words were quick and sharp like a kitchen knife. and megumi had to take a second to pause. “is this what this is about?” itadori still hasn’t said anything, his body curling in on itself. eventually, he shook his head no.

“alright... then what’s wrong?”

megumi watched as itadori twiddled with fingers, reluctant to share his feelings with the other male. you see, the thing is that although megumi and itadori have been friends since middle school, they found it hard to share each other's feelings. especially megumi. they’ve always been the “i don’t know how to talk about my feelings so let me enjoy your company for a while?” type of friends. except for that one time.

“it’s just... i’m not so sure if i want to marry (y/n) anymore...” megumi could barely hear what itadori said, but he caught it. and color him surprised. “have you finally come to senses that it’s a stupid idea?”

“no, it’s not that–” megumi sighed internally, “–it’s just, what if our relationship changes after it’s finalized? we planned to do it after graduation a-and– it’s just a really scary thing to think about.” itadori’s voice began to warble, and megumi could feel his body tremble as the boy beneath tried to hold in his tears.

in all the years they’ve known each other, itadori has only cried once in front of him. and that was the night of his 16th birthday. because itadori didn’t come from the best home, and at the time, only megumi knew of such disclosed information.

“they said it themselves, you guys have always taken care of each other. so why do you think it’ll change things?” he gently tried to coax itadori into calming down, his hand stroking the soft tufts of his hair. thumb caressing his buzzcut. itadori sniffed, and megumi can hear the disgusting sound of snot being sucked back in his nostrils, but he refrained himself from reacting.

“b-because, i just don’t want my feelings to get in the way, ya’ know? this is simply supposed to be platonic, but it isn’t anymore. at least for me.”

and right then and there, megumi’s suspicions were confirmed. itadori did have feelings for you. more than what a best friend should have. “your feelings? and what might these feelings be, yuuji?”

“that i want to spend a very long time with them, by their side. but not as their best friend. something more than that.” he let out a shuddered exhale, and the room was engulfed with silence. megumi took this time to process what itadori said, the last four words resonating in his mind.

something more than that.

megumi shifted itadori’s body off his, moving to sit up on his own. and that’s when he saw his face for the first time; his red-brimmed eyes and how the tears clumped his willowy eyelashes together. the tremble in his lips because, damn, he’s trying so hard to hold it in.

he didn’t have anything to say– there wasn’t much to say to begin with, but megumi wrapped his arms around itadori in a hug. he felt him relax against his body, taking in the cool scent of his sweater.

“it’s okay to be scared, yuuji, but i believe... you’re smart enough to make the right decision.”

standing underneath the blazing summer heat, you stood in front of the court house waiting for itadori to show up. today was supposed to be the day, where you and itadori were to be married. it’s been thirty minutes and no itadori in sight. which is unlike him considering that he is, surprisingly, very punctual. he hasn’t even responded to any of your texts or calls, which also isn’t very much like him.

but those thirty minutes turned into an hour, that soon turned into two hours.

and to say you were angry, was a complete understatement. you were livid. and that’s how you found yourself banging on itadori’s front door, ignoring the stares of the noisy next door neighbor peeping through their window.

“yuuji! open the fucking door! i know your ass is in there, i can see your minecraft lamp turned on from your window.” you shouted, breathing heavily through your nose. there wasn’t an immediate response, only dead silence, which prompted you to raise your fist to go another round of beating up the door until the faint sound of footsteps reached the door. opening with a creak.

there stood the man of the hour, yuuji ita- fucking- dori.

“there you are! dude, what the hell happened? why didn’t you show up at the courthouse today? did you forget or...” you were quick to jump the gun, bombarding him with questions left and right.

“no... i didn’t forget.” was his reply, eye downcast to look at his sock clad feet. anywhere but your face right now.

“then what yuuji? what could’ve been so important that you decided to just forget?” you flayed your arms around like a mad man, the anger rolling off your body in waves. you knew that you weren’t necessarily being fair to him right now, you can tell by his stand-offish attitude since opening the door. but you couldn’t bring yourself to care at the moment.

itadori was reluctant to answer, his legs wobbly with the anxiety running rampant in his system. he was tempted to say sorry and be done with this, but then he remembered megumi’s words.

...you’re smart enough to make the right decision.

“because... because this isn’t a good idea anymore.” now you’re more confused than angry.

“what do you mean this isn’t a good idea anymore,” you asked, placing your hand on your hip. “that's not what you said 4 months ago.”

itadori sighed, starting to feel the twinge of annoyance in the tips of his fingers. he was starting to regret his choice of words. “i know what i said 4 months ago. but now 4 months later, i’ve changed my mind.”

you wanted to laugh, but you couldn’t muster a bubble of it in your system. was he for real right now?

“oh really? and why do you say that?”

“it’ll change everything.” the reply was short. straight to the point.

“what? no, it won’t! don’t be silly, we’ll still be best friends!” you try to muse, but itadori wasn’t budging. his face was disdained, detached from the world. the answer was sitting on the tip of his tongue, but he wasn’t ready to say it. especially in front of you.

taking in his physique, your mind started to slow. you didn’t want to go there but you couldn’t help it. it was only natural, right?

he’s been off putting since the graduation ceremony two weeks ago. he was so bright and happy that day, shoving his diploma in megumi’s face a numerous number of times. you remember the scream he let out when your name was called to walk across the stage of the arena. how embarrassed you felt as you did so, but a twinge of giddy happiness filled your chest. because he was calling out your name. your heart always did leap with joy when his attention was on you, and only you. the way he had you wrapped around his finger, without him even knowing. it takes you back to when you two first met, how you were so captivated by his amber eyes. the sudden urge to be there. to always be there and to be more.

so... “do you not like me anymore? is this what this is about now?” it came out a whispered, and itadori was shocked nonetheless. now what were you talking about?

“what, no! of course i still like you!” you almost laughed at how quickly he responded.

“then why? why did you–”

“i just didn’t want to make things awkward between us! i didn’t want to ruin our friendship with my... stupid feelings.” glancing up, you can see the slightest tint of pink on the roundness of his cheeks. awkward? ruin?

you took a step forward, your hand reaching to hold his. kindly, thumbing his knuckles with your thumb. the way he always liked it.

“yuuji, your feelings are never stupid. i’m your best friend–” with a frustrated huff, itadori ripped his hand away from yours.

“but that’s the thing though! best friend this and best friend that– what if i don’t want to be your best friend anymore, hm? what if–” make the right decision, “what if i want to be more than that?”

more than that?

“you want to be more than friends? is what you’re saying.” itadori can almost feel himself shit his pants.

that giddy feeling that always erupted whenever you were around him expanded ten fold. you’ll be damned: your best friend of four and a half years, was in love with you. the smile that you struggled to fight bloomed with mirth on your face. and itadori followed suit, reaching out to hold your hand once more.

not much needed to be said, the smile on your face was enough for him to put it all together. for once, he was actually smart enough to make a decision. a good one at that.

#jujutsu kaisen #jujutsu kaisen x reader #itadori x reader #jujutsu kaisen fluff #jujutsu kaisen x gender neutral reader #itadori yuuji #jujutsu kaisen oneshot #jjk x reader #jjk fluff #jjk #itadori fluff #itadori x gn reader #jjk itadori

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bloodanddiscoballs · 2 years

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Tagged by @electromelancholy thank you!!!💕💕💕

Last Show:

I'm so bad about watching stuff but the last show was Severance! I really really enjoyed it and cannot wait for the next season. I'm a HUGE horror fan and I think it did a wonderful job of representing corporate horror. I think the casting was really good too which is funny cause when I saw the lineup I was unsure at first. It's very intriguing and needs 100% of your attention so if you can't for whatever reason it's best to put it off. Everything loops back around and it's super neat to see. Also didn't expect to get a gay love story especially between two older men! I personally think there needs to be more of that woth older individuals as opposed to just teen stuff idk it's refreshing

Last Song:

Got To Give It Up by Marvin Gaye! I was drawing my artsona yesterday and put on my funk playlist to get into the mood and that's the song I ended on.

Currently Watching:

I'm not watching a show right now but I am watching Red Letter Media's reviews of Star Trek: Picard season 3. I didn't watch the show cause I think it's fucking garbage but that's why I'm watching Mike and Rich review cause they fully feel how I feel and it's funny to watch them rip it apart. I really really hope the show doesn't continue after this season even though I know they're slated to but oh well. But anyway I love that Mike and Rich know so much about Star Trek which makes their reviews really interesting because they know details that perhaps an average viewer wouldn't.

Currently Reading:

House of Leaves! I've fallen behind in my reading cause my health has been bad and when my pain is higher I have a hell of a time reading or talking or really concentrating at all in any way. But I'm really really enjoying it it's so odd and different but it's super not one of those books you can just pick up easily. Suuuuper good tho!

Tagging @lost-boy-pavi @adefenseofcannibalismpdf @evrart @cipheramnesia

#tag game #anyone else whod like to do it please do!#my art #tunes

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bananaofswifts · 3 years

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For Women's History Month 2021, GRAMMY.com is celebrating some of the women artists nominated at the 2021 GRAMMY Awards show. Today, we honor Taylor Swift, who's currently nominated for six GRAMMYs.

When we met Taylor Swift in 2006, it was immediately apparent that her songwriting approach was like ripping a page out of her diary.

"Just a boy in a Chevy truck/ That had a tendency of gettin' stuck/ On backroads at night/ And I was right there beside him all summer long/ And then the time we woke up to find that summer gone," she lamented in the first verse of her debut single, "Tim McGraw(opens in a new tab)." The way the then-16-year-old Swift could turn personal anecdotes into instantly memorable hooks mirrored the prowess of an industry veteran, appealing to more than just the teenage girls that could relate to a short-lived high school romance.

Now, nearly 15 years later, Swift has introduced another layer of intrigue with a foray into indie folk, unveiling a pair of albums, folklore and evermore, last year. Recorded entirely in isolation after the COVID-19 pandemic hit in March 2020, folklore has been widely acclaimed(opens in a new tab) as Swift's best album, touted for its intimate songwriting and cinematic dynamics; evermore has received similarly glowing reviews(opens in a new tab).

folklore was 2020's best-selling album(opens in a new tab) and earned Swift five GRAMMY nominations at the 2021 GRAMMY Awards show, including her fourth Album Of The Year nod. (evermore will be eligible for the 64th GRAMMY Awards in 2022.) As her 10 previous GRAMMY wins suggest, though, this new chapter isn't an abrupt departure for the star—it's a masterful continuation of her evolution as a singer/songwriter.

If there's one thing that Swift has proven throughout her career, it's that she refuses to be put in a box. Her ever-evolving sound took her from country darling to pop phenom to folk's newest raconteur—a transition that, on paper, seems arduous. But for Swift, it was seamless and resulted in perhaps her most defining work yet. And folklore’s radiance relies on three of Swift’s songwriting tools: heartfelt balladeering, autobiographical writing, and character-driven storytelling.

While there was always a crossover element to Swift's pop-leaning country tunes, her transition from country starlet to pop queen began with Red. The album’s lead single, the feisty breakup anthem "We Are Never Ever Getting Back Together(opens in a new tab)," was Swift's first release to reach No. 1 on the Billboard Hot 100 (and, ironically, scoffed "indie records much cooler than mine"). She declared a full pop makeover with 2014's 1989, but the response proved that her bold move was the right one: Along with spawning three more No. 1 hits, the project won Swift her second GRAMMY for Album of the Year.

From there, 2017’s Reputation, a response to media scrutiny, and 2019’s Lover, an often bubbly exploration of all facets of affection, followed. Although they shared similarly grandiose production, Lover featured a handful of poetic ballads, including "The Archer(opens in a new tab)," a self-reflective love song that teased Swift's folk sensibilities through storybook lyrics and ambient textures.

Swift’s ballads are key in understanding the full essence of folklore. They’ve regularly marked standout moments on each of her albums, both thanks to her poignant vulnerability and rich tone. Fearless standout "White Horse" earned Swift two GRAMMYs in 2009; Red's painstaking "All Too Well" was an instant fan favorite; 1989's "This Love" and Reputation's "New Years Day" provided tenderness amid otherwise synth-heavy sounds.

The raw emotion she puts into her downtempo songs comes alive on folklore, introducing a new wave of neo-classical sonics that elevate her fanciful penmanship to an ethereal level. Whether or not Swifties saw a full indie-pop record coming—at least not yet—the shift isn't all that surprising. Folklore’s romanticized lyrics and relatively lo-fi production are arguably what many fans have been patiently waiting on.

Lyrically, the super-personal nature of Swift’s music has always captivated fans and naysayers alike; diehards and critics dissected each of her albums for its real-life subjects and hidden meanings. While she played into those conspiracies at the time—whether she was revealing names in titles like "Hey Stephen(opens in a new tab)" and "Dear John(opens in a new tab)" or scathing the other girl on "Better Than Revenge(opens in a new tab)"—even Swift herself admits that her teenage method had an expiration date.

"There was a point that I got to as a writer who only wrote very diaristic songs that [it] felt unsustainable for my future moving forward," she told Apple Music's(opens in a new tab) Zane Lowe in December of 2020. "It felt like too hot of a microscope ... On my bad days, I would feel like I was loading a cannon of clickbait when that's not what I want for my life."

That realization is what helped make folklore so memorable: Swift stripped away the drama to let her artful storytelling shine. Sure, there are occasional callbacks to personal happenings ("invisible string(opens in a new tab)" references sending her exes baby gifts and "mad woman(opens in a new tab)" alludes to her legal battle with Scott Borchetta and Scooter Braun). Still, she largely shies away from her autobiographical narratives to make way for her imagination.

"I found myself not only writing my own stories, but also writing about or from the perspective of people I've never met, people I've known, or those I wish I hadn't," Swift wrote in a letter to fans(opens in a new tab) on social media the day folklore arrived. "The lines between fantasy and reality blur and the boundaries between truth and fiction become almost indiscernible."

folklore might be her first full project dedicated to creating characters and projecting storylines, but Swift has shown a knack for fantasy from the start. Tracks like "Mary's Song (Oh My My)(opens in a new tab)" on her self-titled debut and "Starlight(opens in a new tab)" on Red saw Swift craft stories for real-life muses ("Mary's Song" was inspired by an old couple who lived next door to Swift in her childhood; "Starlight" was sparked from seeing a picture of Ethel and Bobby Kennedy as teens). Even when songs did pertain to her real life, Swift often had a way of flipping memories into whimsical metaphors, like the clever clap-back to a critic on Speak Now's "Mean(opens in a new tab)" or the rebound relationship in Reputation's "Getaway Car(opens in a new tab)."

To think that we wouldn't have folklore without a pandemic is almost surreal; it's already become such a fundamental piece of Swift’s artistic puzzle. There was no telling what may have come after the glittering "love letter to love itself” that was Lover, but it seems isolation made the singer rethink any plans she may have had.

"I just thought there are no rules anymore because I used to put all these parameters on myself, like, 'How will this song sound in a stadium? How will this song sound on radio?' If you take away all the parameters, what do you make?" she told Paul McCartney in a November (opens in a new tab)Rolling Stone(opens in a new tab) interview(opens in a new tab). "And I guess the answer is folklore."

Even if she hasn’t been making indie music herself, Swift has shown an affinity for the genre over the years through curated digital playlists(opens in a new tab). Those included four songs by The National including "Dark Side of the Gym," which she references on folklore single "betty(opens in a new tab)," and "8 (Circle)" by Bon Iver, Swift's collaborator on folklore's gut-wrenching "exile(opens in a new tab)" as well as evermore’s title track. (“Exile” is one of folklore’s GRAMMY-nominated cuts, up for Best Pop Duo/Group Performance.)

The National’s guitarist Aaron Dessner co-wrote nine and produced 11 of folklore's 16 tracks, soundtracking Swift's imaginative tales with sweeping orchestration and delicate piano. Their partnership started with "cardigan(opens in a new tab)," a melancholy take on teenage love(opens in a new tab) that's up for Best Pop Solo Performance and the coveted Song of the Year. The team-up was a dream come true for Swift, a self-proclaimed National superfan and a career highlight for Dessner, who shared in an Instagram post(opens in a new tab) about folklore that he's "rarely been so inspired by someone." He sees the album as a pivotal moment for both Swift's career and pop music.

"Taylor has opened the door for artists to not feel pressure to have 'the bop,'" Dessner shared with (opens in a new tab)Billboard(opens in a new tab) in September. "To make the record that she made, while running against what is programmed in radio at the highest levels of pop music—she has kind of made an anti-pop record. And to have it be one of the most, if not the most, successful commercial releases of the year that throws the playbook out.

"I hope it gives other artists, especially lesser-known or more independent artists, a chance at the mainstream," he continued. "Maybe radio will realize that music doesn't have to sound as pushed as it has. Nobody was trying to design anything to be a hit. Obviously, Taylor has the privilege of already having a very large and dedicated audience, but I do feel like it's having a resonance beyond that."

Swift's other primary folklore collaborator was Jack Antonoff. He has been her right-hand man since they first paired up on 2013's promotional single "Sweeter Than Fiction(opens in a new tab)" (Swift referred to him as "musical family" in her folklore announcement(opens in a new tab)). Even after years of creating stadium-ready pop smashes, Antonoff said in his own folklore Instagram post(opens in a new tab), "I've never heard Taylor sing better in my life / write better."

As Swift recognizes herself, folklore ushered in a new way of thinking for the superstar that not only brings out her best, but sets a promising precedent for what's to come. "What I felt after we put out folklore was, 'Oh wow, people are into this too, this thing that feels really good for my life and my creativity,'" Swift added in her interview with Lowe. "I saw a lane for my future that was a real breakthrough moment of excitement and happiness."

Her enthusiasm is tangible on both folklore and evermore. Dubbed folklore’s sister record, evermore further expands Swift’s newfound mystical atmosphere. Much to the delight of many Swifties, the follow-up also calls back to her country beginnings on tracks like the HAIM-assisted “no body, no crime(opens in a new tab),” as well as her pop expertise on more uptempo cuts like “long story short(opens in a new tab).”

Together, the albums are a momentous reminder that Swift is a singer/songwriter first. Her wordcraft is some of the most alluring of her generation, and that’s never been lost on her music, regardless of the genre she’s exploring. But now that Swift also feels she's at her best, it’s evident folklore was just the beginning of Taylor Swift in her finest form.

#taylor swift #folklore #Grammy #WOW

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tyrantisterror · 3 years

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I did a four part series of trivia posts when ATOM Volume 1: Tyrantis Walks Among Us! came out, and that was pretty fun! You can see that set of trivia posts here if you’d like. I thought it’d be fun to do another now that ATOM Volume 2: Tyrantis Roams the Earth! is out - just one this time, because a lot of the trivia I talked about with Volume 1 still applies.

I’m gonna divide this into two sections: non-spoiler trivia, for things that really don’t give a lot of plot points away, and spoiler trivia, for things that DO give away major plot points. I recommend not reading the spoiler trivia until after you’ve read Tyrantis Roams the Earth!, for obvious reasons, and will put the spoiler trivia under a cut.

Ok, let’s go!

- So if you read ATOM Volume 1, you probably noticed that the book is split not only into chapters, but “episodes,” which consist of four chapters a piece. It’s kind of a nod to how the series owes a great deal of its DNA to various monster of the week shows, with Godzilla: the Series and The Godzilla Power Hour being obvious influences. It also allowed me to pepper in some illustrations and cheesy b-movie style titles into each volume.

- The first “episode” of Volume 2, Tyrantis in Tokyo, pays explicit homage to the giant monster movies of Japan, perhaps even moreso than the chapters that came before it. Given how much Japanese media influenced ATOM - from tokusatsu like the Godzilla, Gamera, and Ultraman franchises to anime like Digimon and Evangelion (hell, the title of this episode itself is a tip of the hat to Tenchi Muyo by way of one of its spinoffs) - it kind of felt obligatory that Tyrantis visit Japan and pay his respects.

- Tyrantis in Tokyo also fits in a tribute to another staple of Atomic Age pop culture: Rock and Roll.

- Kutulusca, the giant cephalopod that appears in Tyrantis in Tokyo, is one of the oldest kaiju in this series, dating back to the first iteration of Tyrantis’s story that I put to paper back in 2001 or so. It’s changed a lot since then, but its fight with Tyrantis goes more or less the way it originally did.

- Old Meg, the giant placoderm/shark, and Nastadyne, the bipedal beetle, both owe their existence directly to Deviantart’s Godzilla fandom. Old Meg originated as a dunkleosteus monster I submitted to a “create a Godzilla kaiju” contest held by Matt Frank, while Nastadyne is based on a Megalon redesign I made during the “redesign all the Godzilla kaiju” phase of DA’s kaiju fandom.

- The second episode, Tyrantis vs. the Red Menace, gets dark as we visit the USSR, which had enough REAL horror with atomic power in its history to make creature features seem a bit defanged by comparison. It’s probably the episode with the strongest horror elements - ATOM’s always been influenced by Resident Evil, and this is probably where that influence shows the most strongly.

- It also features the first fully robotic mecha in the series, the mighty Herakoschei! Its name is a combination of “Heracles” and “Koschei the Deathless,” with the former part being added by its Russian creators to make it seem a bit more international as they offer it to the U.N. in hopes of gaining aid for a very extreme kaiju problem they’ve developed.

- Most of Tyrantis vs. the Red Menace takes place in the Siberian Monster Zone. Its name is a reference to the Lawless Monster Zone in Ultraman, which is such a cool fucking name I wish that I wish I could go back in time and steal it.

- The next episode, Tyrantis’s Revenge, is... full of spoilers, so we’ll move on for now.

- The penultimate episode, Tyrantis vs. the Martian Monsters, is a love letter to MANY different sci-fi stories that involve life on Mars, though the most prominent of them is of course The War of The Worlds (one of my top 3 favorite books) and its various adaptations. From its tentacles sapient martians, the tripodal leader of the titular monsters whose name includes the word “ulla” which is uttered by said sapient martians, the plant monster made of red vines, the cylinder-shaped spacecraft the Martian monsters are sent to earth on, the copper-skinned stingray-esque flying martian who shoots lasers from its tail, and the fact that every chapter title in this episode is a quote from the book, the H.G. Wells influence is STRONG.

- The final episode, Invasion from Beyond!, is shamelessly inspired by Destroy All Monsters, although there’s a dash of “To Serve Men,” Godzilla vs. Monster Zero, and The Day the Earth Stood Still mixed in as well. It’s also sort of a tribute to my first “published” bit of a kaiju fiction - a rewrite of Destroy All Monsters that included EVERY Godzilla monster that had appeared at the time, which my middle school self wrote back in 2002 or so for Kaiju Headquarters, a kaiju fansite I’m not sure exists anymore. Invasion from Beyond! is just as ambitious (but hopefully better executed) as my DAM Remake, with dozens upon dozens of different kaiju duking it out, earthlings vs. aliens.

- There were three different documents I made to outline the final battle of Invasion from Beyond! It’s the largest episode of the series so far and more than half of it is that fucking fight. My inner child is pleased, though, so hopefully you will be too.

Ok, that’s all I can share without spoilers. READER BEWARE WHAT FOLLOWS BELOW THE CUT!

JUST MAKING SURE you know that SPOILERS will follow from here on out. Read at your own peril! YOU WERE WARNED!

(I’m gonna start with lighter ones just in case you scrolled too far and want to turn back)

- There’s a number of explicit Spielberg homages in ATOM Volume 2, from a “we need a bigger boat” joke during a chase with a giant shark to the fact that Invasion from Beyond! opens with a group of people flying to an island of monsters to review whether or not it should get more funding.

- When Tyrantis appears in the first chapter, I snuck in modified lyrics of The Godzilla Power Hour’s theme song. “Up from the depths”... “several stories high”... “breathing fire”... “its head in the sky”... Tyrantis! Tyrantis! Tyrantis!

- The two rock bands in Tyrantis in Tokyo have real life inspirations ala Gwen Valentine, albeit a bit more muddled than hers. The Cashews are inspired by The Peanuts (see what I did there), while The Thunder Lizards are a mix of The Rolling Stones, the Beatles, Buddy Holly, and the Big Bopper. I wanted The Thunder Lizards to be more akin to the myth of a famous rock and roll band than the reality - less the real Beatles and more the Yellow Submarine cartoon version of them.

- The song The Thunder Lizards write for Tyrantis was written to fit the tune of “The Godzilla March” from Godzilla vs. Gigan, though ideally if someone made an actual song of it it would be its own song. I got the idea from Over the Garden Wall, which used the Christmas song “O Holy Night” as a a starting point for “Come Wayward Souls.”

- Perry Martin, UNNO reporter and peer of Henry Robertson, is a nod to Raymond Burr, with his name being a combination of two of Burr’s most famous roles: Perry Mason, and Steve Martin from Godzilla King of the Monsters (1956).

- Dr. Rinko Tsuburaya is a few homages in one. Her name comes from Rinko Kikuchi (who played Mako Mori in Pacific Rim), while her last name is obviously in homage of Eiji Tsuburaya. Her being the daughter of an esteemed scientist is inspired by Emiko Yamane from the original Gojira.

- Nastadyne’s Burning Justice mode is named after a similar super mode from various Transformers cartoons, though it’s more directly inspired by the Shining/Burning Finger super move from G Gundam.

- Martians sending kaiju to different planets via shooting them out of cannons (with or without cylinder spaceships around them) is another War of the Worlds shoutout. So is martians living on Venus after their homeworld was made uninhabitable, actually.

- Kurokame’s vocalizations are described as wails in explicit homage to Gamera. His name can be translated as either “black tortoise” (a reference to the mythical guardian beast Genbu, which can also be construed as a Gamera reference thanks to Gamera: Advent of Irys implying Gamera and Genbu are one and the same) or a portmanteau of the Japanese words for crocodile and turtle - “crocturtle.”

- Burodon’s name is just a mangling of “burrow down.” It also sounds vaguely like Baragon, who Burodon is loosely inspired by. AND, since Burodon is sort of a knockoff/modified Baragon, that kinda makes him a reference to various monsters in Ultraman!

- The final battle of Tyrantis in Tokyo is sort of a hybrid of the finales of Ghidorah the 3 Headed Monster and Destroy All Monsters.

- The Japanese kaiju teaching Tyrantis the art of throwing rocks at your enemies is both a joke on the prominence of rock throwing in Japanese kaiju fights AND the tired trope of an American hero learning secret martial arts from a Japanese mentor ala Batman, Iron Fist, etc. In this case, the secret martial art is throwing rocks at people.

- When introduced to Herakoschei and its pilot, we are told that the strain of piloting this early mecha is so intense that many pilots have died in the process, with the current one passing out on more than few occasions. This is of course a Pacific Rim homage - sadly, no one invents drifting.

- Herakoschei’s design is a loose homage to Robby the Robot and Cherno Alpha, because big boxy robots are cool.

- The Writhing Flesh and ESPECIALLY Pathogen are both hugely influenced by Resident Evil and The Thing. Giant body horror piles of raw flesh, tendrils, mismatched mouths and limbs may be a bit outside the main era of monster design ATOM homages, but they fit the themes and bring a nice contrast.

- I came up with Pathogen long before Corona but MAN it definitely feels different in 2021 to have a giant monster whose name is a synonym for disease driving other creatures crazy in a quarantine zone than it did when I plotted out the story in 2016.

- The chapter title “Hello, Old Foes” is a riff on “Goodbye, Old Friend”

- Minerva, the kaiju-fied clone of Dr. Lerna, is meant to be an homage to Attack of the 50 Foot Woman, which is a genuinely good giant monster flick. I am sure many of you will also believe I included her because I’m a pervert whose into tall women, but you’d be wrong! I included the seven foot tall Russian mecha pilot Ludmilla Portnova because I’m a pervert whose into tall women. Minerva’s inclusion was just coincidental, I swear!

- Since Promythigor is a play on the archetypal ape kaiju to contrast Tyrantis as a play on the archetypal fire-breathing reptile kaiju, their fight has a lot of nods to King Kong movies. Promythigor attempts the famous jaw-snap maneuver of Kong (with less success), J.C. Clark paraphrases the “brute force vs. a thinking animal” line from the King Kong vs. Godzilla American cut, and Tyrantis slides down a mountain to knock Promythigor off his feet in a reversal of Kong doing the same in King Kong vs. Godzilla.

- Tyrantis sliding down a mountain on his tail doubles as a Godzilla vs. Megalon homage.

- Though Promythigor is the archetypal Ape and Tyrantis the archetypal Fire-Breathing Reptile, I think it’s fun to note that in some ways, Promythigor is the Godzilla equivalent in their matchup, and Tyrantis the Kong. Promythigor has a slight size advantage, was scarred by humans performing unethical weapons technology, and is associated with violent explosions. Tyrantis is a good-at-heart prehistoric beast who humanized in part by his unlikely friendship with a human woman.

- Of course, in the context of the famous quote from the American cut of King Kong vs. Godzilla, they remain in their archetypal lanes. Promythigor is the more intelligent of the two (though not necessarily wiser), and Tyrantis is in many ways a brute reptile. Their battle is a rebuttal of sorts to the assertion that Kong is the “better” animal because he is closer to human. Promythigor’s near human creativity and emotions don’t make him the kinder/more benevolent monster, but instead fuel a very self-centered and destructive attitude that makes him the far more dangerous threat. On the other hand, Tyrantis, who is less intelligent, limited in communication with others by his reptilian mindset and instincts, and simple in his thoughts and desires, is nonetheless a sweet creature that is easily dealt with when others consider his animal needs and mindset. There’s a quote from Hellboy I love that probably sums up all of my writing thus far: “To be other than human does not mean the same as being less,” and that’s what the matchup between these two in particular tries to illustrate: the “less” human Tyrantis is nonetheless more benign than the “more” human Promythigor.

- Kraydi the psychic lizard began life as a soft sculpture I made of the Canyon Krayt Dragon from The Wildlife of Star Wars. The sculpture didn’t look much like the illustration, but I liked how it came out, and so I made it an original monster named Kraydi (see what I did there). Figuring out an explanation for that name in ATOM’s world was possibly the most difficult kaiju naming task in the series, but it worked out in the end.

- Kraydi and Promythigor having psychic powers is a result of my time on Godzilla fan forums in my middle school years. Most of the forums had OC kaiju battle tournaments, and SO many of those kaiju had a wide array of beam weapons and psychic powers just to win the tournaments by beam-spamming and mind controlling their foes into oblivion. There’s a special kind of rage you get when your original creation is beaten by “Fire Godzilla” because he has a genius level intellect and the power of unstoppable telekinesis. Kraydi began as (and still is I suppose) my attempt to do a psychic kaiju well, while Promythigor’s villainy being tied to psychic powers being forced on him is sort of my passive aggressive commentary on people foisting powers on a monster without any real thematic reason for them.

- Henry Robertson and Dr. Praetorius chewing out the laziness of people giving kaiju completely unaltered names of mythic beasts will probably be seen as a jab at the Monsterverse and/or the numerous writers in the kaiju OC scene who do the same, but it’s ACTUALLY a jab at my past self, who had DOZENS of kaiju whose names were just Greek mythological figures verbatim. There are dozens of kaiju named Hydra, Scylla, Charybdis, Chimera, etc., past me, try to make the names stand out! Oh wait you did. I mean, don’t pat yourself on the back too much, you still went with “Mothmanud” as a canon name and never came up with something better, but, like, good on ya for trying I guess.

- Dr. Praetorius takes his name from the evil mad scientis in Bride of Frankenstein, who basically has all the wicked traits that Universal’s Frankenstein downplayed in their take on Dr. Frankenstein. Ironically, ATOM’s Dr. Praetorius is a bit less evil than his fellow mad scientists in ATOM. I really like how his character turned out, he surprised me.

- Isaac Rossum, the pilot of the USA mecha Atomoton, is named for Isaac Aasimov, whose robot stories are to robot fiction what Lord of the Rings is to high fantasy. His last name is a reference to Rossum’s Universal Robots, which is where the word “robot” came from.

- The unfortunate pilots of MechaTyrantis in ATOM Volumes 1 and 2 are all nods to Jurassic Park. John Ludlow = John Hammond and Peter Ludlow, Ian Grant = Ian Malcolm and Alan Grant, Dennis Dodgson = Dennis Nedry and Lewis Dodgson.

- A good way to pitch Invasion from Beyond! would be “what if the staff and monsters were able to fight back when the Kilaaks tried to take over Monsterland?”

- Ok, here’s a fun joke that no one will get but me because it requires a very specific chain of logic based on some obscure and loosely connected nerd bullshit. There’s a rocker in ATOM’s universe named Sebastian Haff, right? One of his songs, “Darling Let’s Shimmy,” is referenced right before a mothmanud larva emerges from the ground in both ATOM Vol. 1 and 2. Ok, so, in the Bubba Hotep, an aging Elvis impersonator named Sebastian Haff claims he is actually the real Elvis Presley, having changed places with the real Sebastian Haff as a sort of Prince and the Pauper deal that went wrong. Got that? Ok, so, in UFO folklore, a common joke is the theory that Elvis didn’t die, but was rather abducted by aliens (or he actually WAS an alien the whole time - the whole “Elvis didn’t die, he just went home” joke in Men in Black is a good example of this). Ok? Ok. So, in ATOM’s universe, we can surmise that their equivalent of Elvis, whose name is Sebastian Haff, WAS abducted by aliens, and that his song “Darling Let’s Shimmy” is subconsciously influenced by his repressed memories from his time aboard the Beyonder spaceships, which is why it accidentally awoke a Mothmanud larva in Volume 1. There’s a lot of bullshit jokes I put into ATOM, but this is perhaps the bullshittiest of them all.

- One of the most common bits of feedback on ATOM Volume 1 I got was “I kept waiting for something to eat Brick Rockwell, he’s such an asshole.” And I had to smile and go, “Oh, yeah, guess he never got his, huh?” the whole time without letting on that he was going to die here all along!

- Dr. Lerna and Brick Rockwell’s nature as foils to each other is probably most apparent in Invasion from Beyond!, where both are given fairly similar situations - a nonhuman approaches them with a solution to a global crisis - and react to it very differently. I worry that some people may think they both made the same choice and got different results, and that that’s hypocrisy on my part, but I hope I wrote it so you can see how their choices and situations actually differ in key ways, and why their decisions, while similar on the surface, are ultimately very different, and thus result in almost opposite outcomes.

- So, when I planned out this book in 2016, I swear I didn’t know about the Orca from 2019′s Godzilla King of the Monsters. Having the plot hang around Dr. Lerna deciding whether or not to use a sonic device to rouse all the kaiju to save the earth was not INTENDED to be a Monsterverse reference - it came about from me looking at Pathfinder’s take on kaiju, who are all explicitly influenceable by music, and thinking, “Oh, wow, music and songs DO have a major connection with kaiju in a lot of media, I should do something with that.” Whem KOTM came out a few days after Volume 1 came out I realized I was kinda fucked here, because the comparison was definitely going to be made, but I’d also set this all up already and you can’t just change suddenly to avoid looking like a copy cat and make a good story, so... I dunno, I leaned into it a bit, but it is what it is.

- While most people will probably think they’re a reference to the Reptoids of UFO folklore, the Reptodites are more inspired by the Dinosapien of speculative evolution fame and, even morso, by the Reptites from Chrono Trigger. Me wanting to avoid the “lizard people control the government” conspiracy theory trope is one of the main reasons why Reptodites have this non-interference clause with humanity.

- Lieutenant Gray is a bunch of different humanoid aliens rolled into one - a little Hopskinville goblin, a little classic gray, a little this one weird alien with five-fingered zygodactyl hands, etc.

- There’s some Beyonder Mecha in this volume that are basically kaiju-fied versions of the Flatwoods Monster. The species that built them ALSO engineered the Mothmanuds, because connecting Mothman and the Flatwoods Monster is fun!

- Pleprah is, obviously, a one-eyed one-horned flying purple people eater.

- Tyrantis’s brush with death, in addition to being so very anime, was inspired by my dad outlining how mythic heroes often have to travel to the underworld/land of the dead before they can finish their journey. It’s one of the plot points that I’ve had planned for this series since middle school.

- I’m sure some will view it as hackneyed and corny, but as a person who’s battled with depression for decades, having Tyrantis’s choice to live be the big heroic turn of the finale was very important to me. Tyrantis incorporates elements of a lot of imaginary friends I made as a kid, and in many ways he’s kind of the face of my more positive side in my head. He’s been telling me to choose to live for a while, and while maybe to an outsider it may seem hackneyed, it’s just... very Tyrantis. He chooses life and kindness in the face of pain and struggle. That’s Tyrantis.

- Tyrantis’s powered up form is called “Hyper Mode,” which is another Gundam reference. Originally it was a lot gaudier and involved him turning gold like a fuckin’ Super Saiyan. I opted for something a little more toned down here.

- Also, speaking of KOTM references, I decided to make Hyper Mode Tyrantis’s final duel with Pathogen be a sort of foil to Burning Godzilla’s final bout with Ghidorah in KOTM. Instead of ravaging the city, Hyper Tyrantis’s pulse of energy rejuvenates his fallen allies, and as a result he is “crowned” not out of fear for his supremacy in the wake of killing a powerful enemy, but in gratitude for his kindness. See? Leaning into it!

- And now I can finally reveal that Yamaneon is ATOM’s equivalent of The Monolith Monsters - that is, a kaiju that is also a mineral. I took the “strange continuously growing rock” thing in a very different direction, though, as unlike The Monolith Monsters, Yamaneon is actually alive.

- At various points in the pre-writing process, either Promythigor, MechaTyrantis, or both were going to die fighting Pathogen. I ultimately decided to let them both live, with MechaTyrantis even getting his flesh and blood body back, because I think it’s more interesting and thematically consistent that way. They get a chance to heal their wounds by changing their ways.

- The Great Beyonder and Dorazor both almost didn’t make the cut, as I felt they didn’t have the same pull as villains that Pathogen, Promythigor, and MechaTyrantis did. But then I thought that could actually be the gag - build them up as the final boss, only to have Pathogen take their crown. I want to explore post-face turn Dorazor a bit more, though. We’ll have to see about that in a later volume.

- Volumes 1 and 2 make up what I call “The Ballad of Tyrantis Arc” for ATOM. I call it that because Tyrantis’s storyline in these two volumes was patterend after Chivalric ballads like Yvain the Knight of the Lion. Tyrantis, a heroic warrior who is kind but dumb of ass, learns of strange goings on outside his home and investigates. During his journey into the unknown he falls in love with a powerful woman, whose favor he tries to win. Through happenstance he is separated from his love and, distraught, wanders around fighting various foes to prove his worth, before finally returning to his love a better hero. Invasion from Beyond! could even be seen as a sort of Morte d’Artur, with Tyrantis and a bunch of other kaiju heroes (including Nastadyne and Kemlasulla, who are built up as Hero Kaiju of Another Story) take part in a huge battle that threatens their idealic kingdom (of monsters).

- Volume 2 isn’t the end of ATOM, but it’s designed to work as an ending if you want to tap out here. As a reader I feel a definitive ending is important, but as a writer I’m always tempted to revisit my beloved characters, so I feel giving closure while leaving a few doors open for possible future adventures is a good compromise between these positions. There will be more ATOM stories, some (but not all!) following Tyrantis and Dr. Lerna, but if you want to know that Tyrantis and Dr. Lerna get an ending and the resolution to their arcs such a thing promises, here you go. An ending, if not THE END.

#The Atomic Time of Monsters #A.T.O.M. Trivia

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bitchapalooza · 3 years

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Here we go, my love letter to North Italy's and Germany's contrasting designs and how good they are!

Disclaimer: I only know the basics of character design. I am self taught and still learning so in no way is this a professional character designer review.

First of all, shape language

Circles, triangles, and rectangles/squares are fairly common shapes used in design. They are simple and appealing to not only children but everyone who loves consuming media! You can either have a main shape to your character or you can mix them all together and get a fun character soup!

A good example of a round character would be Vanellope von schweetz(Wreck It Ralph)—

She is a very energetic and happy character and this translates well into how her character was built. Without her fun clothes and color palette, you can easily tell Vanellope is an overall fun, childish character. 100% designed to be a marketable character might I add. Round shapes are also key to making cute characters btw!

A good pointy character would be Sideshow Bob(The Simpsons)—

Without seeing the knife behind his back, you can clearly tell Sideshow Bob has malicious intent. The pointy nose. Erratically styled hair. He also has a very long body made up of mostly rectangular tubes, which translates well into his calculated and logical personality.

A good boxy character I say would be Mr. Gar(Ok Ko: Let's Be Heroes)—

His purpose in the show was to be the property manager of Lakewood Plaza Turbo, and that means he has to display some amount of authority. In order to do that, he was designed with mostly rectangles and squares in mind. He does have a very intimidating exterior but he's also a huge dork.

Lastly, a pretty decent design that mixes basic shapes together is Fear(Inside Out)—

The emotion fear in general is a very mixed up thing to begin with. It's scary. Anxiety plays a messy part in it. Depression too. It makes sense for Fear to be all over the place visually. I suggest looking more into Inside Out's production process. They do a pretty good job with the final emotions' designs and their concept art is also very interesting to look at! I honestly kept it in mind while developing one of my own art styles and it helped me use shapes to my advantage.

As for silhouettes, give your character defining traits. North Italy's hair diddly-doo is good trait. Just something to make the character stick out when they are blocked out in black.

Color language.

Color is also a very important thing for design. However, as Hetalia is based purely on stereotypes, this really isn't applied here on a deep level as it is in normal character design. Let's compare two characters with a similar vibe, shall we?

In the past and in fandom, Russia is typically associated with malicious energy. However, he is most associated, in canon, with many neutral tones—

I see this as intentional on Himaruya's and the colorists/color stylists part. One, it fits his character very well. Two, it deviates away from Russia's disturbing attitude and intimidating appearance. It makes him look softer compared to the things he says. Makes him someone you would willingly want to hug on the streets of all places.

But Maleficent—

Was deliberately designed with purples, greens, reds, and blacks in order to sell that she was evil. If she were to dress any other way, say a hipster with mostly black or red, she would be more like Mother Gothel, basically a villain in plain sight much like how Russia is portrayed in at least the old fandom. Back to Maleficent, her pallet is all villain. She is the BEST example of what an obvious villain is and its thanks to Marc Davis(even if Sleeping Beauty (1959) was a flop). She's probably my favorite villain because her design works so well for her role.

Now onto the main event...

As you can see here, these are Germany and Italy's basic shapes. They translate very well into what their personalities are. I have to say, my favorite part of Germany would have to be his tightly slicked back hair. It really tells the viewer he's a serious guy. Whereas Italy's is loose and bouncy, which also translates pretty well into his character but not as obvious. Again, we can't say much about their color language as yellow means positivity and energy(think Spongebob Squarepants) and that isn't exactly Germany whatsoever.

Their contrasting designs work really well when both characters are put side by side—

You can clearly tell their personalities apart just from one glance. Germany is very neat and straightforward. North Italy has this sort of spontaneous air to him. It also works pretty well with the mixed history real life Germany and Italy have— at least it does to me anyway.

I still don't hold North Italy's design to high praise, neither Germany's, but at least to this extent they're my favorite designs. They're pretty much the embodiment of unlikely friendship and opposites attract and I love it so much!

#hetalia #hetalia germany #hetalia north italy #hetalia veneziano #hetalia russia

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thefloatingstone · 4 years

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If you’re doing Self Quarintine (and you should be if you can help it) here’s some Youtube recommendations! Some of these I have posted about or recommended before but with almost all of us stuck indoors now’s a good time to remind you of some cool things you can watch for free!

I’m not gonna imbed the videos, I’ll just post the link because otherwise I would only able to post 5 and I want to collect a few so you can make a playlist or something. (I could make a playlist too but then I couldn’t tell you what each video is and you can’t pick and choose which one sounds interesting to you)

In no particular order:

Polybius: The video Game that doesn’t exist

An hour long documentary in which the youtuber did extensive research to find the origin of the “Polybius” Urban Legend, which speaks of an early arcade game reportedly seen around the early 1980s which reportedly gave people migraines, insomnia, nausea, subliminal messages, and in some cases heart attacks.

The Universal S

A shorter video in which LEMMiNO does his very best to try and track down where exactly this S that we all drew in middle school comes from? Why does literally every country on earth seem to HAVE their children draw this S?

I also recommend LEMMiNO’s video on the Dayltov Pass Incident and the perplexing UFO cases

Down the Rabbit Hole: Henry Darger

Fredrick Knudsen has an incredible fascinating series called “Down the Rabbit Hole” which simply focuses on... anything you can discover and go digging into. From weird internet personalities, to bizarre happenings in history. This video is about the artist Henry Darger, a man who lived in the early 1900s and for all intents and purposes had a perfectly average, lonely life, until it was discovered just before his death he had spent literally decades writing and drawing a fantasy world in what is possibly the longest piece of literature ever written.

I also recommend his video on the Hurdy Gurdy

Bedtime Stories Channel

I’m actually just gonna link the whole channel for “Bedtime Stories”. If you like weird and creepy stories, all of which at least claim to be “true” then Bedtime Stories is great. Coupled by illustrations and subtle sound effects, Bedtime Stories is literally listening to someone tell you a story about such things like hikers who mysteriously went missing, Sightings of Bog Men in Florida and giant Birds over Chernobyl, as well as weird and unsettling murders that remain unsolved. Sometimes the facts are a little dubious or have been disproved, but that’s not the point of the channel. It’s here to tell a creepy story, not give you a documentary.

A Journey Through Rule of Rose

Rule of Rose is a Survival Horror gave for the PS2 which has rather bad gameplay... but a FASCINATING story with just as many layers and symbolism as Silent Hill 2 could boast. It tells the story of one young woman traveling back into her own childhood in an orphanage in the 1930s, and all the horrors that contains. From repressed grief, abusive relationships, child neglect, abuse, and bullying... but it ALSO contains symbolism of societal class structure, politics, eating the rich, and how power structures work. Not for the faint of heart, but HIGHLY recommended.

I also super highly recommend his video on the similarities between Silent Hill 2 and Solaris

Clemps Reviews Crisis Core

Mr. Clemps is a great internet gamer who reviews JRPGs and other games he simply enjoys. Sprinkling in a heavy dose of comedy and very fast jokes and observations, Clemps’ videos are always upbeat, fun, and incredibly enjoyable to watch. I’m linking part 1 of his Crisis Core video in which he explains why the PSP game remains a personal favourite of his despite its flaws.

I also recommend his video on Eternal Sonata

Defunct TV: The History of Dragon Tales

Defunctland is a channel that deals with theme parks and theme park rides that are no longer standing, or which are no longer around in their current form. Defunctland also has a sub series though, called “Defunct TV” where they look at the origin of children’s TV which are no longer airing. I recommend the video on Dragon Tales which is incredibly wholesome, and a genuinely uplifting and soft story of good people trying to make good things for children. (I also recommend the videos on Bear in the Big Blue House, Zoboomafoo, and Legends of the Hidden Temple)

Hagan’s Histories of Polar Exploration

A Playlist for Diamanda Hagan’s videos about the doomed Franklin Expedition from the late 1800s, where England tried to find a passage through the Northern Arctic to the Pacific Ocean. This went horribly horribly wrong, with every member of the Expedition dead. Over a 100 years later we are still fuzzy on what EXACTLY happened, but apart from the arctic chill, there is also evidence of faulty canned food, a series of bad decisions, and cannibalism. Caution advised for this series.

I also recommend the rest of Diamanda Hagan’s channel. She is NOT for everyone, but if you enjoy somebody reviewing Z grade indie movies as well as just BIZARRE films, really bad Christian media bordering on Science Fiction (without making fun of religion itself) hot takes of classic (and modern) Dr. Who, an introduction to Red Dwarf, She’s an EXCELLENT channel to check out.

Good Bad or Bad Bad: Pass Thru

A half podcast half review show where two guys watch a terrible film, decide if it’s “Good” Bad or just Bad Bad and tell you if you should watch it too.

That’s it. That’s the whole show.

I recommend diving into the untold madness that is one of the best(?) bad film makers currently still producing batshit insane movies, the immortal Niel Breen.

There is literally nothing I can say that’ll prepare you for Niel Breen.

(I also recommend their more recent video for “Dancin’ It’s on!”)

History Buffs: Apollo 13

Do you like History? Do you like movies ABOUT History? Do you want to know if the movies about history you watch actually resemble what really happened in any way at all? History Buffs is an EXCELLENT channel, which does talk about the merit of a film itself, but is mainly focused on letting you know just how true to life that historical film you watch is. I highly recommend his longest video which covers the space race between the USA and the USSR, leading to what is known as “The most Successful Failure in NASA’s History”. The Infamous Apollo 13 and where the words “Houston, we have a problem” came from.

If you’re not interested in Apollo 13 however, I also recommend his video on the movie Casino, as well as his video on the female philosopher, Agora.

The Internet Historian: The Goodening of No Man’s Sky

With videos with literally MILLIONS of views, you probably already know the Internet Historian. But I still want to recommend him very highly because his videos are just THAT good and entertaining. I recommend his newest video, documenting that time we were all pissed off about No Man’s Sky, the difficulties the game studio was in when the game released, and how they have been working hard to finally create what is now a truly brilliant game which is winning major awards. A really good underdog story of how a video game company actually saw what was wrong with their game, and FIXED it.

I also recommend his video on Fallour 76 as well as the Failure of Dashcon

8 Creepy Video game mysteries

Hey. Did you know that sometimes there’s some REALLY weird shit in video games, hidden easter eggs which took literal decades to find as well as just a lot of “what the actual fuck?”. Oddheader is a channel with a dedicated discord and Reddit form solely focusing on trying to find or replicate bizarre video game finds, mysteries, and hidden glitches. Even if it means getting in his car and driving to a specific arcade just to check a rumour about Street Fighter II’s arcade version. So if you like getting spooked by weird game shit that’s not just some dumb creepypasta, this is a great place to start.

I also recommend his video on weird discoveries in DVDs and movies.

Red Letter Media: Best of the Worst

Look you already know who Red Letter Media is.

You know... these guys:

Here’s a video of them and Macaulay Culkin watching 3 terrible movies together.

I recommend literally any and all of their videos. Their discussion on Carpenter’s The Thing is amazing.

The Impact of Akira: The film that changed Everything

Ok trying to pick just ONE Super Eyepatch Wolf video is literal torture. Originally I was going to suggest his recent video on Final Fantasy 7 for the PSone but I realised I recommended something FF7 related with Clemps, so instead I will recommend The Impact of Akira, a video talking in depth about Akira both as a film as well as a manga, how it completely and utterly changed the anime industry both in Japan as well as the west, and why it is still a meaningful and one of the most important anime/manga even to this day, still being unsurpassed despite so much competition.

However, ALL of Wolf’s videos are incredible, so I also recommend his videos on wrestling (despite me not caring about wrestling at all), His video on how media scares us, The bizarre reality of modern Simpsons, Why the Dragon Ball Z manga is great, and literally any other video he’s made. He hasn’t made one bad video yet.

Was Oblivion as Good as I remember?

Exactly what it says on the tin. The Salt Factory goes back to playing The Elder Scrolls Oblivion and now with hindsight and modern sensibilities, gives feedback on his experience and whether Oblivion still holds up. This isn’t a super in depth review of the game’s mechanics or how its put together or how it was made. This is simply one guy talking about his experience replaying it with somejokes thrown in and how he felt revisiting it. It’s pretty good.

I also recommend the video he did on Morrowind (because I’m biased).

Weird Japan Only PS1 games

Thor High Heels is SO GOOD and deserves SO MUCH MORE subs than he currently has. THH focuses a lot of obscure and lesser known games as well as big popular titles like the Yakuza series, talking about what he likes about them, what he thinks is cool, and just what kind of atmosphere and mood a certain game has, even if the game itself is kind of ass. He’s done several videos on games that were only released in Japan, as well as videos talking about the fashion in Squaresoft games and how it inspired as well as was inspired by real world street fashion, the aesthetic of PC-98 games and other topics. He also styles his videos and thumbnails after promotional art for video games from the 90s and generally just has an excellent style to his channel over all. Very chill.

Blue Reflection Review

ValkyrieAurora is a channel run by Sophie where she talks about games she personally likes and enjoys. Her videos are really laid back and her voice is really calm and pleasant to listen to. She’s made a bit of a reputation for herself as “The channel that talks about the Atelier Games” and general is just a really enjoyable channel worth checking out if you just want something soothing to listen to.

Ancient Chinese Historians Describe Japan

Voices from the Past is a channel were historical text is read out loud in english. These can be anything like the above video where Chinese historians describe the people of Japan around 297 AD, Accounts of “Dog-Men”, or the worlds oldest letter of complaint from 1750 BC. If you’d like something interesting historically to listen to but don’t want a full blown history lesson, this is a really good way to hear contemporary people talk about their experiences and what they thought about each other in their own words, without opinions or input given by the narrator.

The Most Mysterious Song on the Internet

Whang! is a channel that covers weird internet stories, some horrifying, some curious and interesting, and some just plain weird. His video on The Most Mysterious Song on the Internet and its update, are about a song which was recorded off the radio in Germany around the 1980s, and after one person online asked if anyone knew who the artist was as they couldn’t find any information, led to the realization that NOBODY online knows where this song came from or who sang it. It’s a fun mystery to look into that, unlike some others on this list, is not creepy or unsettling, although perhaps a little frustrating.

I also recommend his video on The Most Mysterious Anime theme song, and the haunted Ebay Painting.

5 Lost, Destroyed, and Locked away Broadcasts

Yesterworld is similar to the Defunctland channel in that it talks about obsolete rides, theme parks and other forgotten pieces of entertainment. Although the majority of the channel focuses on movie rides, rollercoasters and Disneyland, I recommend the video on lost and locked away broadcasts which you can no longer see. I also recommend the video about Lost and Rediscovered movie props.

The Nightmare Artist

I talked about this one recently as I just discovered this channel. This video is about the renowned Polish artist Zdzislaw Beksinski who painted surreal and horrifying paintings during his lifetime. There is no mystery here or anything like that, it merely talks about the impact WWII left on Beksinski and how the trauma his country and people suffered influenced his painting, and how certain images and motifs can be seen to directly reference this terrible part of Poland’s history.

Disabilities in Prehistory

Modern media likes to portray how “savage” the ancient past is, and tell us stories of how any person born with a deformity or disability would be thrown over a cliff or dumped in a well because they would be too big a drain on a community to look after. But here’s the thing... according to archaeological evidence, it turns out our ancient ancestors actually did their best to look after its disabled members to the best of their abilities. This video talks about archaeological finds of people who had genetic disabilities and what we can learn from their remains. TREY the Explainer is a great channel for archaeology and also talking about what answers we could have for sightings of cryptids. (not ALL of which we have answers for)

I also recommend his video on Pre-Contact dogs as well as Homosexuality in Nature and the Genetic History of the Ainu.

Decoding “The Secret: A treasure Hunt”

“The Secret” was an art book released in the 80s full of beautiful paintings, but it is also more than that. The book has a fantasy story talking about 12 fantastical races who left wonderful treasures for humans to find,and the book’s paintings and riddles will tell you where you can find each of these treasures which are yours to keep if you can solve the puzzle... and the treasures are 100% true and can actualy be found and claimed, if you can solve the riddles in the book. The video tells the story of the artbook, who was behind it, what the treasures are, how many have been found and various other facts and details.

I also recommend the videos on this channel “The Game: A scavenger Hunt” and “The investigation of Erratas”.

5 Ancient Inventions That Were WAY Ahead Of Their Time

I would recommend you be careful with this channel as its main focus is existentialism and rather alarming topics such as “how close are we to the apocalypse” and other things whose titles alone are enough to upset me. However this video is nothing like that. This video is exactly what the title suggests it is. 5 ancient inventions that were so incredibly ahead of their time you’d think they were made up. From the computer used by ancient Greeks to steel swords we don’t know how to replicate, this video is a great mix of mystery and history.

Although I caution you with this channel, I recommend Joe’s other videos about mysterious books, as well as his video on the most inbred people in history.

However, I know I keep repeating this, I highly recommend caution with this channel. Perhaps its just me and the topics of life and existent are just triggering for me, but I’d recommend maybe just doing a search for the titles I mentioned and not to go searching through the video library unless you’re not bothered by this kind of thing.

Anyway I could keep going, but I think that’s a LARGE amount of videos to keep you occupied for the time being as well as some suggestions for further viewing.

Please enjoy, let me know if you found something interesting, and look after yourself!

If you enjoyed this list at all, please consider tipping me for a coffee

☕️ Ko-fi ☕️

#self isolation #Youtube #Links #Recommended #recommendations #documentary #long post #ask to tag #tumblr ate the 'read more' I put on this so screw it #Just scroll past or hit J to skip this if you want #No editing we die like men

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nitrateglow · 3 years

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Halloween 2021 marathon: 1-4

The Exorcist III

This is for you @hobbitmajora!

The Exorcist III came onto my radar due to the glowing Red Letter Media review. It’s one of the oddest horror movies I’ve ever seen, starting off as more of a crime movie with George C. Scott’s Kinderman investigating the brutal murder of a child. The crime is part of a series of serial killings, all of them linked by blasphemous touches.

There’s a lot to like about this film: the warm friendship between the atheistic Kinderman and the faithful Father Dyer (if ever I wanted two fictional characters to have a classic movie podcast...), the exquisite dialogue, Brad Dourif’s creepy performance-- and that jump scare! I have not been had by a jump scare so thoroughly since I first saw Wait Until Dark years ago.

It does have a few of the problems that usually come with writers trying to direct movies (Exorcist author William Peter Blatty is in the director’s chair this time, adapting his own novel). Several scenes are talk-heavy and shot from wide, stagey angles, but for me, that’s not too big an issue since the dialogue is so good. it’s certainly a weird movie, one I’ll have to rewatch to fully “get,” I think, but it’s definitely deserving of its cult status.

The Haunting (1999)

A Disney Channel movie of the week masquerading as psychological horror.

This misbegotten remake of The Haunting only further confirms my thinking on what makes horror effective—and it sure as hell isn’t “bigger and louder = more terrifying.” Nothing about this movie is scary. The big interiors are campy rather than eerie. The CG set pieces are silly as hell, designed to show off what you can do with computers but certainly not to give you chills.

Don’t even get me started on the characters. In the original, the characters felt like real people. Here, they’re all types, the most obnoxious being Catherine Zeta-Jones as Thirsty Bisexual and Owen Wilson as Owen Wilson. Lili Taylor actually isn’t too bad a stand-in for Julie Harris, but the cringey emotional speeches her character has to give (“IT’S ABOUT FAMILY! IT’S ALWAYS BEEN ABOUT FAMILY!”) compromise the effectiveness of her repressed, sad character at every turn. What’s worse is how the story itself strips her performance of what makes Harris’s so memorable: ambiguity.

The 1963 movie never confirms whether or not the ghosts are in Harris’s head or not. She genuinely seems to be losing her mind, but there’s enough room for interpretation otherwise. Not here—the ghosts are definitely there, waiting to try out for the Haunted Mansion film with Eddie Murphy. Now, you can make an explicitly supernatural film scary, true (see The Exorcist and The Shining), but this is all too cartoonish and in your face to deliver shivers, let alone genuine fright.

The Fog

I have a weird general reaction to John Carpenter’s movies. I tend to marvel at the craftsmanship and immaculate storytelling, but they often leave me cold. There are exceptions (The Thing is a favorite movie of mine), but unfortunately The Fog is not one of them.

That is not to say it is a bad or even mediocre movie. The Fog has a great horror concept: a sinister mist overtakes a coastal town, bringing with it the vengeful ghosts of a slaughtered leper colony intent on murdering all in their wake. The suspense is built up deliberately and the scares really work (I gasped aloud several times). I think my issue is a certain emotional distance from the characters. There are several of them, but I would have liked to see them more developed than they are. Adrienne Barbeau as a sultry-voiced radio host is the only one who stands out.

Still, I saw it immediately after that rotten remake of The Haunting, so I’m not going to complain too much.

Sisters

This was a rewatch and a prime example of a movie that improves on repeated viewings. Brian De Palma is a bit like Terry Gilliam for me: usually the first time I watch his movies, I don’t like them very much, but they linger in the mind, prompting me to seek them out again and then finally appreciate them for what they are instead of what I expected they would be.

Sisters is the first of De Palma’s Hitchcock pastiches. Taking from Psycho and Rear Window, it definitely does not come off as a ripoff. It mostly shares Hitchcock’s stylistic playfulness, particularly in how it messes with audience loyalties. In the first thirty minutes alone, our sympathies shift about four times, much like how our sympathies shift from Marion to Norman to Lila and Sam throughout Psycho. But Sisters wades into outright weirder waters than Hitchcock ever did, even in his most experimental work. Parts feel like they could have come from a David Lynch movie.

Any flaws present are minor, mainly Margot Kidder’s atrocious attempt at a Canadian-French accent. But that is the only issue I have with the movie, which is otherwise among the best horror movies of the 1970s-- and considering how I believe the 1970s was cinematic horror’s best decade, that is saying a lot.

#halloween marathon 2021 #the fog #sisters #the haunting #the exorcist iii

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adultswim2021 · 3 years

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Space Ghost Coast to Coast #85: “In Memory of Elizabeth Reed” | December 7, 2003 - 11:30 PM | S08E04

Happy 20th anniversary, Adult Swim. And, boy, what a momentous episode of Ghost do we have here to celebrate. There are a number of episodes where the guest is an event unto itself and this is truly one of them. Frequent punchline William Shatner is an absolute cunt... and a proper legend. His cuntiness and legendary status are two things that seem to be at odds with one another, and the Space Ghost crew have managed to come up with an artfully idiosyncratic episode to match Shatner’s weird-guy-ness. It’s a classic for sure, and important. But (making a “smug dipshit” face) is it funny?

YES! It’s FUNNY! I will admit though, the first time I saw this episode I didn’t quite know what to make of it. This is partially because I’m very much a Star Trek agnostic. I’ve never been into Star Trek. In the last few years I’ve watched most of the pre-Next Gen motion pictures for inane list-making reasons, and I enjoyed them to varying degrees, but Star Trek is truly not for me. I’m more of a... well, I’m not a Star Wars guy either. What’s the other one? Uh... Spaceballs. That’s it. I’m more of a Spaceballs guy.

But I feel like I’ve absorbed a lot of Star Trek lore through cultural osmosis. I vaguely understand that William Shatner has had some deliberately-paced choreographed fight scene on those rocks from Bill & Ted’s Bogus Journey. When I hear music similar to the the music that Jim Carrey hums in The Cable Guy, I’m pretty sure whatever it is I’m watching is doing a Star Trek thing. And yes, I’ve watched every single Red Letter Media “Mike and Rich talk about Star Trek for 4 hours” video. But even today, after having picked up more Star Trek knowledge on my journey to the grave, I still have this nagging feeling of “I only sort of get this”.

Still, this episode has a handful of screamingly funny lines, and the episode ends wonderfully, with Space Ghost in his death throes, suffering the ultimate indignity of dying in front of William Shatner. There’s also the part where Zorak asks why everyone in Star Trek is black, and a part where Moltar nervously reads from his fan fiction (from a book labeled TARD WARS, hahaha). Shatner, who has a reputation for being arrogant and difficult, is as good a sport as one could hope. The show makes good use of his hammier moments, and only shits on him slightly in the process. The most notable moment is when Shatner says to Zorak “didn't you and I fight to the death?” to which Zorak replies “That sounds pretty dumb, man”. I’ve actually quoted this line many times. It’s one of the best.

Also, for those of you who like to track these things: the show features callbacks to other episodes and shows; the handimen at Zorak’s apartment are clearly extras from Sealab 2020/2021, one of the Leprechauns from Aqua Teen Hunger Force shows up, and there’s a poignant callback to classic Space Ghost episode “Banjo”.

The title motif of this season is naming the episodes after Allman Brothers songs, and I always wondered about this one. Maybe I’m reaching, and it’s probably too disrespectful to be true, but I always thought that it was somehow a veiled reference to Shatner’s wife, whom he supposedly killed or let die. It’s simply too dark to be true, but it’s the first thought that immediately jumped to my mind when I first heard the title of this episode. Am I stupid for thinking this? Am I stupid because it OBVIOUSLY is a reference to that?? I simply do not know. I would like to know.

MAIL BAG

The big anniversary is upon us. What are your 20 favorite things about adult swim for 20 years going. Don't sleep on this question!

I gotta do SOMETHING special, so I might as well do this. More thought could have gone into this, but I spent about an hour trying to come up with episodes or moments from 20 different shows and putting them in rough chronological order. I limited myself to one episode/scene/moment/joke/whatever per show so it’s not all Space Ghost jokes. So, here we go:

Sealab 2021: “I, Robot”. Adult Swim proved it could be brilliant right out of the gate with the stealth premiere of “I, Robot”, but for Sealab it’s all downhill from here. (2000)

Space Ghost Coast to Coast: Space Ghost stops in his tracks to reminisce about the time Bobcat Goldthwait said "crack a window". The entire episode “Kentucky Nightmare” is brilliant, but this moment in particular so uniquely captures my sense of humor that it’s inexplicable. The dumb look on Space Ghost’s face when he stops in his tracks. Goddamn. (2001)

Aqua Teen Hunger Force: “Mayhem of the Mooninites” I tried very hard to make this all be individual jokes or scenes or whatever, but this is another episode where the entire thing is just line after line and I can’t really pick. This, “I Robot”, and “Kentucky Nightmare” is like a perfect trio illustrating how good Adult Swim really was right out of the gate. (2001)

Home Movies: Jason casually reveals that his parents have no idea who Brendon and Melissa are and that he spends most of his free-time making movies with them. This is the episode “Storm Warning” which is overall one of the best episodes of Home Movies, but this scene is probably my favorite. Illustrates how simple and hilarious the comedy is on this show. (2002)

Tom Goes to the Mayor: the end scene in “Undercover”, where they’ve shoddily reversed Tom’s various unnecessary surgeries and called him “Taumpy Tears” to boot. Positively sublime. (2006)

Metalocalypse: Dr. Rockso’s music video. From the episode “Dethclown”. I was never in love with this show as much as the true fans were, but there were a handful of incredible episodes. This episode basically tells one joke over and over and it’s very funny. It really ends with a bang showcasing Dr. Rockso’s shitty music video that celebrates cocaine use. His singing voice is hilarious. (2006)

Assy McGee: I am the only person in the world that defends Assy McGee as being “actually pretty good” and it’s all entirely due to this one line: Assy McGee (a pair of naked buttocks with legs, whose ass functions as his head) is forced to attend a black tie event and is just milling around wearing nothing but a black bow tie. Through clenched anus he delivers the line “I can barely breathe in this penguin suit”. The whole show is worth it for that joke. I don’t even know what episode it is except that it’s from one of the first few. I might not even have the line exactly right. But, I remember laughing so hard. I may not have laughed at Assy McGee again. (2006)

Saul of the Mole Men: The opening theme song. And nothing else. (2007)

Tim & Eric Awesome Show, Great Job!: Jim and Derrick. I should pick something more user-friendly maybe, since this episode almost entirely relies on being familiar with Tim & Eric’s previous episodes. But goddamn, this episode is such a funny concept (which is basically Tim & Eric doing an alternate MTV-ified version of Awesome Show) (2008)

Moral Orel: “Numb”. When Moral Orel suddenly stopped being a quirky Adult Swim comedy and suddenly started doing episodes that resembled art films. This episode is a fucking masterpiece. I remember sobbing the first time I saw it. There are a few in season 3 that are like that, but this one is my favorite. (2008)

Check it Out! with Dr. Steve Brule: Terry Bruge-Hiplo reviews “Dumpster’s Children”. Another bit of comedy that I’d describe as “inexplicable” and “sublime”, and it all hinges on an old man’s mouth. Holy fuck. I don’t think I’ve laughed harder than this at a TV show since. (2010)

Delocated: The ending of “Mole”, an extended Face/Off riff where Jon goes undercover as the scary mobster Sergei. In the final moments of the episode he marries a woman, fathers multiple children with her, and only then is pulled out of the mission. The episode is a tour-de-force of comic acting by Steve Cirbus, who is graciously allowed to shine for most of the episode. But man, that ending is fucking wonderful. (2010)

Venture Bros.: The ending of “Operation P.R.O.M.” a flurry of emotions hit me when “Like a Friend” by Pulp starts playing. The scene is so well done and weirdly touching. Brock realizes that deep down he gives a shit about the Venture family and is genuinely terrified something might happen to them. And then he gets to slaughter a bunch of Zorak monsters, which is also weirdly sweet. It’s even touching on a meta-level knowing that Jackson and Doc tried many times and failed to include licensed music in the show. I love Venture Bros, but I think we’d all be better off if this were the series finale. Sorry. I had to say it. (2010)

The Heart She Holler: The first scene with Patton being taught the way of the world posthumously by his father on a VHS tape. The first season of this show is amazing, but that scene, especially where Patton does a little Japanese bow and says “oh, hot dog!” is just hysterical. Literally every time a hot dog comes up in conversation my wife and I quote it. Please, do not scorn her, it’s not racist when SHE does it. (2011)

Eagleheart: The All That Jazz inspired finale. “Paradise Rising” is mostly a masterpiece, and how it ends is so fucking incredible. Easily the most under-rated show on Adult Swim and I’m not just saying that because... you know (mimes dick-sucking) (2014)

Rick and Morty: I watched the first two episodes of Rick and Morty, thought it was good, but for some reason didn’t become a devotee until my wife made me watch the Mr. Poopybutthole episode. It’s still my favorite episode, I think. (2015)

Brett Gelman’s Dinner in America: The “Dinner with” specials are all really good, but goddamn, this one hits. Should be shown in schools. I am going to go to every grade school in my county with an AR-15 (to get past the guards, of course) and I won’t leave until they call an assembly and they let me fumble around trying to find it on vimeo and play it for the students. (2016)

The Eric Andre Show: Eric interviews Steve Schirripa. The bit where he has an intern dip his balls in Steve’s spaghetti sauce is hilarious, naturally, but I’m here to showcase the running gag where every time Steve complains how hot the studio is, Eric just wordlessly hands him an ice cube until Steve explodes. It’s one of the most childishly hilarious things I’ve ever seen. It’s perfect. (2016)

Million Dollar Extreme Presents: World Peace: The Pick-Up artist sketch. I’m mostly unimpressed with MDE, and all but a few Sam Hyde bits leave me cold. But this sketch is a crowning achievement. I mean, I think these guys suck politically and are more mean than funny, but their sensibilities yielded one really incredible piece of comedy. Okay, I laughed at the blackface sketch too. There. You dragged it out of me. (2016) Joe Pera Talks With You: This show is beautiful and I love every episode. But the episode “Joe Pera Reads You The Church Announcements” Wherein Joe discovers a new-to-him song and can’t stop listening to it, is one of the most joyous episodes of television I’ve ever seen. A gateway episode. I tell everyone to please watch this one first. (2018)

#adult swim #space ghost coast to coast #adultswim2021

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yurimother · 4 years

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LGBTQ Manga Review - April Fools' Suicide

As much as I LOVE covering and reviewing the latest and greatest releases from the “big” names in Yuri, such as they are in what is still a niche genre, it is nice every once in a while to take a look at an up-and-comer. Unfortunately, the vast majority of English releases are from works that have already obtained some modicum of success in Japan and are well known. However, thanks to the power of the internet, I occasionally get the privilege of reviewing something a bit more obscure, such as Sumire’s April Fools’ Suicide. This original doujinshi began as a short comic on Twitter, then morphed into the author’s graduation project, and finally was completed as the volume I am reviewing today.

April Fools’ Suicide begins as the protagonist Miyata stands on a rooftop, prepared to jump to her death. Immediately, this sets off a barrage of red flags. While topics such as suicide and mental illness should not by any means be avoided in manga, far from it, they are essential to discuss in media, I am always wary of their presence. There is a right way and a very wrong way to depict suicide or suicidal thoughts. April Fools’ Suicide falls somewhere in between these two categories. April Fools’ Suicide does not work to link the suicide with any mental illness or demonstrate how help is available to those suffering. I will admit, I am probably more aware of these pitfalls than most, given that I work with a crisis line and train people in suicide prevention.

However, credit where credit is due, there are some aspects of the manga and its depiction of suicide I really like and appreciate. For one, Miyata does not die by suicide. Another girl, Tanaka, appears on the roof and declares that she has fallen in love with Miyata. This savior or lifeline character arc is incredible, although it is, of course, compounded with the sudden ridiculous declaration of love from a complete stranger, but such is Yuri. Additionally, as the manga progresses, Miyata’s life improves. The harassment and bullying she was experiencing stops, thanks to Tanaka, and she eventually makes friends and is able to stand on her own two feet. Major props to Sumire for showing how life can go on and be better.

Okay, enough about suicide, although if that topic makes you exceptionally uncomfortable, you probably want to avoid this manga regardless of the contents of this review. The plot continues as Miyata is shocked to discover that Tanaka is a new transfer student to her school. The two become friends, but Miyata eventually pushes Tanaka away. There are some shocking revelations, which I may add are appropriately foreshadowed and fit with the work’s overall tone, a bunch of wholly unrealistic decisions, and voila the girls are together. Yes, it is a standard girl-meets-girl, Yuri storyline. Although the drama, in this case, is not blown out of proportion as it usually is in this genre, although the heavy contents are not necessarily a plus.

April Fools’ Suicide’s plot is nothing too special, although the presentation is tight and focused. The pacing also feels hugely rushed, with no real-time for a relationship or bond to develop, which is more of a byproduct of being a one-shot doujin than anything else. It is not impossible in this medium, but it is extraordinarily difficult to do right. The characters are not as rushed nor as tepid, however. As previously mentioned, Miyata grows significantly in confidence and contentedness over the course of the volume, although her initial personality is not very defined at all beyond suicidal and lonely. Tanaka is a much more interesting character. She presents a playful and brave face but has a reputation for getting into fights, a status which she uses to her advantage. However, her vulnerabilities and struggles are highlighted in a beautiful, if disturbing, way.

Much like the core plot, the art of April Fools’ Suicide, is competent but unimpressive. It is nothing astounding in it, but neither is there any content that truly offends my eyes, aside from one misaligned double-page spread. Sumire has a few good pieces of art, a landscape shot of the city, a dramatic closeup during an emotional moment. She also uses the standard artwork effectively, with dynamic direction and smart choices compensating for the mediocre aspects. However, the cute moe character designs greatly detract and distract from the intense material the manga attempts to portray. Perhaps the great Moto Momono could pull off this combination, but here is unfortunately awkward. Additionally, on the note of presentation, while Macaron Press did an excellent job translating this manga, the typography is a severe flaw. The mixed-case font used throughout most of the manga makes it hard to read, as character heights are all over the place.

While I have pointed out some of April Fools’ Suicide shortcomings, it should be noted that this is not a bad manga. In fact, I was perhaps harder on this manga than I would typically be with a doujinshi because its presentation is so slick, aside from the glaring lettering problems. The story handles a complicated and risky story competently, though not gracefully, and the quality is consistent. Ultimately, April Fools’ Suicide is a true Yuri manga through and through, taking in all the drama, lack of realism, and metanarratives the genre has to offer. I had a pleasant time and with it and found it heartfelt and think you might too. The first part of the manga is available to read for free on Pixiv, so you have nothing to lose by checking it out.

Oh, one last thing, the bonus chapter/epilogue is so sweet, pure, and adorable. I am not saying buy it just for that, but I am not dissuading it.

Ratings: Story – 5 Characters – 5 Art – 6 LGBTQ – 4 Sexual Content – 1 Final – 5

Purchase April Fools' Suicide digitally in English and Japanese on booth and read part one on Pixiv

Review copy provided by Macaron Press

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