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#taking a break from drawing gay kids to draw gay adults cheers
jeanne-de-valois · 1 year
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love is stored in the dog park (do not observe)
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theomnilegent · 2 years
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2022 Upcoming Sapphic Fiction I’m Excited For!
Here are nine of my most anticipated women-led LGBTQIA fiction this year! There’s plenty of variety to go around and a lot of mystery, intrigue, and drama! From Casey McQuiston’s first foray into YA fiction to Nina LaCour’s first foray into adult fiction, there’s something for everyone on this list!
Below you’ll find titles, summaries and goodreads links to these books. Sapphic romance is something that’s near and dear to my heart and I’m so excited for these stories. Last year we had some absolutely brilliant books come out, and it seems the world is finally ready for bigger and better things when it comes to lesbian and bisexual fiction!
Home Field Advantage by Dahlia Adler Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose. The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she's only got a future on the squad and with her friends if she helps them take Jack down. Just one problem: Amber and Jack are falling for each other, and if Amber can't stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.
The Lesbiana’s Guide To Catholic School by Sonora Reyes Seventeen-year-old Yamilet Flores prefers drawing attention for her killer eyeliner, not for being the new kid at a mostly white, very rich, Catholic school. But at least here no one knows she's gay, and Yami intends to keep it that way. After being outed by her crush and ex-best friend, she could use the fresh start. At Slayton Catholic, Yami has new priorities: make her mom proud, keep her brother out of trouble, and most importantly, don't fall in love. Granted, she's never been great at any of those things, but that’s a problem for Future Yami. The thing is, it’s hard to fake being straight when Bo, the only openly queer girl at school, is so annoyingly perfect. And talented. And confident. And cute. So cute. Yami isn't sure if she likes Bo or if she's just jealous of her unapologetic nature. Either way, she isn't ready to make the same mistake again. If word got to her mom, she could face a lot worse than rejection.  So she’ll have to start asking, WWSGD: What would a straight girl do?
Epically Earnest by Molly Horan Jane Grady’s claim to fame is that she was one first viral internet sensations, dubbed #bagbaby—discovered as a one-year-old in an oversized Gucci bag by her adopted father in a Poughkeepsie train station. Now in her senior year of high school, Jane is questioning whether she wants to look for her bio family due to a loving, but deeply misguided push from her best friend Algie, while also navigating an all-consuming crush on his cousin, the beautiful, way-out-of-her-league Gwen Fairfax. And while Janey’s never thought of herself as the earnest type, she needs to be honest with her parents, Algie, Gwen, but mostly herself if she wants to make her life truly epic. With a wink toward Oscar Wilde’s beloved play, Epically Earnest explores the complexity of identity, the many forms family can take, and the importance of being . . . yourself.
I Kissed Shara Wheeler by Casey McQuiston Chloe Green is so close to winning. After her moms moved her from SoCal to Alabama for high school, she’s spent the past four years dodging gossipy classmates and a puritanical administration at Willowgrove Christian Academy. The thing that’s kept her going: winning valedictorian. Her only rival: prom queen Shara Wheeler, the principal’s perfect progeny. But a month before graduation, Shara kisses Chloe and vanishes. On a furious hunt for answers, Chloe discovers she’s not the only one Shara kissed. There’s also Smith, Shara’s longtime quarterback sweetheart, and Rory, Shara’s bad boy neighbor with a crush. The three have nothing in common except Shara and the annoyingly cryptic notes she left behind, but together they must untangle Shara’s trail of clues and find her. It’ll be worth it, if Chloe can drag Shara back before graduation to beat her fair-and-square. Thrown into an unlikely alliance, chasing a ghost through parties, break-ins, puzzles, and secrets revealed on monogrammed stationery, Chloe starts to suspect there might be more to this small town than she thought. And maybe—probably not, but maybe—more to Shara, too.
Delilah Green Doesn’t Care by Ashley Herring Blake Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her. When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all. Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
Ophelia After All by Racquel Marie Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys - way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn't change, even if she wanted to. So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia's firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love--and sexuality--never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she's always imagined or upending everyone's expectations to rediscover who she really is, after all.
The Drowning Summer by Christine Lynn Herman Six years ago, three Long Island teenagers were murdered—their drowned bodies discovered with sand dollars placed over their eyes. The mystery of the drowning summer was never solved, but as far as the town’s concerned, Evelyn Mackenzie’s father did it. His charges were dropped only because Evelyn summoned a ghost to clear his name. She swore never to call a spirit again. She lied. For generations, the family of Mina Zanetti, a former friend of Evelyn, has worked as mediums, using the ocean’s power to guide the dead to their final resting place. But as sea levels rise, the ghosts grow more dangerous and Mina has been shut out of the family business. When Evelyn performs another summoning that goes horribly wrong, the two girls must navigate their growing attraction to each other while solving the mystery of who was really behind the drowning summer…before the line between life and death dissolves for good.
She Gets The Girl by Rachael Lippincott and Alyson Derrick Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet. Alex and Molly don’t belong on the same planet, let alone the same college campus. But when Alex, fresh off a bad (but hopefully not permanent) breakup, discovers Molly’s hidden crush as their paths cross the night before classes start, they realize they might have a common interest after all. Because maybe if Alex volunteers to help Molly learn how to get her dream girl to fall for her, she can prove to her ex that she’s not a selfish flirt. That she’s ready for an actual commitment. And while Alex is the last person Molly would ever think she could trust, she can’t deny Alex knows what she’s doing with girls, unlike her. As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling…for each other.
Yerba Buena by Nina LaCour When Sara Foster runs away from home at sixteen, she leaves behind not only the losses that have shattered her world but the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern. In her seventh year and fifth major as an undergraduate, she yearns for the beauty and community her Creole grandparents cultivated but is unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner. When Sara catches sight of Emilie one morning at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara's old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.
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fear-and-delight-l · 3 years
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GENDERSWAPPED!LOSERS
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HERE WE GO 
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JILLIAN DENBROUGH 
-Jill is very avid about getting her sister, Georgia back. Well, at least the killer anyways. 
-Jill has never finished any of her writing, until she is an adult. 
-aRTiSt??
-Jill gives hugs hugs hugs!!!
-everyone wants her hugs. 
-ok, Jill is very sexually confused. Bradley Marsh is good looking...but so is McKenna Hanlon with her pink lipstick and her always good looking pigtails....then there is Sarah Uris, who is so cute with her blonde/brown curls and her little cheerleading outfit. 
-suffers from stuttering simp disorder 
-simp simp simp
-simp? Yes. 
-ok but I think she would like Plastic Hearts by Miley Cyrus lmao
-FLANNEL GODDESS!!! Has flannels in so many colors. 
-”R-R-Riley, stop m-making fun of m-my j-j-jorts.” 
-oh yeah. She is rocking the jean shorts. They either go to around her knees or near the middle of her thighs. 
-shoulder length brown hair. Screams bisexual. 
RILEY TOZIER
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-just gonna put this out there, take it as you will, but her glasses make her look like a fish. Her eyes are HUGE 
-goddess or (what is a non-binary god? Godthem?) of dad jokes. But not the corny kind. The kind of dad jokes that include sleeping with him and “riding him like a horse.” 
-”so not fucking funny.” -Edith Kaspbrak, who’s dad isn’t even present in her life.  -yeah, bisexual.  -sexual for Edith Kaspbrak.  -And Sarah Uris
-And Bradley Marsh
-and Jill Denbrough 
-and Brenna Hanscom
-and Patrick Hockstetter (she regrets this. But when Patrick isn’t chasing her with Bowers and Criss and Huggins, she likes to notice that Patrick is definitely good looking)
-crazy wavy hair. Seriously, she wears it in a pixie cut, and it is CRAZY. But she help Bradley cut away his mullet. 
-the friendship dynamic between Riley Tozier and Bradley Marsh is UNSTOPPABLE!
-plays softball with Jill. She is pitcher, and damn is she good. (Jill plays third base, for reference)
-the girls on the softball team sort of like her, sort of not. She’s a loser, and they don’t like her because everyone thinks she’s queer.  -still a trash mouth 
-still a smartass 
-Rildeth? Edithley? Redith?
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BRADLEY MARSH
-all right, here we go. 
-POWER BISEXUAL
-He came out to Riley, and Riley came out to him. 
-daddy issues  
-daddy issues
-daddy issues
-anyways, Bradley had a mullet that his dad made him wear, and when Riley helped him cut it....freedom!
-when he and the other losers are going to the quarry, he likes to help McKenna pick flowers so Sarah will have some to turn into flower crowns  
-is totally charmed by Jill  Denbrough. He is a simp for how charming she is. Bravery, art...
-Bradley also likes to draw. 
-Brenna may be totally smitten with him....
-Bradley is the same age as all the other losers, but the losers all see him as older. 
-hates his father, feels weak around him. 
-he and Riley often share cigarettes. (I love the friendship dynamic here.)
-Bradley has little freckles, and when he and Brenna get together as adults, Brenna likes to kiss all of them. 
-Bradley loves to hang with Sarah, and she is such a sweetie. She gets annoyed, but when she is around Bradley, she is calm. 
-Bradley likes to put his arm around Sarah, ALWAYS
-I’m in love
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SARAH URIS 
-WE LOVE OUR JEWISH CHEERLEADER LESBIAN
-yes, Sarah Uris is cheer captain. The other cheerleaders are skeptical of her, but treat her ok nonetheless. 
-Sarah Uris is a softie who will tell you to fuck off. 
-bridwatcher. Sarah loves her birds. She likes to sit with Jill. Jill draws birds while Sarah quietly talk about the birds. 
-Brenna loves to play with her curls, braiding them and doing fun styles with them with the help from McKenna. 
-sundresses one day, shorts and a shirt the next. 
-her hair is so nice! Think...classic curls. Google for reference. 
-the cheerleaders don’t go to track meets or softball games. So, since Brenna and Edith are both in track and Jill and Riley are softball players, she goes in her own cheerleading outfit, and even snags one for McKenna, (who isn’t a cheerleader.) and they both cheer at track and softball. 
-must I remind you that Jill is a simp for BOTH OF THEM. AND BRADLEY?? HE CHEERS THEM ON TOO.
-one time Bradley actually got into a cheerleading skirt??!!
-anyways, back to Sarah.  -she loves to give everyone kisses before leaving. Here’s how she gives them:
Jill: cheek kiss, runs a hand through her hair.  Edith: takes Edith’s face in her hands and kisses her nose. Edith sometimes backs up a little when she feels a little panicky about germs, but always accepts Sarah’s kiss.  Bradley: forehead. She ruffles his hair, and sometimes, Bradley kisses her chin as she is kissing his forehead.  McKenna: near her lips. Like, the corner of her mouth. 🥺 Brenna: cheek kiss. She holds brenna’s chin while kissing her.  Riley: straight on the lips. Or the forehead if you song ship stozier. -ok, I am a huge fan of Sarah+Riley....but then there is Edith. Poly??? Possibly 
-anyways, Sarah loves to make flower crowns and put them in bradley’s hair. 
-she and Brenna are very close. If Sarah isn’t next to Bradley, or has Riley’s arm around her shoulders, she is with Brenna, either holding her hand or showing her stuff about plants or birds. She gives Brenna constant praise about the barrens 
-very grumpy a lot.
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BRENNA HANSCOM
ok, Brenna is straight. I didn’t change that.  -Brenna thinks constructively, and is a visual learner. Constantly thinks about the future. 
-ok, she is so so so sweet. Likes to wear this cute pink skirt, but only around the losers. 
-POETRY
-She loves to read and wrote poetry. It’s so cute I just can’t aaaah-
-ok, so she’s on the track team. Edith convinces her in 10th grade. 
-HAIR CLIPS! she has them in her hair, and tons extra in her backpack. 
-Bradley loves it when Brenna plays with his hair and puts clips in it. 
-she and Bradley are very good friends. 
-she may be straight, but isn’t uncomfortable when Sarah holds her hand or Riley talks about her gay situation or when Jill tells her she’s pretty. She just isn’t gay but she loves and supports her gay friends. She even kissed McKenna in a game of spin the bottle
-poor baby has body insecurities...
-ugh, she hates Henry Bowers. But she loves ice cream! She likes vanilla because it’s sweet and plain. 
-when they have sleepovers, everyone always has a disc of New Kids on the Block to play for her (AAA!)
-Riley literally swore to protect her. Even though Riley’s sarcasm can be demeaning, she trusts her. 
-Brenna Hanscom, a sweetie that will fight for you.
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McKenna Hanlon, the badass vegan who definitely has WAP. 
-ok, I didn’t change her race, she is still black. 
-McKenna is a sign of hope. Everyone feels so uplifted around her. 
-she has this signature pink lipstick she wears everyday the Greta Bowie makes fun of, but she still wears it. 
-she loves bubblegum. McKenna has it ALL THE TIME. 
-inspiration? Yes. She is a goddess. 
-ok, she is so nice, but that gun she has? Pennywise doesn’t stand a chance. McKenna is a fighter. 
-McKenna has these cute little pig tails that she wears with purple ribbons. Jill loves to listen to her talk. 
-definitely the least insane of all the losers, but girl knows how to have fun!
-not a huge smoker, but occasionally will share one with Bradley. 
-the friendship between McKenna and Bradley is impeccable. They are a badass duo. 
-I don’t know what her sexuality is. She definitely doesn’t. Although she and Jill got caught making out in a closet. They said it was no strings attached....suspicious.
-she is indeed vegan. She just has a special love for animals and can’t bring herself to eat them. She isn’t protesting everyone to go vegan, she just eats how she wants. She occasionally slips and goes for ice cream though😉
-at the rock war, after she recovered a little from Bowers, SHE BEAT HIS ASS!
-my queen, gosh I love her!
-she is so much fun to be around. One time, in the barrens, she installed a swing so she could sit in somethin because Riley and Edith and Sarah are always in the hammock together. (It’s bound to break). 
-need a therapist? She’s ya girl. 
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EDITH!!
-ok, so this looks very soft girl, but Edith is fiery!  -her mom makes her worry a lot about disease and what not, but her anxiety about what her mom may do is worse. 
-seriously, she is scared of her mother. She doesn’t even know if her sickness are real. 
-anyways, don’t fuck with her. She will bite you. 
-no seriously, she will bite you. One time in a fight with Hockstetter, she bit him. She was worried she might have gotten something in her mouth, but Sarah calmed her down.  -she may bicker with Riley, but really, she loves her. Her and her stupid glasses, 
-anyways, she is a sweetie. She runs track, but as long as Riley is waiting on the sidelines with her inhaler at the end, she is alright. 
-someone give this girl a hug. 
-internalized homophobia towards herself. 
-she and Bradley are good, they just aren’t as close. Edith is closest with Jill. 
-Edith looks up to Jill, big time. 
-Edith hates her mom very very much. 
-she wears cute little tops with shorts or skirts. Occasionally she will wear overalls. 
-fuck greta Bowie campaign? Yeah, Edith started it.
-Fanny pack! She has an extra pair of glasses for Riley, Bobby pins for Sarah, an extra pen or pencil for Jill, a mini stick of Bradley’ favorite deodorant, hair clips for Brenna, and McKenna’s favorite bubblegum. 
-Riley calls her Eds. She hates it because it sounds like a boy name. She hates it even more when Riley calls her Eddie. 
-kisses tears away. Crying? She will kiss your cheeks and wipe those tears away. She did that when Brenna got cut by Bowers. 
-inhaler? Yes. It’s her little beacon of safety. 
-ice cream and comic books with Riley, bird watching and flower crowns with Sarah are her favorites! 
-doesn’t know her sexual preference, she’s just not straight. 
-butterflies always land on her when she’s outside. One landed on her nose once and Riley and Sarah started rock-paper-scissoring for who got her. (That was long forgotten since Riley is a sore loser.)
-my baby has long hair is very slight waves. It goes down to her breasts. 
-likes to wear Jill’s Flannels. 
-OK SHE IS SO CUTE IN A PAIR OF BAGGY JEANS AND A TANK TOP, WEARING SOMEONE’S JACKET OMG
-Edith is cold? Never. She always has someone’s something, whether it’s McKenna’s iconic leather jacket or Jill’s flannels
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Ok! Those are my headcanons. Feel free to repost, I don’t give a damn. If you want drawings or more headcanons of them, I am always open. I had this posted on my old account but that got taken down....I was previously coffeeandweasleys
@im-a-rocketman​, @nate-isnt-great​ @imreddieimreddieimreddie​ @ur-not-reddie​
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turtlegirlave · 3 years
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So this has a ton of opinions which I usually stray away from but i really let all my opinions out here. Also there is definitely fact mistakes, probably name mistakes and some incorrect singing terms in here, I wrote this at 2 A.M. with a limited knowledge of theater I’m just trying to get a point across.
Why s2 of hsm the series should have been newsies instead of beauty and the beast:
They say straight up in the show “we need a real Alan Menkhen musical” and they pick beauty and the beast instead of newsies, a literal Broadway stage production???
At first I assumed it was because the cast was primarily male, but that isn’t even a reasonable argument. 1)as shown by s1 when a boy played sharpay, gender doesn’t matter when being considered for a role. 2), a cast with multiple male leads would give the gay men in the show a chance to shine, instead of shoving them to background roles like Chip. Not to mention Carlos is a dancer, and newsies is a musical driven by choreography. 3), since nini moved there are only like 2 lead females anyway, which works for the 2 female roles in newsies.
Casting Wise, the play works SO MUCH better!
Ricky: jack kelley is a much better role for him than the beast for many reasons. First, their personalities are very similar with the mischievous main teen vibe, so the role would be like Troy where Ricky can slip into it easier. Second, it fits him better vocally. It is very clear from listening to Joshua basset sing that he has a relatively high vocal range, and singing low notes or in a deep voice doesn’t come as naturally to him. Jeremy Jordan has a similar vocal range, where he stays in higher octaves and more rarely uses a deep, monotone voice (at least never to the beast’s extent). Ricky would sound perfect singing in Jack’s vocal range. The beast, however, sings almost exclusively in an extremely deep, monotone voice that Joshua cannot easily perform.
Ashlyn: not only does she look quite similar to Katherine, but they have similar personalities as well. Also, katherine’s high and bubbly singing voice would sound lovely with Ash’s, which is also high and bubbly but often softer. This would allow her to push herself to sing louder and more confidently. And she still gets to play a smart bookworm lead female role.
Kourtney: she was born to play miss medda larken. Mrs. Potts’ debut song “beauty and the beast” is a soft romance ballad, which does not match kourt’s stadium reach, strong, powerful voice. “That’s rich” not only shows off her vocals better, but matches her personality and voice much better with the grit and power behind it. Also, Mrs Potts as a character is the soft, motherly type. Miss medda is a rambunctious, empowered, “I got men if I want em but I don’t need em” kinda woman. Which role better fits the girl power, loud, activist, personal cheer squad type person that Kourtney is?
Carlos and Sebastian: not only would this stop shoving the gays and only interesting men other than Ricky to background roles (sorry big red), but it would show off their talents. Seb would make a wonderful crutchy, with his innocent nature and likeness to the character. It would also give him a chance to flex his vocals and sing a duet with Ricky in Santa Fe, further developing the friendships in the show. Carlos could play really any of the main boys, I mostly think he would kill in this due to his dance and choreography skills, which newsies really emphasizes.
Big red: PLEASE this boy would be perfect as Ben Cook’s role (can’t remember the newsie’s name). They’re both the kinda dumb but endearing friend type, and he leads “king of New York”, a song with a killer tap dancing break, which is the whole reason big red wanted to try out! His chemistry with Ricky as crutchy would make that a fine role for him too, but since Sebastian has stronger vocals I think it’s better for him to take a more prominent role while big red relies on his dancing skills over singing.
Gina: though there’s no more lead girl roles, I think she would kill it as mr. Pulitzer. They could add some spice to the character through her insane dance skills, and she would play a great “cunning yet intelligent buisinesswoman” type. This dude also gets 2 or 3 songs, and honestly I don’t remember who she plays in Beauty and the beast so idk.
EJ: I admit Gaston is a perfect role for him and I can’t fit him into newsies well. He would play a good spot conlin, though it is a significantly smaller role. No one really cares about ej though so small loss.
Plot valuability:
doing newsies makes literally way more sense. Firstly, they are kinda planning entering this show last-minute compared to the competition, so to pick a show already written and choreographed for stage production would really save time. (Even though it would still need work to be condensed for a high school production). Second, miss Jen is so determined to stand out from the crowd and win the contest so she picks... beauty and the beast? One of the most popular Disney movies (and honestly with one of Alan’s weaker soundtracks compared to tangled, Aladdin, and the little mermaid imo). Having them do newsies, especially when switching up gender roles like casting Gina as Pulitzer, would actually make them stand apart from the dozens of schools performing Disney movies. It would also give a significantly more impressive vocal and dance performance, since the songs were written for Broadway singers rather than actors. The set is also more cheap and condensed, while still looking professional, which would help with their “we’re too poor and late to afford a straight-up aquarium so let’s do the most with what we’ve got.” Putting the characters in these roles would also not alter their development or main story plots much, besides strengthening certain friendships and pushing aside less popular characters (ej). It would also give more rep for the gays as well as switching up gender roles. Imagine, the gay guys get actual things to do in the show and aren’t defined by the sole plot of “my boyfriend rich” relationship drama! (I love these two but I am a tired ace). Also jerjor performs in both this and tangled the series, so it’s a double whammy for Alan menkhen representation.
Marketability: I know the musical has to be widely known and appealing to viewers. People watched s1 because they love hsm. People also love beauty and the beast, so viewership may raise with fans of the movie. Newsies doesn’t die here, though. It is a very widely popular play among theatre people, and existed first as a movie musical so it isn’t exclusive to theater kids. Also, fans of Newsies are generally between their tweens and early twenties, the exact age demographic for the show. Beauty and the beast is a classic and more widely known, but also doesn’t draw in large numbers of the exact age group you want. Also, the fact that newsies is a little less mainstream only helps the plot point of them choosing it to still have something well known while also standing out from the competition. Doing beauty and the beast is not only an awful choice for casting that limits the actors vocals or is completely out of their range, but it also makes them blend in with the crowd.
Final notes: beauty and the beast was IMO the worst choice for the play this season. Movies like Aladdin and tangled both have very energetic and loud soundtracks that allow these characters to belt their hearts out. Beauty and the beast has a very folksy, quiet, ballad type of track that limits the actors. The only actor that I think sings ballads better than big booming tracks is Nini, who isn’t even in the play this year. Ricky also sings great ballads, which is why ballads that are still slow but also emotional and powerful like “Santa fe” or “something to believe in” (which would sound AMAZING in his and Ashlyn’s voices) fit much better than the deep voice of the beast that he can not comfortably sing in. Also, the beast has very few songs whereas newsies would allow him to belt his heart out in nearly every song with that lovely voice he has. The age range of the newsies cast (that characters are supposed to be 17) fits better with these very teen actors than a movie about old fashioned French young adults. Really newsies was the best musical choice for this season, but I also believe beauty and the beast was the last one they should have chosen.
(After reading comments I rescind my statement that beauty and the beast was the worst choice, but it’s still second to newsies imo)
Feel free to debate me in the comments or point out my mistakes, I’m very open to other points of view
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adultswim2021 · 3 years
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Harvey Birdman, Attorney at Law #1: "Bannon Custody Battle" December 30, 2000 - 4:30AM | S01E01 Welcome to the first episode of Harvey Birdman, Attorney at Law, the first show on Adult Swim’s roster that I rejected as a substandard product. It should’ve been the Brak Show. In the opening episode, Birdman takes a case from Dr. Benton Quest, better known as Jonny Quest’s father. Race Bannon is fighting for custody of the boy, arguing that he’s a much better, much more present father figure to Jonny. Harvey Birdman was first conceptualized with an episode of Space Ghost Coast to Coast. In the episode “Pilot” we’re shown a supposed disastrous pilot episode of “Coast to Coast” where Birdman was originally attached as the star. Birdman, a depressive, out-of-work super hero, utterly botches the job as his inability to host a late-night show due to his deriving all his powers from the sun becomes more apparent. The character recurs a few more times, most notably in the episode “Sequel”, where Birdman guest-hosts the show. Still, to call this a proper Space Ghost spin-off requires carrying a big asterisk along with it. The character name “Harvey Birdman” was invented for Space Ghost, but besides both being based on the old 60s Birdman Hanna-Barbera show, they have little to do with one another. One would get almost nothing out of watching the original Space Ghost episodes before watching this (except for, you know, getting to see episodes of a much funnier show).
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So in Harvey Birdman, Attorney at Law you have one 60s Hanna-Barbera character as a lawyer taking court cases from various other Hanna-Barbera characters, usually of a similar vintage. In this particular episode we’re treated to a lot of jokes about the homoerotic subtext of Jonny Quest, specifically the relationship between Race Bannon and Benton Quest. The writers decide to tastefully side-step the seemingly pederast relationship between Race and Jonny. Watching the original Jonny Quest with the same attempt to subvert and recontextualize the relationships between the characters through a modern lens, a certain type of observer would probably note the amount of shirtless roughhousing Race does with Jonny. Speaking of watching Jonny Quest: I have to admit something: I never really watched Jonny Quest at all before writing this blog. I’ve had an interest in older shows and cartoons my entire life, but the entire genre of action cartoon didn’t appeal to me whatsoever when I was a kid. So last night I watched my first episode of Jonny Quest, in glorious 1080p on my new 4K television; a format it was never EVER intended to be viewed in. Jonny Quest is objectively junk. It’s fun, boyish, escapist entertainment, and there’s a lot of good irony in it, especially with it’s antiquated portrayal of other cultures from a bygone era when we were far less connected to the rest of the world. It has limited animation and simplistic design. The backgrounds look like they were painted on a post-it-note and most of the men are drawn to look like reskinned versions of Race Bannon. But there’s at least something a LITTLE charming about it. In fact, there was one moment of beautifully scripted action that absolutely won me over: Race and Jonny’s speed boat goes airborne briefly and crushes the bad guy’s boat from above as they speed towards one another. I nearly cheered when it happened. I knew The Venture Bros took liberally from Jonny Quest, but the coolest action sequences on that show seemed to be striving for the same exact visceral reaction I got from seeing Race crunch up some lizard men on a boat. Birdman is a similar deal: He was a cookie-cutter imitation of comic book heroes from the silver-age of comics (the obvious comparison here is DC’s Hawkman). I actually did watch a Birdman adventure late last night as I was falling asleep to follow up on Jonny Quest, but it felt less important. I can remember checking out the original Birdman on DVD not too long ago. Also, your typical Harvey Birdman usually focuses on jokes about shows other than Birdman. Still, it’s neat to see those characters in their original context, as well as that Hanna-Barbera stock-explosion animation we all know and love from Space Ghost blowing up Zorak on Coast-to-Coast. Also the episode I watched will be heavily referenced later, but not for this. I only watched the first episode of Jonny Quest taking a cue from my friend Kon who noted that most of the references in “Bannon Custody Battle” are directly from the first episode. The most specific (and funniest) scene in the whole show involves the Lizard Men, the main villains of that first installment. Other characters show up very briefly, and are all ones that appear in the opening sequence. Unless I find out differently (I’ll probably try to make my way through the rest of Quest in preparation for Venture Bros.), it really does seem like the writers just watched the first episode of Jonny Quest to write this show. Watching this episode of Harvey Birdman was like batting away an existential crisis. I remember vaguely at the time not being SUPER hot on this show, but I cut it a lot of slack and trusted that it would simply get funnier. I wanted to love all the shows on Adult Swim. Anyway, I went from being lukewarm on Birdman, to hating it. Reading my own earlier review of Birdman I blasted this episode for being homophobic. I used to have a very low tolerance for gay jokes, back when they were highly in fashion. But now that we live an era where there’s an arms race to find new ways to scold one another for perceived slights gay jokes can sometimes, NOT ALWAYS, be a little refreshing to hear. The fact that my stance on gay jokes can change as long as it’s in direct-opposition with the rest of the world is at least a little troubling. Does this mean I’m an inauthentic reactionary? Yes. Yes it does. There, I admitted it. Now, let me off the hook, please. I say that sorta jokingly. The gay jokes in this are mostly pretty lame, and come off like Mike Scully-era Simpsons gay jokes. The early scene at the beginning where Birdman eyes widen when he’s misunderstanding the nature of Dr. Quest’s and Race Bannon’s relationship really does come off as early 90′s homophobia. I remember it seemed out of place at the time. I’m sure it played just fine in the midwest, but the show didn’t really put it’s best foot forward with that. Speaking of lame jokes, this episode has a few that have nothing to do with insulting gay people. One of my least favorite bits involve the specific gag of undercutting a dramatic moment with characters fumbling around awkwardly in true-to-life fashion. Why, if a person tried to recreate a dramatic sting you’d see before a commercial break in real life, you’re right, it’d probably go awkwardly! But this 11 minute show has at least 3 explicit examples of this, and it’s only mildly amusing once:
Bannon dramatically walks out on Dr. Quest, after announcing his intention to take Jonny with him. He awkwardly comes back because he forgot his keys
Birdman dramatically argues with a rival prosecutor and summons his personal digital assistant, and then awkwardly fumbles with it
Birdman proves that the Race Bannon on the witness stand is actually a robot by unplugging him, but he accidentally pulls the wrong cord and has to spend a few seconds untangling and retracing the correct cord.
Another thing about Birdman is that there is usually a lack of strong jokes. The show usually includes a layer of comedy where there are simply characters who simply have odd, scattered speech patterns or odd ticks. The rival lawyer in this slurs his speech in a particular way: cut to the jury looking confused. That’s the joke. The Judge grumbles in an ornery fashion and generally acts like he doesn’t wanna be there. He says stuff that sounds like bad improv. That’s the joke. The show will only ocassionally come up with jokes to justify these character traits. It’s just silliness that doesn’t usually go anywhere. But, I do kinda like some things about this episode. It was animated by J.J. Sedelmaier, known for early digital animation seen in the crude era of Beavis and Butt-head and SNL’s TV Funhouse. They really do have their own style of comic timing, and there are some gags in this where the animation works in their favor. There are some jokes where the drawings really sell the comedy. I’m not sure if I liked this animation better or worse, but it does match the oddly-stilted Jonny Quest animation better than the episodes that came after this would have. Oh, one of the funniest bits not on the show was when I popped in the DVD I forgot that the menu music is Wesley Willis’ “Birdman Kicked My Ass”. If I were in high school when the DVD came out I would have loved it just for that reason. Same could be said “Jonny Quest Thinks We’re Sell-Outs” by Less Than Jake. I was an easily impressed kid.
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stxn-the-mxn · 5 years
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Family || 2019!Richie Tozier X Daughter!Reader
IT CHAPTER 2 SPOILERS
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Being in the town of Derry felt more surreal than anything. It didn’t seem real, actually being in the town your father grew up in. Richie didn’t talk about Derry, in fact, he never once mentioned his childhood. In the fifteen years you’d been alive, not once was Derry mentioned. The first time it had ever been mentioned had been the night he came home and started packing.
***
It hadn’t been that long since you’d gone to bed, 1:30 am most likely. Usually, you went to bed earlier, maybe 10 pm or 11 pm, but on nights when Richie had a show, it would be hours till you went to bed.
It was a tradition for you to watch every one of your dad’s stand up shows, and hope that some of the jokes you had written made it in. Richie made it his mission to have at least one of your own jokes in his set.
Tonight, he had included three of yours, which all went down well after his hiccup at the start. One of yours got the biggest laugh, and you could see Richie’s proud face through the screen.
You switched off the TV after the show ended, and as usual, crashed on the couch. When Richie got home, he usually carried you back to your room, but that night, he made no move to pick you up, pacing around their rather large home instead.
“Dad? What’s going on?” You wiped the sleep from your eyes, as Richie thundered around the house. It was around 2 am, a regular time for Richie to come home after a show, but usually, he tried to be quiet to let you sleep. Tonight was not one of those nights.
“Oh, sweetheart, I’m sorry, I tried to be quiet, I did. I jus-”
The empty suitcase in his hand rang some quiet alarms.
“Dad? Where are you going?”
“Home. I have to go home.”
“Take me with you.”
Richie thought it over. He couldn’t in good faith leave you home alone for as long as he would be gone. Surely you’d be fine if you did what he said. After all, he promised you all those years ago, when one of his late-night flings left a baby girl on his doorstep, that he would be the best damn father around.
“Only if you promise to not leave my sight.”
You held up your crossed fingers and crossed those fingers over your heart. 
“Right well, get packing, sweetie. We leave as soon as we’re done.”
***
The drive to Derry was a combination of obnoxiously singing along to the radio and you catching up on some sleep. The sign welcoming you to Derry sent a shiver down your spine, not going unnoticed by Richie.
“You okay, sweetheart?”
“W-what? Oh! Yeah, yeah I’m good.”
He didn’t believe you but didn’t bring it up again. 
The car pulled into the parking lot of the Jade of the Orient, a Chinese restaurant. Your dad seemed almost shocked by its presence. Clearly, this wasn’t in Derry when he was a kid. Richie spotted two other people off to the side and seemed to recognize them.
“Big Ben? Bev?” You trailed behind him, a few meters behind, somewhat out of sight.
“Richie?” The woman asked, not noticing you as you peered at the two adults. The taller male made direct eye contact with you, a confused expression forming. You stepped closer, not caring if they saw you at this point.
“Uh, Richie, you seem to have a fan.” ‘Big Ben’ said, gesturing behind him. Richie whipped around, only to be met with you smiling awkwardly at him.
“Oh, no, actually this is my daughter, Y/N.”
The pair had extremely shocked faces. You felt a bit more offended than you should have at that comment. The pair seemed to notice but didn’t backtrack on their comments.
“I’m Beverly, it’s lovely to meet you.” Beverly held out a hand for you to shake, which you took happily. Ben simply greeted you with a smile.
“Well, let’s go meet everyone else. I wanna see how they react to Y/N.”
The whole vibe of the restaurant felt normal until you stepped into the reserved room for what you had heard was called “The Losers Club”. Your dad, being your dad, hit the gong on his way in, causing three heads to snap towards where the four of you were standing.
The three pairs of eyes stared at Richie, Ben and Beverly, before instantly snapping to you. Their expressions were similar to Ben and Beverly’s.
“Richie, Ben, Beverly.” One of the men at the table stated, trailing off as he looked at you again.
“Right, I’m starving. Let’s eat.” Richie cheered, and everyone else just accepted that Richie was not doing what they expected. And for some reason, they felt like that was what they expected.
“Hey, Rich, would you mind explaining who that is?” Another man asked, nodding in your direction.
“Oh! Right, this is my daughter.” The three men who weren’t Ben and Bev all dropped their jaws.
“It’s lovely to meet you all, I’m Y/N.” You smiled, feeling less nervous as they smiled back. Going around the table, they all introduced themselves as Mike Hanlon, Bill Denbrough and Eddie Kaspbrak.
You immediately noticed a strong bond between all of them, even if they had only reconnected less than an hour ago. It was a similar bond that you and your father had; family.
You also noticed a different bond between Richie and Eddie. It wasn’t news to you that your father wasn’t straight. And this Eddie man, no offence to anyone, did not give off straight vibes.
It was strange, how well you felt you fit in with the group of forty-year-olds. You and Eddie found many a common interest, including joking around and teasing Richie. The more Richie remembered, the more he realised that you were basically a baby Eddie, save for the hypochondriac-ness.
It brought a smile to his face as he watched the two of you mucking about like toddlers from beside him. 
Dinner continued on, and eventually, one of the waitresses brought out a bowl of fortune cookies. Everyone eagerly took one, cracking them open.
“Huh, mine just says ‘Could’. These cookies are bullshit.”
You looked at your slip of paper, and something about the words written caused that shiver to once again run down your spine.
Welcome to Derry, Y/N! Why don’t you stay forever?
Your hands were shaking, quite violently. Richie glanced over at you and immediately rushed to your side. He took the paper, reading it quickly before ripping it up. He hugged you tightly, comforting you like he would when you would get nightmares.
“You’re alright, sweetheart, you’re gonna be alright.”
***
You felt guilty, honestly. Richie had made you promise to stay in the hotel, not to set foot outside, but you didn’t listen. After finding yourself in a brand new town, so much different from your hometown, writing new material for your dad seemed bland. 
Exploring the place your dad grew up in seemed way more fun. Plus, it was a small town, what could really go wrong? 
In your journey to the centre of town, the only thing that went wrong was the kid who almost ran you over with his skateboard. Aside from that, you were yet to run into the other adults or anyone for that matter. The Canal Days fair was drawing in quite the crowd.
Turning the corner, you froze.
Something about the abandoned cinema in the middle of the town drew you in. It ran in Tozier blood to love the movies. Finding a hole through the newspaper, you pushed the door open. It was incredibly dusty, and you felt your throat constricting. Eddie had warned you earlier about how gross this town could be.
The hallway that led to the cinema was lit up, and the smell of popcorn was on the verge of overpowering all your senses. Something told you to run, walk, do anything in the opposite direction. But your body wasn’t listening, and you found yourself in the screening room in no time.
The screening room seemed harmless, but nothing in this town really was. You turned to leave when the sound of a projector turning on echoed through the empty room. Turning around slowly, every bone in your body trembling, you were met with the blinding white glow of the screen.
Your eyes locked with the harmless, yet frightening screen, panic settling in. 
The white screen wrinkled, and two beady yellow eyes opened. A scream latched itself in your throat, unable to escape through your dust infected lungs.
“Well, well, welcome to Derry, little Miss Tozier.” The face shrunk, smaller and smaller, and became a clown. At this moment, you wished your feet would just move, but alas, you remained glued to the spot.
The clown’s glowing eyes pierced your soul and reached out a gloved hand, grabbing the screen. The screen began to tear. The scream you were holding in escaped, causing the clown to laugh. Once the screen was entirely gone, the clown made his way towards you, leaping over the seats. 
Your feet, much to your dismay, remained glued to the ground. This wasn’t happening. This wasn’t real. You would pinch yourself, open your eyes, and be back at home, watching some crappy movie and bullying it to death with your dad.
It wasn’t working. No matter how hard you pinched, no matter how many times you whispered that “it wasn’t real”, you kept opening your eyes to see that fucking clown.
Your entire body was shaking, all senses except sight seemed to disappear. The clown was only two rows away. One row away. Here. 
A gloved hand clamped around your neck, your already constricted throat growing tighter. The clown smiled, never breaking eye contact. Drool dripped from his mouth, as he growled lowly. His face contorted, turning into Richie.
“You’re useless. A burden. I should’ve left you on that fucking doorstep. You’ve done nothing but hold me back. I never even wanted a child. Your mother was a drunk mistake, and so are you. I might as well leave you here to die.”
Tears rolled down your cheeks. No, your dad would never… Is that really what he thought? Had he spent fifteen years blaming you in secret? No, no, he promised that he loved you. He swore on his life that you were his everything.
Maybe it was true… after all, would any gay man want to live with and raise a reflection of someone who he never wanted to be with?  No. You had to push the thundering thoughts aside. No.
“N-no.” Your voice was weak, only just loud enough to hear. “Richie” tilted his head, a sad expression on his face. His skin was reverting to the pasty white of the clown. 
“No? Poor Y/N doesn’t want to accept that no one truly loves or wants her. Not even her own father.”
“Y-you’re not r-r-real. You c-c-c-can’t be real.” Words struggled to form, and those that did struggled to escape. The clown dropped his Richie facade and in a terrifying turn of events, smiled at you.
His grip continued to tighten, and you could see black dots forming in your vision. The sensation of trickling blood set your mind ablaze. You didn’t know where it was coming from, but it was there, and the clown was the cause.
In your last seconds of consciousness, you heard the thundering sets of footsteps coming down the hall, but the clown had sensed them first. You felt like the world was spinning before everything faded to black, your father’s panicked, fearful face the last thing you saw.
***
“Fuck, shit, shit, fuck!” The five other losers sat, heads hanging as Richie stormed around the building. They didn’t know what to do. Who would, in this situation? Bill was the only one who was close to understanding what Richie was experiencing.
“I’m a terrible father.” His pacing stopped as his knees gave out, collapsing onto Eddie, who caught him with ease. He held Richie tightly, letting him sob into his shoulder. 
In the minutes since Richie had been too late, he was already struggling to come to terms with the gap of silence where you used to stand. It wasn’t right. It was unnatural, unheard of,  unorthodox. 
He couldn’t speak, the wave of guilt and despair pulling him out to sea.
“Richie, I wholeheartedly promise you that you are the best damn father ever. We are all going to get Y/N back, and we will stop at nothing until we do.”
Richie wrapped his arms around Eddie, and one by one the losers joined in. Y/N Tozier was a loser now. And losers never left a loser behind.
***
The sewers were cold, wet and extremely uncomfortable. It was impossible to tell how long you’d been stuck here, but you did know that you’d walked through what felt like thousands of tunnels. You just wanted your dad back.
You couldn’t shake the tiredness that weighed you down. Closing your eyes wasn’t an option. You couldn’t let your guard down, not for a second, unless dying at the hands of a killer clown was on your bucket list.
The clown hadn’t shown his face since he took you. Part of you felt relieved, you didn’t have to fear for your life yet. But God knows what he was doing on the surface. You could only hope and pray that your father and his friends were okay.
Tears cascaded down your cheeks as thoughts of your dad filled your mind. All you wanted was to be held in his arms again. Your dad was your everything, and you were his. This was most likely the longest you’d been away from each other. 
You threw a small pebble up and down, catching it over and over again. Your trajectory was off on one throw, and it bounced and rolled its way over to the wall. Building up some courage, you scampered over to where the rock was, but your mad dash back to the “safety hole” was cut short by an echo.
“Come one, we gotta squeeze through that hole. We can all make it through if we try hard enough.”
That was Mike’s voice. They had come to save you. Somehow, no matter how far below Derry you were, they found you. You ran to where Mike’s voice was coming from, tripping over the smaller spikes on the ground.
“M-M-Mike!” 
Said man’s jaw dropped and he ran towards you, and you grasped onto his jacket. Having a physical being to cling onto was calming. As you stood there, clinging to Mike for dear life, more people came through the small gap, the first being Beverly. She ran to you too, her hug even tighter than Mikes. She was the only loser who knew exactly what you had just experienced.
As Bill and Ben appeared, you could barely see them from between Mike and Bev’s arms. But they were there, and they were real and they were everything you needed right now.
“Y-you found m-m-me!” Bill looked at you surprised as you stuttered over your words. Your stutter wasn’t simply a stutter of fear, it was like his. He knew the causes of a stutter very well. And looking at the causes, he could cross out genetics and prayed he could cross out a brain disorder. Which left emotional trauma. Psychogenic stuttering.
As you remained surrounded by the four losers, quiet bickering drifted into the cavern. 
The four stepped aside as Eddie and Richie came through the hole. Eddie froze, his dropped jaw widening to a smile while Richie remained frozen. There you were, alive, seemingly unharmed, surrounded by all his closest friends.
“Y/N. Holy fucking shit, Y/N!” Eddie exclaimed, hugging the girl close to him. They had only known each other for a few days, but they were already extremely close.
Richie still hadn’t moved, so Y/N and Eddie took the first step, sending Richie into a crazed sprint as he ran to hold his daughter again. Tears blurred everyone’s vision as father and daughter reunited. 
If Richie had an option, he would have chosen to never let his precious baby go.
“Richie. We have to perform the ritual. It's now or never.” 
***
The Ritual of Chüd didn’t work. Mike hadn’t been telling the whole truth. And also, a spider-legged demon clown was chasing and tormenting the Losers Club. 
Each loser had run off in different directions, Richie and Eddie both pulling you with them as your eyes lay transfixed on the evil entity. The sewer’s tunnels were long, windy and tight at some areas. They seemed never-ending.
Until you came to a sudden stop.
Standing in front of the three doors, Richie, Eddie and yourself contemplated what to do. In this sort of situation, nothing was to be trusted. Flinging open the ‘Very Scary’ door, you all found an empty closet.
“O-oh. Well, this s-s-s-seems harmless eno- oh what the f-f-fuck?” You screamed as a pair of disembodied legs ran towards you. Richie pulled you behind him as he slammed the door shut. 
The next door they opened read ‘Not Scary At All’ and at this point you were highly doubting that. From behind your barrier of Eddie and Richie, you could see a small dog staring at you all. It also seemed harmless at first, so you waited for it to fuck around and scare the shit out of you.
“Aww, it’s actually kinda cute.” Eddie cooed, leaving you a tad confused. Richie seemed to agree, telling the dog to sit, which it did.
“Aw, that’s precious.”
The dog twisted into a beastly creature, which was truly inevitable, wasn’t it? Your father and Eddie screamed as if they hadn’t been expecting any of this. The door slammed shut, and you quickly found yourself running out of the cave, back to where this whole mess started.
As you stepped foot into the cavern, bright lights drew you in, and you couldn’t feel anything. You were numb to the world around you. The screams of your father were nothing but faint echoes.
You could feel yourself succumbing to the lights. You let them decide your fate. This was how it all ended.
Until the lights disappeared, and you came crashing into Richie. You blinked slowly, adjusting to the darkness once more. Richie cradled you to his chest as Eddie stood off to the side, amazed at what he had just done.
IT lunged a clawed limb at the Eddie, but he ducked in time for IT to get trapped in the rock walls. It was a chance to escape.
On your feet once more, you ran to meet all the losers. Clambering through the hole once more, you used the time to think of a plan.
“We n-n-need to bring IT d-down to size. If w-w-we can lure IT in, IT’ll h-h-h-have to shrink to f-fit through that h-h-h-hole.” You muttered, mainly to yourself, as you contemplated your options.
“That just might work,” Bill announced, bringing you out of your daze. “But I don’t think we have to lure IT out here…”
Bill had a plan.
Crawling through another entrance, you mentally cursed yourself for coming back to this hellhole. Bill stood before the clown, who loomed over you all. 
“You’re just a clown.”
Physical pain flashed across IT’s face. 
“A clown!”
“You’re a sloppy bitch!”
“You’re nothing!”
The clown’s spider legs weakened, collapsing slightly. The insults continued being thrown, and IT continuously grew weaker. As IT staggered backwards into the centre spikes, IT grabbed the smallest loser, pulling her towards itself.
You fought against IT’s arm, yet somehow still found yourself powerless. Even now, IT was too strong for you.
“Put me d-down. You’re just a clown. Just a motherf-f-fucking clown!” 
With a final punch to the clown’s stupid red nose, IT let you go, deflating into an ugly baby-looking creature. You ran to Richie and Eddie, the pair making another protective barrier around you.
You all moved towards IT, and Beverly kneeled down beside IT. IT’s expression was pure fear. 
The beautiful irony of it all.
She reached into IT, yanking out a rotten, yet beating heart. Each loser placed a hand on the heart, and IT seemed to be begging for mercy. For forgiveness.
You all squeezed the heart, crushing it and watching the life drain from the monster that had tormented Derry for millions of years.
IT had been defeated for good.
***   
Driving away from Derry was therapeutic. It was a breath of fresh air. For the first time in far too long, you felt safe.
On your way out, Richie pulled over on the bridge and got out. Walking over to the wooden rails, you followed behind him, not noticing the other car pulling up too. Richie traced a pair of letters on the wood.
“R + E.” You murmured, much louder than intended. Your dad spun around, catching you just in time to make the connection. His eyes drifted behind you, to the man standing beside his car.
“It was a-a-always you and E-Eddie, huh?” 
You kneeled beside him, hugging him tightly. You knew how long it took your dad to accept who he was, so seeing him recarving the faded ‘E’ into the wood, with ‘E’ standing not so far behind meant the world to you.
“Can you just go kiss h-him, for god’s s-s-sake?” You whispered into his side, making him laugh.
“I just might, so you better close your eyes.” He covered your eyes with his hands, making you laugh loudly.
“And miss s-s-seeing my dad happier than e-ever? I could never.” 
His smile held so much love and appreciation for the beautiful girl he had raised that people all across the USA could feel it.
***
“Dad! These are our s-seats.”
Your dad followed behind, making sure you were reading the right part of the tickets.
“Yep, these are them.”
You sat down first, leg bouncing in anticipation. You had wanted to see this live for years and finally, you could get into the show, with adult supervision.
“It s-starts in three m-minutes!”
If it weren’t for the sheer fanciness of this building, you’d be bouncing off the walls in excitement.
Three minutes passed quickly, and the announcement was made that the show was starting. You stared at the stage, a huge smile on your face.
He walked out on stage, and the applause was thunderous, but you knew you were the loudest.
“Yknow, my husband is a bitch and I love him so much.”
Looking at Eddie’s jokingly hurt expression, you burst out laughing, harder than you ever had in your life.
***
It was around 2 am when you all paraded back home. It had been a long, carefree night, only made better by the pure joy radiating off everyone in your family. Eddie fumbled for the house keys, eventually unlocking the door, only to be knocked down by their surprisingly strong Pomeranian, Stanley.
A minute after you walked inside and kicked off your shoes, you passed out on the couch. Stanley curled up beside you, licking your face.
Eddie and Richie shared similar expressions as they gazed at the adorable sight. Not once had either of them believed their lives would come to this.
Richie Tozier never believed he’d be a world-famous comedian, married to his best friend that he’d been in love with since childhood, with the most amazing daughter anyone could ask for.
Eddie Kaspbrak never thought he’d escape his never-ending cycle of letting an emotionally abusive woman control his life, marry the man of his dreams and have a daughter.
Y/N Tozier-Kaspbrak truly believed that no other kid was as lucky as her. No other kid had a perfect, unbreakable pair of parents like she did.
No other family was as beautifully perfect as the Tozier-Kaspbrak family.
Not even close.
***
@peteporkers @unamused-fangirl
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knock me the fuck out (i dare ya, babe), part three
this is final section in part one of the series “run long, roam far, return soon” part two: “where we grew up” part three: “push me, pull you”
(click here if you’d prefer to read this in AO3′s format)
part one, part two
Billy has no idea what the fuck Steve is talking about, and he has no interest in anything that’s not their mouths touching each other, anything that’s not Steve’s lips and Steve’s tongue and Steve’s hands. 
Billy has no idea what the fuck Steve is talking about, and he has no interest in anything that’s not their mouths touching each other, anything that’s not Steve’s lips and Steve’s tongue and Steve’s hands.
There’s still some of that Old Billy left in him, a part of him that’s always a bit wild – a little blood in his eyes, a little fire in his heart – and it doesn’t usually require too much effort on his part to put that beast on a leash. But everything about his emotions goes out of control where Steve Harrington is involved.
Billy pushes him backward until he hits the wall, hands gripping his sides too tightly, and leans forward to drags his teeth across Steve’s bottom lip. Steve makes a soft sweet sound of startlement, and his hips jerk sharply. A thick hot ridge presses into Billy’s dick and holy shit that is actually Steve’s dick and he’s so big and so fucking hard.
A growl vibrates through his vocal cords and he pushes back hard, almost pinning Steve to the wall with his own hips, grinding against him with enough force to leave bruises on them both and pushing his tongue into his mouth with a wet slide. Steve makes a throaty provocative noise, a purring “mmm”, like he’s taken a bite of something really delicious, his fingers digging into Billy’s lower back to hold him there, blunt fingernails cutting gouges into his skin.
Again, they have to break away for air and Steve draws away with a gasped little “uh” that makes Billy feel so fucking dizzy with want, a string of saliva connecting their lips for just a second before Steve tilts his head back, red lips parted and throat bared as he gasps for breath. The temptation is too great for him – Billy traces over the beauty marks and creamy skin with kitten licks of the tongue, sinking back into his boyhood fantasy with relish, softly biting and sucking at every single one.
“Uhhh,” Steve moans under his breath, dragging his nails over his skin and pulling Billy’s erection into alignment with his own, and Billy is-Billy is gonna fucking explode-
"Ahem." There is a tiny cough, more of a pointed clearing of the throat than someone struggling through a late winter illness. 
The two of them probably jump about a foot into the air, scrambling around to figure who had witnessed them trying to all but fuck in public. Buckley was looking amused and very pleased with herself. Outright gloating, she says "I see I won't be grading any quizzes next year."
Steve is blushing hard, hair wilder than ever and lips kiss-bitten, tenting out of the front of his pajama bottoms with an obscene bulge that Billy needs to get his hands and his mouth on. "I-that-you-"
Robin hands him her purse, with a smug smirk. "Here, cover that before someone calls the cops on us," she says, hazel eyes dancing with laughter. "I told you he wouldn't hit you in the face. I can't believe the two of you had a crush on each other and it took you ten years to figure it out."
Billy whirls on Steve. "You-you had a crush on me, pretty boy?" 
Under normal circumstances, he'd be embarrassed by the way his voice cracks, like an acne-ridden boy, but this is an urgent question demanding an urgent answer. 
"You didn't tell him?" Robin laughs. "Oh, Steve. Honey, you can't let your dick do the talking for you."
"I disagree,” Billy says bluntly, eyes darting over his crotch – currently (tragically) hidden behind Robin’s purse.
“Of course you do,” she says in a tone of humoring him, still far too entertained and smug. “Seriously, Steve. You can’t manage one adult conversation?”
Even more flustered – my god, that pale skin gets so red – “I thought he was gonna clock me, I wasn’t about to have a heart to heart!”
“Why the hell did you kiss me if you thought I was gonna deck you?” Billy demands, skin crawling with the discomfort of old longing and older shame.
Steve shrugs rather helplessly, a very dissatisfactory answer.
“He likes to flirt with danger,” Robin informs Billy grimly, giving Steve something of a gimlet stare. “He’s addicted to risk.”
“Rob!” he yelps, looking harassed.
“Steve!” she mocks. “I’m literally gonna get old and die before you talk about your feelings! Hargrove, Steve-o had a big gay crush on you in high school-”
“Oh my god,” Steve moans, covering his face with his hands.
“Can I safely assume that you also had the hots for my man Steve-o at the time?”
“Uh…sort of, yeah,” Billy mumbles, shocked into near honesty.
She gives Steve a pointed stare. "I draw the line at asking him out for you, dingus."
Wild, terrifying hope surges in Billy. "You wanna go out with me?" 
Steve's big dumb doe eyes are directed at the checked linoleum floor. "You-you don't," he mumbles. "The whole town knows I'm a queer, Hargrove. You don't wanna go anywhere in public with me."
"Don't," he says softly, dangerously, boxing him in against the wall with a hand planted beside his head. "Don't tell me I want. No one tells me what I do with my time."
No one tells me what to do.
"If I say I want a date with you, I mean it." He's throwing himself off a metaphorical cliff here, but the memory of Steve Harrington's face has haunted him for ten years. After knowing his lips and tasting his skin, Billy's sure it will haunt him for thirty more if right now he does nothing. If after all that time, he has a real shot and throws it away because he'd rather stay closeted, if only in Hawkins, then he is nothing more than the scared boy still wilting under Neil Hargrove's control.
Robin, he sees from the corner of his eye, looks almost impressed.
There's a sweet, reluctant little smile tugging at Steve's lips. "Yeah?" With a bit of cheek, a bit of a flirtatious air, he tugs on Billy's button-down shirt. "Can I cook you dinner?"
His brows shoot upward. "Can you actually cook, pretty boy?"
"Say yes, Hargrove," Robin sighs. "If only so I don't have to watch him mope for the next ten years. Even if you don't bone, which is unlikely since Steve is a whore (“Jesus Christ, Rob!”), it’ll probably be the best meal you’ll ever eat in your life. Steve can cook his ass off."
"Wrong choice of words," Steve says dryly.
"Is it, though?" she counters. "If you play 'Hot for Teacher', I'm never speaking to you again."
"Shit, there goes that plan," Steve deadpans.
Billy grins, tongue held between his teeth. These two are great, he feels like he’s watching Frasier, but gayer and with swearing. "The two of you oughta think about getting your own sitcom."
"Saved By the Bell?" Robin suggests tartly. "Unmarried with Children? Friends But Gay?"
"Queers," Billy shoots back. "Like Cheers, Buckley, c'mon now."
"Hey, that's not bad," Steve says brightly. Then, shyer and quieter: "Do you like Italian?"
"The sky's still blue ain't it?" he answers, feeling his stomach do an anxious little flutter.
"Last I checked. Meet me after school this Friday, and be hungry."
Billy feels more daring, more confident, so he lets his eyes traveling up Steve's body. Sex hair, red lips, bright eyes, and a beard rash from Billy all over that snow white skin. "That ain't gonna be a problem."
Steve smiles at him, like he's charmed, like Billy's just charmed him. 
Billy wants to take a time machine, go back eleven years into the past and shake himself so goddamn hard. "Just wait!" He wants to scream in his 17 year old self’s face. "Don’t take it out on him, for fuck’s sake!! All you have to fucking do is WAIT!!"
But he can't do that, and he ends up standing in the store, dumb-struck, when Steve kisses him, fast and hungry, and Robin pulls him out the door.
El watches him at the kitchen door, grinning from ear to ear, looking like a cat that just ate a whole goddamn flock of canaries. "All right you little shit. You win."
"He likes you," she says, looking entirely enamored of this new development. "He really likes you."
Billy's heart goes double-time and his stomach flips all the way over.
Ellie grins even wider. Her chins rests on her fist and she gives one of her excited little wriggles, like a puppy whose seen her favorite person. “You should bring him flowers when you see him tonight.”
He makes a face. “You don’t think it’s too corny?”
“Steve is a romantic,” El coos. “He’ll appreciate the extra effort. And you think he’s worth extra effort, don’t you?”
“Well yeah!” he blurts out, and El’s face is terrifying. Jesus, she looks like a shark when she smiles that way, and Billy realizes that he’s been caught, yet again, havin’ feelings and shit. “I don’t wanna look like I’m coming on too strong. That shit makes some people nervous, you know?”
“Yes,” Eleven agrees solemnly, folding her hands together.
Billy looks at her sharply. “Yeah? What about you, Ellie? You and Max are out here trying to get me dates – you talked to any boy since you and Wheeler broke up?”
She stiffens, fidgeting slightly. “It’s-you know, it’s just more-more difficult because-” El touches the watch over her wrist, worn to conceal the serial number tattooed there. “And the town still think I’m a weirdo, and some of them don’t like me because I’m one of Joyce’s kids, and all of us love Steve. I really only talk to the-the Party-?”
She’s talking very, very fast and she’s tripping over her words and that’s how Billy knows that he’s stumbled upon something that El’s been holding close to her heart. “The Party, eh? Some nerd you-” and he’s falling into a trap but he still can’t see it yet “-got your eye on?”
Immediately after the words come out of his mouth, Billy realizes the black hole that he’s just opened up. The losers who fell into the weirdness of the Upside Down were not a large number. Wheeler, whose relationship with Ellie is over. Byers, who might actually be queerer than Billy himself. Sinclair, who still makes eyes at Max when her back is turned. And-
“Henderson?!” he demands incredulously. “Do you have a crush on Henderson?!”
Eleven, his poor Ellie, fiddles with her apron and stares at a point over his shoulder instead of looking him in the eyes. “I-I didn’t say that. I never said that.”
Oh, poor girl. She doesn’t even have to. El’s face is starting to look blotchy, like she might burst into frustrated tears. “El,” he says gently. “Ellie, any one of the nerd-herd would trip over themselves face-first for you. Ask the boy out – he’s gonna say yes and thank sweet Jesus for the chance.”
Looking outright miserable now, El says “I can’t.” No, she doesn’t just look miserable, she looks like she might be sick. “I’m-I haven’t-I don’t-”
Billy doesn’t really understand what she’s trying to tell him until El gestures at her lower body, quickly swiping angry tears from her eyes. “Oh,” he says, though he can hardly fathom it. “That’s-that ain’t that big a deal.”
“Do you know any other twenty-four year old virgins?” she snaps, flushed with shamed anger.
“Probably Henderson too?” he jokes, then feels like shit when her lower lip wobbles. “That doesn’t matter! Do you…want to?”
“I-I wasn’t ready. And now it’s probably too late. He’s had like ten girlfriends!” El wails, blotting her face again. “They’ve all been really smart and pretty, Billy!”
“Baby,” he soothes, heart breaking for her as he folds her into a hug. “You’re smart and pretty. And I need you to know that if he does anything to hurt you, I’ll take a psychotic level of pleasure in destroying everything he loves.”
A laugh escapes her, thin and watery. “Bitchin’.”
---
"Oh my god," Steve says on way back to the car. "Robin-"
"I know."
"He fucking said yes, Rob-"
"I know."
"I'm making him dinner."
"Mhm."
"Oh my god, what am I gonna do? I'm-I'm gonna fuck this up, Rob, I-" He pauses, taking in the look on her face. Robin is staring at him serenely, brows pitched slightly upwards. "I'm being an idiot again, aren't I?"
"Only a tiny one," she says, with great loyalty.
"Hurry up, I need to clean everything I own twice." Again, when he's sitting in the driver's seat, staring with blank disbelief out the front windshield. "He said he likes me."
"Yeah, babe," Robin says gently, reaching over to squeeze his hand. "He did."
This she won't make fun of. Whom Steve loves, he loves without caution, holding nothing back for himself, and with every expectation that his affection will be spat on and thrown back at him. It was heartbreaking to watch, and she'd seen it happen too many times. 
Trying to keep him from stumbling into a pit of his own anxiety and insecurity, Robin asks "So...is he a good kisser?"
Steve's face floods with heat and he breaks out into this goofy adorable grin. "Such a good kisser, Rob."
She smirks. "It sounded like you were being mauled by a wild animal."
Dreamily, Steve says "His lips taste like strawberry jam and he smells like a bonfire in a forest of pine trees. He can maul me any time he wants to."
"Oh, he wants," Robin drawls with laughter in her voice. "Trust me, he wants.”
He spends nearly a week randomly flooded with giddy anticipation and nervousness but by the time Friday actually rolls around, he kinda…forgets? It’s not that he forgot he and Billy have a date, it’s that when the actual agreed upon time comes around, Steve is a bit too distracted to notice.
---
Billy isn’t dumb enough to bring the flowers with him – there’s forward and then there’s forward, y’know?
Rather than being in his classroom, Billy is stopped short just before he turns the hallway down to the primary kids section when he hears Steve’s voice, quiet and very serious. “Why did you hit him?”
“He-he said I was stupid!” a little boy says, with all the blind impulsive fury of a small child. “Him and Hannah wo-wouldn’t play with me!”
Completely surprising him, Steve solemnly asks “So Denny hurt your feelings?”
A quiet sniffing, and then a mumbled “Uh-huh.”
“That’s wasn’t very nice of him to say, Martin,” he says sympathetically. “Do you want a ‘feel better’ hug?”
Even quieter, like he was scared to say it out loud: “Uh-huh.”
And when Billy peeks around the corner, Steve is crouched on the ground, hugging Martin Roberts as he snuffles into his shoulder. Billy is having an emotion, and it’s A Big One, even if he doesn’t quite understand what that emotion is.
“Do you feel ready to say sorry to Denny for hitting him, and he can say sorry for hurting your feelings like that?”
“Yeah.” Martin does sound much calmer, actually.
Steve stands and spots him, gives Billy a small smile, like he hasn’t just broken his brain a little bit. “Sorry I’m running a bit late.”
“Take your time,” Billy says, thunderstruck.
He wonders what would’ve happened, what his life would’ve been like if one of his teachers had been even half as patient and understanding as that with him. 
---
Billy says "Go ahead and unlock the door, I left something in my car."
Angie is his living doorbell, so as soon as Billy returns and opens the door, she's right there, wailing in her usual piteous manner. Steve already assembled the sauce for dinner, it just needs to be warmed up and the fresh pasta boiled to tender.
"Who is this?" Billy asks, amused.
"That's Angie. Pet her - she expects to be greeted at the door and she won't leave you alone until you do." Steve goes out to the hall and stares, owl-eyed.
In one arm, Billy has Angie who looks very smug at having seduced Steve’s man, and in the other- Dumbly, Steve asks “Did you buy me flowers?”
“Uh…” Billy says, uncharacteristically bashful. He lets Angie drop back to the floor with a heavy thump. “…yes?”
He could tease him – ‘is that a question or an answer?’ – the problem is that he’s stumbled and fallen face-first into a giant pile of infatuation. “They’re beautiful,” he breathes, eyes wide, tentatively reaching out to lightly brush his fingers over the petals. Billy bought him red carnations. Not quite as obvious as red roses and somehow both lurid and innocent. “Let me find something to put them in.”
He leans forward with head tilted, hand around the collar of Billy’s shirt, and gets halfway to kissing him when he realizes that this is maybe overplaying his hand. But like…Billy Hargrove bought him flowers? Fuck it, I’m gonna kiss him.
Gently, he presses their lips together and Billy let out a sweet little sigh, slipping his fingers through Steve’s belt loops to pull him closer. His mouth is soft, full, velvety, and discovering it again is so delicious that Steve gets lost in him. Billy licks his lips as they part. "Still having Italian, I see."
Steve blushes. "Uh, yeah." Quickly, he scrambles away with flowers in hand before he can do something incredibly dumb and classy like offer to make himself the first course. "Hope you're hungry."
"In many ways," Billy replies huskily, eyes shamelessly undressing Steve right there in the kitchen. 
So maybe he preens a little. So maybe he bends over a little too long as he grabs a vase from beneath a sink. It's been such a long time, he thinks wistfully, since someone wanted him in such an open, brazen way. He gets laid...well, not often but not never, either. But that’s quick, hurried fumbling in a bar bathroom of the next town over or fast hand jobs in dark places.
He doesn't get a bed, or lots of kissing, or arms to hold him afterwards. He doesn't get the next morning or lazy sex in the sunlight. Women think he's gay and men are scared shitless to be seen talking to him longer than ten minutes. He gets scraps and has to be happy with it because up until now, he understood that was the best he could hope for after being outed in a small town.
"You're a little cocktease," Billy rasps, eyes fixed rather desperately to the way his dark jeans are hugging Steve's ass.
"Can you blame me?" Steve asks with a smirk over his shoulder, letting Billy look his fill. "Spent a year watching you strut around without a shirt on, sweating and pushing me around. And I was such a dumbass, it took me a whole year after that to figure out why I was half-hard every time I saw you walk onto the court."
"Yeah?" Billy purrs. Oh, maybe Steve shouldn't be giving shit like that out. Too much ammunition. "Did I have you chubbing up your shorts?"
Steve rolls his eyes. He's sure that to Billy, he must've seemed terribly obvious. The hopeless bisexual disaster with his tenting shorts, either unable to figure out what he wanted or without the guts to do something about it. "You know you did."
"No," Billy replies quietly, with much more seriousness. "I didn't know."
Steve pauses to fill the vase. "...that wasn't why you were teasing me?"
"No. I teased ya because I wanted the prettiest boy in school to pay attention to me," he admits, an almost helpless note to his voice, looking genuinely pained.
Startled, Steve says "Okay, but I wasn't actually the best looking guy in-"
"My frigid ice princess, he froze me out in every direction, no matter how I pushed him. And when he wouldn’t give me what I wanted, I hurt him." Billy closes his eyes, as though the memory makes him sick, even now.
“I’m not cold,” Steve says quietly, setting the vase filled with lushly blooming carnations on the counter, and watches him practically do a double-take.
“That’s what you chose to take away from that?!” he demands.
Coldness reminds him too much of his parents. Looking at Billy through his lashes, Steve says “You already apologized for that years ago. But I resent being called frigid. I’m not cold.”
My frigid ice princess. He refuses to accept being called cold. But he doesn’t refuse being called Billy’s.
Billy’s stare is piercing and he lifts a hand to draw a rough thumb over Steve’s lower lip. “No,” he rumbles. “You ain’t, are you?”
Billy has always possessed this weird (well, it seemed less weird after he figured out he was attracted to him) magnetism for him, this force that draws Steve in. Time has not diminished that force.
Again, he pulls Billy in by the collar, their tongues curling around each other, and Steve gasps “I have to finish dinner!” with a ragged voice, even though his arms are still around Billy’s shoulders.
“Hurry,” he says in a soft burr, beard scraping over Steve’s neck as he nuzzles into him and sending a hot crackle of sexual tension through him.
“Who is a cocktease?” he demands weakly.
“Oh, I definitely am,” Billy says with a wicked smile. A daring hand cups the full expanse of one buttock and gives Steve a possessive squeeze. “Better feed me good – gotta keep my energy up.”
“Oh my god,” Steve says, face flushed as he turns back to the sauce on the stove. “You’re awfully sure of yourself.”
“If you wanna play hard to get, I don’t mind a game of cat and mouse,” he says with a smile that’s positively predatory. “But to be honest, I don’t think you have that kinda patience in you, Harrington.”
Steve salts the boiling water and throws Billy his most heavy-lidded flirtatious smile. Subconsciously, he mimics Billy’s lip-licking motion. “If you wanna get in my pants, you’d better learn to say ‘Steve’.
Billy strokes his beard, letting him see the heat in his eyes. “Stevie,” he husks, his stare consuming Steve’s whole body like a physical touch. “Stevie-baby. Darlin’.”
He has to make himself keep focusing on cooking because he knows that if turns around right now, all this work will have gone to waste. “Make yourself useful,” he says hoarsely. “And grab the bottle of wine from the fridge.”
“Sir, yes, sir,” he drawls, brows raised. “Holy shit, Steve. If the kids make you drink this much you might wanna consider a new line of work.”
“Most of those are nearly empty,” he says, rolling his eyes. The corner of Steve’s mouth lifts and he adds, “The kids are fine. It’s some of the parents I can’t stand.”
He sets his vase of carnations on the end table beside the sofa where they can be admired, and wonders if Billy’s already noticed that next door, Melanie Dohr’s class has twenty-four children but his classroom only has sixteen. Several parents were so outraged that he was hired on for the kindergarteners that they outright refused to allow their kids to set foot in his classroom.
Maxine van Haut had been one of only two parents to actually volunteer, in public, to put her daughter in his care. To his utter surprise and disbelief, his old classmate and former friend Carol Bainbridge had been the other parent.
Billy watches him drop nests of fresh pasta dough into the boiling water with fascination. Steve counts to thirty in his head before scoops the noodles, just underdone, from the water and into the sauces, adding a knob of butter before he lets the tomato, cream, and herbs meld together.
“How did you learn to do this?” Billy asks, as he adds a pinch of red pepper flakes and begins plating their pasta.
“Um…well, after my parents basically told me not to bother going back to their house ever again, I was sad and when you’re sad, you eat a lot. I became obsessed with making the most complicated, ridiculous things I could find. If I was focused on the food, I didn’t have to focus on why I was making it,” Steve says lightly.
He realizes too late that he’s probably oversharing. He does that a lot when he likes someone – Robin calls it his ‘Achilles heel’, whatever the hell that means. She says that once he’s attached to someone, he can’t let them go, even when it hurts, which is why Rob and Nance are still his friends. He doesn’t see the problem really. Who couldn’t use another friend? So it hurts for a little while, he still gets the rich reward of a friend forever.
“After I figured out how to make things that would break my brain, I started focusing on how to make them delicious. On that note: please don’t ever say the word ‘barbecue’ around Rob, that’s a ten hour lecture nobody needs to hear again, even though I only gave myself food poisoning.”
“You…gave yourself food poisoning?” Billy asks slowly, eyeing their plates.
“Yeah, who would’ve thought that grilling and drinking don’t mix.” Steve shrugs and grins. “Grab the wine and the glasses, I’ll get the plates.”
Steve has a reasonable level of confidence regarding his own skill. He still blushes to what he’s positive is probably a firetruck red when Billy takes his first bite and makes a noise that’s more suited to a man receiving a blow job than a man eating a meal. He whispers, “Holy fuck, Harrington”, eyes closed in reverential bliss. The rings on Billy’s fingers gleam, silver and gold and ruby, as he holds his knuckles to his mouth, as though he’s tasting divinity.
Steve grins at his fork. For a while, there’s no talking because Billy has zero interest in anything that’s not this meal.
They actually make conversation like real ass adults, which he will tell Robin about later because she’ll be proud of him for that.
It takes them until the end of dinner, laying back on the sofa and trying to not die because they are both full, that they get to a topic deeper than day to day activities. Because it’s sort of the elephant in the room with them, Steve decides to break the taboo and says “So…where did you go, when you left town back then? Max told us she thought you went back home to see your mom.”
It maybe wasn’t the thing to say, because for a moment, Billy’s eyes look flinty and cold. “No,” he says finally. “I never stayed in Bakersfield for too long. I only went to see her once. She-the way she saw the world was one way, and the way I saw it was another way, I guess.”
Steve’s nose wrinkles. “What does that mean?”
Billy’s jaw tightens. “It means that when you’re on your second marriage with a six-year-old kid at home and your first son shows up on your doorstep as a wild-eyed man fresh outta the hospital, you’re gonna call him a raving lunatic, slam the door in his face, and threaten to call the cops if he doesn’t leave you alone.”
Steve’s spine goes rigid. “Oh god, I’m so sorry,” Steve blurts out. “Jesus, she sounds like a shitty parent. I mean, mine aren’t a whole lot better, but they wouldn’t call the cops on me.”  
Billy shrugs, though he can see the shadow of old pain in his eyes. He takes a sip of wine, probably to steady his nerves, before commenting, “Yeah, Max told me why you probably won’t run for mayor anytime soon.” Reflexively, Steve grimaces and Billy chuckles slightly. “Kinda sorry I wasn’t here for that.”
“For my public humiliation?” he says, trying to ride the fine line between bitterness and black humor.
“For your ‘awakening’,” Billy purrs. He’s looking at Steve’s neck the way Steve imagines lions stare at the necks of gazelle on the savannah. “I’m not the picture of class and taste, but I’m pretty sure I coulda gave you better than a coat closet.”
Steve can’t quite bring himself to look at him directly. “You were there for it, in a way. You were the reason that I realized I wasn’t completely straight.” It’s his turn to reach for the wineglass. “You raced out of Hawkins, and I realized that I had a meteor-sized crush on a boy I was never going to see again, and the last time I had seen him, he was dying in front of me.”
Even now, with Billy right in front of him, he can’t hold that memory too closely or he’ll just start bawling. It’s probably tied with his mother telling him Steve needs to stay with Robin and leave his keys for his most painful memory.
Keeping his head down, Steve adds “And I maybe didn’t deal with that too well, so after that was a series of really terrible decisions Rob is too nice to blab to other people about, but will never let me live down in private, all neatly wrapped up with outing myself to the whole town.”
Billy is very quiet and it takes a moment for him to gather the courage to look at him. Billy’s stare has become penetrating, and unwavering. Lowly, he says “Maybe we dodged a bullet with me leaving, then.” He smiles grimly. “Cause the person I used to be wouldn’t have been too nice about knowing you were willing to suck a dick and the dick wasn’t mine, Harrington. And I don’t just mean not nice to you. I woulda made the whole fucking town pay for that.”
Trying to hide his nervousness, Steve rests a hand on his elbow and sips from his glass. “I’m not exactly inexperienced, you know. What does the person you are now think about that?”
“I think…that I don’t really care what you’ve done before,” Billy says slowly. “Or who you’ve done it with.”
“I’m sensing a ‘but’ at the end of that sentence,” Steve observes.
“If you’re the kind of person who gets bored with having the same partner, you might wanna cut this short,” he informs him bluntly. “I don’t like sharing, and I try to be a better person than I was, but I’m not about to tell you I’m not a jealous possessive bastard, because I’m never gonna lie to you. I am.”
He leaves his glass on the table. “I’m pretty sure there’s this saying, ‘only boring people get bored’.” Steve leans his head back into cushions, feeling full and sluggish and maybe a little bit horny. He skims his fingers slowly up Billy’s thigh. “If you don’t wanna get bored, you have to put in the work.”
“Yeah?” Steve is transfixed by the way Billy’s tongue curls around his teeth. Teasingly, Billy says “You gonna work for it, baby?”
Steve kneads the muscle in his thigh, thick and warm beneath the denim, and feels heat begin to coil in his belly. “I think…you should let me worry about that,” he murmurs, tracing his thumb up the inner seam of his jeans. Billy’s breathing stutters and he smiles, slow and satisfied. “And relax.”
He swings a leg over Billy, settling on his lap and leaning in for a kiss as he unzips his jeans. Billy breathes “Shit” against his lips and starts unbuckling Steve’s belt.
Steve’s pants end up thrown over an arm of the sofa, where they’ll probably end up covered in black cat hair, and he opens the fly of Billy’s jeans so that their dicks only have two thin layers between them instead of four. It’s been too long and Steve moans “fuck” as he settles back down onto his lap. He can feel Billy pulsing, the wet spot forming in his boxers and Steve pants, open-mouthed as he grinds down, slow and lazy.
“No, c’mon,” Billy says raggedly, pulling at the buttons on his shirt. “Don’t just gimme half a show, baby. Let me see that body.”
Steve helps him, flipping his tie off and sending it to hang out with his slacks, and pulling his cardigan over his head. He knows when Billy notices what’s beneath the linen when his hands skim up Steve’s chest and pluck at his nipples, gently tugging at the medical grade steel embedded in his skin. “Oh, you’ve got goodies,” Billy groans, mouthing over the fabric. Steve hisses and arches up to meet the touch, lightly pulling at his dirty blond hair. “Naughty Stevie, trying to hide his goodies from me – oh. Baby, you are all grown up.”
“I shaved,” Steve chokes out, throwing his shirt to the side and trying to steer Billy’s mouth – his teeth, especially – back to his nipples. Billy strokes the dark thatch of hair on his chest, tantalizingly close to where he wants him. “In high school, I shaved it. I thought it was weird, how much I had.”
“Hmm,” Billy purrs thoughtfully, rubbing his face in it. Steve moans and squirms as the much rougher hair of his beard scraps and catches on the permanently sensitive skin. “Think I like it.”
“You,” Steve starts, hoarse and cracked, then swallows and tries again. He wants Billy, wants his sweat and skin and heat, wants all those things he never usually gets. “Yours too, Billy.”
“It ain’t pretty, Steve,” he warns.
“Do you really think that’s worse than watching it happen?” he whispers, pulling Billy in for a kiss, deep and intense. “It’s alright, c’mon.”
There are large scars, thick and deep and silvery, all across Billy’s chest and stomach, places where the Mindflayer tried to kebab him. Steve runs his hands across all of it – the scarred and the unblemished, the ugly and the statuesque – and bends to kiss him everywhere. None of it surprises him, and to him, it’s both terrible and miraculous. Every piece of logic in the universe says that Billy Hargrove should have died that day, and yet, here he is, warm and shuddering beneath Steve’s hands.
“I didn’t know why,” he continues at a whispers. “I didn’t understand why I had a hard time looking away from you. I remember watching the way the sweat dripped off you on the court.” He hums and traces a hand down Billy’s chest, over the muscles and scars, the same path of the sweat in his mind’s eye. “I was so stupid – I thought I was jealous of your looks. Nobody says that men look ‘beautiful’. But you were, and you still are.”
“Don’t need to sweet talk me,” Billy murmurs, nosing at his jaw. He pets at Steve’s hair, hand caressing all the way down his spine. “I’m a sure thing, sweetheart.”
“What if I just want to?” Steve says with a smile, bangs hanging into his eyes. “What if I think you need someone to be nice to you?”
“Is that what you think?” Billy asks, and plucks a flower from the vase. “Maybe I think that’s what you need, too.”
Gently, he uses the petals to trace the shape of Steve’s lips, his knuckles brushing the shape of his cock through his briefs. Breathlessly, he gasps “Billy Hargrove is a romantic. Stop the presses! Breaking news!”
“No one will ever believe you,” he says sweetly, clamping the stem between his teeth. “I’ve committed the perfect crime.”
He hauls himself and Steve from the couch, cackling as Steve yells and clutches onto his shoulders. He prays that Billy is as strong as he looks. “Turn left!” he yelps. “Bedroom is the last door.”
As soon as they are safely on the bed and Billy is no longer trying to bear both of their weight, Steve snatches the flower from his mouth to kiss him.
“You’re a madman,” he says with admiration, caressing his cheek with the petals.
“I’ve met Wheeler, you’re deeply attracted to the mentally disturbed,” he accuses, plucking at Steve’s piercings to make him squirm.
Billy draws his teeth lightly over his left nipple. “Yeah, like that.” Tugging gently on his hair and pushing his ass down on Billy’s cock, his limp fingers surrender the carnation back to him. The petals feel like velvet against his ultra-sensitive nipples and Steve chokes down his whines. “Bite them, please. Billy.”
He’s leaking all over his underwear, dick jumping and twitching with each little nip and sharp bite, mindlessly frotting with him, and Billy squeezes at his ass, rolls up his hips to meet him. “Fuck, you’re big.”
“I thought you’d want to top,” he gasps. “I don’t mind.”
He hums and looks up at Steve through his impossibly long lashes. His eyes are dark and glittering. “Maybe I just want to do this. Maybe I just want to see you fall apart on top of me.”
That flower – he’s still holding the carnation, uses the scarlet petals to paint a path down over his stomach, and swirls it over the wet patch of fabric where the head of his cock is trapped by the fabric. “Your hands,” he pleads, pulling lightly at his hair again, guiding his other hand, calloused and covered in rings, into his lap. “God, you have such beautiful hands, Billy.”
Billy gets his palm around Steve’s length and grunts as Steve turns his head and tugs on his earlobe with his teeth. “Imagine me jerking you off, like this?” he rumbles, rough skin grating over Steve’s cock. “Huh, baby? You think about me in the dark, when you were alone? Did you think about my hands?”
“Your hands,” Steve rasps, and kisses him softly. He can’t get his fill of Billy’s skin, rough, silky, smooth, and everything in between. “The way a cigarette looked in your mouth. You pressed up against my back. Sweat running down your body and Billy, how much I wanted to touch you-”
Billy cuts him off with a low groan, biting at Steve’s lower lip and abandoning the carnation to give his nipple a cruel twist, grinning against his mouth as Steve convulses. “I dreamed ‘a you, Stevie. I dreamed of your big heartbreaker’s eyes and your pretty lips.” He touches his neck and Steve realizes that he’s tracing the moles all over his skin. “I thought about the noises you’d make if I kissed you here. How you’d sound when you came. For me.”
“I’m gonna,” Steve croaks, sucking at Billy’s tongue. Imagining that he’s sucking something else. He’s sounded in the pine and bonfire smell of him, and his thighs shake around Billy’s hips.
“How you’d taste,” Billy growls, and Steve can taste him, the strawberry jam sweetness of him, and he could cry. “Don’t leave me waitin’ for it, Stevie.”
“Fuck, oh fuck,” he cries, trembling hard.
“Let me hear it.”
And Steve sobs “Billy. Don’t stop, Billy.”
“I got you, Stevie-baby.”
His body is liquid fire in Billy’s hands, fluid and burning ember-bright. Billy keeps kissing him, frantic and hungry, even while Steve is out of breath, and he doesn’t realize why until Billy starts squirming out his jeans and underwear and starts jerking himself off harshly, still kissing at Steve’s neck.
“Stop,” he slurs, and rolls on top of him, pinning Billy’s arms to the bed.
“Steve,” he whines. “Don’t be a brat. Just-”
“Let me do it, baby,” Steve murmurs, stroking his belly and throwing his best bedroom eyes. He strokes his hands up Billy’s thighs for extra insurance and licks his lips. “Let me get you there, Billy.”
“Fuck,” Billy whispers hoarsely, briefly closing his eyes. “Okay. Yeah.”
Just because he’s gonna do it doesn’t mean he’s gonna make it easy.
Lazily, Steve French kisses his way down Billy’s chest, treating the scarred skin the same as the silky-smooth muscles, taking his time to lick down his body, letting himself taste the salt and musk. He by-passes Billy’s cock, weeping all over his stomach, only stopping to lap up the little pool forming above the head.
“Steve,” Billy hisses. “Jesus fuck – PLEASE.”
He sucks hard on his inner thighs, biting at him until it will bruise. “I’ve thought of this so many times,” he admits, gently pressing his thumb beneath his balls, brushing his other fingers so achingly close to his cock. Billy nearly jack-knifes off the mattress, swearing at his as his fists pull on the sheets. “And it’s better than anything I could’ve imagined.”
“I wondered what you’d do,” he murmurs, kissing just alongside his cock. “If I was on my knees for you.”
“I’m gonna fucking die,” Billy gasps, touching his hair, stroking it away from his face. “Steve-”
He makes sure he’s watching, makes sure Billy’s eyes are open as he circles his fingers around him and s l i d e s his cock, hot and wet with precum, past his lips. He hums and groans at the velvety heat in his mouth and Billy bucks the tiniest bit, moaning like a dying man as his dick rubs over the silky slickness of his tongue.
“Steve,” he says, weak and reedy, “…sweetheart…”
He hollows his cheeks and groans again, giving Billy a come-hither stare. Billy’s head falls back onto the pillow, crimson lips parted as he pants, loud and desperate. Oh, Steve likes him this way. Billy’s beautiful. He’s always been beautiful, but he’s worn into this beauty, like the softest cotton shirt in the drawer.
Steve sucks him, slurping and sloppy and wet, presses his fingers ruthlessly to Billy’s perineum.
“FUCK,” he roars and grips Steve’s hair just this side of too tight. Shoves up into his mouth, always just shy of choking him, and begs softly. “Take me, gorgeous. Fuck, like that. Gonna come, Stevie, gonna come for your hot mouth-
He screams without making noise and Steve licks him clean, flicking the jizz from his lips like a cat licking cream.
“Jesus Christ.” Billy says, still breathing hard. “Stevie, you’re worth waiting ten years for.”
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Text
It was always you
“It was always you,  falling for me,
now there’s always time, calling for me,
I’m the light blinking at the end of the road,
blink back to let me know,”
Warnings: Smoking and alcohol ment, tattoos?
Ship: Royality, Background Analogical
Plot: Patton and Roman have been friends for years, best friends, inseparable friends. They’d always been there for each other and always will be. 
Written for @romansleftshoulderpad happy PALentines day jr! 
“My turn!” Roman declared, a seven-year-old with a cape tied around his shoulders as he brandished a small plastic sword “I wanna fight the bad guys now Pat!” His best friend, tripping over his own feet with a wide grin, points his own sword to the sky. 
“I will protect the prince!” The brunet declared “We can fight together,” Mrs Prince, leaning against the wall to the house with a glass of lemonade shakes her head and nudges Mrs Sanders with a smile, the warm smile at watching their children play happily is returned. 
“People would think they’re brothers, the way they act,” A small laugh leaves her and she calls “Boys! Dinners ready,” The swords become abandoned on the floor as it becomes a race to eat, the cape around Roman’s neck billowing behind them as he grabs his best friend’s hand and runs. 
--
“I hate school,” eleven-year-old Roman complains to a maths book, before lowering it and nudging Patton “Shall we go to the treehouse?” The treehouse in question was one built in the forest behind Roman’s house. Patton blinks, a mouthful of cookie blocking his response, but Roman waits patiently. 
“We should ask your mum first,” He looks down at the maths book “I don’t understand maths, I mean shouldn’t there be more numbers? Why are there letters too?” He lets out a harumph of displeasure before sliding the plate of cookies closer. 
Mrs Prince came in to see how they were doing, to be met by two very upset young faces as they glared at the work that was surely well above their grade. “Alright boys you can go to the treehouse, be back before dark! Take your dad’s phone Roman,” The two let out a cheer as they scramble out the door, grabbing Mr Prince’s phone as they go. 
The treehouse was their fortitude, it could be a palace or a battleground or a spaceship. Patton digs the cookies out of his pockets, handing one to Roman as they sit on the edge, legs swinging whilst they take in the forest around them.
“I hope we’ll be friends forever Roman,”
“Of course we will Patton!”
--
“You have paint all over you,” Roman snorts, gesturing to the blue and black paint all up Patton’s arms, the elder simply shrugs, “treehouse?” Patton nods, his portfolio bag swinging by his side as they head towards Roman’s house. “Are you finally going to show me the project you’ve been working on?”
“Maybe,” The shorter replies with a grin “Maybe I’ll never show you!” Roman gives him a light shove through a smile and they walk in silence. Now sixteen and struggling with their work, they'd already chosen the paths they’d wanted. Patton, an artist, if the paint and ink decorating his skin was anything to go by. Roman, an actor, and he was brilliant at it. 
They climb the ladder as they’d done for most of their lives and Patton pulls out the sketchbook he’d been so heavily protecting, handing it to Roman and looking down at his feet as they swung. He hears a soft ‘oh’ escape the other before he’s met with Roman’s grin “I’ve never looked this good before,” Patton laughs gently as his attention is drawn back to the sketchbook full of observations of Roman. 
--
“Is that a...cigarette?” seventeen-year-old Roman blinks down at the voice from where his legs are dangling, to the bottom of the ladder to Patton’s shocked expression. “Roman!” He moves back for the elder to scramble up the ladder, blankly watching the end of his cigarette as the smoke drifts from it. He hates that he’d hidden it from Patton in the first place, amongst other things. “Roman, when did you start smoking? Why did you start smoking?” 
There’s silence in the static air for a second, punctuated by an inhale and long exhale, like a sigh. “I’m just...not really feeling okay lately, stress I think,”
“So you thought cancer was a good way to remedy that?” He’s half joking, half serious, mostly upset and a little bit angry that Roman would start smoking and then hide it from him. The way the other had been acting lately it seemed there was a lot he was hiding; for once he’d been staring off into space, barely recognizing his own existence more often than not, plastering on smiles that were so fake they could’ve been made from plastic. “Roman, what’s gotten into you lately?”
Alarm shoots through Patton as Roman’s brown eyes met his own pale grey ones, and he sees tears in them. The younger sniffles and wipes his eyes before his body starts to shake with tears like he was afraid. “Patton I...” He chokes and swallows, a hand coming up to his mouth to muffle the sobs before he finally forces out his words “I’m gay,” The other goes very still for a moment and then sighs. 
“Oh Roman,” He hugs him, pressing a kiss to his forehead “That’s okay, there’s nothing wrong with that at all,” Roman breaks, sobbing as the cigarette falls down the ladders and his arms wrap around his friend, seeking some comfort for a secret he’d been carrying alone for far too long. “I suppose now is a good of a time as any to tell you I’m gay too,” Patton says gently, rubbing the others back “Have you told your parents yet?” A head shake “Anyone at all?” And another “Roman, how long have you known?”
“A year and a bit, maybe longer I don’t know I just...I was scared, I knew that you wouldn’t mind, and my parents wouldn’t and I’m sure most people know because I’m not...exactly a picture of masculinity but I was still scared,”
“I know Ro, I know, it’s all okay,”
“You always make it okay,”
--
“This city is...busy,” Patton sighs, sketchbook tucked under his arm as he watches the cars move past him “And the accents are weird,” twenty-one and taking a vacation from his work for ‘inspiration’ the two had traveled to the UK for a little bit of a change of scenery. “But it’s nice, it’s pretty,” The buildings weren’t as tall as those he’d seen in New York, they were a comfortable size. Most of them made out of glass. 
“We should go get all our stuff checked into the hotel,” Patton hums in agreement, as they head in the direction that Google Maps said that they should. The busy streets were a little different from what he’s used too, but his heart still fills up with warmth as he takes in the new signs and the cars that drive on the wrong side of the road. The hotel is not particularly large, situated on one of the biggest roads in the city. They check in and take a keycard each before pulling their suitcases into a lift that should surely be bigger. 
“Are you happy?” Patton asks, his wide eyes and gentle smile flooding Roman’s heart with something he’d experienced before and was trying desperately to ignore. 
“I couldn’t be happier Pat,” The smile that elicits made his heart beat tenfold faster before the elevator doors open and they begin their search for the right room, suitcases making noise against the carpeted floor that makes Patton laugh a little, high off the feeling of a new city. A new country, a new place. He hums as he puts the keycard into the door and pushes it open with his shoulder. 
“Oh,” He mutters “Uh Roman?” Roman hums from behind him and then looks over Patton’s shoulder before letting out a small laugh, either there was a God out there and he was playing a cruel joke or Patton forgot to double check that it was two singles and not a double bed. “I must have messed up, I’m sorry,” His face falls but his best friend only squeezed his arm. 
“It’s alright Pat, there’s definitely worst ways to be spending my nights, plus we’ve been sleeping in the same bed since we were kids!”
“When we were kids,” The other corrects, but a small smile tugs at his lips. Roman was right, it’s hardly the end of the world.
(By the end of the holiday, he’d be wondering how he’d slept alone for so long)
--
Patton thought about the holiday for a while after it had ended. Halfway through the week, he’d spent waking up next to Roman he’d hit a realization. He’d gone to the UK to draw the sights and gain a sense of perspective and take pictures of the wonderful landscapes, yet most of the time he’d spent staring at his best friend (Because really, was there anything much prettier than Roman?). 
He played it off as though it was a simple aesthetic attraction, Roman was objectively pretty, most people found him attractive. Until he’d woken up with Roman’s arm around his waist and his breath on his neck and thought “this feels like home,” He’d known he was gay for a long time now, and he’d always found Roman to be a center of attraction, but it was a worrying realization to look at your best friend and think you might actually be falling in love with them. 
Unbeknownst to him, Roman had been facing this dilemma for a couple of years now, and the best solution would be just to tell him. But it wouldn’t be much of a story if it was that simple, would it?
Aged twenty-two, the two of them decide that life together is more fun, and get a flat together, along with two other students that they haven’t actually met yet. 
--
“Absolutely not happening,” Somewhere between twenty-two and twenty-five the two had made friends with their drastically different roommates. Logan, a brilliantly minded biochemistry student with a penchant for, despite being extremely clever, enjoying ruining everyone’s fun. Specifically Roman’s. 
“Please Logan,” Roman whines, like a child instead of a full-grown adult. He sighs “Fine? Patton!” The art student looks up from the collection of paper strewn all over the floor, his hair rather messy. “Will you do it?” He’s not really sure what he’s agreeing too and looks like he hasn’t slept in days before nodding. “Great, Patton will be my fake date,” Patton goes bright red and stares hard at the piece of paper in his hands. 
“More like a real date,” Their other friend, Virgil, a pessimist and not one for biting his tongue, mutters through a smirk. The hard glares he catches off both Patton and Roman makes him chuckle before his attention turns to his phone “It’s true,” Logan exchanges a small smile with his friend behind the two would-be-lovers back and receives a quiet eyeroll from Virgil. “One day they’ll figure it out,” 
--
Roman’s had many boyfriends, he’s had so many boyfriends that he almost didn’t notice that Patton had never really been in a relationship; there was an attempt between him and Logan which lasted around month before they decided that it didn’t felt right, but he’d really not noticed that Patton had never had a long term relationship. 
He feels bad because he liked all those men, but he’d never stopped looking at Patton and thinking that he was his entire life. Now twenty-five and accepted that he was never going to fall out of love with his best friend. Anyone that witnessed them would tell them that they rather had to be emotionally blind, so to speak, to not notice the way they hang off each other’s words. The only thing different between these two being in a loving relationship and a loving friendship were that they called it a “Friendship,”
In hindsight, Roman had wished Logan had said yes when he’d asked him to accompany him as his fake date because he could pretend to be in love like nobodies business, and Logan knows that he has no desire to ever be romantically involved with him; he wasn’t sure how to pretend to not be in love, you would think he’d have mastered it by now. 
He was terrified Patton would catch on and from the second he saw him dressed in his blue suit, hair swept back from his eyes he worried he himself would not be able to conceal it.  Interestingly enough, Patton was thinking the exact same thing. 
“You look nice Pat,” The younger manages out as if he’s being suffocated by his own words, stiffly and choking with a hard look in his eyes. “Really nice,”
“Thanks, Roman,” Patton noticed, but he didn’t want to mention it. “You look handsome as always,” He smiles and takes the offered arm as they walk towards the Taxi together. Behind them and waving them off Logan shook his head and Virgil is trying to stifle laughs, leaning against his friend’s shoulder as the two walk off. 
“I think we should start placing bets,” Virgil mutters and Logan tries to hide the smile on his face. 
--
“Uh,” Virgil blinked down at the couch with confusion on his face before he slowly walks back up the stairs and into Logan’s room “Logan, Logan,” He whispers, tapping the other awake “You’ll never guess!” Logan lets out a soft groan before following Virgil’s gesturing hands “Stay quiet,” His eyebrows furrow as he tries to comb his hair with his hands into something somewhat acceptable. When he reaches the living room and follows the hand that is pointing to the couch he peers over his shoulder. 
“Are they...?” Virgil shrugs. 
Roman was lying on the couch, his blazer resting on the floor with his tie with the first few buttons of his shirt undone. The TV was playing quietly, barely making a sound. Patton was lying on Roman, his head on his chest and his arms at the other’s side with a content smile on his lips. “That is...undeniably adorable,” 
“They have to talk about it now surely,” Virgil mutters with a sigh before creeping past into the kitchen “WHo knows how long this was going on before we met them like I’m not going crazy right?” Logan fishes out the cereal from the cupboard with a hum. “Patton told me how he feels about Roman,” He finally admits (Patton had been worried extensively about being the fake date to his best friend whom he was in love with, and the existing pressure of his work had lead to one big explosion of emotion, in which Virgil had made him a cup of tea and reassured him). 
“Interesting, because Roman confided in me about his feelings for Patton,
They eat in silence (Distantly, Logan wonders how Virgil manages to notice other people’s feelings but not when the affections are directed at himself). 
--
“You got a...tattoo?” Roman blinks at Patton, whose holding out his arm, wrapped in cling film. The blues and reds and browns make up that of a bird, bright and vibrant watercolors that were very Patton. “It suits you, I love it, did you design it yourself?” Patton nods and lets his arm fall by his side. 
“He designed mine too,” Virgil, a minute behind him, chucks his bag on the floor. Roman’s not sure if he’s ever even seen Virgil’s arms before as he pulls his hoodie sleeve up. It was a blackbird, with purple splashes of watercolor, also very Virgil. “Honestly Pat you should go into tattoo design,” Patton only laughs, Roman tries to ignore the slight sinking feeling that Virgil ha known and he hadn’t. Then reminds himself that Patton has every right to go and do what he wishes, with or without informing himself. 
“Hey Pat?” Virgil moves past them to go and find Logan and show him his new design “I’m going back home in a couple days, just for a week, I was wondering if you’d like to come? See my parents and yours of course,” 
“Yeah I’d love too Roman,” Patton smiles in all his warmth, Roman is tired of simple motions making him feel as though his heart is breaking. 
--
“I can’t believe it’s still here,” The two sit in their treehouse, a bottle of wine between them as Roman lights a cigarette “And I still can’t believe your smoking,” 
“For old times sake,” Roman shrugs and leans back against the wall, taking a swig from the bottle. He inhaled and exhaled before looking up at the stars. “I think Logan would like it here,” He mutters “The stars are so clear,” The brunet nods but the only star he’s really looking at-and has ever been looking, at-is Roman. The smoke curls from his lips and drifts into the air and he looks so sad. “Patton I can’t do this anymore,” It’s like deja vu, Roman, smoking a cigarette and tearing up except now there’s a bottle of wine and the fact that he feels like he could lose his best friend (He really should know Patton better than that). 
“What’s wrong?” The cigarette gets flicked to the ground and the elder can see the tears being fought out of soft brown eyes, he can suddenly see everything that Roman’s being trying to hide and his heart almost stops beating. 
“I love you,” First there’s confusion on Patton’s face, well, of course, Roman loves him they’d always loved each other, why would he look so scared over...oh. Oh. Patton throws his arms around his best friend with no other conscious thought than to comfort him, holding him as close as possible. 
“I love you too,” Patton’s voice chokes on his words as he feels the tears well, it had been so, so long now, years of tossing and turning the matter in his brain repeatedly. He wondered had it been the same for Roman, by the way, his shoulders shook he thought it might be. They sit like this for a while, holding onto each other, Patton shifting into Roman’s lap so they could hold on more comfortable. “After all this time,”
“How long?”
“About...five years, and for you?”
“Nearly ten,” All this time, he’d never brought it up, never mentioned it, had he told anyone? Had he simply bore the burden alone? Patton had so many questions and not enough time to have them all answered, not right now anyway. His only response was to shake his head, his fingertips tracing patterns into Roman’s cheekbones carefully, delicately, like he may break any second. 
They just stare at the tear stains through the darkness, exploring the expressions that convey both relief and heartbreak simultaneously. They’d been keeping a secret from each other for far too long, and that’s not what should’ve happened, both carrying their own guilt that the other felt he could not come and approach the topic. 
Without enough words to say what they’re feeling, Patton simply kisses him, his hands cupping his best friend’s chin like he was holding the world between the palms of his hands. Roman’s hands slide up the other’s back and gripped the back of his jacket like he’s terrified the other might disappear right in front of them. 
Finally. 
--
There are few surprises left for the two by the end of the trip away, one of them, however, did not include finding Virgil and Logan kissing rather feverishly on the couch. “Really?” Roman snorts, “Like we’re gone for a week so you guys decide to desecrate every conceivable surface in the house?” Logan at least, had the conscience to look embarrassed. 
“Well, at least I don’t have to watch you two pining for each other anymore,” Patton hums, and Virgil gives him a look that says ‘you have got to be kidding me’ whilst Logan’s expression seems to be more along the lines of ‘you two are one to talk,’ but they silently acknowledge the two hands that are holding each other. 
“We’ve not had a movie night in a while,” Virgil comments as he moves towards the kitchen “Think you two lovebirds will be up to it?” Patton’s cheeks go very red whilst Roman doesn’t look remotely perturbed “Can’t hide anything from me, my dudes, now you order the Pizza, I’ll see what’s on Netflix,”
The four settle into their own routine, feeling content as Patton reaches for the phone to order pizza and Virgil returns with a glass of juice to scroll through the shows available. They exchange little glances with their partners, small smiles of happiness. 
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raeofgayshine · 6 years
Text
The World We’re Gonna Make
Some background info/a look at the characters in my Orphan Au verse. If you want to read more about their adventures, there are two stories that have been posted to go along with it so far, which you can read here and here
Logan Lockerman: - He’s the oldest (by a couple of months but still) - He’s very protective over the others and worries about them constantly, he’s basically the Mom Friend - Placed in the system when he was born, has no idea who his parents are and doesn’t give a shit either - He’s trans, which was something he discovered when he was like three (Patton helped him choose his new name) - People always tell him he’s too young to really know though and so most adults refuse to call him Logan or use the right pronouns. - Logan almost always corrects them though even if it makes his situation worse because he does not have a chill, someone please stop him - Thomas calls Logan the right name/uses the right pronouns from the start which helps with trust - Literally is the biggest troublemaker ever, because he’s stubborn as fuck and also refuses to follow any sort of rule he thinks is stupid or unfair. Has his own agenda in life, most of which revolves around keeping Patton, Roman, and Virgil safe and with him at all times, and will do whatever it takes for that to happens - Gives zero shits what anyone thinks about him (except he sort of cares what Patton, Roman, and Virgil think and eventually Thomas too) - He’s the honorary grandson of a knitting club that meets in the library every Wednesday night. They all love him and his rebellion, especially once they see him interact with Pat, Ro, and V, and are always giving him tips on how not to get caught. They’ve taught him how to knit although he doesn’t admit that, and help him whenever he needs to do something he maybe shouldn’t - They’re also totally chill with him being trans and are willing to fight people who say he is too young - Literally the best role models ever, I love them - A tol boy. Even at 12 he’s already v tall and still growing. None of his pants fit him anymore, so Thomas has to take him shopping after he takes them in just so that he has something that fits - Used to cut his own hair when it got too long with a little help from Patton, and while it always looked a little messy it was better than the dysphoria caused by long hair - He gets his first real haircut after moving in with Thomas when Patton asks to borrow scissors to cut Logan’s hair and Thomas offers to book an appointment with an actual hair stylist instead - Is a huge fucking nerd who loves space and would love to be an astronaut except that it would require him to leave the others and he’s too attached to do that (although he would never admit that because “ew, feelings” - “VIVA LA PLUTO, FUCK YOU” - Likes watching the stars when he’s stressed, it calms him down. - He also likes talking about the stars with the others when they’re upset, it’s basically the only way he knows how to calm them down. It works most of the time. - Also is really fascinated by the ocean but hasn’t spent a lot of time studying it. It lowkey scares him as much as it fascinates him. - Maybe wants to be a marine biologist, who knows, he’s fucking 12 after all - Self Care who? I don’t know her. - Will fight his family if they don’t take care of themselves but he doesn’t do it himself - A true disaster gay - Would stay up all night studying if Patton could sleep alone. Sometimes he sneaks out of bed if Ro or Virgil joins Patton because of nightmares and will sit reading at his desk for hours until one of them wakes up and drags him to bed - Has passed out his desk several times. Has literally zero regrets, unless Patton finds him and scolds him because Patton is good at making him feel guilty for doing that. - Hella smart, which he uses to keep from getting caught doing things he shouldn’t - Grew up too fast and never got to really act like a child because he always felt the need to protect the others from the day he met Patton - Has trouble letting loose, even after they are taken in by Thomas, although slowly he learns to relax just a little, and there are rare times he completely lets himself go - One of those times is when they visit the Planetarium and Science Museum, and Logan lets his enthusiasm and joy take over as he drags the others around to each exhibit, excitedly explaining everything he knows on each topic before they move on. - A true Slytherclaw
Patton Morgan: - The second oldest - The softest puffball ever, unless you hurt his friends in which case he will fight you zero hesitation - The Dad Friend who will adopt literally anyone who needs him even if they’re older than him it doesn’t matter, you’re still one of his kiddos - Was given up when he was a few months old for unknown reasons, always has been curious about his parents but there’s no information to go on so he tries not to let it bug him. Besides he has his own famILY and he loves them more than anything - Gives the best hugs, and gives them all the time. Always greets people with a hug, even if it hasn’t been the long since he last saw them - Has trouble sleeping alone so he usually sleeps with Logan especially when they were kids. - Loves all animals, especially cats, even if he’s allergic and cannot resist helping an animal in need. He’s gotten in trouble quite a few times for hiding injured wild animals in his room that he was nursing back to health - Animals love him just as much back, everywhere he goes he attracts them like a fucking Disney Princess - Not as much of a troublemaker as Logan, doesn’t like breaking the rules or making others upset with him, but will do it when necessary, usually to protect his family - Loves to bake and taught himself to do so with a bit of help from Logan when he was 7. Always gets in trouble for baking unsupervised, and has burned himself more than once by getting distracted - Tried to cook once and ended up almost setting the kitchen on fire. He’s not allowed to cook anymore. - Loves to draw and is actually pretty good at it, but thinks of it as more of a silly hobby than anything else (as in he doesn’t think he’s that great but he others strongly disagree) - Owns way too many coloring books that he likes to share with the others when they’re stressed, it’s the ultimate relaxation technique - Looks on the bright side of life and tries to keep a positive attitude as much as possible. - Loves make others happy it is his favorite past time - Shorter than Logan but not by much. He’s covered in freckles and has curly dirty blonde hair that’s almost always messy and impossible to tame but in a cute way - He’s adorable and he knows it and uses it to keep himself and his family out of trouble - Convinced Logan to get matching glasses because he thought it was cute - Has a super pretty singing voice but always gets really shy about it and insists it’s not that good - Spends a lot of time threatening to fight his friends for not believing in themselves or thinking they’re not good enough/good at something, but also is a major hypocrite because he always talks down about himself - Needs! To! Learn! Self! Love!! - Wears his heart on his sleeve and always feels every emotion like, 10000%, which leads to him getting hurt a lot and the others threatening to beat people up - Used to get bullied until Logan found out, afterward which everyone was too scared to even look at Patton wrong because Logan is hella fucking protective when he needs to be - Loves Christmas, to the point where as soon as Halloween is over he’s blasting Christmas carols and watching Christmas movies, he even makes his own decorations out of paper because that’s all they have and covers everything with cheer - Has a journal where he writes all the good stuff that happens every day which helps cheer him up when he’s sad - Aggressively loves you tbh - Cries when he’s angry/frustrated, which often makes people think that he is weak/they need to baby him - Does Not need to be treated like a child, he can take care of himself perfectly fine thank you very much - Never is ashamed to admit when he does need help, which is why he gets frustrated when people don’t believe him when he says he can handle something - Good at reading people and always knows what they need to hear when they need to hear it - Has the best puns - An honest to god Slytherpuff and it’s terrifying
Roman Creasy: - The baby - The smolest child, will actually fight you if you point it out though - Was raised by a single mother until he was 5, it had always been just the two of them and they were really close so he was super upset when she died - She was killed in a car accident by a drunk driver. Roman walked away with only a few cuts and bruises - Roman doesn’t really like riding in cars and gets antsy when he has to be in them too long as a result - Learned from an early age that nothing in life comes for free so if you want your dreams to come true you have to work for them - Believes that anything is possible if you’re willing to put in the effort, no dream is too big even when others say it’s unrealistic - Wants to be an actor on Broadway and has since he was two and his mom took him for the first time to the local theater. He fell in love instantly with the music, the dancing, the sparkling lights, and declared that that was what he wanted to do - He spends a lot of time practicing even though others don’t always see it like that. He’s always singing, dancing, trying to get better, every story he tells is a performance because he’s practicing for being on stage - Loves all things Disney and will defend the movies to his grave, if you insult them in front of him you’ve made a mistake because he will go off on you - His favorite princess is Mulan and his favorite prince Flynn Ryder - One of the last things he has from before his mom died is the prince outfit she bought him for Halloween when he was five. It was too big then, and now it’s mostly falling apart, but he still wears the sash when he plays prince - After Thomas takes them in, Thomas buys him a new costume that Roman wears basically all the time - Is always covered in cuts and bruises from “Questing”, and from doing things like climbing trees he shouldn’t or climbing on top the monkey bars and falling off. - Roman gets into a lot of trouble but usually on accident, he’s an act now think later sort of person, often times he sees rules as a challenge rather than something to be followed, and he doesn’t hesitate to save someone in trouble (He’s gotten into a few fights with bullies at school, Logan is proud and Patton just concerned). - He writes stories all the time but will only share them with his family because he doesn’t think they’re that good. - He also has the tendency to start things and never finish them because he just has a lot of ideas - He carries a notebook around so that he jots down his ideas whenever they come to him so he doesn't forget them because his mind is just always going - Whenever he has nightmares he’ll sneak into Patton and Logan’s room and depending on what it was about depends on who he wakes up for comfort - Most of the time he wakes up Patton because a hug from him can cure basically anything and he’s the best at comfort - When he dreams about his mom though he usually wakes up Logan because he needs the comfort of the mom friend - Is adorable as fuck and knows it. His hair is a light brown and a little wavy, the ends are dyed red after he moves in with Thomas and he mostly keeps it pushed out of his face but when he gets really excited some of it falls in his eyes and it makes him look even more adorable, he has freckles on his face from the sun but that’s it. - He’s almost always happy and excited and is like the most precious child in the world, always ready for adventure, he’s basically like a puppy I love him. - He’s really smart but has trouble sitting still and learning, but Logan helps him out by taking the time to explain things in a way that keeps Roman interested and at a pace he can understand - Took dance classes before his mother died and really wants to take them again, but he also doesn’t want to bother Thomas by asking so he just tries to teach himself from videos he sees online - Thomas catches on at some point and signs Roman up for classes and Ro cries he is so grateful - Pretends that he’s super confident and bulletproof and like nothing can hurt him, but is actually really sensitive and takes everything that people say to heart - Craves validation and being praised which leads to him going out of his way to get attention - Is such a people pleaser. He wants everyone to like him and gets upset when they don’t - Needs to be protected he is literally so pure - Self-identified Gryffindor willing to fight you about it, but could easily be Ravenclaw or Slytherin
Virgil Antley: - The newest to the family, he’s only been with them about five months before Thomas takes them in - The second youngest, about 6 months older than Roman - They are all very protective over him, literally the other three would kill for Virgil without a second thought. - An anxious babe, but also really soft and sweet. - Just wants to be loved tbh - Cries when people yell at him. - Usually assumes if someone is mad it’s his fault and tries to apologize even if they’re not mad at him - Because of his anxiety there’s a lot of times that he can’t talk, so Logan taught them all sign language so that they communicate when Virgil has trouble speaking - Was put into the system after his parents were arrested for drug charges and stayed at the same group home as the others for 4 months while his parents went to rehab and tried to prove they were fit to have a kid again - Got really attached to the others after Logan calmed him down from a nightmare talking about stars and then Patton cuddled him until he fell back asleep. - It took him a little longer to warm up to Roman cause he’s so loud and excitable, but after Ro fell asleep on him one night Virgil decided he didn’t mind him so much - Virgil is highly protective over Roman, and will fight anyone that touches him. - They bicker a lot and can be sort of mean to each other but in a playful way and if anyone else said the things about Ro that Virgil did (or vice versa), Virgil would kick their ass - After 4 months had passed his parents came to take him home and Virgil doesn’t really want to go but there’s literally nothing the others can do. - Logan yells and throws a fit because there’s clearly something off, no kid should be afraid of their parents like Virgil is of his but there’s literally nothing they can do - Two weeks later Virgil’s parents get arrested for child abuse after Virgil misses like three days of school and they come to his house to find him locked in the basement covered in bruises - He had a broken arm and quite a few bruised/cracked ribs from where he fell (was pushed) down the stairs and a concussion, as well as being dehydrated from being locked up for so long without food or drink. - The three boys sneak into the hospital to see him when they find out and refuse to leave Virgil’s side until he’s discharged and eventually the doctors give in because it would honestly just cause Virgil more trauma at this point to remove them then to let them stay - He returns to the group home after a few days in the hospital for about a week, until someone (Thomas) offers to foster him so that he could get access to the care he really needed to recover from the trauma - Which leads to Thomas taking in all four boys after he sees them together and decides they can’t be separated - Before meeting the others Virgil was pretty touch starved, so afterwards he becomes super clingy and is usually always in physical contact with at least one of the others in some form. It also helps calm him down and keep him grounded when his anxiety is !!!! - Learned to play the piano from his music teacher when he was 5 and was basically a natural. - By the time he moves in with Thomas, who has a piano in his living room, he hasn’t played in over a year and it takes him a while to actually work up the courage to do so again, but he’s still just as good. - He wants to learn other instruments when he gets older, but right now hasn’t decided exactly what yet - Average height for his age, but also too skinny thanks to neglect. On the paler side, but not necessarily in the way that looks unhealthy, it’s just his skin tone. - Likes to hide behind his fringe (which is dyed purple thanks to Thomas) because it makes him feel safer. He usually wears an oversized hoodie for the same reason - Has the cutest fucking puppy eyes that you cannot resist and melts even the most frozen of hearts - Is honestly a really chill child, especially compared to Roman who is sort of high demand, he doesn’t require much attention on a day to day basis but he does like it when he gets some - Has a curious side that he doesn’t show a lot because anxiety, but like as he becomes more comfortable around the others he starts asking more questions. - Once he gets started, its hard to get Virgil to stop asking questions, he always wants to know more, partly for the fun of it, partly because the more knows the more his anxiety is eased - Likes science because it’s a lot about asking questions and trying to find answers. - Logan and Virgil have gotten into a lot of questionable situations in the name of science -Tbh he’s a Griffinclaw but he will literally fight you over that
Thomas Sanders: - The foster dad who takes the boys in - In a constant state of s t r e s s - Is Trying His Best with mild success - There are good and bad days, though he likes to think there’s more good than bad over time - Just wants the boys to be happy healthy children who aren’t worried about things they shouldn’t be, like not getting food or being separated or being punished for giving their opinion - Although yelling isn’t the best way to share your thoughts, Logan, there is a polite way to disagree with someone especially if they’re willing to listen to you there’s no need shout - A pure soul - Often bites off more than he can chew because he just wants to help others out and make them happy - Signed up to be a foster parent so that he could help out kids in need - Virgil was supposed to be his first foster kid, alone, but when Thomas met the others (and maybe was threatened a bit by Logan and Patton) and saw the four of them together he decided he was going to take all of them - A lot of people think he’s crazy for taking on four kids his first time, especially when all of those four kids are known for making trouble and/or were dealing with effects of various types of trauma - Thomas thinks he’s crazy a lot of the time too, but at the same time these boys are worth it - A high school music teacher who also helps out a lot with theater, also basically the coolest teacher in school everyone loves him - He learned sign language after he decided to be a teacher because he figured it could help out with students/parents/siblings - Acts whenever he has a chance at the local theater downtown - He takes the boys there one Saturday and Roman falls in love instantly - Honestly one of the things that helps Roman open up to him - Does his best to support the boys however he can, like getting Logan new clothes and a haircut, buying Virgil sheet music and letting him use the piano, taking Roman to dance classes, and very easily being talked into adopting a dog by Patton (He had been debating on doing it anyways, and Pat had a good point it might help the others open up and trust him more and also help Virgil relax a bit) - Is super excited/proud whenever one of the boys opens up to him a little or even when they just start to relax more in his presence - Almost cries the first time Virgil talks to him tbh because it’s such a big deal - Loves to do things that makes the boys happy and spends so much time trying to figure out what they each enjoy so that he can take them to those things - He tries his best to accommodate each one of the boys and their little quirks - Like that he shouldn’t ever raise his voice around Virgil and to make sure he gives the boy extra reassurance when something went wrong - Or that the best way to get Roman to do anything, even the things he didn’t want to do, was to make it seem like a quest of some sort - Realizes early on that Patton hated being treated like he couldn’t take care of himself so he lets him have independence first, and when he does offer help makes it clear it’s not because he doesn’t think Patton is capable, but because he just likes to help - Picks up on the fact that Logan shoves aside his own needs and wants to put the others first, so he makes it his mission to give Lo gentle reminders to take care of himself, steps in when he gets too stressed and gets him to relax, and encourages him to indulge in the little pleasures he otherwise wouldn’t. - Before the boys move in with him, Thomas doesn’t cook a lot, he doesn’t really know how and with his schedule and school there wasn’t always a lot of time, but when he takes them in he makes an effort to start cooking more, and although it’s a bit of a disaster at first with the help of Logan (who treats cooking like a science), between the two of them they manage to figure it out and soon it becomes pretty rare that they set off the fire alarm - Patton teaches Thomas how to bake!! It’s really cute, and it’s one of the ways they bond from the very beginning. - Thomas is open from the start with the boys that this is just as much of a learning experience for him as it is for them, all of them are in this boat together trying to figure out how it works and the best way to go about things, they might make mistakes but it was okay because none of them were perfect - Still, Thomas always gets upset with himself every time he says/does something that sets back the progress he’s made with the boys. He tries not to let them see that though because he doesn’t want them to blame themselves. - Loves his boys from the moment he meets them, lowkey wants to adopt them after a few weeks but like is too scared to bring it up because he doesn’t want to scare them off - The Best Dad - A Hufflepuff through and through
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The Short and Miserable Romance of Victor Criss
Chapter 2: First Kiss
Pairings: Henry x Victor, with some side Butch x Mrs Criss Rating: M Warnings for this chapter: Implied/referenced domestic abuse, period-typical  attitudes, homophobic language, noncon elements, and some underage sexual exploration Warnings for later chapters: Violence, homophobia, racism, and sexism that are all period-typical; canon-standard content; underage sex, smoking, and drinking; noncon elements (but no actual noncon); canonical character death; major character death; strong language Chapters: [1], 2, [3], [4], [5], [6], [7] Ao3: [x] Summary:
Told from Victor's perspective, each chapter details either a first or last moment of Vic's growing relationship with Henry Bowers as they navigate homophobia, mental issues, and the growing influence of It. The first two chapters are pre-1988, the middle two will be where the sex is, and the final two are where the romance goes south
Chapter 7 could act as a stand-alone told from Henry’s perspective
Story prompt: The first and last Meeting/Kiss/Time of your OTP
A/N: This chapter, since the Bowers gang are 11-12 years old, draws more on the book for inspiration. Namely in regards to Victor and Belch's personalities, and the flavor text/referenced events. I also used some real life influence, such as my own personal experience with awkward 12-year-old flirting, and the actor playing Victor Criss in the new movie being a dancer (if you didn't know that before, you're welcome.)
Constructive Criticism is, as always, appreciated. Any type of comment is much loved. My editor is another author on this account, Ambiguous, but I am also using the Hemingway app. If you see any grammatical mistakes / continuity errors, please feel free to drop it in the comments so I can correct.
August 1985
The four boys stood side by side in their underwear, staring down the long drop from the edge of the quarry to the lake. Reginald “Belch” Huggins was the tallest, having reached six foot by his 12th birthday. He had skinny legs and broad shoulders, and made a huge splash as he hit the water despite having pretty good form.
Patrick Hockstetter was the second tallest and definitive widest. He was the personification of the word "butterball." He was a vaguely boy-shaped lump of splotchy colored flesh. He howled like a madman as he leaped second, tucking his feet up underneath him to form a cannonball. Belch was coming up for air when the waves caused by Patrick slapped him in the face.
Victor, although he was giggling, felt dread as his turn to jump came up. He was pale and skinny. The others argued over whether the platinum blonde of his hair made his skin whiter, or whether it was the other way around. Either way, he was nothing more than a sparkle of starlight in his white Hanes.
He took a deep breath and prepared himself—
And screamed as he fell forward, pushed, betrayed , by Henry. He was still screaming when his body broke the surface and the murky depths swallowed him whole.
Henry was the one all the girls talked about in a nice way. He wore hard work like it was a tee shirt. It left him with a golden tan, and the slightest definition on his chest that hinted at the body he would have in a few years. Belch lifted Vic onto his shoulders so they could watch Henry leap from the cliff. They cheered as he jumped backwards, getting in two solid flips before splashing down.
The quarry filled with their laughter as the boys played. It was the first time in a long year that they’d had any fun.
They swam until long after the sun had set, and the mosquitoes were coming out to feed. None of their parents were expecting them home. The Criss’ believed Vic was at the Huggins’. Mrs Huggins believed Belch and Henry was at the Criss’. Patrick’s parents might notice if he wasn’t here for breakfast. But they didn’t seem to care what he did since his baby brother Avery had died in the crib five years prior. Butch wasn’t allowed to know anything at all.
Vic still felt the chill that had run down his spine when he opened his bedroom window that night almost a week ago. Henry was standing outside with tears and snot streaming down his face, shaking. He’d had a whopper of a bruise on his neck that he still didn’t explain. Vic thought it looked an awful lot like Butch’s hands, and drew his own conclusions.
“He killed her,” Henry had said. As soon as he was inside Vic’s room, he’d pulled Vic into a tight embrace. That was the first hug of the year, but Vic couldn’t even enjoy it. Henry was trembling so bad. “Butch killed my mom!”
It wasn’t true. She’d survived, but her face was disfigured. Henrietta Bowers had taken her beating, and the one Henry was due for making trouble for Butch. Henry, of course, told Vic all about how it was his fault for making trouble with the Rabbi's boy -- a shy kid a few grades behind them. And while he cried and blamed himself, Henrietta was pulling herself into their sedan, running away to the WomansCare shelter, leaving Henry behind. But he didn’t know that as he held his best friend, his body racked with guilty sobs. He wouldn't know that for a few days, and by then, he'd tell Vic he didn't care. He only knew he'd last seen her in a bloody heap on the kitchen floor, and then he'd ran.
He was only twelve - life wasn’t supposed to be that difficult.
Henry would have stayed with Vic, but Butch had been making regular visits for many years. Vic still pretended sometimes it was just to talk because the truth made him uneasy in so many ways. Instead, Henry wound up staying with Belch. Mrs Huggins wouldn’t give up Henry if Butch set her on fire, so they knew he was safe there. Though Vic had to fight a lot of instincts not to go over there every day, knowing Henry was safe, for even a little while, made things better. Vic didn't even mind collecting, and completing, Henry's homework for him. Mr Caplan never commented on the sudden improvement of Henry's handwriting, either.
In fact, Mrs Huggins and Mr Caplan were some of the few adults who actually gave two shits about them. If Vic had lived to see his 16th birthday, Mrs Huggins would’ve taken him and Belch and fled to somewhere normal. His disappearance would have been credited to the pervert, so no one would look for him. His parents would be, in a small way, glad to see him go. It would have been a nice life, too. But things didn’t happen that way.
The safety of Belch’s house came with the price of freedom, and without freedom, Henry got bored. So grabbing his dad’s old tent from the garage, it had been Belch’s idea to go camping. He was tired of the piss attitude Henry got whenever he was bored, but was too nice to say anything. So far, it had been a good idea.
The boys put on their shoes for safety reasons, but were still too wet for their clothes, as they went about setting up camp. Patrick built a nice fire, and stared deep into it as he burnt every hotdog he touched to a blackened crisp. Belch was setting up the tent - his dad had showed him how once upon a time, before the accident. Henry and Vic sat around with the small radio, trying to find the right mood music. It was one of the last true purely happy memories with Henry Victor would have, and somehow, he knew it. So he was taking all of it that he could.
“Ooh, stop here!” Vic slapped Henry’s hand. That earned Vic a nasty glare, and a punch on the shoulder. “Dude, it’s Queen. You always have to stop on Queen. It’s an unspoken rule.”
“No I fucking don’t,” Henry spit back. “I listen to real rock music not that psuedo-hippie bullshit. And if you don’t get your fucking hand off my radio I’m going to shove it up your ass.”
“You’re going to shove my hand up my ass or the radio?” Vic asked, sarcastically. “I need to know how much to prepare.”
“Keep talkin’ like that and it’ll be both. First your hand, and then the radio. How you like that?”
With a huff, Vic sat back and crossed his arms. “Fine, you get to pick the tunes, and tell us when to stop swimming, and what comics we can bring. Anything else you want, master?”
“Maybe,” Henry said, eyeing Vic coolly. “My boots haven’t been licked in a long time. Got some real nasty shit crusted up on them.”
Vic couldn’t help but smile, and had to cover it by pretending to rub the chapped skin from his lips. He didn’t really care that Henry was being a little bossier than usual. If Henry had told him to wear his mom’s lingerie, Vic would’ve showed up in a saucy pink ensemble. But he was in a weird mood, and craved every morsel of attention he could get. Needling Henry was the quickest way to get a bite in, so Vic was being, as his Mama would say, incorrigible.
But it was time to take a break. Henry was growing frustrated, and Vic didn't want to ruin his first night out in forever. So instead, he said, “Sure thing. Let me just go chop my balls off first. Maybe then you’ll stop twisting them,” and stood up. He caught Henry looking as he walked away, and blew him a kiss. If anyone else had done such a thing, Henry would have rearranged their face. But Vic was special. He had special privileges to get away with more, as long as it wasn’t too gay.
As Vic sat down on a blanket by the fire, Patrick handed him a beef flavored stick of charcoal. He managed to find some pink colored meat in the layers underneath, and then ate it in three large bites. He watched Henry’s face scrunch up in concentration as a song warbled into existence.
When Belch finished up the tent, he came and sat beside them. Drawing deep from his chest, he proved his nickname was well-earned. He started burping along to the chorus of the song Henry had stopped on – Blue Oyster Cult’s Don’t Fear the Reaper.
Vic and Patrick were howling with laughter, but Henry was not amused. He turned up the volume, trying to drown Belch out.
“Is that coming from your mouth?” Patrick was in awe. He hadn’t hung out with them that much yet so it was forgiven that he’d never heard Belch’s true talent. “Oh, that is freaky. Do it again.”
Belch got up and began to bob his head not unlike a chicken, burps breaking out every time his face came forward. He shuffled around with the grace one would expect from a boy of his stature. This broke Patrick up into tears.
"I fucking hate all of you," Henry said.
Vic was on his feet, too. He was so giddy from laughing that he took Belch’s hands and began to dance. Belch didn’t think anything of it, and was kind enough to burp in the opposite direction of Vic’s face. Henry turned the dial on the volume again until the speakers were vibrating. Vic and Belch both started singing along, louder than the radio. They sang along until the song ended, even as Henry threw pebbles and rocks at their feet.
As Billy Idol’s Dancing With Myself started playing, Belch and Vic let go of each other. Henry gave up and went after a hot dog. Patrick gave him a cigarette instead, and the two shared it as they watched Vic and Belch dance – but mostly, they watched Vic.
Not surprising, Vic was a much better dancer than Belch. The spry blonde wasn’t doing anything complicated. He'd picked up a few things from movies and music videos, and practiced until they looked okay in the mirror. Where Belch looked like a bag of potatoes being swung with great enthusiasm to the beat, Vic looked like he was actually dancing. In a few years, he could compete against Michael Jackson himself.
When that song was over, Vic plopped to the ground. That seemed to break some kind of spell. Henry looked around, nervous like he’d been caught doing something he wasn’t supposed to. Patrick let out a deep breath, and his livery lips split into the biggest, curliest smile Vic had ever seen outside of a cartoon. Henry cleared his throat and handed Patrick the cigarette. He then stood up, rubbing at his crotch.
“I gotta piss,” he said, as if it needed explaining.
“Want someone to hold it?” Patrick asked.That was the first time he'd done one of his weirder jokes, and it took them all by surprise. Patrick locked eyes with Vic. Vic found himself unable to look away as Patrick held one of the hotdogs down near his crotch, and started rubbing it. Vic knew what he was simulating, but the blackened outside was cracking and peeling. Instead of imagining a regular dick being masturbated, Vic's mind conjured some filthy, disease ridden thing. He gagged, earning him another smile from Patrick.
Henry did a double take, scowling: “What the fuck did you just say?”
“I’m just saying, bosses need a right hand man,” Patrick said, putting a weird emphasis on right hand. He bit into the wiener he’d been flogging. “Someone to wipe your ass and hold your dick and all that jazz.”
A rose color blossomed on Henry's cheeks as he realized how he'd misunderstood Patrick. He blinked a few times, and then pointed at Patrick. “We don’t do that homo shit around here, alright?”
“It’s not homo,” Patrick called after him. Then, with a wink in Vic’s direction: “Not unless you want it to be.”
Vic shifted in his seat. He was Henry's right hand man, or so they said. The image of him on one knee, hand out for Henry to rest his dick on, crept into Vic’s brain. It was compelling in a strange way, and Vic shivered, not sure how to process how it made him feel. Maybe Henry had seen the same thing in his mind, because he looked everywhere but at Vic. He slapped Patrick on the back of his head before disappearing into the underbrush to relieve himself.
The three of them lit up the last cigarette. Vic took a long drag, let the smoke escape through the side of his mouth, and then passed it onto Belch. They got halfway through when Vic saw Henry out of the corner of his eye. He was standing behind a tree, and gesturing with his head for Vic to follow. Belch and Patrick didn't seem to notice, and had started discussing which actresses they wanted to bang. Vic flicked his eyes back Henry's way, and the bigger boy was gone. A small ball of excitement forming in his belly, Vic stood up. He brushed leaves and dirt off his ass, and started heading in the way he saw Henry go.
“Where you going?” Belch asked, coughing.
“Paris,” Vic shot the answer over his shoulder. Patrick’s titter followed him as he walked along the side of the lake. He tried not to make too much noise, listening for Henry. He wound up going a good ways down before he spotted his friend leaning against a tree.
Moonlight splashed against Henry’s young frame. His blue eyes were searching the sky, a small smile curling his lips. Vic was struck with how beautiful Henry could be. Even with fading bruises marking his body, he was ethereal. There were so many things going on in Vic’s head, he wasn’t sure exactly what his body wanted to feel. He was queasy, and happy. Nervous.
You don't even know what he wants, Vic's brain said, being reasonable. But Vic did know what Henry wanted. It was the same thing Henry always wanted when he shuffled Vic off into private. He wanted some kind of touch that wasn't painful; some kind of affection that wasn't laced with poison. He wanted Vic to hug him, to pet his hair, to reassure him that he wasn't a monster, or stupid, or whatever other terrible thing Butch had planted in his head.
But there was something different in the air. Henry was contemplating too hard about something. There was only one way to find out what that something was, so Vic snapped his fingers, then hit the side of his right hand flat with the palm of his left. It was a nervous tic he’d picked up from his Papa. He did it again as he strode towards Henry, looking around at the area of the Quarry they were in.
They were right at the curve of the lake, where the moon was the brightest. It gave the area a strange blue tint, like they were caught in the glow of a battery operated lantern.
Henry turned his head when he heard Vic approach, and watched him with a thoughtful expression. When Vic was close enough for a good conversation, he started picking up pebbles and tossing them into the lake. The tiny splash they made was good noise. Plip.
“How come I’ve never seen you dance before?” Henry asked, picking at his cuticles.
Vic shrugged. Plip. In went another pebble.
“You saw me dance at Veronica Grogan’s birthday party,” Vic said. He could clearly see the conga line of eight year olds with no coordination trying to do the Locomotion. It had been a spectacular mess, but loads of fun.
“That doesn’t count,” Henry said, rolling his eyes. “I mean like you were dancing just now.”
Vic shrugged again. “Just haven’t felt like it, I guess.”
“I liked it. You should do it more,” Henry said. Vic turned to look at him, and Henry was staring off in the distance. He was rocking against the tree. Vic rolled it over in his mind before he said a quick, “Thanks.”
“I like… I like a lot of things you do,” Henry sounded like it was difficult to say what he was saying. Vic supposed for someone like Henry, it might have been. He wasn’t used to using his words to express the things inside of him. So Vic didn’t interrupt him. Instead, he stood up, hand full of glittering pebbles, and gave Henry his full attention. "I like that you're smart. I know I rag on you a lot for it, but that's just something I have to do. Can't have the guys thinking I'm soft on you." Henry paused. He took a deep breath. Vic was curious now. “I like the way you smile. It makes me think of cats and happy shit. Your face makes me think of cats...like the way their faces just… stick out...”
Vic waited a few moments, making sure Henry was done. Henry was blushing, his eyes refusing to look at Vic. Vic didn't know what to say to that. He took the sentence apart and examined every piece of it. He came to the conclusion Henry was trying to compliment him, and decided to return it.
Dropping the pebbles in to make a pattering of plips, Vic was forming his thoughts before speaking them.
“Well, thanks, Hank. Your face makes me think of..” Vic wanted to say Kevin Bacon , but he stopped himself. He could do better. He needed to do better. “You know when it’s cold outside but the sun is shining? Or when your mom hangs the towels over the heater so your ass doesn’t freeze in winter?” Henry nodded. “That’s what I think of when I look at your face. When everything else is just fucking cold, I can look at you and feel warm.”
"Why?" Henry asked, scrunching up his face.
"Because you're my best friend," Vic said, and at that moment, he truly believed it. The way Henry made him nervous sometimes - like they were dancing on the edge of the quarry's cliff, waiting for the other to take the plunge first - he had never felt for anyone else. But as Henry closed the distance between them and took Vic’s hands in his, Vic knew he never would. Just like Vic was special to Henry, Henry was special to Vic. Henry ran his thumb over Vic’s, and Vic massaged circles into Henry's palms. Although they didn’t hold hands as often as they did when they were little, Vic didn’t think this usage of physical affection was anything other than ordinary. At least, not until Henry brought one set of hands up to his lips, and gave Vic's a little kiss. This drew small laugh from Vic, who asked, “What’re you doing?”
“Thanking you,” Henry said. He decided to elaborate when he saw the frustration on Vic’s face. “For helping me with Butch, and… just shut up and let me do this, because it's never happening again.”
He kissed Vic’s hand again. Turning their hands over, he kissed Vic’s wrist, and then his forearm. It wasn’t unpleasant, but Vic was too confused to really appreciate the moment. Henry drew the line at kissing. They'd tried it once - a kiss on each cheek - and had decided it was too weird. He was even more confused when Henry stopped kissing his arm, and, instead, brushed his lips against Vic’s. It wasn’t a kiss, exactly. It was testing for one. When Vic didn’t resist, Henry put a little more force into it.
Vic lit up like a sparkler on the fourth of July. He felt dizzy, smelling the lake on Henry's skin, and their pheromones intermingling. As Henry kept kissing him, he thought he might pass out. Like the dames in the movies, just swooning over their cowboy. Vic brought a hand up to Henry's hair, and pulled him in closer.
He hadn’t noticed Henry had dropped his hand until he felt it, warm and soft, sliding into his underwear, cupping his penis. He couldn’t speak. He tried to, but he was scared when he realized what Henry was doing. What he was really doing. It felt good. Vic knew he needed to tell Henry to stop before they got caught, but he didn't want him to stop.
But if he did those things, what did that make him? Was he queer? Was Henry? A bullet of fear broke through Vic's heart as he thought about Butch finding out. He could see Henry - so big when he was with his friends, and so small in Butch's shadow. Butch would crush him, grind him into dust. The thought made Vic's heart twitch. The image of Henry's face, caved in, an eye jutting out, was so vivid that if Henry's mouth hadn't been there to catch it, he would've gasped.
“No,” Vic said, pulling away. Henry didn’t seem to hear him. He just stepped in closer, and went back to it. Vic squeezed the wrist of the hand fondling him as tight as he could, and pulled it away from him. Henry looked down at the wrist, and then took a step back, jerking it from Vic’s grasp.
“I thought you liked me,” Henry said, sounding hurt. His face twisted into something so full of hate, it was worthy of Butch. “I’m not a flamer. If you tell anyone, I’ll-”
“I do!” Vic said, before the fear could really settle in Henry, and Vic lost him. Lost everything. “I do like you, Henry. But can we just… do more of what you were doing before? I liked that.”
Henry licked his lips, and reached out to brush the hair behind Vic’s ear. He ran his thumb along Vic’s lip. Vic thought maybe another kiss was coming, but instead, he pulled Vic by the hand until he was falling in step behind Henry.
“You think you could maybe get those hotdogs away from Fucknuts before he burns all of them?” Henry asked, starting back towards their camp.
“Yeah, okay,” Vic said. “Henry...” He wanted to ask what’s next? But he had the feeling they were in dangerous territory. So he never finished his sentence.
“And where the fuck are the marshmallows? Didn’t I tell you to bring marshmallows, the big kind?” Henry turned to walk backwards while he talked. Vic was in awe that he didn’t trip even once.
“I’ll get them for you, Hank,” Vic said. That brought another smile to Henry’s face. He hopped in place a couple of times, and then broke out into a full sprint. He always tried to get a head start because Vic was faster, but the younger boy passed him easily, as always. By the time Henry actually made it back to the others, Vic was whipping Patrick with a burnt wiener as the two boys laughed, and Belch had a skewer of Marshmallows ready for smores.
Henry went back to Butch the next day, deciding to take his punishment like a man. Vic didn’t see him again until school started. He was unsure of how things were left between them, so he didn’t say anything, letting Henry make all the moves. Sporting a shiner and a cracked lip, Henry draped his arm around Vic’s neck while Patrick and Belch were in Home Ec, and dragged him into the bathroom.
“We can do that stuff you like,” Henry whispered. “But I want to try something.”
Vic sat on Henry’s lap, his boots planted against the wall so anyone who entered only saw Henry’s underneath the stall. They took turns filling their mouths with smoke, and, on Henry’s suggestion, each other’s tongues. It was nice. Henry came home with him after school. They made out until Mama called them down to dinner.
The next week, Henry started dating Veronica Grogan, but Vic knew it wasn’t the end of whatever madness had gripped them that night at the Quarry. Henry was a lot like Butch in that sense. Sure enough, he watched Butch come ‘round the house in the afternoon for his Mama, and Henry come ‘round in the evening for himself. And Vic was just fine with that. He didn't know if he was gay, or straight with an exception. He knew Veronica was just some thing to throw people off their scent, and that the more he and Henry sucked face, the closer they felt.
Sometime before Christmas, Vic looked at Henry from across his bed and realized he might just be in love. He didn't really know what love was - his parents certainly didn't know enough to tell him. But as he brushed the hair from Henry's face, he knew that if Butch ever caught them, he would take every last punch Butch had to throw if it meant Henry got away safe. They weren't just best friends, or brothers. He wasn't just some right-hand man, there to keep Henry's mission on point and to reel him back if he got in too deep. Henry had become his everything, and he was the only thing keeping Henry alive, sometimes.
And sometime before the new year, after Butch was reinstated on the force after a long and grueling suspension, Henry realized the same thing: that Vic would die for him. He only needed to ask.
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nickireadstfc · 7 years
Text
The Foxhole Court, Chapter 11 – Orange Sportsball Gets The Fuck Real
In which the Foxes play their first match of the season, I have questions about American college sports, my Percy Jackson obsession has a brief cameo, and I’m sadly less excited about Actual Sportsball Games than I should be.
Sounds good? Then it’s time for Nicki to read The Foxhole Court.
           Thursday’s excitement had nothing on Friday’s. The whole school got decked out overnight with vibrant orange and white streamers. Ribbons and banners hung off every sidewalk lamp. Live student bands took over the amphitheater for short concerts and the student newspaper released that morning gave details for the afternoon parade.
Is that, like…………. Normal behavior on game days?? Actual American high school/college students, please confirm. Is this an actual thing???
I mean, I know y’all are big on sports and school spirit, but this big??
Please understand my confusion: At my school, no one fucking gave a shit about the sports teams. I didn’t even know when anyone had games/competitions unless we got told afterwards who won what brilliant award now, and even then like 5% of us cared. And I can’t speak for my uni yet, but I’m pretty sure it’s the same there as well. Do German unis even have sports teams?
I always liked to make fun of High School Musical 3 for having those giant ass banners displaying the athletes hanging in the halls. I am now starting to realize that might be perfectly normal for American schools.
What the fuck.
Also, Neil officially came out now – as a member of the Foxes, that is, of course.
           Neil wanted to cut class and hide at Fox Tower until game time, but athletes weren’t allowed to call out without a legitimate medical excuse. Someone from the athletics committee went around all day counting heads through classroom windows, and Wymack would be the first to hear Neil was absent.
They seriously stalk their students all day in fear they might be skipping class? And these students are in college, they are grown adults, not 14-year-olds. Again, is this a thing, what the fuck??
Then again, we’re talking about the country who invented hall passes. This is probably not the craziest thing around.
Fortunately, the Foxes decide to display their first sign of group solidarity in these trying times and guide Neil from class to class. This is a really small detail, but I love it.
I’m imagining Neil as a lil baby duck who obediently follows a big spikey-haired Matt duck, a small white-pastel-y Renee duck or a glamorous blonde Allison duck, wagging behind them in a tiny duck-sized jersey.
Although, when you think about it, they’re all just lil baby ducks following a big Wymack momma duck.
(Someone draw me fanart, I’m BEGGING YOU.)
I’m getting off track. Back to the plot.
           Andrew hadn’t lied to Neil back in May. In almost every article that talked of Neil’s pathetic experience Kevin was quoted as having high hopes for him. Kevin really had said that Neil would one day be Court.
Because this is the second time this has come up: What exactly does “being Court” mean?? Like, being Captain? Being MVP? Also, is this a regular sports expression or is is Exy-exclusive? Exyclusive?? Help.
A small silver lining of future hilariousness appears on the horizon: An Exy kickoff banquet is going to happen sometime in the next few chapter, and I am HYPED. This chaotic mess of a team + all their rivals + dates + drinks can only equal a Massive Fun Time™.
Fun for us, not for them, might I add. I am dying to see this.
           “[Renee] hasn’t asked [Andrew] yet, but it’s inevitable. (…) Money’s on the table as to whether or not he says yes. Pot’s getting pretty big, so get your bet in fast.”
           The only thing the Foxes had in common besides Exy and hardship was their strange obsession with betting on the stupidest things. Neil had figured that out only two weeks into practice. A week didn’t go by when there wasn’t money on something or another.
A team after my own heart <3 Can I join? I can never find anyone to bet on dumb things in my own circle of friends.
Will I throw this piece of paper in the bin on my first shot? Will the bus be late? Will Friend A and B hook up tonight? Will I lose my (nonexistent) emotional sanity to this series before the last book is over?
I don’t know about the others, but the last one is 100% happening.
           “There’s something we haven’t told you yet,” Dan said. (…) “So Andrew’s technically legally required to take his medication, right? (…) He struck a bargain of his own with Coach. The only reason he signed with us is because Coach agreed to let him come off his drugs for game nights.”
Is this supposed to come as a big plot twist? Because I kind of saw that coming. 10 bucks says Andrew comes off his meds for all Important Moments.
*insert yet another rant about the negative portrayal of mental health meds as barbaric mind-numbing, mania-inducing ~happy pills~ here*
Anyways, back to game day!! Our beloved foxy nutcases are playing against the Breckenridge Jackals, which is shaping up to be a Fun Time™ as they are apparently the biggest bullies around (second only to the Edgar Allan Murder Mob Clique, of course).
However, when faced with his impending wipe-out on the court, our favourite Sassmaster McSavage reaches new levels of Hell Fuckin Yeah:
           “[Gorilla] will break every bone in your body if you give him the chance.”
           “Don’t worry, though,” Matt said. “He’ll probably be too busy killing Kevin and Seth to notice you.”
           “This is my reassured face,” Neil said, pointing up at his blank expression.
SAVAGE.
I actually laughed so hard at that. This is some Percy Jackson level of sass right there.
Come to think about it, I want the entire AFTG series narrated by Percy Jackson, especially the chapter titles.
“I Am Offered A Foxy Deal”
“My Troubled Past Comes Back To Haunt My Ass”
“I Get Dragged Into Some Gay Shit”
“We Kick Serious Jackal Butt, Sort Of”
Remind me to make a full post of that once I’ve finished the series.
Off topic again. Sorry.
Before we finally begin the actual match (and wow, it’s 1.1k words already), Nicky seems to finally get the mental slaps I’ve been sending him since a few chapters ago:
           Nicky looked at Neil. “Hey,” he said, sounding uncharacteristically hesitant. “We haven’t really had a chance to talk after… Well. I wanted to say sorry, but I kept chickening out. Are we okay?”
           “I don’t know yet,” Neil said.
           Nicky weighed that for a minute, then sighed and said, “Fair enough.”
Deep sigh. Who are we kidding, I can never resist a self-aware comic relief, Nicky, you’re still one of my faves. At least he knows he fucked up.
And now, finally: It’s Orange Sportsball time!!
Time for fast-paced sports action, balls flying, racquets hitting, body-checks left and right, a flurry of energy and emotion… that I simply can’t get behind.
I’m sorry, you guys, but I found myself having to double- and triple-read passages here in order to keep up with who is standing where, who is passing to whom and just generally what exactly is going on. Maybe it has to do with my own lack of interest for any sports involving balls (or actually any sports that isn’t dance, cheer, or anything involving performance), but I’m not really excited about this whole game part, to put it mildly.
Don’t get me wrong: I am loving the emotions attached to it. Solidarity, passion, group dynamics and character development shown on the field, give me all that good shit. I just couldn’t care less about who’s passing to who. Forgive me.
Did someone say passion and group dynamics?
           Neil’d watched his teammates fall apart to in-fighting all summer long, but now he finally saw them as a whole. As much as the Foxes disliked each other at times, they disliked their opponents more. They were still too fractured to be truly great, but they were good enough to give him chills.
This is shaping up to be good, you guys.
I can only imagine the sheer gloriousness in the upcoming books when Kandreil finally get their shit together and play on the field as a beautiful unstoppable three-way killing machine. I WILL DIE.
Twenty minutes into the game, Seth is crushed against a wall by three hundred pounds of pure douchebaggery – and I actually do feel sorry for him, not gonna lie – which means it’s time for the moment we’ve all been waiting for:
           “Going on for Seth Gordon is freshman Neil Josten, number ten, of Millport, Arizona.”
           Neil wondered if casket lids sounded like court doors being shut.
Ah yes, thank you for reminding me, even in the face of impending doom, how incredibly extra our boy Josten is.
           “A national champion and an amateur? South Carolina’s gotten even crazier than usual.”
           “An amateur and a cripple, you mean,” the dealer said.
           Andrew slammed his racquet against the goal, making several athletes jump and drawing more than a few wary looks his way.
This is such a small detail but it’s the /best/. Nobody insults my boyfriends in front of me, fuckface.
Bla bla bla more sports bla bla, I’m putting everything remotely interesting that’s happening in a bullet list because let’s be honest, it’s not fucking much.
Neil scores! Twice! Good boy.
Matt takes a card for the team by punching the fuck out of Gorilla, what a babe.
Also, his mom is a professional boxer? When can we meet her. I’m always a sucker for strong women who could kick my ass.
Gorilla has been hitting Kevin’s hand on purpose all the time, which is not cool, yet not surprising, ain’t no honour in Exy injuries, apparently.
That is it, my dudes.
Writing the next chapter on a coach (yet again) as I’ll be visiting some friends in NRW, so I’ll be coming to you live from my Prime Flixbus Office Space, let’s see how that works out. Till next time, ily all. <3
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itsfinancethings · 4 years
Link
February 02, 2020 at 05:02AM
Super Bowl 2020 is finally here and the stage is set for a fierce battle between Jimmy Garoppolo’s San Francisco 49ers and Patrick Mahomes’ Kansas City Chiefs, but no matter what happens on the field, the game’s commercial breaks promise to deliver some of the most exciting viewing of the night.
In fact, Super Bowl commercials have long been a cultural event in their own right, with some viewers tuning in to the big game purely to see what hilarious, heartwarming or straight-up bizarre ads brands have deemed worthy of making the cut.
This year, the average cost for a 30-second Super Bowl spot was a record-high $5.6 million, Forbes reports. And with Fox having sold 82 ad units of 30 seconds each, Adweek estimates that approximately 50 commercials total will air throughout the course of Super Bowl 2020. That’s significantly less than the 91 that were shown during Super Bowl 2019, which could mean that many of this year’s ads are longer spots. But regardless of their length, appearances by beloved celebrities and campy movie parodies give 2020’s commercials the potential to be a real crop of winners.
The National Retail Federation reports that nearly 194 million people are expected to tune in for Super Bowl 54. Here, in our list of the best commercials of Super Bowl 2020, we’re recognizing some of our favorite ads that all those viewers will see on Sunday night.
The Hyundai Super Bowl Commercial With Boston Celebrities Chris Evans, Rachel Dratch, John Krasinski and David Ortiz
Hyundai: “Smaht Pahk”
The Patriots may have missed out on the Super Bowl this year, but at least New England fans have Hyundai’s commercial for the Sonata’s new smart parking tech to cheer them up. Featuring Beantown natives Chris Evans, Rachel Dratch (remember that hilarious “Boston Teens” bit on Saturday Night Live) and John Krasinski arguing in their thickest New England accents over whether Krasinski’s Sonata can fit in a wicked tight parking spot — don’t worry, he’s got “smaht park” — the 80-second ad is a dream come true for Bostonians. Red Sox legend David “Big Papi” Ortiz making a cameo is just the cherry on top.
The NFL Super Bowl Commercial That’s Bigger Than Football
“There are some things just bigger than football.” #InspireChange pic.twitter.com/HIW1G15VxX
— Anquan Boldin (@AnquanBoldin) January 19, 2020
NFL: “Inspire Change”
In this 60-second spot from the NFL itself, the league continues to promote its “Inspire Change” initiative with a PSA about the 2015 police shooting death of Corey Jones, the cousin of retired wide receiver Anquan Boldin. The emotional Super Bowl commercial, which first aired during the AFC championship game between the Tennessee Titans and Kansas City Chiefs, features Boldin recounting how his cousin’s story inspired him to start the Players Coalition, a non-profit dedicated to ending social injustices and racial inequality.
“Had it not been for the work that we do, Corey’s death would have been in vain,” he says. “The best way to inspire change is to be it.”
Boldin’s heartrending retelling of his personal family tragedy drives home why organizations that are working to effect positive social change in these areas are so vital.
The Budweiser Super Bowl Commercial That Smashes Stereotypes
Budweiser, “Typical American”
Budweiser endeavors to turn stereotypes that are commonly negatively associated with people living in the U.S. on their head in this minute-long spot showcasing “typical Americans.” A typical American “showing off his strength” is depicted as a firefighter battling a wildfire while typical Americans “yelling and being loud” are shown to be protestors. All in a good day’s work of promoting “typical American beer” for one of the best Super Bowl 2020 commercials that aims to challenge viewers to see things in a different light.
The Google Super Bowl Commercial That Tugs on Your Heartstrings
Google: “Loretta”
Tearjerker alert! From its 2010 “Parisian Love” ad to last year’s “100 Billion Words” translation app spot, Google is always finding ways to try make us feel all the feelings in the midst of the big game. And this year is no different.
“Loretta” earns a spot on our list of the best commercials of the 2020 Super Bowl by delivering a poignant demonstration of how people can use Google Assistant to help keep loved ones’ memories alive. In the ad, a grandfather utilizes the voice-powered tech to jot down heartwarming recollections about his late wife like “she always snorted when she laughed” and “[she] used to hum showtunes.”
The Michelob ULTRA Super Bowl Commercial With an Environmentally Conscious Message
Michelob ULTRA Pure Gold: “6 for 6-Pack”
With climate change becoming an increasingly pressing global issue, many people are looking for tangible ways to make a difference for the environment in their everyday lives. That’s exactly why commercials like Organic Valley’s “The Food Company Crazy Enough to Change Everything,” Only Organic’s “The World’s Most Skippable Ad” and now, Michelob ULTRA Pure Gold’s “6 for 6-Pack,” in which the brand pledges to dedicate a portion of proceeds from every six-pack sold to transitioning 6 square feet of farmland to organic, hit home.
In the ad, a soothing voiceover lays out how people of all different walks of life can participate in the initiative: “If every football fan picks up a six-pack, we could change America’s organic farmland forever.”
Effective marketing indeed.
The Mountain Dew Super Bowl Commercial Starring Bryan Cranston and Tracee Ellis Ross in a Shining parody
Mountain Dew: “As Good As the Original”
Whether it’s “Puppy Monkey Baby” or Peter Dinklage facing off with Morgan Freeman in a rap battle, Mountain Dew almost always seems to bring something memorable to the Super Bowl table. This time around, it’s Bryan Cranston doing his best impression of Jack Nicholson in The Shining in order to get Tracee Ellis Ross to try Mountain Dew’s new zero-sugar variant. Cranston’s chaotic charisma immediately draws your attention to the screen while Ross’s over-the-top antics bring the spot home.
Sociopathic Cranston is back, Breaking Bad fans.
The Microsoft Super Bowl Commercial With Maximum Girl Power
Microsoft: “Be the One”
San Francisco 49ers offensive assistant coach Katie Sowers will make history on Sunday night as the first woman and first openly gay person to coach in a Super Bowl. And Microsoft’s “Be the One” ad is here to tell her story. The 60-second spot highlights how Sowers, a pioneer in the sport, has paved the way for other women to carve out roles in the NFL.
“All it takes is one,” she says as photos of young girls sporting football uniforms flash across the screen. “And it opens the door for so many.” Who better to drive this point home for viewers than the person who’s actually done it?
The Porsche Super Bowl Commercial With a High-Speed Car Chase
Porsche: “The Heist”
Forget the new trailer for Fast & Furious 9. Featuring a high-speed car chase through the narrow streets of a European city, Porsche’s first Super Bowl commercial in 23 years is basically straight out of an action movie — with the high production value to match. It even has a twist at the end reminiscent of many a beloved heist flick.
Super Bowl viewers will see a minute-long version of the epic ad on Sunday, but you can watch the full two-and-a-half minute spot promoting the Taycan, Porsche’s first all-electric car, above.
The Doritos Super Bowl Commercial With Lil Nas X and Sam Elliott
Doritos: “The Cool Ranch”
Lil Nas X and Sam Elliott face off in a Wild West-style dance-off duel over a bag of Cool Ranch Doritos. That’s really all that needs to be said.
The New York Life Super Bowl Commercial That Proves All You Need Is Love
New York Life: “Love Takes Action”
New York Life throws it back to Ancient Greece in an ad that demonstrates just how much of a driving force love is in our lives. The 60-second spot, the insurance company’s first Super Bowl ad in 30 years, takes us through the meaning behind three different ancient Greek words for love — philía (friendship), storgē (familial) and éros (romantic) — before landing on agápe (love as an action) as the highest form of love.
But what exactly is agápe? It’s a sentiment that manifests differently for different people, but one that almost all viewers can likely relate to.
It’s an adult son giving his elderly father a bath, a group of kids shaving their heads in solidarity with a friend who has cancer, a parent rushing out the door to get the kids to school on time and all the other things we do for people we love that take “courage, sacrifice and strength.”
The Pringles Super Bowl Commercial With Rick and Morty
Pringles: “Rick and Morty”
What could be better than a mini-episode of Rick and Morty to keep you entertained during a second-quarter break in the Super Bowl 54 action? Rick and Summer discover they’re trapped inside a Pringles ad inhabited by Pringles flavor stacks-obsessed Morty robots in this outlandish cartoon spot that shines bright in the midst of its more traditional commercial peers. Knowing Rick, he’ll probably find a way out of this one before halftime.
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newstechreviews · 4 years
Link
Super Bowl 2020 is finally here and the stage is set for a fierce battle between Jimmy Garoppolo’s San Francisco 49ers and Patrick Mahomes’ Kansas City Chiefs, but no matter what happens on the field, the game’s commercial breaks promise to deliver some of the most exciting viewing of the night.
In fact, Super Bowl commercials have long been a cultural event in their own right, with some viewers tuning in to the big game purely to see what hilarious, heartwarming or straight-up bizarre ads brands have deemed worthy of making the cut.
This year, the average cost for a 30-second Super Bowl spot was a record-high $5.6 million, Forbes reports. And with Fox having sold 82 ad units of 30 seconds each, Adweek estimates that approximately 50 commercials total will air throughout the course of Super Bowl 2020. That’s significantly less than the 91 that were shown during Super Bowl 2019, which could mean that many of this year’s ads are longer spots. But regardless of their length, appearances by beloved celebrities and campy movie parodies give 2020’s commercials the potential to be a real crop of winners.
The National Retail Federation reports that nearly 194 million people are expected to tune in for Super Bowl 54. Here, in our list of the best commercials of Super Bowl 2020, we’re recognizing some of our favorite ads that all those viewers will see on Sunday night.
The Hyundai Super Bowl Commercial With Boston Celebrities Chris Evans, Rachel Dratch, John Krasinski and David Ortiz
Hyundai: “Smaht Pahk”
The Patriots may have missed out on the Super Bowl this year, but at least New England fans have Hyundai’s commercial for the Sonata’s new smart parking tech to cheer them up. Featuring Beantown natives Chris Evans, Rachel Dratch (remember that hilarious “Boston Teens” bit on Saturday Night Live) and John Krasinski arguing in their thickest New England accents over whether Krasinski’s Sonata can fit in a wicked tight parking spot — don’t worry, he’s got “smaht park” — the 80-second ad is a dream come true for Bostonians. Red Sox legend David “Big Papi” Ortiz making a cameo is just the cherry on top.
The NFL Super Bowl Commercial That’s Bigger Than Football
“There are some things just bigger than football.” #InspireChange pic.twitter.com/HIW1G15VxX
— Anquan Boldin (@AnquanBoldin) January 19, 2020
NFL: “Inspire Change”
In this 60-second spot from the NFL itself, the league continues to promote its “Inspire Change” initiative with a PSA about the 2015 police shooting death of Corey Jones, the cousin of retired wide receiver Anquan Boldin. The emotional Super Bowl commercial, which first aired during the AFC championship game between the Tennessee Titans and Kansas City Chiefs, features Boldin recounting how his cousin’s story inspired him to start the Players Coalition, a non-profit dedicated to ending social injustices and racial inequality.
“Had it not been for the work that we do, Corey’s death would have been in vain,” he says. “The best way to inspire change is to be it.”
Boldin’s heartrending retelling of his personal family tragedy drives home why organizations that are working to effect positive social change in these areas are so vital.
The Budweiser Super Bowl Commercial That Smashes Stereotypes
Budweiser, “Typical American”
Budweiser endeavors to turn stereotypes that are commonly negatively associated with people living in the U.S. on their head in this minute-long spot showcasing “typical Americans.” A typical American “showing off his strength” is depicted as a firefighter battling a wildfire while typical Americans “yelling and being loud” are shown to be protestors. All in a good day’s work of promoting “typical American beer” for one of the best Super Bowl 2020 commercials that aims to challenge viewers to see things in a different light.
The Google Super Bowl Commercial That Tugs on Your Heartstrings
Google: “Loretta”
Tearjerker alert! From its 2010 “Parisian Love” ad to last year’s “100 Billion Words” translation app spot, Google is always finding ways to try make us feel all the feelings in the midst of the big game. And this year is no different.
“Loretta” earns a spot on our list of the best commercials of the 2020 Super Bowl by delivering a poignant demonstration of how people can use Google Assistant to help keep loved ones’ memories alive. In the ad, a grandfather utilizes the voice-powered tech to jot down heartwarming recollections about his late wife like “she always snorted when she laughed” and “[she] used to hum showtunes.”
The Michelob ULTRA Super Bowl Commercial With an Environmentally Conscious Message
Michelob ULTRA Pure Gold: “6 for 6-Pack”
With climate change becoming an increasingly pressing global issue, many people are looking for tangible ways to make a difference for the environment in their everyday lives. That’s exactly why commercials like Organic Valley’s “The Food Company Crazy Enough to Change Everything,” Only Organic’s “The World’s Most Skippable Ad” and now, Michelob ULTRA Pure Gold’s “6 for 6-Pack,” in which the brand pledges to dedicate a portion of proceeds from every six-pack sold to transitioning 6 square feet of farmland to organic, hit home.
In the ad, a soothing voiceover lays out how people of all different walks of life can participate in the initiative: “If every football fan picks up a six-pack, we could change America’s organic farmland forever.”
Effective marketing indeed.
The Mountain Dew Super Bowl Commercial Starring Bryan Cranston and Tracee Ellis Ross in a Shining parody
Mountain Dew: “As Good As the Original”
Whether it’s “Puppy Monkey Baby” or Peter Dinklage facing off with Morgan Freeman in a rap battle, Mountain Dew almost always seems to bring something memorable to the Super Bowl table. This time around, it’s Bryan Cranston doing his best impression of Jack Nicholson in The Shining in order to get Tracee Ellis Ross to try Mountain Dew’s new zero-sugar variant. Cranston’s chaotic charisma immediately draws your attention to the screen while Ross’s over-the-top antics bring the spot home.
Sociopathic Cranston is back, Breaking Bad fans.
The Microsoft Super Bowl Commercial With Maximum Girl Power
Microsoft: “Be the One”
San Francisco 49ers offensive assistant coach Katie Sowers will make history on Sunday night as the first woman and first openly gay person to coach in a Super Bowl. And Microsoft’s “Be the One” ad is here to tell her story. The 60-second spot highlights how Sowers, a pioneer in the sport, has paved the way for other women to carve out roles in the NFL.
“All it takes is one,” she says as photos of young girls sporting football uniforms flash across the screen. “And it opens the door for so many.” Who better to drive this point home for viewers than the person who’s actually done it?
The Porsche Super Bowl Commercial With a High-Speed Car Chase
Porsche: “The Heist”
Forget the new trailer for Fast & Furious 9. Featuring a high-speed car chase through the narrow streets of a European city, Porsche’s first Super Bowl commercial in 23 years is basically straight out of an action movie — with the high production value to match. It even has a twist at the end reminiscent of many a beloved heist flick.
Super Bowl viewers will see a minute-long version of the epic ad on Sunday, but you can watch the full two-and-a-half minute spot promoting the Taycan, Porsche’s first all-electric car, above.
The Doritos Super Bowl Commercial With Lil Nas X and Sam Elliott
Doritos: “The Cool Ranch”
Lil Nas X and Sam Elliott face off in a Wild West-style dance-off duel over a bag of Cool Ranch Doritos. That’s really all that needs to be said.
The New York Life Super Bowl Commercial That Proves All You Need Is Love
New York Life: “Love Takes Action”
New York Life throws it back to Ancient Greece in an ad that demonstrates just how much of a driving force love is in our lives. The 60-second spot, the insurance company’s first Super Bowl ad in 30 years, takes us through the meaning behind three different ancient Greek words for love — philía (friendship), storgē (familial) and éros (romantic) — before landing on agápe (love as an action) as the highest form of love.
But what exactly is agápe? It’s a sentiment that manifests differently for different people, but one that almost all viewers can likely relate to.
It’s an adult son giving his elderly father a bath, a group of kids shaving their heads in solidarity with a friend who has cancer, a parent rushing out the door to get the kids to school on time and all the other things we do for people we love that take “courage, sacrifice and strength.”
The Pringles Super Bowl Commercial With Rick and Morty
Pringles: “Rick and Morty”
What could be better than a mini-episode of Rick and Morty to keep you entertained during a second-quarter break in the Super Bowl 54 action? Rick and Summer discover they’re trapped inside a Pringles ad inhabited by Pringles flavor stacks-obsessed Morty robots in this outlandish cartoon spot that shines bright in the midst of its more traditional commercial peers. Knowing Rick, he’ll probably find a way out of this one before halftime.
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itsfinancethings · 4 years
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Super Bowl 2020 is finally here and the stage is set for a fierce battle between Jimmy Garoppolo’s San Francisco 49ers and Patrick Mahomes’ Kansas City Chiefs, but no matter what happens on the field, the game’s commercial breaks promise to deliver some of the most exciting viewing of the night.
In fact, Super Bowl commercials have long been a cultural event in their own right, with some viewers tuning in to the big game purely to see what hilarious, heartwarming or straight-up bizarre ads brands have deemed worthy of making the cut.
This year, the average cost for a 30-second Super Bowl spot was a record-high $5.6 million, Forbes reports. And with Fox having sold 82 ad units of 30 seconds each, Adweek estimates that approximately 50 commercials total will air throughout the course of Super Bowl 2020. That’s significantly less than the 91 that were shown during Super Bowl 2019, which could mean that many of this year’s ads are longer spots. But regardless of their length, appearances by beloved celebrities and campy movie parodies give 2020’s commercials the potential to be a real crop of winners.
The National Retail Federation reports that nearly 194 million people are expected to tune in for Super Bowl 54. Here, in our list of the best commercials of Super Bowl 2020, we’re recognizing some of our favorite ads that all those viewers will see on Sunday night.
The Hyundai Super Bowl Commercial With Boston Celebrities Chris Evans, Rachel Dratch, John Krasinski and David Ortiz
Hyundai: “Smaht Pahk”
The Patriots may have missed out on the Super Bowl this year, but at least New England fans have Hyundai’s commercial for the Sonata’s new smart parking tech to cheer them up. Featuring Beantown natives Chris Evans, Rachel Dratch (remember that hilarious “Boston Teens” bit on Saturday Night Live) and John Krasinski arguing in their thickest New England accents over whether Krasinski’s Sonata can fit in a wicked tight parking spot — don’t worry, he’s got “smaht park” — the 80-second ad is a dream come true for Bostonians. Red Sox legend David “Big Papi” Ortiz making a cameo is just the cherry on top.
The NFL Super Bowl Commercial That’s Bigger Than Football
“There are some things just bigger than football.” #InspireChange pic.twitter.com/HIW1G15VxX
— Anquan Boldin (@AnquanBoldin) January 19, 2020
NFL: “Inspire Change”
In this 60-second spot from the NFL itself, the league continues to promote its “Inspire Change” initiative with a PSA about the 2015 police shooting death of Corey Jones, the cousin of retired wide receiver Anquan Boldin. The emotional Super Bowl commercial, which first aired during the AFC championship game between the Tennessee Titans and Kansas City Chiefs, features Boldin recounting how his cousin’s story inspired him to start the Players Coalition, a non-profit dedicated to ending social injustices and racial inequality.
“Had it not been for the work that we do, Corey’s death would have been in vain,” he says. “The best way to inspire change is to be it.”
Boldin’s heartrending retelling of his personal family tragedy drives home why organizations that are working to effect positive social change in these areas are so vital.
The Budweiser Super Bowl Commercial That Smashes Stereotypes
Budweiser, “Typical American”
Budweiser endeavors to turn stereotypes that are commonly negatively associated with people living in the U.S. on their head in this minute-long spot showcasing “typical Americans.” A typical American “showing off his strength” is depicted as a firefighter battling a wildfire while typical Americans “yelling and being loud” are shown to be protestors. All in a good day’s work of promoting “typical American beer” for one of the best Super Bowl 2020 commercials that aims to challenge viewers to see things in a different light.
The Google Super Bowl Commercial That Tugs on Your Heartstrings
Google: “Loretta”
Tearjerker alert! From its 2010 “Parisian Love” ad to last year’s “100 Billion Words” translation app spot, Google is always finding ways to try make us feel all the feelings in the midst of the big game. And this year is no different.
“Loretta” earns a spot on our list of the best commercials of the 2020 Super Bowl by delivering a poignant demonstration of how people can use Google Assistant to help keep loved ones’ memories alive. In the ad, a grandfather utilizes the voice-powered tech to jot down heartwarming recollections about his late wife like “she always snorted when she laughed” and “[she] used to hum showtunes.”
The Michelob ULTRA Super Bowl Commercial With an Environmentally Conscious Message
Michelob ULTRA Pure Gold: “6 for 6-Pack”
With climate change becoming an increasingly pressing global issue, many people are looking for tangible ways to make a difference for the environment in their everyday lives. That’s exactly why commercials like Organic Valley’s “The Food Company Crazy Enough to Change Everything,” Only Organic’s “The World’s Most Skippable Ad” and now, Michelob ULTRA Pure Gold’s “6 for 6-Pack,” in which the brand pledges to dedicate a portion of proceeds from every six-pack sold to transitioning 6 square feet of farmland to organic, hit home.
In the ad, a soothing voiceover lays out how people of all different walks of life can participate in the initiative: “If every football fan picks up a six-pack, we could change America’s organic farmland forever.”
Effective marketing indeed.
The Mountain Dew Super Bowl Commercial Starring Bryan Cranston and Tracee Ellis Ross in a Shining parody
Mountain Dew: “As Good As the Original”
Whether it’s “Puppy Monkey Baby” or Peter Dinklage facing off with Morgan Freeman in a rap battle, Mountain Dew almost always seems to bring something memorable to the Super Bowl table. This time around, it’s Bryan Cranston doing his best impression of Jack Nicholson in The Shining in order to get Tracee Ellis Ross to try Mountain Dew’s new zero-sugar variant. Cranston’s chaotic charisma immediately draws your attention to the screen while Ross’s over-the-top antics bring the spot home.
Sociopathic Cranston is back, Breaking Bad fans.
The Microsoft Super Bowl Commercial With Maximum Girl Power
Microsoft: “Be the One”
San Francisco 49ers offensive assistant coach Katie Sowers will make history on Sunday night as the first woman and first openly gay person to coach in a Super Bowl. And Microsoft’s “Be the One” ad is here to tell her story. The 60-second spot highlights how Sowers, a pioneer in the sport, has paved the way for other women to carve out roles in the NFL.
“All it takes is one,” she says as photos of young girls sporting football uniforms flash across the screen. “And it opens the door for so many.” Who better to drive this point home for viewers than the person who’s actually done it?
The Porsche Super Bowl Commercial With a High-Speed Car Chase
Porsche: “The Heist”
Forget the new trailer for Fast & Furious 9. Featuring a high-speed car chase through the narrow streets of a European city, Porsche’s first Super Bowl commercial in 23 years is basically straight out of an action movie — with the high production value to match. It even has a twist at the end reminiscent of many a beloved heist flick.
Super Bowl viewers will see a minute-long version of the epic ad on Sunday, but you can watch the full two-and-a-half minute spot promoting the Taycan, Porsche’s first all-electric car, above.
The Doritos Super Bowl Commercial With Lil Nas X and Sam Elliott
Doritos: “The Cool Ranch”
Lil Nas X and Sam Elliott face off in a Wild West-style dance-off duel over a bag of Cool Ranch Doritos. That’s really all that needs to be said.
The New York Life Super Bowl Commercial That Proves All You Need Is Love
New York Life: “Love Takes Action”
New York Life throws it back to Ancient Greece in an ad that demonstrates just how much of a driving force love is in our lives. The 60-second spot, the insurance company’s first Super Bowl ad in 30 years, takes us through the meaning behind three different ancient Greek words for love — philía (friendship), storgē (familial) and éros (romantic) — before landing on agápe (love as an action) as the highest form of love.
But what exactly is agápe? It’s a sentiment that manifests differently for different people, but one that almost all viewers can likely relate to.
It’s an adult son giving his elderly father a bath, a group of kids shaving their heads in solidarity with a friend who has cancer, a parent rushing out the door to get the kids to school on time and all the other things we do for people we love that take “courage, sacrifice and strength.”
The Pringles Super Bowl Commercial With Rick and Morty
Pringles: “Rick and Morty”
What could be better than a mini-episode of Rick and Morty to keep you entertained during a second-quarter break in the Super Bowl 54 action? Rick and Summer discover they’re trapped inside a Pringles ad inhabited by Pringles flavor stacks-obsessed Morty robots in this outlandish cartoon spot that shines bright in the midst of its more traditional commercial peers. Knowing Rick, he’ll probably find a way out of this one before halftime.
0 notes