Tumgik
#sword fucky
thatbuggygirl · 1 year
Text
The unexpected gift Kamen Rider Saber gave me:
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
They u_u
4 notes · View notes
panini1111 · 9 months
Text
Just finsiehd room of swords.... wgat the actual fick
54 notes · View notes
kellerybird · 1 year
Text
136 notes · View notes
kelpiemomma · 1 year
Text
there are things I SHOULD be doing, but what I did instead was sketch a shirtless spartan Ingo post reach
Tumblr media
14 notes · View notes
jomnki · 1 year
Text
steel tera corviknight feels like one of those assholes who needs a very specific pokemon to defeat it like you gotta go hunt a bulky mon with resistance to steel but also knows a strong fire move and teras into a fire type
2 notes · View notes
iwilltranscend · 2 years
Text
I have listened to the plagues from the prince of Egypt probably no fewer than 50 times today
3 notes · View notes
captain-peanut110 · 8 months
Text
Will anybody ever acknowledge that it was Boromir (wtf, man?) that tossed a stone into the water at the entrance to Moria and woke the fucky tentacle freak?
Pippin gets such a bad rep every time for having done every dumb thing that happened in Fellowship, but this dumb thing, one of the dumbest ever, really ain’t on him
Boromir: i will teach you how to wield a sword, little man
Pippin: and i can teach you how to get everyone into trouble by doing nothing more than just being yourself
Boromir: *throws the stone that woke the underwater guardian bitch*
Pippin: *tears in his eyes* he knows already
416 notes · View notes
mirrorpriest · 4 months
Text
Creator Reader dropped into Mondstadt
[the description of mondstadt’s wilderness doesn’t fit what’s in game but shhh i’m working from imagination here, POV also gets a little fucky in here bc i started with key scenes i wanted to hit in the story and then started writing for reader immersion]
The waterfall does little to wash away the buildup of oil and grime in your hair, hardly budging the dirt caked to your skin. It’s so different from the warm showers and fragrant soaps you are used to. The cool of the water at least feels good in your mouth, washing down the berries you had been desperately scavenging for the last few days. They were sweet and sour at first, a refreshing treat when you could find them, but the more you ate the more upset your stomach became. You can hardly bear the thought of another handful, but you haven’t seen another person in so long. Only the occasional white bird or wild boar kept you company. You are left to wonder how far from civilization you are. Will anyone find you before you waste away?
Perhaps it’s fortunate, then, that you will die in such a beautiful place. You had never taken the chance to appreciate nature so thoroughly, but the weather in this strange land is cool and temperate, the breeze always carrying the scent of something fresh and light you can’t quite place your finger on. Your head is clear, for once, of any trivial worries like catching the train or when your next shift will be; how much money you’ll be able to make or who at the drug store finds you unattractive. But that’s only because now you are worried about what you’ll catch from drinking the pond water, when you’ll be able to find your next meal, if you’ll ever see your loved ones again. What you wouldn’t give to be able to listen to your mother retell the same stories from her youth you’ve heard a million times. One day, you had simply woken up here. And, perhaps one day, sooner than you would hope, you will fall asleep here for the last time.
So lost in your thoughts, you don’t notice the creatures watching you from the trees until their bodies break through the brush, dark and furry against the green, green foliage. They emerge as one, ambling forward with graceless movements. Your eyes, once upturned to the rushing water, cautiously watch them approach. They stand on two legs, but look nothing like any person you’ve ever seen. Like any beast you’ve ever seen. Your arms fold into your chest, body shrinking at their attention. If not for the matching masks upon their faces, they would be staring unabashedly.
But they are the first sentient beings with the ability to help that you have seen in days, the first thing to find you amidst the thick of the forest, and you smell the burn of a campfire on their fur and tattered clothes as they draw closer. They don’t shy away as you move through the water, waiting at the water’s edge to meet you. The closest one, indistinguishable from the others, steps closer on clawed feet that distort under the clear water. The closer you move, the more monstrous their features seem. Fur covering their bodies, clawed fingers, pointed ears that fold back as you approach, but they make no move to attack. Heads folded down solemnly.
You reach out a cautious hand, finger outstretched to trace the paint across this strange creature’s mask. It stays eerily still, leaning forward for your touch, when the silence is broken by a loud, guttural cry. The furry creatures spring into action, scrambling to turn towards the distant cry, when a large sword comes from the brush and knocks them all back into the water. You startle into the pond, stumbling backwards into the waist-deep water.
There is the swing of metal and the strange cries of the masked creatures, a man in black knocking them all back with little effort. This man speaks in a language you don’t recognize, but you can tell his tone is stern and unyielding. It’s so sudden in the calm of the forest, the first voice you’ve heard in so long, that it rings in your ears. The creatures hardly have the chance to fight back, some raising flimsy, hand-crafted weapons, before their bodies are scattered along the ground. The loud clomping of a heavy creature comes up behind the man, you turn away from the carnage then. The sound of a heavy body taking blows and disgruntled screaming follows, it forces your hands up to cover your ears. Suddenly you long for the worry of finding berries and cleaning away dirt over the worry of who will be merciful towards you in the end. You can’t tell which creature you were close to touching, now among the indistinguishable bodies that litter the bank of the pond. The area falls silent once again. The strange man, who felled the beasts you hadn’t even the chance to meet, stands among the falling clouds of dirt, his brow pinched and mouth open around his heaving breath. His eyes watch you like a hawk, searching your face for… Something. You feel yourself, once again, shrink away at his gaze. His chest is broad, rising and falling in great puffs, and his large hands still clasp the claymore in their grip.
He speaks words you don’t understand, his great weapon vanishing in a shudder of light, as he takes a tentative step closer to you. He’s remarkably pale, made even moreso against the dark clothing he wears. But you know you have no choice but to meet this man halfway, reaching out a hand to be pulled from the water.
To see the water cascading down your skin, glimmering like the brightest gem. Shining and unblemished, the sun reflecting all around you in a way he hadn’t ever allowed himself to imagine. It would be blasphemy to imagine your skin so bare. Flesh like smooth, tumbled stone. This red-haired stranger coaxes for you, a hand reaching towards you, upturned. Contrary to the brutish way he dealt with those strange creatures, he gently wades into the water to take your hand, swinging his long coat around your shoulders. Up close you can see the flush across his cheeks that rivals the red of his hair. You allow this man to lead you from the water up onto the bank so you can retrieve your sullied clothes. You try to ask him where you are, but, again, his brow pinches: this time in confusion. He mutters something low to himself, instead offering his elbow to you. At least this gesture you understand.
You don’t know how long he leads you, keeping his pace measured to your own, before the tree line breaks and you come upon what looks like a farm. The dense forest gives way to grapevines stretching as far as you can see, all carefully line up like dominos, bursting with bright red fruits that make your stomach curl uncomfortably. You’re so desperately hungry for something other than fruit, but above that you are so desperately hungry. You realize what a privilege it is to be picky about what you have to put in your mouth.
The red-haired stranger allows you time to marvel over the rows of grapes, gently coaxing you towards the large manor in the whole big center of it all. It’s only when you’ve moved closer to the large estate that you realize there are other people here, they mill around comfortably and content to live a slow life of vineyard labor. Completely unaware and unknowing to a stranger almost starving to death in the forest they reside.
There are many young women rushing around when the man leads you up the manor steps, but they all stop to dutifully bow their heads at him. They speak the same strange language, quickly snapping to attention when their eyes fall on you. Suddenly you realize how utterly drowned and dirty you look among these perfectly prim maids with their pressed white aprons. You bashfully lower your gaze to avoid their eyes, missing the recognition and, ultimately, the reverence there. The man speaks in a stern voice, almost startling you with how firm his voice suddenly is, gesturing towards a maid who stands above the rest. She is lovely and pleasant, curled brown hair and a practiced smile on her lips. She nods at his words, motioning to take your arm from around his. You sheepishly allow her to lead you into the large manor, fingers folded around the clean black sleeve of her uniform like a child.
She carefully and slowly leads you through the manor and up the steps, unaware of the overstimulated rush to your brain as you try to grasp all that you are seeing and smelling and hearing. Your attention tries to focus entirely on the satisfying click of her polished heels, your aching feet climbing step by step with her’s to a certain door among all the others. Behind it is a lavish bedroom, a bed so tempting you almost move to collapse on it. She cooes soothingly to you, words you don’t recognize but can distinguish as motherly reassurance. You decide to trust her, if only because her brown eyes are warm and clear.
This maid leads you to the bath of the lavish room, instantly removing her arm from your grasp to bustle about. You don’t recognize any of the concoctions or bottles she grasps, focus wandering to your own disheveled appearance in the mirror, until she turns the tap of the large bathtub and there’s a rush of water that quickly steams the glass. It makes your heart leap happily against your ribs, even if you are still quite embarrassed, to think you will finally be getting a warm wash after so long. So ashamed of your own dirty appearance you can’t bring yourself to mind as she helps you remove your soiled clothing, your own skin cleaner than the outfit you wear.
Her hand is steady as she helps you into the bath, lowering you into the steaming water that quickly reddens your skin. But your muscles ache for relief, your sense of self aches for cleanliness. You expect her to leave, but the diligent maid sets to work immediately as you relax. She kneels upon the fluffy cushion beside the bathtub to pour a creamy, fragrant mixture into her palm, thoroughly warming it with her hands before smoothing it along your scalp. She carefully works the mixture and her fingertips through your hairline, massaging the muscles at the base of your head and working up. She presses with measured strength, nails wearing away the build up of skin and sebum from your follicles. You allow your head to loll back into her reliable hands, comforted into complacency.
Adelinde washes at your scalp with a firm touch, the suds dribbling down your strands to fall into the bath water. Her attention is drawn by the slight hairs trailing from the base of your hairline and disappearing down the nape of your unblemished neck, soft and intimate. Her fingers move diligently in a practiced and familiar way, as a carpenter would refine his millionth wooden chair, clearing away all the oil and dirt that had gotten trapped along your scalp and behind your ears. The weight of trying to survive for days in the woods comes crashing down, worked away by this caring maid and her sure hands. Her touch is lighter than ever with you, careful to not tug or nails to scrape along your skin. You are, after all, especially precious company. She brings a pitcher of clear water up to rinse away the soap, her other hand gently tipping back your forehead to avoid your eyes. When she’s satisfied you’re clean, Adelinde works a thicker mixture into your hair, trailing her hands down to the ends where she wicks them of excess water. The conditioner smooths down all the roughness of the accumulated days, soothing your stressed strands back into their natural position.
You don’t notice the other two maids that have arrived until Adelinde helps you out of the tub, standing at the ready for orders to tend to you. One of them has long dark locks held appropriately back by her uniform headpiece. The other is distinguishable by the gemstone on her collar, it shines unnaturally bright. So obvious among the standard outfit of all the maids you’ve seen. Adelinde turns her head just the slightest away from you to address one of the young ladies, who immediately springs away to somewhere past the bathroom door. The other moves around you as Adelinde leads you to sit on the stool before the bathroom mirror, this young lady twitching hesitantly and unsure under the careful watch of the head maid. This new maid seems unsure whether she’s allowed to touch you, hands folded carefully upon her apron. If only you had the means to reassure her.
The maid with the gemstone collar weaves her fingers through your hair, a powerful breeze moved by her fingers and caressing each strand. She moves delicately, careful not to tug too harshly on your scalp. The smell of fresh dandelions and open fields moved by her very will. You want to startle away, look for whatever blowdryer you’re sure she has to be using, but your body still aches and hunger claws away your stomach and reason. You tilt your head back into her touch, the fidgeting of her nervous fingers soothed at your pleased hum.
It's an hour, maybe two, before your hair is dry. The minutes weave together as you blink back sleep, eyelids heavy under the gentle, warm breeze that blows across the skin of your scalp and neck. When you glance in the mirror to look back at the young maid, she catches your eye and gives you a bashful smile, power from her fingers petering out until the breeze has left nothing but a tingle across your nerves. Only when Adelinde orders the maid away and moves to take your hand do you remember she's there.
She leads you, careful and sure, back into the bedroom where you assume you'll finally get some rest, but instead you find clothes laid across the bed. The idea of getting dressed and doing anything else already makes your aching muscles feel weary, but you don't bother to protest lest their hospitality withers away. Not that she would be able to understand you, anyway. You should feel bashful as she dresses you, would if the situation were different, but this maid's touch feels sterile. Like she's dressing a marble statue instead of your body. All your humanity swept away with the dirty water. There's a gentleness to her touch, barely grazing her knuckles across your skin as she buttons the pressed shirt, that borders on cautious. The careful way these maids, even the strange man, have handled you almost puts you on edge. You've never been cared for so tenderly even by those that love you. Surely... Surely, this isn't just because you're a guest. You wish you had the means to ask why they are acting so attentively.
When you step out into the hall together a heavenly scent floods your nose, an impatient rumble coming from your stomach. You can't hurry down the stairs fast enough, trying to restrain yourself to the polite pace Adelinde takes. You're led into a lavish dining room, perfectly fit and furnished for the stately manor, where the red-haired man waits. He's standing, at attention the moment he sees you enter, waiting politely for you to take your seat. As if you were a most important guest. You shuffle on your feet, in borrowed clothes and covered in borrowed scents bestowed by his borrowed maids, hastily sitting when the waiting butler pulls out your seat.
Now... Well, now you wish you hadn't sat down. You are served by the polite and practiced staff, while the red-haired man watches you with what you feel to be an undeserved respect. Plates are set before the both of you, filled to the brim with the most beautiful food you've ever seen. A generosity of choices, from buttered vegetables to succulent meats. You've never seen food so worthy of being called art. Though you two can't converse, he seems content to simply watch you. It makes you slow your eating despite the painful twist of hunger in your stomach, sitting up straighter to appear more worthy of such effort. This man has been so strange since he first laid eyes on you.
You hope he's just altruistically generous when it comes to people in crisis, but you can't help feeling there's something you're missing.
111 notes · View notes
avelera · 9 months
Text
Where the heck is Satan in Good Omens S2?
And could we perhaps find evidence of him in the places where the furniture used to be?
For reference:
Hastur & Ligur, 1.1: "All Hail Satan." "All Hail Satan."
Crowley, 1.5: "I never asked to be a demon. I was just minding my own business one day and then… oh, lookie here, it's Lucifer and the guys."
Adam Young 1.6: "You're not my dad and you never were."
Satan, 1.6: "No, no, no!" (He promptly dissolves into black ash and vanishes. Immediately after, Aziraphale and Crowley look at their no-longer-flaming sword and tire iron as if not entirely sure why they're there.)
Crowley, 2.1: "Do you ever think, what's the point? ... Heaven, Hell, Demons, Angels?"
Crowley 2.2 (circa ~2000 BCE): "Satan and his diabolical ministers..."
Gabriel 2.3: "I remember when the morning stars sang together and all the angels of god shouted for joy.” (emphasis mine. Lucifer/Satan was the Morning Star. Why the heck is morning stars plural??)
Edit: Shax 2.6: “I demand that you hand over both Gabriel and Beelzebub as gifts for Satan, our master.” (Could debunk the whole theory, might not only because she seems pretty low-ranked and could be going through the motions even though he's gone, but we'll see. Including to get all the evidence down.)
... And I think there's some other S2 references to higher ups and "Our Lord" by Shax supposedly, but I'm too sleep-deprived to go combing through for them (I'd be much obliged if anyone else could grab any other exact quotes that mention Satan by name or seem to refer to him in Season 2.)
Let's first get the Doylist explanation for why Satan might not be around out of the way: Satan was the Big Bad of Season 1. He's been dispatched. Furthermore, he's played by the most likely very expensive Benedict Cumberbatch, so he's not likely to be back in a hurry if it at all can be avoided, and alluding to him at all might just create confusion with viewers who will then expect to see Satan.
(Below the cut: but what if there's more to it than that?)
But as others may have seen with the, "Metatron is actively editing the Book of Life in S2 and that's why things are weird," meta, there's quite a bit of speculation going around that something fucky is going on in S2.
However, while I agree that some points in S2 are certainly fucky I'm not convinced on all or even most of the supporting evidence. Most of the explanations have a Doylist counterpoint like "It's just bad writing," or "They just wanted to bring back some actors they enjoyed working with," or, "The film crew just made a mistake," or "They just forgot that bit of continuity." After all, half of the original writing duo is tragically no longer with us, so there's going to be some level of story drift regardless.
While in general I find the, "It's not that deep," explanation more plausible in most instances, I'd be a very poor disgruntled English Major indeed if I made sweeping claims that the wallpaper being blue is always a coincidence. It's muddier with TV because there's so many proverbial cooks in the kitchen and plenty of human error to go around, but I'd equally never claim that I think Good Omens S2 wasn't a labor of love by those who worked on it, and certainly there's evidence that care was taken in its production, so everything that's off being a mistake is also not a sweeping generalization I'd want to make either.
Which is my way of saying that I'm not convinced by the Metatron meta but I think some of the ideas there are on to something. I don't think it's plausible that a writer would in S3 reveal that in S2, the heretofore largely off-screen character of the Metatron was actively editing the story as we went with the heretofore only mentioned once, never seen, and immediately denounced as a joke Book of Life. BUT, there is some fucky stuff happening that I won't say was the result of some Genius Mastermind Writer deciding it was a good idea to actively write badly and provide stories with no payoff, but I will consider that some of the apparent continuity errors might not be so accidental as they seem, because this was a labor of love and at least on this count, I don't think that Neil was necessarily that careless. Or at least, I'm more inclined to look for clues in places where I can see logistical choices being made, rather than in more subjective claims like "This bad writing is meant to be Bad Writing and therefore a Clue." Because writing is hard even under the best of circumstances, especially in TV and having lost the aforementioned half of a beloved writing duo.
Moving on! Thing is, if we're to believe that there's some sort of mystery hidden in plain sight that was introduced in Season 2, then it did not pay off yet. This makes me a little suspicious of the overall claims that there was a hidden Season 2 mystery, because a good mystery really should pay off within the text, and expecting the reader to keep their unsatisfied suspicions in their heads for 3-4 years for a later satisfying conclusion is... optimistic at best and downright sloppy at worst.
Unless, the mystery spans the entire show. If the clues we're seeing are meant to pay off in S3, and we assume some level of competence, then more likely these are series spanning mysteries that will be satisfying when one is able to watch all three installments. And that means, if there is a mystery in S2, we should be checking back with Season 1 to look for the roots of it.
Which is what brings me to Satan.
What on Earth happened to Satan?
Is Satan still around?
Now, my theory would be much more satisfying to me, personally, if Satan's name was never spoken in S2 but alas, there is the Book of Job episode and I believe some other mentions by name, mostly by Shax? I'd love some backup on that. But I very deliberately don't count demons just saying things like, "Our lord" or making vague referrals to the powers that be to be references to Satan because if he's vanished, someone could have easily filled the power vacuum or there could be an empty throne room somewhere and everyone is just going through the motions (or he's become the Sandman Lucifer who fucked off to lie on a beach, which would be delightful. Anyway).
When Hastur and Ligure showed up in 1.1 they specifically said, "All Hail Satan," and Crowley was shown to be an outsider that he did not return this familiar call-and-response. Yet no one in Hell in S2 uses the All Hail Satan greeting. The references to Satan are few, even in Hell. There doesn't seem to be a lot of fear of Satan either, but more around other higher-ups like Beelzebub, Duke of Hell, who appears to be the highest ranking person we see in Hell?
And also interestingly, Crowley and Beelzebub are both lamenting how pointless all of this seems. Kind of interesting for two individuals who still despise Heaven too and, presumably, took Satan's side once long ago when they all Fell. The political fire has definitely gone out of them, which can be plausibly attributed to the Apocalypse failing and/or the two of them falling in love with their Angelic counterparts, but it's also just kind of weird that suddenly they both really don't see the point in any of these conflicts that once defined their existence.
Perhaps, and this is where I go out on a limb or ten, because Satan isn't around anymore?
Is there no longer a hand at the wheel in Hell, reminding everyone of their loathing of Heaven?
Is there no longer someone actively above Beelzebub, telling them what to do, such that they have the freedom to sneak away and pursue a romance with an archangel and not have their boss show up to stop them the way Gabriel's did?
Did Adam, when he made Satan not his father but more importantly that Satan never was his father, undo more than we realize?
Because that's the kind of Gaiman mystery that I can wholly believe is lurking in plain sight, because Satan was a big deal in S1, he was the Big Bad! It's in the text! The damned book series is built on the idea of a satirical Antichrist take on The Omen. All Hail Satan is one of the first spoken lines of dialogue in the book. Satan is kind of central to any story that's going to revolve around a battle between Heaven and Hell!
And yet... he's barely mentioned this season. And demons suddenly don't remember what they're fighting for. How odd.
Maggie and Nina's actresses also played nuns of the Satanic Chattering Order of St. Beryl. If there was no Antichrist, isn't it possible that neither of those women would have become Satanic nuns and might, instead, own a coffee shop and a record store somewhere?
If there was no Antichrist, isn't it possible that through some convoluted series of events, Madame Tracy, a witch, fell afoul of a demon or managed to become one herself?
Isn't it possible that once you open the door to the ripple effects of a Satan who either never existed (though the Fall still happened) or who only existed up until at least Job, but who was never Adam's father, that some other fucky things could happen too, like Aziraphale suddenly not being fond of alcohol? This continuity detail is much more of a stretch but it is such a plot point in the book that Aziraphale loves to drink and S1 that I do find that particular continuity break particularly vexing and it's one I side-eye the most in terms of "not sure if sloppiness or a Clue".
Anyway, point is:
Satan is curiously absent this season and technically, he was unmade or at least unmade as Adam's father last season. If something is fucking with the timeline, I think that on-screen, very visible event deserves some scrutiny over and beyond vaguely alluded to, off-screen fuckery by the Metatron with no in-text confirmation at all.
There's a lot of weird and bad writing in S2, sure, but some of the continuity breaks do, admittedly, feel too big to be simple oversights and I don't think it's entirely conspiratorial to think something more might be going on and if such a mystery is going to span multiple seasons, we should look back to S1 for the seeds.
It is possible that the unmaking of Satan has had ripple effects that explain some of these continuity changes and some of the cheeky casting of S1 actors in new roles as perhaps not entirely without in-story justification.
So in my mind, the question I have no answer to, but that might deserve some scrutiny going into Season 3 is:
How much did Satan never being Adam's father alter the timeline?
Edit: And here's one last spooky quote to consider: “I remember when the morning stars sang together and all the angels of god shouted for joy." - Gabriel's weird prophecy / quoting of God
Why single out the reference to morning stars plural? Lucifer is very famously the Morning Star, you can't accidentally allude to morning stars in this context without referring to him, you just can't. So what the fuck is going on with this Biblically sourced quote that sort of alludes to Satan, but not by name, and makes the reference to the Morning Star plural?? And even though it is the original text, apparently, it's still a choice by the writers to really highlight the line about morning stars and give that line to Gabriel to say in the present too. Something is sus.
192 notes · View notes
Text
Hey.... Heyyyyyy.... How y'all doing.... take the Nimona headcanons that have been rotting in my notes app for the past four months
Ambrosius has kept track of the weirdest things he’s signed for a fan
At the very tippy top is a dinner plate a dog crate and a baby
And by baby I do mean living breathing crying baby
He tried really hard to find something else to sign but for some reason the parents were really insistent on it being their baby
And for some reason he did it
There are hundreds of photos of this infant with a signature on his forehead 
And that kid to this day will whip out his baby photos and show people that he was that baby 
Multiple knights (cough cough Todd) tried to recreate that situation but it didn’t have the same effect 
I feel like Bal gets really bad migraines (which kind of comes with the territory of using your head like a bartering ram) 
And when they do happen Nimona and Ambrosius do everything in their power to make sure that it doesn’t get worse 
I feel like Ambrosius is stupidly good at video games 
I have this little headcanon that books and games were kind of an escape for him
His own personal little oasis from being the golden child with a million expectations and responsibilities on his back 
He's not very good at playing with other people tho because he was always scared people would figure out who he was just based on his voice alone (and he’s not wrong for thinking that)
Nimona is also really good at video games (I mean she’s also half of the reason they were invented but that’s a long ass story) 
So because I’ve been away for so long I wanted to bless you with my friend's reaction to the movie
Just for some context tho it did take us months to finish because we all have work and school and we couldn’t see each other for a while so if I missed some stuff I’ll add it later
“Aw boyfriends” (When they were on the catwalk)
“Why are they so cute” “they’re literally my otp” and “they have cute banter” (The entire time before the knighting ceremony)
JB: “Oh she’s got Daddy issues huh” Me: “why do you say that?” JB “cause why else would she follow a man”(As they’re walking through the kingdom)
JB: “God what a fake fucking bitch I hate the way she talks” (As the director is scolding the knights)
“He knows him so well”(He hates freestyle jazz)
“It’s his boyfriend” “aw bae why’d you throw a smoke bomb at me” “look how frantic he is to find him” “he can’t shoot look at that face” (the entire subway/market scene”) 
JB: “I think this scene is curing her daddy issues and yours” (the alley scene)
(Same scene) KO: “why is he acting like it’s hurting him more?” Me: “Cause that’s his kid” KO: “wow this really is healing your daddy issues” 
JB: “What am I even watching?” “I fucking knew it she was such a fake bitch” (The squires video) 
“Oh my god he’s so embarrassing” “is he really jealous of a kid” “oh my god the director really doesn’t give a fuck huh?” “He didn’t say that out loud” “but does she?” “No” (Ambrosius freak out) 
JJ: “oh my god this is like Archane” Me: “shut the fuck up about Archane” (in my defense he kept mentioning Archane the whole time)
“If I could turn into a dragon I’d never turn back” “same I’d love to breathe cereal” (during the fight) 
“He’s so embarrassing why is he dying that dramatic” (proceeds to make fun of Ambrosius' “death” the whole time) 
“Did they really upload her confession to their version of YouTube” “is his account name really BalliSTAR?” “Why are they dancing?” “His username is Loins_of_gold? Why is he such a dork??” 
JB: “Awe nachos are totally their thing” “he remembered he’s allergic he still loves him!” 
JJ: “he’s a knight?” Me “have you been watching this movie with your eyes closed?” 
And then we freaked out about Ambrosius saying I love you and Bal not saying it back 
We said nothing when Bal pulled a sword on Nimona they kind of just sat shocked 
JB kept mentioning the flashback and after it happened all I said was “you wanted the flashback there’s your fucking flashback” while she sat in sad silence
They also just kept saying in shock “that’s her? That’s Gloreth” while I laughed 
We kind of spent the rest of the movie in silence until Bal and Ambrosius kissed at the end and then everyone collectively lost their shit
They lost their shit again when Nimona showed back up and JB went upstairs because even tho Nimona came back to life she was still sad
123 notes · View notes
thatbuggygirl · 1 year
Text
Just putting it out there that in the past year or so I have written nearly 150k words of unedited, self-indulgent original fiction that no one else will ever read, complete with world- and culture-building and yet
I am struggling greatly to finish writing the fanfic I desperately want to share with the world
3 notes · View notes
allgremlinart · 28 days
Text
re: this
actually have put a good amount of thought into this but in a jetko direction and well both Jet and Zuko would be weapons BUT they're the kind of weapons that are also meisters. sorry for refusing to choose but also Soul Eater gets fucky with its own rules too so who cares. when Jet is #meisting Zuko would be a pair of hook swords and when Zuko is #meisting Jet is a pair of broadswords. They switch it up. "wait they can both turn into two swords wouldnt you need two individuals for two separate weapons" WELL that's their quirk and also two halfs of the same whole etc etc and they finally find someone else that's like them etc etc etc.
30 notes · View notes
shuttershocky · 9 months
Note
So I just finished the Remake. Absolutely loved it; I always felt the original VN was far too edgy and callous with its writing and too ambitious for its budget, and both of these problems were almost completely resolved with the budget. That said, I do have a lore-related question. (1/2 since Tumblr is being a little fucky rn)
Tumblr media
That's the cool part; he actually does! It's just that Shiki's reaction to Arcueid (and Akiha) differs greatly from Vlov.
Shiki's Nanaya instincts push him to kill Arcueid by surprise as it's the only way he could ever take on a being on her level, while with Vlov (who attacks Shiki and Arcueid first at the hotel), it looks like Shiki's mind recalculates for a different monster that knows he is there and is armed, even if the monster doesn't quite know what threat he poses just yet. It appears to be a state that is much more stable, as Shiki's normal personality sometimes resurfaces like when he has to talk to Arcueid, but the way his internal monologue changes and how cruel and calculating he becomes makes it no doubt this is also his Nanaya instincts.
You can first see it when Shiki is attacked by the fire dogs at the hotel. He panics in fear and kills on survival reflex, but when Vlov himself arrives at the floor, Shiki SHOULD be running for Arcueid, but instead readies his knife and begins focusing on Vlov's lines despite the plan being for Arcueid to take on the vampire herself.
You then see it in full swing during the fight with Vlov at the park in the Arcueid route. As Shiki rushes into the pit, his narration begins to change. He starts counting more and more variables: the time he can last inside Vlov's blizzard before he freezes to death, the distance between him and Vlov, the number of projectiles Vlov is able to create and how many he can cut out of the air if he just thinks of the projectiles as "prey", all these sorts of thoughts that are unthinkable to Shiki the normal highschool boy.
And even as Shiki's narration says how it's clear this fight is impossible and a vampire on Vlov's level is more of a natural disaster for humans to avoid rather than fight, a glimpse of Shiki's reflection in Vlov's ice shows him grinning. He's enjoying the opportunity to finally let loose his repressed instincts on an acceptable, impossible target. He loves that his blood is freezing over and the countdown in his head keeps ticking down, his normal self is so freaked out at the idea of dying here that he almost completely disassociates. It's only when he sees Arcueid take an icicle to the face, shrug it off, and throw a massive boulder back that his ordinary self resurfaces (his incredulity at Arcueid's durability snaps him out of it) and he asks Arcueid for help.
And even then, after he and Arcueid fight together, he slips back into his calculating self. He thinks about how this move will leave him paralyzed for the rest of his life, but he doesn't care as he is not human, but a killing machine whose only objective is his target. He quickly identifies the two possible points in his move that could go wrong, as well as the number of seconds it would take for Vlov to react. When he sees Vlov attempt to draw a sword in the latter's desperation to survive, all Shiki can think about is how much he hates Vlov as a rival murderer.
You know, incredibly normal thoughts by incredibly normal boys.
60 notes · View notes
echoing-gravity · 1 year
Text
We've all seen Ghost King/Prince!Danny. But u know what we haven't seen? Fright Knight!Sam
It's totally the vibes of, "you mess with my bff, I kick ur fuckiing ass"
she doesn't even need a sword to beat u up, she punched a fucking locker once and it fucking CRUMPLED! Like a soda can. Dead.
(can't remember which episode she punched a locker I've already rewatched the first 12 episodes, cuz I want to timestamp it so someone else makes a gif of it becuz I'm too lazy to learn how to make gifs help)
138 notes · View notes
glowingmin · 3 months
Text
analyzing the adjuration ravio board
ALRIGHT MOTHERFUCKERS SIT DOWN SHUT UP WE'RE GOING OFF 4 CUPS OF WATER AND A MIGRAINE BUT WE ARE GOING TO COPE
i unfortunately have an abysmal zoom so i've Enhanced the writing for bits I couldn't quite read but anyways LETS GET INTO IT. WITNESS THE ANALYSIS FROM AN IDIOT WHO BASICALLY ONLY KNOWS THE LORE OF FOUR SWORDS.
@not-freyja hi i hope you like this insane loveletter to adjuration (idk how else to. share it. yay)
Tumblr media
alright starting off with the timeline and all the looping fuckeries (motherfucker got more arrows than an ikea checkout lane)
time is scratched out and replaced with sapling. because of the war of eras? nickname yipee?
the music notes linking time to wind must refer to how the song of time sent time back and left that timeline w/o the hero's spirit
the triforce linking legend to time has to mean something but my minimal zelda lore knowledge is leaving me to die. ik its the downfall timeline, so is it a reference to how the triforce got Fucked Up by pig man? did it get messed up??? never actually played cards meaning to learn /reference
there's so many scribblies around hyrule (i love the hearts on the 'i's its adorable). hyrule found the book and thats why he gets loops?
[ hi revision glowmin here. had a thought: what if there's multiple timelines that branch out from when rulie first used the book. what if the first visit wasn't legend. how many fractured timelines could that one event have caused ]
from chapter 49: “So this entire situation is Rulie’s fault?” Twilight’s side moves as he talks and Hyrule leans away from him, falling into Wind instead." haha no don't dump all the fault on hyrule you're so sexy aha /reference
'dink does something fucky' has me cackling. is wild's existence caused by dink? three question marks, 3 parts of the triforce, mmmm that is cooking?? or could just be irony
that line also points to rulie again so i Think this has something to do with. the blood curse. that i only know about from fanfiction.
ALSO THE LINE CONNECTING RULIE TO WARS!! IS SCRATCHED OUT!! (also from chapter 49: "Dead, lightning bug,” Ravio soothes. “He’s dead, you killed him.”)
Tumblr media
who's dink is it anyways
the line about four's shadow has me. okay listen i don't remember the chapter but i KNOW there was a line abt the yiga talking about a small town forge. is that four's home from minish cap.
bc back when they met ravio the first (? i forgor) time, ravio told four to remind him about some dark magic (??) book. i thought this would be to revive shadow. is it. is it to revive red instead??
i am not okay abt red death
okay back to the flowchart: shit they haven't been to skyloft yet. i did not realize that until now
'palace' you mean the fucking TONGS FOUR SWORD PALACE??
the line drawn to the underlined dark link beneath time: 'hylia said "mouth of the river". i think this could either be time or sky. time bc he breaks the timeline into 3, sky bc he literally got cursed for being too cool
rulie: i am going to fucking SCREAM. the line from cia to rulie has 'why' written next to it and that's what i wanna know!! 'not safe' is in a fucking box!! underlined question marks!! ravio bbg please.
oh and 3 x's but idk if thats more triforce analogy or just. there to be There
recycled ganon had me cackle. inconsistent dates tho,,, is that like. linking up to why they're going in reverse in wild's time? bc twilight is the direct predecessor iirc???
wind: i cannot read what it says next to dead. looks like,,, 'masko' maybe? evidence of there being a dark: i have not beaten wind waker yet but I HAVE got the master sword. is the time lock shenanigan at the bottom of the ocean dink's fault or the master sword's fault.
i know like 2 things from hyrule warriors: traitors are cringe and cia apparently is creepy. thats probs why talking about dark versions of him is 'personal'. i wonder what 'safe' means in this context; safe to visit? safe to rule out? shaking ravio like a paper bag.
wild drives ravio to apple juice alcoholism more at 11. it is personal is underlined. is it wild's dark? rulie's dark? why are they going backwards? are they going to show up in wild's hyrule for when he DIES because they're going backwards? bro what is up with kyle.
Tumblr media
the visits lets fucking go
WHY IS 8 VISIT BLANK. HOLUP
revision glowmin again. We’re not at visit 9. I have no clue why I thought we were there. Migraines are shit.
visits 2 and 3 being about shadow and red. dont look at me i'm crying | visits 2 and 3 are in the same order both for ravio and the links. hmmmmm that's Odd
RAVIO LEARNING WHO RED IS AND THEN NEXT VISIT HE'S FUCKING DEAD. HE GOES TO WAR AND THEN HE'S FUCKING DEADDDDD
visit 6 'got em' what did you get ravio. huh?? you silly merchant man what did you get??? it certainly wasn't bitches
this is the part of the lore board that i actually fucking. bro the circles this is running me through is insane. like how do i even analyze this its making my headache die so we're just gonna spitball.
it. kind of goes in reverse? not really but kinda?? visit 9 is first for all the links, but last for ravio. is this linked to wild's visits being in reverse?
if it ends at 9 i'm gonna throw a sock at my wall
for visit 5 on ravio's side it looks like it says pregnant. ik it doesn't but i cannot make out what it is
[ revision glowmin here again. its research. why did i think it said pregnant. that has literally nothing to do with the fic. ]
Tumblr media
crying begins because i can barely ready any of this so bear with me here (BEAR WITH ME!!)
the first like. act of the fic summarized in 1 easy (/s /lh) flowchart. they see the what? rooms? runes? ruins? rains? god i'm illiterate
starting panic for the Dark. singular. i forgor how/if they figured out it was just one.
ravio crossing out where wild should be in the timeline is sending me. i think he's got shit from all 3 timelines in his hyrule (yadda yadda A GAME THEORY) so that would explain why they all just cross each other out.
'wind said shit' that's a good observation. is this as in he said STUFF or as in he cursed and actually said the shit word. important distinction. maybe Wind says something in the war of eras??
the question mark between cia and rulie. is that dink. whats up with the question marks after hyrule. does that imply that it fucking disappears at some point?? or do they just not know
Tumblr media
the part where i think ravio's mental state went wewewewewewewwoowowwowow
'evil god hylia?' the Potential though. i don't think its gonna happen but man that'd be a twist. how do you stop the reincarnation of your lover's soul: fucking kill all of them
'evil blink' is that. vaati?? nvm it says evil link i'm illiterate again oopsies!! now we know how ravio came up with dink. cooked
'inconsistent travel more than one person in control' yeah fucking kohga is in on this. drag him ravio
'resurrected monsters by blood curse/blessing' is this related to hyrule's blood curse. i don't think dink wants to revive ganon so what does he need the blood for. is he wanting to ascend to godhood?? vague sputtering sounds
one timeline makes sense when we hear abt why ravio didn't tell everyone about red's death. still sad but that line paired with 'so we keep going forward [...] no counting on do-overs [...] one step at a time [...] together [...] or not at all' really hits home.
this took 3 hours but yeah i'm Normal about this
19 notes · View notes
agnol117 · 1 month
Text
i hate that i just came to this conclusion in a discussion that was mostly about whether or not Link is a monarchist, but i am fairly certain Drakengard is a Zelda game.
Mute hero Fighting to save a princess who is also a goddess with ambiguous romantic intent Strong emotional connection to the mount Swords Kills a god Fucky timeline conclusion: Drakengard is a Zelda game.
9 notes · View notes