"Scherz" is one letter away from the italian word for "joke"
Considering the whole "mini frogs are puns lol" thing, how does it feel being a Charachter with an Actual Narrative? <- someone with Protagonism (if i recall correctly) that would REALLY LOVE FOR THE CAST TO EXPAND. PLEASE, I CANT DO THIS ALONE. I JUST WANNA MINECRAFT-
"Scherz" is zero letters away from the German word for "Joke". In that it is the German word for joke. As I was so often reminded in my youth. SUCK IT HATERS
Well, as someone who successfully survived the years since 2019 when we published Mini and the Gang™, and found out that they may have, like, 50 more years to live, it is a little frustrating to have peaked at 27. I guess I have 50 years of trying to chase and reproduce that elation. What madness will this result in? Stick around to find out!
133 notes
·
View notes
In the spirit of that reblog, could you tell me more about Luis? He's the primary whumper in lots of your writing and many of the war mages seem to sincerely loathe him, but then Mariano is shown to have a really trusting relationship with him and Luis clearly cares about the war mages at times. I haven't quite strung together the complexity of it all yet~
Ohhhh my god yeah this ask has activated my Cannot Shut The Fuck Up Disease so let's GO.
Luis is absolutely a complex whumper and hard to easily grasp. He has nothing but love and care in his heart for his mages. He's trained literally every single one since they were 18, and you can't not form a bond of some kind with someone in that time--and all of them know that he loves them. They know he would rather die before seriously, legitimately harming them on purpose without reason. They know he gets zero actual enjoyment out of hurting them.
Unfortunately, they're all special ops soldiers. People who, sometimes alone, are put in situations where they face capture and torture and unthinkable suffering. So Luis has to prepare them for these possibilities. He's seen what happens when you aren't prepared, back when he was one of the very first war mages on his own squad.
He's seen people give up and die, people he loved dearly. He's lost mages, Dimitri and Laredo's old squad, because there was an accident and (in his eyes) they didn't have training and clear guidance to fall back on (I will get to that in the stories though, it's something that informs the "you have to save yourself" standing order he has in place). Luis is someone who fears loss, especially loss of bright, young, talented mages. So he tortures them in a safe area with his own two hands, and teaches them how to read a torturer and captor, and how to mentally recover from the immediate aftermath, and how to escape even if it feels impossible.
He trusts his mages to follow his orders, and they trust that if they do what he wants, he'll treat them well. It's a basic sort of thing but it's necessary for their relationships, and generally he's very fair with not punishing them too harshly for silly stuff so he legitimately does build a good rapport with them all. If they get the training room, or are threatened with death, it's because to Luis what they did was just that serious.
Unfortunately, he does still butt heads with them, and he does still threaten their lives if they decide war crimes aren't something they want to do, all on top of punishing using their worst fears. Over time, no matter how much you love someone, that sort of abuse sours all the good feelings. The good feelings don't go away, bc when they're good they're good, but it makes things complicated.
Dimitri trusts Luis to not freeze him to death over simple disobedience, but he's afraid of him, and he hates him, and loves him, and if Luis approached him with an apology and changed behavior after prison? Dimitri would forgive him, because he was forgiven after making changes and working on himself.
All of the war mages feel similarly, really, because Luis' warmth and care isn't an act. They know that like them, he's also receiving orders that he can't just disregard. They may hate him sometimes, and they may disagree with him on fundamental stuff like "hey, perhaps stopping the war crime stuff could improve our lives in the long run", but they're all stuck with each other in a shitty, traumatic situation, so they make it work.
BASICALLY with Luis I'm exploring complex, complicated feelings about someone who has power over you, sincerely loves you, and who hurts you anyway bc I just think it's interesting! :)
18 notes
·
View notes
why didn’t lovechild!au geralt ever go looking for jaskier?
That is a good question! I think there are various things at play.
First there is Ciri – which he did take in shortly after they separated. Since I took wild hunt Ciri for this story (when they meet later) this does change her age quite drastically. It deages her quite a bit (if Milek is around 14 and she is ~24) that means Geralt took her in when she was nine. And I think that does change things. His focus was on her.
Then there is Yennefer – I think she wanted to encourage him to look out for Jaskier, but she is also majorly pissed at him. I feel like their dynamic changes a lot because she is aware of Milek. (It’s way cooler, for a start.) It’s not her intention but... Geralt feels even worse because of that? She makes him feel like he did something unforgiveable. Which makes avoidance a bigger topic on his side.
And after a while… I dunno. When Yen and Geralt had that talk on the dragon hunt, that this life they lead doesn’t fit and work with a baby – Geralt was not wrong. And I feel like, with time, and what Ciri goes through too, Yen comes to realize that it might be better if he doesn’t know (for now). So maybe she doesn’t outright discourage him to look out for Jaskier, but… She certainly is not encouraging that idea. (it’s messy.)
There is part of Geralt that feels like. Jaskier will come back when he feels ready (he always did) and if he goes out to find him, he isn’t welcome. It doesn’t help that Jaskier is suddenly very hard to find. Geralt wants to respect his wish to not be found.
(little does he know).
And then there is also A LOT of plot happening.
235 notes
·
View notes
Hi Drones! Love your Mareach fanfics (literally top notch💯). I was wondering, what are your thoughts on the movie (assuming you’ve seen it😅)? I have a few thoughts on it, but would love to hear yours!
Hey there!! I appreciate the ask! (And OMG thank you for reading my fics, that's so sweet of you 😭)
I have finally seen the Mario movie and I do have a lot to say haha, and I'm cool with sharing my broad thoughts this way, but if you're looking for a more in-depth discussion then I'm happy to discuss more in a PM!!
Just a brief disclaimer; my opinion reflects only my personal preference! I don't have any problem with disagreement or anyone who feels differently.
I will say the movie was a lot of fun! It was so surreal to see the Mushroom Kingdom on the big screen, and to hear such familiar melodies in cinematic arrangements. It was downright magical, actually. There was plenty to laugh and be amazed at, and so many references that had me grinning the entire time!
About the plot though 😅 There are pacing and some narrative critiques that I've seen so I won't say anything beyond that. The most important thing for me is I believe in the merit of a children's movie being all fun and silly, but I also really feel like this film went out of its way to avoid social commentary at its own expense. Not for no good reason; I know Nintendo does everything possible to keep the Mario franchise as family friendly as possible. But in terms of an impactful story, it fell sort of flat in my view. I feel as if it could have benefitted from some kind of social commentary beyond it's shot at subverting the damsel-in-distress trope.
(That in particular felt like performative feminism in a sense. Maybe it wasn't, maybe it was a sincere attempt at empowering an iconic character. But the default answer in a lot of media to empowering women these days seems to be "make her strong the way that the men characters are." A girlboss, I guess. It feels performative for me because it reaffirms with the idea that strength in character can only be relevant/seen within masculine qualities, and writers can just say "but it's a woman!" while continuing to disregard more feminine examples of strength. It's like a Get Out of Jail Free Card to acknowledging gender inequality.
Like, the problem wasn't that she's a damsel-in-distress; the problem is how pervasive the trope of damsel-in-distress used to be across the board. Except now, pop culture has sort of swung the other way. The problem isn't the girlboss character, the problem is that the girlboss character is perceived as the only correct way of writing "strong women characters." It's just sort of missing the point. The problem is still the same; women characters are stuffed into the same small box of behavior, attitude, and ultimate role depending on what's trendy at the time. I love the damsel-in-distress trope. I also love the girlboss. But it can be tiring to see that same story over and over again, feeling as if there are only a few options for writers to portray women, and realizing that it represents a sort of confinement of understanding for what women are allowed to be in real life for social acceptance, too.)
I get the desire to avoid politics and social issues. I really do, but in my position (studying social sciences), I see social issues as unavoidable. To go without acknowledging them is to ignore them, and from a story perspective, to go without them also kind of makes it boring?
I've seen the argument that it's a children's movie, therefore it doesn't have to be complicated. That's absolutely valid. I wish I could go back to having no thoughts lol. But it's my personal preference to watch a film that makes me think and consider the world from another point of view. And in response to that argument, all I can really say is basically my favorite genre is children's films that have social commentary. (See The Iron Giant, Wall-E, The Little Prince, Megamind, Beauty and the Beast, literally any given Studio Ghibli film. All of these have something to say about society contained within them.) I kind of wish the Mario movie had an interesting point to make in that context, but it didn't really, and that's okay. That's just why it's not one of my favorite movies.
That being said, there is plenty to love. The character designs were absolutely adorable. The Mushroom Kingdom was more than I could have ever dreamed of, and the way Mario and Luigi's brotherly relationship played out was just so beautifully written 🥺 I love that this will undoubtedly expand pop culture's regard for Mario, and maybe draw others into my silly little corner of the internet where I just sit here and publish my fluffy Mareach fanfiction 😆
22 notes
·
View notes