#sorry it took me so long to get here | Explore Tumblr Posts and Blogs

theblogof-rassilon · 23 days

Note

Hello Rassilon. Apologies for the deception but I rather wanted to make sure you started reading, so I thought it best not to announce myself. I'm assuming you're alone; you always did prefer to read your Asks in private. I wouldn't try too hard to stop reading, there's every likelihood you'll just hurt yourself. So just listen.

Anon ask of Omega (Your Ex) regarding Rassilon's current partners. Ask begins.

I hope you'll forgive me the self-indulgence, but I have worked so very hard for this moment, a culmination of two centuries of work. It's rare that you get the chance to monologue through another, and you can't tell me you're not curious.

Why does an ex seek to talk about their former partner's lovers?

It's a simple enough answer: for satisfying one's curiosity. Uninspired, perhaps, but my god. The discovery, not simply of the variety of partners you take interest in, but that you would quite willingly date the teacher of one of Gallifrey's most infamous children.

It's a strange thing to know about an ex, but the fascination, Rassilon, the fascination of it all. I have dedicated my afterlife to handing myself knowledge of these partners, and I feel nothing but satisfaction in this choice.

I believe there are far more people in this world that would catch your eye than you would ever guess. And I have preceeded all of them.

Of course, their desires did not manifest overnight. When Tumblr first gathered your romantic intereste – Borusa, Banthony, and the rest – to discuss and hypothesize on the nature of their love for you, I felt what I believe we all felt: jealousy, and anger.

But as attention on Tumblr increased in number and discussion on the greatest partner for you emerged, I began to develop a very specific concern. Banthony was so obsessed with his ideas on you and his marriage, even as our fellows began to flirt and confess our love to you ourselves.

I began to worry that if Banthony successfully attempted to catch your gaze, then I would be as much a victim as any, trapped in the nightmare landscape of a twisted world without your love.

At first, I attempted prevention, but the cause seemed hopeless. The only way to ensure I did not suffer the tribulations of what I believed to be an inevitable confession of love was to stop my own feelings of love. So what began as an experiment soon became a race. I would make you fall in love with Banthony before professing your love to anyone else, therefore eliminating what myself or Borusa's feelings may be.

And there, I think, we are brought just about up to date. I have enjoyed our little trip down memory lane, but past here lies only a happy future for you and Banthony.

Goodbye, Rassilon

- Omega xoxo

I- I don't know what to say.

Omega, if this is really you, if you somehow, by every twist and turn of fate imaginable, survived this long in some form... My love for you has always been the greatest of any I have felt. Never have I loved another in the way I loved you.

But that is in the past. I have to stop letting you hold me back. I made my decision that fateful day; I did what I had to do to reach the top, to shape this society- our society, our dream- in the way that it must be shaped. Gallifrey could never have had two rulers. You knew this going in. And, best of all, dearest love, you knew that I would not be able to stand a threat to my power and my control. So, as much as I loved you, Omega, my sweet Ohm, my darling Peylix, I had to let you go. For us, for our home, for our people, for our dream. For Gallifrey. We would both be dead and gone by now if I had not, but now, you live on in your beautous creations, and in our shared society. Look at our children. At what we have created. This must be enough.

Oh, but my darling, you never could be so easily satisfied.

That is why I loved you. And that is why I had to let you go.

If this really were you, I would say, dearest Ohm, that I am glad you are able to let me go. I know that must be exceedingly difficult. But, I am happy with Borusa, and I do not love Banthony. If I did not have Borusa to think of, perhaps things would be different, and I would honour your wishes. Perhaps, then, you may finally find peace.

I am truly sorry that I must leave you trapped in your death, but you will never be in a world without my love. My love for you transcends the grave- and yes, I know, it must be your grave, my darling, for you cannot have survived beyond. I know, in my hearts, that you are gone and that this cannot be from you, not really, for you are lost to all but my memory.

Goodbye, my love. For whatever isn't left of you, for whatever could have been- my love for you persists even now, across regenerations and across death and across time.

#sorry it took me so long to get here #this is truly the most incredible ask I have ever received #ask #omega #of rassilon #answer #banthony #borusa #also. a little obsessed with the idea of a once-enraged ex lover returning to being obsessed with the guy who LITERALLY MURDERED HIM only t #end up wanting the best for him and trying to match make him. And instead of choosing to encourage the love of a fellow obsessive sub who #is clearly in an unhealthy relationship with Rassy (Borusa)#ergo mirroring his own lost relaitonship #he chooses to encourage the love of a FICTIONAL CHARACTER who was basically a MEME brought to life only to annoy Rassy #idk what you call it... character development?? BUt this is certainly wonderful and intriguing and hilarious #seriously. you are brilliant #also I think it's important to mention that the mian reason this took me so long to get to was because the first time I read it I opened it #at school and burst out laughing in front of everyone #and I haven't been able to answer this without laughing uproariously for so so long #and then I took the break and then I left town for a bit #but I'm back and I'm still laughing so so much and yet here we are #I did it!!!#also I hope Borusa sees this and gets mad and finally leaves this bitch (rassy)#he deserves better #find later #omega omega omega

7 notes · View notes

gotchibam · 5 months

Text

Espeon, Dusk Lycanroc, and Sylveon ko-fi doodle for Kaitlyn!

I'm accepting pokemon ko-fi doodle requests here! ✨

#artists on tumblr #pokemon #espeon #dusk lycanroc #sylveon #gotchibam arts #ko-fi doodle #thank you sm for the request!! <3 #i'm sorry this took so long ;_;#been having an art block for the past week so I couldn't finish any doodle #I think i'm getting back to it now tho esp. since the weather here is cooler now #w/c helps a lot (the past days has been terribly hot so yeah)#anyways i'll get back to ppl's msgs soon!!#also need to update stuff for my kofi members >_<#i'm getting behind a lot of stuff but I hope u guys can be patient w/ me ;o;

2K notes · View notes

mattodore · 4 months

Text

he's waiting on a call he's planning to send straight to voicemail

#sorry matthias </3 maybe he'll pick up the next time you try calling............ <- me when i lie #river dipping #ts4 #ts4 edit #gifs #theodore doe #echthroi #hi friends and lovers hope everyone's doing well <3 #i got my old laptop to work so i have a laptop again even if the battery on it is messed up #but still #i haven't been online much bc i've started getting dizzy from staring at computer/phone screens for too long #and in particular the act of scrolling either on mobile or desktop makes my head spin and my eyes hurt :/#but i powered through it yesterday so i could get in game with theo (and matthias) since i missed him really bad... oc plague be upon ye #i took... well. like five hundred screenshots and forty videos... i was in the soup. the mattodore soup. what can i say?#i don't like posting too much on here bc. i'm crazy (<- has avpd) so i probably won't post much from yesterday's fun here #but i'll post whatever i want on pillowfort <3 pic of jerma holding out his hand captioned let's take mattodore together #what else should i say before leaving... right my inbox... well i'll get to it eventually <- have been saying this since october sorry #but okay i've been staring at my screen too long so i need to go lay down for a bit #enjoy theo in motion!! if you’re a theo-head like myself #theodite à la jermamite? hm. its in the works. i’m workshopping.#mentioning jerma twice in these tags… busting a cyanide pill onto my tongue i’ve said too much #i have to go now mwah mwah mwah bye warmth and love to you mwah

250 notes · View notes

sirtotallynotatimetraveler · 5 months

Text

Plush Pep's travel in Europe (more photos below the cut)

I wish I could have took more pictures with him but I was a little too socially anxious to haha. Maybe next time!

(I posted some of these photos like a month or two ago on reddit, so don't mind if you've seen the pisa tower pics before)

#i took these pictures back in the summer but i didn't get the chance to post them #i wasnt in the right mental state to get back to posting on social media after my trip #my family got a call from the boarding kennel that my childhood dog passed away while we were still on vacation #2 of my best friends left me not long after that #it was too much to handle to say the least....#sorry #im being too personal here #anyways here's the tags #pizza tower #peppino spaghetti #peppino plush #doodle does other stuff #this post keeps getting formatted weird so I have to edit this constantly haha

325 notes · View notes

somethingaboutmint · 1 year

Text

Quick ugly doodle of cassidy contemplating her sexuality at some dump somewhere

#fallout #fallout new vegas #fnv #rose of sharon cassidy #fallout cass #veronica santangelo #yeah sure ill tag her too #art'd #LISTEN. IF I DONT TALK ABOUT MY CASS/VERONICA IDEA I WILL EXOLODE #basically they meet thru stim and like veronicas interested but gives up the idea pretty quick cuz cass is “straight”#and cassidys like omg finally a woman around here LETS HANG OUT GIRL BEST FRIENDDD and veronica goes along with it #but after cass tries to get her to oogle at dudes with her one too many times as a bonding activity veronicas like #cass im so sorry i cant do this im gay and cass is like (brain fart) um font worry im a hashtag ALLY.#and then she mentions she also sleeps with women and veronicas like ????? that does not sound straight to me #cue cass being like pshhh whatever and then having a multi long sexuality crisis #and also becoming obsessed with veronica in a very gay way for some reason #sorry my demons took hold of me #i love dumbass bisexual cassidy you guys dont get it......or do you (eyebrow raise)

902 notes · View notes

lovesickeros · 5 months

Note

can.. can I ask for an affectionate reader with characters who aren’t normally like… used to the love? like, not just through words but physical affection like hand-holding, kisses, hugs, all that shebang. probably with a few people like yelan, ei, basically any character that is either cut-off from society or seems socially distant or isolated. 😞

☆ affectionate reader with yelan, ei, & furina

[ 4.2 Archon Quest spoilers ]

× yelan

Varies between how you display your affection, to be honest. Just like being affectionate with people? She's cool with it as long as you don't pop by while she's working (mostly because she'll end up dragging you into it for a bit of fun). I don't think she's all that touchy feely herself, but she'll absolutely get you gifts instead– like pretty knick nacks? She'll make sure to snag any she thinks you might like. Like a good meal? Sure, she'll take you out to one of the restaurants in the city, doesn't matter how expensive. Her treat. If you do prefer physical gifts rather then being taken out, you'll eventually get used to the random unmarked letters and packages showing up where your staying pretty often. It's obvious to know who it came from even if she never signs anything.

Flirty reader, though? Whole nother can of worms and now it's a challenge. The more confident you are the more interested she is. The other acolytes would absolutely seethe at the idea but she has no hesitation at just straight up flirting back– she's as charismatic as they come and she's got a poker face that's basically impenetrable. She'll probably also make a bet to see who cracks first (she always wins, unsurprisingly). Probably won't get dragged into any of her schemes this way but if you ask politely maybe she'll consider it, anyway.

The smell of freshly brewed tea and the clatter of dice across wood was a common sight at the Yanshang Teahouse– less common was the woman secluded in the far corner, her lips pulled into a grin that flashed fangs and a look that would scare off the most confident of men.

She'd normally try to scope out any new blood that'd made the mistake of stepping into her teahouse and was equally stupid enough to accept a gamble against her just for the thrill of it, but she was far too absorbed in the warm body at her side, one of her die clasped tightly in their hand as she guided them through the motions– they had a knack for it, she had to admit. The thought made her preen, the clatter of the die as it rolled across the table giving her that subtle, familiar rush.

Even if she knew exactly where it'd land.

"Six. Hm, maybe you're just lucky," She muses, plucking the die from the table and holding it up to her eye like a prized jewel, "Or maybe you're not as innocent as you'd have us believe." There's a sharp glint in her eyes at the prospect, but everyone else has the sense to keep their heads down and their words to themselves as she tosses the die herself.

"So why don't we find out and make a bet, just between you and me?"

× ei

Varies between Ei and the Shogun, because you'll probably be seeing either as much as the other. Sometimes you gotta really squint to tell who it is sometimes, but you get used to it. Both are fairly similar, though, in that their first instinct (especially in public) is to tense up like you're about to attack them or something. Difference is Ei eventually relaxes after a solid minute of trying to process your sudden affection and, if no one else is around, she might even reciprocate. Just don't tease her for being a little stiff and awkward about it, she's trying. That's what happens when your only company is a robot and uh. Nothing. For like 500 years. She's trying. Raiden, on the other hand, is just about as awkward as you can imagine. She's polite (blunt) about it because Ei is fond of you and also you are. The Creator. But she's not really built to deal with personal relationships and so she doesn't know how to deal with affection.

..Depending on what you do you may or may not blue screen Ei hard enough that she retreats back to PoE

Ei usually isn't fond of sitting still, unless it's to meditate. At least then she goes in with a purpose, something to achieve– but now, she's just focused on trying not to make a fool of herself. Her muscles are starting to ache from how hard she's tensing, though, in an effort to sit as straight and still as possible as their hands glide through her hair, weaving it into a single braid.

She can just barely hear the subtle lilt of their voice as they hum– and though it is soothing, it is also..very distracting. She can't focus long enough to try and meditate, too lost in the gentle rise and fall of their voice and the care they take to braid her hair. If she'd had a heart, she'd sure it'd be beating so wildly against her ribcage they could hear it.

But then it stops– their hands fall back to their sides and their humming falters. She freezes, too, racking her brain for any slights she must have committed. Instead, she is met with a calm, tender touch on the back of her neck, making her inhale sharply.

"Am I making you uncomfortable, Ei? You're so tense.." She has to grit her teeth to stop herself from bowing so low her head presses against the ground, her hands folded in her lap, clenching instinctively. "..No, Divine One." She answers simply, trying to contain the adoration swelling in her chest.

Yet as much as she tries to relax, to ease their worries, she finds that she cannot.

"Hm." That small murmur, a simple sound that nearly made her jump, was the only warning she got before they scooted closer, wrapping their arms around her stomach and resting their chin on her shoulder with a grin she would liken to Miko's, if she dared to make such a comparison. "Really?"

She swears she must've been feverish at the affection, lightheaded and dazed until she thought she might simply perish at the brush of their hands against her own.

Much to her embarrassment, however, she doesn't realize she's instinctively pulled back into Plane of Euthymia until she sees the familiar dull purples engulf her vision once again.

Though only a small solace, it seemed a little..brighter, this time.

× furina

Varies between pre 4.2 and post 4.2 archon quests to be honest.

Pre 4.2 she comes off as very vain– of course the most Divine would see fit to spoil her with affection! She deserves it, and is obviously their favorite! Just don't look too hard because she's terrible at hiding how flustered she actually is. Absolutely goes home right after and screams into her pillow for at least thirty minutes minimum.

Post 4.2 she's a lot more openly bashful and flustered. She's really not used to affection and even the smallest show of it has her folding immediately. Now that she doesn't need to worry about being found out she's a lot more receptive to affection. Cup her cheeks and compliment her and her knees are buckling. Like. Especially weak for compliments and praise (she deserves it. please spoil her).

She swears she must be hallucinating– she had been having trouble sleeping recently. But..no. The visage of the Creator was as real as the sweat beading on her brow as she stared at them for a long, awkward moment. Should..she let them in? But then they'd see the pathetic state she was in, and the last thing she wanted to do was make a fool of herself in front of them-!

Her choice was quickly made for her, anyway, as she let out an undignified squeak of surprise when they suddenly tugged her forward into their chest, enclosing her in a hug.

Her first reaction was to freeze– her second was becoming absolutely flustered, her cheeks flushing a soft pink and her mouth closing and opening as she tried to find her words.

"I– ah..um." She stumbled over her words instead, floundering like a fish out of water. Yet she felt a distinct sense of emptiness wash over her when they finally pulled back, looking a touch sheepish. "Sorry, sorry– you just looked like you needed a hug."

The silence spoke for itself, her shoulders tensing slightly. But the way the concern and affection bled through their voice made her waver, her hands trembling as she let out a shaky breath that almost sounded like a sigh.

"It's..It's fine! Fine, I'm fine." She repeated, trying desperately to ignored the way her voice cracked and how hot her face felt– though it was more an attempt to affirm herself that she was not thinking about how warm they felt, how much she..actually enjoyed the hug. She wasn't thinking about it all! Absolutely not!

..Maybe a little.

"Just warn me next time, please?"

#asks #sagau #genshin sagau #self aware genshin #genshin impact sagau #self aware genshin impact #fic tag #genshin cult au #genshin impact cult au #yelan #furina #ei #THIS DIDNT SHOW UP IN MY INBOX UNTIL LIKE #NOVEMBERBIM SORRY IM ANSERRING IT SO LATE??????#tumblr working right is a miracle that will never happen #anyway can u tell i have. biases. there r so many characters I wanted to write for this (shenhe.........) but I forced myself to limit it #to 4 for my own sanity and everyones elses #also didnt know if u wanted just yan or sagau so I went for my specialty 🧍‍♂️#was gonna include my beloved cryo archon but decided against it #ei the pathetic lesbian that u r....mwah #I'm sorry this took so long it took me 50 yrs to figure out yelan.. 😭#i am still not confident abt my characterization of her but shes so good at her job even im confused abt her #reading her lore crying and sobbing in the corner. shaking her like a can of soda #checks note idk uhh cocky doesnt let herself form personal relationships charismatic uhhhhhhhh #idk dont ask me i just started praying and hoping for the best here #i think she'd get a kick out of getting reader into like. fudging rolls and shit. create an absolute menace out of reader #set them loose and see what chaos happens #just kicks back and watches it all unfold internally laughing her ass off #i didnt know whether to just do headcanons in uh. bulleted list or like #full on drabbles

262 notes · View notes

bowties8glasses · 2 months

Text

Commission for @gnirewolf of his OC daisy just having cozy nap

Making of: the usual warmup sketch

I had some questions about the prompt since I didn't know how to make it look cozy and nice, since my definition of cozy involves blankets, which would hide a lot of detail

so cane gave me a this photo for a ref

big fan of it :>

blahaj here came from me felling a plush could add to the comfy vibe, and when I asked what plush could it be, she said blahaj

#bowties art #commission art #furry #other people's oc #sorry it took me so long to post this here #gonna just get all my finished comms here before stoping for the strike

134 notes · View notes

xenocorner · 3 months

Text

Art Resources 01 [Facial anatomy]

Hi! First post of the Art Resources thing I mentioned a while back :) Figured I'd start with something people generally want to know more about- or something people think they already know about but could still used some lesser known tips!

Resources, break downs and tips under the Keep Reading thing :]

1. The Basics

There are thousands of methods to constructing the face. The most popular one is the little circle with the cross in the middle, and sometimes a few more lines for the jaw. While that can be a useful guideline, if you're just starting to learn the ropes it might be better to use a method that has more structure decomposition and land marks to help guide you. Here I'll leave two methods of deconstructing the face that I believe are the most useful to draw faces in different angles and perspectives as well as identify where exactly should each element be placed.

REMEMBER: All of these methods are just guidelines. In order to get different facial features, you can adjust proportions for each of these and play around with sizes.

1.1 The Loomis Method

A structural approach to drawing the head, based on first: simplifying general forms and second: identifying landmarks for the face elements. Pretty good for beginners, helps you understand the head from a more tridimensional stand point to be able to draw it from different angles.

youtube

1.2 The Reilly Method

Also a structural approach, but this one is based on understanding the rhythms of the face (proportions, harmonies, and even some general muscular anatomy). It can be a bit harder to understand and use as a building block for beginner artists, but it can serve as a way to check your proportions after an initial sketch.

youtube

Here are other two methods, a bit less known, but that go a bit more in depth about the head. If you're a beginner, I'd recommend watching the Loomis method first before diving into these other two methods. Note: these are playlists covering each method, and the videos are longer, but worthwhile.

1.3 The Michael Hampton Method

1.4 The Steve Huston Method

And here's a hybrid of a visual and structural approach too if you're interested! (Again, this one is recommended mostly if you already have a good grasp of the general structure)

Having trouble finding that reference of the head from that specific angle? Here's a 3D model that can be used as reference from any angle. Bonus: It has a built in light feature that allows you to understand which planes of the face the light would hit!

There's also a version with more feminine features.

Here's a website that lets you pick a head angle and then searches for reference images with that angle too. Allows you to pick age, gender, and other features like glasses, facial hair, etc.

2. Understanding What's Below

When drawing the head and face, what most people think of is what we see everyday: the skin. However, there's more to the head and face than just that: there's a whole structure laying underneath that builds up everything on top. Understanding that structure can lead to better execution of skin level facial anatomy.

And what's that structure? Well, bones of course. And muscles. Even if (most of the time) we don't draw them, knowing they exist and how they are placed on top of each other can help with building what we do draw. Understanding the building blocks of the face will make it easier to avoid, say, making one eye bigger than the other. Or a forehead that's too small. Or ears that are too high. Or side profiles that cut off the brain.

Something I recommend for this is making study sheets of the bone structure, muscular structure, and skin structure. For this it's important to name the main bones and muscle groups. Not because you need to commit them to memory, but because if you name them on your practice sheet, it's easier to remember later on that they EXIST (even if you don't remember the name).

Here's a 3D model of the skull

Useful guide for the names of the bones of the skull

Here's a 3D model of the face muscles with names

3. Elements of a Whole

So we now understand the general structure of a face and some useful guidelines to build it. Good! But now, a face has a bunch of individual elements with their own individual structure and stuff to look out for. Those are, of course:

Eyes

Noses

Lips

Ears

3.1 Eyes

It's important to note that the eye has a volume of its own- it's not just a sticker laying on top of the face. It can be helpful to think of the eyeball inside the eye socket when drawing it (taking into account the bone structure we learned before). When understanding the eyeball as a sphere, it becomes easier to place the skin above: the eyelids. This can help with drawing the eye from any angle.

This can also help when drawing the dreaded Other EyeTM, specially if you are still a beginner artist. If you start by constructing the eyes with spheres and approach it from the perspective of "placing" the skin above that sphere, it's easier to get sizes and proportions right.

3.2 Noses

Again, spheres can be your friend.

3.3 Lips

Spheres part 3

A funny thing with lips that often gets over looked when one is just learning the ropes of anatomy is that it also wraps around the volume of the face. Just like the eyes aren't stickers laying on top, the lips aren't either. It's important to take the curvature of the face when placing the lips from different angles and expressions. For example, when we thing of a smile, its usually this idea that comes to mind:

Which yeah, that's fine! ...As long as your subject is facing straight to the camera.

But when we have even a bit of perspective, the way the mouth looks changes, and we often don't think of that and just draw what we think the mouth looks like... which can lead to odd looking mouths, like they're pasted on. So, it's important to keep in mind the volume of the face:

This is true for all features of the face: keeping in mind the volume. But, it can be more noticeable on the mouth.

3.4 Ears

Spheres part- no.

Even if the ear is one of the "flatter" parts of the head, it doesn't mean they don't have volume. Depending on the angle of the face, it'll change how much of the ear is shown- or which parts.

All ears are different and have their quirks, but they all can be divided in three major segments, colour coded in the image. If you deconstruct the ear in these three major parts, keeping in mind they have their own volume, it should be easier to figure out which of those parts will be seen depending on the angle of your face.

4. Expressions!

Now that we understand the elements and construction blocks of the face (bones and muscles), we can play around with them a bit more. So, time to make expressions!

When playing with how the skin moves, it's fundamental to understand the muscle groups of the face and how they move, relax and tense depending on the expression. Knowing that these muscles exist and how they interact with the skin above will help you know where the eyebrow should furrow, where wrinkles would form.

A BOOK I widely recommend is Anatomy of Facial Expression, which you can find here for purchase

Or here as a PDF

This book also covers skull anatomy, so it's a useful tool to study the structure talked about in 02.

There's also an ArtStation account that uploads a bunch of useful 3D model resources for anatomy (facial or otherwise).

Scott McCloud's book, Making Comics, has a section dedicated to facial expressions too (great book in general, not only if you're interested in comics!). You can find it in PAGE 80 (or 88 in the document).

Another thing that can be helpful is studying from life! You can do that by making different expressions in front of a mirror and pay close attention to which muscle groups tense and relax, where wrinkles appear, how your skin moves. Or, if you're like me and hate staring at your face, you can also study from video references.

Here's a link to a PLAYLIST containing various videos of people making different expressions.

The previous playlist contains real people, thus, REALISTIC ANATOMY. It's important to note that even if your drawing style is heavily stylised (like anime, cartoon, etc), it's still fundamental that you understand real world rules so you later know how to bend and break them properly to implement those to your own style.

However, that doesn't mean you can't study STYLISED EXPRESSIONS too! It's actually a great idea to see how other people exaggerate certain anatomical aspects to their own work so you can also understand how to do it in yours. Here's a list with various videos of EXPRESSIONS IN MOTION for animation tests. Study them the same as the previous ones: paying close attention to how the face and muscles MOVE.

youtube

Pause the videos you study as needed! While all of this might seem more useful for animation, it's also incredibly useful in illustration, and studying things in movement can help with understanding them better, thus putting them to paper (or tablet) becomes easier.

Finally, here's some videos in a sort of CLASS FORMAT that can help with walking you through drawing expressions more effectively than a text post could lol

youtube

#art resources #I'm sorry this took so long life just gets in the way some times #also sorry for the radio silence over here #it'll probably stay like that for a while lol #hope this can somewhat make up for it tho :']#please also tell me if the redaction is clear or if I should change something about format for these things #Maybe I'm doing way too much explanation and y'all just want the links lol

65 notes · View notes

stealingyourbones · 3 months

Text

Spent so much time making sushi for dinner and was so excited to have a funky little sushi roll and eat it like a burrito but then my nori ripped apart mid roll and I had to eat it as a salad and apparently my brain doesn’t like the texture of imitation crab + seaweed and rice rn :(

#bones speaks #bones rants #sad :(#imma put in fridge for twin but man now I gotta make something else for dinner because I haven’t eaten anything else today #and only had like 300 calories worth of food yesterday. getting used to not feeling hungry with-#-consistent adderall use has been kickin my ass lately.#sorry I like never rant on here but I’m so sad I was so excited for sushi and then Texture Bad :(((((#i even put avocado n carrot and salted cucumber ;-; this took so long to make and now I can’t eat it #a tragedy of the highest order #fuck it imma make me some chicken and just season the everloving shit out of it #i may be white but I know how to cook flavorful food and by god am I not gonna eat chicken with just salt. lack of spoons be damned

80 notes · View notes

stewyhosseini-bf · 1 year

Text

what tf is this fr

#not to mention the actual words they say with their mouths #sorry to be back here it just took me so long to get these screenshots #nateken #kendall roy

204 notes · View notes

deoidesign · 9 months

Note

Hello I stumbled across your profile and I just say I love your art style! I've gotta ask, how'd your develop it? And do you have any advice for someone who can't decide what they want their art to look like?

Thank you so much!

To be entirely honest, I don't feel like I truly "developed" my style. I feel a lot more like I finally let myself draw it! But I am incredibly deliberate with my work, and I do have clear tendencies and preferences... So I'll do my best to explain how I got to where I am now as an artist.

It's important to remember that "style" is something of a nebulous concept. It changes with you as you grow as a person, and most artists can work in and emulate many art styles! Art really is a form of communication with yourself, and your "style" is a reflection of the tendencies and preferences you have. My art does not look how it looked 5 years ago, and my art will look different 5 years from now too. I've changed, and my art reflects that!

(2012, 2018, 2023; two pieces I remember being incredibly proud of and considered my best work up til that point, and then my most recent piece)

What you need to do, as everyone will tell you, is study the fundamentals (anatomy, perspective, form and structure, lighting and shadow, color, and composition) so you have the proper tools to make the most informed decisions possible about your art, and so you can deliberately break or follow rules as you please for your desired effect. I know it sounds silly to learn rules if you're not gonna be following them anyways, but they help you be much more consistent and intentional! More knowledge is NEVER a bad thing to have!

However, I know it's a bit demoralizing to just be told to study fundamentals. Everyone knows you're supposed to do that, but it takes YEARS to learn, and people want their art to feel how they want it to now (which is very very very normal to want!)

So on that front, I have 2 follow up suggestions that I personally find helpful (of course, everyone is different, so it's not like this is the only way to learn! But, if it resonates with you, it might mean it will work for you too.)

1: Separate study from application

I believe this is beneficial for a few reasons:

If the goal of every piece is learning, it can become frustrating, overwhelming, and boring

It's harder to self critique when there are multiple variables to investigate. I like to study one fundamental at a time

Study (usually) works best with a large quantity of output, whereas application of knowledge (finished pieces) is often more satisfying and effective when you get to take your time

Deliberate practical application of what you've learned in a finished piece helps cement the learning in your mind, and also lets you get satisfying finished pieces with noticeable improvement after a good study session!

I've found that keeping these things separate helps me improve faster and more deliberately, and it takes a lot of the pressure off of both aspects! I'm not worried about my studies looking beautiful, they're just to learn! And I don't feel pressured to critique my finished pieces, cause they're just for fun and to make something pretty. I personally find this helps me have a much healthier relationship with my art.

When studying, copy! Copy things as best as you can, all the time. It gives you something to compare to for self critique (and of course, if you're copying someone else's work and you share the study, ALWAYS give credit, share the original, and say it was for study.) In application, don't copy: reference. Make it yours!

2: Let yourself do the things that feel "easy" or like "cheating"

This one is simpler: nothing in art is easy.

If something feels easy to you, most of the time it's not because it's actually any easier... It's because it's part of your natural tendencies and preferences! This took me forever to realize, but as long as you're actually doing some study, then you're learning. You don't need to learn All The Time. When you're doing the "application" portion, you should let yourself do whatever is actually the most fun and feels easiest! This is where your style will start to come through, and where you get to learn about yourself. Take the pressure off, and have fun!!!

The only cheating in art is theft. If you're not stealing, then it's allowed!

My whole life (and yes, still!) I'd get regular criticism about both my style and my subject matter. You will too. You'll see a thousand different styles, and a hundred different things to admire in each. Your heart will ache that you don't draw like others do.

But art is a form of communication with yourself. It's like your voice, or your accent; just something that's a part of you! It can be fun to mimic others', but when you sit to have a conversation you speak naturally. (I know some people want to and do change their voice, but this is a metaphor and metaphors aren't perfect)

Don't stress so much about what you want your art to look like, especially if you're not sure. There's a lot of value to be had in constant experimentation, I think it'd be rather boring to only draw one style the rest of my life. What I draw is what I want to see, right now, for who I am now! It's a part of me and comes naturally, if I let it!

I hope this helps!

#justbrowsing1124 #asks #art tips #drawing advice #drawing tips #art advice #long post here sorry #long post #I could have gone on so so so so so so much more but this took me like 2 hours to write #and I've gotta go to bed! haha #so if you feel like something wasn't properly explained you can send a follow up ask and I'd be happy to elaborate #I love answering questions like this #sorry if it sounds a bit condescending I wrote the post for like... what would have helped me to hear when I was just starting out #so I wrote it basically for how I think would help I guess a kid #sorry about that. the content is still all what I think though #also I realize that i didn't really talk about like... my journey... at all here lol.#I guess if you wanna know my personal journey I'd love to get into it!#but i focused a lot more on the second part #cause yknow #that's kinda what my journey was internally anyways #but yknow no fun progress of my art with notes about what I was doing and why #but fuck that sounds fun if someone did wanna know about that LOL #I am VERY deliberate with my art I could legit analyze every piece #pretentious? maybe. do I care? not at all.#why make it if I dont have a reason?

107 notes · View notes

boyfridged · 1 year

Note

You may have already mentioned this in some of your other metas, and I just missed it, so please ignore this if it's redundant.

Do you think Bruce is projecting onto Jason by pushing him as a Robin? Obviously, Jason wanted to be Robin and was excited about it, and Bruce let Jason do other things, but (if I'm not mistaken) before Tim came into play, solidifying the whole Batman needs a Robin/support to keep him upright, Bruce and Dick becoming Batman and Robin, in the beginning, was also sort of a coping mechanism.

I think there are a few examples of Bruce enabling this kind of mindset. Like in Gotham Knights #43–44 (sorry), every time Barbara brings up Jason's inner turmoil, Bruce refocuses on his ability as a Robin; similarly, when Jason finds out about Two-Face and his dad, he is hurt, and Bruce acknowledges that but then does the same thing, zeroing in on reassuring Jason that he made a mistake but is still a good Robin.

Like, Jason got it from Bruce, but he unintentionally encouraged that kind of thinking.

oh, i definitely think that bruce is projecting on jason and that it profoundly affected jay. and, while every single one of your observations is apt, i would add that what truly made it so tragic is that he projected his own worst traits on jason while being blind to the fact that jay already shared his best qualities.

tldr: bruce projects himself on jason in terms of grief (saying that jason needs vigilantism to work his grief through) and sees his own worst traits in jason (anger) but doesn't see his own best traits in jay (compassion, love, and sensitivity). ironically, jason does end up developing all of the (projected) worst characteristics of bruce (obsessiveness, and relentlessness in pursuit of the respective perceived idea of justice). this happens even though they were barely present in his early storylines, and only ever manifested when jason was scared or lost. later, they truly came to be because of his trauma relating to vigilantism.

and the long, long version, coming with panels and quotes: under the cut.

first i want to say that the following analysis focuses very specifically on bruce's mistakes, but i don't view the overall of jay's upbringing by bruce solely in these terms. from text it is also clear that bruce deeply loves and cares about jay, and that jay enjoys being robin. now that this is clear, let's get to particularities, and start with jay's origin story.

i truly never stop thinking about the significance of bruce meeting jay in the crime alley, the place of his parents' death. there's a lot to be said about it, but here the focus is, of course, on the fact that he sees a little boy, very much similar to himself, angry and hurt, in the same scenery that brought him so much grief. and jay in some ways does appear to be a mirror of bruce's own agonies, as well as a mirror of his own inclination for seeking justice; and somehow, bruce fixates on the first one, while almost completely dismissing the latter.

bruce looks at him and assumes that the remedy to jason's pain and anger is being robin; and he doesn't stop to think about it. (it has to be noted that there's also classism at play, classism that is mostly a result of writers' own beliefs – collins did state in a couple of interviews that that the motivation behind jason's background was to make his introduction into vigilantism seem less offensive, as jason has already been exposed to crime...)

i think, in this context, it's interesting to look at the two-face storyline even closer, and from the start too. in the beginning, bruce talks of jason's 'street' roots and assumes jay would go "down the same criminal road that took his father [willis] to an early death." he also talks of jason making a lot of progress. later, in batman #411, after jason learns that willis has been killed by two-face, bruce comments that jay "has never been like this...listless...almost pouting--"

this all, along with jay's cheerful and diligent behaviour from the previous issue builds an interesting picture for us: because we essentially learn that jay has been overall an unproblematic child. bruce, of course, attributes this "progress" to the training. however, for anyone else, the logical conclusion would be that jay's quick adjustment was simply a matter of finding himself in a safe and stable environment and receiving continuous support and attention from a parental figure. i find it rather questionable that jason's personality softened down because he had something to punch in the cave–– the more intuitive explanation is of course that he was angry and quick to fight when they first met because he couldn't afford anything else and because he was scared. but months later, in a loving home, he can allow himself to drop his guard; and his cocky attitude disappears until much later.

so the rather unsettling picture that we derive is that bruce is training jay to become a vigilante in order to "channel" his (nonvisible at this point) anger into something useful and just. and he clearly links this to his own trauma in batman #416 (that’s already starlin btw), in his conversation with dick, explaining why he took jay in: “he’s so full of anger and frustration… he reminds me of myself, just after my parents were killed.” bruce also mentions that soon after their first meeting, jason helped him and "handled himself well" in the fight, but he doesn't mention that jay has ran away from a crime "school" and intended to stop injustice on his own only because he was ignored.

the theme of bruce comparing jay to himself appears again in detective comics #574 (barr), where it is approached with a much more... critical look, thanks to leslie's presence and her skepticism of bruce's actions. after jason has suffered nearly fatal injuries at the hand of the mad hatter, bruce reminisces on his own trauma and motives. he tells leslie: "i didn't choose jason for my work. he was chosen by it...as i was chosen." leslie replies: "stop that! (...) you do this for yourself... you're still that little boy (...)" then, the conversation steers to the familiar ground and the topic of anger. in bruce's words, again: “i wanted to give jason an outlet for his rage…wanted him to expunge his anger and get on with his life…” and finishes "and instead, i may have killed him."

the recognition that bruce's projection on jason and involving him with his work might have fatal consequences is, as always, fast forgotten once jay wakes up and proclaims that he wants to continue his work as robin.

but to circle back, i think there's something else worth our attention, something deeply ironic, that is showcased in that issue: that bruce has no evidence for jay's "rage." when leslie talks of bruce's past, she recalls his tendencies to get into brutal fights at perceived injustice as early as in school; when bruce talks of jason, two pictures that are juxtaposed, are that of jason fighting as robin and jason... smiling, playing baseball.

so, in the early days of jason's training and work in the field, we see bruce talking of jason's anger a lot; but we barely see it.

that being said, jay is angry sometimes– and i think your observation about how bruce deals with it is incredibly interesting and accurate.

we first see jay truly and devastatingly angry in the two-face storyline. bruce focuses on jay's reaction as robin, which is, in fact, aggressive. but something that he barely addresses is that jason's first reaction is sleeping all day, and not beating anyone to a pulp; in fact, this vengeful instinct seems to arise only when he is put right in front of two-face. and his third instinct, once the rage (very quickly) dies down after the altercation with two-face, is crying, because bruce hid the truth about willis' death from him. jay, while crying, asks bruce: "you have taken me out into combat-- but you spare me this?" in response, bruce lectures jason about how grief inspires revenge, which is, again, deeply ironic, given that jay seeking out revenge seemed to be prompted and enabled solely by the role of robin. moreover, his question suggests that at this point he saw grief ("you spare me this") and fighting as two different things.

the final is, as you said, bruce focusing on making it into a lesson on vigilantism, or, in his own words, "tempering revenge into justice." personally, i think in this way bruce directs jason to bring his grief into the field as a powering force, something that he didn't necessarily have an own incentive to do. the flash of compartmentalisation between his ordinary life and being a sidekick that jay has shown by questioning bruce's decision is lost. emotions are now a robin thing, and they have an (informal) protocol, a moral code. and when jay is confronted with an emotionally exhausting case next – the garzonas case, i believe that the focus on "tempering revenge into justice" is exactly the problem– we don't see jay crying, we see him frantic about finding the solution. this, right there, is bruce's obsessiveness, that in my opinion, was developed in jay specifically as a result of how his engagement with vigilantism combines with his deep sensitivity.

and, needless to say, his sensitivity is all the same as that of bruce – they both can't stand looking at other people hurting, they both wear their hearts on their sleeve, caring way too much – the thing is, bruce never quite acknowledges how they are similar in this matter. instead, he focuses on his sparse bursts of anger, wanting to bring jason closure in his grief the only way he knows it – in a fight for a better world. so, as you said, he focuses on jason's ability as robin.

which just doesn't work for jason. at all. we know it from how his robin run comes to an end: in the first issue of a death in the family (batman #426) alfred informs: “i’ve come upon him, several times, looking at that battered old photograph of his mother and father, crying.” to that, bruce contends: “in other words, i may have started jason as robin before he had a chance to come to grips with his parents deaths.” he also tells jay that the field is not a place for someone who is hurting; a message that is the opposite of what he's been saying for years now, and something that i imagine was difficult for bruce to conceptualise, because then he would have to question his own unhealthy tendencies. it's a bit late to come to this realisation; bruce's self-projection that caused him to worry so much about jay's anger has already turned into a self-fulfilling prophecy that will fully manifest itself in utrh, when jason does the only thing he was taught to do with grief: try to channel it into justice.

#AHHH this took me so long for no reason at all. so sorry anon <3 #anyway. i'm obsessed with your observation regarding bruce's focus on robin in the two-face storyline #i've already briefly considered it but you made me go back and reread it #and i just stared at these panels of jason in bed all day for like good 5 minutes thinking. jesus christ. jesus christ #“you spare me *this*?” <- this line is making me feel SICK TO MY STOMACH.#so maybe bruce is right when he says that he made jason like this in tfz.#and jay is of course even more right when he says that he didn't make him. he raised him #also don't apologise for bringing in gotham knights #i actually talked about it some before because it is a very good illustration of bruce projecting on jay #<- i didn't include it here bc my post was getting insanely long.#anyway back on the topic. i think it's so deeply sad that jay genuinely has no idea #that this is what bruce thinks #i think he would be DEVASTATED if he knew the way bruce fixated on the idea of his anger #hm. normal now.#thank you so much for this ask. you can tell i was delighted to answer it <3 #i actually already had a draft about it when you sent it... but i'm sooo slow with editing my word vomit #outbox #jay.zip #jay.txt #dc #jason todd #core texts

197 notes · View notes

starryluminary · 6 months

Note

Honestly I want to know your opinion on Nemma. Because honestly I don’t like the ship either and want to see if someone agrees with me.

Oh my god hiiii nerd-chocolate!! I will GLADLY detail why I don’t like nemma. Buckle up cause I’m not exactly normal about this subject

I will preface this by saying I understand why it’s Noah and Emma. I get why if Noah had to have a girlfriend it would be someone who would match his intellect and someone he could hold a competent conversation with. Logically, on paper, I understand. It’s not so much the concept of Noah and Emma dating that I dislike, it’s the execution. The development of the relationship was a train wreck. HERES WHY!!!

From the very beginning Nemma showed problems. The Noah that couldn’t play a game of dodgeball for $100,000 and was so standoffish he could only make a good friend in Owen is now suddenly falling in love at first sight with a girl that did a front flip and I’m just supposed to accept it at face value??

You could argue that it’s been three years and a person could change in three years. I’d like to argue back: this is a cartoon. If the development happened offscreen, it didn’t happen. Noah had a drastic change in personality out of nowhere because they give us no reason to believe otherwise. This is just the beginning. It’s all downhill from here, honey.

This is very much subjective and a personal thing but do you know how irritating his face is.

It makes me ill. Who is this.

Back on track, Noah is out of character the rest of his time competing (not that he was perfectly in character to begin with.) Both the way he treats Owen and how he acts regarding Emma is not believable to me. He’s tragically mean to Owen almost the entire time and he’s insufferably… inconsistent? When it comes to Emma? Like they didn’t exactly have pinned down how he should act when he’s in love so it changes with every episode.

[I did a bit of research regarding the more important Nemma episodes and their writers, but couldn’t draw any good conclusions from it. I did find out Laurie Elliot wrote both Slap Slap Revolution from World Tour (notorious for the most significant Noco moments of the season) and New Beijinging (where Nemma is at its worst in my opinion.) This isn’t all that relevant but it IS fucking hilarious. The writer responsible for “Cody’s got a tiny sausage!” being made to (co) write a Nemma episode and subsequently butchering it is reeeeeally funny to me.]

On the topic of New Beijinging. I cannot watch this episode uninterrupted and it’s because of Nemma. I despise it. It’s not that I don’t believe Noah would act like a bumbling fool in love… in concept. In CONCEPT, I can buy the failed one liners and the speaking your thoughts out loud and the acting out to try and impress her. In practice it’s so painful to watch. The Noah that said he’s incapable of being embarrassed in his WT biography is now spitting hot food in his love interests face and physically recoiling every time he tries to talk to her. I can’t express through text the pain and anguish it causes me.

This is ALSO after giving her a suave one liner in the previous episode. How does he go from cool and collected to cringing at her I- AAAGGHHHH.

They don’t suddenly get better when the feelings are mutual, either. They just become insufferable together and it’s tragic. This is specifically about Māori or Less and Got Venom? (though admittedly I haven’t gotten that far in my rewatch and don’t remember Got Venom? too vividly. I do know they’re annoying in it even to Owen and Kitty so.) They just become so infatuated with each other they forget the rest of the world exists and while I enjoy the CONCEPT……… it just manages to drag down both characters. At least they treat Emma with a little more respect and have her snap out of the haze to play the damn game but THEY END UP KNOCKING OUT NOAH INSTEAD. Pain agony suffering and woe. Noah going catatonic and leaving Owen to struggle is the worst it gets but he still never truly focuses on the game and even hopes to get kicked off. He won’t even play for Owen.

Do I even have to mention Owen. My poor guy Owen. Owen suffers an unnecessary amount for Nemmas development. It hurts my heart even thinking about it but I’ll list off examples. Ways Owen has suffered for the sake of the relationship include:

Being made to carry dead weight (Noah) on more than one occasion.

Being used as a flotation device, offered by Noah to Emma, after being frozen solid.

Being forced to wait for the sister team, making his team go from first place to seventh.

Being victim to Noah’s snark and insults, which he does to either impress Emma or to reprimand Owen because of something Emma related.

LOSING THE RACE CAUSE NOAH COULD ONLY FIND THE ENERGY TO MOVE WHEN HE WAS OFFERED A KISS FROM EMMA.

(Side note: have I ever mentioned that RR Noah is my enemy? I feel like I don’t mention it enough)

To wrap this up, I do genuinely believe Nemma could have been great. I don’t hate Nemma cause I thought Noah was gay, or I’m a Noco shipper, or any other superficial reason. I hate it cause it’s a terribly written relationship that had to completely destroy my favorite character of the series to try and make it work. It’s a damn shame, really. I wish I could look past how different Noah is and how badly he treats Owen and how sickly annoying he and Emma can be and just, at the very least, tolerate Nemma. But I can’t, and I never will.

#and nemmas the reason the adversity twins got kicked off so they’re immediately on my bad side forever #SORRY THIS TOOK SO LONG. I GOT BUSY AND MY THOUGHTS WERE HARD TO ARTICULATE #but there it is. all the reasons I don’t like nemma #thank you for letting me get that out of my system #ship hate #total drama #total drama presents: the ridonculous race #tdrr #I don’t feel like tagging anything else actually #let’s keep this one here #Starry has a question #Starry speaks

60 notes · View notes