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#idk what you call it... character development?? BUt this is certainly wonderful and intriguing and hilarious
theblogof-rassilon · 24 days
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Hello Rassilon. Apologies for the deception but I rather wanted to make sure you started reading, so I thought it best not to announce myself. I'm assuming you're alone; you always did prefer to read your Asks in private. I wouldn't try too hard to stop reading, there's every likelihood you'll just hurt yourself. So just listen.
Anon ask of Omega (Your Ex) regarding Rassilon's current partners. Ask begins.
I hope you'll forgive me the self-indulgence, but I have worked so very hard for this moment, a culmination of two centuries of work. It's rare that you get the chance to monologue through another, and you can't tell me you're not curious.
Why does an ex seek to talk about their former partner's lovers?
It's a simple enough answer: for satisfying one's curiosity. Uninspired, perhaps, but my god. The discovery, not simply of the variety of partners you take interest in, but that you would quite willingly date the teacher of one of Gallifrey's most infamous children.
It's a strange thing to know about an ex, but the fascination, Rassilon, the fascination of it all. I have dedicated my afterlife to handing myself knowledge of these partners, and I feel nothing but satisfaction in this choice.
I believe there are far more people in this world that would catch your eye than you would ever guess. And I have preceeded all of them.
Of course, their desires did not manifest overnight. When Tumblr first gathered your romantic intereste – Borusa, Banthony, and the rest – to discuss and hypothesize on the nature of their love for you, I felt what I believe we all felt: jealousy, and anger.
But as attention on Tumblr increased in number and discussion on the greatest partner for you emerged, I began to develop a very specific concern. Banthony was so obsessed with his ideas on you and his marriage, even as our fellows began to flirt and confess our love to you ourselves.
I began to worry that if Banthony successfully attempted to catch your gaze, then I would be as much a victim as any, trapped in the nightmare landscape of a twisted world without your love.
At first, I attempted prevention, but the cause seemed hopeless. The only way to ensure I did not suffer the tribulations of what I believed to be an inevitable confession of love was to stop my own feelings of love. So what began as an experiment soon became a race. I would make you fall in love with Banthony before professing your love to anyone else, therefore eliminating what myself or Borusa's feelings may be.
And there, I think, we are brought just about up to date. I have enjoyed our little trip down memory lane, but past here lies only a happy future for you and Banthony.
Goodbye, Rassilon
- Omega xoxo
I- I don't know what to say.
Omega, if this is really you, if you somehow, by every twist and turn of fate imaginable, survived this long in some form... My love for you has always been the greatest of any I have felt. Never have I loved another in the way I loved you.
But that is in the past. I have to stop letting you hold me back. I made my decision that fateful day; I did what I had to do to reach the top, to shape this society- our society, our dream- in the way that it must be shaped. Gallifrey could never have had two rulers. You knew this going in. And, best of all, dearest love, you knew that I would not be able to stand a threat to my power and my control. So, as much as I loved you, Omega, my sweet Ohm, my darling Peylix, I had to let you go. For us, for our home, for our people, for our dream. For Gallifrey. We would both be dead and gone by now if I had not, but now, you live on in your beautous creations, and in our shared society. Look at our children. At what we have created. This must be enough.
Oh, but my darling, you never could be so easily satisfied.
That is why I loved you. And that is why I had to let you go.
If this really were you, I would say, dearest Ohm, that I am glad you are able to let me go. I know that must be exceedingly difficult. But, I am happy with Borusa, and I do not love Banthony. If I did not have Borusa to think of, perhaps things would be different, and I would honour your wishes. Perhaps, then, you may finally find peace.
I am truly sorry that I must leave you trapped in your death, but you will never be in a world without my love. My love for you transcends the grave- and yes, I know, it must be your grave, my darling, for you cannot have survived beyond. I know, in my hearts, that you are gone and that this cannot be from you, not really, for you are lost to all but my memory.
Goodbye, my love. For whatever isn't left of you, for whatever could have been- my love for you persists even now, across regenerations and across death and across time.
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phoenix-downer · 5 years
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Seeing Kairi in the exact same battle stances as Sora has risen my hopes she's the other playable character. Kairi always struck me as a very agressive fighter (from what little we've seen of her). I don't see her being quite a mini Aqua most fans I've come across portraying her as. Idk, I think it's because she's so direct (while Sora seems the most magic based of the trio so far). It'd be funny if Kairi ended up being the most close combat/heavy hitter of her trio.
Same, and even if she isn’t the other playable character (though I certainly hope she is!) I’m really looking forward to seeing her fighting style! She certainly isn’t afraid to jump into danger when the situation calls for it…
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…so I can see her being bold and aggressive when she fights. Not necessarily heavy hitting, but more on that later. 
If she has a similar moveset to Sora, that could very well hint she’ll be the other playable character. Easier to build off of his moves and develop her own unique style and flair on top of that than to create everything from scratch.
And we have seen the series do this before - compare Ven’s moveset in BBS to Sora’s in DDD and Terra and Aqua’s movesets in BBS to Riku’s in DDD - more on that later.
I think the whole “Kairi will be a mini Aqua” line of thinking came from the fact that Kairi is a Princess of Heart. She has shown before she has light-based powers…
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…which she used to restore Sora to human form.
Well, light-based powers in this series are tied heavily to magic, and as Aqua is the playable character who uses magic the most, it’s easy to see why people have made that connection. No matter what form her fighting style takes, I hope it will utilize her unique light-based powers, because we have yet to see a Princess of Heart fully use said powers in combat. The closest we’ve gotten is Minnie’s light-based attacks, and a part of me wonders if Kairi might fight like that.
Another popular headcanon I’ve seen floating around is that she’ll be the Terra/heavy hitter of the group like you mentioned, as Sora’s moveset in DDD maps onto Ven’s (the dodge roll, similar Break Time) and Riku’s onto Aqua’s (see the way he cartwheels to dodge, also her Ghost Drive is really similar to one of his movesets right down to the darkness usage). 
That leaves… Kairi for Terra’s. Although Riku also gets some of Terra’s commands, like Sacrifice (RIP) and his Slide Dodge in one of the final bossfights that made me want to chuck the controller at the screen. Terra’s dodge is terrible, please don’t give it to Kairi, please don’t give it to Kairi. 
So I don’t know if we can conclude from that that Kairi will get Terra’s moveset, per se, but it would be a fun way to round out the Destiny Trio. Your comment about close combat intrigues me. I can see her darting in to land a few heavy blows and then rolling out of the way before her enemies can retaliate. Something just tells me she’ll be hard to land a hit on.
I think taking a look at her costume might also hint at her fighting style.
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Her skirt allows for a pretty free range of movement, as the bottom part in particular flares out to give her legs plenty of room to move. She doesn’t have long sleeves that might get in the way, and her hair is short as well, which means it won’t be getting in her face as she fights.
I would not be surprised at all if she has a very elegant fighting style, just based on her visual design. Again, if we look at Sora, we can see he has a very elegant fighting style as well. Lots of twirls, spins, flips, and rapid movement:
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He’s a little bigger than her, yes, but her relatively small size makes me think  that she might be better suited to rapid movement and light-based magic. He is also relatively small compared to many of their allies and enemies, and he favors rapid movement. It wouldn’t surprise me at all if she adapts a similar fighting style for physiological reasons. 
At the very least, even if she does favor magic, I don’t think she’ll fight the same way Aqua does. For one, Aqua is much taller than her and has a different center of gravity. What works for Aqua will not work for Kairi. Kairi is much closer to Sora’s size than to Aqua’s at this point, so I can see her fighting more like Sora than like Aqua in terms of physical combat.
And looking at how she and Lea fight as a team…
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…note how differently Lea holds his Keyblade from her, more befitting that of a heavy-hitter. Interesting to note is that Aced also holds his Keyblade like this:
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I think Lea might wind up being the heavy hitter of the two of them, though I also like to imagine he uses a lot of Strike Raids for some reason, just as a shoutout to his chakrams. And if he and Kairi fight together a lot (which they probably will, they are training together, after all), I can see their fighting styles evolving to balance and supplement the other’s. 
So to counterract Lea’s heavy hits, my guess is that Kairi will be the faster of the two. He will stun enemies with some incredibly hard hits, and she will dart in when they aren’t paying attention. He will guard and she will heal, he will use lots of fire magic and she will use lots of water magic, that kind of thing. My guess is that their fighting styles were developed in tandem, which is why I’m speculating they will complement each other well.
And on a more sentimental note, obviously Sora means a lot to Kairi. It wouldn’t surprise me at all if she purposely adopted his fighting stance as a way to emulate him. And personally, I like her having a conscious choice in choosing to adopt his fighting stance. It puts her training in her hands. It lets her be in control, shows that she’s taken charge of her fighting style and is completely intentional and serious about her role in the final conflict.
Whew that got long-winded again, but thank you for the ask as always! :)
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wenskexing · 6 years
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5 REASONS TO WATCH ‘WHEN A SNAIL FALLS IN LOVE’
Recently okay a while ago I finished watching When a Snail Falls in Love, and was left with the emptiness that follows when you finish something that was just that good. I don’t usually venture into C-dramas, but after hearing great reviews from trusted sources, coupled with my undying love for Wang Kai, I decided to take the bite. So here I am—months later—still thinking about this show and all of its amazingness and I just thought that I’d compile a list to convince more people to watch this show and fangirl with me. I feel like not many people venture into C-dramas (as I myself haven’t had in the past either), I still want to make a case for this one because like I said it’s really good and then there’s also Wang Kai of course. 
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[Okay but before the list of reasons, first here’s a good synopsis of the show from Soompi.]
When a Snail Falls in Love is a crime thriller/romance drama based on the novel of the same name by author Ding Mo. It stars Wang Kai as Ji Bai, an ace police detective who is in charge of the Violent Crimes Unit, and his partner Xu Xu, an intern criminal profiler played by Wang Zi Wen. The two seem like an awkward pairing, but in reality they’re the best team with an incredible track record in solving crimes. Ji Bai initially intended to fire Xu Xu due to her lack of physical fitness, but she is very talented in profiling. Over time, they become impressed and admire each other’s talents and work ethic, and the pair slowly fall in love in the midst of their investigations (x).  
– THE REASONS –
5.  The cases
I loved that the cases weren’t just a backdrop as some shows do. While I have nothing against episodic arcs, there is a certain weight that is taken away when things are  resolved by the end of each episode too easily. While not exactly my favorite part of the show, as certain parts may feel a bit draggy (especially with the first story arc, but it picks up with the second story arc) it certainly knew when to draw your attention by drawing up the stakes high to full effect. There are two main cases (story arcs) that spill over to many of the episodes. It’s also an intriguing watch and makes for some heart-racing television and it also explores some pretty interesting themes and means pf storytelling. Sorry for the vagueness but I just don’t want to spoil anything. The cases that they characters in this show investigate creates a really nice setting ground for these characters their relationships to blossom in amazing ways. Fair warning though, the show does tackle some weighty topics and it can get quite graphic too. The episodes are also no more than half hour a piece, so the time commitment shouldn’t be an issue :)
4. The side characters
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Despite the episode’s length of half an hour each, and with only 21 episodes to its name (I’m still waiting for the news of a season 2 tbh) surprisingly there was still enough time to develop some pretty great characters in their own right. There’s even an amazing female friendship to boot, that not only support one another but are total bad asses in a male dominated field, and are also so brave and wonderful you’ll cry when you think about them (okay you might not, but I still do).
3. Wang Kai is Ji Bai
As much as I love him, I surprised myself by putting him only as number three on this list. Which says a lot. But that just for me goes to show how much this series has going for it, and all the more reasons to why I adore it so much :’)
For me I didn’t think that Ji Bai would be so great on paper as a character. But on the screen with Wang Kai’s incredible acting to show us the complexities of an otherwise flat character, things turn for the best. Ji Bai can be pretty serious and stoic at times but when you have an actor like Wang Kai, everything just falls into place. He really does have this undeniable air about him when he acts, something restrained, that’s simmering just below the surface, and it’s up to the audience to pay close attention and then be completely immersed in his roles. His strong presence and looks may also well be his bane because of something called typecasting, but I like that with every role he takes on (most notably Prince Jingyan the love of my life in Nirvana in Fire, to those of you who haven’t seen it, please do yourself a favor and go watch that masterpiece) he does his best to not fall into that typecasting nightmare by making the character his own. It also just so happens that he constantly makes my heart melt with his face and the beautiful beyond compare voice of his :’)
Here’s a pic of him in a pair of aviators that slay me 24/7 (the navy and black ensemble he’s wearing here also doesn’t hurt either, I suppose).
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And here’s him in a very chic athletic-y jacket that’s in the cutest color, and suits him so well. 
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Then we have him looking super casual and still hella fine.
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Here’s him in uniform.
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Here’s him looking super dapper and life-ruining, in a suit that fits him like a glove.
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And finally, here’s him in a cowboy-esque hat that he somehow pulls off?? Idk man, I’m no a scientist, I’m an English major so I can’t say for sure why that is the case either ¯\_(ツ)_/¯
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2. Xu Xu as an amazing lead and character
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Xu Xu is everything I admire in my lady characters. She’s smart, intuitive, and strong in ways that isnt about physical strength. More than anything I found her to be a greatly empathetic character. By that I mean in the way that she feels for others. She feels emotions as intensely as only someone that truly cared about your well being would and it makes me love her so much. Shes unafraid to show the world that shes intelligent and is irreverant in trusting her spot-on instincts. Sometimes, she does make wrong calls though, and its because shes human. Theres no fault, no ill-intent. But then she isnt afraid to apologize and make amends. I love that about her just so freaking much, Its a trait I dont see enough of and all the more what makes Xu Xu so lovable and amazing to me. And thats all to Wang Zi Wen too. Wow shes just great. 
1. THE OTP AND THE FUCKING SLOW BURN ROMANCE OH MY GOD
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LOOK AT THEM !!1!
When it’s all said and done, of course the main seller of this drama, especially if you’re anything like me is the OTP. I love them. SO MUCH.
And once again I don;t have anything intellectual or groundbreaking to say. What I feel for these two is just so strong, and that should tell you a lot. 
But seriously, if you don’t watch for anything at all, watch it for the fucking slow burn. You will not regret it. 
Also they’re the definition of tol and smol…need I say much more?
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casuistor · 6 years
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Did you listen to the NY demo songs of the musical that were put online recently? Some of the songs that weren't officially released are now available. Was wondering if you have any thoughts about them... Adrienne Warren's Misa in I'm Ready sounds v different compared to Fūka Yuzuki!
I am so happy the NY Demo got leaked tbh, I’ve been listening to it nonstop for the last couple of days and lemme just say – even though I don’t fully agree with all the characterization choices, the demo is gorgeous ;~; THANK YOU for the excuse to ramble about this, haha. 
I’ll outline my thoughts on the songs that weren’t released previously under the read more, but just keep in mind that these are just some quick opinions on the songs rather than my thoughts on the demo vs the final versions of the songs b/c then this would be writing for weeks and nobody wants that textwall, haha. 
…I say this is going to be abbreviated and then it turned out long-ish anyway.
Where is the Justice?
Yes I know this was released previously, but the version that was officially released cut a minute out from the song, so I’m commenting, fight me.
While I think the song is overall too focused around the issues with the criminal justice in America for a story that is supposedly set in Japan, I think the verse that was removed was more reflective of the sorts of things Light in canon might think. 
That said I don’t fully agree that Light would argue that “draining the color from within until we’re back to seeing black and white and wrong and right again” is actually a good thing, especially considering canon Light does evaluate mitigating circumstances in his evaluation of who is guilty.
Overall, I think the song does a good job of establishing Light’s character as a kid who, despite having some deeply flawed views about justice, does genuinely care about fairness and has his heart in the right place.
To this day though, I’m not convinced that manga! Light is the kind of kid who would spark this debate in his classroom. He very much seems to be the kind of person who keeps his cynicism about the world to himself.  If you ask me, his “ic” response would be more along the lines of “sure, the justice system isn’t perfect, but it’s our job as the next generation to keep improving it, isn’t it?”  But that doesn’t make a cool song, lmao. 
Hurricane
Yes, this one was also leaked before, but you’re not stopping me from talking about Weather Metaphors The Song™ now that it’s out in HQ. 
Why. WHY.
I think the problem I have with this song is that there’s really not much character development during this song. Light is just immediately sucked into a power fantasy and this is really… not reflective of Light’s character in the series. 
I’m Ready
LOVE. FUCKING LOVE ADRIENNE WARREN’S VOICE. 
But i really don’t agree that Adrienne is a good casting choice with Misa. I LOVE her voice and her singing, but she’s… too much of a power house and Misa is just not that at all. Misa needed to be bubbly and radiate cuteness rather than maturity. 
Hearing this rendition of Misa really made me understand why the Korean production went the direction they did with Jung Sun Ah’s Misa though, and it comes as much less of a headscratcher now. 
I think these lyrics are also not PG enough for Misa’s idol image which sounds ridiculous b/c it’s overall a pretty tame song, lmao
Specifically it’s lines like “let me kiss you and then let me kiss you again” that are maybe not… squeaky clean enough for the image that idols in Japan have to project. 
We All Need A Hero
Perfection. Absolute perfection.  I love that they threw in that dumb light pun lmao. 
Honestly this almost made me cry and I wish I knew who sings this song as they were the perfect Sayu singing voice. Young, sweet, optimistic, sincere sounding? Nailed it. (Edit: I am told that the singer is Laura Osnes)
I am VERY much intrigued by the fact that this song was written as a solo in the NY Demo as opposed to the odd duet that it became in the final version. This makes much more sense to me and avoids weird/creepy parallels between Sayu and Misa that the final version forced by making it a duet. 
The Game Begins
I am so distracted by the line “for even the perfect crime has the perfect flaws” because this is just not logically coherent.
ON LESS GRIPEY TERRITORY – having the whole demo did put into perspective for me why the Weather Metaphors had to be, and I think it’s because they may have been going for a nature vs machine type of theme… and while I can appreciate it poetically (?) I just don’t agree that it fit thematically with the character of L and Light. 
Like why… does L keep making tech metaphors? Is this supposed to be a quirk of his the same way that the posture/diet is? I think in a way this was poorly executed and characterization was ultimately sacrificed in favor of poetic analogies. 
The literal first line “empty your mind of any feelings” is very unlike L to do. L is a detective who works heavily based on his intuition and his gut instincts. He did not tackle the Kira case like a super computer interested in objectivity and eliminating bias. That’s just not what happened in canon. 
I stand very much corrected on these lyrics as they are “empty your mind of any theories.” My bad, I don’t have the best ear for lyrics. But that said, doesn’t this contradict the fact that he already took an action based on a theory with the LLT plan? 
Overall I think this song took too many poetic liberties with L, and tried too hard to make him sound intelligent by throwing in “smart sounding words” like ~calculus~ and ~evolution~ even though those words didn’t actually make that much sense in the context he was applying them in? 
“A stronger mind and evolution determines who wins the game” – for example. Evolution and adaptation aren’t synonyms, but he uses them as such anyway and this kind of clumsiness, though very lyrically pretty, is a bit… idk, not quite what I associate with L myself.
In terms of the overall performance – lovely. My issues are 100% the lyrics on this one. Jarrod Specter performs fantastically. 
There Are Lines
Fight me this song is best song and I honestly did not like this song much in the final version of it.  
J’ADORE how salty Soichiro is about L’s method of offering up Lind L Tailor as a decoy. His anger seems so genuine and believable in this, and I love how it’s so obvious that he has no idea that this is applicable to Light too, since they don’t force that dumb “KAMI NI NARU!!!!” line to ram the subtext down your throat.  (… I say as I claim that I wasn’t going to talk about comparisons to the final Japanese songs, ahem). 
That said, was Soichiro actually that salty about L’s tactics there with LLT in the manga? No. At least not to the extreme that he lost a lot of respect for L for it. In fact, manga!Soichiro seemed impressed by the results L achieved and didn’t really seem to dwell on the moral implications of L’s actions. 
tl;dr not the most ic or canonically based interpretation of Soichiro, but I am standing by this man. 
Personally, I think this is an improvement on the character AND LET ME JUST SAY THIS SONG MADE ME REALLY WISH THEY’D ADAPTED THE YOTSUBA ARC IN THIS MUSICAL??? Can you imagine this song as a reprise as Soichiro shoots Light while they’re in the car? 
You’re welcome
Secrets and Lies
I cannot emphasize how much I love when Soichiro calls out L for his awful morals in addition to calling out Kira’s. This is so nice -w-
I am also deeply enamored with the fact that L also outright says “I don’t care who gets hurt now, as long as I get one more shot” because fucking yes – L is so brazen about this in the manga, and most adaptations try to sweeten his attitude. 
I enjoy that it is constantly reinforced that neither Light nor L are in the right because there are constant parallels between the two and the two are criticized by the narrative. 
Mortals and Fools
“What I see in your eyes is a counterfeit emotion” – the truest thing ever said about the manga!Misa’s feelings about love. 
Admittedly, Demo!Rem annoys me as a character though. It’s not a problem with casting – Carrie’s singing is lovely and I think they made a good choice there. This is a bit of an aside I guess, but I just don’t understand how it is believable that Rem actually romantically fell in love with Misa as the song “When Love Comes” implies after all this love is for mortals and fools lark and Misa… doesn’t really seem to do anything to win Rem’s love in a romantic sense of it. Platonic love I can squint and buy certainly, but not romantic based on the contents of “Mortals and Fools”, “Borrowed Time,” and “When Love Comes.” Maybe something in the actual script/dialogue justifies it? But with the material available so far, I’m not seeing it.
I think also Demo!Rem’s fixation on the notion of love is something that’s… overexaggerated from her more subtle curiosity over the issue in the manga. I just don’t think I’d agree that the melancholy tone demo!Rem has when she says she tries and fails to really understand love as an emotion is true to the manga. Manga!Rem seems to have a more “god Misa, I get this is important to you but could you maybe slow down” kind of vibe to her. Melancholy doesn’t really seem to be it, exactly.
For the sake of clarity – the issue I have is not that Rem’s character was changed from the manga to make her develop romantic interests in Misa. That is perfectly a-okay and it’s actually pretty cool that they went this route with demo!Rem. 
My issue is that from a narrative perspective, Rem’s character development in the demo seems underdeveloped and not optimally executed given that she is a) literally not human and b) as she herself points out is a shinigami who fundamentally does not understand why humans idealize romantic love. 
Shinigami themselves in the context of this musical are not shown to idealize love within their own culture. Ryuk and Rem both seem to find it funny or baffling/futile indicating that this is not a culture that parallels human culture in its zealous overvaluation of romantic love as a be all end all goal of life. Shinigami, according to the musical’s own internal logic, are not amatonormative.. 
My pet peeve exists specifically because it is somewhat frustrating to me, an aroace person, when even non-humans who were very firm on not relating to romantic love (and yes, “Mortals and Fools” makes Rem come down more strongly on that side compared to “Zankoku na Yume”) and have no reason to inherently want to experience or idealize romantic love the same way human society normalizes it for humans, starts extolling the virtues of romantic love as the pinnacle of interpersonal relationships.
I can fully respect that this is not a pet peeve that most other people will have, or even be inclined to view from this perspective and that to many, none of these things matter and that’s fine! Just keep in mind that I would find this just as pet peeve-y if Rem were a male shinigami and would have no problems whatsoever with any of this had Rem been a human girl or if shinigami culture as a whole been portrayed differently in the musical itself. Also please note, I am only speaking for myself. I’m sure other aroace folk will have different opinions as well.   Ironically enough, Rem in the final live version, I can more readily see as developing romantic feelings for Misa precisely because “Inochi no Kachi” was written the way it was and it is a damn shame that that is not the direction that was eventually taken with the character in the live productions as they seem to view Rem as having more maternal instincts. (…which, I’d again disagree is an inference of the manga, as I do think Rem’s feelings about Misa were very platonic in a ‘friends’-ish way rather than a parental way.)
tl;dr All I’m saying is that I think demo!Rem should have gotten more charater development, and it is a shame that she did not. 
On a performative note – it is really odd that Rem’s voice is higher than Misa’s. I don’t think I’d make this call. 
Borrowed Time
Adrienne delivers yet another killer performance!!
I know I said I wasn’t gonna make comparisons but I have to say that between “Borrowed Time” and “Inochi no Kachi” Borrowed Time is just so much more IC for manga!Misa. 
I’m glad they based this song around something Misa actually said in the manga since that line “Just kill me. I was supposed to die that day anyway” is actually something that stuck with me for a very long time since it says so much about where Misa was in her life.
In the end, I guess I find it more convincing that Misa would be singing a song more centered around herself than singing a less me me me focused song about the virtues of sacrificial love as she ultimately is a person (in the manga) who is pretty selfish and focuses mostly on her own perspective. 
Which is not to say that demo!Misa is really reflective of manga!MIsa because I don’t think that’s the case at all. 
The Way It Ends
Blurgh more machine/tech metaphors and analogies from L…..I still don’t like this, sorry. He does not view himself as a robot in the manga, so it just comes out of left field for me.
I think the part of this song that lets me down is Jeremy’s delivery. He’s not !!!!!!! enough for what is supposed to be a victorious moment for Light. He has so much less energy and power than he did when he was singing Weather Metaphors, and it really shouldn’t be that way in my opinion. 
On that last “a minute more.” Jeremy sounds weirdly remorseful, though I guess it’s hard to interpret the exact emotion behind that without an accompanying facial expression. 
But speaking of delivery holy shit, Jarrod’s delivery as L is spot on. I’m kinda stunned by the range of emotion in his voice for this one: confusion, defiance, anger and that hint of regret that his life is coming to an end as he goes into “like a closing door.” It’s so… good?????? 
Overall I think the NY Demo is lovely and it has made me really happy to be able to listen to it after years of wondering what on earth it was like, lmao. 
I know it sounds like I have a ton of gripes, but just keep in mind that a) even I consider these gripes pretty minor and they didn’t really hurt my enjoyment of the demo as a whole, and b) I think that adaptations have every right to make changes and take creative liberties with their source material. It’s important to do that in order to keep material fresh and bring in new thoughts and perspectives to the original. 
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