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#sorry if anything is wrong or missing for the video transcriptions!
mieux-de-se-taire · 6 months
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Early Sunsets over Monroeville - MCR Interviews
89.5 WSOU FM Interview - 7/11/02
14:12-15:33, 20:21-20:32, 21:20-21:28, 21:47-21:51
youtube
Interviewer: Do you think that added to the performance, that you had to actually get through the pain? Gerard: For Early Sunsets Over Monroeville, definitely. I was in-- It was like, I don’t know like 10-- 9:30 at night. We were just getting ready-- It was the last song we did for the day, and I was in so much pain. And I just-- you know Geoffy [Geoff Rickly] was like, “Alright, let her rip.” Interviewer: That’s the mellow song, right? Ray: Right, that’s the-- what’s awesome about that too is the last, I think it’s like the last 3 minutes of that song is just one take, no edits, no stops, no cuts. It’s just...It’s an amazing performance by-- by him and just by all of us, I think because we-- we wrote that song like a few days before we went into the studio. It wasn’t finished when we recorded it, so it was just us, you know, kinda letting all of us [unintelligible], you know? Interviewer: (Overlapping) It was your studio song. Ray: Right, we wrote it in the studio. Interviewer: Well since we’re hyping this up so much... (Ray laughs) We might as well play it ‘cause everyone out there’s going “Wow, sounds like a great song.” Ray: Hopefully Interviewer: “I wanna hear him crying.” (Ray and Gerard laugh) “I wanna hear that tooth.” (Continued laughter) So, I guess let’s go into a little bit background of the song, and then we’ll play the song for everybody, and everyone can hear. Gerard: Okay, Mikey does not want me to reveal-- Interviewer: He’s going “No! You’re out!” Gerard: (Overlapping) what the song is about, but if you-- there’s plenty of clues in it, so if you figure out, it’s-- I’ll say it’s about a film. Is that enough? Ray: Yeah, that’s good. Gerard: Okay, you can figure out-- Ray: (Interrupting) Horror film Gerard: Alright. (Pauses then laughs) You messed it up! (Arguing in background)
Interviewer: What are some of your favorite songs off this record to play live and actually-- or during the recording process? Ray: Um, I think recording process-wise, definitely “Monroeville.”
Frank: (Talking about his favorite songs) And “Monroeville” because I had no clue what I was gonna do. (Interviewer laughs) I wrote it in the van before we recorded, and I had like frostbite on my fingers so it kinda sucked.
Mikey: I like the “Monroeville” song. (To Gerard) It was fun watching you tweak out at the end. (Gerard laughs)
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Noise Theory Interview - 11/13/02
Page 1, paragraph 5
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Interviewer: Even though ‘My Chemical Romance’ as a band have been together only a short time, the album displays some excellent and mature song writing skills. Were the album songs written after the band became complete? Ray: We started in October 2001, and had written 5 songs by January 2002. This was when the band was still a four piece. The rest of the songs came together a few weeks before we went to record. Honey This Mirror and Early Sunsets were written about a week before we left for the studio. We asked Frank to be in the band around the same time, so to get his input on those songs really helped them become what they are.
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HardcoreNJ Interview - March/April 2003
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Interviewer: What was the inspiration behind "Early Sunsets Over Monroeville"? Matt: Musically there wasn't any inspiration, 2 days before the recording I happened to be strumming an acoustic guitar in our practice space, and the guys all seemed to like what I was playing (which is a rarity). Anyways, we knew we wanted something different on the record to reflect our softer side. I think it was the most magical part of recording process, seeing a 2 day old song kinda just work, we didn't even have an ending for it. We all just jammed it out improvising. Oh, and the vocals were inspired by a certain movie...
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89.5 WSOU FM Interview - 7/3/03
8:25-8:31, 8:59-10:27
youtube
Interviewer: Alright, so, we’re gonna hear “Monroeville.” Ray: It’s a slow one. Grab your girl...and then shoot her in the head. (Laughter)
Interviewer: I remember a long time ago when you were recording this record that you had a problem while you were singing this song. Gerard: Yeah, I had a hole in my tooth and an abscess in the hole, and it was pushing against all the nerves in my face, and it looked like I had Parkinson’s, and it was (a?) drag, and it-- Interviewer: And your face was droopy, and-- Gerard: It was drooping, and I looked like a-- I went to hospitals the whole time we were recording, and they thought I had facial nerve paralysis, nerve damage, so I had to do that song, like basically with, yeah like the most intense pain and half a face. (Dramatically) Half a face! Interviewer: So, alright, everyone listening out there, now you know he did this song with half a face. Gerard: (After a pause) Half a face. (Laughter) Interviewer: How did you feel about the song after you played it? I know you must have been like, you know, “This can’t be the best I can do” because you’re all messed up and stuff. (Ray protesting in background) Gerard: It felt like that, but (Unintelligible as Gerard and interviewer talk at the same time) when I was doing it, but everybody was so psyched on it when I did it-- Ray: Psyched! People were crying-- Gerard: They were crying man (Laughter) Ray: It was amazing. It was the most amazing, definitely the most amazing-- Matt: (Overlapping) Yeah, we were definitely a bunch of wusses. Frank: Alright, correction, not a bunch of wusses. Ray and Otter (Matt) cried. (Laughter) That’s what happened. Ray: No no no, I will definitely say I-- Mikey: The red sea might have been parted when my brother did that part. Ray: I cried. I think Alex [Saavedra] might have shed a singular tear. Interviewer: A singular tear? Ray: It was definitely some crying going on. (Matt talking in background) Gerard: (Overlapping) I got a hug after that one Ray: (Overlapping) It was bad. Gerard: (Overlapping) I got a hug. I got lots of hugs after that. Interviewer: (After a pause and laughter) Alright, so how’d you feel about the hugs afterwards? Gerard: The hugs were sweet. (Laughter in background) The record was sweeter.
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Punk It Interview - 10/29/03
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Sev (Interviewer): What are some of the biggest disagreements amongst yourselves? Gerard: We mesh really well musically and personally. We all have a good time, so there's probably not that many disagreements. The only thing I think we ever disagree upon is if we're going to play "Early Sunsets Over Monroeville" or not. We had a little thing tonight. Some guys wanted to play it tonight, but I'm not sure. It's an ad lib song - the first verse was written, but the last part of the song was freestyle. And I'm not fucking Eminem, so unless the vibe is right, I don't like to do it. I did it in Chicago because the vibe was perfect. It basically happens in the middle of the set. We feel the energy, and if they can deal with it, we can deal with it.
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Life On the Murder Scene - 2005
31:24-32:01
youtube
Ray: And Frank played on 2 of the tracks off the first record, and one of them was “Early Sunsets Over Monroeville.” (“Early Sunsets” begins to play) Ray: He just plays some great, great parts. Frank: (Cuts to different interview) When we were doing “Monroeville”, Ray was laying down his parts, and as soon as he was done, I took the parts that they had recorded into a van, that had like no heat, outside the studio and wrote what I was gonna play. Ray: (Back to first interview) A lot of the melody that he plays during the verses and the choruses is just, you know, absolutely beautiful, and I think really makes those songs work.
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Barcelona Live Stream - 3/5/11
6:10-6:34
youtube
Ray: (Reading a live chat feed) Ooh, would you ever play “Early Sunsets”? Frank: Oh, we have (turns to Ray while Mikey speaks in the background) this tour? I don’t know. Ray: I can’t even remember the last we played that. Frank: I think it was in Chicago. Ray: Yeah? Mikey: (After a pause) Oh yeah, we played it in the Metro. Gerard: (Unintelligible as multiple people speak) like “The End”? Frank: Yeah Ray: That would be a cool one to revisit. Gerard: It was a cool-- I think especially if we give it some structure at the end like, ‘cause that was the problem with playing that song. It has no definitive ending, like it kinda just keeps going and going.
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Kerrang #1376 (alt) - 8/10/11
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Interviewer: I Brought You My Bullets, You Brought Me Your Love” was released in July 2002. What do you think of it now? Ray: You can hear the nervousness and excitement. Every song speeds up which gives them a lot of character. I like the rawness, especially in the vocals. It sounds very true. I get emotional, too. Early Sunsets Over Monroeville is unlike anything we’ve ever done since -- it’s amazing.
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Where Are Your Boys Tonight? (Chris Payne) - 2020-2022
Chapter 9, page 113
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Geoff Rickly: When we were in the studio, Gerard’s wisdom teeth were really hurting him, and he wasn’t able to sing, so he went to the dentist to have them out and afterwards they gave him a bunch of painkillers. He didn’t sing with the fire or the venom, so Alex took the painkillers away from him. Like, “You gotta sing in pain, fuck you! You gotta feel it!” I was taking the painkillers, watching him sing the record. I remember lying on the floor and coaching him through how to sing “Early Sunsets Over Monroeville,” the ballad on the record. I was saying, “You’re following the music, make the music follow you. More intense! The music will catch up to you.”
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rosetheex-editor · 8 months
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[Video transcript start.]
[The video begins, as a lot of them do. From Rose's shirt pocket she is setting up plates on a table with a person identified as "Liam" multiple voices can be heard in the background identified as "Katherine" "Leon" "Nessa" "Hina" and "Stacy", Rose puts the final plate down before finally talking.]
Rose: fucking hell! ok what else? kath is the cake done?
Katherine: Just about! Putting the finishing touches on now!
R: ok! ness are the gifts wrapped?
Ness: Yeah. Why do you think I'm sitting here?
R: anything i'm forgetting? stacy?
Stacy: Other than the birthday boy himself, I don’t think so.
R: epic. ok um… fuck when was he supposed to get here?
S: Around ten minutes from now! We have a bit of time to chat.
Hina: when can I go home?
N: When the party's over… On the bright side, you get free cake.
[Rose turns over to the living room, putting her phone on the table in a way the camera faces the guests. Before falling on the floor, annoyed. looking at Stacy as she starts talking again.]
R: i've never planned one of these before. does it normally take this long??
Liam: No clue, I’m just happy to be here.
N: SAME! I haven't been to a party since… Mari's birthday last year!
R: i just hope he likes it… he hasn't had a party in… probably years.
K: He’ll love it, don’t worry, Rose. If you’re here, there’s no way he’d dislike it in any way.
[Katherine walks across the room, checking to make sure the decorations are set up properly, and adjusting any small thing she can. She has a passive smile on her face as she does so.]
R: i want today to be great… i know it's 9/11 but please i hope nothing goes horribly wrong.
N: Today will go well! I know that much… Wait, me and Katherine haven't met, I don’t think… Um Katherine, nice to meet you, I'm ness. Rose's friend? part time roommate? and this is hina… the sister of one of my friends.
K: It’s nice to meet you too! Maybe we should all do a little introduction, because I know that Stacy hasn’t met you guys, either.
R: don't you guys both know me? y'know edgar's daughter he accidentally adopted… the girl who was gone for like a month and a half because a purple bitch thought it would be REALLY funny.
N: Oh! yeah nice to meet you all! I'm Ness, I work at that pizzeria. little bon's lucky land or whatever.
S: Nice to meet you, Ness. I’m Stacy, uh. Edgar’s ex-fiancèe, Showfall’s fault.
N: Oh um. damn i'm sorry about that…
[Ness grabs her arm before touching Hina's shoulder. Rose finally sits up as Hina turns around confused, ness points at the people in the room and hina begins talking.]
H: hi.
N: introduce yourself.
H: hi. i'm hina. My sister is missing. that good?
R: yeah um that works… kid.
Leon: Hey, uh. Sorry to interrupt, or… I guess this isn’t really interrupting, is it? Sorry, I’m Leon. Stacy knows me. Uh, me and Edgar kissed at a party once. Spin the bottle.
N: Nice to meet you! or wait… you were at my house… so technically we already met. Nice to meet you again!
Le: I guess introductions do get a bit redundant when you do it over and over again, huh?
K: Wait, you guys kissed at a party? Why was I never told this story? It sounds funny as hell!
R: SAME! EDGAR NEVER TOLD ME THIS STORY!
Le: I mean, it’s not really something you tell someone when you meet them. But yeah. We both were drunk as hell and decided it would be really funny if we did it. Kinda how I figured out I was gay. Kissing a straight guy. Pretty funny, eh?
N: I'm noticing a lot of y'all are some form of gay? and that is cool!
K: I think Edgar is the token straight of Lostfield.
N: I have a straight friend. His name is henry!
Le: Maybe they can bond over being straight or something?
N: maybe!
[The doorknob rattles as someone outside attempts to enter.]
R: OH FUCK, PLACES EVERYONE HIDE!
[Rose grabs her phone jumping behind the curtain. Footsteps can be heard as everyone hides.]
[The door to the apartment creaks open, and someone steps inside.]
?: Wha–
Everyone: SURPRISE!
H: ugh.
[Everyone leaps out from their hiding spots, the camera now showing the rest of the room, the same as before, but now containing a bewildered looking Edgar.]
R: HI DAD! SURPRISE!
Edgar: I– What–
R: BIRTHDAY PARTY! THAT'S WHAT!
N: Mr Edgar, this was Rose's idea.
E: You guys set this all up for… for me?
[Edgar blinks hard, and a hand moves up to wipe his eyes of tears. His lip trembles.]
R: i um- yeah… i wanted to do this… an apology for making you worry about me so much.
[Without another word, Edgar walks over to Rose and hugs her.]
R: i… um… this is nice…
[After a little bit, Edgar pulls away, and looks at all the other people standing in the room, a goofy smile plastered across his face.]
E: Thank you, everyone. I… nobody has ever done this for me before. I just– Thank you.
H: I'm just here but um… yeah you're welcome.
N: Forgive Hina she's um… Anyway of course! It was wonderful helping set up… even though I stole a whole fountain drink thing from the restaurant.
R: of course dad.
K: Happy birthday, Edgar.
R: ok so um… cake time?
S: Hell yeah! Let’s get this party started!
N: LET'S GO!
R: you ready edgar? katherine and i spent forever on a cake.
E: Of course! I have a feeling today is going to be a great day.
[Everyone begins walking to the table, with the exception of Hina who stays in the corner she was in. The sound of singing can be heard as everyone sings Edgar happy birthday, before Edgar blows out the candles and cuts the cake. The last thing seen is Rose grabbing her phone, this time not panicking when she sees the recording, just turning it off, before going back to enjoying the day.]
[End transcript.]
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skiplo-wave · 7 months
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Sorry this is gonna be long one!
I have my doubts that they are truly going to get justice for Abby and Libby. They haven't even solved the Flora Fire case either. I do believe Richard Allen is involved in the mix but based off his charges there has to be more.
There was more probable cause to arrest Ron Logan, the owner of that property they found the girls on. He was caught making an alibi BEFORE THE GIRLS WENT MISSING. If that's not a red flag, I don't know what is and that's not the only thing either. I can be fair and say that maybe he went out on his property that day and discovered them and maybe he panicked, thinking he would get blamed? We won't get a real answer to that because Ron has now passed. But it took them about a month to search his property. They thought because of his age, that he couldn't do anything like that. The investigators had to of been newbies at the time.
Then you have Kegan Kline who was the last person (supposedly) that had contact with the girls right before they was killed. He was suppose to meet them. That's probable cause right there. There was an incident with the account again when they was suppose to meetup with an underage girl and a guy in a mask showed up looking through the window. According to the transcript, they believe someone else had control of that account too. But it's worth mentioning that investigators can lie. so they could be thinking it was him the whole time.
There is a lot of negligence when they was handling this case. Richard Allen came to them and told them he was there. He told them what he was wearing. However, we got two different descriptions of two males and what they was wearing from what was filmed on the bridge. This officer, his name is Dan Dulin, interviewed this mf. They had this the whole fucking time and somehow missed it all these years. And not only that, he put Richard Allen's name in the system as "Rick Allen Whiteman"..... They had his name wrong. WTF!? This is unacceptable. Now you got this Sons of Odin biker gang stuff which is bizarre and shocking because this was discussed over a year ago before Richard was arrested. I have never seen such a crazy defense filing like this. I guess there was an investigation a while back but one of the guys is dead now. I don't know what they found in regards to the Odin ritual stuff. They better hope they got the right person, which I believe they do, because if Richard Allen turns out to be innocent and just a guy who struggles with mental health issues whom happen to be there wearing the same thing as bridge guy in the video, it was just coincidence like maybe all this Kegan Kline stuff... They are gonna have a serious lawsuit on their hands and it's going to throw a wrench in the case if they ever do catch the real person. And to be fair again, a lot of guys in the Midwest wears navy blue jackets, blue jeans and boots like that. Even the very first news interview they did with Ron Logan... He was wearing a navy blue jacket and blue jeans. Again, I believe it is Richard Allen but something just not right. Unless it comes out, I cannot accept that this dude did it by himself.
Here's where it all comes down too.
From what we got in yesterdays filing, they don't have DNA to link him to the crime far as we know. A bullet is not enough. You can link a bullet to a gun but from my understanding if the bullet had NOTHING to do with how they died, he can't be charged for that. The question is how did it get there but they can't hold him. He doesn't have to say anything. They can't use "Well, he admitted he was there at the bridge", yes, but Kegan or who ever had control of that account also admitted that he was suppose to meet them. Then you have another guy creating an alibi before it ever even came out that the girls was missing. What are the odds of these coincidences.
Something ain't right.
The whole case is wild
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doublecheekedkinard · 1 month
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sick and tired of watching people support shitty artists - not just the one discussed in this video - because they think that "separating the art from the artist" is a really neat and clever phrase, yet i'm the one in the wrong for cutting people off when their support of a shitty artist is a threat to my own safety.
Transcript:
"I’m sorry did I miss the memo, have we all forgotten that JK Rowling is a piece of shit? Because why am i—"
Stitch begins: “Okay I just want to talk a little bit in support of the creator I’m stitching here, because apparently ‘booktok’ has been sort of going on a “Hey! Harry Potter books! Nostalgia spree!” or something along those lines and I just wanna give you a tool here;
If you hear anyone trying for the “well I separate the art from the artist” gambit as a means to explain why they are celebrating the works of a virulent and violent transphobe who’s currently trying to make the living conditions materially worse for an extremely marginalized population group, then you need to tell them the following: Separate the art from the artist is a theory of literary analysis. It is not a get out of motherfucking jail free card to purchase products from whatever motherfucker you want.
Separate the art from the artist means that if you are reading a book no matter who the author is you can construct meaning, you can understand the book independent of who the author is, right? You don’t need to know the biography of the author or their background or even what their intended meaning is in order to form meaning with a piece of literary work like, I don’t need to know anything about Tolkien’s biography in order to derive meaning from The Hobbit or from the Lord of the Rings but knowing some of it, it can be enriching, yknow, it’s just that it doesn’t have to be the core of my analysis.
That is what separating the art from the artist means, it simply means separating the art from the influence upon its meaning that comes from the biography of its author. It’s fuck all, jack shit, motherfucking nothing to do with separating the art from the consequences of giving money to the artist.
Don’t buy Harry Potter bullshit! Don’t promote the books. Don’t try and rehabilitate or reclaim this fucking thing with a nostalgia cycle UNTIL JK Rowling is either no longer a transphobe or no longer with us on this earth. Throw that shit in the trash.
I was 11 (eleven) when those books came out, they were incredibly fucking important to me, I gave them up, you can too.
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big finish releasing transcripts when
#there are better reasons to do this than mine is#mainly accessibility#im just tired of embarassing myself by getting my handwritten transcripts wrong#sorry i dont know who everyone is i cant tell the voices apart and also i dont know who everyone is#you do really kind of realise how much you really Dont need to undersatnd of a language to be able to keep up though#i mean#i'd say im fluent in english. i have no trouble understanding like basically anything unless theres like specific vocabulary i lack#and i certainly have no trouble following alng to something like a big finish audio#not language wise anyway#but then i try to type what i hear and i realise i just miss chunks of sentences#like i get the GIST so it's fine#but what theyre saying? nah#most language is just like pattern recognition and filling in#you really dont need to know much#also whats interesting#i havent like looked up how this works scientifiaclly or whatever#but ive noticed wiht myself in my language learning#- i sometimes write transcripts of videos or audio in another language to like. practice my listening -#and ive noticed that the order of things isnt like: you hear the words -> you understand the sentence#it's the OTHER WAY AROUND#which is NUTS#but it's true#at least for me#when you know the meaning of the sentence your brain fills in like. all the patterns. the grammar. the words that go together and in what#order#i have listened to sentences like 20 times. ive slowed them down. ive scrolled through them in my video editing program#trying to hear it word for word#and i STILL COULDNT figure out whether one word came BEFORE or AFTER the next#UNTIL i realised what the sentence as a whole meant#it's NUTS
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Bering and Wells Reunion Panel Transcription (4/17/2021)
This is from the ClexaCon Virtual panel with Joanne Kelly and Jaime Murray, with Dana Piccoli as moderator and Mark as ASL interpreter. I spent around six hours on this and there were really only a couple of brief bits I couldn’t make out - I tried to make this as thorough as possible even though the audio quality was iffy at points and there was a lot of overlapping talking. I also included all of the ums and uhs in the interest of thoroughness so sorry if that gets annoying. Let me know if I’ve gotten any screen names wrong.
Content notes: brief discussion of on-set injury, allusions to homophobia from higher-ups, discussions of hostile workplace experiences due to gender, brief discussion of the ovarian cancer subplot, Jo misgenders Mark once and then corrects herself.
Dana: And I think we are live! Hey everyone, welcome, welcome, this is day 2 of ClexaCon Virtual. So glad to be here with you for our Warehouse 13 Bering and Wells panel. What a great video! I believe that was Mal that made that. Fantastic work! [They showed a fanvid prior to the panel on the stream.] Uh, I want to take a second to introduce Mark, our ASL interpreter. Thank you so much for being here, Mark. Well, I know that the Bering and Wells fandom is still going strong and, um, I’m so excited to be able to present this panel to you today, so without further ado, let’s get started. It’s been seven years since we last embarked on the wonderfully quirky world of Warehouse 13 and we’re thrilled to have not one, but two of the show’s stars here with us, Bering and Wells in the flesh, please welcome Joanne and Jaime!
Jo: [laughs] Hi!
Jaime: Hi guys!
Dana: Hi!
Jaime: Oh my goodness, I was tearing up watching that, that was just...
Dana: It’s so good, right?
Jaime: And Mal made it, of course, I mean just, the fandom is so amazing, that we have a fan who made that amazing movie, and I’m sitting here... were you tearing up, Jo?
Jo: Yeah... [laughs]
Dana: She’s like, I can’t talk right now!
Jaime: Aww.
Jo: Yeah, it’s, you know, it’s like, it’s like a, a wormhole, it’s like going in a wormhole, really, to see that put together in that way, and just, that somebody did that is, um, crazy, wonderful.
Jaime: Yeah.
Dana: When, when we are in person in, uh, in, in Las Vegas, I’m often backstage with the actors as they see these videos maybe f- for the first time, and your reaction is the reaction that everyone has. They all get teary, they all just like hold onto each other, it’s, it’s really sweet and wonderful.
Jaime: Oh my gosh, I, I wish I could go back in time and like, we film more of it and, and enjoy it more, because sometimes when you’re in it, you’re just going so fast and, you know, you don't even realize the meaning of, of, of what you’ve created until you see it through the eyes of the fans and what it meant to them, and then I, I wish I could lean into it more. [laughs]
Dana: Well, we’re certainly gonna get into that. [laughs]
Jaime: [laughs]
Dana: Alright, well, let’s kick things off! Uh, as of a we- a week ago, I was prepping to interview Jaime, and then suddenly the heavens opened up, and what was one became two. [they laugh] Joanne joined the party! How did this crazy kismet even happen?
Jo: I’m trying this new thing where I say yes. [laughs]
Jaime: [laughs] Well done!
Jo: Thanks. [laughs] Um, it’s a new thing I’m trying. Um, Jaime texted me and she’s like, I'm doing this thing, we had talked about it, I think the last panel we did at Dragon*Con maybe?
Jaime: Yeah.
Dana: 2018.
Jo: And she had told me about ClexaCon and I was like, that, because I really enjoyed that panel that we did, it felt, you know, I think one of the reasons, and I think that the work between us is, and I look at it now and I’m so touched because I, and I also just think the world of Jaime as an actor, I think she’s brilliant and her choices are so clean and-
Jaime: Ditto.
Jo: -full heart forward, like I, I’ve always been a fan of what she bought, and just personally on set I was in a, it was a very male environment, and Jaime came and I was like, oh my god, like, someone to talk to, someone who cared, and she took care of me, like she really - so I just, I don’t know, when she reached out I was like, of course, yes, yes.
Dana: Like it’s in two days, sure! Let’s, let’s go!
Jaime: We missed each other as well. It was also an opportunity to hang out, like, we missed each other!
Jo: Yeah.
Jaime: We had this flurry of texts of like, checking in with each other, and what-
Jo: What have you been watching? what are you doing?
Jaime: Yeah.
Jo: Where are you?
Jaime: Yeah, so.
Dana: Oh, that’s amazing! So you’ve maintained this really wonderful friendship since, since the end of the show.
Jo: Yeah, I mean, actors are nomads and we’re very sort of, I feel, Jaime, I don’t know if you feel the same way, but it’s like those friends that you have that you don’t see forever, but when you see them you fall back into a rhythm automatically, there’s never, it doesn’t feel push or pulled, it’s just, it’s just nice.
Jaime: I, I think also for us, um, I think there’s a sisterhood as well, you know, I think that, you know, Jo just touched on it. You know, often in a cast there’s, um, it’s changing and it’s evolving all the time, and this was seven years ago, and it was seven years before that, it started, so like fourteen years ago-
Jo: Oh my god. [laughs]
Jaime: But there’s, ninety nine point five percent of the people behind the camera are men, the majority of the parts are often men, or it’s, it’s male and women, but the men have the more heroic bits and the funnier lines and you’re kind of struggling with that and you’re glad to be working so you’re kind of making good and making it okay, but you’re kind of like, you know, getting feels, and, you know, as, as Joanne said, it, you know, you’re laughing at dick jokes when you don’t find them particularly funny- [all laugh]
Jo: Like wow! Oh! [sarcastic thumbs up]
Jaime: And so when I came in, I saw Jo - I had been on shows, like I was on a show called Hustle, I was the only girl in the cast, and then everybody, uh, behind the camera was, um, all men. Um, on Warehouse we had one female writer on some episodes, um, we never had a fe- uh, um, a female director on anything or a producer-
Jo: No we had, we had Tawn- [presumably about to mention Tawnia McKiernan] we had two fem- we had a few, but we were-
Jaime: No- no- not on my, not on my episodes.
Jo: Oh, on yours.
Jaime: But it was just like, I came in and I saw Jo and I understood, and I knew what her experience was, and so there was this kind of kinhood, this sisterhood, and I think it, it’s not a male-female thing, but it’s, it’s a minority and majority thing. When you’re in a minority and the majority is doing something, you either have to get down with the program and go with that flow, or you get kind of fe- you feel like you’re difficult or annoying to everybody. And I kind of came in and I just was like, oh like, I get it, it’s hard, and I’m gonna give this woman, like, my, my energy and my love and, so it was-
Dana: So you were like I- you looked at Joanne and you were like, that is someone I can smash the patriarchy with!
Jaime: [laughs] Yes.
Dana: Let’s do it!
Jo: No, I read a lot of books [laughs] when we weren’t filming. I would like get on my chair and just be like this. [mimes holding book in front of face]
Jaime: Yes!
Jo: [laughs] Like I’m doing this now, I’ll see you guys when we’re rolling again, you know, it was really- and, but also, you know, it’s so, and it is changing, it’s changing and evolving in a really, um, at a wonderful rate, but also I would get so excited to be in a scene with another woman that wasn’t about a man, you know, or that we weren’t- uh, it was just so nice to have girl-girl scenes. That never happens, it hardly ever happens. Like, the majority of scenes that you do are about love or acrimony with men, um, and it’s so nice to have a relationship with a woman that’s, um, sort of reflective of how relationships with women actually are. Um, I’ve been, I shifted into writing because of frustration with just not reading stories that I felt were reflective of our, my experience as a woman, you know, that sort of, um, and I think that Bering and Wells sort of in, I mean, that’s when that ship turned for me, as well.
Dana: Well ho- hold that thought, we are, we are going there!
Jaime: And, and also because it wasn’t, it actually wasn’t written. Um, there was, in a way we were able to steer that ship, and then we’d already kind of given a road map for the way this energy was, so it wasn’t written in the conventional way. Like, even like, when a, when a, when a, when a woman will have a love interest it’s, it’s often written by men and it’s o- often in a conventional kind of way, whereas our relationship, at a time before people were even kind of, uh, exploring this that much, um, now, now much more, thank god, it’s more, more inclusive. But it was more kind of, um, uh, complicated than, than maybe would’ve been written about, so it was given more nuance, yeah.
Jo: You mean like, do you mean like actual relationships? [laughs]
Jaime: You what? Say that again?
Jo: Like actual relationships! [laughs]
Jaime: Yeah, yeah, yeah. [laughs]
Jo: You know, that don’t come in and you have a “where they start and where they finish,” like that we, oh, we know where they’re gonna end up so we’ll just gonna-
Dana: Right, right.
Jo: -move them around like chess pieces. It was actually an energy that Jaime and I created, and the story sort of evolved from that energy as - it was inside out as opposed to outside in, which I think made it a real relationship.
Dana: Well, so my friend Dorthy Snarker, she once said that HG and Myka’s storyline has been main text pretending to be subtext, which feels really apt to me.
Jaime: Yeah!
Dana: So at what point-
Jo: Very smart.
Dana: What point in the show did it really click with the two of you that this connection that HG and Myka shared was something much deeper?
Jo: Jaime just had, Jaime, you just explained this very coolly in, in, um-
Jaime: One of our chats.
Jo: Yeah, yeah. Why don’t you speak to this, why don’t you take this?
Jaime: Well, well, first of all like I said, there was like kind of this sisterhood when I came in and, um, Jo, uh, Jo wasn’t like, like it wasn’t like I came in and she was like hey let’s be friends. I came in and she was behind a book, and she wasn’t particularly accessible, and she wasn’t, like, she was a bit grumpy, you know. And so I was like, my personality type is like, how do I crack this nut? [laughs] How do I make this woman love me? [laughs] This is the most unaccessible woman-
Dana: That explai- Jaime that explains a lot! [laughs]
Jaime: This is the most unaccessible women on the set, the mo- the most unaccessible human to me. How do I make her fall in love with me? So it’s like partly my narcissism-
Jo: [laughs] Jaime Murray in a nutshell, everyone!
Jaime: -and my ego, um, so I was kind of winning her over off set, and then, you know, as she was opening up to me and, you know, she was kind of telling me about some of the challenges she was coming up against, I was like, yeah, that’s, that’s not fair, and yeah, I completely get that, you know. So we were kind of like having that kind of journey, I’m like, like, I’m like, oh no, you’re not crazy, everyone else is crazy! Like, let’s smash the patriarchy!
Jo: [laughs]
Jaime: And then, and then unfortunately, um, Jo hurt herself really badly doing a stunt, and, um, you know, there’s no time to hurt yourself on a film set, and there’s no time to take time and, and kind of heal your back or anything like that. So she was taking some pretty strong painkillers and she was working through it, and I had spinal surgery, I, I know what back pain is like, it’s, it’s the worst. I mean, it’s literally everything, you know, you feel like an old person. And so I was, um, taking care of her as best as I could, and we had the scene, and it was the scene in the street where, I, I think it's the first scene that, where I get the grappler out-
Dana: Oh, the grappler.
Jaime: And I shoot it into the air and I put my arm around her and we shoot up-
Dana: We’re very familiar with this scene. [laughs]
Jo: [doing grappler motion] [laughs]
Jaime: Yeah, so, so it’s like, it had like, physicality, and also it was a really, um, we always laugh that Toronto has about five seasons in one day, so you’ll like start shooting the scene and then suddenly there’s a, like a snowstorm! Bright sunshine!
Jo: Then it’s sunny! Then rain!
Jaime: Torrential rain, wind - and it was one of those, and we had to move to a new location, we were really behind in the day, and she had this one pice of hair that kept on like blowing in her face-
Dana: Oh, I know where this is going, Jaime. [laughs]
Jaime: And she was, the thing was, she was like, also these painkillers-
Jo: I was like, I can’t even see with the hair, I was like, I was hopped up on so many painkillers...
Jaime: Yeah, she was hopped up, she was like, I can’t even get my hair out of the way!
Jo: I think I actually called that day, it was the only time where I was like, guys I can’t work anymore, like, I literally, the doctor was like, you need to rest and I’m like I can’t. And the first AD came over to me and he was like, you’re gonna have to say stop, because nobody is gonna stop the filming, and I didn't wanna do that because you don't want to be the person that, that loses the day.
Jaime: That’s part of it, isn’t it? You’re, you can’t be, you can’t have any vulnerability or be a woman in any way, any shape or form on a film set. [laughs]
Jo: Yeah.
Jaime: So I knew in the morning, and so I’d been like trying to take care of her and had, had like this experience of having spinal surgery, so I was like caretaking as much, as best as I could. I’m a Cancerian as well, so it’s in my nature.
Dana: Sure.
Jaime: And, um, and we‘re in this scene and we’d had to kind of cut so many times, and this hair just kind of-
Jo: [laughs]
Jaime: -came over her face like this, and I just lent forward and on my line I just moved the hair out of her, um, face and put it back, and there was this, this look of genuine-
Jo: [laughs]
Jaime: -surprise and shock in her face because we hadn’t rehearsed it and, and, and you know, we rehearse everything, and then, and then Joanne, what did you say that you-
Jo: I said I had this feeling, you know, when she did that I was like, oooh, um, what’s happening? [laughs]
Dana: [laughs]
Jaime: What are these feelings I’m having?
Jo: I did not expect all these feelings.
Jaime: Someone is being nice to me in this hostile world!
Jo: I was like this is so, it was like, pink light came up and there was glitter all of a sudden, and a unicorn in the back and, um-
Dana: Yep.
Jaime: They were really good drugs, you can��t, they’re illegal now, you can’t get them now cause they’re illegal now, but-
Jo: [laughs] No, no! But that point I’d say that the storyline really developed from inside out, you know outside, it was actually something, she did something that made me respond in a certain way, and as an actor you have those openings and you can choose to go, you either close them, like if, if I don’t like an actor [laughs] and someone does something, I might go like, no, I don’t wanna gonna go with that- [laughs]
Jaime: Yeah.
Jo: -and change the track, but because I love Jaime and, and that happened, I sort of just was like I’m gonna go with this energy and see where it leads. And so it was a very organic, and it took me completely, and I had not expected it, it took me completely- but I liked it, so I started, then that...
Dana: So you are the reason, you two are the captains of the Bering and Wells ship. You made that happen!
Jaime: Yeah.
Jo: Yeah.
Jaime: But also I felt like HG, you know, she came from an era when the suffragette movement was, um, happening, and she was active in that, however, she had to write under her brother’s name, um-
Dana: Yeah.
Jaime: And as a woman, you know, she couldn’t be even open about her brilliance and she had to let her dimwitted brother take credit for it, and then she was frozen. So she was an activist before her time and suddenly she’s waking up in a world where there’s this dynamic woman, gun-toating woman kind of using her wits and brainpower and like, god bless Pete [laughs] but he was a little bit, like, she was the brains and the brilliance, and often he would be kind of like, you know, taking the credit for it or like having the girls flirt with him, and I just felt like if I grow up, if I woke up from, you know, a dream of, of being a suffragette and I woke up and I saw Myka, surely I would be more fascinated-
Jo: [laughs]
Jaime: -by this woman who is everything that I had ever wished to be, so I started playing off this fascina- I was fascinated by her. Pete was just as stupid as my brother. [laughs]
Jo: And I do have to say, I do have to give the showrunner Jack Kenny credit here too, because Jack really let us run with it and started to lean into it, and the writers were all very accepting, so it was, and, and Jack particularly, you know, we had a lot, we had our creative differences, but he was really generous in this storyline with us, like I think, he gave us a lot of rope to play with-
Jaime: Yeah.
Jo: And it was interesting rope, because they never-
Dana: It was attached to a grappling hook is what it was!
Jo: Yeah, and they never, like what i really loved about it is the never like put it on the nose it was always very elliptical, we always had room to breathe, um-
Jaime: Well partly I don’t, I think that it was, it was, it’s funny to talk about it now because it doesn't seem that long a- long ago, but it-
Jo: But it was so long ago...
Jaime: -it was unusual-
Jo: For that.
Jaime: -for the genre and for the audience that we were going for to, to actually go there, um,
Dana: Yeah. Seven years ago, you’re absolutely right. Things have changed tremendously, and especially in the last five years.
Jo: Yeah, yeah.
Jaime: And, but I think that Jack and Drew, they were kind of excited about what we were doing, but actually, you know, we weren't sure what the network would say or what the advertisers might think, and so, um, you know, I’m really proud of the work that we were able to, to say-
Jo: Yeah.
Jaime: You know, being the first in some ways.
Jo: It’s interesting, you know, like Jaime texted me, she sent me this video and I was looking at it and I was just so proud-
Jaime: I sent you Mal’s video, I sent you one of Mal’s other videos.
Jo: She’s wonderful, so like shoutout to her!
Jaime: Yeah
Jo: That’s, yeah, it was gorgeous, and I was really proud of the work, you know, after, it’s, you create these things in a bubble and, I haven’t se- I haven’t seen Warehouse, I never watched it. [laughs] so I’m always very surprised to see these videos, it feels like I’m cracking open-
Jaime: And I want to say as well, you know, when we say we haven’t down and watched all the shows, or you know, in some peoples’ cases, many of the shows, you know, it’s, it’s not because we don’t love the show and we don't love the work that everyone else has done, done, it’s actually a lot of actors don't watch, um, their own work. It’s, if, if you’ve ever heard your own voice on an answer phone or something and you're like, who’s that? Oh my god, that’s me!
Dana: [laughs]
Jaime: Like, so when you see yourself on TV or screen it’s like that on crack, it’s absolutely terrifying, and, and you’re like oh my god, like behind a pillow, like-
Jo: Filled with self loathing and despair. [laughs]
Jaime: Yes.
Dana: That’s okay.
Jaime: Which is a work in progress, I’m trying to deal with that now.
Dana: Well, when, at what point did you realize that queer people were actually starting to flock to the show to support this direction with these characters?
Jaime: We, we didn't know, we didn’t know-
Dana: No?
Jaime: Well, we, um, I, um, Jo’s not on social media so I don’t know when she knew, other than maybe when I told her. I saw replies on twitter-
Jo: Comic Con.
Dana: Somebody didn’t like hire a plane and like, around the area with like, a Bering and Wells forever…?
Jo: I, I remember, I remember going to Comic Con, for me because that’s’ when I had the fan interaction, um, because I wasn’t on Twitter-
Jaime: Yeah, there were fans that told us.
Jo: And, and, uh, a lot of the women, I remember being asked some very specific questions during panels, and, you know, there's a lot of guys who like to talk at those panel so I didn’t get to talk a lot but I made it quite, I, I made it quite clear about how important that storyline was to me and it, it, I realized very quickly that it was important to a lot more women than me. I didn’t really realize, too, that storytelling wasn’t represented in that way, at that point, you know. I didn’t feel that. I didn’t feel like that was a groundbreaking choice, to choose to be attracted to a woman in a scene to me is life, it’s how I live my life, I, I’m you know, I don’t have those, I’m not in a box [laughs] and it so when I realized, it was a eye-opening moment. I’m like, I’m like, wait, wait, this is, this is something new that’s not being done?
Dana: You guys were kind of on, you were like right here [miming going up a hill or mountain] and then shortly after Warehouse, it started going like [woosh noise of going down the other side of the hill] and this wave of representation started happening.
Jaime: Well, ev- even in Warehouse, there was an openly gay character in, in Warehouse.
Dana: Right, yes!
Jo: Yeah, yeah, there was Aaron.
Jaime: But it’s been, it’s been incredibly, um, powerful for, for, for, for me, um, you know, I I, think that a lot of people, some people are like oh my god, you know, I wish I could go back to my childhood or my teenage years, I, you could not pay me anything for, I would not go back to my teenage years for love or money. It was, it was a incredibly painful time for me, um, and not a particularly happy time for me, and, um, you know, just awkwardness, you know, all the stuff that, you know, all the stuff people feel in their teens, all the bad stuff I felt in my teens, so when I’ve spoken to people at conventions, um, and they've’ spoken to me about, um, Warehouse having, and our relationship in Warehouse having a positive effect for them in their teen, in their painful teenage years, it’s, it, it, it can bring me to tears, because i- if I could have imagined having kind of that, some kind of impact when I’d been a teenager maybe I wouldn't have been so miserable, but, um, I’m really humbled by it. it’s really lovely.
Dana: Yeah, you, you most certainly have had a tremendous impact on a lot of peoples’ lives and I’m so glad that you are able to take that and keep it in your heart.
Jaime: Yeah.
Dana: Speaking of this kind of sea change of the last few years, do you think that if Warehouse had been airing now that things might have ended differently? Do you think that maybe that subtext really would have been pulled much more into main text?
Jaime: You’d know better, Jo.
Jo: I...don’t know the answer to that question, um, perhaps, actually, absolutely! It’s twenty twenty-
Jaime: If we were writing it, maybe.
Jo: I mean, that’s what I’m trying to do. [laughs] Um, yeah, I think so. Maybe we would have been able to lean more into that storyline, um-
Jaime: Maybe we would’ve had a, be a stronger voice in shaping the narrative there.
Jo: It, yeah, I mean, Jack was, Jack was great about it, but it, it was a different, it was a different era. I think now is, is really a beautiful time for storytelling in the sense that it is really becoming so much more inclusive and we have representation, which, I mean, seeing ourselves represented in stories is how we understand ourselves in the world, and that’s, it’s so important, you know, it’s so important where we’re going, um, and I wish there could have been more of that in Warehouse, but I’m glad there was what there was.
Dana: Yeah.
Jaime: I, I, I also think that, um, you know, it’s changed so much in just such a short space of time, but particularly in the last couple of years, like, women were always, um, portrayed like, like, women always had to be perfect and kind of cute, and, you know, there had to be kind of something attractive or charming about them at all times, you know, and so we always had to put a bow on a woman to make her acceptable. And one of the things that I’m really loving is, you know, that women can be flawed and they can still, you can still love them and, you know, one of the things that always stun- stunned me is that I’ve been so welcomed into a community of kind, inclusive, um, you know, powerful activist, um, women, uh, um, and I’m like, why do these amazing women even like my characters when I’ve played such, um, a bad character, and it’s like-
Dana: But, but we love that! Queer women love a villain!
Jaime: Well, it’s like, flawed characters, and it’s like, and then recently I watched this show called, um, I hate Suzie Pickles [actual title of show: I Hate Suzie], um, there’s a show called, um, uh, I May Destroy You. They’re British shows, actually, both are.
Dana: Oh, yeah, it’s so good.
Jaime: And they, these are complex, um, women who make bad choices, and they self sabotage and they do things that are kind of frowned upon in society, and yet I love them, these women, and it’s like, if I can love these women for all their flaws, then maybe I'm okay too. And I think that we, we have to allow women to be flawed and lovable instead of just being cute little heroines that kind of support men at all times. I mean, it’s changed so much, that’s kind of, like the old, the old order of what it used to be, like, but yeah, it’s exciting.
Dana: That happe- That was what was written in my yearbook! Just, Dana Piccoli, flawed but lovable.
Jaime: Ah! [laughs]
Dana: So I totally, I totally can appreciate that.
Jaime: Was it that? Was it- that would be the best!
Dana: [laughs] I love that.
Jaime: Flawed and lovable, not but.
Dana: Oh yeah, yes, flawed and lovable, sorry, sorry. That’s, that’s what, that’s where I went wrong in the yearbook.
Jaime: Exactly.
Dana: Uh, J- Jaime. A lot has been made of this, the apples scene.
Jaime: Yes.
Dana: Do you think I smell apples is basically saying “I love you”? Were you, what do you think that Helena was trying to express at that time?
Jaime: I, I, I think that it was, um, a sense of, uh, acceptance, and, um, and, and, and, and, and love, I mean, uh, because Helena had always been such a, kind of a troubled character in so many ways and she had kind of, um, these struggles and this darkness and these mental health issues and I think that “I smell apples” was a, a, a wa- wa- was, she, she’d kind of come to the light, you know, she, she had, had kind of accepted herself, and it was such an altruistic act of love, she was sacrificing herself in order to save the others, that it was true love, like she’d overcome the darkness. So it was, uh, I, I, I, I, love that, uh, moment, yeah, that kind of-
Jo: I know we wanted, uh, one of the most beautiful definitions of love onscreen is recognition of your soul in someone else.
Dana: Mhmm.
Jo: That’s really what happens, and I thought that when Jaime did that, there was a very beautiful, I mean it’s sort of like Romeo and Juliet. You see this moment of, and we talked about it earlier, that energy, that to me is that. what that is-
Jaime: Yes.
Jo: -the scene is, “I smell apples.” It’s these two people who see each other in each other and are profoundly connected, whether, in whatever way that it is, it’s just a profound connection, you know, and so often we find boxes to put these connections in, you know, as humans, we want to make sense, we want to make logic of them, you know, which is, I think, um, why storytelling suffers in the representation, because you want to define what a thing is and kind of, um, the most beautiful things about some of the most special relationships is they, they're beyond what you can say they are, they’re beyond categorization, they are, you know...
Jaime: I, I, I definitely think that, although it wasn’t written in that way, I mean, if you actually go back and look at the footage, I’m saying “I love you” to, uh, uh, HG is saying “I love you” to Myka and Myka is is let-
Jo: I only think that’s what she was saying.
Jaime: -letting, letting it land.
Dana: Confirmation, folks! Confirmation, um, everyone!
Jo: In here. [points to head]
Dana: Write it in your vows, write it now in your vows!
Jo: Dana, you’re funny! [laughs]
Dana: Thank you!
Jaime: But wh- when, when did I come back and I was like, married to, what-
Dana: You, you weren't married, you were with a gentleman, and he had a, a young child and-
Jaime: And he was a bit of a drip as well!
Jo: And the house was very suburban, that’s all I remember was, I like walked into this house and I was like-
Jaime: That was, was that, I don’t really know the chronological, um, ordering, but like, I had like a ponytail, and I had a, possibly-
Jo: You were probably like driving a minivan.
Dana: You were teaching, you were teaching, weren’t you?
Jaime: Cause wasn’t I [indecipherable]
Jo: It’s okay, Jaime, I [indecipherable]
Dana: You were like in Phoenix or something.
Jaime: Yeah so, so what was that, after a bit I, so like “I smell apples” was the ending of my character, right? So like that, was that after a bit-
Dana: Right, and then you got rev- you were brought back-
Jaime: Right.
Dana: And then you kind of disappeared for a bit.
Jaime: Yeah, yeah, yeah.
Dana: Yes. Yeah, um-
Jaime: Yeah.
Dana: The, um, the, the, uh, the fans [laughs] were, um, confused by that, were like what?
Jaime: I d- I’m confused, I’m confused! [laughs]
Jo: Not just the fans, not just the fans.
Jaime: Well, I actually, um, I, I, I really want to go back and see that scene, um, I, I feel like you came to, I don’t, I was living in like suburbia-
Dana: Mhm.
Jaime: And, and didn’t you come to-
Jo: I don't remember.
Jaime: -the house and I, I think you came to-
Jo: I remember that horrible house though, because it was like, it… [makes disgusted face]
Jaime: It was so weird and I was like hello, I’m kind of like a completely different woman!
Jo: It was like very Stepford, I like, I walked in and, I don’t know why Myka was so accepting, I would’ve taken a baseball bat to the house, gonna be like, we’re leaving!
Jaime: So, so, so, so, I, so I, Jack, so Jack, Jack-
Jo: Get out of here, you drank the Kool Aid!
Jaime: I remember Jack was there and I was like, um, uh, oh, like this, like, like this doesn't work because of this and this doesn’t work because of that, and I was having a little, kind of like a creative difference with him, and, and he left for the day, he left for the day, and I really want to go back and see that s- that, that scene, because I remember I was asking him if I could, yeah, I know it’s, it says this but could I play it like this? And I do- I remember he didn’t want me to for the storyline, but I remember he left. [laughs] So I’d love to go back and see, I, I remember think- feeling like I was quite naughty, that I actually got away with it, but, uh-
Dana: Oh, I am loving all the subversive shit that was happening behind the scenes. [laughs]
Jaime: Yeah. [laughs]
Jo: Do you remember the park bench as well? Remember that scene, it was-
Jaime: Oh, yeah, a bench.
Jo: Wasn’t that a bench?
Jaime: Oh, that was a love scene, that was a love scene.
Jo: That was a, yeah, we really went for that one. [all laugh]
Jo: Everyone was like, what? And I’m like, well, we’re doing it. Might as well!
Jaime: [laughs] And we’re in like, Toronto, and everyone behind the camera, like, they’re very blokey, and it’s not in the script, and then they're like, “oh I didn’t, they’re, they’re, oh I didn’t see that coming!” [laughs]
Jo: They were like, what are you guys doing? We’re like, we’ll figure it out! [laughing]
Jaime: Exactly! We’re just doing our own thing. [laughs]
Dana: Oh, a little, a little mutiny, a little bit! [laughs] Well we, we, we’ve ha- we’ve had such incredible conversation so far, and I have so many fan questions for you, and if we were onstage everyone would get to come up to the mic-
Jaime: Aw.
Dana: -and ask you questions, but I do have a bunch of questions that were sent in, um, so I do want to get to your fans, because your fans are so integral to keeping this like-
Jo: That’s why we’re here.
Dana: -story alive. Uh, let’s see here. Let’s kick it off. Alright, so wellsbering wants to know, what personality traits do you share with your characters?
Jaime: Well I think, I think that, um, I, uh, definitely always get cast as the baddie for whatever reason, but then I think that, um, really the quirky mess that I, I, I morphed into is basically me. [all laugh]
Jo: I like that answer, that’s great. Um, I, uh, am very A-type when it comes to certain things, and Myka very much, I’m very like, flowy, Myka wa- didn’t flow, but there are certain parts of my life where I’m not flowy around. My work is one of them, writing is another one. Um, and I’m very afraid of letting people down. I think that’s why I've been, I was te- telling a lot of the people that I was talking to today that, you know, the reason I didn’t do this a lot when the show was on, I couldn’t understa- i was like, why do people wanna meet me? They're gonna meet me and be disappointed.
Dana: Ohhhh.
Jo: Yeah.
Dana: I think everyone thinks that though, I think that’s very common.
Jo: I think tha- yeah, I think that’s the human condition, right?
Dana: Yes.
Jo: Um, but, but I think Myka and I share that sort of reserve, you know, that thing where you’re like I don’t, no, don’t get too close. I’m like a Monet, stay back. [laughs]
Jaime: And I, I think that was part of the chemistry as well, it’s like, you have that kind of like, you know, protectio- protective-
Jo: Yeah.
Jaime: -kind of like, edge. And so it’s like, if, I think that i- in a way, the gift that we had by it not being written for us is, if had been written we would’ve, the characters would’ve made each other, um, accessible to each other far too quickly. It was like the slow burn of, Myka could be quite prickly, and my character was completely messed up so it was kind of like, this kind of like energy between them where they were kind of like, you know, like working each other out, feeling each other out-
Jo: Is there? Is there an energy there?
Jaime: And then the laughs were well earned, and the smiles, and the deciding to work together was well earned. There was a, a lot of suspicion around each other, and when they opened up or they kind of let their guard down, it was hard earned, and and it was like, you know, something you would wanna rejoice at.
Jo: Yeah, aw, I love that.
Dana: Um, okay, so this is from mayberrycosplay, uh, you may remember mayberrycosplay, I believe one of them dressed as HG at a con, uh-
Jaime: Oh!
Dana: -but they wondered-
Jaime: I’ve seen a few HGs.
Dana: You’ve seen a few HGs.
Jaime: [laughs]
Dana: This is for Jo about, uh, Myka’s experience with ovarian cancer and, uh, like, how the awareness of this silent killer of women, like how that storyline, what that storyline meant to you and how it felt to portray that?
Jo: I was really nervous about that storyline, you know, anything that has affected people and their families and, and it’s always, I, you know, difficult territory to walk as an actor, especially in a show like Warehouse where there's so much happening on such a grand level that I’m like, are they going to pay attention to this? Are they going to really honor a storyline like this? was my concern, you know, like very often things like that are added like, uh, it’s like putting a robot arm on a story, and you're like oh, and by the way, there’s ovarian cancer! And so I was really, you know, concerned about showing up for that and, and, and and serving it in a way that people understood and, and could identify with that, you know, it’s such a catharsis, that’s what I think it’s supposed to be. Um, so it was, uh, I, the fans told me I pulled it off, that’s the only way that I know.
Dana: Well it meant a tremendous amount to, to mayberrycosplay and so that’s why they, they sent that in because it, it really affected them because of their own personal-
Jo: Yeah.
Dana: -you know, family journeys and such.
Jo: Well I’m so, so, thank you, I mean, I’m still wondering, you know, I worked really hard to make sure that was in there. We’ve all lost somebody to cancer, we all know what that’s like, we all know- I mean, I mean, I certainly have, to feel a lump and be like [does the Home Alone face] you know. I have two friends right now who are going through it, so I try to honor it in the best way. I- it’s one of the things that makes me want to be an actor, uh, that I think is so special about it is that you get to tell stories that people, it’s a group catharsis, you know, so I’m glad that, glad they think I, the only thing that, if they think I sh- I showed up then... [laughs] yes, good, good, good.
Dana: Um, let’s see here, cloxy813 wants to know what was your favorite, favorite scene to film together?
Jo: Probably the heaving bosoms scene. I was excited for the heaving bosoms scene, which was all like [mimes placing gun to forehead] kill me!
Jaime: [laughs]
Dana: Hashtag heaving bosoms scene.
Jo: It was so hot that day, I remember my tank top-
Jaime: So hot, oh my god, it was like-
Jo: It was like, my tank top, I would like look down and find, I was like, my boobs are out, um. [laughs] I just saw him sign, them sign, um.
Jaime: We were by that lake, I just wanted to dive in there. It was-
Jo: Yeah, yeah, yeah, but I loved, I loved, I loved doing that scene, I have to say. And, and the chess scene, I remember that.
Jaime: Oh yeah.
Jo: I remember that very well. Um, I really enjoyed my work with Jaime because I, as I said, you know, there’s not a lot of scenes that are two women just being women. It was so, it was like a breath of fresh air and so I, I wasn't, I was, uh, you know, a lot of the times Myka was there to witness Pete-
Jaime: Or, or, or to laugh, or to kind of laugh and sigh at his super funny jokes.
Jo: The funny jokes... um, so, so it was so nice to not ha- be in a scene from that point of view. So often women are are written as accessories-
Jaime: Yeah.
Jo: You know, and, and this was a storyline where I felt like she was a whole person and I could be like a whole, real person, I didn't have to be like-
Jaime: I, I, I, I, I was on a show called Hustle and there was a character on it called Danny Blue, and he had all the funny lines, and one of the refrains that I had was “oh Danny. Oh Danny,” where every time he said something cheeky or naughty or a joke I’d go “oh Danny,” and I remember just being so excited to get the job, but then after awhile like me saying “oh Danny” really wore thin, especially as off camera I feel like I was more witty! [laughs] In that space I was much more funny, but all the funny was written for him, and I was going “oh Danny.” So when I came in I really, I kind of, um, you know, I knew the frustration of playing the, kind of, you, you know-
Jo: Straight man.
Dana: The “oh Danny.”
Jo: -if you were playing, right, right, the brainiac, uptight brainiac, and Pete had all the funny lines, so obviously we were in a lot of scenes with the rest of the cast and keeping the story going, but I felt as though all the character stuff that we had as, as women came from the scenes when we were on our own, and obviously that first scene with the grappler, um, you know, was, it was kind of the first scene where I’d been playing kind of like a little, kind of kind of like sneaky little looks and curiosity and fascination with this woman-
Dana: Yeah, we noticed.
Jaime: And, but, but, I, but, it wasn’t until the grappler scene that I thought that, that i was starting to get this, kind of, this chemistry going, and then there was a scene, do you remember the scene where I didn’t know how to work a computer or open it, it was like a, I was like a monkey-
Jo: Yeah [laughs] yeah.
Jaime: I was like a, it was like, I didn’t know what this is, we were-
Dana: Well, I mean in, in f- in fairness you had been in bronze for a long time.
Jaime: -we were in like a stu- a student room, a student's room, it was-
Jo: Yeah, we were at the college, we were at U of T.
Jaime: And, and. and we’d, it was the first time we’d deci- you’d, you’d kind of begrudgingly decided that we could work together, and HG was kind of a little thrilled, and you were a bit begrudging and-
Jo: Yeah.
Jaime: There was all, we, we still had to, ‘cause like, in sci-fi there’s a lot of storyline and exposition and kind of fantastical stuff, which is super fun, but actually as actors you really get excited about the character stuff and there was always just this great character stuff whenever we were on our own with a scene-
Jo: Yeah.
Jaime: -um, because we didn’t have to worry so much about servicing all the other characters, we just serviced each other.
Dana: Well, you know, there are only two kinds of queer women. It is thrilling or begrudging, it’s one or the other. [all laugh]
Dana: They fit perfectly in there.
Jaime: I mean maybe that’s why it resonated so well, and maybe it was the reason it was so great, that it wasn’t written, because you had these two kind of like, kind of sli- slightly spiky kind of like flawed women, kind of like o- one, you know, one not particularly into the other at all, you know, so-
Jo: It was interesting, I still remember, I still remember receiving that energy and receiving that stuff and realizing, sort of plotting, cause I’m like, how long would it take Myka to figure this out?
Jaime: [laughs]
Jo: Seriously, I was like, cause, Joanne is not her,, I’m, you know, I’m wasn’t in the box that she, I always thought, Jack’s like, you’re exactly like that character, I’m nothing, I’m not- [laughs] I mean there’s a part of me that’s uptight but there's a part of me that’s most definitely not, so I was like how, and I really wanted to do the discovery of it within her, the like, this, the, this feeling started, and then her sort of, and M-Myka to me as a character as a whole was always somebody who was afraid, this is somebody who was always very scared of everything and presented themselves in this very [mimes acting stuffy and uptight] way because there was so much going on here [gestures to heart] and it was slow in the five seasons, I really wanted her to like, you know, relax and start laughing and not be so, and I was like, there’s a certain amount of wonder that was like-
Jaime: Endless wonder.
Jo: -ohhhh, ohhhhh, ohhhh, like you kind of see her, one of the things about that journey is you start to see her discover sort of herself and her own feeling surrounding that, which I thought was really special.
Jaime: And also you, um, you, you kind of ended up, you, you know, HG was kind of like a tricky character and she was always one step ahead, um for, that first season, but then when she started to fall apart, you were the one that kind of put her together, and then I felt like there was also this humor introduced, this lightness introduced to your character through the humor el- elements-
Jo: Yeah.
Jaime: -and the surprise, which was, um, really lovely for your character.
Jo: Yeah, I, I think for m- for me, you know, it was a decision I made like in season two that I k- she had to evolve and grow and sort of, um, I couldn’t, I was, I was, I was like, I can’t keep coming to work and putting a giant stick up my ass [laughs] like we’re doing, like I need just to like expand her and go towards her relaxing and really finding, I think for her the big thing was always finding connection, you know, this-
Dana: Sure.
Jo: -we, we see in the beginning of the show is, it’s very cut off, very isolated, very like, and I, she lost her partner, that was, when I read that script, immediately I was like, this is someone who’s so scared of losing people again that she’s never gonna let anyone else in, and that was sort of like my understanding of her. And when Jaime came on, it was such a great way to explore that, Myka opening, you know, as feelings developed, her opening, you know-
Dana: Well, that, the growth, the character journey that both of your, your characters went on, I think that is what makes the show still so enduring to fans, like why they feel so connected to it, because we do, we saw that journey, you know, both of you had your own journeys to go on and you somehow managed to cross, cross paths, and it may not have ended the way fans had wanted it to, but we still go so much out of it.
Jo: I’m so glad.
Dana: I wish it was endgame, but what can I do?
Jaime: We, we, we need a spinoff show for Jo and I, we, we need a spinoff show.
Dana: Okay, yes, the spinoff, okay! You need to talk about that because-
Jaime: Who do we need to talk to to make that happen?
Dana: I got in a lot of trouble on Twitter yesterday for not asking a spinoff question, uh, what, like, what would a spinoff look like between between HG and Myka?
Jo: I think it would be have, to be now, which we-
Dana: Yeah.
Jo: And we’d have to get her, there’s no ponytails in this story, there’s no suburbs, there’s no fucking ponytails, um, no-
Jaime: I won- I won- I wonder if, um, it could be now, but, or, I wonder if I, I had to come in for a mission and then I actually pulled you back into my time, that might be an interesting way to turn it on its head.
Dana: Ooh, Jaime Murray, there we go!
Jaime: If we both had to go back-
Dana: I love me some period.
Jaime: -into my time or you know what made me think that [she does the Jaime Murray hair flip™] what I-
Jo: [laughs]
Jaime: I saw that, I saw that ne- The Nevers-
Jo: I miss that hair flip!
Jaime: -the, the, the a- the adverts for The Nevers on HBO, and I’m like that is the HG Wells spinoff right there, and I was like super fucked that I wasn’t in that, and then I read that Joss Whedon was a consultant and I was like [inaudible] really bad, so, but, anyway I think that that’s what we should do. I, I’m also obsessed with that time period.
Jo: I mean, yeah, and also like it was real, yeah-
Jaime: It was the beginning of ps-
Jo: Yeah.
Jaime: -psychology, of like Tesla, of of like different thoughts, there was like, they were like spiritual, um, kind of scientists and atheism and there was all it this opportunity for change, which actually wasn’t taken, but it was actually, it’s super interesting right at the time, there was suffragettes-
Jo: Also a fish out of water for me would be so wacky, because I’m a fish out of water too, alright.
Dana: I’m curious if yo all saw the Saturday Night Live sketch the other, uh, last week with, uh, lesbian period drama-
Jaime: Oh!
Dana: -and how, how every lesbian, like anything that features lesbians now has to be- [laughs]
Jaime: Well have you e- have you ever-
Dana: -it’s like the Edwardian or, like the Edwardian times.
Jaime: Have you guys read Sarah Waters, do you know this?
Dana: Oh, of course!
Jaime: Like, so, and maybe that is actually what helped me get to HG Wells, but I loved those books when-
Dana: Oh, they’re so amazing.
Jaime: -I was growing up and I feel like we should make those o- we should remake one of those b- Jo, you’ve got to read those books, and then-
Jo: I’m writing it down! I’m taking notes!
Jaime: Oh, it’s amazing.
Dana: You two would be amazing in her most recent one.
Jaime: She writes these amazing Edwardian, Edwardian kind of wanton lust and then there’s like, like the vervain or whatever, that kind of drug that they used to take back then-
Jo: Opium?
Jaime: -so it’s like slightly, kind of like psychedelic, oh, it’s amazing, yeah, she’s amazing.
Dana: [laughs] Well, we unfortunately are out of time, and it’s been so much fun to talk to the two of you, and I, I love the love that you have for your characters, for your friendship, for the fans, uh, it’s, it’s so lovely to see, and thank you so much for making this work in your schedules, I know you’re both super busy doing your own projects, um, and I want to think Mark. Mark, you’re amazing, thank you so much for, for interpreting.
Jaime: Thank you, Mark!
Jo: Thank you, Mark!
Dana: Um, do you have anything you want to end with, to say to the, to the Bering lesbians out there?
Jaime: Well, first of all, I want to say that, um, if anyone sends me messages to, you know, pictures or anything that that Jo needs to see, I’ll make sure that Jo, Jo gets it, ‘cause she’s not on social media, and I’ll, I’ll share stuff with her so that she can kind of know the love from the community.
Dana: Yeah, great.
Jo: I think, um, I’m actually gonna try to put together a newsletter because I’m trying to get my shows made and I could use this community, you know, to help-
Dana: Oh, we will support you to the end! We will march off that cliff with you.
Jaime: I could help you make a Twitter account, just for our community.
Jo: I don’t wanna do Twitter, I wanna do a newsletter. [laughs] I don’t wanna, I don’t know how many characters are in it, but it’s not enough. [laughs]
Jaime: But Jo, Jo, you have to actually read some of the fanfiction. The fanfiction is epic.
Jo: I have a book that I got, somebody wrote a book-
Jaime: Unbelievable, oh my god.
Jo: -like a novel.
Jaime: They’re brilliant, these people are brilliant, like best fans ever.
Dana: There is some really incredible work out there.
Jaime: Well, do you want to-
Jo: I just wanted to say thank you to everyone, um, you know, I don’t do these very often, and just like, the outpouring of love, like just the connection, I really appreciate it, I’m so grateful, so thank you.
Jaime: Yeah, it’s such a beautiful community. I feel really proud to have been welcomed into it and, uh, very grateful.
Dana: Well, we’ll hope to see you another time, and thank you all who turned in to this panel. [Jaime blows kisses]
Jo: Thank you.
Jaime: Bye, guys.
Dana: Do you smell apples?
Jaime: Bye, Jo, I love you so much.
Jo: Do you smell apples? I love you too. [blows kiss] I’ll talk to you soon.
Jaime: Yes, I’ll see you later. Bye bye, darlings.
Jo: Bye.
619 notes · View notes
jungshookz · 3 years
Note
miss cee pd i have a request!!!! how about e2l tae x y/n but they're in law school and they're always arguing and debating inside and outside of the classroom and tae being a little shit is like "you wanna kiss me so bad" and they both don't realise that there's mistletoe above them which jimin put because he was tired of watching them constantly argue and wanted to fiZzle the tension hehe and then they KITH,, i hope this isn't too long aha
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➺ pairing; kim taehyung x reader
➺ genre; sfw!! enemies to lovers!! everyone’s in law school!! mostly y/n and taehyung bickering with each other and wanting to jump each other’s bones at the same time
➺ wordcount; 4.3k
➺ what to expect; “don’t flatter yourself. i would rather throw myself into oncoming traffic than kiss you, kim taehyung.”
                                     »»————- ❄ ————-««
“-now, the particular case study that was assigned to our group involves a civil action for medical negligence and a criminal prosecution for gross negligence manslaughter, which means that there are seven elements that we need to hit when we’re acting out our simulation next class,” you explain, flipping to the next page of your notebook with a flick of your wrist, “firstly, the client - jimin - must be interviewed so that we may determine the facts that surround the claim/prosecution. secondly, we need to draft witness statements - from hoseok and namjoon - and assess the legal efficacy of said statements. thirdly, we must assess the propriety of police interrogation from officer jungkook of the defend-”
you pause when a crumpled piece of paper lands by your left foot and you clear your throat quietly before stepping over it and continuing to pace back and forth at the front of the classroom
your eyes skim over your scribbled words as you try to relocate your place
ah!
here we are
“-ant, seokjin, through all transcripts along with the custody record. fourthly, we move on to assessing the reports that have been produced by the forensic experts-”
another balled-up piece of paper hits your foot and your head immediately snaps upwards from your book before you twist around to face the room
“would you cut that out, please?” you snap, already feeling your blood pressure starting to rise from a single glance at taehyung’s smug face
“what? i didn’t know how else to get your attention!” he hums, his arm dangling in the air with a floppy wrist, “my arm’s been up for the past three minutes, and you would’ve known that if you didn’t have your nose buried deep in your book.”
the reminder that you wouldn’t last a day in prison keeps you from lunging forward to wrap your hands around taehyung’s neck and you press your lips together to stop yourself from saying anything too crass
the last thing you need is for some professor to walk past the classroom while you’re cussing up a storm
your self-control has really been put to the test ever since you met taehyung
after all this time, you still don’t know what the guy’s deal is
he’s been a pain in your ass since day one
and for what??
for WHAT?!
at first you just thought that being a complete prick was just his weird version of being charismatic, but then you realised that he wasn’t being charming at all and he was really, truly, genuinely being a straight-up asshole
and, for the record, you’ve tried several times in the past to try to make things better but nothing’s worked
you said that he looked nice in his suit = he told you to stop looking at him like a piece of meat
you asked him how he did on the midterm exam = he told you that it was his right to keep that piece of information private and that you were being a snake by even asking about it
you said happy birthday to him = he said, and you quote, “yeah. it was until you got here.”
the point is, you’ve waved many white flags of surrender and extended many, many olive branches to no avail
at this point you’re pretty sure taehyung just gets off on being a jerk to you
and it’s not fair because it’s literally just you that he picks on constantly
at first you thought that maybe he was just threatened by your presence because you made it pretty clear from day one that you weren’t here to play around
powerful women are intimidating!
you totally get it.
…but then you overheard him offering rosé some studying tips and you even saw him help wendy carry her books for her and everyone knows that rosé and wendy are two of the smartest girls in the class, so why wasn’t he threatened by them?
...
the point is, he doesn’t treat anyone else in the class like this except for you and you can’t seem to figure out why!
what makes it even more frustrating is the fact that his stupid face is very nice to look at, so whenever he’s being mean to you, your dumb girl hormones drown out the sound of his rich, honey-like voice and place floating pink hearts around his head instead
“i’m so sorry i wasn’t paying attention to you, mr. kim.” you force out before gesturing to the notebook cradled in the crook of your arm, “see, all my notes are in here and i’m just trying to make sure that i don’t miss out on any details,” you point out, “and… i thought i said to save your questions for the end, did i not?”
“did you? i guess i wasn’t listening. sorry, sweetheart.” taehyung chirps, folding his arms and leaning forward on his desk, “anyway- don’t you think it’s a little unfair that you get to play the hotshot lawyer in this simulation?”
“everyone gets a turn to be the lawyer - last week, it was jungkook. this week, it’s me. everyone gets a shot to play the hotshot lawyer because our roles rotate.” you shake your head in disagreement, “how am i being unfair?”
“you assigned yourself, like, the coolest case study.” taehyung scoffs, leaning back against his seat and crossing his arms, “i mean… medical negligence and a criminal prosecution for gross negligence manslaughter?” his left brow arches before he turns his head slightly, “jungkook, what was your case study on again?”
“my client parked in a no-parking zone!” jungkook beams, nodding to himself, “i didn’t mind getting that case, though. it was actually pretty fu-”
“you hear that, y/n?” taehyung turns his head back to face you before gesturing behind him, “jungkook also thinks his case was boring as hell- his client parked in a no-parking zone and you get to deal with corrupt doctors and accidentally-but-not-really-accidentally-run-over-by-a-car pedestrians.”
your jaw clenches in frustration and you resist the urge to take a heel off and bash taehyung’s skull in with it
being forced to wear nice shoes to school would be so much better if you were allowed to commit cold-blooded murder with them
“well, that was last week’s case, so even if jungkook thought it was boring…” you pause, turning to set your notebook down on the front desk before twisting back around, “he’s already had his turn. and now it’s my turn!”
“you could’ve given me this case.”
“oh, please.” you snort, rolling your eyes before leaning against the front desk, “you wouldn’t have been able to handle a case this big. this has my name written all over it.”
taehyung scoffs, rolling his eyes, “the only reason why it has your name written all over it was because you grabbed it with your grubby little raccoon hands before anyone else had the chance to-”
“i-!” you pinch the bridge of your nose before letting out a laugh of disbelief, “oh my god, i refuse to have this conversation with you again, taehyung- for the last time, it was a first-come-first-serve situation, and you probably could’ve gotten this case if you weren’t so busy watching netflix in class-”
“you guys-” namjoon clears his throat, his shoulders drooping when the two of you ignore him, “…never mind.”
this always happens
you guys somehow always find something to argue about no matter what
in fact, namjoon’s convinced that you guys could sit in complete and utter silence and still find something to fight over
“how long do you think the argument will last this time?” yoongi leans over, “i bet you ten bucks it’ll last longer than last week’s fight.”
“no way! last week’s fight was half an hour long-” hoseok chimes in, “…they can’t possibly argue for longer than thirty minutes… can they?”
“remember that time they fought over a sandwich?” jungkook sighs, leaning his cheek against his fist, “that was a forty minute argument.”
“they fought over a sandwich?” jimin frowns, turning to glance towards the front, “what was there to even argue about??”
“y/n said that the spread was dijon mustard and taehyung said it was horseradish mustard,” seokjin purses his lips, “…i actually ordered the same sandwich and i’m pretty sure it was just regular ol’ yellow mustard… but i’m too afraid to tell either of them they’re wrong about it.”
“oh my god-” jimin scoffs, “forty minutes arguing about mustard?? really??”
“yep! i even recorded the whole thing just because it’s actually pretty interesting listening to two people scream about mustard so passionately for so long,” jungkook pulls his phone out of his back pocket, the rest of the boys scooting in closer to his desk, “by the time we finish watching the video, they’ll… probably be done arguing with each other. maybe.”
“-ow thick is your skull, taehyung? were you dropped on your head as a baby??” you scowl, “if i was a teacher’s pet like you say i am, then i would’ve sweet-talked my way out of being in a group with you. also, you know what? i wasn’t going to bring this up, but the only reason why we’re here during christmas break is because it was your idea to practice during the holidays-”
“yeah! you get to practice your big show in a huge, empty classroom without getting nervous about someone overhearing you practice speaking in your dumb, professional lawyer voice-” taehyung gestures around at the spacious atmosphere, “if this is your way of being thankful to me, you have an awfully funny way of showing it-”
“do you know what i could be doing right now if i wasn’t here?” you scowl, placing your hands on your hips as you glare at taehyung
“hm, let me think…” he hums, leaning back against his chair before kicking his legs up onto his desk, “bending over and trying desperately to pull the fat stick out of your ass?”
jimin sits up a little straighter as he peers over the top of namjoon and seokjin’s heads to check and see if you and taehyung are done arguing yet
your ears are turning red and there’s an animalistic, frenzied look behind your eyes, so... nope. definitely not done yet.
after all this time, he still doesn’t know why you guys fight the way that you do
it’s like you enjoy pushing each other’s buttons and irritating each other until one of you inevitably snaps (you’re usually the first one to fall off the rocker because taehyung is alarmingly good at being irritating)
“ooh, hold on-” jungkook grins, pointing to the screen before whacking jimin’s arm in rapid smacks, “my favourite part is coming up, you have to pay attention-”
jimin looks away from you two and back down at the screen
“-the low acidity liquid gives dijon mustard that intensified heat and the classic pungent flavour which is very obvious in this sandwich!” you exclaim, peeling the top slice of bread off to reveal the inside, “and look at that colour! that is literally dijon mustard-”
“okay, fine! it’s dijon mustard.” taehyung responds while inspecting his nail beds
“no, you’re not listening to- wait… did you just agree with me?”
“yeah!” he sighs, crossing his arms, “the mustard used in your sandwich is dijon mustard. and also, the sky is green-”
“oh my god, you piece of-!”
jimin looks up again when he hears your voice rise a couple of octaves
this is the part of the argument when your ‘i’m-fine-don’t-touch-me-I’M-FINE’ voice comes out
“wow! you are-” you laugh, shaking your head as you lean down and place your hands flat on the surface of taehyung’s desk “you really are something else, kim taehyung. i-!”
you let out a yelp of surprise when taehyung suddenly reaches over and yanks at a section of your hair
“ow!” you whack his hand away before flicking your hair over your shoulder, “wha- what the hell was that for?!”
taehyung doesn’t flinch at your aggressive tone and he looks up at you, completely unfazed, before giving a half-hearted shrug
“it was hanging, like, right in front of me. i couldn’t not pull on it.”
“well, your tie is right there but you don’t see me reaching over and pulling on it to strangle you because it’s right in front of me-”
“oh, threatening to choke me, are we?” taehyung hums, “i’m suddenly feeling very unsafe. should i get one of the guys to call campus security for my protection, miss y/n?”
“do you guys think we should break things off?” seokjin glances over his shoulder at the escalating scene, “ideally, i’d like for this to not turn into a how to get away with murder scenario…”
jimin narrows his eyes slightly as the gears click-click-click away in his head, leaning back against his seat and reaching up to tap at his chin
there’s something about this situation that’s reminding him of something but he can’t quite put his finger on it
“oh my god, you are such a child-!”
jimin’s eyes suddenly widen in realization, a lightbulb appearing at the top of his head
!
does taehyung like y/n?
...
oh, wow
taehyung has a full-blown crush on you!
how could he not have noticed this before?!
taehyung is literally the bratty little boy pulling on your pigtails because he doesn’t know how else to get your attention on this playground!
a comment from a former conversation with you briefly flits through jimin’s mind as he continues staring at the two of you in awe
he doesn’t remember how exactly you guys started talking about it, but he does remember you saying these words to him:
“i mean… yeah. of course i think taehyung’s attractive. maybe in another universe where he’s not bullying me 24/7, i would be more open to admitting to myself that i might have a slight crush- i-i mean, i- what did we say we were going to get for lunch today?? sandwiches?? we should get sandwiches, the place is right here-”
how could he have forgotten you said that to him?!
it’s like he finally has his hands on the missing puzzle piece... and it’s up to him to finish this puzzle!
“i have a plan.” jimin whispers to himself before reaching over to grab onto jungkook’s wrist, “i know what i have to do!”
“huh?” jungkook frowns in confusion, pausing the video before looking over at him, “what are you talking about?”
“just-” jimin gets up from his seat quickly, the chair screeching against the floor, “just make sure they don’t stop arguing with each other while i’m gone because i might take a while to find what i need-”
“you know, i don’t think that’s going to be an issue,” yoongi snorts, everyone looking towards the front to see you glaring at taehyung like you want to rip his heart out of his chest and eat it raw, “check out that throbbing vein in y/n’s forehead.”
“forget about her forehead vein-” jungkook shakes his head, “has no one else noticed how tightly taehyung clenches his asscheeks whenever he’s pissed? those trousers do not hide anything.”
everyone’s eyes immediately gravitate down to taehyung’s ass, hoseok and seokjin bursting into giggles at the sight
“what the fuck is your problem?!” you scream, taehyung’s eyes widening at your sudden outburst, “you’ve treated me like shit from day one and i’ve literally done nothing wrong!”
“okay! i think we should all just take a step back and take a deep breath…” namjoon gets up from his seat slowly, “it’s getting a little intense-“
“nothing wrong?! oh yeah, because you’re little miss perfect-” taehyung spits out, “don’t play dumb, you know exactly what you did!”
“what did i-!” you throw your hands up into the air, “please, i am begging you to tell me what the horrible thing is that i did that made you decide i was public enemy number one-”
“i heard you talking shit about me at the very beginning of the semester when you didn’t even know me! we’d never met and you didn’t even bother trying to get to know me before you formed your own opinion of me based on the way i looked-” taehyung snaps, “you said that i looked like an entitled, obnoxious frat-boy who didn’t even know left from right and only made it to law school because his daddy gave the school a generous donation- so if we’re really going to talk about who the real asshole is in this room, i would suggest re-evaluating-”
you feel the blood drain from your face at the reminder of what you said about taehyung on the first day of class
...oh.
...
okay, yeah, you... might have said that stuff, but it was only because the other people you were sitting with at the time said stuff like that and... and you were so desperate to find a group of cool law-school friends that you were totally willing to say and do anything they wanted you to do or say!
it obviously didn’t work because you don’t sit with them anymore, so...
yeah, it was a bad move to talk shit about taehyung like that without even having spoken one word to him, but if this proves anything... it’s that peer pressure is dangerous!
“well, why didn’t you just-” you stammer, feeling your face starting to heat up from embarrassment, “why didn’t you just tell me about this earlier? we could’ve nipped it right in the bud-”
“i much prefer the bullying because the feeling i get after seeing the defeat in your eyes is equivalent to a full-body orgasm-”
“oh my god, you sick freak-”
“uh, you guys-” namjoon cuts in again, holding his finger up, “can i just s-”
“okay, fine!” you raise your hands in surrender, “i’m sorry, alright? i’m really sorry. what i said about you was shitty, but i don’t see how bullying me for months on end was a good solution-”
“can you two shut u-”
“oh, i never said it was a good solution, y/n,” taehyung purses his lips, “like i said - i just did it because it was fun-”
“guys, if i could just get one word in-”
“do you even realize how psychotic you sound right no-”
“HEY!” namjoon suddenly bellows, you and taehyung jumping and clamming up immediately in alarm
“what??” the two of you ask at the same time, pausing to glare at each other for a split second before looking back over at namjoon
“i…” he trails off, his eyes flickering upwards, “…know this is kind of awkward timing, but…”
you and taehyung look up simultaneously, your eyes widening to see a dinky little shrub of... mistletoe? taped at the end of a meter stick
oh no 
oh hell no
“kiss first, and then you can apologise for what was obviously a huge misunderstanding and you can apologise for being a huge prick later - pucker up, lovebirds!” jimin chirps, waving the stick a little and watching your eyes go side to side like a ping-pong ball, “don’t be shy! also, i know the mistletoe looks like a clump of grass that i tied a red ribbon around- just don’t look too closely at it-”
“ha!” you let out a laugh before shaking your head quickly, “no way! i don’t know what you people think is going on here, but it’s certainly not that- you can’t just dangle a plant over my head and force me to kiss him-”
“what’s that supposed to mean?” taehyung scoffs in offence, tilting his head upwards slightly, “anyone would be honoured to be under the mistletoe with me!”
“yeah. anyone out of their mind.”
“aw, c’mon, you guys…” hoseok pushes his bottom lip out in a pout before clasping his hands together, “kiss and make up! we all know that’s how it works. let the christmas spirit take over your bodies and fuel your weird hate-love for each othe-”
“the sooner you two kiss and make out, the sooner i can get the hell out of here,” yoongi interrupts, snapping his fingers, “c’mon! plant a fat one on each other!”
“the only reason why y/n’s getting whiney about it because she knows she’ll fall in love with me the moment she kisses me.” taehyung suddenly speaks up and you immediately look back down at him with a glare
fall in love????
with him????
it’s not going to take a single kiss to fall in love with taehyung - it’s going to take intensive exposure therapy to fall in love with him!
“don’t flatter yourself. i would rather throw myself into oncoming traffic than kiss you, kim taehyung.” you growl, smacking your hands down on taehyung’s desk so violently that it rattles beneath you
“now, now. there’s no need to lie…” taehyung chuckles lightly as he pushes his seat back slightly and rises to his feet
“i’m not lying! i don’t want to kiss you!”
“do too!”
“do not!”
“do TOO!”
“do NOT!”
“you know, you just sound like you’re trying to convince yourself that you don’t want to kiss me-”
“you’re the one who keeps pushing it-” you jab a finger into his chest, “maybe you’re the one who wants to kiss me!”
“you think i wanna kiss you?!” taehyung laughs, flicking your hand away from him, “now look who the delusional one is!”
“i thought this was supposed to fix the arguing?” seokjin mutters under his breath, jungkook offering him a shrug while keeping his eyes glued on you and taehyung
he was running out of things to watch on netflix and this makes far better entertainment
the only thing that would make this better was if you and taehyung had at it in a grimy boxing ring half-naked
“i can’t be the only one thinking that all of this could be easily fixed if they just boned each other.” jungkook snorts, the other boys turning to look at him, “…what??”
“i wouldn’t kiss you even if you were the last man on earth.” you snarl, your voice wavering slightly
“you really expect me to believe that?” taehyung tilts his head, “don’t think i didn’t catch the way your eyes just flickered down to my lips, y/n...”
you feel your heart starting to pound in your chest when he places his hands flat on the desk as well, the tips of his fingers brushing over yours
at this proximity, the little voice in the back of your head can’t help but point out how pretty taehyung’s eyes are... and how nice he smells... and how soft his lips look...
...do you wanna kiss him?
oh, god
do you wanna kiss kim taehyung?!
no, you don’t
yes, you do
what??
WHAT?? 
“you wanna kiss me so bad, and you know it, y/l/n.” taehyung taunts, leaning forward just a little more
at this point, your faces are merely an inch away from each other’s and it wouldn’t take much effort to just lean in and… you know.
“i hate you.”
“if you hated me so much, then you wouldn’t be making such a big deal over silly little mistletoe now, would you?” taehyung smirks, pulling away before making his way around the desk so that he can get closer to you, “you like me but you’re too much of a wimp to admit it!”
“i like you?!” you gawk, “more like you like me!”
“okay-” jimin huffs, lowering the stick before taking a step back, “i really thought this was going to work, but my arms are getting tired, so if you two aren’t going to kiss, then i- oh-” his eyes widen in surprise when you and taehyung are suddenly lunging at each other not a second later, your hands cupping his cheeks and his hands gripping your waist as you kiss far more feverishly than he thought you two would
oh
oh my
“see, what’d i say? sexual tension!” jungkook kisses his teeth, leaning back against his chair and crossing his arms, “all that pent-up energy from arguing has led to this beautiful moment-”
“you’re an- mm- you’re an awful kisser, by the way-” taehyung mutters against your mouth, lips turning up in a boyish grin when you retaliate by shoving at his chest
“so are you!” you pull away only for taehyung to pull you right back in to press his mouth against yours again, “’m hating ehvery minute of this-”
“ah… isn’t young love sweet?” hoseok coos, jumping in his seat when taehyung suddenly shoves you up against the front desk with a thud, “so passionate!”
“okay, we’re just going to-” namjoon gets up from his seat gesturing for the boys to get up as well, “we’re happy to see that the argument has been settled!”
he hurries everyone to the front door and turns to glance over his shoulder, “when you guys are done, just… let us know! we’re going to pop over to starbucks for some hot chocolate. so... text one of us. or call! or you could use snapchat- it’s up to you, really-!”
namjoon doesn’t get a chance to say anything else before yoongi’s yanking his arm and pulling him backwards, reaching over to slam the door shut
a moment of silence goes by in which everyone takes a second to process what exactly just happened
“take your shirt off-”
“you take yours off first!”
“i... can’t tell if my plan was a success or a failure.” jimin mutters to himself, reaching up to scratch the back of his neck
“hey, if it makes you feel any better, at least they aren’t arguing with each other anymore!” jungkook cheers, clapping his hands quietly, “it’s a christmas miracle!”
❄️christmas with cee 2020 masterlist 🎄
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derivativealigner · 3 years
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Well I haven’t watched sp all the way through for about a decade now, so I thought it was time
Sometimes I wonder how accurate the fandom is when it comes to how we interpret the characters. Like, why is Stan a football star so often in fanfic and why’s Kyle always the smart one? So I thought I’d rewatch the show and make notes along the way to see where the source of all these interpretations is. I also wanted to see if I could get some fun info to analyze, but season 1 is pretty sparse in that regard so there’s not too much of that in this post, but I’ll make a post for all the other seasons too as I watch them
In summary, it’s established in season 1 already that Stan’s a star quarterback and an animal lover, Kyle’s an A+ student, and Kenny is poor and knows a lot about sex and doesn’t have many qualms about doing crazy shit. Cartman is a bit weird since he’s mostly just a naive brat in this season, but he and Kyle have a mildly antagonistic friendship already
I have all my notes under this cut. They include a bunch of small details and other observations. I also listed every Kenny death just because
Ike has freckles
Cartman says “Weak!” and “You guys” and “Seriously” a lot from the start, also “Kickass!” He doesn’t say weak or kickass much in the later seasons iirc
Stan says “Dude, this is pretty fucked up right here” three times in this season but they dropped that catchphrase pretty quickly
Bebe got named in episode 2
Stan’s been an animal lover since s01e03 Volcano since he won’t shoot a bunny or anything else. He does shoot Scuzzlebutt at the end though
Cartman’s a pathological liar but in a childish way
Randy got named in s01e03 Volcano (and it only got worse from there)
The mayor went to Princeton
South Park is next to Mt. Evanson
Kenny will literally drink gasoline
Stan’s a star quarterback in 3rd grade
Clyde’s voice is wrong as hell in S01E04 Big Gay Al’s Big Gay Boat Ride and he has a dog, Rex
Garrison says Kyle is an A+ kid
Shelly seriously abuses Stan, punching him, throwing him, maiming him with a lawnmower
Cartman had a pot-bellied pig called Fluffy
Cartman’s mom smokes crack and has sex with strange men
Dr. Mephesto is probably a Buddhist since he says “Thank Buddha” instead of “Thank God”
Clyde’s voice gets kind of fixed in S01E06
A guy called Mr. McCormick is killed in a protest, launched and splattered against a network building. He doesn’t look like Kenny’s dad though
Zombie Clyde attacks Bebe, rude
Wendy gave her costume contest prize (2 tons of candy) to hungry children in Nairobi
Cartman’s mom is on the cover of Crack Whore magazine. “Back do’ ho… Five on one action!” is the headline
Cartman genuinely cries at Kenny’s grave after the whole zombie thing but gets over it because of candy
Stan knows his mom’s credit card number and has no problem using it to adopt an Ethiopian child (the boys wanted a watch that came with the adoption, they weren’t doing it to be nice)
Cartman calls Stan a vas deference, Stan doesn’t know what that is so Kenny says “Dude, it’s a pipe for your peepee” (according to a transcript). Kenny sure knows male anatomy
Kyle sniffs Kenny after Cartman asks why poor people smell like sour milk and Garrison says “idk eric they just do”
Cartman thinks poor people should die and decrease the surplus population
When the boys get Starvin’ Marvin delivered to them, Cartman says “Hey mom, we found an Ethiopian, can we keep him?” and his mom says “Sure, hun.” She rarely says no to Cartman
Kenny’s dad is an alcoholic who drinks scotch according to Cartman. I mean, Mr. McCormick is seen drinking in multiple episodes and has a hat that says SCOTCH so it’s probably true
Kenny’s family says grace
Craig’s first appearance is S01E09. Also, S01E09 is the first time Kenny doesn’t die (Coincidence? I THINK yeah but it’s still fun)
Clyde got named in S01E10
Clyde and Bebe both spit on Pip’s face, friendship goals <3
Cartman and Kyle have their first fight at Cartman’s birthday party because Kyle didn’t give the right gift. Cartman slaps his face and  screams “I hate you! I want you to die! Die!” while on top of Kyle who’s not really fighting back
Satan throws a fight with Jesus after everyone except Satan bet that Jesus would lose, which leads to Satan winning everyone’s money. Mr. Garrison says “What a mean thing to do!” and Jimbo says “He is a jerk!” and I thought it was quite a laugh so I wrote it down
In S01E11 Tom’s Rhinoplasty Bebe and Wendy are sitting in the swings together and generally appear together throughout the episode, then Bebe gives Wendy a makeover so they’re bffs obviously <3
Craig first appears in the classroom, though not sitting down, in S01E11
Wendy’s not happy about Ms. Ellen taking Stan away from her, she says “Don’t fuck with me! Stay away from my man, bitch, or I’ll whoop your sorry ho ass back to last year!”
Kenny gives Ms. Ellen a scrumptious looking sausage as a valentine’s gift and giggles deviously. Wendy’s gift to Ms. Ellen is a dead animal
Even Kenny doesn’t know what a lesbian is
Wendy’s grandma died in S01E11
Wendy gets Ms. Ellen killed by hiring the Iraqi government (?) to put her in a rocket and shoot it into the sun, then she and Bebe have a pool party (very cool, they wear sunglasses 😎) and watch the rocket hit the sun
Cartman and Pip play a game of kicking each other in the nuts until someone falls. Cartman calls it “Roshambo”
Kenny has a sack of marbles
The boys aren’t fans of Barbra Streisand, but Stan is a fan of the Denver Broncos quarterback John Elway (he’s not a quarterback anymore, he’s an American football executive and the president of football operations for the Denver Broncos of the NFL according to wikipedia.)
Officer Barbrady is a fan of Fiona Apple (who was 20 at the time and had only one album released called Tidal)
Ned knows how to pilot a helicopter
Kyle’s mom is a fan of Streisand unlike literally everyone else, she even gets an autograph from Mecha Streisand
The boys are fans of Robert Smith, the lead singer of The Cure. Stan says “Robert Smith is the greatest person that ever lived!” and Kyle says “Disintegration is the best album ever!” and Cartman says “Robert Smith kicks ass!” and Kenny’s dead so he doesn’t get to have an opinion
Cartman has tea parties with his toys: Polly Prissypants, Clyde frog, Peter Panda, and a dragon called Rumpertumskin
Kyle wants to make fun of Cartman for the tea party but Stan stops him because he’s concerned that Cartman needs help
Craig is in front of the school counselor’s office in S01E13
A young miss Cartman drinks like a motherfucker at the 12th annual drunken barn dance where Cartman was supposedly conceived
Stan lets Cartman borrow his bike like a good friend
Garrison wanted to have a threesome with Chef and Cartman’s mom. I don’t know why I’m making a note of this but uh… yeah.
Cartman’s mom has had sex with everyone at this bar that Garrison’s drinking at, including principle Victoria, the mayor, Father Maxi, and Jesus (and maybe Kenny’s dad since he’s at the bar but the camera doesn’t pan to him when Garrison says they’ve all slept with Liane). Later Gerald Broflovski is a possible father to Eric, so he fucked her too. Also Mr. Mephesto and his friend Kevin, that little guy, are candidates along with a lot of other people, including the 1989 Denver Broncos (and Mr. Tenorman is included in that later)
Cartman doesn’t make fun of Kyle for being Jewish much at all in this season even though the Christmas episode is all about Kyle not celebrating
Clyde and Token appear very early on and Clyde has always been in the classroom (along with Bebe, Red, Kevin Stoley, Wendy, and Pip and uhh DogPoo too I think). Craig appears later in the season and Tweek’s not in season 1 at all, so Craig’s gang isn’t really a thing yet
And here’s a list of the ways Kenny died in this season. He dies in every episode except episode 9, and he dies twice in episodes 2 and 3. Altogether he dies 14 times
S01E01 Killed after alien shoots him, cows stampede over him, then cop runs him over which finally actually kills him
S01E02 Killed in a play by a falling teepee, then a second time shot by Garrison which sends him in the air and he gets impaled on a flagpole on the way down
S01E03 Killed by a volcano rock that burns him then rolls on him but he’s alive again in the end but gets shot by Ned’s gun that he drops and it accidentally goes off
S01E04 Gets his arms and head torn off in an American football game
S01E05 Stan’s clone punches Kenny into a microwave where he gets cooked alive
S01E06 Death touches Kenny
S01E07 Kenny gets crushed by a Russian space station and turns into a zombie because he gets Worcestershire sauce in his veins, then Kyle chainsaws zombie Kenny in half, then zombie Kenny rises from his grave and is crushed by a statue and a plane
S01E08 Kenny is killed by a bunch of turkeys. His eye gets plucked out. It’s dark blue
S01E10 After Kenny gets turned into a duck-billed platypus, Jimbo and Ned shoot him
S01E11 Ms. Ellen throws a sword through Kenny’s face
S01E12 While Mecha Streisand and a giant robot Leonard Maltin fight, Kenny plays with a tetherball and gets the rope wrapped around his neck and it strangles him
S01E13 Kenny gets stuck on a go kart and it drags him around but stops and he’s still alive! Too bad the go kart stops on train tracks and a train runs him over. Stan’s grandpa sends a video of the event to America’s Stupidest Home Videos and wins $10,000
If you read all that, first of all hello. I’m not new to the fandom even though this is the first thing I’ve posted on this tumblr blog. I’ve been writing a fanfic called Caffetamine though so I’m not a complete non-entity. Anyway, I’ll watch season 2 soon and post my notes on that too probably.
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peachhcs · 4 years
Text
It Was All Yellow
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Pairing : Luke Patterson x Fem!OC 
Summary : Blaire makes quick friends with Julie and Flynn during her first day at Los Feliz High School which took her by surprise. Although, that wasn’t her first surprising thing of the morning. 
Word Count : 2.7K 
My first Julie and the Phantoms Series?? My first series in general actually. (On Tumblr anyways, I’m on wattpad too!) Anyways, this is Luke with my own original character so I hope you guys enjoy it! 
Yes I know it seems like Blaire isn’t gonna end up with Luke in the beginning but it’s all character development and Ryan’s for the plot later ;)
Series Masterlist
* * *
Chapter 1 : The New Girl
Blaire hated first impressions. They made her feel awkward and it was always a case of, i promise i’m not this awkward, i just hate first impressions. just wait until you get to know me more. Although, she has been saying that to people for the past 3 years everytime she moved, so it was kind of like second nature to her and it just kind of went over her head. Blaire hates goodbyes, so she tries not to get too close to anyone anymore because then it would just be a mess of saying goodbye and omg i promise i’ll text and call every night! They never did call.
This time it was different, though. Blaire walked into Los Feliz High School on her first day and she instantly spotted two girls, one with beautiful dark-colored skin with an incredible fashion sense and a second one with curls to die for. Blaire wished her flat, sort of wavy, damaged, aburn colored-hair did what that beautiful girl’s hair did. Something inside her just set a spark off and she just had to talk to them. Something was compelling her to be their friend, so Blaire did just that against her better judgement.
“Hi..” Blaire spoke up softly once she was close enough to the two friends. Their conversation had cut short at the sound of a new voice and they turned their heads towards Blaire. A smile found it’s way onto the curly-haired girl’s lips. Her smile was soft, it brought an immense calming feeling over Blaire’s persona.
“Hey, are you new here?” The curly-haired girl’s voice was soft and Blaire didn’t know what she was expecting but it definitely wasn’t the girl just knowing she was new at the school. Most people never even payed attention to new kids, they hardly ever knew that there were new kids in the first place. Blaire couldn’t help the smile finding it’s way onto her lips.
“Um, yeah. I am, how’d you know?” Blaire chuckles a little, holding her backpack straps tighter. The girl just shrugged a little, chuckling too.
“Just a hunch. I’m Julie. That’s Flynn over there.” She motioned over to the girl with pretty box-braids and that still, incredible, fashion sense. Flynn waved with a small smile.
“I’m Blaire, by the way. I love you fashion sense.” Blaire says looking at Flynn who smiles deeply, glancing down to see what outfit she had on today.
“Thank you! I’d be damned if I didn’t win best dressed senior year.” Flynn laughs glancing between Blaire and Julie who join in on her laughter.
“They would be wrong to not vote for you. Nobody can top Flynn’s style.” Julie says glancing over at Blaire who nods in agreement. There really wasn’t anyone who could match what Flynn was pulling off. Blaire was a little jealous herself, if she was being honest.
“It’s true. It really is incredible. You’ll have to give me some tips.” Blaire says glancing down at her own clothes. Just a simple jean jacket pulled over a peach t-shirt tucked into some denim shorts.
“Girl, you already look fab, but don’t worry, I’ll hit you up with the good people.” Flynn winked and Blaire laughed and nodded. She already loved these girls and she’s barely known them for 5 minutes. She didn’t know what it was, but there was just something about them that was making her want to be apart of their friend group and know more about them. These girls held their heads high, they were confident, strongly independent, Blaire could literally feel it. She really had never met people like these girls before.
“What class do you have first? Maybe if it’s around where we are we can all walk together?” Julie suggested and Blaire quickly dug her schedule from her pocket. It was a little ripped and tattered but it was still readable.
“Umm, AP Literature with Mrs. Shall.” Blaire read aloud and she heard Flynn let out what sounded like an impressed whistle.
“So you’re like, smart smart. Okay Blaire, I see you.” Flynn coos and Blaire’s face went a little red at that. She just shrugs, to her it wasn’t really a big deal. Her dad always wanted her to take all the advanced classes to help her transcript and all that stuff to do with getting into a good college.
“Not really. I bet there’s so many other people who are smarter than me. I’m actually more into music and stuff.” Blaire admits and this was the first time she’s opened up this much about herself on the first day. Usually, it’d take her a few days to crack because she put a wall up because she hated letting people in only to leave not long after. This was different, though. Much different.
“No way, us too. Julie’s actually in a band.” Flynn says and Blaire pushes her eyebrow up at Julie who smiles shyly. Blaire looks her over once more before it finally clicks in her head.
“Wait, you’re Julie and the Phantoms?” Blaire asks in disbelief. Ever since she saw that youtube video last year of the band performing, she’s been in love. They sang and sounded like angels and Julie had such an amazing stage presence.
“Guilty.” Julie chuckles and Blaire’s eyes widen even more. She squeals a little bit quickly shuts her mouth in embarrassment. Julie and Flynn both chuckle at her little squeal.
“Sorry, that was embarrassing. You guys are amazing I’ve seen the youtube video and listened to a few of the tracks you guys have recorded. It’s all amazing. You guys sound so great together.” Blaire gushes, her inner fan girl coming out. Julie smiles warmly at her words always loving the positive feedback.
“Thank you, that means a lot. We’ve been working really hard this past year to bring good stuff to the table. We’re excited.” Julie smiles and Blaire had to stop herself from squealing again.
“That’s awesome. I’ll definitely be looking forward to it. Plus, however you do those holograms, that’s literally incredible. It looks so real, too.” Blaire gushes again not being able to contain herself.
“Julie, I think she’s a keeper. She loves the band and she’s really nice.” Flynn says glancing over at Blaire who found herself blushing again at the hospitality. She’s never been treated this nicely by people she’s met on her first day. Blaire could say they were keepers too.
Before the three could do anything else, there was a sound of a bell that Blaire assumed it meant it was time to head to first period.
“Quick, run us down your schedule, we have to have classes with you at some point or at least B lunch.” Julie speaks up quickly and Blaire nods, pulling her schedule out again to read it down to the girls.
“AP Lit, Calculus II, French III, AP Government, Music, B lunch!, AP Biology, and free period.” Blaire reads aloud and Julie and Flynn jump around in excitement that she had B lunch with them.
“Awesome! I have Calc II in second period so I’ll see you then.” Julie says with a smile and she waved before walking off down the hallway to class.
“My class is in the direction of AP Lit so I’ll be glad to walk with you.” Flynn says holding out her arm for Blaire to link with. The auburn-haired girl smiled warmly as she linked arms with her new friend and started their way in the opposite direction Julie went.
“So, Miss Blaire, tell me about yourself. I want to know everything.” Flynn starts and Blaire chuckles. She pauses to try and think of something interesting but her life wasn’t really that interesting. Well..none of what she could say anyway..
“I like dogs?” Blaire says grimacing at how bland and boring that sounded.
“Dogs are cool. What kind of music are you into and any special talents with instruments?” Flynn continues not missing a beat and Blaire smiles, liking that Flynn wanted to get to know her. It was a nice change of pace.
“Well I can play the piano 100%. I’m kind of self-taught? I just picked it up one day when I was like 8 and it went from there. I’ve been trying to learn the guitar but I’m not the greatest at it and I guess I can sort of sing?” Blaire shrugs. Singing wasn’t really her main passion, she liked it, it was just kind of something she did on the side though. Her mom always told her she should have taken it further because according to her mom, she had a really nice signing voice.
“A girl with many talents. I like it. You should definitely stop by Julie’s sometime and we can see what you got up your sleeve.” Flynn says nudging her again and Blaire chuckles with a small nod.
“Alright, yeah. Definitely. What about you miss fashionista?” Blaire asks raising her eyebrow. She wanted to know more about Flynn, too considering how she held herself and her very outgoing personality.
“I’m not so much of a singer, but I do like DJing and I can play the trumpet.” Flynn says and Blaire nods impressively. This girl really could do it all and was it all.
“Djing, I like it. It suits you.” Blaire says and Flynn smiles as they slow down to a bunch of open classrooms students were walking in to.
“Alright, see you later Blaire. Stay fresh.” Flynn says before breaking off and heading into her own classroom. Blaire chuckles with a smile before turning into her own classroom.
The girl scans the room, trying to find a good seat when someone suddenly runs into her, almost sending her flying but they were quick to catch her.
“Oh shit, my bad. Are you okay?” Blaire breaks away from whoever’s grasp she was in to meet eyes with a blue eyed, crazy brown haired boy who had a very concerned look on his face.
“Oh yeah, I’m good. Sorry.” Blaire rushes out shaking her head and the boy raises his eyebrow.
“You’re sorry? I nearly knocked you over. Are you sure you’re okay?” He asks and Blaire tilts her head a little. Maybe it was something in this school’s water but everyone she’s met so far, not mentioning it’s only been 2 people, has been extremely nice. All the people from other schools across California have been stuck up and extremely arrogant.
“Yeah, I’m fine. Save yourself the sweat, crazy hair.” Blaire felt a little bold so she went for it, adding in the little nickname. She saw him smile a little before quickly taming his wild head of hair.
“That bad, huh?” He says and Blaire nods. She spotted an open seat in the middle row so she started to make a beeline for it. Middle row seats were the best after all, not too close to the teacher, and not too far away to get caught up in whatever drugs were being passed in the back row. Blaire found her seat and the same crazy haired boy followed after her, grabbing the seat beside hers.
“This seat taken?” He asks raising his eyebrow and Blaire chuckles and shakes her head.
“Be my guest.” Blaire says and the boy smiles. She gives him an amused smile back before pulling out her notebook for the class and a pencil.
“Oh, I’m Ryan by the way.” The boy spoke up again and Blaire glances at him with a smile.
“Blaire.” She responds and the boy returns her smile. Maybe this new change wouldn’t be so bad after all..she could rebuild herself, wash away everything anyone’s ever known about her and start new. I mean, she deserved it, right?
Blaire caught sight of Julie as soon as she entered the classroom and the girl waved her over. Blaire quickly hurried over to her and grabbed the seat next to Julie’s desk before anyone else could take it.
“So what do you think so far? Are you liking it?” Julie pushes her questions and Blaire laughs. She shrugged because she’s only had one period and met about 3 people so she couldn’t judge it yet.
“I’ll let you know around lunch, I’ve only met like 3 people so far.” Blaire laughs and Julie pushes up her eyebrow and a smirk falls on her lips.
“3? Who’s the lucky third?” Julie teases and Blaire just shakes her head with a chuckle.
“I met him last period. It’s name Ryan.” Blaire explains and Julie was already oohing and ahhing.
“Sounds like you two had a good interaction.” Julie says poking her friend’s cheek to indicate there was a blush on them. Blaire pushes her hand away and rolls her eyes.
“I don’t even know him so let’s not take it that far.” Blaire laughs and Julie only shrugs.
“Mark my words, Blaire. I know and see everything.” Julie says with a smirk. Blaire laughs and nods just to make Julie happy. The two girls turn in their seats when the teacher comes in, indicating it was time to start class. They exchange one last smile before pulling out their notes to start class.
Blaire didn’t notice it at first, she was too focused on copying the notes down in time before the teacher switched to the next slide because he was going a little too fast. Blaire had never really been a math wiz but she wasn’t bad at it. She did good and maintained a B+ to A average so she was satisfied and her dad was pretty satisfied with her scores too. He used to be really strict and really pounded into her head that she needed to do well, but ever since her mom passed away a few years ago, he’s laid off a little which Blaire was grateful for.
It was the pink pullover that caught Blaire’s eye that made her turn her head in Julie’s direction to see what was going on. Not really sure what she expecting when she looked, but it definitely wasn’t a boy with Troy Bolton hair, black jeans, vans, a pink pullover standing in front of Julie’s desk. Blaire blinked and then blinked again to make sure what she was seeing was real. She swears the boy wasn’t in the class and she didn’t know how the teacher didn’t see him standing right in front of Julie’s desk.
Blaire glanced at the teahcer, who still didn’t notice the boy standing right there. Was she like seeing things? But she couldn’t be seeing things if Julie was looking right at this kid and scribbling things down into her notebook like she was talking to him. Julie finally glanced over at Blaire for a quick second but she didn’t miss that confused glance and the direction she was looking in. Blaire saw Julie and the kid exchange a glance before looking back at her with wide eyes.
Julie quickly shot her arm up and Blaire suddenly became a little worried.
“Yes, Miss Molina?” The teahcer asks, stopping his lesson. Julie glances to Blaire, a look telling her to follow her lead.
“May Blaire and I use the bathroom? Girl problems.” Julie says and Blaire raised her eyebrow wondering how Julie had that much confidence to say that in front of the whole class. She heard the class snicker a little but the teacher clapped his hands, telling them to be quiet.
“Yes, you may.” The teacher says and Julie nods a thank you. She glances at Blaire and motions for her to follow her out. Blaire quickly packs her backpack up and follows Julie out of the room without another word. The boy in the pink pullover followed after them and yet, he still hasn’t been seen or mentioned by anyone in the classroom.
Julie pulled Blaire around the corner, stopping the two of them where they were out of earshot from any other classrooms. Blaire looks between Julie and the boy very confused and very worried because Julie looked surprised, not worried, but shocked.
“You can see him? Like right here, in front of your face?” Julie asks pointing over at the boy and Blaire glances at the boy who meets her eyes and slowly nods.
“Am I not supposed to be able to see him?..” Blaire trails off slightly. She was getting lost and Julie and the boy exchange another glance.
“What am I wearing?” The boy asks glancing down at his outfit and Blaire looks it over again too.
“A pink pullover with black jeans and checkered vans.” Blaire explains what she sees and Julie’s eyes widen. Blaire was still very confused as to what was happening and why Julie was so surprised she could see this cute boy in front of her.
“She can see me! She can see me! Do you think she can see Alex and Reggie too?” The boy exclaims jumping up and down now and Blaire glances at Julie for help. The girl lets out a sigh.
“Looks like we’ve got a alot of explaining to do..”
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rachetmath · 4 years
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Why I love team JNPR
You know the usual. This is in my opinion. If you like it, reblog it or both that’s your choice. If you have questions, or want to add on to this then comment.  Read at your own time and will.
Ren and Nora compared to Yang: Yang had a mother. May not be by blood related but by relationship. Her mother died while she was young, but she still had her father and uncle to raise her. She had a social life in school, and she was trained by her father and uncle. Ren and Nora on the other hand, have no parents, only watched after each other and were trained by a bunch of strangers or by themselves. So unlike Yang, Ren and Nora would have a hard time relating to some people than Yang would.
Pyrrha compared to Weiss: Weiss was born and raised in a rich family. True, she was always cautious when it comes down to others using her for their own gain. But she takes her title way too seriously and it made her arrogant and cocky. Pyrrha doesn’t take her title too seriously, but she was overwhelmed by it. She hated how everyone only saw her as a tool or a weapon they can use for battle, and not as a person. She tries to welcome anyone into her life, but they always reject her, mainly feeling unworthy of her. Because of this Pyrrha felt truly more alone than Weiss. Unlike her, Pyrrha made her way to the top, she wasn’t born into it nor took the easy way to get there.
Jaune in comparison to Ruby and Blake: Jaune had nobody! Jaune had no uncle, no best friend, no teacher(sensei), NO SUPPORT to help him become a hunter. Jaune literally unlike Ruby is way out of his comfort zone. And unlike everyone he had no aura or training to help him. Jaune unlike Blake was treated, like a faunus, as a huge literal joke. This guy has literally had more reasons to be a villian than any of his teammates do. Plus, he has more things in common with the bad guys than he does with the heroes. He lost his partner and best friend due to the heroes, and Ozpin’s actions.
I liked team RWBY in volume 1-3, mostly because it made sense and was reviling each character’s problems and goals and was setting up the conflict of the story. But in volume three I started liking team JNPR more, because how they are not like the other teams. Everyone knows Pyrrha Nikkos, and believes without her, team JNPR is nothing more than failures. And you can’t blame them considering Jaune only became a leader because he was assigned to be one, and Ren and Nora were a bit too relaxed and into to each other to be leaders at all. And now with Pyrrha gone, they must prove that even without her, they can still be a great team. While defying the so-called “destiny” Cinder described as well.
In volume 4, we see Jaune does miss Pyrrha, and that he trains at night to her video message. He does feel sad that he lost her and that he couldn’t even express his feelings towards her as she did to him. And when he realized the truth, of course he was suspicious, his friend would have died either way by Amburn’s soul taking over or being a target for the rest of her life. Ren and Nora not only had to be there for each other still but now they had to be there for Jaune like Pyrrha did. (Even though they were completely horrible at it considering their flashback and action in volume four.)
In volume 5, (oh my gosh, this one is the reason I hate the show sometimes because of time constants) we learned the whole reason behind Jaune’s actions, which is revenge on Cinder. Team JNR were first to see Oscar before Ruby. Oscar was place under Jaune’s care do to the fact he was also a underdog (even though Oscar can just learn from muscle memory like Ozpin said) but Ruby takes that role for some reason and we are expected to take it. When the battle arrived, when Jaune had Cinder right in front of him, he did not hesitate to fight her. This backfired and one of his friends got hurt. He acknowledged that he missed up, that it was not suppose happen, and by doing so, he got his semblance. (Even when that makes no sense considering Cinder was after Ruby and Jaune’s secondary reason for coming along was keeping Ruby safe. At least I hope it was.)
In volume 6, could’ve better, Jaune made Oscar question himself even further, which is good. Because, one, Oscar is fourteen, and unlike Ruby he doesn’t have much of a clear idea on why he came along on the journey in first place other than Ozpin telling him to. When Jaune heard Oscar ran away, unlike Qrow, who punched him by the way, and don’t say it was for Ozpin because they share the same body, Qrow still hit a child, Jaune helped in the search and apologized to Oscar for his behavior. He gave Ruby an option when she couldn’t think of anything then she takes charge over it. Also, Ren and Nora admitted that they love Jaune and would not want to lose him just like Pyrrha. (Again, they were completely bad at that, considering they didn’t talk about that on the train, nor called Jaune out on his actions, completely ignoring him and etc. Really Jaune needs new friends.)
In volume 7, here’s the thing, Jaune had no reason to hate the General because he already worked things out with Qrow. How and when? We don’t know. But that shouldn’t mean he should flat out trust James with his life unlike Clover. Why you may ask, first, Qrow told him about the maiden powers. I mean, he wouldn’t leave out the people who knew about them like Ozpin, Good-witch and Ironwood, right? No. So Jaune has a reason not to trust James, not because of Pyrrha but Lionheart, the general’s actions so far and how the truth almost torn them apart mainly himself. Plus Jaune, and his team work more in Mantle, than RWBY, so they would have more run-in times with happy huntresses than team RWBY would on a regular basis. Then it’s how Mantle and Atlas situation is affecting their team with Ren and Nora butting heads over who’s right and who’s wrong, whether their ready to be hunters or not, and more importantly questioning their relationship and loyalty to not only each other but their friends. Image Ren, taking it too far where he could say something he’ll regret. Or by finding James to be right, he would sell out his friends believing it was the right thing to do. Image Nora having to choose between Ren or Jaune, which will be devasting more for Ren than Jaune because of how close they are to each other.
In volume 8, (Even though I highly doubt that team JNR will ever have a scene to themselves and now preview.) Jaune will feel bad because he not only lost the relic, he lost Oscar even though he’s alive. Now, how would this disturb him? Well, even though Nora would have to decide between him and Ren, in volume 4, there was a scene with Jaune going with Ruby and Nora going with Ren. It would feel obvious that she would follow Ren anywhere, even if it means leaving her friends behind. That could leave Jaune broken because he lost not only Pyrrha and Oscar but his teammates, making him the official Qrow and Raven of the group. This could cause Jaune to further out cast himself from everyone, trusting less in others and undoubtably make more horrible decisions than he already has before. That could also make him more of a target for the villains themselves. However, Jaune’s will to still protect the people and his friends will be the what keeps him sane and less brainwashed like Salem’s forces or the Ace Ops. (Or call team RWBY out on their mistakes.) But who can save him from a self-destructive path?
Many of you will say team RWBY might be able to help since their the main crew. Well, sadly, I disagree. Do to the fact that none of them tried to talk to Jaune after the Cinder and Ozpin incident. And there are multiple characters who have gone through a similar process or are wiser, than the main cast. The only ones who I feel can make an impact on him are maybe Maria and Penny. Penny may be android, but she seems more human than the RWBY girls put together. She is kind, friendly and mostly very supportive towards her allies. Maria may not have had many friends or levels of companionship as others, but she does know about how it feels to be powerless and scared of what’s to come. Maria would basically remind Jaune that being afraid and sorry for himself isn’t going to make things better. Penny would try to keep his sanity alive until he could once again maintain it on his own. However, the final person who I believe can help him is Qrow or even Oscar (Ozpin). Qrow would just remind Jaune on how far he has come, and for him to understand that nothing will play out as he planned. He would even tell him more about his team, mainly Raven and himself and how their decisions affected their family. Same goes for Oscar (Ozpin) but telling him how many mistakes he has made during his lifetime. He might even tell Jaune he knew about his fake transcripts, just didn’t care much about it if Jaune was willing to work and improve.
I know many people love team RWBY due to them being an all-female cast or for other reasons I cannot explain. But sometimes, there are situations that they cannot relate to. And even if there was, team RWBY does nothing to resolve it. For example, Jaune was sad about Pyrrha and trains under her videos. He wanted revenge on Cinder and Weiss almost died for it. And though he was asking appropriate questions, he went about it the wrong way, causing Oscar to feel unwanted and run away. Yet, none of his friends, bothered to either call him out on it, nor done anything to cheer him up or reason with him. Ruby who literally saw Jaune committing every one of those transaction, and has a dead relative, said nothing. Yang who lost both her moms, whose uncle was a constant drunk and had to take care of Ruby while her worthless dad is busy, said nothing. Weiss who has a somewhat of a dysfunctional family, said nothing.  Blake who is supposed to be an escape victim of a one-sided relationship, who seen how friends change or show their true colors with time, and literally seen more death than her team members and blames it on herself, said, nothing. Basically, Jaune overcame some of his problems on his own along with the help of the Red-Haired Women (and she barely mattered). And even though Ren and Nora talked to him, he already had reinsurances he needed to move forward. The point I’m trying to make is the reason I like team JNPR is that they are more real than team RWBY. They have weakness, they have arguments, nothing goes their way and when something bad happens they face the consequences.
That is why I love JNPR better than RWBY. Jaune, he was just a normal person until he made a chose to leave his old life behind for something greater, only to have his character taken by Ruby and Oscar, who just ruins it, and to never improve. And we still know nothing about him. Pyrrha who should just stayed alive because no one has learned from her death. Ren and Nora are just to be a better ship than Bumblebee. I hope these characters get better, but I highly doubt it.
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magnusgoetia · 3 years
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Transcript of a Sinner’s Conversation: A Meeting with Caecus
--Begin (In Medias Res)--
Sinner: You kiddin'? Dyin' was the best thing that's ever happened to me.
Caecus: There’s nothing you left behind? No family to miss?
Sinner: My family? Fuck 'em, I'd ‘ave hired 'elp to kill 'em already if it meant they'd be dead-dead, and I wouldn't have to spend time wiv 'em down 'ere. It wouldn't be right for me to force this on my friends either, but they'll be 'ere in due time anyway. I can wait.
Caecus: So, you’re expecting your friends to join you here as well. The wait must be awfully lonely.
Sinner: Ah, not really. I’ve made friends while I’m ‘ere. The shit I can do ‘ere is like, fucking magic and with it I can make up for what I lack in a lot of different ways. Just wish I could remember how I ‘ad died.
Caecus: Maybe it’s better not to remember… Not all of us intended to be here, after all.
Sinner: No. No, perhaps it’s best not to remember. I quickly found out that it's not just evil folks that end up here, lots of good folks, plenty of weird ones too. I'm sensing you’re of the “gooder” ones, you radiate...well, it’s 'ard to describe, but I don't sense any hostility from you at the very least, even though you were born ‘ere.
Caecus: How amiable of you. But remember, a birth is just a new beginning of sorts. You couldn’t have been alone since you were… delivered to us.
Sinner: Ah, you’re a poetic type aren’t ya? Anyway, I’ve not made many friends but I do ‘ave a particular fondness for this one clown...me an' 'im seem to 'ave this weird connection wiv each other. Actually, he's more of a jester type, though rather embarrassingly his name escapes me...
Caecus: Are you, by chance, referring to an imp named Blocko?
Sinner: Yeah, don’t surprise me you know ‘im. He seems like the type to ‘ave a particular reputation.
Caecus: That he does, and yet a divine will connects us. I’m being led to believe your intriguing appearance has an even more… intriguing history.
Sinner: Riiiight...Well, you know what they say about skeletons and closets. Though I suppose I ‘ave nothing to hide ‘ere...Well, to put it simply, I was a broken kid. I never got help, and I did... unspeakable things to anyone who ‘ad wronged me—or simply didn't like.
Caecus: Even the purest of souls can be corrupted by another’s sins.
Sinner: Yeah...Well, it's not like I'll stop doin’ what I did while I was alive, with all that murder and hedonism. Though death has a way of humbling some people...In any case, the murders mostly stopped as I grew older. I seemed to have preferred to just traumatise people instead, ruin lives of the people I saw as bad or evil.
Caecus: Then you found a different punishment for those you had judged.
Sinner: I suppose so. A lot of it involved me spying on groups of people. I'd worm my way into the seedy societies that thought they were safe in their little circles and collect dirt on them. Really sick shit too by the way but don’t worry, the hypocrisy wasn’t lost on me either.
Caecus: Oh? You judged yourself a hypocrite yet continued along a path of self-appointed righteousness... Why?
Sinner: I don’t know, maybe a sense of catharsis? A lot of these were people who I wouldn’t have to feel guilty about killing or whatever. Sometimes it was more personal too, there were—still are people I am attached to up there that got hurt, and I took my revenge on them in their place.
Caecus: Ahh, how noble. Fighting for your friends.
Sinner: Yeah, there was this one particular bastard. Actually, there were a few…but…eh, nevermind…this one particular guy who was essentially lying to one of these “friends” and caused them a psychotic breakdown. I didn’t take action right away, but I did end up killing ‘im. Didn’t even bother hiding the fact it was a murder.
Caecus: What made you wait?
Sinner: Money, mostly. It makes the world up there spin, and you need a lot of it to get anything done, right? Well, I ‘ad to wait until I ‘ad enough money to fly to the states on top of all that shit involved in immigratin’. When I settled in, that’s when I made my move on a buncha grudges. This guy was just the first. Moving to the states made my life a lot easier in some ways. Was a lot easier to sleep when I took care of the grudges too.
Caecus: Oh, wow. You must have had remarkable resolve to keep a “grudge” that long… Tell me, did all of them truly deserve it?
Sinner: No, most didn’t, but I am…was, an angry person. I found I was very much capable of venting my anger, to put it mildly, and I was much too young when I had...shall we say...discovered it.
Caecus: Young minds are impressionable.
Sinner: Right, and the fact that I was generally good at getting away with it made me feel just that little bit better about it.
Caecus: So, you exploited that validation to continue justifying your actions. Most sinners in your position never reach awareness...
Sinner: Yeah? I’ll take that as a compliment, but I was totally emotionally disconnected when committing my crimes. Afterwards I pretty much always dealt with conflict. Cognitive dissonance is a bitch. Though I had largely stopped my ways. I’m ‘aving way too much fun down ‘ere, and even though I won’t drag ‘em down here with me, I’d love to have my friends join me eventually.
Caecus: Would they be pleased being here, embrace this existence like you have?
Sinner: I dunno, some of them have a hard enough time as it is with one existence, I doubt they’ll be too happy to find out there’s another waitin’ for ‘em. The others I’d imagine would be quite surprised all the same, being atheists and such, but I reckon they’d come to like it.
Caecus: An existence you cannot escape is itself a prison. Albeit, choosing to enjoy it in spite of that perspective is a marvelous thing. If you could imagine them in your presence, what would you do?
Sinner: Again, I dunno. It’s hard to tell when they’re not here yet but I am somewhat interested in what’ll end up happening should they get here. I dunno if I’ll be able to tell if it’s them even.
Caecus: And how do you dare to enjoy existence now?
Sinner: Well, I’ve been doing everything I’ve ever wanted to do but could never do in life amongst other things. It’s kinda embarrassing, but I played a bunch of video games, so I miss those quite a bit. I’ve found plenty of ways to fill that void though. Some of your movies are pretty sick down ‘ere, and importing goods from the other rings to ‘ere means I don’t miss out…mostly, on their fun too. I just wish I could explore the other rings; I don’t get why us sinners can’t.
Caecus: Decretum is often difficult to understand. However, it would seem a blessing that you’ve been placed with the multifarious company of the pride ring.
Sinner: True enough, whatever that means. There’s a lot of strip clubs, greedy businesses and shit, stuff you think you’d only find in the other rings. Though I think I probably would’ve ended up in wrath if we landed in the rings based on our sins.
Caecus: Most catechisms view wrath as an excessive anger. You strike me as having more control than the average sinner.
Sinner: A lot of people on the surface woulda said the same too, I was and I suppose still am really good at keeping it in check, well, good enough to not make it obvious anyway. Though it’s been a lot tougher down here.
Caecus: This is a realm of collective temptation, after all.
Sinner: My only judge here is myself and perhaps my peers if I let them. I still kill down here, but it’s been in self-defence. I don’t think I’ve killed anyone out of anger yet but let’s just say I’d feel sorry for the poor sod who happened to piss me off on a bad day.
Caecus: You’ve always been your own judge. I suspect the lack of good comparisons for your behavior here has coaxed you further.
Sinner: Actually, I could tell you about the first person I “killed” down here. It was soon after I woke up. I suppose this guy thought it’d be easy—fresh sinner, just in time to be another tally mark on some statistic.
Caecus: A second death, the lake of fire…
Sinner: Uh...yeah, I reacted on instinct and it musta been a sort of “kiss of death” type shit. I only touched the dude with my hand, and he just kinda…shrivelled up and died. You know…like when a cartoon character eats a lemo—ah sorry, you can’t watch TV.
Caecus: Ah, yes… a shrivelling death is nevertheless descriptive.
Sinner: Anyway, I have a bunch of other powers too but that one I’m most afraid of you know? I can drop the ambient temperature of an area so shit gets cold, have some form of telekinesis and a buncha other stuff, like I have some kinda control over this weird glowy energy, it’s how I have my eyes, which are purely for show, I don’t need them since I can see perfectly fine without ‘em...not that you’d know I even have ‘em.
Caecus: I’m aware you observe our world, in a traditional sense. My observations are just a bit more… unorthodox. And I feel as if your fear is not from a lack of understanding.
Sinner: Well I seem to have it under control, but I’m afraid in a moment of weakness I might react without thinking, you know? I’ve not had it happen yet, but it would be so easy when flippin’ out that I just give ‘em the ol’ touch of death.
Caecus: Even a king’s heart is just a stream of water to the hand of… fate.
Sinner: Gonna be honest, I haven’t the foggiest of what you just said. Though if I’m being honest myself, I couldn’t care less if it was someone I didn’t know anyway. Only really care about my friends and such. You seem pretty neat yourself.
Caecus: The impression is mutual. It’s not often that I’m seen as anything other than senseless and intimidating. I don’t find it unwarranted, granted; my appearance is as disconcerting as my psyche.
Sinner: How do you even know what you look like? It’s not like you can just look into a mirror.
Caecus: I was presented with a vision soon before I arrived, my last blessing I suppose… Regardless, my rebirth is a tale for another time. I’ve relished in your company long enough, and I must answer my calling. I’m sure our paths will converge again.
Sinner: Hey, I hope so too...uh....
Caecus: Please, call me Caecus.
Sinner: Well, it’s only polite to give you my name too. I go by many names here, but I am quite fond of “Mr. Death” as silly as it sounds.
Caecus: Silly, yes, but very becoming of you. A pleasure, Mr. Death.
Mr. Death:Well, don’t let me keep you. I’d like to see you again sometime, Caecus. I’ll take my leave.
Caecus: All in due time.
--End--
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eagles-translated · 4 years
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Eagles Transcript S02E02 - Reunion
This is the English transcript for the second episode of season 2. Watch the subtitled episode here.
THE DAY AFTER
Andreas: Are things good with mom and dad?
Ludde: Yeah, they’re good. They miss you. Me too.
Andreas: I miss you too.
Ludde: I... I often think about how I... I should say-
Andreas: What?
Ludde: You know.
Andreas: What the hell, we’ve talked about this. You need to let it go.
Ludde: How am I supposed to-
Andreas: Let it go, Ludde. Forget it, okay? Forget it. Shouldn’t you be in school now?
Ludde: Sleep-ins on Thursdays.
Andreas: Oh. Well go and work out or something instead, then. I’m gonna want a hockey professional as my brother when I get out, so he can provide for me.
Ludde: Of course.
Andreas: Hey, I probably have to rest now if I want to get rid of this cold.
Ludde: Yeah, okay.
Andreas: Come here. Take care of yourself, okay?
Ludde: You too. I’ll call.
Andreas: Yeah. Hey, by the way. Felicia. Have you heard anything new?
Ludde: She’s in Sweden now, at least.
Andreas: That’s good. It’s go-time, then. What can go wrong?
Episode 2 - REUNION
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Teacher: ...a really old map. Hi Felicia, welcome back.
-
Håkan: This is some news, but it’s nothing that can’t be done.
Mats: Yeah... If we’re gonna play the hockey that I suppose I’m here for, we need that type of guy.
Håkan: Before we go into details I just wanted to say that I’m behind you and the playing style you want to do to 110%. So you know. I’m just thinking...
Mats: Yeah, what? Håkan, come on now. Just say it.
Håkan: Okay, yeah.
Mats: I can take it.
Håkan: Are you sure we should give Johansson three years already? Considering the incident last fall. 
Mats: Yeah, yeah, yeah. I’ll take that up with him. He has temperament and will, and believe me, privately I’m not a big fan of him. But he’s a great hockey player.
Håkan: Yeah. I just think that-
Jack: NHL calling, we’re looking for Mats Kroon!
Mats: Jack! Hell, it’s so good to see you!
Jack: Mats! So fun to be here.
Mats: Damn. Håkan, this is Jack.
Jack: Hey.
Håkan: Hey, pleasure. Håkan.
Mats: Jack, this is Håkan. Sportchef.
Håkan: And the trip from Boston went well?
Jack: Yeah, I thought so, absolutely. 
Håkan: Welcome.
Jack: Thank you, thank you.
Mats: I played in the same league as Jack’s dad for many years, and I was there when he went on the ice for the first time. Remember that?
Håkan: Yeah, you told me!
Jack: Of course, I’ll never forget.
Mats: He was a really good player. Hell, it’s great to see you here. Come on, I’ll show you around. Nice talk, Håkan. We’ll figure it out. Okay?
-
Adam: You want some mash? We’ll grab a table, then.
Amie: Hi. 
Ludde: Hey. 
Amie: Nice that you liked the song, by the way.
Ludde: It’s really good. If you just find a good melody there you have a real hit.
Amie: Do you wanna come with me to the studio later? After lunch. I was thinking if you had any ideas I’m all ears.
Ludde: Don’t listen to them. He has air in his head.
Felicia: How cozy you guys are. Nobody filming you guys this time?
Ludde: Can’t we go talk?
Felicia: No, seems like you two have so much to talk about already, so maybe I shouldn’t interrupt.
Amie: We’re just talking about the group work-
Felicia: Quiet. 
Amie: Felicia, sorry, it really wasn’t-
Ludde: What the hell are you doing?
Amie: What the hell!
Felicia: “I didn’t mean to.”
Ludde: Amie...
Klara: Amie, are you okay?
Amie: Are you happy now?
-
Ludde: Felicia, stop! What the hell are you doing?
Felicia: What?!
Ludde: I get that you’re pissed, but that was just childish.
Felicia: Oh?
Ludde: Embarrassing Amie like that in front of the whole school.
Felicia: In front of the whole school? How the fuck do you think it felt when you and her slopped on each other in a video that everybody in fucking Småland has seen!
Ludde: I know! It wasn’t like that.
Felicia: It wasn’t like that? Stand up for something you fucking did just one time, Ludde!
Ludde: I’ve apologized, what else can I do?
Felicia: Just disappear!
Ludde: Tell me what to do, I’ll do anything!
Felicia: Get out of my life! I don’t want to see you! Stop liking my pictures, stop looking at me, I don’t want you here anymore!
-
Ludde (via text to Amie): Shit I don’t even know what happened. Sorry that I just left. Are you ok?? Wanna meet up?
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Klara: Hey.
Klara’s dad: Oh hello, honey. How great that you could get away from school.
Klara: Yeah, I have free period. Did anything happen?
Klara’s dad: No, no, not at all. I just wanted to buy my daughter lunch. 
Klara: Oh, okay. But I’ve already eaten.
Klara’s dad: Oh. Of course you have. But a coffee, maybe?
Klara: Yeah.
Klara’s dad: Miss? Could we get two coffees, please?
Klara: Thank you. 
Klara’s dad: So how was school?
Klara: It was alright.
Klara’s dad: I remember. My god, what shenanigans we’d get up to. I remember one time when we were down at Badholmen. I was a real bad boy. Mom was a good girl, just like you.
Klara: Where is she, by the way?
Klara’s dad: At a conference in Gothenburg, I think.
Klara: Wasn’t she coming home this week?
Klara’s dad: No, she’s coming next week. What do you say, do you want a cookie with your coffee?
-
Leila: Felicia? Are you doing okay in there?
Felicia: Yeah. 
Leila: I’m going into the house. We’ll leave after.
-
Ludde: Hi.
Amie: Hi.
Ludde: How are you?
Amie: I’m fine. 
Ludde: That was so crappy of her.
Amie: It’s fine, Ludde. It was mashed potatoes, not lava.
Ludde: But still, what the hell... I’ve tried talking to her before, Felicia I mean.
Amie: You don’t have to apologize for her... It’s fine. There. Let’s move on.
Ludde: Are you sure it���s okay?
Amie: Yeah, it’s fine. Did you come up with anything? For the song.
Ludde: I listened to it yesterday and I thought about it a little. I have some small ideas.
Amie: Show me!
Ludde: It’s nothing special at all.
Amie: Come on.
Ludde: Okay. I’ll just start, and you can yell stop if you want to. 
Amie: Stop! No, I was just kidding. Sorry, go.
Ludde: Rude.
Amie: Keep going.
-
Mats: How is Steve? I tried getting in touch before we moved, but he never answered.
Jack: He’s good, I think.
Mats: It’s an automatic, so it should feel like home. Just go ahead.
Jack: I won’t scratch it. I promise.
Mats: If you do I’ll kill you. Oh...
Jack: Is Leila home? I’d love to go say hi real quick. 
Mats: Uh... We can do that next time, maybe. So... Back out carefully, so... Really great, Jack.
Jack: What a nice place.
-
Mats: Welcome home then, I guess.
Leila: I don’t want to fight.
Mats: Oh, well... Well then. We’ll just skip that then. Are we just going to cross over everything, is that what you mean? Is it?
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Felicia: What?
Jack: No, it... It’s nice to see you. You’re really... All grown up.
Felicia: Hell, I never thought I’d see you outside of Boston.
Jack: If Mats Kroon calls, you answer.
Felicia: That’s what he thinks, at least. Shit. Jack Barrett, assistant coach in Eagles!
Jack: Does it sound good?
Felicia: Ah, I don’t know.
-
Leila: I can’t talk to you when you’re so mad, everybody is scared of you! Do you get it?!
Mats: Instead you just leave with my daughter, it’s completely freaking insane!
Leila: What did you say? Your daughter? Oh, Mats. I tried emailing and calling, but you- I can’t talk to you. It was completely impossible. We really needed to get out of here, and you know that. So don’t blame me!
Mats: Who the hell else should I blame?
Leila: I needed- I needed to think.
Mats: Uh-huh. Are you done thinking now, then? Are you back? What the hell.
Leila: Yeah. But not with you.
Mats: What...? Don’t do anything you’ll regret now. Leila.
Leila: Regret?
Mats: Yes, please.
Leila: Mats. There’s a lot that I regret, but I don’t want to do this anymore.
Mats: So you mean... You want to...
Leila: Yes. I want a divorce.
-
Jack: Do you want a ride anywhere?
Felicia: I wish I could run away for a while, but I’m going with mom.
Jack: What’s going on?
Felicia: Forget it.
Jack: Alright. But I want to see you again. Shouldn’t we come up with something soon?
Felicia: Sure we can.
Jack: Okay.
Felicia: What’s happening?
Leila: Come on, let’s go.
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Introduction to Board Games
alIf you’ve just learned that a friend is into “board games” and you’re trying to figure out if that means they play Monopoly every day, this is the post to start at.
There’s really no better introduction that this video, by Shut Up and Sit Down, a group that reviews board games. The auto-generated captions are all right, but I’ve also transcribed the video below the cut.
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Now that you’ve watched that video, you should understand why some people play board games. Do you want to maybe be one of them? If so, keep reading this post.
Here’s another way to explain what hobby board gaming is like (credit to Reddit user Russell_Ruffino): an analogy to beer. The board games everyone’s heard of, like Monopoly, Clue (a.k.a. Cluedo), Sorry!, and Uno, are like those mass-produced lagers you can buy in the supermarket. But “if someone … had only ever tried mass produced lagers bought from supermarkets,” they’d be “missing out on a whole world … [of] craft beers that you sometimes have to buy straight from the brewery.” Like craft beer fanatics, board gamers have lots of games we love that you’ve probably never heard of.
I love this analogy even though I know nothing about beer because it can be extended to lots of subtleties. Those supermarket lager games are called “mass-market games,” because they’re advertised to a wide audience and lots of people know about them. The craft beer games, meanwhile, are called “hobby,” “designer” (because the designer is listed on the box, like a book author or movie director), or “modern” (because most though not all were designed after The Settlers of Catan in 1996) board games. These designer games “can be an acquired taste, [and] there’s nothing wrong with someone just drinking the supermarket lagers, but once you've started getting into the limited run stuff it’s hard to go back to only drinking the lager.” (Here’s an article that goes in-depth on the differences between these two categories of games.)
Now, I don’t know if you’re interested in maybe becoming a real serious hobby board gamer, or if you just want to play good games more casually. If you think the latter is the case, check out Casual Game Revolution. This article gives a very good overview of what they think casual gaming is, or if you want a shorter read, try their about page. Their website will be a wonderful resource for you if you want to be a casual gamer, and my blog might be a bit unnecessarily esoteric. But if you don’t want all your games to be “relatively quick games that are easy to learn and teach” and want more than “light strategy,” Casual Game Revolution might be a little limiting for you. You are my target audience for this blog.
(I tried to write that a couple different ways and I feel like it still might sound a little condescending towards casual gamers. I promise that was not my intention, and casual gaming is amazing.)
I think that’s just about all I need by way of introduction to this blog. I would strongly suggest using the table of contents linked at the top of the site (next to my About page) to get around. Welcome!
Transcript of Shut Up and Sit Down’s video below the cut:
Oh, hi there. So, you’re here because a friend or significant other or colleague, a member of your family, church, or dogging community has told you they’re into board games: they’re a board gamer. And that’s got to make you nervous because surely anybody will be done with Monopoly and Snakes and Ladders after being a kid.
What if I were to tell you a secret: that these days, board games and card games are actually amazing. And you're going to find that hard to believe because you’ve got three preconceptions starting with this one: aren’t there like, six board games? There’s Risk, there’s Monopoly, there’s KerPlunk, Connect Four, and the one where the mustard man kills people with a fire poker. No! Actually, new board games come out every single week from countries as far-flung as Germany Japan, and yeah, America and the UK, and some of these board games are for families, some are rubbish, but lots aren’t. In fact, lots are absolutely fantastic!
Let’s look a preconception number two which is the board games are BORING! And actually, they’re just not. Let’s look at a game that came out just a few months ago, alright, this is Ladies and Gentlemen: a French game; a team game where half the players play baffled Victorian gentleman trying to make money at a pretend kiddie stock market, in real time, and the other half of the table play their wives, trying to use that money to assemble the best outfit. It even has additional rules for “maid’s gossip,” and a player who is a single lady! Now, see, this this game might sound mad to you. It might sound like a cross between bridge and OK Magazine, but it probably doesn’t sound boring. And that’s the truth of it, alright, the fact is that the table, as a medium, can be used for anything. You just pick the board games out there that entertain you! Let’s not forget that poker is a board/card/table game type thing, and no one would say that’s boring!
Which brings us on to point number three: board games are for kids. And they’re just not! Labyrinth: The War on Terror is a simulation where one person runs the American War on Terror as of 2001, and another plays militant Islamic fundamentalist movements. Probably not for kids… unless you’re actually Dick Cheney. K2 is a very simple, incredibly competitive game about racing to the top of K2, a.k.a. Savage Mountain, a.k.a. the mountain with the highest fatality to summit rate in the world. A game where, when I lost a mountaineer who froze to death in his tent in a blizzard, I felt like crying. And I'm 26! Probably not for kids (unless your kids are tougher than me, which wouldn’t be hard, to be honest). Archipelago is a game where players are European colonists trying to scratch out a profit from a South Pacific island chain; simultaneously working alone to develop the island, and working together to make sure they’re not killed in a violent uprising. Probably not for kids… unless you’re actually Queen Victoria (which I really hope you’re not… ‘cause that would be… weird).
Very quickly, board games start to look like a much more reasonable thing to do with your time. Whether you’re invested in heavy, chess-like strategy that’ll let you best your friends; whether you want to have fun without drinking; or whether you want to have much more fun while drinking, there is a game out there for everybody, and that includes you. Here are a couple of pretty much perfect games that you could probably have an incredible time with no matter who you are:
The Resistance is a game that pitches you and your friends as an underground resistance cell, with no taking turns, no dice, not even a board. You and your friends just have to decide which of you will go on missions, with the twist that secretly around the table is a team of spies. The spies know who one another are, but the good guys don’t know who anybody is. And as teams start coming back with the news that someone anonymously sabotaged the plan, you’ll start distrusting your closest friends. It’s just 45 minutes of your friends accusing, lying, theorizing, I trust him I don’t trust her, sometimes getting little powers like one player must show one other player what side they’re on, until the end one team wins or loses, and all hell breaks loose as you find out your girlfriend was lying to your face the whole time. Or did I get you wrong? Maybe your idea of a good time isn’t lying to your friends faces; maybe you're not the confrontational type. In which case, say hello to Tales of the Arabian Nights. [Middle Eastern musical chord.] Tales of the Arabian Nights is a storytelling game, where you and your… this is probably racist, isn’t it? Where you and your friends will just be telling stories together. Do remember those Choose Your Own Adventure books you had as a kid? This is like the mother of all of those. Using an incredibly clever system of cards, and this ludicrous book, and matrixes, you will have… [Reference Pear falls off table and thuds]. You will have stories which are different every single time, from rescuing princess, to being lost and befuddled by genies in the European seas, to fighting to- getting your way out of problems with luck and guile. You have no idea what’s going to happen when you start Arabian Nights, but you and your friends will have an unbelievable time, just, telling stories together. And yeah, while it’s possible to win… that doesn’t matter, like so many board games these days.
[Quinns] Ahhhh… [to wife] I don’t think it’s coming out! [Wife] A little dab of olive oil on a cotton ball will help. [Quinns] Ol- Olive oil? What is wrong with women! [this is actually funny and not just weird in the video, trust me]
As a kicker, in an age where books, movies, video games — where ownership is becoming digital — board games give us something real to play with: something you can just hold, and collect. Because to be honest, holding a hand of cards feels, just, really good.
This is the scene your friend is part of. It’s big, it’s beautiful, and it’s growing! Sales have been going up for the last ten years. Now, because board gamers are generally a pretty awesome lot, if you’re at all interested in this stuff, you should definitely talk to your friend about getting involved in a game. Alternatively you could visit our site, Shut Up and Sit Down, for news, videos, reviews, and plenty of footage of grown men dressed as wizards… for some reason. What’s wrong with us? Uh… BYEEEEE!!! [outro music]
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ashtonsunshine · 5 years
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Search for : 5 Seconds of Summer Ashton: 'chicks don't judge my drumming' it's from an interview for Rhythm magazine. You can also watch the interview : Ashton Irwin at NAMM 2016 . My intention is not to hate on him , but he does sound a bit condescending in those, and i hope as of now he appreciates his female audience, because we do support them with love for their music.
The first one you talk about, I could only find this very low quality pic of the article from Ashton’s twitter, and then I found these articles about it: PressPlay and AltPress. The PressPlay article just transcripts what he says and gives no other insight on the matter. The Altpress one is more important and I’ll get to it in a bit. 
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The picture isn’t easy to read so I’m gonna transcript what’s said: 
“Rhythm: Ashton, are you comfortable in the spotlight?
Ashton: Chicks don’t judge your drumming., let’s be honest. Fourteen-year-olds aren’t going to be like, “Man, that guy sucks!”. They just like to see a drummer. My stepdad drums, my uncle is a drummer, I’m surrounded by a drumming family and I just want to learn to be the best drummer I can be. 
Karl: That’s a great thing you just said that chicks don’t judge your drumming. There’s a song in that. I would say you’ve probably influenced a lot of girls to be drummers. 
Ashton: I hope we get some people playing guitar and drums again, I thinks that’s a great thing our band could do for people.”
This interview is from August 2015, but since Karl talks about a rehearsal in Portugal and that after it they’ll go straight into the shows, this interview was held in May 2015, right before the ROWYSO tour, so Ashton as 20 years old then. 
From a first read, yeah, it doesn’t sound good, but, just for the sake of it, let’s put ourselves in his shoes for a sec.
A 20-year-old man who wants to be a great drummer and appreciated for his drumming skills being reduced to daddy material by young teenage girls isn’t exactly ideal. The sexualization of band members isn’t news to anyone and we all know that teenagers can be over the top and very vocal about it to the artist’s face (and by face I both mean live in concert and on the artist’s social media), so, and although not exactly politically correct of Ashton, he’s not wrong in his words, in my opinion. 
Being sexually attracted to a drummer and appreciating their skill isn’t something that’s mutually exclusive, that’s a fact. However, young teenagers, and I’m including myself in here because I’m not imune to this phenomenon, can and will focus on the sex appeal of their idols before being able to appreciate their skills. I did that. I was one of those people who “just like to see the drummer”, so I can see where Ashton is coming from when he said that. Should he have said it, probably not. Did he say it and meant it the evil way people try to portray it, most likely not. 
As the Altpress article reads “What they are is good dudes, and good dudes sometimes say bullshit.” because nobody is born perfect. Then the article goes on saying: 
“It became something of a hot topic on 5SOSFam internet, girls attempting to dissect what the drummer meant. Some thought it was indirect commentary on their young, female fanbase’s obsession with their personal life over music. Others were offended, tweeting at the musician that though they might not be able to label the anatomy of a drum kit, they still appreciate his musicianship. Whatever the reasoning, the use of “chicks” here is concerning as is the statement. Why don’t they judge your drumming? Is “judge” here used more like “criticizing”? Because a girl isn’t going to scream “You suck” at a 5 Seconds Of Summer gig, she doesn’t know about the mechanics of drumming? It might be misguided language in the way their recent single, “Good Girls,” was, with a chorus of “Good girls are bad girls that haven’t been caught” meant to symbolize independence and an exploration in identity that, to the unknowing person (aka someone who doesn’t worship at the altar of this band) kind of reads like sexual objectification.”
I’d like to bring your focus to that last part about misguided language, because that’s important. Sometimes people say things without meaning harm that end up being harmful. We can try to dissect it all we want, but we’ll never know for sure. I would say he didn’t mean to be sexist, but I also agree that it did come out a bit condescending. 
The second one you mention is this interview for Altpress at NAMM 2016 when he was 21 years old:
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They are talking about the event and how there are a lot of people there who are older and more experienced music people and the interviewer says that he thought it would be easier to get a hold of Ashton because there were more important musicians there than him, to which Ashton responds that he’s just chilling and that there isn’t anyone in the 5SOS’s fanbase demographics there and finishes it off with “I don’t think any of the chicks or anything would come to check out some gear or some moog boards or anything like that so”. 
I wasn’t sure about it so I had to check it on a dictionary, that many women find “chick” an offensive term, so we can ask: why is he using it? Maybe he is just as unaware as I am and was using it simply to refer to young teenage girls; maybe he isn’t and was being rude, which is, in all honesty, not likely. Ashton is known for spitting out words without giving two thoughts about them and we all know that, but I also think he has grown out of it, at least a bit, by now. But, back to the full statement. 
“I don’t think any of the chicks would come to check out some gear...” can be interpreted as sexist and condescending, and I’m not going to deny that, but you have to look at the full conversation to understand what he meant. Context is important. They’re talking about the people who are attending the event, who are, as I understood it, experienced music people who’ve been in the field for a while and their fans, who, by extension, are also older people who have an interest in the drumming world. So, Ashton saying that can’t, in my view, be shoved into a corner and interpreted as it is being interpreted by so many people. 
Firstly, I, personally, don’t believe he’s using “chicks” as a derogatory term and is simply using it to refer to the majority of the 5SOS fanbase demographic, which was (and still is) young girls and young women. But you guys can think that all I’m saying is a bunch of bullshit and say that it doesn’t matter what he meant and how he meant it, what matters is what he said, and I’m sorry but I disagree. He’s human and human beings often say shit without meaning it in a certain way that then other people come along and twist their words to paint them as the incarnation of Satan itself. I have said things that come off rude and not politically or morally correct in my life without meaning them that way, and I’m absolutely certain that so have you.
Then, there’s the possible interpretation that young girls, being only interested in seeing the drummer, aren’t judging the drumming skills and don’t know or aren’t interested about drumming gear hence not being there at the event, which is, in a way, true. Is it a bold and somewhat sexist generalisation? Yes. Is he wrong, though? No. Many teenagers aren’t interested in the gear band members use. 
I remember when that interview with Ashton talking about his drum kit came out and I was fascinated. I wasn’t fascinated about the gear or fascinated about how many things he had on his kit or what they did; I was fascinated about his love for it. I didn’t understand shit of what he was talking about but he was speaking with such passion that I didn’t care. Same thing happened when Michael’s video with Gibson talking about his guitar dropped. I don’t know anything about guitars or how they work, but I know Michael was happy as hell to have that guitar out and I’m here for it. 
I think what Ashton missed when he said those things was that we may not understand anything about how to make music or how good of a drummer he is or about drumming gear but we do know he worked hard to get where he is right now and we value and respect that, and I think that’s why people went crazy about this. They felt betrayed in a way and that’s completely understandable. They felt like their respect was disregarded. That their love was minimised. 
But he does know how important a female audience is. The band has mentioned it several times. Here’s one from Billboard last year when talking about Youngblood:
“Being a band of all guys, what have you learned over the years from having a fanbase that’s largely female?
Irwin: A couple of delicate things, but most of it is just sensitivity. Lyrics are important to younger women who are trying to understand relationships, or just feelings in general. I grew up without a dad. I just have a mom. A lot of my lyrical process is based on seeing my mom suffer, which makes me quite sensitive towards how younger women feel. I think that’s an important thing. That took me a long time to realize as to why I feel almost asexual at times towards… I don’t really get along with men that well. It’s all because of my upbringing. In lyrics I wrote when I was younger, there’s a lot deeper meaning than I actually thought. I didn’t understand it when I was younger. When I was writing with you guys [I'd think], why do women like these lyrics? Then you get older and look at your lyrics and go, “This makes a lot of sense, why people would have liked that.”
I think where a lot of young male bands go wrong is they get caught up in women liking their band. There’s a bunch of women hanging around who might sexually desire you. That can be confusing to a young man, but it’s all just about respect. 
Hood: You never want to [be patronizing towards] younger fans, in particular female, because that’s what our demographic was, and still is in large part. So in lyrics, we always overestimate our fans. The lyrics on this album are very deep. 
Irwin: We don’t actually focus on who likes us that much… I really enjoy meeting male fans as well. To all my favorite bands, the Rolling Stones and stuff, the younger female fans always come first because they know what's good.”
They know how important we, the female fanbase, are. They know we put them where they are now, that we gave them the platform to thrive in the music industry. They know we love their work and support them in whatever music path they choose to take. They see us like people with brains and not sex objects. They write lyrics for our brains and our hearts. 
Ashton has grown so much as a person and I think we shouldn’t keep him back on a sentence he said four years ago without looking at ourselves first and thinking about all the dodgy things we did and said when we were four years younger. I have a few I’m not proud of, and I would like people not to use them to define who I am today because I am a completely different person than I was in 2015 and nobody is judging me harder than myself.
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jlf23tumble · 5 years
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1D Day, Hour One
God only knows what this hellscape will look like on December 18, so if I’m gonna recap each hour of 1D Day, I might as well do it now, eh?? 1D Day is a gift that none of us really deserved, and yeah, it has a ton of shitty moments, but much like X Factor itself, the true gem is Louis Tomlinson and how much he runs this entire show (and lbr, the band itself), Jesus, god, do I love him.
Anyway, 1D Day aired 7 hours of live content on November 23, 2013 to promote Midnight Memories, and yes, yes, we’ve all seen the gifsets, but like anything else with this band, it’s tremendously better in context. I watched this whole thing a couple of years ago, when I first got into this fandom, but I didn’t know all of the dynamics then, so it’s extra fascinating to me now. We’ve all binged worse shit than this that took way longer, and I promise you won’t regret an hour a night for a week--but if you’d rather read my hot take, here you go, under the cut! Note: these are really shitty screengrabs, and for that, I am truly sorry.
A horrible announcer introduces the D by saying they weigh in at a collective 792 pounds, and all I can wonder is does this mean they have daily weigh-ins, why is it that specific? This focus on their weight is just gross to me. C’mon, writers, you’re better than this (j/k, you aren’t).
The three-foot bubble between Louis and Harry is established pretty early on, with Harry doing the prettiest sitting in all the land before bolting to his feet immediately because Louis happened to walk by his couch. A very real question: Was this bubble a requirement that Ben Winston constantly whispers into their headpieces, or did sbb decide, hey, let’s make it obvious that we have to CONSTANTLY adjust where we stand, even if it’s two feet away because that’s not enough room for Jesus?
There are some truly hilarious guest “stars” to announce, the first being the giant video head of David Beckham, which pops up and immediately starts speaking, so we're already off to the races with a) fuckups and b) Louis’s annoyance at said fuckups.
Liam takes a good hard look at his future:
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Harry isn’t allowed to gaze at Becks, he’s off by the listening booth, which is a giant red call box because they’re Briddish, pip pip, cheerio. Unrelated, but I low-key feel like Harry's coked up or else really taking the piss with all his “LIVE BANDDDDDDD,” JERRY! JERRY! JERRY!,” etc., not to mention how fast he’s speaking, the way he grinds on the guitarist’s lap while Louis fonds at the sky, and all the yelling with arms aloft.
The best part of the rundown of the guest “stars” (or breast stars, if you’re Niall) is that we’re only in the first 10 minutes, so everyone’s giving it a go, but then we get to Mr. Simon Cowell, and Niall claps five times to stony silence (me as Harry constantly staring at Louis from three feet away):
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Piers Morgan comes out to describe the “grilling” he’s going to give them later, all angry—genuinely angry—that they’re trending on twitter because they keep saying that he smells. And they don’t stop, even here, they keep yelling, “What’s that smell? You stink, etc.,” and he’s such a dick that I want to bottle this moment and spritz it around my house daily.
This mild trash talking continues, with Piers promising “tears from Piers,” but Slytherin Niall pulls the fingernail out of his mouth, smiles that sneaky smile, and says, “Yeah, but this isn’t Piers Morgan Day, is it, this is 1D Day,” and I want a transcript because there’s so much talking, but all of it trashes Piers, and god, I love my sons.
Anyway, they keep winding Piers up (Piers: “I’m going to find out what you’re most embarrassed about,” Liam: “The way you smell,” Piers, genuinely in a rage: “Don’t say that”), and he keeps talking about how he’s interviewed heads of state, etc., the implication being that this is below him, but Niall counters that Oprah and Barbara Walters have, too, and they would have much preferred Oprah, to the point where Piers admits they couldn’t afford Oprah (lmaooooooo). 
We move on to Harry, spinning a twitter wheel that means they’ll follow whoever it lands on, which seems like a cute idea. I’m guessing it’s the official twitter handle?? I don’t know or actually care!
Louis can’t read the teleprompter, and he mutters later that it’s because it makes no sense rather than being too hard to actually see, but me as Niall, already yawning at the 25-minute mark (the bubble is preserved, though, whew):
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I’m guessing Scott Mills is the “host” of this show because he comes out with a stick (??) and an agenda (Scott’s no Dermot…he has a face for radio, as they used to say back in the day). This whole section just features a lot of Harry and his pinned sleeves staring at Louis, and honestly relatable:
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The next task is toilet paper roll stacking, with two judges from the Guinness Book of World Records on hand to see if this band of hyenas can beat the current world record and stack 28 (!!!!) rolls in 30 seconds. Two reasons to love Louis: he interrupts this idiocy to ask, “How did you two get into this, is this a full-time job you do every day?” (I was wondering the exact same thing), and this is his face for this challenge:
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Sadly, they fail, and Harry’s the one who has to tell the judges, “Well, sorry for wasting your time!” with a cheery wave from the ladder. Uh oh, though, the bubble, we’re at two feet:
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Much better!
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This is still too close for Ben Winston’s comfort, so we split up the teams in what feels like a college course with a lot of money to run fake broadcasting drills. Zouis gets to report from the field, with some tweet rapping; the weather guy, sports guy, and lead broadcaster experience some technical difficulties, prompting Harry’s infamous, “SOMETHING’S GONE WRONG,” and we’re off to Poland:
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For a production company that seems hell bent on “no homo,” there are lots of things that raise my brows, like this big “handsome” (Harry’s words) he-man who’s going to pull a “boohs” full of 1D fans over a line, so the boys have to guess how long it’s going to take him…by writing all over his mostly nude body (I’m the eye contact that Harry and Louis maintain during this):
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Dude pulls the boohs successfully, so yay! Next up is Wrong Direction, the world’s worst lookalikes (HONESTLY, I’m embarrassed for everyone in this segment on Hollywood Blvd: the idiots who are “fooled” by this, the guys themselves and the low-key insult of it all, myself because this went on for way too long):
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I’ll spare everyone the individual matchups because yike, but the real Wrong Direction comes to the studio, with all the guys dressed up like their matches, and the real D is polite, albeit mildly “wtf are we supposed to do about this” (me, too, Zayn). Points to Harry for at least trying to strike up some conversation: “Did you have foon, acting like us?” We’re supposed to vote for the best one on Google+ (lolololololol).
Scott takes two girls who look like they’re legit about to pass out into the red call box so they can be the first people to listen to the new album. While they listen to something none of us can hear, we get some VT (that’s “videotape,” god, I hate the whole lingo lesson we got earlier) of Spain and some fans, all of which feels like lengthy filler. I feel for the people Scott mentions as being asleep during this because there is a LOT of fill. Maybe make this shit shorter, just a suggestion!
Next up is Jamie Scott from his home somewhere in the middle of the night; he wrote most of Midnight Memories along with Louis and Liam, and he gives them an 8.5 in terms of how they did on a scale of 1-10 (and that’s AFTER Louis insults his pillows with the alphabet on them, “In case you forget”). There’s a lot of Lilo hand-shaking in celebration, and some enthusiastic clapping from Harry (a little too enthusiastic…I’m gonna imagine that someone tells him to tone it down in his earpiece because he looks around quite a bit):
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A few things happen that don’t really interest me: the first listen of “Through the Dark” (this is skipped in the vid), a remote report from Radio Disney (Harry: “HOLLYWOODDDDDD!”) and a fan who wins the chance to come visit them later in the day, and then we’re back to Scott, who looks exhausted, and it’s only been 40 minutes.
All is not lost, because the next VT is the totally unnecessary yet extremely vital coverage of the D’s exercise regime. I’ve seen so many gifsets of hottttt and sweaty Lirry, but you haven’t lived until you’ve heard Niall’s American accent while he stretches: “Welcome to my workout dvd! I’ll be with you for the next 45 minutes to  give you the lowdown of how I stay in shape.” PLEASE @ NIALL, DO THIS.
I really WANT to be Harry and effortlessly pump out pushups, but in reality I’m Zouis, popping some robot dance moves and drinking Red Bull. The weird shorthand throughout this is that Liam is an animal (Ziam + a whip = fire), Harry’s into flirty sexercise, Niall wants an arse like Kim K’s, Zayn’s a slender boxer, and Louis…just fucks around? Missed opp for footie Louis.
The first performance is “Story of My Life,” and we’ve all seen it before, but godDAMN, Zayn sings like an angel. Lots of technical problems in the audio, prompting quite a few Louis/Harry hand gestures, but still, in spite of it all, they sound amazing individually and together.
Even local asshole Piers Morgan is impressed, as he comes out to tell them that they were surprisingly good, along with a bunch of other neg bullshit. This is another one of those segments that it pays to watch the whole clip of, and Jesus, do I want a transcript. They head over to the couches, and Piers points at Louis and says, “You have the most reason to be nervous,” but Louis’s like, “Yeah, but I’m not,” and wow, #goals.
Everyone gets a couch, and the upshot is that Piers is a terrible egoist who thinks he’s a fantastic interviewer, but he really isn’t…all the questions are shit, and these five eat him alive. Everything he asks falls flat, and it’s so masterfully, subversively handled, from Louis’s iconic “define girlfriends” (and the underappreciated attempt by Harry to define it for Piers later: “Like in primary school, if you hold hands with a girl and you're eight, is that a girlfriend?”) to the obsession with smells (Piers asking Niall, “Why do you always smell,” claiming it’s a fan’s question, and Niall answering that it’s because he had colic as a child, so can only fart; Piers asking Zayn, “Who stinks the worst,” and Zayn saying that they all smell quite good, actually) to Piers demanding to see Zayn’s tattoo and relentlessly attacking him for it being a gun (Louis keeps interjecting that it’s a watergun, but go off I guess, paraphrasing).
But the best is always Louis. “What’s the weirdest thing a girl has done to impress you?” “Tweeted Piers Morgan.” Later, he says pointblank to Piers, “You do stink.” But then…but THEN, it’s the Four interview 1.0, only instead of Ben trying to get Louis to deny gay rumors, it’s Piers, who does it twice: “What’s the one rumor you wouldn’t want to hear about yourself?” Louis’s answer: “That I’m not good at football.” “Are you good?” “No….I just wouldn’t want it confirmed.” Piers tries AGAIN: “What’s the worst thing you’ve had to read about yourself?” but Louis turns it around and says he hates reading about one of the other boys being dead (!).
Because he’s the worst, Piers takes it to the ladies and asks how many girlfriends they’ve had and how many times they’ve kissed a girl. Harry says he’s kissed 8 ladies (which prompts a good scoff out of Zayn), and everyone else says 5 or 6, 3 or 4, etc., with Louis declaring he’s only had one proper relationship (no genders mentioned), so maybe 2 (lmaooooo). Piers gets all excited that he’s kissed more girls than this hot boyband has, and I wanna say, you’re almost there, “friend”…keep working it through.
There’s more antics w/r/t Piers, like his poor 2YO daughter crying, and him trying to blame it on Harry Styles not answering her dad’s sex questions or stupid questions about embarrassing things they’ve caught the others doing, and yeah, I don’t think they’ll get into the big ot5 gang bang on live TV, but ask anyway, I guess?
The last person to suffer sitting next to Piers is Liam, and I love him always, but especially for saying, “How’s it going there, stinky?” when Piers takes a seat to ask him why he’s so sexy. Piers tries to “joke” that the sexy question is for him, but nobody says anything, and then he asks Liam AGAIN before admitting that it’s a shitty question, so then he asks about them all wearing tight jeans, and godddddd, why does anyone let him interview anyone?? 
The good news is that Piers can tell he lost, so as he tells them that he thinks they’re pretty okay, actually, but, “You’ve gotta stop calling me stinky,” and you know they never will.
Scott says it might feel like much longer, but it’s only been an hour, and Zayn’s lookalike won, so we can all rest easy. This hour closes with a review of the highlights, and it’s ham-fisted and awful. Shocking!!!!
I can’t do one of these every single day, but I’ll do hour two sometime soon! Hope you enjoyed this, @justlarried, lol!
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ua-setsuna · 5 years
Text
VIDEO TRANSCRIPT: September 7, 6:34 PM
[Note: Uncensored transcript requires further authoritzation.]
[Note: Contains mentions of sexual content. Lost dialogue has not yet been recovered.]
@ua-monoma
[Sound of door opening.]
SETSUNA: Hey! Haha, surprise... Mind if I come in?
MONOMA: ...
[Sound of chair moving.]
SETSUNA: Don’t look so happy to see me, haha. Wow... It’s like really warm in here, it was so cold outside, do you mind?
[Focus comes into view as Setsuna removes an article of clothing- a scarf. The camera now shows Monoma staring sullenly at her.]
SETSUNA: Cool... I really missed you. 
[Monoma’s expression only darkens.]
MONOMA: Why are you here...
SETSUNA: To visit you?
MONOMA: For what.
[He turns to glower at the open door.]
SETSUNA: What do you mean, for what?
MONOMA: Who sent you here?
SETSUNA: ...
[Setsuna chuckles awkwardly.]
SETSUNA: Are you aware of how paranoid you sound?
MONOMA: ...
[Setsuna sighs. The camera jostles as she suddenly stands up. She walks to the door, closing it.]
SETSUNA: Wow, no locks on this thing? Lame... They really don’t trust you, huh.
[Setsuna returns, sitting on the bed besides Monoma this time.]
SETSUNA: No one sent me.
MONOMA: I don’t believe you.
[Setsuna laughs.]
SETSUNA: Fine, I’m lying. I sent myself.
MONOMA: ...?
SETSUNA: I literally like broke down Hawks’ door and made him tell me where you are. Awase tried to do the same thing and got into another huge fight with the heroes but, heh... You know me. I got that charm. I’m way better at getting what I want...
MONOMA: ...
[Slowly, his expression falls. His shoulders slump as his eyes turn to the floor.]
MONOMA: Oh...
SETSUNA: ... Whatever you’re thinking, it’s not like that...
[The camera is suddenly obscured as she embraces him.]
SETSUNA: I missed you...
MONOMA: ...
[A muffled sound; Monoma hugging back.]
MONOMA: I want to go back... I’m missing class...
SETSUNA: Yeah...
[They finally pull away. Monoma looks sullen once again.]
SETSUNA: Everyone misses you. I can’t tell you how much you get brought up in the chat. They’d be here if they knew...
[Monoma stares at her.]
SETSUNA: It’s all kind of been hushed up. What happened. I only got your location because I got lucky but no one else is really... allowed to know...
MONOMA: Oh.
SETSUNA: Yeah.
[A shifting sound as Setsuna suddenly digs into her bag.]
SETSUNA: I brought you this week’s homework. We really hit the ground running. We got assigned this new heroics’ book too, it’s really cool, you can borrow mine and I can get it back when you’re out? I can just borrow from someone else.
MONOMA: ...
[He takes the book, looking far away.]
SETSUNA: You should see all our new freshmen, they’re soooo cute... It’s like so wild how much time has passed, y’know? Everyone’s freaking out about it, it’s so funny--
MONOMA: Don’t.
[Monoma’s hands tighten around the book.]
MONOMA: I don’t want to talk about this.
SETSUNA: Oh... [Another easy laugh.] Sorry, haha oops. Okay. What do you wanna talk about?
MONOMA: ...
SETSUNA: I don’t have to talk about anything you don’t want to talk about...
MONOMA: How counterproductive.
SETSUNA: ...
MONOMA: I’m not going to talk about it.
SETSUNA: It’s fine... I don’t want you to...
MONOMA: I don’t want to talk about any of it.
SETSUNA: Okay. We- we weren’t gonna--
MONOMA: Of course Hawks sent someone like you. Are you his little pet now? He’ll throw you away too the second you step out of line.
SETSUNA: ... Monoma...
MONOMA: ...
[He holds his head in his hands.]
MONOMA: I’m not giving you what you want...
SETSUNA: I don’t want anything from you.
MONOMA: I don’t believe you.
SETSUNA: I can leave if you want me to. I don’t care. I just wanted to see that you’re alright. Not knowing was awful. I was really worried about you.
MONOMA: Stop talking.
SETSUNA: ...
MONOMA: ...
SETSUNA: ...
[Monoma is visibly shaking. His hands tighten in his hair.]
MONOMA: You’re lying to me.
SETSUNA: I’m not.
MONOMA: Stop talking.
SETSUNA: ...
MONOMA: ...
SETSUNA: ...
SETSUNA: Hiryuu’s out of class too. The second I leave here I’m gonna be trying to find him next.
[Monoma’s head lifts, he looks horrified.]
MONOMA: Hiryuu-kun is...?
SETSUNA: See? It’s not just you.
MONOMA: ...
[Setsuna laughs easily.]
SETSUNA: You should see the look on your face. 
MONOMA: ...
SETSUNA: You don’t have to be scared of me, Monoma. I’m an open book. You know that.
MONOMA: ...
SETSUNA: And I’m not scared of you. Before you ask.
MONOMA: ...
[He stares at her blankly.]
MONOMA: You should be.
SETSUNA: Nope.
[He looks frustated.]
[Setsuna laughs at him again.]
SETSUNA: Do you want me to be?
[He blinks, suddenly confused, before looking a little panicked.]
MONOMA: No...
SETSUNA: Okay. So there’s no problem, yeah? We’re just friends, Monoma. Just friends hanging out.
MONOMA: [Rolling his eyes] Some hang out sesh.
SETSUNA: Ew, hearing you say ‘sesh’ is so weird. I’m rubbing off on you.
[Monoma laughs a little, then frowns like doing so has betrayed something in himself.]
SETSUNA: I’m right, though. 
MONOMA: Perhaps.
SETSUNA: And I’m mad at you for not making a ‘rub off’ joke at that.
[Monoma smiles, looking off again.]
SETSUNA: Is  ▇▇▇▇ ▇▇▇ like really hard here with the door open all the time?
MONOMA: I can’t believe you just asked me that...
SETSUNA: Is that a yes?
MONOMA: It hasn’t exactly been on my mind...
SETSUNA: Really?
MONOMA: Being interrogated isn’t exactly the sexiest scenario.
SETSUNA: [Giggling] Are you sure about that?
MONOMA: Oh my God.
SETSUNA: I’m just saying, I closed the door~
MONOMA: You’re going to get us in trouble.
SETSUNA: So what? If they’re gonna interrogate you, let it be about something fun. Like crazy teen shenanigans.
MONOMA: [Still smiling] Weirdo.
SETSUNA: Hehe.
[Monoma pauses, looking far off. He leans forward suddenly. The camera is obscured by their sudden closeness. There’s a soft sound; they’re kissing.]
MONOMA: ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫?
[The camera fails to pick up what he whispers, he’s too close.]
SETSUNA: I don’t know what you mean...
MONOMA: ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫?
SETSUNA: The only thing he told me was about where you were.
MONOMA:  ▫▫▫▫▫▫▫▫▫▫▫▫▫▫.
MONOMA:  ▫▫▫▫▫▫▫▫▫  ▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫▫▫.
[Setsuna pushes him away.]
SETSUNA: I already told you, I’m not-
[Monoma grins dazedly at her.]
MONOMA: The look on your face~
SETSUNA: And now you’re being a dick.
MONOMA: You really shouldn’t have expected anything else.
SETSUNA: No, I’m more than aware of what your little complexes are. I just really hoped you wouldn’t for once.
[Monoma glares at her.]
MONOMA: Get out.
SETSUNA: Not while you’re angry at me.
MONOMA: GET OUT.
[Setsuna reaches out, trying to cover his mouth.]
SETSUNA: Keep your voice down!
[Monoma bites her hand hard.]
SETSUNA: [Pulling back] Ow-!?
[Monoma wriggles away from her.]
MONOMA: I don’t want you here. Go!
SETSUNA: I can’t believe you bit me--
MONOMA: Get out of here, go away--
SETSUNA: Oh my God, you’re so dramatic, why do you have to be so difficult?
MONOMA: Get out get out get out-
[Setsuna stands up suddenly.]
SETSUNA: Okay! Okay, geez. You wanna stay here and sulk and feel sorry for yourself, I won’t interrupt-
[Monoma glares at her, looking a tad stricken.]
SETSUNA: ... But I don’t want to leave yet. So fuck you.
MONOMA: You’re the worst.
[Setsuna sits down, now back to her own chair.]
SETSUNA: Yeah.
MONOMA: ... You’re the worst.
SETSUNA: You ran out of things to insult me with like five fights ago and it’s really funny to me.
MONOMA: [After glaring for a moment] ... We don’t fight that often.
SETSUNA: Considering how much conflict you spark up in a year’s time? Yeah, that’s not often at all.
MONOMA: ...
SETSUNA: [Sighing] I’m not mad. Sorry. Guess you rub off on me a lot too.
MONOMA: Oh?
SETSUNA: You lash out when you’re feeling defensive.
MONOMA: Oh.
SETSUNA: Yeah.
MONOMA: And you’re feeling defensive right now...
SETSUNA: Um, a little. 
MONOMA: Ah.
SETSUNA: I don’t like feeling outsmarted.
MONOMA: Have I outsmarted you...?
SETSUNA: You do it a lot.
MONOMA: Hm.
SETSUNA: You’re doing it right now.
MONOMA: Mm...
[Setsuna stands up, leaning into Monoma’s space. The camera is obscured as she whispers:]
SETSUNA: ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫
[He whispers back:]
MONOMA:  ▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫ ▫▫▫ ▫▫.
SETSUNA: ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫▫▫
MONOMA: ...
SETSUNA:  ▫▫▫▫▫▫▫▫ ▫▫▫▫▫ ▫▫▫▫ ▫▫▫▫▫ ▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫▫ ▫▫▫▫▫ ▫▫▫▫▫ ▫▫▫▫▫▫ ▫▫▫▫▫▫ ▫▫▫▫▫▫ ▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫▫.
MONOMA: Why...?
SETSUNA: ...
[She sits back again.]
SETSUNA: I don’t have to tell you if you don’t tell me anything.
MONOMA: ...
SETSUNA: And you don’t have to tell me anything. I prefer keeping matters private, myself.
MONOMA: ...
SETSUNA: But this way, you get to at least pretend you’re right in some ways, right?
MONOMA: I don’t understand you.
SETSUNA: Not much to understand. I hate losing, that’s all. And I don’t want to lose you.
MONOMA: ...
SETSUNA: Sometimes, though, I feel like I already did.
MONOMA: ...
SETSUNA: I miss seeing you in class. Sometimes I feel like no one else really gets me like you do.
MONOMA: I miss our class, too.
SETSUNA: I’m not telling you to do anything, but... if you miss us, why not come back to us? They’re only keeping you here because they don’t know what’s wrong, right?
MONOMA: ...
[He nods slowly.]
MONOMA: Okay.
SETSUNA: Okay, what?
MONOMA: You almost have me convinced.
SETSUNA: ... Of?
MONOMA: ... [He wilts a little.] I don’t want to talk about what happened to me.
SETSUNA: Then don’t...
MONOMA: ...
SETSUNA: ... You can’t avoid the bad things that happen to you forever. But there’s nothing wrong with avoiding it for a little while. I just... want you to feel safe...
MONOMA: I can’t.
SETSUNA: ...
MONOMA: ...
SETSUNA: Well... I’ll do anything in my power to help protect you until you can.
MONOMA: [Slowly] ... You can’t.
SETSUNA: [Laughing tiredly] Yeah. I’m not strong enough yet.
MONOMA: I wasn’t saying that.
SETSUNA: I will be, though. Strong enough. And I’m going to help you and Hiryuu and all the others. Everyone in our class. And then the school, and then the world, maybe.
MONOMA: ...
SETSUNA: ... Sorry. Heavy topic.
MONOMA: Is it.
SETSUNA: A little. Considering. 
MONOMA: I suppose...
SETSUNA: ... You know, I also brought you snacks.
MONOMA: Oh. Did you...
SETSUNA: Yeah. 
[A rustling sound as she takes them out of her bag as well.]
SETSUNA: Figured you’d like something good since hospital food like has to suck, right?
MONOMA: They aren’t exactly gourmet, you’re right...
SETSUNA: Yeah. ...
MONOMA: ...
SETSUNA: I’m... gonna leave now. If that’s okay.
MONOMA: Yeah...
SETSUNA: Please take care of yourself, Monoma. I meant what I said. I really care about you...
MONOMA: ... 
SETSUNA: You’re someone I’d do anything for, haha. You’re one of my best friends... 
MONOMA: Yeah... You’re mine, too. Thank you, Tokage.
SETSUNA: Of course. Any time.
MONOMA: ... So, I’ll see you in class?
SETSUNA: Yeah! Whenever that is. Really, take your time... take care of yourself. You deserve a break, even if this isn’t the most ideal one...
MONOMA: ...
[After a moment, Setsuna rises from her chair to pull him into a hug. It lasts a long few moments before she releases him and heads to the door.]
SETSUNA: Bye...
MONOMA: Wait...
[He picks up her discarded scarf, distant again.]
MONOMA: You forgot this.
SETSUNA: Oh. [She takes it.] Thanks...
MONOMA: ... See you later.
SETSUNA: Yeah.... [She puts the scarf back on, visuals immediately going black.] Bye.
[Transcript end.]
SENT TO:
@ua-hawks @ua-hc7
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