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#sorry for the delay in posting!!!

ywpd-translations · 1 year

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Ride 726: Sakamichi until the Central Sports Park

Pag 1

1: Two hours earlier, Sohoku High School racing team is on the mountain road towards the training camp

2: Are you alright, Onoda-san!?

Ugh....

Y- your condition... ahh, ahhhh

Captain!!

3: We were descending at a high speed, and then the moment we entered the mountain road his face turned... white

What do we do about this training camp

Is- is.... is he going to be alright?

4: Yeah, don't worry

It's Onoda-kun's specialty that we've gotten used to – car sickenss!!

I didn't think it would happen three years in a row

Pag 2

1: At the same place!!

2: I'm- alright, Naru.... ko... kun

Yeah you don't look alright at all

Your face is as white as paper

3: During these three years.... I've learned... and

I've come..... prepared....

4: Go ahead before me

5: There's no need to contact Toji-san either

6: From here....

Pag 3

1: To the Cycling Sports Park it's 18km....

I realized that on this mountain road

Pag 4

1: If I go with my bike, I'm sure I won't feel sick!!

Pag 5

1: I don't feel faint and I don't feel sick either

And I won't bother everyone

Ahhh... bikes really are the best...!!

2: But I'll be a little later for the start

I'll hurry as much as possible

(Time display)

4: But

5: The air is sweet, and I'm able to slowly enjoy the scenery

Ah, I can see the sea

6: I even started humming without noticing

Hm hm hm

Ahhh the “Love Hime”'s third season announcement PV only has the chorsu part of the song.... I want to listen to the opening!!

Even though I'm pedaling like this

Pag 6

1: There's many things to discover

2: 3km to go!!

3: This climb, and then the descent after it!!

4: Alright, I'm at the top

5: Hm hm hm

6: Hime hime

Pag 7

1: Hime.....

2: Waaaaaaaa, he's deaaad!!

3: Someone- someone's collapsed

Waaaaa my first dscorvery

Wh- wh- what should I do

4: My phone, my phone

Pag 8

1: I'm alive

A- i- u- e- o

Pag 9

1: See, I can even speak Japanese

2: I'm just resting

On the ground

3: You can go

Goodbye

4: O-okay

Sorry, you surprised me

5: What a strange person....

Well, then....

He was wearing a unifer, is he a student.....?

Pag 10

1: Hakone Academy is around here, maybe he's an Hakone Academy's student?

2: Uh-oh, I'm on my way to training camp! I have to hurry

I left the start to Naruko-kun, but....

4: Huh?!

This smell....

5: Just now the smell of plants was mixed a little with the smell of blood!!

Pag 11

1: He's injured!!

2: Maybe I'm wrong? Maybe I'm making a mistake?

Maybe he'll brush me off again!?

3: But

4: Let's turn back!!

Aaaaaaaa

Pag 12

2: Oh?

3: The four-eyes from before

Pag 13

1: I'm just resting, you can go

Yo-yo-you're injured!!

2: I have water and bandages!!

3: Are you kidding me

4: No way something so convenient

5: is... happe.... ning

Waa-

6: Are you alright!? Were you hit by car!?

Are you alright!?

7: Huh? No... on my own.....

On your own!?

Pag 14

1: Just for a moment, I looked away just a little

And then there was a hole and I fell

2: This is so hard, this is so hard

3: He's not listening

5: He's so bad at this....

6: But

Pag 15

1: You saved me

Thanks a lot

5: I'm glad!

7: By the way, that

Is the same as the one that a famous guy from Chiba rides

The bicycle

Pag 16

1: Huh

2: You know bicycles very well?

Yeah

3: I was riding one earlier

4: Earlier?

5: Now it's a little....

Waaa- It's fallen to the bottom of the valley...!!

6: I was riding, then I got caught in a hole

Kinda like that

Pag 17

1: Leave it to me, I'll bring it to you

2: I'll....

Ohhh, what a kind guy!!

3: I-!!

Waa--!!

5: …. well then, I'll go

Somehow now it feels reversed and I feel sorry

6: By the way....

Ahead of here

7: There's only the Cycling Sports Park

And from today for the next four days it's reserved so you can't use it

So where are you going, Four-eyes-san?

Pag 18

1: To the Cycling Sports Park

2: I'm Chiba's.... Sohoku High School's cap.... captain

Do you know of it?

My name is Onoda Sakamichi

We're having a training camp there from today

Pag 19

2: Who?

Huh- ah, no- haha it's it's just a name

He doesn't know me....!! This is so embarassing!!

3: You're kidding me.....

4: The super famous person of Chiba!!

5: This is baad... I was s surprised I bluffed and pretended not to know

Ah... uhm, and you?

6: Huh, me?

I'm- I'm!!

Pag 20

1: I'm Hakone Academy first year, the super rookie!! I'm Tobirama!!

2: It hurts

This person's head looks like a scrubbing brush

#yowamushi pedal #yowapeda #yowamushi pedal manga #yowapeda manga #yowamushi pedal translations #yowamushi pedal spoilers #ride 726 #sorry for the delay in posting!!!#But!!!#NEW HAKOGAKU BOY OMG #and watanabe did his magic again so im already in love with him!!! we have a new dumb boy!!#and hes an onoda fanboy!!! hell yeah!!#and hes so shocked that he pretends he doesnt know him but hes dying inside asdsdfsdghf hes so real for that tho #hes gonna be roku-chan's rival I JUST KNOW IT #also excuse me but i feel like crying/laughing at the obvious parallel btw this encounter and manami and onoda's first meeting #now its onoda's turn to save someone dying on a mountain lmao mountain king indeed!#i love seeing my boy so responsible btw ;^; i feel like such a proud mum whenever i realize how much he has grown #its the same with ima and naruko #seeing them all acting all senpai-like is #MY BOYS HAVE GROWN UP SO MUCH IM SO PROUD OF THEM ;A;#that kinda feeling #also also #i love how this new boy and onoda looks like theyre from different manga xD like the style theyre drawn with are so different #this is a very peculiar thing about watanabe drawing style and ive always love it #every character looks like they come from a different genre of manga #still they somehow fit so well together???#honestly watanabe's drawing style is my favourite

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paperultra · 8 months

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hammock.

Pairing: OPLA!Vinsmoke Sanji x Reader Word Count: 866 words Warnings: Kissing, slightly suggestive

“You’re blushing.”

“I am?” Sanji gazes up at you, dreamy and distracted. “I didn’t realize.”

You hum. You’re only vaguely aware of the hammock’s sway, of the blanket slipping down your shoulders as you prop yourself up and place your hands on his cheeks. Warmth soaks into your palms like sunlight, and you tilt your head, thumbs drawing over the flush on his cheekbones and tapping gently.

“Don’t say this is because of me,” you tease.

His hands reach up to cover yours. “Then I’d be lying,” he replies, turning his head to kiss your fingertips, “and I would never lie about how you make me feel.”

“Not even if you hated me?”

“The day I hate you is the day I should be tied to an anchor and fed to the sharks.”

“That’s awful.”

“I know.” His eyes search your face, and they narrow as he murmurs, “Who could ever hate someone as gorgeous as you?”

(Whoever coined the phrase “flattery will get you nowhere” has never met Sanji, you’re sure of it.)

Leaning down, you press your lips to his nose, to his forehead, to each cheek. A contented sigh brushes past your ears as you do so.

Eventually, you make your way to the source of his sweet words. You pause, and Sanji opens his eyes as you hover above his lips, just shy of meeting them with your own.

“Something wrong, sweetheart?”

“No,” you say. “Just wanted to see your pretty eyes before I kiss you senseless.”

He stills. Then he laughs, the sound blooming from deep within his chest and staining your world with gold. “Well – aren’t you a charmer,” Sanji quips, stroking your waist and pecking your cheek. His words are softer than usual. “Careful with my heart, now.”

“Don’t worry,” you say, and you kiss him fully, drinking in the way his grip on you tightens and the way his breath stalls in his throat when you speak against his mouth. “It’s in good hands, I think.”

The kiss is just as warm as his cheeks. You feel drunk as you pull away, and Sanji lifts his head to chase your lips, whispering your name with the reverence of a believer.

“You guys mind doing that somewhere other than here?”

The two of you freeze in each other’s embrace.

You jolt out of it and push yourself up, accidentally knocking the breath out of Sanji in the process. He wheezes and curls up as you lock eyes with a very unimpressed swordsman.

“Z-Zoro! We”—you scramble to unrumple your shirt, which had ridden up underneath the blanket—“I’m sorry, we – we thought everyone was going to be in the lounge for a while.”

“You thought wrong.” Zoro strides past and drops his laundry on the couch. “This isn’t your personal bedroom, Sanji.”

“I’m aware of that,” Sanji replies, annoyance dripping from every syllable. “Now would you mind just stepping out for a few more minutes?”

“Sanji, it’s fine,” you whisper, patting his chest. “The mood is kinda killed now, anyway.”

He visibly droops. “I know.”

“Good.”

“I wasn’t asking for your opinion, mosshead.”

The room fills with a completely different kind of tension as Zoro crosses his arms at Sanji’s response.

You, still trying to cover up your embarrassment, move to block Sanji’s view, pushing his bangs away from his face and attempting to smooth out his frown lines. His cheeks are still flushed, though the color is quickly fading back to normal as his attention turns back to you.

“C’mon, Zoro wants to fold his laundry. Let’s go up to the lounge and see what the others are up to.”

“Is that what you really want to do?”

“Yeah.” (It is now, anyway.)

“… All right, then,” Sanji acquiesces.

With that, you push the blanket off and clamber out of the hammock, nearly tripping and falling flat on your face in your haste to do so. Sanji follows close behind, and once he’s on his feet, you turn to Zoro and give him another quick apology before you and Sanji leave the men’s room.

“Of all the times to be interrupted,” your companion mutters as the two of you head to the lounge. He takes your hand in his and interlaces your fingers. “I’m sorry about that.”

“It’s nobody’s fault. Ships don’t have a lot of privacy …” You think back to the moment Zoro spoke up and groan, burying your face in your free hand. “I’m just embarrassed he caught us like that. I didn’t even hear him come down.”

“Me neither.” Sanji lets out an irritated sigh and then looks over at you; his displeasure softens. “At the very least, I’ll take it to mean you were enjoying yourself.”

Your face heats up. “Of course,” you say quickly. “I like our alone time."

“I like it too.” He squeezes your hand and leans over to whisper into your ear. “Next time, I could be on top, so I can hide you away if anyone walks in unannounced.”

“Wh – Sanji! Don’t say it like that!”

The man grins as you smack his arm playfully, planting a kiss to your temple as penance.

“Just evening the score, sweetheart.”

#one piece #opla #sanji x reader #vinsmoke sanji x reader #vinsmoke sanji #sanji #opla sanji #one piece live action #opla fanfiction #one piece fanfiction #reader insert #fluff #slightly suggestive bc of the comment sanji makes at the end haha #sorry for the delay in requests i was in an accident yesterday and life things are happening so !!#i am posting this which has been in my drafts for a little bit

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royalarchivist · 3 months

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QSMP Valentine's Day Movie Night VODs

Missed today's surprise movie night? Worried about muted VODs? Have no fear! I managed to get all 5 VODs downloaded before they got hit by copyright (thankfully movie night was only about half an hour today). Here are all the VODs in alphabetical order (please keep in mind these are not entire VODs, they only include the Movie Night section of each streamer's VOD)

Badboyhalo – VOD

oiBagi – VOD

FitMC – VOD

Mikethelink – VOD

Philza – VOD

Run into tech issues? Here's how to fix them:

"Video is still being processed. Try again later." — Google Drive is still processing the video! They're all higher quality videos, so like the message says, you might need to check back later since they're still being uploaded.

"Too many users have viewed or downloaded this file recently." — Here's a video tutorial on how to get around this. TLDR: You'll need to copy the files to your drive.

Have any other issues? Reach out to me and I'll see if I can help!

Please feel free to upload these to Archive.org (unfortunately, the website crashes whenever I use it).

#QSMP #Right now it looks like Bad Fit and Mike are still being processed #Hopefully this works better than last time!#FitMC #Philza #oiBagi #Badboyhalo #Mikethelink #Bad #Fit #Phil #Bagi #Mike #February 14 2024 #QSMP Movie Night #Reuploaded Mike's #Sorry for the delay in posting these I just wanted to make sure all of these looked like they were going to work for everyone

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hedgehog-moss · 9 months

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"rn I feel like reading about someone's quiet daily life, maybe a diary or letters, set in a place or context I don't know much about, without turmoil or tragedy" oh! do you have any recommendations for books like this?

This is one of my favourite types of books! Here are 30(ish) recs...

May Sarton's The House by the Sea or Plant Dreaming Deep

Gyrðir Elíasson's Suðurglugginn / La fenêtre au sud (not translated into English unfortunately!), also Bergsveinn Birgisson's Landslag er aldrei asnalegt / Du temps qu'il fait (exists in German too)

Gretel Ehrlich's The Solace of Open Spaces, which iirc was originally written as journal entries and letters before being adapted into a book

Kenneth White's House of Tides: Letters from Brittany and Other Lands of the West

Sei Shonagon's Pillow Book

The Diary of a Provincial Lady, E. M. Delafield

Growing Up with the Impressionists: The Diary of Julie Manet

Elizabeth and Her German Garden by Elizabeth von Arnim (do not read if you don't like flowers)

The Road Through Miyama by Leila Philip (I've mentioned it before, it feels like this gif)

The Sound of a Wild Snail Eating, I keep recommending this one but it's so nice and I love snails

Epicurean Simplicity, Stephanie Mills

The Light in the Dark: A winter journal by Horatio Clare

The Letters of Rachel Henning

The letters of Tove Jansson, also The Summer Book and Fair Play

The diary of Sylvia Townsend Warner—here's an entry where she describes some big cats at the zoo. "Frank and forthcoming, flirtatious carnivores, [...] guttersnipishly loveable"

The Letters of Rachel Carson & Dorothy Freeman were very sweet and a little bit gay. I mostly remember from this long book I read years ago that Rachel Carson once described herself as "retiring into her shell like a periwinkle at low tide" and once apologised to Dorothy because she had run out of apple-themed stationery.

Jane Austen's letters (quoting the synopsis, "Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of "Little Matters," of the emotional and material details of individual lives shared with friends and family")

Madame de Sévigné's letters because obviously, and from the same time period, the letters of the Princess Palatine, Louis XIV's sister-in-law. I read them a long time ago and mostly I remember that I enjoyed her priorities. There's a letter where she complains that she hasn't received the sausages she was promised, and then in the next paragraph, mentions the plot to assassinate the King of England and also, the Tartars are walking on Vienna currently.

Wait I found it:

R.C. Sherriff's The Fortnight in September (quoting the author, "I wanted to write about simple, uncomplicated people doing normal things")

A Tree Grows in Brooklyn, Betty Smith

Pond, Claire-Louise Bennett

Rules for Visiting, Jessica Francis Kane

The following aren't or aren't yet available in English, though some have already been translated in 5-6 languages:

ツバキ文具店 / La papeterie Tsubaki by ito Ogawa

半島へ / La péninsule aux 24 saisons by Mayumi Inaba

Giù la piazza non c'è nessuno, Dolores Prato (for a slightly more conceptual take on the "someone's everyday life" theme—I remember it as quite Proustian in its meticulousness, a bit like Nous les filles by Marie Rouanet which is much shorter and more lighthearted but shows the same extreme attention to childhood details)

Journal d'un homme heureux, Philippe Delerm, my favourite thing about this book is that the goodreads commenter who gave it the lowest rating complained that Delerm misidentified a wine as a grenache when actually it's a cabernet sauvignon. Important review!

Un automne à Kyôto, Corinne Atlan (I find her writing style so lovely)

oh and 西の魔女が死んだ / L’été de la sorcière by Kaho Nashiki —such a little Ghibli film of a book. There's a goodreads review that points out that Japanese slice-of-life films and books have "a certain way of describing small, everyday actions in a soothing, flawless manner that can either wear you out, or make you look at the world with a temporary glaze of calm contentment and introspective understanding [...]"

I'd be happy to get recommendations in this 'genre' as well :)

#book recs #i should have posted this ages ago but i was waiting to finish the book i was reading to see if it #should be added to the list #but in the end it wasn't worthy #sorry for the delay!

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diasy · 3 months

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OOPS almost forgot to post HAPPY VALENTINES DAY ❤️❤️ gift for @hitsuzenhusbands for @mgsevents gift exchange :)) hope you enjoy!!

#sorry for posting delay i was working #on valentines day i know #art #mgs #otasune #hitsuzenhusbands #solid snake #hal emmerich

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apollodarling-writes · 1 year

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Simon Says...

MINORS DNI!!!

desc: Simon “Ghost” Riley decides to take Simon says a bit further...

cw: multiple creampies, unsafe sex, ghost was out here rawdoggin you without a condom or even asking if you were on contraceptives beforehand smh, afab reader but no specified pronouns, marking, rough sex, uhh a lil blood play cause i feel like ghost would kinda be into that, dom!ghost/sub!reader, manhandling, spanking, bruising mention, public play, a little degradation, praise, Ghost is kinda mean at first, i use the term ‘pretty’ but it’s meant to sound gn, it might be kinda shitty... sorry ;(, idk if i mentioned it already but ghost is a sadist in this, reader shows slight masochism btw, kinda??? blood drinking, some possessive themes, throat fucking, this is fucking absolute filth, ghosty boy goes feral, simon's orgasm hits real hard for him- it's prolly the mutual pining and finally being able to fuck you tbh, uhhh also pussy drunk! simon, and some cunnilingus, dumbification, virgin!reader

this isn't proofread. it's also prolly a little shitty at the end. I was rushing to get this out.

@willywonkagirly @darklordofthesimp @ifellinthebongebong @midnightlockhearth

Everything started with you challenging Ghost to a drinking contest. No one in the 141 Task Force had the pleasure of seeing the man drunk, and you would be the one to change that. Upon deciding the night was nice enough, and hoping that luck would be on your side, you had slung your arm over the man’s shoulder and proposed the idea. Surprisingly, with enough begging and batting your eyelashes halfheartedly, Ghost had finally agreed.

The rest of it was a blur. One moment you were flirting with Ghost, and the next you were being dragged to the bathrooms in the back of the bar, shoulders slamming against the cool metal of the divider.

“Ghost! What the hell?” You weakly protest, your words slurring together.

“You like to play games, don’t you?” The man growls, venom dripping from every word that leaves his lips.

“What are you-“ Ghost’s hand shoots out, gripping your jaw.

“Did I say you could speak, [Name]?” Your eyes widen as you gently shake your head. “Then don’t speak.”

You bite your lip as the Lieutenant purrs, “You learn quick don’t you, Angel?”

“Now, since you like to play games with me, what d’ya say to a nice ol’ game of Simon Says?”

Simon says?

You furrow your brows at the man’s choice of game, but agree nonetheless. With a slight nod of the head, you hear Ghost chuckle.

“We’ll start off simple, yeah?” He doesn’t give you a chance to respond. “Simon Says: Take off my mask.”

You blanch. “A-Are you sure, Gh-“

The Lieutenant clicks his tongue, followed by a disappointed sigh. Thick fingers wrap around the soft flesh of your throat as he ghosts his cloth-covered lips along your jaw, nipping at your flesh here and there.

“Are you gonna be good for me, or am I going to have to make you? I’d prefer that you be the good little bitch you are, but…” Ghost trails off for a moment, an arm wrapping around your back, pulling you flush against his broad chest, his other hand trailing lower and lower. “I don’t mind putting you in your place, Angel.”

His fingers just barely brush against your clothed clit- a promise of what’s to come if you’re good for him.

“Will you be good for me, Pretty?” Parting your lips as the man applies gentle pressure, you quickly nod your head. Ghost releases a sultry chuckle, butterflies filling your tummy as a result, and removes his grip on you.

“Good.”

The LT takes a step back, allowing you to shakily pull his mask off.

He’s beautiful, is your first thought.

The man had to be a god. With pretty, plush lips, dirty blond hair that’s grown out just a tad more than Ghost- no, Simon- would’ve liked, long lashes that frame his gorgeous ice-blue eyes… you couldn’t bring yourself to look away.

"Ya like what ya see, Sargeant?"

"You weren't kidding when you said you were far from ugly..." You murmur, causing the man to chuckle. His eyes meet yours, a hungry, lustful look swirling within. Simon reaches his hand forward, cupping your cheek and brushing the pad of his thumb against your lip.

"Simon Says: kiss me."

You inch closer to him, gently pressing your lips against his and wrapping your arms around the back of his neck. The man quickly takes the lead, tongue brushing over your bottom lip and fingers gripping the meat of your waist- surely, there would be bruises tomorrow. Simon kisses you heatedly, lifting one of your thighs and pinning it against his hip, biting your lip and tongue here and there.

"You drive me fuckin' crazy, love." He murmurs, pressing chaste kisses to your jaw, trailing down the length of your neck.

Ghost bites down on the apex of your shoulder, forcing a pained whine to erupt from your throat. He shivers at the sound and sinks his canines deeper into your flesh, reluctantly pulling away as you begin to squirm and licks up the droplets of blood leaking from the wound.

Simon's gaze drops to the bitemark he left- a pretty purple and red taking up a portion of your shoulder. Blood rushes to the man's cock, the pants he wears beginning to strain rather painfully against his flushed tip.

"Simon says: get on your knees."

You immediately obey, mouth watering at the promise those four words held. He hurriedly unzips his jeans, the imprint of his cock making you whimper. Your core pulses as he lowers his boxers, length slapping against his abdomen, the sensitivity of it causing a poorly contained groan to form in his throat.

One hand wraps around the base, roughly tapping your lips with the leaking tip, while the other tangles itself in your hair.

"Open."

You obey.

"Suck"

You obey.

Simon's hand guides your head, forcing his cock deep into your throat.

"Doin' so good for me." He groans. "Feels so fuckin' good."

Ghost holds your head in place as he comes closer and closer to his climax, length thrusting in and out of your throat. Heat pools in your tummy, thighs clenching together as one hand slowly reaches down to fondle your clit.

"'m gonna fuckin' cum. 'm gonna fuckin cum-" Simon groans, hips suddenly stilling and eyes screwing shut as his vision borders a delicious white. He shakily pulls out, fingers brushing against your cheek, and orders you to swallow all of it.

Just like before, you obey.

"Simon says: Strip."

Swallowing thickly, you begin to strip off your clothes. By now, your underwear was practically transparent- glistening in the dim lighting, the outline of your heat on display for the LT. He hooks a finger around the seams of the garment and tears the fabric from your body.

Simon is quick to replace the fabric- his tongue lazily drawing circles on your nub and fingers prodding at your slit.

"'m gonna make you cum 'fore I fuck you." Ghost murmurs his promise into the meat of your inner thigh, releasing a throaty groan as he relishes in the taste of you.

He coaxes one orgasm out of you.

Two orgasms.

Three orgasms.

Simon didn't want to stop. Between your fingers tugging harshly in his hair, the pretty purple marks blooming in the shape of his hand on your outer thighs, and the name carved into your tummy- Simon Riley was sure he was dreaming. The taste of you, the feel of you, the scent of you; everything was just too good to be true.

"Simon please- hah fuck!- need you inside me." You whine, hips bucking at just the right angle forcing a fourth orgasm from you.

"'m so proud of you, Angel. Did so fuckin good for me, yeah?" Simon stands from his kneeling position, picking you up and pressing your back against his chest- arms hooked beneath your knees and aligning your hole with his cock. "How about I fuck you dumb, hm? How about that, baby?"

"Please. Please, Si- I just need you. Need'ta be filled."

Ghost sinks you on his cock slowly, the pain from the stretch causing you to bite your lip and tears to prick your eyes.

"Si- I've never- I've never-"

"I'll be gentle, pretty. Just feel good for me." Simon begins raising you to the middle of his shaft, and sinks you down ever so slowly. Tension pools into the pit of your stomach, growing tighter and tighter, making you more sensitive as time goes on. Simon adjusts his angle, hitting a spot inside you that makes the tension crash down on you- your mind going blank and walls fluttering around Simon.

"Fuck-" Simon increases his pace- hips snapping into yours as he comes closer to his own orgasm. His hips never still as he spurts thick ropes of cum into you, fucking it back into you with each thrust.

Simon slams you on his cock, back pressed against the cool metal, as his hips snap up to meet halfway.

"'s too much Si-"

"Take what I give you, slut- oh god, 'm gonna fuckin cum again-"

Simon fucks into you faster and faster as he chases his own orgasm, forcing another from you. "'m gonna fuckin breed that pretty little pussy of yours. Need'ta make you mine-"

Simon cums a final time, dripping onto the floor as he gently pulls out from you, pressing a kiss to your temple and cleaning you up.

"Ya think they're fuckin?"

"Soap MacTavsish."

"Sorry, sorry."

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goodoldfashionedmurderboy · 1 year

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Congratulations to Lady Macbeth for being voted tumblr's official number one murdergirl!

The competition was tough but at the end of the day you simply can't outdo the do-er!

#murdergirls #the murdergirl polls #macbeth #lady macbeth #william Shakespeare #sorry for the delay in making this post #I slipped into a new hyperfixation and have spent the past several days in a state of new hyperfixation mania #you know how it is

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captainkirkk · 8 days

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✩ WEEKLY FIC ROUND-UP ✩

All the fics I’ve read and really enjoyed in the past week-ish. Reminder: This list features any and all ratings and themes. Please look at tags and warnings on ao3 before reading.

BNHA

something else to pretend by beeclaws

Bakugou apologies. Somehow, this makes things worse.

Retrograde by redrobin1989

Retrograde /ˈretrəˌɡrād/ adjective: directed or moving backwards noun: a degenerate person. verb: go back in position or time.

Seasoned pro heroes Midoriya Izuku and Bakugou Katsuki are mentally transported back to their younger bodies due to a quirk. All they have to do is wait for the quirk to wear off for everything to return to normal. But sometimes the journey is worse than the destination.

dick move by konan_konan

Part 1 of batfam twitter shenanigans

dim trake ☑ @timdrakeceo・52min guys what if dick grayson IS batman. that’s why he thought he was getting cancelled. it all makes sense. 784K Views | 142 Retweets | 52 Quote Tweets | 63.9K Likes

tason jodd ☑ @jsntdd・49min ↳ replying to @timdrakeceo asshole last week you said i was batman 461K Views | 88 Retweets | 16 Quote Tweets | 18.3K Likes

or: a civilian overhears a conversation between batman and nightwing. twitter does what it always does: makes things worse

the rules of playing make believe by hoebiwan

“We can’t squat in some dead guy’s mansion, Damian,” Tim says. Damian, in the midst of packing all their meager belongings into grocery sacks, ignores him.

“Why not?” Jason demands. “It’s not like he’s using it. Finders keepers, losers weepers.”

Or: Homeless!Reverse Robins squat in Wayne Manor.

Nine Worlds

with a winged heart by celebros

"Cliopher. Cliopher. Cliopher." I blink. It's Conju, standing with his hands on my shoulders, and I go to answer him and realize that I am already speaking, babbling, and Franzel is behind him, wringing his hands and looking near tears. I try to focus on what I'm saying, but it's like a stream, light and splashing past me, too quick to hold, not enough to catch, somehow, somehow – A few weeks before the start of the viceroyship ceremonies, Kip finds himself the unwitting recipient of a truth serum.

Original Work

That Frightful Nest Inside the Throat by whereveryouroam

Part 1 of That Dreadful Clockwork Beats Below

Living horses were in vogue among the high and mighty of the great families, but Peter’s new owners had sent proud motorhorses, clicking over in a blur of cogs and wheels, to draw the carriage. It was a very nice carriage - plush and cushioned. He couldn’t help but think this was sinister. Masters didn’t transport slaves in finery. At least, not slaves like him.

Peter’s spent years under the cruelty of masters who want the Monster inside him to become their weapon. He is quite sure that Lord and Lady Arken will be no different.

Percy Jackson

Through rose-colored glasses (the past is perfect) by Mo13

Part 1 of Rose-colored glasses verse

Luke/Percy were in a non-consensual 'relationship' when Percy was twelve. Percy deals with the aftermath, while constantly convincing himself that his relationship with Luke was fine (IT WAS NOT). Mostly cooperates with canon up to the end of Heroes of Olympus.

The Goblin Emperor

A Complete Education by bomberqueen17

Preparing for the Emperor's wedding, everyone has some things they need to learn about.

Emperor's Best Friend by imaginary_golux

Ino and Mireän decide their cousin Maia needs a special present for his twentieth birthday.

a burning coal of kindness by egelantier for Morgan (duckwhatduck)

When Maia is kidnapped by a faction hoping to halt the construction of Wisdom Bridge, Beshelar, gravely injured, is by his side. It might just be their undoing.

The Stairs Beneath the Heart by hermitknut

Part 1 of Keystone

The reign of Varenechibal IV is over; the reign of Edrehasivar VII has begun. The transition, however, is anything but smooth, as the Alcethmeret household navigates grief and worry as well as adapting to the new emperor.

A series of missing scenes and unseen moments centering around the Alcethmeret household over the course of the first few months of Maia's reign.

#sorry for the delay you guys!!!#i'm in the middle of moving house ooft #weekly fic round up #my posts #tge recs #dc recs #bnha recs #pjo recs #hote recs #misc recs #fic recs

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wen-kexing-apologist · 5 months

Note

ngl i am waiting for you to write about physical touch and HANDS in last twilight *insert manifestation circle.gif here*

Not gonna lie, as much as I have been enjoying Last Twilight, I haven't felt all that inspired to write about it, but it has been making me feel all warm and fuzzy now that people are reaching out and asking for my thoughts. Turns out people actually seem to enjoy my horrendously long posts!

Alright, I will talk about physical touch and hands in Last Twilight, but before I get too far in to it, I just want to say, I love the use of physical touch in shows, but I will dare to claim the use of physical touch seems particularly important, and especially complicated in Last Twilight, compared to most of the other shows I've written about. Why?

Because Day is blind, and Mhok is his caretaker, and if you are remotely aware of disability, the autonomy of disabled people, the privacy of disabled people, the survival of disabled people are often disrupted by abled bodied people. I saw a post somewhere, sorry I can't find it, where someone mentioned the rates of abuse of disabled people by their caretakers and how that might weigh in to Day's reaction to touching a shirtless Mhok in Episode 2.

So.

With Day's blindness, grief, and intentional isolation, as well as his family's anxiety, how much control has Day really had over his own life in the last year? As @bengiyo said in Episode 1, "Day's brashness in the interview when he asks Mhok if he's hot sounds like a gay man knowing that he is about to be touched a lot by a stranger" [not a direct quote, apologies].

Episode 1

gif from @dragonsareawesome123

The first physical touch we get between Day and Mhok is when Mhok touches Day's chin, making a comment that essentially boils down to Day having a punchable face. You can see how shocked Day is to feel Mhok's thumb on him. But the motion is quick, light, and slightly flirty (though maybe I'm reading a bit in to that last one since I know this is a BL). While Day seems taken aback, he doesn't seem uncomfortable with the touch at all, moreso, to me at least, he seems surprised that Mhok *isn't* shying away from touching Day after Day so loudly and blatantly declared his queerness and hit on Mhok.

photo from @thescrumptiousstuffs

The second physical touch we get is when Day leaves his car and winds up on the street with traffic whizzing past. Mhok pulls Day off the street when Day gets overwhelmed and Day goes crashing in to Mhok. I don't remember them staying pressed together for too long, but there is a moment where Mhok is embracing Day. Mhok's hands go to Day's hips while Day's hand rests on Mhok's chest near his collarbone. From my view, this is a decently intimate position for relative strangers, but they don't feel uncomfortable in it. Which is a great hint that Mhok and Day are going to become more to each other. Mhok does something here that I do think is important, which is to tell Day who is he, so Day knows he isn't being manhandled by a *complete* stranger. And though I suspect the biggest reason why Day ends up being driven home by Mhok is because Day wants to be away from Night, it cannot be denied that Day already has some modicum of trust in this random, crass man that burst in for an interview just the other day. Because, as we know, Mhok was really the only person who interacted with Day without falling victim to pity, inspiration porn, or infantilization.

The third physical touch I consider important is when Day's mother stops him from standing up. I've been reading @waitmyturtles PhD level thesis on Bad Buddy so filial piety and saving face is pretty present on my mind. I think it is important to acknowledge that Day does have some autonomy, but where he exercises it is very clear. He can leverage his blindness and his bad experiences with past caretakers to get what he wants out of his mother, and he can double, triple, quadruple the caretaker salary without consulting his mother. But when it comes to physical movement, he listens to his mother, but not to Night. Night tells him to stay in the car, and Day almost immediately leaves the car and goes in to the Society. Day gets out in the middle of traffic after a fight with Night, even after Night begs him to stay in the car. But that moment of challenge from Mhok where he tells Day to come get his ID himself, and Day starts to stand, everything stops dead in its tracks at the first light touch of his mother's hand on Day's chest. So, despite the moments of anger and rebellion we see from Day, he still listens to his mother.

gif from @dragonsareawesome123

And then Day moves to get his ID, and here is where I will mention a moment where there was not any touch. Which, probably could be an essay in and of itself, but I don't have the capacity at the moment, on this airplane, to comb through all the scenes and look for it. But here, this one feels important, because Day takes the ID from Mhok, but Mhok does not let go right away. Their fingers are so close, and in a lot of movies, the handing over of an item would usually involve some sort of moment where fingertips brush and a shockwave of electricity ripples through the future couple. But we don't get that here. The moment of connection, the moment that Day really knows he can trust Mhok, the moment Day decides he is going to hire Mhok has nothing to do with touch, and everything to do with sound. He hears Mhok read Chapter 21 of The Little Prince, a book that is desperately important to Day, and that is that. And I do think it is important that these little touches that we've had, and where we break from the romance tradition for touch are important. Because, I think it is totally fine for feelings to grow between Mhok and Day rather quickly, but I do not think it would have been wise to show Mhok having some sort of actual crush on Day from the beginning. If Mhok had some sort of romantic or sexually attractive feelings for Day before he started working there, that would, in my opinion, read as predatory in some sense. Especially looking ahead to Episode 2, when Mhok is shirtless in Day's room.

Because, the thing about physical touch in television is that a lot of different elements go in to selling it as romantic chemistry. One of the most important components is timing and close up. As a side note, I think timing is a huge factor in to why I did not enjoy Perth and Chimon together in Dangerous Romance (before I dropped it) because the camera just never lingered long enough on their faces or on their touches for me to believe they had feelings for each other. But, by Episode 3 of Last Twilight I can see the care and the chemistry between Mhok and Day. I can see the comfortability that Mhok and Day have from almost the very beginning of knowing each other, but I don't take much of their physical interactions to be sexually charged or romantic in Episode 1. Why would they be? These two don't know each other. By generally avoiding zooming in on just Day and Mhok's hands when they touch, by having Mhok grabbing Day's chin with his thumb quickly and lightly you aren't building to tension. Aof is merely demonstrating that physical touch between Day and Mhok is welcomed and Day is not going to be uncomfortable with having Mhok take care of him.

So we head in to Episode 2 with the understanding that there is some fundamental aspect of Mhok that Day is drawn to, and that Mhok and Day are going to get along.

Episode 2

Now, as much as I have loved the rapidly developing relationship between Mhok and Day, I do kind of wish we had had a full episode's worth of two angry, grieving people coming head to head. But, regardless, Aof handles the transition between casual touch and Something More with expert precision. Unsurprising, considering his oeuvre.

gif by @mooninaugust

So we get absolutely my favorite touch moment to date in Episode 2 with the absolutely terrible secret handshake between two blind people. I love how Mhok is witness to this moment of excitement and friendship between Day and Aon, and that we are too. Because it shows us where Mhok currently stands in Day's hierarchy of relationships. Mhok at the beginning of Episode 2 is still an acquaintance, some dude they hired because he cursed the family out and read The Little Prince during his interview process. The cut scene between Mhok saying Day might not want to see him, and Aon and Day hugging and doing their stupid loser handshake (I love them) shows Mhok and the audience that Day does have joy within him, and that Day is starting to build friendship and connection within his new (read: blind) community. We won't know until a little later in the episode how much Day has been cutting himself off from his old life, but for the time being Mhok knows his place in Day's life.

And Aon picks up on the fact that there is *something* even if it is not necessarily romantic there between Mhok and Day, again not by seeing anything physical between them because a) Mhok and Day did not touch in front of Aon and b) Aon would not have been able to see it anyway. But instead calls out the fact that Day has never talked about a single one of his caregivers before. We know now (and definitely should know already) that Mhok is different from other people Day has engaged with since he started going blind. We just haven't had time for their relationship to mature.

photo from @thatgirl4815

If I recall correctly, the first physical touch between Mhok and Day we get in Episode 2 is when Day accidentally touches Mhok's titty while searching for the eye drops. You can see Day recoil in shock a bit and he questions Mhok almost immediately as to why his shirt is off. Mhok is incredibly matter-of-fact in explaining that Day said he didn't like the smell of cigarettes, so he took his shirt off so as not to stink up Day's room (we can ignore the fact that he would still smell like cigs, but we ignore it For The Vine) and Day relaxes and makes some sort of annoyed comment. Again here, there is no romantic attraction in this rather intimate touch. I mean, this is Mhok's what? Second or third day? Mhok and Day barely know each other, Mhok is constantly fucking up the Whole Routine because he isn't communicating with Day about what Day's needs are, and here he is in his employer's room having his pec fondled. This is supposed to read as funny, and ultimately I think it does, but it doesn't read as romantic, and it definitely should not. What has Mhok done up to this point that would cause Day to have Genuine Romantic Feelings for him? Nothing.

photo from @moonchildridden

Again, the first hint that feelings may be approaching comes outside of the touch, with Mhok seeing how excited Day is to use those few precious seconds of better vision to watch his goldfish. And even moreso, it's not just the action that I think start the train rolling, but the conversation that Mhok has with Day where he asks if the goldfish is lonely. Mhok is able to con Day in to leaving his room by leveraging the health and safety of one of the few things Mhok has seen Day care about and connect with in the short time they've known each other. Day gets outside for the first time in god knows how long, to find that the jasmine is in bloom and to have a lovely conversation with Mhok about it. Mhok asks about Day's vision, how he sees, what he can see, and he tries to adapt to Day's necessary distance requirements. Day of course, has his head turned away and thus does not see Mhok coming in to Day's eyesight range, and bumps his nose against the top of Mhok's finger.

This little, accidental movement is one of my favorites of the episode, mostly because it opens up the conversation where Day asks what Mhok is doing and Mhok asks if Day wants to see his face. And this scene establishes exactly what I mean about timing as it relates to building sexual tension. Day ponders for a moment, the camera lingers on his face, the audience begins to feel like Day is caught off-guard, like maybe he does have some sort of crush on Mhok and he does want to see his face. Only for Day to break that tension right before it gets awkwardly long and tell Mhok he does not. This is closer to the shit that friends would pull. And thus we see that in a very quick period of time Mhok is becoming more important in Day's life as a waypoint. He is listening to Mhok, he has a slight bit of banter going with Mhok when they watch a movie, and even after Day fires Mhok (for the physical touches I will talk about next) Mhok's influence on Day's general day to day (haha) existence is clear in the fact that Day is sitting on the couch and trying to pick a movie entirely independently of anyone.

Things are starting to go smoothly, when Day's friends show up asking when he got back from America. Day panics at the unexpected arrival of friends who seem not to know about his condition, spills his popcorn, and falls to the floor, where he is desperately scrambling to get back on his feet and Get The Fuck Out. Mhok tries to help him up, but he's pretty quickly brushed off. This is the first time we see Day reject a touch from Mhok. Knowing what I know now about where we end up in Episode 3, I am realizing how important this entire scene (from Day tripping to Mhok getting fired) is for establishing a comparison point for change. Because the unwanted touch continues when Mhok breaks in to Day's room, also in a panic when Day is bathing.

gif by @btwinlines

We get such a juicy moment of Mhok and Day's trauma clashing with each other in a way that is unintentionally terrible all around. Day does not know about Mhok's backstory, Day does not know that by putting in his headphones and intentionally ignoring Mhok he is accidentally triggering Mhok regarding the death of his sister. Mhok knows that Day is upset, but only hears the room fall quiet, he does not know that Day is in the bathtub (read: naked) when he comes barging in. Again, to reference the post whoever it was made that talked about the rates of abuse/assault of disabled people by caregivers, this is a horrifically vunerable position that Day finds himself in. Mhok is far enough away from Day's range of vision for Day to see him immediately duck behind a wall to give Day privacy while he wraps himself in a towel. And before Day can really process what is happening, with both his emotions and Mhok's running high, Mhok is grabbing at Day's wrists to check them for cuts. A beautiful (and terrible) detail.

Personally, I do not think anyone's reaction to that situation is wrong, but it does give Day a second round of extremely uncomfortable and unwelcome touching from Mhok, when he's already escalated, and trying to process the fact that Mhok just barged in to his room while Day was naked and got a little peek. Here Day demonstrates that he does have autonomy, and that Mhok respects that autonomy with Day firing Mhok after two particularly awful physical interactions, and with Mhok not even saying a word in protest and just accepting his termination and leaving the house.

photo from @thescrumptiousstuffs

Now. Mhok isn't completely going out fighting, and Mhok I think has really started to realize that he cares for Day (even if he doesn't necessarily have feelings at this point) because of how badly he was triggered by Day falling silent. Mhok is a thoughtful person and respects Day's boundaries by sending Porjai to the house instead of going himself. Much to Day's chagrin, because the second the doorbell rings, you can see this hopeful look that maybe Mhok is going to walk through that door. Porjai hands Day the present Mhok bought him, and Mhok does hold the slippers close, but he relies heavily on his hands to feel the slippers to figure out what they are and what they look like. He knows immediately that Mhok has been paying attention and trying to get to know Day immediately because the slippers solve the problem Day has had with hitting his feet on furniture corners, and the slippers look like goldfish, one of the few things Day has seemed to care about since knowing Mhok.

Beyond the fact that I think Day already felt bad about what happened the other day and regrets firing Mhok, this really does demonstrate to Day that people still care about him, want to get to know him, and understand that adaptation is a constant in Day's new reality. But Mhok takes it further, by committing to the motherfucking bit to understand Day better.

Aside: I fucking *love* Aof for how often his stories focus on the overlooked or disenfranchised people, and I think that while it is going to be a feat for Last Twilight to become my favorite Aof piece considering how important Moonlight Chicken is to me, the backstories of Mhok and Day and the way they inform character decisions is perhaps my favorite of all of the shows I've seen of Aof's. I *love* the conversation that Mhok and Aon have where Aon says Day is scared of being looked at and judged by people, and how Mhok is like "why?" because he has spent the last year a visible criminal, trying to get a job, and being constantly rejected for exactly the reason he thinks. Mhok has spent so much time and energy over the last year trying to reintegrate himself in to society, while Day has spent so much time and energy over the last year trying to remove himself from society as completely as he can. Even if I am not sure that he believes it wholly, I do think Mhok understands that he isn't an inherently bad person because he was locked up, but that he is a victim of circumstance, and yet even reformed from his truancy past, Mhok found it impossible to get a job because people stopped caring about him as a person the second they saw his ankle monitor. Thus, Mhok knows exactly what it is like to be written off, to be abandoned, to be forgotten and I think it is for precisely those reasons that Mhok decides to spend the time and effort to understand the world that Day is living in.

The ankle monitor has served as an embarrassment for Mhok in such a way that I truly do not think Mhok is concerned about seeming like a complete and utter fool. And even so, he starts to understand the fear that Day is living with existing as a blind person in public, because Mhok is extremely used to seeing what people think of him without them having to say anything, and now he has no idea.

gif by @btwinlines

Which I think is a good segue in to the next physical touch we get, which is Day feeling Mhok's face in the marketplace after he asks Porjai to take him there. Again, the distance of the camera, the timing of the movement does not come off as romantic, at least to me. But it does come off as comfortable. I think Day is fucking with Mhok a little bit when he touches his face, and we don't actually acknowledge or get any conversation around the way Day has just demonstrated what it feels like to be touched without warning.

And YET AGAIN Aof has their bond strength not through touch, but through conversation. Because they aren't falling for each other yet, they are still learning about one another. And so they have a conversation where Mhok apologies and Mhok explains what he was trying to do and Mhok identifies what it is that makes Day so afraid of being in public. And we end Episode 2 with Mhok being re-hired as Day's caregiver. But wait!

Remember the last touch we get in Episode 1 is not a touch at all, it's Day taking his ID back from Mhok. Well, the last touch we get in Episode 2 is not a touch at all, it's Day throwing his hands to the sky on the back of Mhok's motorcycle and letting the wind hit his face. It's Day sitting on the complete opposite side of a glass tank, and using his moment of improved vision to catch a glimpse of Mhok. They aren't touching, yet we end the episode with the understanding that Day and Mhok have strengthened their relationship and are on the fast road to friendship. Personally, I feel like it is extremely responsible of Aof to not treat touching a blind person or having a blind person touch you as inherently romantic, and to have the more stomach swoopy moments come from actions and observations entirely devoid of touch. But, I'm not blind so I don't know how much something like that might actually matter to blind people who are engaging with this story.

Episode 3

IT IS TIME FOR FEELINGS!

There are so many physical touches in this episode. The first we get is Mhok unwrapping a bandage on Day's foot, with Day looking extremely at peace with the action. The second we get is Mhok kind of poking at Day and then jokingly moving to pick Day up when he refuses to start cleaning his room. Day doesn't seem like a person generally fond of man-handling, but you can tell very easily that Mhok is just fucking with Day because Day fucked with Mhok. We are witnessing friendship! Which persists throughout the entire episode.

photo by @athousandbyeol

I like too that Mhok using the blindfold to better understand Day is not a one and done situation. Again there are a few friendly touch moments that do not at all read as romantic.Mhok steals Day’s sunglasses and is perfectly at peace with Day feeling up his face to try to see if the sunglasses Mhok is wearing are his; and when Mhok's hand envelopes Day's when they are trying to guess the shirts in Day's closet by feel alone. Day does not tense up, he doesn't suck in a breath, he doesn't really let that touch linger. He shakes it off quickly and is like "that's my hand". And again, as an aside (I hope this does not come across inappropriately but) I kinda like that Mhok is almost gamifying Day's blindness. What I mean by that is that Day and Mhok are engaging in friendly competition to see who can accurately guess the article of clothing. It seems like a great way to bring some joy and levity to helping Day get better at understanding his surroundings without the use of his vision.

I am an absolute sucker for couples in shows that have an established friendship beforehand. I don't mean friends to lovers necessarily, but too often in BLs I have noticed that romantic interests are only ever that and we don't get a lot of moments of stupidity, tomfoolery, and fun. So you better believe I was living my best life in the next physical touch scene when Day and Mhok are fighting with the dinosaur costumes on. And this is where the physical touches start to change, because we start without physical touch and end with it, where we have up until this point been ending every moment of connection and relationship progression ending without touch.

gif by @raypakorn

For the dinosaur fight, we get the non-romantic, entirely platonic assistive touch of Mhok helping (poorly) to guide Day to the driveway (this fucker was so ready to wrestle he forgot to tell Day to mind the stairs at first lmfao). The actual point of connection starts with Mhok intentionally trying to dive out of the way of Day’s touch. And once again Mhok Day’s blindness to elevate a game between them, by clapping and then diving out of the way to try to avoid Day’s movements. But that avoidance of physical interaction very quickly devolves in to a wrestling embrace, laughing, having fun, and then settling on the ground to chat until Day hears his mother’s car and they run back inside to hide the evidence of childish glee.

Day’s mother returns to find a very different Day from who she left, he’s out of his room, he’s eating in the dining room, he’s seeming much more confident in his ability to navigate around the house. And of course, she has to go and ruin the moment by pushing too quickly on a nerve about going back to school. Day wants to withdraw from school and he needs to go in person.

Now.

We have seen Day taking massive strides in his own healing process in the last few episodes because he is starting to ask for help when he needs it, and Mhok is getting better at caretaking because he is started to ask if Day wants help for certain tasks or if Day is going to do them himself, thus allowing Day to set his limitations. Knowing that Day is going in to school, he asks Mhok to help him fix up his hair, and we get the first of many more crush-level physical touches in the show.

gif by @jimmysea

I’m not Thai, so forgive me if this is wrong, but I am pretty sure that in Thai culture the head is considered sacred and having people touch your head carries a significance that I do not think Western audiences really understand (speaking as a Western viewer). If this is indeed true, then the scene where Mhok is fixing Day’s hair gets even more intense, even when there is a clear change in Mhok’s view of Day from friendly to starting to see something more. Mhok even makes a comment about how Day is a stunner (or something) when his hair is done, and when Mhok asks Day if he likes it and Day returns the question, there is a pause that is not at all dissimilar to the pause Day had after Mhok asked him if Day wanted to know what Mhok looked like.

But where the tension from Episode 2 when Mhok asks the question is broken in a way that makes it seem more like Day is just teasing, I don’t think Mhok’s deflection of “it’s alright” really returns the same level of dismissal. Because Mhok is starting to realize something about the way he is feeling for Day.

We get the inside of the Thai subway for the first time in maybe ever? As Mhok and Day make their way to Day’s college. And thus the not-a-date-kind-of-a-date adventure begins. Day is clinging on to Mhok’s arm as they navigate on to the subway car, at which point Mhok breaks off from Day to try to ask for a seat for Day. But Day grabs him and pulls him back, choosing instead of hold on to Mhok’s arm. Like I have been saying, Aof has been doing a really great job at differentiating the types of touches, and up until this point, the more intimate touches between Mhok and Day, such as when Day feels Mhok’s titty in his bedroom or Mhok’s face at the market, don’t read as romantic, because Day is taking in information to supplement his vision. Similarly, the moments where Day is holding on to Mhok for assistance in environmental navigation, such as when Mhok helps guide Day to his professor’s office or helps him down the stairs the physical touch is matter-of-fact on both ends.

photo by @athousandbyeol

But here, in the subway, we get the first instance of physical touch from an environmental navigation standpoint that reads more like a man who is developing a crush rather than Day just being guided…

…but that comes from Day, not from Mhok. Which I appreciate massively from the standpoint of ensuring that Mhok as the caretaker does not appear to be taking advantage of Day. In the subway, Day could have sat down, he didn’t need to stay standing, he didn’t need to continue holding on to Mhok. But he chooses to do that. He chooses to keep his arm linked tightly with Mhok’s, he chooses to get a little flirty with Mhok when he says as long as Mhok stays close to him, that’s all Day needs. And we get the close up of Mhok and Day’s hands when Mhok moves to tap Day’s hand gently, and the shot lingers. Because things are starting to change.

I said in a previous reblog last week when Episode 3 came out that Aof does this really interesting thing in his direction and cinematography when characters share intimate moments, in that he breaks from his standard visual format. The lighting often changes, the camera isn’t held as steady, the moments are zoomed in much closer than we are used to. We get it with Heart and Li Ming playing that spider game with their fingers the night that Li Ming sleeps over and we get it in the subway when Day stumbles slightly and swallows hard, embarrassed and avoiding eye contact while Mhok looks at Day kind of fondly.

gif by @taeminie

So we see the spark in the subway and then watch that spark begin to catch when they end up in the dressing room together. Day and Mhok both establish that they have never been in a dressing room with another person to cut the tension and nerves a bit. Afterall, this is the first time that we’ve seen where Mhok is getting up close and personal with Day’s partially nude body, when they are both calm, collected, and not amidst a panic attack about a potential medical emergency. No one is feeling violated, no one is feeling scared, no one is having their privacy forcibly removed from them. But that makes them all that more aware of how they are feeling, physically, when they are touching and being touched.

And we get a secondary Aof Camerawork Moment where the style of shot changes and we get that gorgeous zoom in on Mhok’s hands and Day’s chest when Mhok helps Day back in to his shirt. And isn’t it wonderful that the most sensual and intimate moment that we have seen from Mhok and Day so far is putting Day’s clothes back on?

gif by @wanderlust-in-my-soul

Check out @btwinlines’ post about this scene.

Day and Mhok continue their day, find the Last Twilight book, and are hanging about the market where Mhok leaves Day standing against a pole while he runs to grab a drink. As a result, we get a bombardment of physical touch, the most overwhelming to date because Day is getting just absolutely shunted around, bumping elbows and shoulders with the people at the market with no idea of where he is or where he is going. And this is where we really get an understanding of how terrible physical touch can be when you don’t have any bearing of your surroundings and can’t see where people are coming from or anticipate contact.

We got a scene in Episode 1 where we see how dangerous being blind has the potential to be, but Day isn’t being touched by anybody at that point until he is pulled off the street by Mhok. But this time while Day does have a moment where he is in more physical danger because he stumbles on to the street, he is relatively much more safe getting lost in the marketplace than when he ran out on to the street in Episode 1, cause the few cars that are present are moving slow and know to be looking out for pedestrians. Day is grabbed and directed by random strangers who are trying to help him and kind of just…drag him along until he is out of the street when he is visibly panicking and then just…left on the side of the road with an offhanded statement from strangers that he is “safe now” and they just…leave him alone and continue on their way. Even there, with a helpful touch, there is no safety or comfortability in Day’s posture, he is not calmed by hearing that he is safe. Which serves as a really great comparison point for how comfortable Day has pretty much always been with Mhok (minus the one moment of severe dysregulation after being surprised by his friends and then by Mhok when Day was buck ass naked).

Especially when compared to the relief that just rushes through Day’s body when he and Mhok are reunited and they embrace.

AND LIKE OKAY, CAN I GO ON A BRIEF TANGENT TO TALK ABOUT THE PINK SHIRT?

gif by @tomystars

You know how in a lot of romances you get that moment where you get the like, love at first sight thing? Time slows down, one half of the romantic pair picks the other half of the romantic pair out of the crowd? WE GET THAT HERE, WITH THE BLIND CHARACTER BEING THE ONE WHO PICKS THE FUTURE LOVE INTEREST OUT OF THE CROWD.

The pink shirt is brilliant, and I love how it both acts as an anchor point for Day who is able to calm down upon seeing it, and not panic or freak out when being grabbed and embraced by Mhok after having a decently traumatic experience with physical touch just minutes before while also reaffirming that Mhok is learning and internalizing the adaptations he needs to incorporate in to his own life to make Day’s daily life easier and more accessible. Mhok understands how Day’s vision functions, he remembers that Day has said he could see that shirt from Mars it’s so bright, and he provides an in for Day to maintain his autonomy by making it possible for Day to potentially see Mhok before Mhok sees Day.

ANYWAY

@athousandbyeol

The embrace they share when Day and Mhok are reunited is not charged, is not romantic, at least not to me. But what it does show is how much care Day and Mhok have for each other, how quickly their friendship is developing, and the safe spaces these two will find in the other. Day calms so quickly the second he and Mhok are touching, as soon as he has an anchor. And he won’t let go of Mhok either.

Aof and co have been playing well with dichotomies, here, a situation that pulls Day and Mhok physically apart ends up bringing them emotionally closer together. It is clear that Day does not blame Mhok for what happened, even if Mhok was gone much longer than anticipated, and that is affirmed by Day defending Mhok to his mother when she questions Mhok’s caretaking skills and holds his criminal record over his head.

And, let’s not forget, this is just writing about the physical touch, this post does not discuss whether or not the lack of touch is important. I wrote a decent chunk of this in the airport without wifi, so I could only talk about physical touch from memory, I didn't rewatch anything like I normally do, so apologies if I missed stuff.

#last twilight #last twilight the series #last twilight meta #last twilight analysis #jimmysea #mhokday #mhok x day #morkday #mork x day #physical touch in last twilight #sorry for the delay anon I know you sent this ask the other day #but fun fact it does take me an ungodly number of hours to write things so I hope you did not feel ignored #wka long post

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crimetimesteadicam · 4 months

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