The way some of yall mischaracterize Ratio as being stoic in chill when in reality he is 24/7 resisting the urge to rip everyone around him a new one is crazy to me like. He cares so much, so much. It’s unhealthy, he loses the idgaf war every time because Ratio is the least nonchalant person ever like
He was this close to breaking character and throttling Sunday like you cannot tell me he wasn’t planning a murder in this scene. Ratio straight up calls Sunday a crazy bitch but everyone brushed it aside 😭
Honestly his entire conversation with Screwllum is just him tweaking, watch it on YouTube the VAs performance is amazing, you can here just how much He Cares
Genuinely, Aventurine is way better at concealing his true feelings that Ratio. Ratio may be acting for the sake of the plan but the way he truly feels about anything he’s doing always seeps through, it’s why he apologizes to Aventurine in 2.0 in their staged argument scene. It’s why he is as mean to Sunday as he can be. It’s why him pretending that he “hates” Aventurine makes him act so silly. Ratio can’t fully commit to the bit, he can’t force himself to not care or to be someone he isn’t, because fundamentally Ratio CARES and that is something he is incapable of hiding, alabaster bust or not.
The problem is that him expressing his care is often done in a rude and/or blunt manner which people tend to interpret as stoicism or apathy when it’s anything but. Ratio’s vial that he gives to Aventurine is short, sweet and gets straight to the point, because that’s the easiest way for Ratio to express his emotions, even if it’s often detrimental for him and anyone else around him. However Aventurine understands him quite well, and knows that although brief, Ratio telling him to “stay alive, survive this and keep on living” is how he truly feels towards Aventurine, and that’s enough to keep him going.
Underneath Ratios carefully crafted marble facade is a man who cares so much and is so bad at expressing it and I wish the community in general, especially Aventio shippers would acknowledge that more. Ratios true moments of sincerity are brief, but they are anything but stoic. Let the man be soft, it’s in character.
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Our Well Deserved Break
Its
Shenanigans (ノ◕ヮ◕)ノ*:・゚✧
Time again!~
-x-x-
Danny, our boy the Ghost King, looking over a small team going over relic's given or 'offered' to Pariah Dark over the years both before and after he was sealed away. As they're taking inventory of the chaotic offering room, they stumble across a certain artifact.
This artifact is able to summon a set number of people (it does have its limits) of the users wishes to them and it sets up a barrier around the surrounding place so no one summoned gets out. You know, those kinds of artifact's certain people use to summon heroes and or villains into a room and have them fight to see whose the strongest or for a tournament, Yeah that kind of artifact!
Danny, who found the item, takes a look at after being told what it does. Then out of the corner of his eye he spots himself in a mirror in the room and see's his crown floating above his head and feels the full weight of his responsibility since before and after his crowning. Yes he had help with his advisor, despite how cryptid he can be at times, and of his council but still the weight was a bit too much for a teenager like him.
An idea struck his mind when he hears the ticking of a clock behind him. Without saying a word Danny looks back and raises an eyebrow at Clockwork whose staring at him in silence as well. He glances at the item, tilts his head a bit before...
Smiles in only the way CW knows would both be good for Danny and amusing for him. He nods and says "One weekend should be fine. All timelines will be paused for them. I suggest telling your friends to help prepare for your guests. Enjoy and have fun my King."
"YES!" Danny's voice echoing in the offering room made many ghosts in the room jump for a bit.
This was totally going to be fun!
-x-x-
When the following weekend arrived, young and very stressed teen heroes from across the multiverse are suddenly pulled from their worlds and are summoned into the Infinite Realms. Before any of them can panic or start fights a voice rang out above them and when they looked they could see a young teen, with a crown floating above his head, white hair, and glowing green eyes sitting on a throne.
He smiled and said
"Welcome fellow stressed out Heroes and Heroines to Phantom's Keep! I'm King Phantom, recently crowned fifteen year old, and this is the Infinite Realms! The birth and ending of the multiverse afterlife! Now don't worry none of you are dead or anything like that. I summoned you all here for one reason and one reason only..."
Here Danny paused, just to troll a tiny bit, and could see some of the more tense heroes readying up for a fight or at least argue to let them go. He grinned though and then said.
"And thats.... TO HAVE FUN!"
After that he floated out of his throne and with a flourish in the air he waved his hands and his throne room changed with party decor all around. Tables off to the side appeared with food and drinks from well everywhere and anywhere the multiverse, balloons rose from the ground and floated upwards, streamers flew across above to attach themselves to the other sides, the castle lights shifted to a dim and music began playing from somewhere.
Danny grinned brightly down at them and their shocked faces. oh that's funny, thank goodness Tucker is recording this and Jazz is gonna scrapbook this party for him (she plans on making them for all the guests as a party gift later, you know to remember how fun the party was)
"Now all of you are stressed out teen heroes with a lot of responsibilities on their shoulders! Believe me, I know that feeling, been there done that still doing it even now! But! My advisor says this will be both fun for me and good for you guys to spend one whole weekend here to de-stress and have fun! I do have some ground rules though. One your timelines are in fact PAUSED, you don't have to worry about calling your parents or if you got mentors to let them know where you are at. Two you are all heroes here, many of you are from different worlds and if you are from the same world they already know or CAN be trusted with your real identities but you are NOT required to remove any masks or de-transform or anything like that, if you wish there are masks on that green table over there you can stick on if you want to keep your identities hidden and are spelled to stay on and fuzz the minds of anyone trying to remember your looks once its on, even if they catch a good look at you right now it'll fuzz their memories of you once the mask is on and even after the party don't worry we thought of the time. Three, boys and girls rooms will be at different wings within the Keep! Just ask any of the maid or butler ghosts that will be joining us shortly and they will guide you to the rooms! Fourthly! There are sparing rooms if you wanna test your strengths with others, I only ask please don't get too carried away. We are here to have fun not make enemies! and lastly PLEASE DO NOT try to leave the castle, we are in the very afterlife of the multiverse people, its like the ocean and even I find it hard to navigate it sometimes. Portals can open up to any and all worlds, different timelines, etc etc. I have key items here in the castle that can pinpoint YOUR timeline and world so when the party is over I can send you home no problem, so again please do not attempt to leave."
Danny paused to take a breath, okay ground rules set up and warnings given. He could see the absolute bewildered looks on all the heroes faces and held back a laugh. He smiled however when one of the teens, mask on his face already and dressed in green, yellow, and red asked 'Why?'
"Why? Well... I think its time us teens get to have some fun without worrying about the next big bad or world ending event. Even if just for a weekend, we do deserve a break. So... Lets have some fun for once!" Danny responded.
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no i am not done with the breakup scene yet. it haunts me during the day and it haunts my dreams, soon i will be able to replay it in my head on command. today's obsession: tell me you said no
firstly, i think it's important to point out just how deep the miscommunication runs here. aziraphale is excited, outright giddy about the news he is delivering, and he expects crowley to be just as happy about them.
after all, he thinks he is giving crowley what he has always wanted - they can go off together, he can be an angel again, which to zira equals being on the good side. the side of *light*. he remembers crowley's creation, remembers how in awe and happy he was with it, and thinks that is what he is offering.
aziraphale's expressions during this scene are probably gonna be their own post, but long story short he switches between excited and confused like a broken light switch, unable to decide which one to settle on.
crowley, well, crowley is angry. angry and confused and completely caught off guard because aziraphale is shaking the very foundation of what crowley currently thinks to be their relationship. the horror dawns on him pretty early, but he tries to fight it off, tries to convince himself that no, aziraphale wouldn't. he wouldn't agree to that, he KNOWS me. he knows i don't want to go back, he knows both sides are equally bad.
tell me you said no. tell me i wasn't wrong about you, about us. tell me i didn't misjudge our entire relationship. tell me the last millennia were worth something, anything.
tell me you said no.
if you rewatch the scene, you will notice that crowley never breaks eye contact, he stares aziraphale down the entire time. unless it was literally blink and you will miss it, i am pretty sure he does not even blink. not once. aziraphale on the other hand is looking everywhere but at him, his gaze flicks around just as much as his expression. crowley tries again, one last time. tells him you know they will both destroy this planet, humanity, us. it doesn't matter which side wins, the result will be the same. we KNOW that. we SAW that. we stopped it from happening.
aziraphale does not answer.
he does not have to. crowley can read him well enough to know exactly what he responded, and even if he couldn't - he knew from the beginning. he just cannot believe the answer. he still can't.
it's one of his fatal flaws, isn't it, believing in aziraphale and in them against every rule and threat the universe throws at them.
now to get to the part that breaks my heart.
crowley repeats himself again, not breaking eye contact while aziraphale tries to avoid his gaze.
tell me you said no.
he still hopes. after that entire conversation, he still hopes.
when the silence stays unbroken he steps towards him, asking one. last. time.
angel tell me you said no.
this. this frame. this is when the realization hits him full force, the truth he has been trying to talk and rationalize his way out of. he has been begging aziraphale to tell him that he did not betray him, them.
everything he has been fighting for the last six thousand years, all the thoughts telling him he is worth less than aziraphale because he fell, because he is a demon, evil, on the wrong side. everything he has been unlearning, accepting that he can be kind, he can be good. accepting that aziraphale cares about him, fuck, maybe even loves him.
crowley thought aziraphale is the one being that sees him, truly sees him, which is why he offers himself without his glasses - his last layer of protection.
he betrayed us. he has never been with me, we have never been on our side, not when he chooses heaven over the fragile, peaceful existence they have carved out for themselves. he took care of the bookshop, allowed zira to take his bentley, cleaned up and tidied and prepared it for his return, for the both of them. just to get all of it thrown into his face, to have it degraded as not good enough. to have HIMSELF degraded as not good enough.
and after all that. after that realization, the pain, the break in what he thought was their reality.
after aziraphale telling him that he plans on leaving earth and wants crowley to be someone he is.
crowley swallows his tears and he steps back, keeps his glasses off and continues with his confession anyway. his voice breaks several times throughout it, he is on the verge of crying. i will probably make a separate post about all that but once again, tldr he suppresses tears throughout his entire speech.
i want to spend eternity with you and he cannot say it because he knows he would break on eternity and start crying. somehow, crowley still hopes that maybe this will change his mind, this will make him realize that he needs to stay here, stay with me.
crowley hopes and hopes and hopes and aziraphale finally meets his gaze and all he responds is nothing lasts forever.
no, i don't suppose it does.
still, what is left but to keep hoping that maybe one day, they will be an us, even if it isn't forever. even if it's just one day, one kiss, one second of being held and kissed back.
crowley keeps hoping and that, to me, is the most painful part of it all.
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Ummm was that a dinosaur I spotted in those Meg II gifs??? At first I thought it might have been a crocodile but after absolutely no scrutiny I was like: dinosaur.
I might need to actually watch this. Do I need to watch Meg I for it to make sense? Even if I don’t should I watch them both anyway? I’m not going to lie those gifs make it look incredible…
That is, in fact, a dinosaur because Meg 2 was like: well what's better than a seventy-foot shark? And the answer was watching a seventy-foot shark eat a Tyrannosaurus Rex. And they were right.
Yes, you 100% need to watch this and join me in my delusional fantasies - I have now watched this three times in three days, dialogue skeletoned a 5+1 fic and need to find time to watch it yet again so I can make sure my gestures and content are pitch perfect.
You do not need to watch Meg the first for this to make sense, it will just deepen your affection for the legacy characters, which is never a bad. Plus, there are a few callbacks (that make it more of a gay underwater romance) that I missed the first time I watched it (which obviously did not hinder my enjoyment) and on day two, I watched both back to back and caught them.
(3.5. This is a movie about sharks eating dinosaurs, underwater research bases, giant carnivorous octopi, Fun Island, and two dads coparenting a teenager who can run circles around them - so just to note: it also does not need to make sense.)
That said, I absolutely recommend watching Meg the first. It was a hoot and it makes Meg the second more fun because once you start off that strong, you have to go wackier, right? Once you get to two, you're like: okay, I know why we are at this level of wacky and you have my stamp of approval.
It is, in fact, incredible. JOMING 5EVA (I gave them a ship name, I think I can do that when - at least last I looked, which admittedly was last week - I've got the only fic going [granted, it is unposted but nOT FOR LONG] and there are less than ten of us, haha.)
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hello! i hope it's alright to ask you this but i was wondering if you have any recommendations for books to read or media in general about the history of judaism and jewish communities in egypt, particularly in ottoman and modern egypt?
have a nice day!
it's fine to ask me this! Unfortunately I have to preface this with a disclaimer that a lot of books on Egyptian Jewish history have a Zionist bias. There are antizionist Egyptian Jews, and at the very least ones who have enough national pride that AFAIK they do not publicly hold Zionist beliefs, like those who spoke in the documentary the Jews of Egypt (avaliable on YouTube for free with English subtitles). Others have an anti Egyptian bias- there is a geopolitical tension with Egypt from Antiquity that unfortunately some Jewish people have carried through history even when it was completely irrelevant, so in trying to research interactions between "ancient" Egyptian Jews and Native Egyptians (from the Ptolemaic era into the proto-Coptic and fully Coptic eras) I've unfortunately come across stuff that for me, as an Egyptian, reads like anti miscegenationist ideology, and it is difficult to tell whether this is a view of history being pushed on the past or not. The phrase "Erev Rav" (meaning mixed multitude), which in part refers to Egyptians who left Egypt with Moses and converted to Judaism, is even used as an insult by some.
Since I mentioned that documentary, I'll start by going over more modern sources. Mapping Jewish San Francisco has a playlist of videos of interviews with Egyptian Jews, including both Karaites and Rabbinic Jews iirc (I reblogged some of these awhile ago in my "actually Egyptian tag" tag). This book, the Dispersion of Egyptian Jewry, is avaliable for free online, it promises to be a more indepth look at Egyptian Jews in the lead up to modern explusion. I have only read a few sections of it, so I cannot give a full judgment on it. There's this video I watched about preserving Karaite historical sites in Egypt that I remember being interesting. "On the Mediterranian and the Nile edited by Harvey E. Goldman and Matthis Lehmann" is a collection of memiors iirc, as is "the Man in the Sharkskin Suit" (which I've started but not completed), both moreso from a Rabbinic perspective. Karaites also have a few websites discussing themselves in their terms, such as this one.
For the pre-modern but post-Islamic era, the Cairo Geniza is a great resource but in my opinion as a hobby researcher, hard to navigate. It is a large cache of documents from a Cairo synagogue mostly from around the Fatimid era. A significant portion of it is digitized and they occasionally crowd source translation help on their Twitter, and a lot of books and papers use it as a primary source. "The Jews in Medieval Egypt, edited by: Miriam Frenkel" is one in my to read pile. "Benjamin H. Hary - Multiglossia in Judeio-Arabic. With an Edition, Translation, and Grammatical Study of the Cairene Purim Scroll" is a paper I've read discussing the Jewish record of the events commemorated by the Cairo Purim, I got it off either Anna's Archive or libgen. "Mamluks of Jewish Origin in the Mamluk Sultanate by Koby Yosef" is a paper in my to read pile. "Jewish pietism of the Sufi type A particular trend of mysticisme in Medieval Egypt by Mireille Loubet" and "Paul B Fenton- Judaism and Sufism" both discuss the medieval Egyptian Jewish pietist movement.
For "ancient" Egyptian Jews, I find the first chapter of "The Story of the Jews: Finding the Words 1000 BC-1492 AD” by Simon Schama, which covers Elephantine, very interesting (it also flies in the face of claims that Jews did not marry Native Egyptians, though it is from centuries before the era researchers often cover). If you'd like to read don't click this link to a Google doc, that would be VERY naughty. There's very little on the Therapeutae, but for the paper theorizing they may have been influenced by Buddhism (possibly making them an example of Judeo-Buddhist syncretism) look here (their Wikipedia page also has some sources that could be interesting but are not specifically about them). "Taylor, Joan E. - Jewish women philosophers of first-century Alexandria: Philo’s Therapeutae reconsidered" is also a to read.
I haven't found much on the temple of Onias/Tell el Yahudia/Leontopolis in depth, but I have the paper "Meron M. Piotrkowski - Priests in Exile: The History of the Temple of Onias and Its Community in the Hellenistic Period" in my to be read pile (which I got off Anna's Archive). I also have some supplemental info from a lecture I attended that I'm willing to privately share.
I also have a document compiling links about the Exodus of Jews from Egypt in the modern era, but I'm cautious about sharing it now because I made it in high school and I've realized it needs better fact checking, because it had some misinfo in it from Zionist publications (specifically about the names of Nazis who fled to Egypt- that did happen, but a bunch of names I saw reported had no evidence of that being the case, and one name was the name of a murdered resistance fighter???)
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I don't know how I'd ever convey this in art but. Thinking very deeply about how in boy king au, a very crucial part of characterization is that Seb is a wolf in sheep(or lamb more specifically)'s clothing and Fernando is a sheep in wolf's clothing.
Seb is very unassuming, very delicate, seemingly very vulnerable and malleable. But, deep down, he can be very ruthless. It's in the the way he hesitantly declares war, with a spark in his eye and a suppressed smirk. In the way he challenges someone to a card game or a horse race, proclaiming that he's not great, but winning every round and prancing around the room and mentioning it ad infinitum. The way he's able to instantly turn the tide in a debate in one fell swoop. By showing all his cards constantly and letting himself be vulnerable, he's making himself invulnerable. No one would ever consider him to be able to make big moves, so he wins every single time, because no one even thinks to expect it from him.
Fernando on the other hand, is constantly committed to having a looming presence and harsh reputation, but deep down, he's soft. He knows what happens to people when they're vulnerable, and he's not going to let himself be taken advantage of. The way he keeps a brave face when being informed of the marriage proposal, but goes back to his room and cries. The way he proclaims that he was always going to be the rightful ruler of Spain, but confides to Flavio that he never thought there was any real chance of it ever happening. The way he takes himself so seriously in public, but inside feels so giddy whenever he can make someone laugh. Everything to him always feels unstable and ready to crumble at any moment, and he's not willing to contribute to that by letting himself relax.
I think thats why it's very difficult for them to get along at first, because they have completely different approaches to how they carry themselves and make their way through life. Seb is confused at Fernando because he feels that he's very bland and overly serious at first, but truthfully he's not really seeing the actual Fernando. And Fernando finds Seb to be naive and easily taken advantage of, but that's because he's never seen Seb at his most cruel. Seb really loves when he eventually gets to see Fernando being vulnerable, and Fernando really admires and respects Seb when he sees him being serious. I think it just takes a while for them to show the other their full and complete selves, even the parts they can sometimes be ashamed of. There's this very compelling dichotomy in Seb laying out all his cards, but still being very difficult to read, and Fernando keeping his cards to his chest, but his intentions often being easily seen through.
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