DO NOT BE AFRAID
this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.
I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!
idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.
Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika
and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.
The Excidium Troie + Ovid's Heroides:
Excidium Troie, trans. Muhammad Syarif Fadhlurrahman
Ovid, Heroides 16 (trans. Harold Isbell)
a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.
The Divine Twins in Early Greek Poetry, Corolla Torontonensis
Iliad 24 and the Judgement of Paris, C.J. Mackie
Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek
Ennian Influence in "Heroides" 16 and 17, Howard Jacobson
Paris/Alexandros in the "Iliad", I. J. F. de Jong
2K notes
·
View notes
one of the funniest things is during all nine episodes luffy did not actively have one single plan except "become the worlds greatest pirate and find the one piece". he spent at max a month? less? at sea and everything he accomplished (taking down FOUR feared pirates in like a week, stealing the grand line map, finding a faithful and loyal crew, getting a bounty of 30 million on his head, etc) was mostly by accident. he stumbles into trouble and then proceeds to become the trouble
793 notes
·
View notes
something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
50 notes
·
View notes
Hey so like maybe I’m the last to notice but i was watching with subtitles and I just realized that right before Lloyd throws the tomorrow’s tea he doesn’t say fear. He says fair. “Fair? Fair isn’t a word where I come from” which I’m losing my mind about a little.
55 notes
·
View notes
do i Dar e put this in the main tag even though it is So dumb So silly but also does anyone dig phantom of the opera. does anyone dig it enough to begin making very light and superficial au's.
it's the radio station for kfam. kurt m is falling out of grace with station management, more so because of the Curse that's increasingly gotten worse within the station itself as well as the town. forrest nash is getting booted out of chicago. alas, he finds a mysterious letter addressed to him that a position will soon be open in gallows creek, so off he rides, melancholy into the behemoth of a building, in a dark and spooky town.
kurt m has been scared off, but forrest doesn't believe in ghosts, doesn't believe in demons, and the only person "living" in the basement, "underground," is clive, the janitor, and it's not like he never goes home, so what's the big deal?
until after his first week(?), peggy leaves slightly earlier than he does, and forrest is left alone only to hear a faint whistling coming from alllll the way down the stairs.
10 notes
·
View notes
Learning about old tech and blorbo-ifying Solar Flare is so perfect for me actually bc then I can apply silly little headcanons to them based on the tech I see. Like.
They do a little jingle when they power on. Their tracking is slow and lagged due to older processors. They have ports on their body that are wildly outdated. Their eyes can show error numbers or change into different shapes and icons. Their mouth and chest lines are vents with metal mesh because their internal fans aren’t nearly enough to keep all their internal workings cooled off. They struggle to multitask because there’s only so much they can process before they can’t focus on anything. I love them ………
22 notes
·
View notes
Okay, finished Death and the Maidens and uh, yeah. Everything I saw that said it was fucking terrible was right. Absolutely hated it. -10000/10.
There was exactly 3 things about all of that I liked:
The concept of Nyssa as Talia's older half sister that's been running around doing humanitarian efforts for centuries (and literally nothing else about her backstory because holy fucking shit what).
The single moment of Talia being happy and enjoying herself and briefly vulnerable and open about how she doesn't have many friends (could have truly been some great character moment stuff in something else)
Alfred's sass.
That's it. That was everything I enjoyed about that story line. What the absolute fuck did I just read?
Anyway, uh. I'm gonna take the 3 things I liked about the story, try to scrub the memory of literally everything else, and work out what I would have liked to see happen with Nyssa & Talia instead and figure out how to incorporate that into a fic.
37 notes
·
View notes