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#so i had to write something about it
stranger-awakening · 7 months
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super secret asexual jonie fic just dropped !!!! happy ace week i love you !!!!!
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wisteriavines · 1 year
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Midoriya Izuku
False Confidence (Noah Kahan)
Look at you all dressed up for someone you’ll never see, Izuku whispers bitterly as he stares down at his younger self who’s nervously playing with the hem of his shirt, sneaking glances at the phone every second or so- waiting for it to ring, waiting for the promised phone call from his father. The promised phone call that never comes and never will.
And I wonder why I tear myself down to be built back up again, he mumbles in thought as he watches his younger self stand before the apartment door- shakily steeling himself and smiling, hands clenching around a notebook and desperate determination shining in his eyes.
Don’t take yourself so seriously, he demands fruitlessly, angrily watching his young self declare his dream to the mirror at night.
All that’s left of myself, holes of my self confidence, he confesses, the words choked and painfully torn from his throat as he kneels besides himself crying silently in the closet, hidden underneath the darkness’ cloak.
You’re here for a reason but you don’t know why, the voice - his voice, his younger self’s voice - muses neutrally in the face of his older self’s breakdown.
You’re split and uneven, you’re hands to the sky, he continues, crouching to peer at his older self hunched on himself on the ground.
Why won’t you take me seriously?, his older self demands desperately, head tilting to look at his own youthful face - still so full of innocence. He doesn’t question how his younger self can see him, not after being a silent and ghostly observer for so long.
Look at me all fucked up over someone I’ll never meet, he cries.
Don’t let those demons in again, his smaller counterpart chides softly.
I fill the void with polished doubt, fake sentiment, he hisses, straightening to loom over the child, glaring in hate and disgust.
Surrender yourself, the child smiles, not at all fazed at the threatening aura his future self is excluding.
And now I lay myself down, he slumps in face of his own self’s fearless and accepting smile.
And hope I wake up young again, he mumbles, vision blurring and memories returning in time to hear the sirens. His head tilts to the side, and as paramedics rush to his side, he watches his past self stand from his crouch and smile peacefully at him, fading between the people rushing about.
Hope I wake up young again, the words tumble past blood stained lips that twitch into a smile, a chuckle bubbling in his chest but never escaping as his body stills and his last breath leaves him.
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hrokkall · 1 month
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Mama gave me music lessons,
now I play the saddest songs
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charlottan · 10 months
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have always hated when people are like "stories are supposed to crush u👿" "media is supposed to comfort u☺️" why are there people trying to prescribe art. something famously known for its very consistent style format background intent and audience
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captainswan618 · 3 days
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there is a person standing 73 yards some distance away, watching you. they look like they’re trying to tell you something. you can’t get away from them, nor can you get close to them. they’re just...standing there.
so your friends and loved ones try to help you by talking to them, and the person must be saying something to them, because they look at you differently now. but you have no idea what it was, all you hear is static.
you try to tell them not to listen to the person, but no matter what you do, no matter how much you plead with them, they look up at you with suspicion-hatred-fear and just run. they don’t care where they’re going, just that you’re not there. and you can’t do anything to stop it.
the more that the people in your life care about you, the worse it is, because anyone who tries to help is turned against you. so you are just gradually shut out of your own life by the people you love the most, until eventually you no longer recognize your surroundings.
there is a person standing 73 yards some distance away, watching you.
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thedreadvampy · 1 year
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Losing my shit about this article in which a transphobic Tory was so busy panicking about existing in the vicinity of a Trans that she almost certainly misheard "jeans" as "penis" and decided that not only was this a problem with the other woman, but also that the world must be informed of this pressing danger.
"a trans woman! I had to stand directly behind her....I thought, 'this is going well', I'm handling The Situation fine'..."
translated: I saw a tall woman with broad shoulders. How would I get out of this alive? I thought. she has a PENIS. PENIS PENIS PENIS. through some force of PENIS I mean will I managed to PENIS behave normally towards her. My hands were PENIS PENIS PENIS shaking as I tried to dry them. summoning up all my PENIS courage I said 'dryer's crap innit'. she turned to me and said " yeah I'm just goiPENIS PENIS PENIS"
It's been a week and I'm still shaking. This proves trans women are the problem and I'm not weird. I'm fine. It's fine. If you think about it I'm the hero hePENIS!!!!!
very this
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#red said#it's just. I'm obsessed.#everyone on Twitter is saying 'never happened' and i think they're wrong#this absolutely did happen and she's been obsessing over how vindicated it made her feel enough to WRITE AN ARTICLE ABOUT IT#because she MISHEARD SOMEONE IN A CASUAL CONVERSATION#i lay out my reasoning thusly: if you were INVENTING a scary trans woman in bathroom story out of nothing. why would it be this?#why would you go with 'we had a banal conversation until she said a sentence that makes no sense and that no human has ever uttered#but which does coincidentally sounds almost exactly like a mishearing of a very NORMAL thing to say in the circumstances#then she left and nothing else occurred'#if you were going to INVENT a story you would probably make it MAKE SENSE or SOUND THREATENING#i truly believe this is a very authentically told account of what she thinks happened#because who would. by means other than mishearing. think 'I'm going to wipe my hands on my penis' makes any sense at all.#a) 'I'm going to dry my hands on my genitals' says the presumably fully clothed woman#b) who then proceeds to leave without doing anything threatening#c) WHO SAYS PENIS THREATENINGLY? sorry it's writing out 'penis' repeatedly that made this jump out to me but like. who says that?#you might hear someone talk casually about their dick or cock but i stg it's only doctors and TERFs who casually use the word penis much#it's so. clinically descriptive. it's a weird use of language. but it IS. something you could plausibly mishear from 'pants' or 'trousers'
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coffeebanana · 1 year
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Sorry if some of these overlap a little/if I left out something obvious kajbdsjkd I tried my best haha. And that's why there's an "other" option!
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magpie-trinkets · 1 month
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continuing that "maya tries to contact claire" post, i present you the post-Spirit of Justice follow-up
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sugarcoatednightshade · 6 months
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thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.
And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.
And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.
And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?
Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.
Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.
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royalarchivist · 6 months
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Ramon: So opinions on [Bagi]?
Fit: She's legit, we can trust her. We can trust her.
Ramon: Would you rather a dad or a mom [for me?]
Fit: Uh- I- no one! No one. Let's- let's get over to Felps' Square, Ramon. [They head to the warp at Spawn, then Fit hesitates] Um, wait- Ramon. [He pauses, briefly looks at the camera, then says in a rush] If I had to choose between the two, it'd be a dad. Alright, let's go. Let's go, let's go.
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corvidcall · 2 years
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None Of You Know What Haiku Are
I'm going to preface this by saying that i am not an expert in ANY form of poetry, just an enthusiast. Also, this post is... really long. Too long? Definitely too long. Whoops! I love poetry.
If you ask most English-speaking people (or haiku-bot) what a haiku is, they would probably say that it's a form of poetry that has 3 lines, with 5, and then 7, and then 5 syllables in them. That's certainly what I was taught in school when we did our scant poetry unit, but since... idk elementary school when I learned that, I've learned that that's actually a pretty inaccurate definition of haiku. And I think that inaccurate definition is a big part of why most people (myself included until relatively recently!) think that haiku are kind of... dumb? unimpressive? simple and boring? I mean, if you can just put any words with the right number of syllables into 3 lines, what makes it special?
Well, let me get into why the 5-7-5 understanding of haiku is wrong, and also what makes haiku so special (with examples)!
First of all, Japanese doesn't have syllables! There's a few different names for what phonetic units actually make up the language- In Japanese, they're called "On" (音), which translates to "sound", although English-language linguists often call it a "mora" (μ), which (quoting from Wikipedia here) "is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable." (x) "Oh" is one syllable, and also one mora, whereas "Oi" has one syllable, but two moras. "Ba" has one mora, "Baa" has two moras, etc. In English, we would say that a haiku is made up of three lines, with 5-7-5 syllables in them, 17 syllables total. In Japanese, that would be 17 sounds.
For an example of the difference, the word "haiku", in English, has 2 syllables (hai-ku), but in Japanese, はいく has 3 sounds (ha-i-ku). "Christmas" has 2 syllables, but in Japanese, "クリスマス" (ku-ri-su-ma-su) is 5 sounds! that's a while line on its own! Sometimes the syllables are the same as the sounds ("sushi" is two syllables, and すし is two sounds), but sometimes they're very different.
In addition, words in Japanese are frequently longer than their English equivalents. For example, the word "cuckoo" in Japanese is "ほととぎす" (hototogisu).
Now, I'm sure you're all very impressed at how I can use an English to Japanese dictionary (thank you, my mother is proud), but what does any of this matter? So two languages are different. How does that impact our understanding of haiku?
Well, if you think about the fact that Japanese words are frequently longer than English words, AND that Japanese counts sounds and not syllables, you can see how, "based purely on a 17-syllable counting method, a poet writing in English could easily slip in enough words for two haiku in Japanese” (quote from Grit, Grace, and Gold: Haiku Celebrating the Sports of Summer by Kit Pancoast Nagamura). If you're writing a poem using 17 English syllables, you are writing significantly more content than is in an authentic Japanese haiku.
(Also not all Japanese haiku are 17 sounds at all. It's really more of a guideline.)
Focusing on the 5-7-5 form leads to ignoring other strategies/common conventions of haiku, which personally, I think are more interesting! Two of the big ones are kigo, a season word, and kireji, a cutting word.
Kigo are words/phrases/images associated with a particular season, like snow for winter, or cherry blossoms for spring. In Japan, they actually publish reference books of kigo called saijiki, which is basically like a dictionary or almanac of kigo, describing the meaning, providing a list of related words, and some haiku that use that kigo. Using a a particular kigo both grounds the haiku in a particular time, but also alludes to other haiku that have used the same one.
Kireji is a thing that doesn't easily translate to English, but it's almost like a spoken piece of punctuation, separating the haiku into two parts/images that resonate with and add depth to each other. Some examples of kireji would be "ya", "keri", and "kana." Here's kireji in action in one of the most famous haiku:
古池や 蛙飛び込む 水の音 (Furu ike ya kawazu tobikomu mizu no oto) (The old pond — A frog jumps in The sound of the water.)
You can see the kireji at the end of the first line- 古池や literally translates to "old pond ya". The "ya" doesn't have linguistic meaning, but it denotes the separation between the two focuses of the haiku. First, we are picturing a pond. It's old, mature. The water is still. And then there's a frog! It's spring and he's fresh and new to the world! He jumps into the pond and goes "splash"! Wowie! When I say "cutting word", instead of say, a knife cutting, I like to imagine a film cut. The camera shows the pond, and then it cuts to the frog who jumps in.
English doesn't really have a version of this, at least not one that's spoken, but in English language haiku, people will frequently use a dash or an ellipses to fill the same role.
Format aside, there are also some conventions of the actual content, too. They frequently focus on nature, and are generally use direct language without metaphor. They use concrete images without judgement or analysis, inviting the reader to step into their shoes and imagine how they'd feel in the situation. It's not about describing how you feel, so much as it's about describing what made you feel.
Now, let's put it all together, looking at a haiku written Yosa Buson around 1760 (translated by Harold G. Henderson)
The piercing chill I feel: my dead wife's comb, in our bedroom, under my heel
We've got our kigo with "the piercing chill." We read that, and we imagine it's probably winter. It's cold, and the kind of cold wind that cuts through you. There's our kireji- this translation uses a colon to differentiate our two images: the piercing chill, and the poet stepping on his dead wife's comb. There's no descriptions of what the poet is feeling, but you can imagine stepping into his shoes. You can imagine the pain he's experiencing in that moment on your own.
"But tumblr user corvidcall!" I hear you say, "All the examples you've used so far are Japanese haiku that have been translated! Are you implying that it's impossible for a good haiku to be written in English?" NO!!!!! I love English haiku! Here's a good example, which won first place in the 2000 Henderson haiku contest, sponsored by the Haiku Society of America:
meteor shower . . . a gentle wave wets our sandals
When you read this one, can you imagine being in the poet's place? Do you feel the surprise as the tide comes in? Do you feel the summer-ness of the moment? Haiku are about describing things with the senses, and how you take in the world around you. In a way, it's like the poet is only setting a scene, which you inhabit and fill with meaning based on your own experiences. You and I are imagining different beaches, different waves, different people that make up the "our" it mentioned.
"Do I HAVE to include all these things when I write haiku? If I include all these things, does that mean my haiku will be good?" I mean, I don't know. What colors make up a good painting? What scenes make up a good play? It's a creative medium, and nobody can really tell you you can't experiment with form. Certainly not me! But I think it's important to know what the conventions of the form are, so you can appreciate good examples of it, and so you can know what you're actually experimenting with. And I mean... I'm not the poetry cops. But if you're not interested in engaging with the actual conventions and limitations of the form, then why are you even using that form?
I'll leave you with one more English language haiku, which is probably my favorite haiku ever. It was written by Tom Bierovic, and won first place at the 2021 Haiku Society of America Haiku Awards
a year at most . . . we pretend to watch the hummingbirds
Sources: (x) (x) (x) (x) (x) (x)
Further reading:
Forms in English Haiku by Keiko Imaoka Haiku: A Whole Lot More Than 5-7-5 by Jack How to Write a Bad Haiku by KrisL Haiku Are Not a Joke: A Plea from a Poet Who Has Had It Up to Here by Sandra Simpson Haiku Checklist by Katherine Raine
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pokimoko · 9 months
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haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by
#adventure time#fionna and cake#simon petrikov#betty grof#petrigrof#fan art#fanart#art#digital art#my art#just a lil something something i did for fun#adventure time has always been the show that makes me want to draw (i have SO many AT drawings from 2015 it's ridiculous)#but now I'm coming back to that ye olde passion with new digital art skills and many more evil tragic thoughts (thank you fionna and cake🙏)#i couldn't get the thought about them haunting and be haunted by the narrative out of my head so I had to make some art for it#the caption for this was almost: so who wears the haunted by the narrative in the relationship?#they take turns of course because damn these guys really do be having that tragic romance huh. hot potato cursed existence#never quite on the same wavelength. always out of reach. their love the very thing that dooms them to be apart. a love defined by absences#like two ships in the night passing each other by. except they keep trying to seek the other out. and so end up going in circles#the tragic dance of madness and sadness. lead on and i shall follow. ....so anyway...these two amiright?#/might/ have to write something at some point...maybe...#because like... ghosts are my thing. and these two...well. even when they aren't haunting the narrative they are still ghosts#never let themselves live in the present and okay I'm going to stop now. enjoy the art byeeeee#...AND they'll never be at peace because they'll always be reaching for a version of each other that no longer exists and—#(i am dragged kicking and screaming from the room before i can devolve into a full blown meta)
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delta-piscium · 11 months
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Steddie | 1.7k words it is (swedish) midsummer so I wrote this based on my favorite old tradition because I can and will make anything steddie, so like glad midsommar (happy midsummer)
“What are you doing?” Steve asks as he follows Eddie to the hallway where he’s frantically putting on his shoes. 
“I almost forgot,” he mutters under his breath not acknowledging Steve at all.
“Forgot what?” 
“I can’t believe I almost forgot.” 
“Eddie,” Steve says a little louder, more adamant.
He does look up at Steve then and almost looks surprised to see him. As if he’d forgotten he was there, as if they haven’t been hanging out for hours. 
“Oh,” he says. “Uhm,” he squints at Steve who waits for him to continue, to explain. He doesn’t.
“Yes?” Steve implores because he would really like an explanation. Eddie had just abruptly stood up halfway through telling Steve about some folklore he’s using in his new campaign, just cut himself off mid-sentence and walked off. Steve doesn’t think it’s especially weird or demanding of him to have questions. 
“Did you have other plans that you just now remembered?” Steve frowns, starting to feel unsure when Eddie still isn’t saying anything. It’s just past eleven at night and Steve doesn’t know what plans those would be but he had showed up unannounced earlier in the evening so it’s not impossible that Eddie had plans that Steve interrupted. 
“No, no, no,” Eddie assures him finally breaking his silence, “it’s- okay it’s a little silly but I read this thing researching and I want to try it.” 
And well, okay then.
Steve raises his eyebrows and waves his hand gesturing for Eddie to go on. 
Eddie’s cheeks turn a light pink and he resolutely looks somewhere above Steve’s shoulder instead of at him. 
“Midsummer, which is today, is supposed to be this magical night and there are all these traditions and old myths about it.” 
Eddie glances at Steve and he smiles. Tries to show he’s listening and wants to know whatever thing Eddie read about. 
“And well, okay so there’s this one tradition where you pick seven different kinds of flowers before you go to bed and then put them under your pillow and you’re supposed to dream about who you’re gonna spend your life with.” 
Steve blinks, wasn’t expecting that and doesn’t know what to say about it, so, he blinks again. 
“Maybe it’s dumb, but with all we’ve seen magic and folklore don’t seem so far-fetched and,” he shrugs, “I wanna try. And like, it’s close to midnight and I don’t know if that’s a rule but I don’t wanna risk messing it up.”
“It- huh,” Steve frowns slightly and looks at his shoes then back at Eddie. “Yeah alright, let’s do it. Can’t hurt right?” 
His voice is light, like it’s not a big deal and just a fun thing Eddie read about because that’s what it is, isn’t it? But something about it settles deep in Steve’s gut. Makes it feel important in a way he’s not sure he could explain if he tried. Maybe it’s just the fact that Eddie is getting so worked up about the possibility of dreaming about the person he’s gonna spend his life with when Steve maybe a little bit wishes it would be him, but like, only a little. 
Eddie looks at him with wide eyes like he didn’t expect Steve to want to join, like maybe he expected Steve to make fun of him for wanting to do it. But then something seems to switch in him and a slow smile spreads over his face and he gives Steve an exaggerated once over. 
“Looking to find your true love huh, Harrington?” 
“I thought you said it was the person you spend your life with, not the same as true love necessarily.” Steve quips back because technicalities are easier to argue over than answering that question, especially when Eddie is the one asking.
Eddie shrugs. “Different sources say different things, sometimes it’s true love sometimes it’s who you marry.” 
“Well, then I guess we’re both looking to find our true loves?” Steve hedges, drags Eddie down with him if they’re gonna go there. 
A soft look passes Eddie’s face before a responds, voice quieter. “Guess we are, yeah.” 
They pick their flowers in silence, something about the magic being broken if you speak. Walking around the edge of the woods behind Eddie’s trailer a couple of feet apart, every once in a while coming together or crossing paths. 
After, Steve stands in between Eddie’s trailer and his own car. Holding on to his bouquet of seven flowers unsure what to do. He could go home, he should go home, but he doesn’t want to. He did have some beers hours ago and if he was allowed to speak he’d use that as an excuse to not drive and ask Eddie to crash on his couch. Right now he can’t though so he sighs inwardly and turns to his car. 
He makes it about two steps before a hand reaches out and grips him around his free wrist stopping him. When he turns around Eddie is giving him a look that very clearly says ‘stop being stupid’ and jerks his head towards the trailer silently telling Steve to go with him. He doesn’t let go though and uses his grip on Steve to drag him along like he can’t be sure Steve will actually listen and follow. As if Steve would ever not follow Eddie. 
They quickly get ready for bed. And again when Steve walks toward the couch Eddie grabs him and shakes his head. He waves his arms around a bit like that’s supposed to explain anything but Steve isn’t too bothered about an explanation anyways and easily follows Eddie to his bedroom. 
They’ve shared a bed before but always when they’ve been drunk or high so this feels different. Steve is a little glad they can’t speak or he’s sure he’d blurt out something way too revealing about it all. 
He avoids looking at Eddie as he tucks his flowers in under his pillow, knows Eddie is doing the same next to him. Is aware of it only being an old myth from a region halfway across the world but there’s a weight to it. Something real and tangible. 
He expects it to take a while for him to fall asleep like it always does. For him to twist and turn and lay awake until the early morning. For once though, that doesn’t happen. With the weight of Eddie next to him and to the sounds of his soft breathing and small movements, Steve falls asleep.
And he dreams. He dreams of big brown eyes and bright laughter. Of wild hair and warm arms embracing him. He dreams of growing old next to someone and how every wrinkle on their face tells a story of their shared love. 
He wants to stay in the dream forever, desperately tries to hold onto it even as he floats into consciousness. He turns and groans, gets a mess of someone’s hair in his mouth and nose and that’s enough to startle him into full wakefulness. 
Eddie grumbles next to him, clearly also just waking up. Steve looks at him, with his wild hair and his big brown eyes that are slowly blinking open and of course. Of course, it was Eddie he dreamed about.
Their eyes meet and Eddie freezes. Eyes widening as he looks back at Steve. 
“Oh,” he says. 
And yeah, oh.
“Eddie?” Steve asks, unsure of how to bring it up, to ask about it. If he even should? 
He puts on a teasing smile, even though he feels like goo inside, but making it lighthearted is all he can think of because what if he’s taking this whole thing way too seriously? Jumping to conclusions? 
“Dream of anyone?” 
Eddie nods and looks away, “I did.” He says it simply, voice careful. 
And maybe it isn’t just Steve.
“Who?” He asks, dropping the teasing tone. 
Eddie swallows and looks back at Steve. “The person I wanted to dream of,” he says and it’s not really an answer but he’s looking at Steve so intently he thinks it still might be. 
He thinks about Eddie’s quiet but delighted surprise at Steve wanting to join him yesterday. About Eddie dragging him first into his trailer and then into his bed. How they’re so close on Steve’s side of the bed and Eddie must have drifted towards him in his sleep.
He bites his lip to stop his smile from spreading too wide, there’s still a chance he’s misinterpreting things, “yeah?” 
“Yeah.” 
“And who would that be?” Steve asks, leaning in even closer until he feels Eddie’s small puffs of breath across his face. 
“You,” Eddie whispers but Steve hears it clearly. 
He takes a moment to bask in it, to let it wash over him before he responds.
“That’s good,” Steve tells him eventually and Eddie’s eyes are so wide and open, and so pretty, “because I dreamt of you.” 
He knows it’s cheesy so he doesn’t give Eddie time to respond, just leans in and closes the remaining gap between them. Slots their lips together. Eddie gasps into the kiss, grabs Steve by the hair, and pulls him in. Makes all these cute noises that make Steve want and want and want. 
He shifts, goes to put his leg in between Eddie’s to move on top of him and get a better angle. But he only gets halfway before Eddie grabs his hips and twists them around. Pushes Steve flat on his back and straddles him. 
He grins down at Steve. 
“You think the Scandinavian magic worked or was it just dream psychology and wishful thinking?” 
“Does it matter?” Steve asks, way too earnestly. But like, they’ve just spent this whole time doing some true love magic so he thinks it’s fine, “got what I wanted.” 
“It’s forever though,” Eddie points out, bending down to bite at Steve’s jaw, “if we believe the old Norse people.” 
Steve hears the question there, thinks this might be Eddie’s way of asking what this means to Steve. His way of telling Steve this isn’t just a hookup for him.
“God yeah,” Steve exhales, “I fucking hope so.” 
He feels Eddie smile into his neck and grabs his hair, uses it to pull him back and steer him into another kiss. 
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wandixx · 5 months
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one-shot snippet
Duke was running out of fumes to run on. The last few days would be exhausting if it was just vigilante or just civilian stuff but no, he had to have it both. Because of Arkham break out, he had been called in three nights in a row, not for a whole patrol but he couldn't exactly sleep it off during the day like others did, especially not in a week when every teacher decided they needed to have test or quiz or what not. Naps meant he wasn't as sleep-deprived as he could be but he needed far more. But he couldn't because crime in Gotham never sleeps so he had normal patrol to finish and there were about two hours left.
Would something bad happen if he just stopped for a moment and laid on a roof? Ten up to fifteen minutes. It was a slow day too…
Yeah, no, he deserved a moment to rest and if something disastrous was to happen in the meantime he would shame other Bats for not giving him enough time to sleep.
It certainly said something that he found gravel covering this roof to be quite comfortable. He set a timer for ten minutes and let himself close his eyes.
When the loud screech of the timer jolted him awake, he was suddenly fully aware that he wasn't alone anymore. He sat up a little too quickly.
"Oh, you're awake" white white-haired girl around Damian's age chimed, sitting cross-legged just a few feet away from him. She wore something that could only be described as a lab safety hazmat suit, white and black with popping green accents. When had Gotham gotten a new vigilante/villain/whoever the girl was? "Good, I just returned from a snack hunt," she added, gesturing at a big textile bag lying next to her. Duke didn't have enough brainpower to do anything more than ask.
"What?"
The girl shrugged, take-out from BatBurger in her hand.
"You look like you have a bad day if not a few days, so I've got you my cousin's bad day combo or at least the closest thing I could. BatBurger burger isn't as good as NastyBurger but you certainly have better fries" As she spoke, a second take-out bag, 1 liter bottle of energy drink, juice bottle of the same size, and pack of convenience store brownies joined greasy paper bag sealed with a sticker.
"Is your cousin a speedster?" Excuse Duke, it was a totally valid question, he saw with his bare eyes both Wally West and Bart Allen when they visited Manor. No one else would be able to stomach the amount of food they inhaled during their stays.
"Nah, we're not that fast or that hungry. Though I think I may get closer to the speed of sound." So, clearly, a meta if white hair and weir aura that let his eyes rest weren't enough indication "My cousin when he has a bad few days often forgets to eat so this combo has to help with there too. But I'll steal your fries of course."
Duke was not going to look a gift horse in the teeth, so he grabbed one bag and tore it open. There was a classic combo with bigger fries and NightWings inside.
"Thank you…" he trailed off, hoping that the girl would take a clue and introduce herself but she didn't. She just drowned her fries in ketchup and started munching. She had her own juice.
"My cousin always said that each part of this combo has a different purpose." she explained instead, slightly muffled because of the fries in her mouth "This" she gestured towards the fast food meal "is to soothe your stomach. This "she tapped energy drink "is to soothe your brain and kick it back online. This "she raised a bottle of juice "is to soothe your taste buds because energy drinks are war crime against them and this "she nudged brownies "is to soothe your heart because Ancients damn it, this day is awful and you deserve it. At least that's what he told me when I had day bad enough to deserve that" she shrugged, licking ketchup of her finger. Suddenly she froze "You aren't allergic, are you?
"No, I'm not" he confessed bewildered.
"Good"
For a long moment, they sat in silence, devouring food the little girl brought. Duke distantly wondered if this was how the night shift spent their snack breaks. It felt nice.
He was finishing his part of the brownies when the girl spoke up again.
"Do you feel better now?"
"Yeah," he was a little surprised to realize that t it was true. He'll have to note down what she put in this 'bad day combo'. "Thank you"
"Don't mention it." she shrugged with a general gesture of dismissal "You're one of my cousin's favorite heroes because you're vaguely his age and handle Gotham alone during the day and I quote "She did honest or God air quotes at that" 'As only hero in Amity-' which is a lie by the way, Val is doing great and even if he suddenly got problem with how she feels about his alter ego, he still has Sam and Tuck even if they're usually more of moral support. And I helped when I visited, so no, he isn't the only one. Anyway as he said 'As the only hero in Amity, my heart goes out for anyone who deals with this type of bullshit so Dani if you absolutely have to prank heroes, leave them out of it, especially Signal, he can't be older than Jazz, he doesn't need any more mess to handle.' All aliens and lanterns are also off-limits because he is a space nerd. But you aren't space-related so I'm like 80% percent sure he has a celebrity crush on you" She slurped more juice, unbothered.
Duke was thankful he wasn't swallowing anything because for sure she would choke. He took a split second to consider addressing… this whole situation and choose against it. He was not ready to be anyone's celebrity crush.
"Your name is Danny?" he asked instead.
"Dani" she corrected" with an I"
"Ok. It's nice to meet you Dani-with-an-I" She giggled, nodding her head slightly.
"It's nice to meet you too Signal"
Duke stood up, stretching a little. Dani joined him after hastily putting all the trash in her bag. She was a little higher than expected.
"I have to get back to my patrol"
"Cool," she drifted back a bit, making him realize that she was floating a few inches above the ground. She fixed her bag on her arm.
"Hey, can I hang out a little bit more? My cousin will go green out of jealousy when I tell him" she added with a mischievous smirk but Duke could tell there was more to it. He took a moment to consider it, which apparently made the girl nervous "I can be invisible the whole time, like before." she offered, disappearing in the meantime. He could still tell where she was, because of her heat signature, and aura but for regular people, she would be no different than the surrounding air.
"Yeah, you can hang around and you don't have to be invisible. Just don't get in my way when I have to actually do some fighting."
She popped back to the visible spectrum and pouted like Damian whenever he got benched.
" I can fight, y'know? I stopped mugging on a snack run."
It was ten goddamn minutes, how could she get so much food and stop a mugging in such a short time?!
Oh, right, superspeed. Still, impressive.
"I haven't seen it" he started, channeling all Dick-trying-to-wrangle-Damian-into-socially-acceptable-activity' energy he could muster "So I don't know how you fight or even what powers you have. If we tried to fight together we would trip over each other" It was a bare-faced lie, Bat Training made sure of that but he knew for a fact that if he said anything else, the girl would be mad and probably did her own thing.
Was that what Bruce thought about all of them?
Oh no.
Dani still looked displeased but after a moment of consideration, she nodded with a defeated sigh.
Suddenly she straightened like she got struck by lightning and whipped around.
"Wha-"
She just shushed raising her finger to her mouth. Duke did indeed quieten.
"I have enhanced hearing" she whispered "There is a mugging somewhere this way."
"Let's go then" he shot his grapple, waving his other hand at Dani to come with him before he jumped off the roof. He heard the girl giggle as she flew right after him.
" After this, you'll show me the coolest gargoyles, okay? Sam asked for photos"
"Okay"
It seemed that the end of this patrol wouldn't be as bad as the start was. Hopefully.
And afterward, he was going to lock himself in his room until the sky fell or he was well rested.
Yeah, that was a good plan.
*******
how do you like it?
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essektheylyss · 13 days
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One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.
(Buckle in. This is a long one.)
In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.
As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.
Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.
This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.
I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.
But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.
So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.
But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.
But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.
It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.
He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)
So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.
But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.
(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)
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blueish-bird · 4 months
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In the narrow hours of the night I will wake to a downpour; through the window see your trashcans shining. I will swaddle myself in your warmest jacket, put on my big rain boots. I will brave this storm for you.
And when I am cold and wet and beyond porch light's reach, trashcans in tow, I will watch the world past your driveway. I will love the way dark turns form to silhouette, how the sound of my steps drown beneath the rain's big hush. I will want to leave you and your trashcans. To wander the earth as all lost things do.
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