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#since this is a real story
fleshadept · 9 months
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one of my oldest memories is from when i was about five or six years old. my grandma was visiting that evening, so she was tucking me into bed. now, my parents raised us agnostic with a side of unitarian universalism, so i knew next to nothing about christianity, or that god fellow, or whatever. my grandparents never approved of this, convinced they were damning us kids to hell forever.
so when my grandma was tucking me in and she told me to repeat after her and say “i love you jesus,” i did.
but then she said: “there. and now you’ve let jesus into your heart.” and kissed me and left me to dream sweet child dreams probably of jesus saving my immortal soul or whatever.
except, i didn’t know who the fuck jesus was, and i did not understand metaphor. i certainly had not realized that by saying that, i had apparently invited a small man to take up residence in my heart. my child brain raced with panic: was he in there? what would he do? would i be able to feel him moving around? was he stuck forever now? that seemed mean to him, and felt like my grandma had played a trick on me.
so, sensibly, i decided my best bet to expel this tiny man who i had NOT wanted to move into my heart (aside from surgery, which i discounted as an option when i imagined asking my parents about it) was to do the reverse incantation: i fell asleep that night mumbling and mentally shouting I HATE YOU JESUS I HATE YOU JESUS I HATE YOU JESUS, hoping he would get the message and relocate somewhere that wanted him.
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chechula · 8 days
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Sketch for this was in my diary for 6 years. That boy was just so sure that America was a fantasy land so for a moment I also believed him ♥
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big-greer · 3 months
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a BIG part of the lore of Dungeon Meshi is how ageism is bad. About how the long lived races treat the young lived races like children and thus infantilize them and do not show them the respect and understanding they deserve simply because of their looks or short life spans. Whether its because to them they look like children in their eyes (like half foots and gnomes) or because the adult ages of the younger lived races are still in the child ages for the longer lived ones and so they get treated/viewed as children (we see otta receive comments about getting with minors when in reality she dated adult half foot women. so we already see this view towards things like this are a thing in the lore) We see this with chilchuck, senshi, and marcille where the two later view chilchuck as a child and treat him like one even though he is a full grown man who drinks (and is supposed to have grey hairs) all because he looks young and in the newest episode its revealed he is 29 which is still young children to the two of them. We see how perspectives that characters are children because of their age being a childs age for a different race as opposed to their race or because they look like children is a completely infantilizing and disrespectful behavior that causes so many problems in the long run. a theme that is completely flying over the average tumblr users head.
ive seen people get furious at other people because they sexualize chilchuck and even marcille
“oh they look like kids so dont do that you freak”
you absolute fool you missed a major theme of the fucking story. But because they look young suddenly they are children? have you paid no attention to the story? did you just ignore how the ageisim and weird mindset about ages like that causes so many issues that could easily have been avoided. and as for the age one i see people getting furious at others for being into and sexualizing izutsumi even though she is a year past adult in tall man years, but because she isnt in the adult age range in real life (wild your applying real life society standards to a fictional medieval fantasy world). even though even in lore she would be well an adult able to get married and everything tumblr really does have the media literacy of a toddler.
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bonchobrick · 11 months
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tw: slight suicidal actions (but not really the batfam are wildly clueless to the actual context to danny's bullshit hes not suicidal--in this fic--he's dead get it RIGHT brucie)
Au where Batfam are entirely convinced that the new vigilante in Gotham, danny, has time travel powers because he can vanish away from their senses completely
This becomes a problem however when 
Bruce searches for him because wants to save Jason. Danny can save Jason not in the--im a time traveler and i can bring him or you back from or to the past--but in the, I’m a ghost king and have domain over the dead haha
Batfam become really concerned watching Phantom fight because “if he has time travel powers why doesn’t he avoid getting hit every time he can” and get worried phantom is purposefully letting himself get hurt
Danny in all honesty is just vibin the entire time while the batfam is going crazy at every sliver of info they get about danny because like
okay hes a time traveler thats established they got over that
This guy whos somehow been able to stop and rehabilitate rouges (ghosts) in his town is 15??
he may be the kindest most self destructive kid they've ever met like who immediately agrees to help people who were trying to capture and interogate him because he 'thinks we are better than the last billionaire who did this' what the FUCK
Oh yeah and they find out as a bonus in the end that his normal unpowered form he is a teen with black hair and blue eyes (bruce no no dont do it dont--)
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Bruce is losing his mind
Okay so at the start of this there’s an unknown vigilante (danny) that Batman tends to bump into. Except Batman isn’t sure what he is.
Every time they run into each other Batman can tell there should just be a person beside him but before he gets a glimpse and opens his eyes to empty fresh air.
A vigilante that can vanish before their very eyes?
What do the bats think about this?
They think this vigilante can control time and is doing that to sneak out of their gaze.
Now here’s where the funny part comes in
Bruce goes on a wild hunt to search for the vigilante with a plan. To make them turn back time so that he can save his son.
The problem with this?
Danny is not a time traveler most days–scratch that he's not one at all. He can save his son Jason though, in fact he wants to, it’s just he needs to figure out a way to do this whilst not blowing his cover that he is the goddamn ghost king.
So he pretends that he does have time powers and that he just… uh… needs a minute to figure them out… yeah that!
Cue Batfam getting progressively more worried about Danny because ‘if he could turn back time—why doesn’t he avoid those hits?’
They all kinda think Danny is like purposefully hurting himself so now Danny is forced to eat breakfast with them and sleep at their manor.  I mean he’s confused at why they always look so worried about something but he’ll make sure Batman’s son gets home soon! Plus the rich people temporary-living-situation without all the ‘I want to adopt you’ billionaire bullshit is pretty sweet!!
(somewhere in the ghost zone jason is tearing up laughing at the batfam as they struggle to not burst into flames trying to figure out danny-- like for christs sake they think the ghost king is an american doctor who and are trying to get him to spill where his tardis is)
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bleue-flora · 20 days
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What's often interesting to me, is Dream spells it out in the finale and people often still don't get it, so I thought it'd be interesting to see what he was actually referencing here. To see where it all started.
[24:27] Tommy: “That first war, me and Tubbo versus you–how it should have ended–why’d you take it?” Dream: “Tommy, you ambushed me and killed me. You stole all my shit! You tried ambushing me in a little cave–you don’t remember that? I feel like you just–your memory is just–gone.”
So here is the ambush Dream is talking about, where Sapnap and Tommy basically decide to just kill Dream and then kept all of his shit. [Death 1]
He gets killed again when he tries to take back his stuff. [Death 2]
Tommy kills him for fun right after he respawns with nothing. [Death 3]
Then after Dream gets his stuff back (via our boy Punz) and he takes the discs to get Tommy to stop, he gives Tommy back his items. But unsatisfied, Tommy goes after Dream, gets one of his discs back and hides it in the little cave. Dream tries to find it, while Sapnap and Tommy try to stop him. They are unsuccessful until, Tubbo brings them axes and they sneak up and corner Dream in the little cave, ambushing and killing him. Once again, taking all of his shit, (including, yes, the other disc.) [Death 4]
[27:58] Tommy: “Think about that, we could’ve been friends but no because you have to figure out the reason you have to get–”  Dream: “Yeah we could’ve but you–you ruined the chance of that long ago. It was you.” Tommy: “I ruined it?” Dream: “You ruined it!”
And I don’t think it’s unfair for Dream to say that in the finale, because for Dream it’s this stream early on, these moments that started it all. It’s these instances of of Dream getting murdered and robbed and made fun of over and over. Him, trying to not just make peace for everyone, but also reclaim respect and peace for himself. It’s Tommy chasing after Dream when he has nothing to kill him and rub it in his face. It’s Dream, even after all of that, giving back their items. It’s these instances of violence taken too far to the point they clearly pissed Dream off and didn’t care or follow his very simple request of just giving an apology and his belongings back that shape my distaste for Tommy and sympathy for Dream. It’s these moments that I feel like are gone from Tommy’s and our memory that highlight a different story.
[28:34] Dream: “Yeah, we could have been friends if you weren’t a little shit.”
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randomminty · 8 months
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If pokemon wont give me bea and allister siblingisms ill just make it MYSELF
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incarceratedcastiel · 6 months
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the thing is the existence of the widower arc necessitated a conclusion in which castiel is rescued because previous experience suggests dean would not want to live without cas. that was already demonstrated onscreen?????????
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seasonofprophecy · 8 months
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It shouldn't be that serious but I haaate people summarizing Simon and his struggles in Fionna and Cake as the symptoms of one mental illness or another. Like, his struggle with being content now that he's Simon again echo depression and he very well may have it. The way I've seen some people examine his character and conflict through a pathological lens, though, just picks out what words and actions they can diagnose as some documented and studied condition. They divorce his character and conflict from his setting, his time as the Ice King, and how he fits in the extended narrative of Adventure Time.
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Simon is a pre-mushroom bomb era human in a post-mushroom bomb world. The people he knew, the surroundings he's come to understand, and the life trajectory he had going are all long gone. He's come to in a new society where things function in much more fantastical, irrational, and advanced ways. He's been a part of this society- even shaping it- as the Ice King, and now he must continue playing into the happenings of Ooo as Simon Petrikov. The new civilizations are alien, the new Earth functions by new social and natural laws, and he has the remains of new life that disgusts, horrifies, and humiliates him.
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Simon spent almost a thousand years as a man stripped of his former values, dignity, and cognisance. As the Ice King, he lost his ability to control himself, and inflicted what would accumulate to be significant harm unto others. He learned how to get along with others by the end of his time as the Ice King, but those years were a blip in the span of a near millennium, and the degree of self-control he learned was basic decency. Simon spent his life before the mushroom bomb developing to be a composed and academic man, and endured having his antecedent personal growth and his own autonomy regarding his identity nullified by the ice crown.
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Adventure time is a fantasy show that explores the consequences of the endless possibilities inherent to a fantastical setting. Powerful magic and magical existences destroy and ruin lives, abundances of mystical organisms amount to exhausting effort to defend oneself from danger, and the lack of predictability of what the world has to offer someone next spells out a compromised sense of security and stability.
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Simon/the Ice King's story is one example of the show's exploration of the undesirable side of fantasy, and one story that's been built on for over eight years now. It's a story with circumstances unique to the show, with numerous writers informing its contents, with some parts planned and some spontaneous. It's a charged story, and it's narratively reductive to effectively whittle Simon's character and conflict as the showing of a real world mental illness
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raeofgayshine · 2 years
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Bruce Wayne, drunk and full on Brucie mood in the middle of a gala: You know, that accent doesn’t really fit in around here. It’s cute. Where are you from?
Clark, internally debating every life choice that led him to this moment: I’m from Smallville. Kansas.
Bruce, leaning closer to Clark with a flirty smile: Oh you’re cute and funny. You know, I like that in a man.
Clark, very confused but trying to just go along with it: Thank you??
Bruce: I mean, everyone knows that Kansas isn’t real but I do always enjoy a good laugh.
Clark: What.
Bruce: What? Everyone knows that Kansas was made up for Wizard of Oz.
Clark, unsure if Bruce is fucking with him or if he’s just really deep into this dumb act: Bruce, Kansas is a real place. It’s one of the 50 states that make up America.
Bruce, tilting his head a little confused: There’s 50 states? Since when?
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surreal-duck · 11 months
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valkyuri
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puppyeared · 3 months
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mascot
#this isnt vent dw!!! i dont smoke either i was just kinda going for some sort of vibe#i know its usually played for laughs or like. dark humor whenever ppl draw mascots without their heads and u can see the actor#but i always found it fascinating and a little sobering. ever since i was a kid ive always been hyperaware of ppl in costumes#like. even if i tried to block it out id be thinking the whole time 'its not real. theres a person in that suit who gets paid to do this'#it used to be an uncomfortable nagging feeling but now its like. oh yeah theres someone with a whole life story doing this. idk#i think when i tell ppl im not conscious of my body its like. im not dysphoric or experience dissociation but. at the same time#it feels like my physical body doesnt fully outwardly represent me..?? like some sort of costume#i like to phrase it as being a giant hairless mecha and inside theres a very tiny puppy piloting the damn thing#and the other thing is. when i draw my sona i dont really see it as what i /wish/ i looked like or how i want people to see me#its like being in a costume and just. fucking around with some sort of barrier between myself and others#plus mascots arent allowed to talk and i dont really. engage with other ppl in public spaces that it kinda feels like ad lib#i share a lot abt my life but ironically im also a private person..... i guess it just gives me some sort of control over my identity#my art#myart#my oc#sona#mascot#furry#??? is this furry art????#twinkle#puppysona#edit: had to outline it bc i just realized it looks really weird on dark mode -_-
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hamletshoeratio · 1 year
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"A strong queen is just what this country needs!"
The Irish who know the queen in question as the famine queen:
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clover0101 · 30 days
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haruka and what each animal on his case represents, an analysis
before we begin, general CW for the issues haruka's story deals with (neglect, child abuse, animal death, etc).
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Throughout the MVs, animals play an important role in Haruka's story. I think each of these represents a part of Haruka, both how he perceives himself and how he wants to be perceived. Even if Haruka presumably has numerous animal victims, the ones most emphasized are dogs, fish, and rabbits.
1. RABBITS
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Haruka is seen on many occasions with his bunny plush. It’s so important that it appears not only in Weakness and Undercover but also in graffart’s collab, where each item is importan on the character's story in one way or another (like mahiru and the mantis). I see it as a toy from his childhood that he’s very attached to.
The fact that it’s specifically a rabbit is interesting to me, as the rabbit is a prey. If we go to the unique point of view of Japanese culture, rabbits are also quite related to the moon. The lunar cycles are also an important symbol in weakness, showing white, blue and finally red moons over a red sky. The origin of the relationship between rabbits and the moon is debated between admiration as they are perceived as objects of fertility and health because of their reproduction, or a legend that spread from India:
"a rabbit can't tolerate seeing people die and jumps into the fire to become food, then Indra rewards him for his sacrifice and takes him to the moon."
The theme of self sacrifice and the ultimate reward one receives for it is reinforced by Taoism, where the hare, like the moon, dies to be reborn and represents immortality. More popularly, rabbits are also associated with good fortune. It being white also points to innocence, and in turn to the pursuit of something that upon attainment brings discovery, an idea popularized by Alice in Wonderland. Even if it's more seen as a weak and tender animal, it has also been culturally represented as cruel and capable of aggression, closer to what Haruka is than the role of merely a prey. Haruka wants to be seen as weak prey that the strong hunt, to be pitied and loved for it. To be perceived as someone to be protected, as he cannot defend himself, but this is contradicted by his own actions both in weakness and throughout milgram. The prey becomes the predator and gives way to the next animal;
2. DOGS
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The dog is universally a symbol of loyalty and the effort it takes to form a training bond between a wild animal and a human. Dogs are seen accompanying men and being obedient to women.
Dogs are perceived as creatures that love unconditionally and are capable of giving everything to protect those they love.
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In terms of personality and behavior, they are the closest animals to Haruka, who accepts and actively seeks to be guided and to be faithful for someone, to be used to feel useful and not abandoned.
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Even if they are domestic, the dogs whose breeds are distinguishable are large dogs, considered to be hunting dogs. Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf.
Haruka being represented as a dog also creates a parallel with kotoko, who is represented by a wolf. Dogs are the friendlier, "clean" version of wolves, domesticated to be obedient, while wolves maintain a certain solitary air of independence and savagery.
However, whenever a dog is featured on screen it is accompanied by loud instrumentals and rather graphic visuals. In Weakness, child Haruka accepts and expresses affection towards the animal, who apparently is suddenly injured and runs away from him into a forest, where he is disoriented and confused. Haruka follows its footsteps and ends up seeing his hands in horror, realizing that he's the cause of its injury.
The perspective of present Haruka isn't so different, who now attacks it, destroying it until the only remains are the necklace it was wearing, ultramarine liquid and eyes, which I consider represent the opinions of others and looks that judge him.
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I think the fact that this dog bleeds the same color as Haruka's is a not-so-hidden hint at the fact that, in a way, Haruka is ending up with a part of himself (this time a bit smaller, not being human yet) to escape people's judgments.
There are also many sayings that by mistreating someone, "you are treating them like a dog", like an animal, something inferior, but that still sticks to what the human wants and believing all their words.
In AKAA, we see that instead of being a mix of at least two dogs, they're now separate entities and different breeds that dissolve as Haruka sings about being reborn. Again, dogs often appear in stories as spirit guides, helping humans enter and exit the realm of the dead safely, representing a middle ground between life and death. Dogs are followers of their owners, not leaders, and no matter how close a bond they form with humans, they are rarely recognized as equals to us.
3. FISH
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Most of the similarities between Haruka and fish are presented visually, with Haruka being a passive spectator of his own life, observing others from behind something akin to a glass wall that separates him from normal people. He's constantly surrounded by water drowning, and in one scene is even presented at a fish-eye angle, being watched by his mother.
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In AKAA we can see two specific species of fish.
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Yellow bobfish: they're very complicated fish to keep in aquariums because they release toxins when stressed and are naturally solitary once they reach adulthood, it's not recommended to have more than two in the same tank because they are territorial and aggressive among their own species, however it's friendly and sociable with fish of other species. It responds to stress with aggression and attacks its own kind (in this case other weaklings) just like Haruka.
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Clownfish: they usually inhabit anemones, forming a mutualism in which they find shelter and food. Toxins from anemones don't affect them as they develop immunity to them throughout their lives to eventually live in them. Anemones benefit from clownfishes cleaning its tentacles. Clownfish often eat parasites and are also known to steal more food from anemones than what they give in return. They are also capable of changing sex from male to female. Seeing this particular species depicted tells us a lot not only about haruka, but about his relationship with Muu, as for the first time it's not depicted as a mutual need, a codependency that endangers their lives if they become separated, but a mutually beneficial relationship where both can exist separately, but live much more comfortably by relating to each other in this way.
Extra: Insects (specifically butterflies) and parasites.
The symbolism of transformation and metamorphosis is so present that it even took the title of both voice dramas. Caterpillars can only wriggle and are no different from any worthless worm, but after a season, they manage to transform into a butterfly: beautiful, admirable, much more memorable and lovable. Having been forgiven and meeting Muu, Haruka manages to "fulfill" his metamorphosis and become someone he believes is better. Still, from what is shown in AKAA, it doesn't seem that Haruka is entirely happy with this change happening - the monarch butterflies represents ambition and perseverance, but it seems to be rejected by haruka, who crushes it in his hands
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Haruka longs for this transformation, but is unable to fully accept it happening. I think it's because no matter how much he changes and wants to be someone else, he can't get rid of the disastrous image he has of himself, or he has forced himself not to change so as not to be disliked even more by others.
Now, Kotoko is an important figure to Haruka despite not interacting much. It highlights both his codependency (or mutually beneficial relationship) with Muu as much as the fact that he assimilates a parasite.
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This is a point I've made several times before, but Haruka's way of socializing is based on taking parts of others and melding them on himself, especially women. It started by stealing his mother's necklace and taking it as his own, continues by killing Mirai and stealing what he lacks, and ends now in a much more obvious way with Muu, imitating her personality, accepting her accessories and the clothes she chooses for him and even copying her sprite pose a bit.
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If he had become closer to Yuno and Mahiru, I'm sure he would also start imitating their behaviors in one way or another. Haruka lives by taking parts of the women he surrounds herself with, and he seems to want to take something from kotoko as well, but it's still unclear what he wants.
What does all of this have in common?
Not only is the theme of change and rebirth prominent, but every animal that Haruka comes to hurt relates in one way or another to his desires, thoughts, or parts of himself. Figuratively, we can say that Haruka's case is about him eliminating and hiding every part of himself, until he murders his human victim, Mirai, who at the same time is the closest and most prominent part in him, with whom he wishes he could reconcile and exist together, accepting each other - for, unlike his other victims, Mirai is often presented as a friend and someone Haruka misses. I have yet to write Mirai's analysis on its own, so whether she is also a part of Haruka or not and whether all his kills are figurative is up to each one's choice, I tend to wander between both sides because I like both scenarios. In a less figurative way and taking the case more literally, these facts are simple trivia and interesting symbolism to consider when analyzing Haruka.
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moongothic · 6 months
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WAIT WAIT WAIT HOLD THE FUCKING PHONE
So normally we only get fullblown, extended and dedicated flashbacks for heroic characters in One Piece, the characters who we're meant to root for. The literal only TRUE exception we've had to this rule was Big Mom's flashback. Even fucking Doflamingo's flashback was tied to Law and Rosinante's
So the fact that we haven't gotten a single fucking GLIMPSE at Crocodile's backstory is?!?
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Like sure, we haven't gotten like a Moria flashback, but you know, he literally told us all we needed to know himself, AND we got to see glimpses of him in the Wano flashbacks. Arlong didn't get a flashback of his own, but he did get to cameo in Fisher Tiger's flashback. And Rob Fucking Lucci got a flashback that was 6 whooping panels long
BUT CROCODILE?? Not only do we know almost Fuck All about his story, but also have never gotten as much as a glimpse at it? But his backstory has been HINTED and TEASED at multiple times??
GUYS. FELLAS
Like. I am SURE the "Full Backstories for Heroes Only" rule is going to get broken again, but with Imu and Blackbeard already there just BEGGING to have their beans spilled, can we even be sure Sir Fucking Crocodile is somehow going to become A Villain So Dangerous To The Narrative that he ALSO should also recieve a Full Fucking Backstory?? For his Nefarious Schemes?? AT THIS POINT??
Y'all
I think it's more likely Oda's been saving up Croc's backstory because it might just completely recontextualize his entire character
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bonefall · 2 months
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For Riverstar’s Heir, do you have any idea where you want to land themeatically? Because from my reading of the possible themeatic directions, with the whole story being about this crisis of politics and succession, it feels like the character who “should” become the next leader of RiverClan narratively should be the Most ruthless/aggressive/willing to resort to dishonorable methods of dealing with rivals (reinforcing RiverClan’s entry into/building up of the early Clans’ emerging systems of battle society)
The alternative “most interesting” option I can imagine would be one that is least likely/least aggressive/some otherwise sort of underdog candidate (maybe not even technically “legal” depending on what qualifications there are for heirship?), but I’m not sure exactly what themes that would play into, other than maybe how the pursuit of power can change someone?
That said, your themeatic instincts are strong enough that I can see you having a strong idea for a “middle-of-the-pack” candidate winning out over the others just as much, so— I am genuinely curious what your thoughts are for where you Want this crisis of succession to end, narratively, even if you don’t have an exact cat picked yet.
Good ask because I'd not been clear about the theme yet, I think. What Riverstar's Heir is trying to get at, at the heart of the issue, is that this is a bloodbath caused by naiive optimism and greed.
The commandments to establish borders and prevent killing are nice, but not enough. You can't just have a society on good will, not when POWER is up for grabs in the scramble. It's about collapse, and how innocent, well-meaning people get caught up in the devastation. Not JUST the troublemakers.
Riverstar was an EXCELLENT king, beloved and wise, but if you don't prepare a proper successor, everything you worked hard to build might crumble to ruin.
Something unique is lost in this shuffle. It's no longer the River Kingdom, and the Wind Coalition also becomes WindClan at this point. For better, and for worse, they both lose a bit of what made them special. Redscar's choice at the end also solidifies the early political power of Clerics, which is eventually broken many generations later with Larkwing's Strike.
So, fragment time,
At LEAST three "heirs" end up getting killed.
So, because these ones are gonna die, I have Three Heir "Slots" that I'm committed to and just need to fill;
The Eldest, Riverstar's oldest living biological child.
The Chosen, Riverstar's adopted heir, a rather meek prince easily pressured into backing off his rightful claim. This one is likely going to be the BB! version of Mossfire.
The Firstblood, directly descended from Riverstar's FIRSTborn child. This one is likely going to be the BB! version of Jumpfoot.
I also have two tentative slots.
The Accomplished... who is a blood relative of Riverstar, but more of a "puppet" for WindCo. Someone they're intentionally propping up hoping for power.
The Diplomat, from WindClan, who is a lot like WindCo's puppet but this one is more subtle about it. Poetic. Happy to purr and remind the world of the wonderful, deep ties that had existed between King Riverstar and Thunderstar.
And, LASTLY, there's The Deputy. The most qualified choice, who served Riverstar, but was no relative.
It feels right that the Deputy is the one who is chosen in the end... hm.
Anyway
After a smaller conflict near the start of the story, either The Eldest or The Firstblood seems to be the favorite to win... but decides to wait for the morning to set out for the Moonstone and take their lives.
In this time period, without selecting a successor, this heir is assassinated.
In fact it might be VERY fun if this heir, being so much like King Riverstar himself, decided to throw a pre-emptive celebration.
Meat! Merriment! MURDER!!!
Having them go out via poison would be a fun way to send a character off.
This is going to be why the "DEPUTY BEFORE MOONHIGH" rule is established, but it's also what kicks off the bloodier parts of the plot.
Thinking about it... a cleric and/or the deputy should probably tell this heir, "Hey, buddy, you should really get going" and they're ignored.
With Eldest Heir gone, the small conflict from earlier becomes an LARGE conflict.
And, like they did back in DOTC, families start to rally together. Especially Eldest's offspring, who think they're just as entitled to the Throne as The Firstblood/Jumpfoot
King Riverstar used to encourage cats to enter the River Kingdom freely. The borders were essentially open, and everyone was allowed in, as long as they were willing to cross the river.
(maybe I'll even have him pull down the tree from Riverstar's Home intentionally, happy to accept other cats into his Kingdom. Then he defends it from Skystar, specifically, but refuses to destroy what he built.)
This had allowed River Kingdom to grow large and powerful, but it also meant everyone in River Kingdom had connections to the other Clans.
Which meant there were cats supporting OTHER bids to the Throne, like the one from WindCo and the one from ThunderClan.
Smelling a way to grab power, Duststar supports his favorite heir, and Whitestar of ThunderClan also begins to stick his nose in.
Each Heir tries to run the River Kingdom, and things start to get hostile. If there's more than just the three heirs, even more of them start to get openly attacked, chased out, killed, until there's only The Chosen and The Firstblood left.
Somewhere around here, River Kingdom is invaded. Probably by the leader of SkyClan at the time, claiming that they don't even NEED an heir to take what these cats clearly don't deserve.
And that's when the internal conflict becomes a FULL-BLOWN WAR between four Clans.
In those days, the camp was at Sunningrocks, right in the middle of the river.
ThunderClan jumps in to help its "Ally" against SkyClan, just like historical precedent, but they have NO IDEA who they're fighting against, because the whole Kingdom is divided. It's not as simple as it was in DOTC anymore.
WindCo came to support its favorite heir, but its cats don't obey Duststar's orders when it comes down to fighting their own friends and family, meaning they're functionally fighting EVERYONE and losing a TON of cats
SkyClan is getting pummeled because EVERY group is pissed at them as well as each other, getting a painful awakening that they are NOT being run by Skystar the War God anymore and they're no longer the biggest, baddest bananas in the bunch
(shadowclan is watching all of this and eating popcorn. moisturized. in their lane. unbothered.)
The climax here, between The Chosen and The Firstblood, is a battle that matches the chapter from COTC. They launch at each other, in a battle to the death.
The first Sunningrocks Battle.
They both wear "crowns" on their head, one custom made for Mossfire's short-furred head, and traditional, braided into Jumpfoot's long, lush fur.
As they claw, bite, and tumble, they plunge into the river.
Fighting and hissing, they try to pull apart to rise up for air-- and can't.
They're STUCK
The crowns became tangled in their skirmish, and neither one can work with the other to bring them both to shore, against the current.
Both heirs, the last with a proper claim to the throne, drown together in the river.
At the end of the bloodbath, the tone is very somber. The rules were meant to prevent The First Battle from ever happening again... but The Second Battle had just taken place.
The body count wasn't AS high as the First Battle, but it was still a bloody loss. Every Clan lost warriors. Even ShadowClan, who hadn't even been IN the conflict, checked its ranks to find that powerful warriors had run off to go fight with their Kin.
Now they could be buried with them, too.
And now, there was no proper heir. If any descendants were still kicking around, they were refusing to take a throne that so many cats had died for. Jumpfoot and Mossfire never emerged from the River, their bodies, and their legendary crowns, were never found.
At first I'd been considering Redscar being swapped to become a RiverClan Cleric, but now I'm thinking it actually makes sense he's still from ShadowClan. ShadowClan was the ONLY neutral group-- it's reasonable for the clans to turn and request their partiality.
So, Redscar peruses the options, having followed the situation from afar.
His choice, in the end, was The Deputy. The most experienced advisor who knew Riverstar, and probably tried to stay at his adopted daughter's side as well. The closest thing they'd had to a leader all along.
(Thought: Maybe this character will be the POV. Make it like a bit of a fake-out title, you THINK Riverstar's heir is Mossfire. But it's actually been this one all along.)
He creates his famous false sign, and from there, the five groups discussed how they could prevent this from ever happening again.
They create the Law of the Deputy, commanding that ALL Clans have a single Deputy who will inherit the Clan after the leader passes away, ending dynasties in WindCo and River Kingdom and centralizing power in the other 3.
With the massive losses that WindCo and River Kingdom experienced, they also restructure, forced to accept a lot of help from ThunderClan and ShadowClan.
The borders began to close up, leading to the sentiment that would lead to Commandment 4, the Law of Loyalty, in just one more generation.
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buccellato · 2 months
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Fucks me up to think about how Legato's legacy in-universe after his death in Trimax (and presumably Tristamp) is probably gonna be how much he sucked and nothing else....
Like, nobody will like Knives but Vash will be long-lived enough to be able to eventually talk about his good qualities from when he was a child and his quasi-redemption in his last days. But who remembers Legato? Livio and Vash are the only living people with any extended memory of him and neither of them would have anything nice to say (and rightfully so). Neither of them probably knew he was a slave, either—as far as Vash can tell this dude showed up one day and hated his guts, for all he knows he's just another survivor from July! Outside of Knives, Elendira, Legato, and maybe Conrad, I don't think any other character knows his actual life story.
And to add on to that, there's no way of looking up that past either—he had no name or personhood before he was effectively rescued, so who could investigators or reporters or archivists track down for information? The human being that was Legato only existed for as long as he knew Knives, before that he was something to be kept and abused as an object. There's presumably no surviving family they can reliably contact, nobody to really say "yes I knew him, here's what his life was like, here's how we can prevent something like this from happening again".
His entire existence will be reduced down to "a human weapon that was freakishly loyal to public enemy #1" without any reflection on the mechanisms that made him the way he was because there's just no actual knowledge of his life.
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