If I have to read one more "I hate picky eaters, they have the taste palette of a 5-year-old" post, I WILL actually start killing people. You don't want to be around "picky eaters?" Fine, then get the fuck away from us. We're better off without your judgment.
"But wahhhh why won't they just try something new" Shut. Up. Look up how things like adhd, autism, depression, and many more affect eating. Look up food allergies, intolerances, and general sensitivities. FUCKING LOOK UP ARFID. Seriously I am so damn tired of people not knowing shit about arfid, refusing to research even when I tell them about it (most of my doctors don't even know anything about it even though they've known about my struggles for over two years!) And then you have the nerve to shame us for dealing with an eating disorder that is fuck all hard to work through cuz, again, no one knows fucking shit about it and they don't want to learn! My therapist reached out to an eating disorder clinic to find help for me, and the only goddamn one who even knew it existed was the director.
Stay the hell away from so-called "picky eaters" if you're gonna make post after post complaining about how annoying you find us, or how you just so badly want to go to restaurants with your friend but they eat like a child! Go alone, asshole.
we as a collective do Not talk about this line delivery nearly enough and for good fucking reason, i'll kill bradley james for this one line alone. he's just a little boy :'((
God Gale is endgame for Mayhew, and Mayhew couldn't be more pleased 😌
their mutual wizard disease brought them to some pretty low lows, but hey, ignore the tragedy, they're gods now! first order of business is a little worshiping at the altar 😏
Here's the sketch, which I also like:
Got majorly inspired by these lovely photos, one of which I used as a pose reference.
"haha Bepo is the weakest co captain!! He's a big baby that cries!" ya, and that's why Law has him as co captain. Law has lived such a violent life of seeing people that care for him dying and being used for others personal gain that having his most trusted man be a person that hates to hurt others, is a bleeding heart of care, that seems to really respect Law's choices and orders is perfect for Law. The others in his crew are like this, but not to the level of Bepo which we need to realise is why Law wants around him
I personally think that Leo took the wrong lessons from the movie. I definitely think he grew to understand the importance of teamwork and making sure he takes others into account so as to not harm them by proxy of whatever scheme he has cooked up, however based on the ending events I’m not quite certain he fully grasped two things.
The first thing is communication. Oh, he can communicate, and he does, when he deems it necessary. When he’s setting up a plan prior to the action. But this is where the second thing comes in.
The second thing I don’t think Leo truly grasped is “it’s not about you.” It’s so unbearably easy to take that the wrong way, especially when taking the rest of the series into account.
What I believe Leo took from this message is not “it’s not just you, everyone matters and can contribute, can help and be helped” but “put the whole of everyone above yourself” which can both be a good lesson…and a fatal one.
And it is fatal, we see as much in the movie.
Even after the big hope speech, when Leo is “fighting” Krang!Raph, he takes a huge risk. Sure, it worked, and Leo managed to get through to Raph through a well deserved apology, but it could have so easily ended in his death and yet he barely even hesitates to go for it.
And then again, to the big scene at the end, where Leo sacrifices himself not only for the sake of his family, but for the whole world.
To him, that’s the message to take from this. That the lives of everyone, of the greater good, matters…more than him. That the risk to himself is worth it if others can be saved.
Leo learned that gambling with his life as the betting chip is always the best move to make in the end.
And to make matters worse…this thinking is what works.
These risks are ultimately what is needed to save the day, so why would Leo look away from it now? Clearly it’s the right move and everything worked out!
Thing is, Leo did grow from the events of the movie. He learned to take things more seriously and be more mature, he learned to value his team’s input and capabilities enough to rely on them more, and he learned to be less self-centered and realize the turmoil others were going through (especially if that turmoil is a result of his actions.)
But still, he’s grown to accept the gamble of his life as a viable answer to their problems.
Personally, with how Leo has been shown to toy around with the idea of “it’s better me than them” I think this goes beyond sacrifice in the name of love or even sacrifice in the name of responsibility, and pushes over into sacrifice in the name of worth.
people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.
this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.
fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.
i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.
sooo bucktommy won me over, i couldn't resist anymore 🙈 so here's a bit of them after their date lol
just to be clear, im still 10000% about buddie but im gonna enjoy this while it lasts bc I feel like this is exactly what buck needs rn lol I just wanna write him be giddy and stupid and flustered about a boy even if that's not eddie haha (also, I didn't get the Tommy hype before but after seeing him everywhere for two days... I get it now 🥵)
___
"(...) We should do this again.” Tommy says, turning fully towards Buck, and Buck’s eyes immediately find his lips. He can’t wait to kiss him again, and this would be the time, at the end of the date, wouldn’t it?
“We should.” Buck nods, licks his lips, eyes darting up to Tommy’s eyes. He’s smiling softly, just looking at Buck. “I-” he starts, and then thinks, fuck it, and this time he makes a move, as he leans across the console to grab Tommy’s chin, like he did Buck’s in his kitchen, and bring him in for a kiss. Tommy immediately reciprocates, and Buck melts against him, and then when Tommy’s calloused hand covers his cheek, it just feels so- so different, in the best way possible. This kiss lasts longer than the first one, each of them constantly coming back for more, but it’s as gentle and tender as that one. Buck loves it, and can’t help smiling into it. He wants more. “Hey.” Buck says, finally pulling away, licks his spit-covered lips nervously. “Do you- do you maybe wanna come in for a beer?” he asks shyly, and at Tommy’s surprised expression and raised eyebrow he realizes it might sound like he’s inviting him for more than a beer, and he panics again. “I- I- I mean, just a beer. And maybe- maybe more of this.” he pecks Tommy’s lips again, not able to resist a smile. “But just a beer. I don’t think I’m- But who knows, maybe-” he stumbles over his words, because the truth is, he wants Tommy, he wants… he wants so much, he wants to experience so much for the first time – it’s just that he’s not sure if it’s not too quick for this relationship, and for him.
“Evan.” Tommy interrupts, bringing his other hand up, now cradling Buck’s face in both, thumbs moving soothingly along Buck’s cheeks. “Your pace, remember? No pressure, no rush.”
“You’re really cool, you know that?” Buck whispers.
“So I keep hearing.” Tommy chuckles, and it’s adorable. He kisses Buck again, and the butterflies in Buck’s stomach go crazy. Fuck, he doesn't remember the last time he felt this giddy and excited and just light. “I’d love to come in for a beer.”