#review every disney show

[marklikely]

i really do wonder if we'll see the end of the mcu soon though cause the quality of the movies has undeniably been getting worse, and ive noticed a lot of casual fans (which is what most people i know are, including myself, at least a few years ago when i would have actually considered myself a fan at all) are completely uninvested in phase 4 and havent really liked any of the movies lately. plus with how fast theyre pushing them out, overexposure could lead to a huge backlash soon

#when i say soon i mean like within 10 years because the disney project plans stretch out so far into the future #i mean idk we might get a big collapse that cancels a ton of future projects like with star wars but i doubt it #avpost #but idk i think mcu backlash is definitely a lot more common now than it was five or six years ago #but then again i think of how like all they had to do was get people from the raimi trilogy to stand on screen #and that was enough to get a ton of people to consider nwh to be great even though it sucks #not that thats necessarily proof that the movies are gonna survive either since a lot of people also didnt like nwh #i dont know it just feels like every release is either middling reviews or extremely mixed reviews. only those two options #plus they all get like almost no hype and excitement and then they leave the conversation so fast #people were talking about infinity war for MONTHS before release. like IN DEPTH talk. big major hype. #and then after it came out people were speculating and writing theories the ENTIRE time until endgame #nobody is talking about doctor strange 2 anymore and that was like two months ago #in two weeks or less nobody will be talking about love and thunder anymore im sure #nobody even noticed eternals. nobody talks about shang chi or black widow. #even the shows like the only one that left any sort of impact was wandavision. #the rest just like. air. and i dont ever see them come up in conversation or online after like the first couple episodes #(keeping in mind that im sure the most hardcore of fans are invested but im talking abt the general population) #(which is like. probably more important cause you cant keep a project this big alive on a specific fanbase alone)

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience���after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

[sirfrogsworth]

These folks watched a whole ass movie not realizing the main character was transgender and it was a 2 second kiss between men that made them lose their ever-loving minds.

It's amazing to me that if it weren't for those 2 seconds, many of these folks would have given this movie a 4 or 5 star review. But two seconds of the most vanilla, non-sexy, yet genuine and loving kiss somehow ruined every moment of enjoyment the previous 90 minutes brought them.

Imagine if they realized the trans allegory. I wish I had a way to tell them. I wish I had a way to make them realize they related to a trans character. That they rooted for them. That they accidentally empathized with a trans story.

This was a beautiful movie. In every sense. I really hope between this and Spider-Verse, we can have a moratorium on every 3D animated movie using this style of character design.

It's time to let go of the rubber toy look.

I love Toy Story, but its success kind of doomed 3D animation to never take any risks. I thought maybe it was just a limitation of the medium, and perhaps it was for a time... but after seeing Love Death + Robots and Arcane...

I realized they can make 3D animation look however the hell they want now.

The rubber people were just risk avoidance.

"That's what people are used to and so we're sticking with it."

But the real beauty of Nimona was the story. I won't spoil it but the plot is pretty much, "If you get to know a trans person, you probably won't hate them anymore."

Not knowing any trans people is one of the biggest factors in anti-trans bigotry. And so this movie uses allegory to let an audience get to know a trans person. And you get to experience someone slowly start to understand what it is to be trans from an outside perspective.

It's sad that will probably be lost on those folks above because all they will remember is the kiss. Seriously, it was such a harmless, mundane, blink-and-you-miss-it kiss. But I'm hoping that others will take the lesson of this movie to heart. That you should get to know people before you judge them.

Part of me does wish we could tell trans stories without allegory. That we could just have overt trans characters. But I think this is the best representation possible right now.

It's crazy that Supergirl was one of the bravest shows as far as modern trans representation. It wasn't an edgy HBO drama trying to push boundaries. It was a family-friendly superhero show and they were just like, "Here is a transgender woman with superpowers and it's fine." And I loved that it was part of the character but it wasn't all the character was. Though I think they just missed the manufactured "moral panic" window where that choice would have been extremely controversial causing boycotts of Warner Bros. and whatnot.

My only complaint about Nimona was a small penis joke. It went by very quickly and many may even miss it. But I was surprised to see it in this movie in particular. Especially since those jokes can have collateral damage toward trans folks. With all of the positive messages, wasting a joke on body shaming was a tad disappointing. I mean, it was a fairly lighthearted "Is it cold in here?" joke. I don't want to make it sound worse than it was. But it still registered on my Richter scale of things that bother me.

Anyway, I wholeheartedly give Nimona a 5 out of 5. It helped me understand my friends on a deeper level and it was warm and funny and entertaining. There was a scene at the end that was so beautiful and heart-wrenching and I was crying my eyes out. The animation and the symbolism and the acting were just so perfect.

It's a shame Disney tried to kill this movie. But I am so glad it was allowed to exist despite that.

#long post #nimona #homophobia

[sepublic]

Post-Hoot with Dana Terrace!

            Dana’s put over 200 hours into games she’s missed since the finale; Octopath Traveler, Little Nightmares, etc. Sarah Nicole-Robles cried harder than she ever did when she said I learned a language I’ll never forget, a whole chapter of my life is over, during the King-ceanera. She said the line once and was suddenly sobbing because of how meta it was. 

         Rebecca has a ‘sona during the bit with Barcus in the epilogue sequence. Cissy also cried when watching with her family, her kids asked her about it; Sarah was really excited as she watched the finale.

         No sequel happening, but we can always hope; Dana would like to do more, but Disney owns the IP and needs to give them permission. Dana knew the prequel line in the finale was ham-fisted as hell but still went with it because she was pissed (she said Fuck to express her rage). Rebecca went back to the Anger phase of grief after watching the finale after realizing what they missed, but Sarah was also in Acceptance because it was hard to regret something that ended so well.

         Dana doesn’t cry that much, but TJ’s remix in the soundtrack made her cry. Dana brought back everyone for BBBYYYEEEEEEE, noting this was every character’s last line, and wished Hooty had more lines. Alex improvised a cut line after the Bye with Hooty expressing appreciation for the finale and readiness for his spin-off.

         Dana won’t say much in hopes she’ll get to do more for TOH in the future; A Youtube reviewer (shoutout to all, Zachary Ax, Man of a Thousand Thoughts, Rebecca herself), the Third Bill got it right on Hooty, and Dana won’t be more specific about that.

         They found out about the shortening during S2; They had an ending in mind that Dana had in mind since development, but it needed too much setup and so they couldn’t pull it off. All of Season 2A was written before knowing the cancellation; Follies at the Coven Day Parade was the first episode fully written knowing the show was shortened, hence the tonal change. The Galdorstones was an arc Dana planned more on, as well as the Coven Heads; Bat Queen; It was a hard situation choosing what to leave out.

         There weren’t whole episodes written that had to be trashed; Just one-sentence ideas on a whiteboard never fully outlined or scripted. But Dana is still happy with what came out, because it was pretty damn cool.

         Rebecca Rose once saw someone with a King sweatshirt like hers at Disneyland and said hi, but they just side-eyed her and didn’t respond; Despite this, Rebecca hopes they had a happy day and believes they were just having a bad time. Sarah joked about not being so forgiving.

         String Bean’s inspiration: Owlbert is in the title of the show, String Bean indeed was there the whole time! The S wasn’t completely intentional at first, but Dana flipped the logo around and figured it out. When making the first episode, the logo wasn’t finalized. They always liked the idea of Luz being connected to snakes, it’s what she brought to school and they liked her reclaiming something she terrorized her classmates with. The Snake-Shifter idea specifically; Zach Marcus just said “Snake-Shifter” as they brainstormed ideas and Dana, being a sucker for lame puns, was sold.

         That was indeed Dana being represented as a student in the epilogue! She was Beastkeeping and Oracle; Dana can see the future of the show, and really likes animals. Raine’s palisman was indeed hidden within the violin’s design; Hunter and Dell worked to fix the palismen after Raine broke it trying to stop Belos. The violin is more akin to the staff, anyhow. Dana considered responding to a question about general Caleb, Evelyn, and Flapjack lore, but Sarah insisted she stay silent in case they get to answer it as an actual story later.

         Dana liked to think while writing Thanks to Them; No, Evelyn’s spirit isn’t in Flapjack. But to Philip, he saw Flapjack as the culmination of the corruption in his brother Caleb; He saw Flapjack, if it weren’t for YOU. You can see a hint of it in Masha’s story, Evelyn entices Caleb with Flapjack, who was Caleb’s introduction to magic. Evelyn was probably disguised as a human, and trusted Caleb for seeming reasonable and less violent. Perhaps like Dog owners passing each other by and suddenly becoming friends over this.

         Evelyn and Caleb’s relationship was sweet, from platonic curiosity to romantic. Eda doesn’t know she’s descended from them, nor does Hunter; And Dana has more to say, but will keep it hidden. Luz will stay the majority of her stay in the isles as she goes to college. Camila bought the shack leading to the human world, which allowed Luz to visit during holidays, weekends, etc.

         They never got to explore it, but it could’ve originally been the home of Philip and Caleb, long abandoned; Eda emerges after discovering the portal. In the next thirty years, she fixes up the shack as she builds the Owl House. Dana also advised fans to google Death of the Author, since she’s technically no longer working on the show, and thus gives permission for fans to write their own answers.

         Eda became the Owl Lady before Owlbert, due to the curse; They planned to do an episode where Eda learned palismen carving with Dell, and how Eda reclaimed the Owl identity to carve Owlbert. Dana stills has the outline of that episode in her head…

         According to Rebecca, Caleb and Philip’s graves were in the basement of the shack, based on this church in New Haven Dana passed by every day on her way to school (Gravesfield is based on some places in Connecticut). However, Dana realized the graves didn’t fit into the story. They also had an ‘original’ Belos design for him taking over animals. Marina Gardner did some amazing Belos designs, and Thanks to Them alluded to it.

         The Portal’s eye comes from the Titan’s missing eye!!! Hunter is bisexual, Willow is pansexual, this is how Dana always wrote and imagined them in her mind, but it’s not explicitly stated so technically it’s more headcanon. Dana noted how some people just picked it up. Dana likes to think Amity and Lilith rekindled their student-mentor relationship. Having worked in the library, Amity was interested in Lilith’s knowledge of history. Dana suggested to Zarya(?) from the design team to add notes to Lilith’s museum blueprints. A helicopter passed over and they joked it was Disney trying to stop spoilers.

         Cissy only got her lines and didn’t know any other details about the finale, to Dana’s surprise; Dana explained that people not getting a full script is due to the pandemic. Before quarantine, actors would get the full script. They have to rely on Eden Riegel and Dana for context a lot. Bosook Coburn spoiled Luz’s death to Rebecca Rose during the celebration party. They came up with a lot of designs for dying Luz, trying to figure out how they can hollow out her head how much. Dana mentions it’s up to the showrunner to show how much they want to the actors.

         Thanks to Sarah, they kept in Luz saying her own SFX during her fight with Eda in O Titan, Where Art Thou; She heard someone do it as part of the mock script and wanted it. When Dana voiced Eda and Luz at the end, Dana was crying. There’s a recording of Season 2B and Season 3 of Dana doing a voice-over of the script to get approved by executives.

         Dana clarified everyone would’ve had more of a chance to talk with each other, such as Hunter and Amity; Hunter would’ve talked to Vee, as well as more human realm kids, literally everyone would’ve had a little more time with each other. Dana loves Luz and Hunter’s sibling dynamic. Dana was sorry they couldn’t have Luz and Raine hang out, but they had the Hexsquad storyline. Luz finished high school in the human world, with the renewed motivation that she’ll go back to the isles. Knowing she has a safe space outside of high school made it more bearable, as was the case for Dana growing up.

         Cissy brought up Gus’ hair in the epilogue, which she loved; Emmy Cicierga did the design for Gus and Raine. Harpy Lilith was by Emmy; Dana did Emira, Eberwolf, and Skara’s timeskip designs. The name of the Titan is unpronounceable for humans.

         Dana can’t say much about the Archivists; The Collector never had a flash-forward design, as they age much more slowly than everyone else. Maybe the Collector got just a tiny bit taller. The idea of the Collector came from creepy dolls, as well as a nightmare; John Bailey Owen had a google folder filled with cool references of creepy dolls with a starry aesthetic, liminal minimalist nightmare-scape. They knew who the Collector was gonna be, what role they’d play, but the vibe still needed to be decided.

         Dana confirmed the Collector was always a part of the show before the shortening, and they solidified their placement after the announcement. The Collector has indeed stayed connected with the others, visits occasionally. Dana has seen fan comics on this and teared up.

         Hooty doesn’t have to be vacated from the Owl House if he doesn’t want to; When the door isn’t active, Hooty could be present. The new portal can probably fold up, and Hooty is busy as a curator for Hooty’s new museum.

         Dana said Raine and Eda’s business is their business; Not all love stories end in marriage. It’s their thing and it doesn’t diminish any love, but they do live in the Owl House together (Raine moved in).

         Mattholomule getting a palisman is something Zach Marcus can answer, since he made the character and Dana respects the lore he made. It’s hard to say for Dana if Vee and Masha are dating, since Masha didn’t show up in the finale, but Vee definitely has a crush on them. Again, Dana encourages the Death of the Author approach, if the headcanon makes you happy.

         Alador and Odalia got officially divorced after the finale, and the kids happily lived away from her. They might visit her if they have the energy, but also recognize she’s a toxic influence they can cut off at any point. Dana gave a shoutout to Rachel McFarlane’s voice acting, praising her performance for Odalia.

         In regards to the tower King was born in, Dana has an answer; It was related to a character we all know, who now may have amnesia.

         There was a plan to explore Gus and Willow’s glowing eyes, and do it for other characters; Amity wasn’t going to have that, strong emotions are indeed connected to magic. It was mostly a worldbuilding magic rule they could’ve expanded on, that Dana wishes she did early in the story.

         In the boards, Dawn Han(?) did Clouds on the Horizon, and did the scene of Amity and the twins hiding in the factory as their parents talk about the Abomatons, Alador is worried since it seems like a tad much. Alador had T-rex arms in the storyboard, and it reminded Dana of Remy from Ratatouille, so when they got to the scene of them looking into Alador’s lab, Ratador was drawn in his place as a joke. Dana laughed so hard she decided to keep it in, with Dana handwaving it as Alador’s palisman.

         According to Dana, a show should be appreciated for as it is; But the other way to enjoy it, under the context it was made, is also important to her; Both ways are valid. It was easier for Sarah to voice depressed Luz since she was also depressed. The writers preferred to put their feelings into the show, VS a more happy-go-lucky approach as others did; It was kind of dark for a bit, especially during quarantine. Sarah felt her own experience validated with Luz’s depression, but she and Dana appreciated the balance of having a happy ending too.

         What made the crew hopeful was knowing the characters would always have a happy ending; Luz could continue her studies in full-force, a new family. They KNEW it would end happy. Dana acknowledged how the fandom misinterpreted “I hate the term happy endings,” and Sarah knew about the quincenera when asked during previous Post-Hoots, but couldn’t answer.

         Rebecca commissioned 3D-printed Funko Pops of S2A Lilith and S1 Luz, and gave them to the others as gifts; Rebecca didn’t know about Avi’s appearance until two days before the Post-Hoot, otherwise she would’ve had a Funko of Raine made. Dana’s stand for Luz had to be made with painter’s tape (she appreciated it) due to Rebecca running out of the other kind, and planned to place it beside her Peabody award. Elizabeth Grullon, Camila’s VA, had to call her mom in the middle of a session to translate her line about maduros into English.

        Cissy clarified this wasn’t intended to be the final Post-Hoot! And the video was ended with a BBBBYYYEEEEE!!!!!

#the owl house #dana terrace #caleb wittebane #evelyn clawthorne #boiling isles titan #edalyn clawthorne #eda clawthrone #raine whispers #raeda #palismen #the owl house hunter #willow park #bisexual #pansexual #post Hoot

[twilightofthe]

On another Star Wars topic, something that’s always surprised me is all the bad reviews I’ve seen for the Kenobi show.

“It’s just another bad-plotted Disney gambit” “it didn’t go anywhere” “it didn’t make sense” “x y and z made it bad”

It makes me remember not everyone was a rabid Obikin shipper whose fave characters were Obi Wan and Anakin like me who watched the show entirely through like, cracked rose-colored glasses and happily experienced it feeding me every self-indulgent angsty fanfic trope I could have asked for

People: The Kenobi show was bad!!11!1!1!!!2!

Me, pulling my head back up out of the giant Obikin-flavored cake I’ve cheerfully faceplanted into and have been happily remaining submerged in the flavor ever since like a pig in a trough, picking frosting out of my ear: muh?

#look i liked it and its all that matters to me #one (1) hot mess #our only ho #team hot mess #Obikin

[mediumgayitalian]

fic rec friday 14

hi!! welcome to fic rec friday. every week, i pick five fics i have bookmarked and rec them with a little review. check them out!

at last (i see the light) by @theroyalsavage

Of a tower, a missing prince with the sun in his hair and the ability to heal with a touch, and a terrible-dangerous-very-bad bandit who’s never been all that good at being very bad, dangerous, or terrible. An AU based off of Disney’s Tangled.

IVE BEEN W A I T I N G FOR A SOLANGELO TANGLED AU OMG. and this ATE. was so fucking good. obviously bc its theroyalsavage but still omg. sorry for harrassing u btw. but i LOVE this. nico as flynn pov and just fucking reluctantly smitten from the beginning.....oh i know that's right

2. a letter to the moon (it is not brighter than you) by @theroyalsavage

When his kingdom is plagued by a series of unsolvable murders, Prince Will Solace must confront several things: tragedy, helplessness, and the dizzy-sweet inevitability of falling in love.

is this, like the author's note indicates, reminiscent of bbc merlin? yes. and so i LOVE. rivals to friends to lovers my BELOVED. royalty aus my BELOVED. and honestly yall should be supporting my royalsavage agenda purely by her titles like LOOK at these. my heart hurts like

3. In the darkest grays by @izlaria

[The sun bursts, clouds break.] Nico di Angelo loves in color. This is something that Will Solace has always known.

hi. i am obsessed w this fic. a nico character atudy that is disguised as will character study that IS a will character study........something something they are braided strings of fate something something....also! sally jackson my love!! she is everything to me and of COURSE she would show up here!! i am also obsessed w longtime pining will like is it even a solangelo fic if will has not been in the trenches since he was ten years old

4. eudaimonia by @forochel

Nico watched Percy wave his arms excitedly at Annabeth and breathed through the habitual twisting of his stomach. For a moment, he thought of walking over to them - ever the masochist, he thought wryly to himself - but then Annabeth threw her head back in a laugh, and Nico dismissed the thought. There would be another time and another place. ** Diverges SLIGHTLY from canon in that Nico does not confess to Percy right off the bat - he gets the chance to heal, find himself and a place to stand in camp, and form friendships. Also, attempts to fix the whole Solangelo shoehorning thing.

AUTHOR IF YOU ARE STILL ACTIVE. FOROCHEL IF YOU SEE THIS. I AM BEGGING. KNEES ON THE GROUND HANDS CLASPED ROSARY CHOKING LIKE A NOOSE. PLEASE. PLEASE UPDATE THIS SERIES IM BEGGING. I KNOW IT IS UNGRATEFUL BUT 20K IS NOT ENOUGH. THIS IS N I C O S VOICE. LIKE ACTUALLY. dude it KILLS me this is HIM 😭😭😭 i cannot get over how wonderful this is and how FRESH....like this came out right after boo! it was fresh in ur mind!! and you went CRAZY like this is SO SO GOOD!! this fic is CONSTANTLY rotating in my mind and i am constantly thinking about the path it carved.....hve never gotten over it ever

5. Baby Satyrs and Charming Boyfriends by @biancadiangeno / @fiestiest

Nico di Angelo had absolutely no idea how babysitting works, and Will Solace was having way too much fun teasing him to actually help out.

this fic is so silly and fun. i love it!! and the ending made me giggle will needed that humbling

thank you for joining me this friday!! happy reading!!

#dude finding the author for that last one was actually hilarious i stg every account i saw was 'moved to @so and so" and it kept happening #like i LAUGHED #anyways #pjo #percy jackson and the olympians #hoo #heroes of olympus #pjo hoo toa #nico di angelo #nico di angelo character study #will solace #nico di angelo & will solace #nico di angelo/will solace #solangelo #nico/will #will/nico #fic rec #fic rec friday #longpost

[macgyvermedical]

The following information is from Sickening, by John Abramson:

Not to sound like a conspiracy theorist on main but when I say Big Pharma is a racket I mean...

Doctors work via particular guidelines. Many of them are punished by their hospital systems if they fail to follow those guidelines, which are considered "best practice". The guidelines are written largely by pharmaceutical companies or people paid by pharmaceutical companies.

Just like Disney likes to keep it's copyrights fresh, pharmaceutical companies like to keep their patents. And they do this by churning out new drugs. Only about 1 in every 8 of these new drugs actually represents an actual advantage over existing drugs or therapies. They, of course, market the absolute shit out of all of them as though they did.

In theory, newer insulin analogs (lispro, glargine, etc...) work better and have fewer side effects than older recombinant human insulins (regular, NPH). In the actual trials the only difference between the two is a single average non-fatal hypoglycemic event over the course of 5 years of therapy. There was no difference in effectiveness. Oh. And the newer ones are 10 times the out of pocket price (an average of $468/year vs $5,224/year). Which is considerable considering 1 in 4 insulin-users report "rationing" their insulin for cost reasons. 90% of people on insulin take the newer insulin analogs because that's what's on the guidelines.

Pharmaceutical companies have all the data on their drugs, which they don't share and which they alone interpret. It took 4 years of near-daily pestering for Cochrane Reviews (a major independent reviewer) to get a copy of the data for the drug tamflu. When they got it, they found that in 77 trials, the only thing it consistently did was decrease the symptomatic time from an average of 7 days to an average of 6.3 days, even though the company was marketing it under claims that it reduced complications and hospitalizations- something none of the trials showed.

You have to treat 140 people who have not had a heart attack or stroke with statins (cholesterol-lowering medicines) for 5 years in order to prevent 1 single non-fatal heart attack or stroke. There is no difference in death rates from cardiovascular causes between statin-users and non-statin-users who have not had a heart attack or stroke. You have to treat 30 people who have had a heart attack or stroke to prevent one heart attack or stroke. You have to treat 80 to prevent a death.

According to a very large, independent (non-pharmaceutical industry) study called the ACCORD study, people with type 2 diabetes actually had significantly worse cardiovascular outcomes if their average blood sugar was kept in a "normal" (non-diabetic range) (under 125) vs a somewhat higher range (150-180). So significant were these findings that they ended the study early because too many people in the "normal" range were dying.

Omeprazole and Esomeprazole are technically the same drug that work exactly the same way and exactly as well when given at the same dose. The only thing that makes esomeprazole any better is that it is given at a higher dose. And it's way, way more expensive.

#nurblr #sickening #hospital life #diabetes #insulin #statin drugs

[waywardsunlight]

Post Hoot 4/28/2023

Cissy, Dana, Rebecca, Sarah, Avi, and Zelda Black

Reactions to the finale? 

Sarah cried really hard when she saw the Quincera (“a whole chapter in my life is over” line). Avi was excited to play a villain, Sarah said they were scary. Avi liked to play with character. Dana loved seeing Avi’s evil Raine, said it was intense. They said they wanted to see more evil Raine, but Dana wanted to avoid it. Rebecca’s birthday was the week the finale came out, talked about their appearance in the episode. Cissy started crying, said it was neat.

Continue reading below:

Cissy had been travelling, and got back right on time to see the finale, she was super tired. Cissy was crying, her kids were asking her if she was crying. Avi cried too. Sarah said she was choked up but she was more excited. Avi felt like it was surreal. Cissy said “no sequel” “we can hope” “It would be fun to do more but it would require Disney to agree” Dana. Sometimes Dana gets so pissed off about the cancelling. Rebecca said the finale aired and they were back to being angry. Wished they had gotten more episodes. Sarah was angry, upset and sad about the cancellation but she loved the finale. “It couldn’t have been more impressive”.“There’s always gonna be a thousand things we want to improve but it came out well” Dana

Dana loved the fight scene between Luz, Eda, and King v Belos. 

Music? How does it work? Brad has been on since season 2, he already knew the style of the show, so for every animatic, you put in temp music, and you send the composer the stuff and the spot notes, follow the concept of the temp music but add a horror genre spin on it. Brad’s first take on the episode was great. TJ did a remix for the epilogue, Dana cried hearing the remix for the epilogue. 

They brought back every single actor for the bye. Everyone’s last line is bye!!! Hooty originally had a line where he kept saying goodbye. Hooty coming out of Papa Titan’s eye? “I won’t say much, in hopes I get to do more in the future (slim chance), this youtube reviewer- The3rdBill got it right in an offhand comment”

“How did the writing change for season 2/season 3?” Dana had an ending she wanted, wasn’t able to do it bc too much set up. All of season 2A was written without the knowledge of the cancellation, Follies was the first episode fully written with the knowledge it was cancelled. Dana wanted to do more with galdorstones, coven heads, Bat Queen, it’s easy to see what we had to prioritize. It was a hard situation in the writer’s room. We did our best and we’re happy people still connected to it.”

“Keep being loud about how much you love the show”

“Support the Etsy artists!” Had a pin by SophieScrubs

“It’s not like we had whole episodes written that were trashed, they were one sentence ideas”- they were in Dana’s head “I’m just happy with what came out” 

“We kinda got to go out, 45 minute specials, it was fun to work with”

Cissy “There’s no way you can’t be a fan”, Cissy was wearing a King beanie and got recognized as a fan in Ireland!

Sarah met people who liked her shirt and the show lol (didn’t say if they knew who she was) Rebecca wore a king sweatshirt in DisneyLand, saw somebody else with a king sweatshirt and they side-eyed her lol “Anyone who ignores Rebecca can catch these claws”

Owlberts in the title of the show, Stringbean is there too, the L and S, when they made the pilot, they had a different logo, it wasn’t made intentionally but they saw it and they liked it.

Luz had a connection with snakes, having her reclaim snakes.

Sarah was a snake believer!!!

A lot of ppl had ideas in the writers room, Dana loves bad puns and loved snakeshifter (the guy who has Barkus named after him), Beastkeeping bc Dana loves animals, Oracle bc she could see the future of the show.

“Avi needs wrangling” Sarah, they joked around.

Raine’s Palisman: The Palisman was disguised as the violin, Raine smashes their violin- it was the staff part of the Palisman that was smashed.

Did they Clawthorne family ever discover they were descendants of Evelyn and Caleb? Eda and Hunter don’t know, the rest I won’t say.

Who had the old house? Who did that belong to? 

Sarah has a Stringbean! 

“The artistry of the fandom is inspiring” Cissy

Somebody’s making Cissy a Lilith one.

Caleb, Evelyn, Flapjack? “Save it for the spinoff” Dana: “One detail I like to think of, is when we were writing TTT, Flapjack is not Evelyn, to Belos he saw Flapjack as the culmination of the corruption in his brother “if it weren’t for you”, you can see a hint at it in the halloween decorations, Evelyn’s hand had Flapjack. First magic Caleb was introduced to, Evelyn was hiding her ears and pretending to be human, follow this bird into this portal? “Dog owners passing eachother and becoming friends and bonding over dogs”. I like to think that Evelyn and Caleb was sweet- platonic curiosity to romantic, it was good for a bit.

“Who did the shack belong to?” We never got to explore this, it was originally the home of Caleb and Philip, Eda comes out there for the first time when coming out of the portal door. Eda fixed it!!! Everything doesn’t matter, google death of the author, I am just a fan now bc the show is finished. If you prefer your version, it’s valid rn.

Eda becomes the owl beast before getting Owlbert. There was going to be an episode where they showed her reclaiming the image of the owl and learning to carve palisman with Dell.

When Luz and Hunter went down to the basement originally, there were graves down there for Philip and Caleb, based off old buildings in connecticut (no story purpose)

Belos concepts when he was taking over animals, didn’t end up in the show, Belos animal designs, alluded to but not shown

Eye on the portal is Papa Titan? Yes. 

Hunter is bisexual, Willow is pansexual.

Amity and Lilith rekindled mentor relationship, Lilith has a lot of history, Amity likes history + reading. They liked the blueprints for the library.

Cissy hadn’t seen anything she didn’t speak lines for, Cissy just got her lines/scenes.

Apparently they’re not supposed to bring the scripts home, before the pandemic they got full scripts

“Excuse me I’m talking” Avi (joking), Avi and Sarah are high energy

Avi didn’t have time to read the script, Sarah was confused when Luz died

Sarah got the script when Flapjack died, she said “no! Take me!” and they said “you’re going too”

Avi had trouble with the “you’re fluffy” line

Rebecca sent animatics to help the actors, it was easier for them to see the animatics

“It’s always up to the showrunner to show as much as they can” we go pitches in house with our own voices, Dana did Terra in For the Future animatic.Dana hates hearing her own voice, she talks really fast in her reads. When you pitch, you also do the sound effects. When they did the pitch for the finale (hour and a half), the line that got Rebecca choked up when Dana did Luz’s “Eda, King, thank you” “we got you kiddo”

There’s a recording of all of season two b  and season three of Dana pitching doing the lines.

If the show had not been cut short, would Amity and Hunter have had more time? Everyone would’ve gotten more of a chance to talk to each other- yes. Hunter would’ve talked to more characters like Vee and human realm kids, Camila. Literally everyone would’ve had more time. Dana loves the sibling relationship.

Luz and Raine barely interact, they’re bickering jokingly. “I’m sorry you didn’t get to hang out” Dana, “we can’t get the hexsquad to hang out”

Where did Luz attend school after WAD? She went to human realm high school, she had renewed motivation, even if high school was difficult, she had a goal, having a safe space for her and a family outside of the human realm made high school more bearable (that was the cause for Dana, having that escape was good).

Gus’s hair!! :D Emmy designed him. Dana designed Emira, Skara, Eber for the finale. Dana had two others but she forgot. 

King’s dad’s name is unpronounable. 

Does the Collector visit often? Has their relationship with their siblings improve? (STRONG LAUGHS) Dana can’t say much about the Archivsts, the Collector didn’t have a flashforward design bc they didn’t grow up that much, got a little taller but not really. Immortal space child. Dana was inspired by creepy dolls, and a nightmare. JBO had a google folder with cool references of creepy dolls, liminal nightmare scapes, stars. We know who is the Collector is gonna be but what’s their vibe. That was one of the most fun parts after the shortening. The Collector was always a part of it, not solidified, but yeah they were a part of it. The Collector has stayed connected, visits. Dana loves fan comics about King and the Collector. 

Won’t answer questions about the archvists. 

Hooty doesn’t have to be vacated from the owl house if he doesn’t want to, the door has a star motif on it, when the door isn’t active, Hooty can be there, but the portal door can fold up but Hooty is buddy. 

Who are the current residents of the Owl House? Raine and Eda’s business is their business, not all love stories end in marriage, that doesn’t diminism any kind of love? They live together in the owl house. Raine moved in.

Zach Markus invented Matt so he gets to answer Matt questions.

Vee and Masha dating? It’s hard to say, bc we didn’t include Masha in the finale, Vee has a crush on them. Yeah! Maybe.

Sarah’s husband is texting saying hi lol.

Odalia? Divorced. The kids happily live away from her. They see her when they have the energy to, they recognize she’s toxic and they don’t have to put up with her if she’s being awful. May have been explored if more episodes. Rachael MacFarlane (VA) is great. She’s not British, she’s just pretentious.

King’s Tower? Dana’s thinking… “dumb answer. The plans we had, it had something to do with… it was related to someone who you all know who may have amnesia

There was gonna be a moment for other characters to get eye glow (strong emotions)

What’s the mouse that looked like alador? In the boards, Dawn animated the scene, he has a pose where he looked like a t-rex, Dana saw it and thought he looked like Remy from Rattatoue, when they got to the scene with the lab, he remembered that convo and drew in the rat and Dana laughed so hard “keep it, don’t change it” “It’s his palisman”

“A show should be enjoyed as is, knowing how it’s made is also cool” “when the show got darker- we got to do the fun stuff we got to do, if we all tried to force ourselves to write a happy go-lucky show they’d be unhappy, we’re gonna put our feelings into this” It was a dark writers room for a bit.

Sarah likes the darker elements, mentioned the masks (maybe TTT?), not totally removed from reality

“It clearly struck a chord, we lived through a global quarantine, we’re feeling the fallout of it”

“What was extremely hopeful for the crew was that the characters would have a happy ending, Luz gets to study magic, the characters stay together and form a community” 

They got questions they couldn’t answer like about the quince 

They don’t know if this is the last post hoot

They opened presents but they didn’t get one for Avi bc they didn’t know they’d be there until 2 days before. Rebecca got them funko pops of Lilith and Luz. Rebecca said thank you.

“Hey disney, if you’re watching, this could be you”

Elizabeth (Camila VA) called her mom to translate stuff into spanish. 

Said byeeee!

#the owl house #toh #toh spoilers #post hoot #I tried my best #some stuff is missing

[krissiefox]

Wander Over Yonder (Series Review) (Contains Spoilers!)

Yup, I'm finally reviewing another cartoon! But I just don't have the energy to undertake a project like when I reviewed every single freaking Aosth episode one at a time, so this time around I'm going to look at the series as whole.

Warning: I will discuss spoilers throughout this review, so if you are interested, please go watch the cartoon first! Thanks to disney being stupid, it's still only available on disney plus - so you'll either have to pay for that or find another means to watch it. Yo ho ho!

Wander over Yonder is a delightful, colorful and energetic Disney cartoon than originally began airing back in 2013. Its stories mainly revolve around its two main characters, Wander and Sylvia. Wander is a an altruistic space hippie who resembles a muppet-like creature, and his best friend Sylvia is a very butch-coded and punchy Zbornak, a species that is somewhere between a dragon and horse.

Wander and Sylvia's lives seem to have consisted of traveling the universe in a magic space-safe bubble, having fun and helping folks. Things get a little more dangerous though, when one day they cross paths with one of the show's main villains - Lord Hater. Hater is a hilariously pitiful caricature of toxic masculinity - constantly needing reassurance that he's "the coolest guy ever" and seeking validation by destroying and bullying everyone and everything around him. Despite his very impolite behavior, the ever-affectionate and loving Wander is determined to see the good in Hater and help him find a healthier way of managing his feelings than "punching lame nerds in the face". Lord Hater's minions, the Watch Dogs, are also frequent targets of Hater's bullying but mostly maintain loyalty nonetheless. Chief among the Watch Dogs is Commander Peppers, who is far more professional about being a villain than Hater himself could ever hope to be.

After the introductory setup, we'll see that many episodes consist of Hater trying to do something nasty, and Wander managing to mess it up just by being kind and nice. Many times, the Watchdogs will neglect their job duties and get distracted by Wander, as he treats them much better than Hater does.

This sounds like it might be a repetitive theme, but the show does a great job of always throwing out variety in its stories. You'll see the "standard" Wander vs Hater stories but you'll see stories of Wander and Sylvia doing things on their own, and Hater and the watchdogs doing things on their own, and over time a whole slew of secondary villains and friends show up in the story as well! Given the setting of the show is an entire galaxy, this also gave the creators plenty of room to constantly change up the scenery with different worlds, different creatures, and even the occasional trip into alternate realities! Most episodes are comedy based, but every now and then the show comes out swinging with a very sweet or moving story as well, and these are done just as well as all the zany comedy.

In season 2, the show introduces a new villain - Lord Dominator - bringing with her some big "shit just got real" energy. Unlike Lord Hater, she is much, MUCH more powerful and competent as a villain. She becomes such a threat that even Lord Hater is occasionally willing to work with Wander in helping fight her, as her relentless destruction of every planet around is only making him feel even more like a failure of a villain. At the end of the season, she is finally defeated in the sense that her ship is destroyed along with all of her robots, but she has no remorse for her actions and vows revenge on everyone who stood up to her. Sadly, the show only got 2 seasons, as disney never gave the creators the green-light for anymore.

So that's my brief summary of the overall story-line, but how does the show look and sound? Well, just check out these screenshots for the visuals, they're fantastic! The art team put a whole lot of love into this show and it shows. With an entire galaxy for it's characters to run around, the background artists will treat you to countless beautiful, bright colorful worlds and environments. The characters are very well animated and extremely expressive, and the voice acting is great as well. There are many visual nods to old Hanna Barbera cartoon days and also seems to be love for the funky architecture, color schemes and aesthetics from classic scifi art, as well. The team behind the show has some familiar names attached to it such as main creator Craig McCracken (Powerpuff Girls, Dexter's Lab), season one co-producer and story editor Lauren Faust (My Little Pony FIM), and the lovable Tom Kenny providing the voice of Commander Peepers (Spongebob, Adventure Time).

In terms of themes and messages, the show gets a lot of things right which is another reason I admire it. Wander's altruistic nature lends itself to many wholesome story-line moments, and the interactions between him and Sylvia can often symbolize many people's internal struggle with "wanting to always be kind and helpful while also not being a doormat for all the bullies out there who don't appreciate kindness".

The show also has a couple episodes that touch on the importance of consent, which I like a lot. In one episode, Lord Hater ends up in the care of Wander and Sylvia after getting heavily drugged up during a painful dentist visit, and he's so blitzed out of his mind that he doesn't remember anything about Wander or being a villain and just enjoys spending time with his "new friends." At the end of the episode, Hater starts to put his mind back together, and flees in disgust at the thought of being friendly with the two. Naturally, Wander feels hurt and dissapointed, but as Sylvia tries to comfort him he also points that it wouldn't be right to have Hater's "friendship" with him not be of his own conscious choice.

Similarly, in another episode, we meet a villain (who is voiced by Weird Al!) who is like a corrupted version of Wander - instead of wanting to help people be happy, he forces them to be "happy". This infuriates and disgusts wander as he believes people must experience joy of only their own free will.

Overall I love the series, but I did some have some criticisms. One of the more minor ones is that it felt like they might have had a limited sound effects budget, as I noticed the show reused the exact same "Wham!" and "crying baby" sound effect so many times that it started to get distracting to me. I know good audio recording equipment is expensive as hell and thus can understand folks using stock sound effects, but I feel the show might have benefited from maybe some extra foley sounds to add more variety.

Another thing I didn't care for sometimes, is that there's handful of episodes that just feel very mean-spirited towards Sylvia, and in some of them Wander himself is the one being hurtful or even downright creepy towards her in some way or another. The moral of these stories is often Wander realizing he was being terrible, but it feels like the subject gets taken too lightly sometimes. Similarly, the show does occasionally have the mean-spirited gag of "bad things keep happening to Sylvia and we're supposed to find it funny", an old cartoon trope that's always disturbed me. Slapstick is one thing, but when it feels the writers are just bullying a character it can get uncomfortable.

There was a subplot throughout much of season 2 that rubbed me the wrong way, too. When Dominator is first introduced, everyone initially assumes her to be a guy under her suit of armor, but when Wander later realizes she's a woman, he immediately jumps to the idea of trying to hook her and Hater up as a couple. Part of his reasoning is that he feels like if Hater and Dominator are busy with making the smoochy-smoochy, they'll both lose interest in destroying planets and bullying their inhabitants. But still, the hetero-normative trope of just assuming that every woman is interested in A - relationships period, and B - a relationship with a man, is the kind of attitude I'd expect from Lord Hater, but not from sweet little Wander. He goes on about this for much of season 2, and Hater is also on board once he sees Dominator without her helmet on, but I am glad that at-least both Sylvia AND Dominator find the notion ridiculous the entire time, and at the end of season two, we don't have the additional sexist trope of her caving to a relationship she was never interested in having, thus "the bad girl getting redeemed via hooking up with a dude" trope.

On the subject of character relationships, I personally think if Dominator isn't just an asexual/aromantic killing machine she would most likely go for Sylvia if anyone, since she's the only one who actually came close to becoming friends with Dominator in one episode. Also, I got the impression that Commander Peppers really had a thing for Hater, as well. If Hater ever grows up, he and Peepers could make a cute couple, I'm sure. :)

Despite some of these things that bothered me, I still think the show is pretty great over all. While it could definitely use some more gay and less heteronormativity , it does still have a lot of wholesomeness and positive messages, lovely art, great humor, lovable characters, and even some very moving episodes. Now I just really wish the greedy putzes at disney would give this show a DVD set already! Hell, they never even made any plush toys. I want a little plushie of Sylvia, dammnit!

#Wander over yonder #animation #cartoons #disney #cartoon review #aniamtion review #review #KrissieFox reviews #Wander #Sylvia #Commander Peepers #Lord Hater #Lord Dominator #weird al yankovic #craig mccracken #tom kenny #lauren faust #long post #spoilers #wander over yonder spoilers #woy spoilers

[raven-at-the-writing-desk]

Hey Raven, are you going to watch the upcoming new Disney movie "Wish"?

I've seen mixed reviews, but i'm lowkey excited since we get to see a new Disney villain, especially since Disney got really lame villains after all the old classic movies!

Have you seen the trailer for the movie? What are your thoughts so far?

I saw Wish with a friend recently! I'll give my thoughts on the trailers here (in case you don't want spoilers for the film itself) and put my full thoughts beneath the cut (if you're okay with spoilers).

Looks-wise, I think Disney was definitely trying to go for something more stylistic and painting-esque for this?? And while I commend the effort, it definitely doesn't look as interesting as Puss in Boots 2: The Last Wish. The humor also definitely isn't for me, it feels very "quirky" and "so relatable" (Asha reminds me of Mirabel in that sense), and other times too juvenile (like the goat butt joke). I do like the idea of the villain passing as a good guy in-universe and actually being vain and selfish, especially since the marketing is making it clear who the bad guy is rather than making it a "twist" villain scenario. Not sure if I like Magnifico himself though??? All the ads with him in it feel like Disney is trying too hard to make people thirst for him. From just the trailers, Magnifico does seem interesting and like more of a return to the traditional "villain" rather than the protagonist having to deal with an existential dread or concept.

***Spoilers for Wish beneath the cut!***

Right off the bat, my first impression is the narrative is SO ham-fisted. Within the first 5 minutes alone we're establishing so much information and in such a clunky, unnatural way. Like... Asha says hi to her friends but then they robotically have a dialogue where they overtly call each other "friends" just so it's clear to the audience (when in reality no one talks like that). It's telling instead of showing, and this happens sooo many times early in the film.

Could not for the life of me remember the friends or their names. There were just too many of them when 1 or 2 would have been just fine to move the plot along and to help Asha. (Yes, I know they're a reference to the 7 Dwarves but it's STILL not necessary to have so many just for a reference.)

Bruh, the makeup in this movie is on point. Every time there was a close up of a character, I was staring at their eye makeup (especially Asha and the queen's).

Asha as a protagonist was... fine? She feels very close to Mirabel and at times Rapunzel in her character. I didn't dislike her by any means, but she didn't reinvent what it means to be a Disney protag. Her motivations also come off as… really “out of nowhere”. We’re told she “cares too much”, but she initially only wants to save the wishes of her mom and grandpa; she randomly decides she has to free ALL wishes midmovie and that was jarring. There could have been a smoother transition. Instead, it was abrupt and Asha didn’t change in any meaningful way. Even her “I want” song was vague (what exactly is “to have something more for us than this”?) and didn’t connect well with her character.

I do really like her design though! Her freckles, earrings, and how her hair moves are my favorite details.

Valentino was not as annoying as I thought he would be. Still didn't care for his sass and brand of humor, but at least he helped out a few times.

I called it, the film is trying so hard to make Magnifico "hot" 🤡 I don't get it but okay, Mouse. I see your effort.

Loved his fit!! Very cool cloak and diamond/star motifs everywhere! His lab and study was also fun to look at.

I quite liked the moments when the queen talked to her husband and tried to smooth things over with him. “I can fix him energy”— Their relationship seemed very genuine at the start of the movie.

NOT THE WISH NEPOTISM...

If they were going for “sympathetic” with Magnifico, it didn’t work. He gave this backstory about how he was traumatized before + left as the only survivor of a great tragedy and so now he wants to use his magic to prevent that from happening to anyone else. Thing is, we only ever know about this via his word and staring at a half-burnt tapestry. We never see the event on screen, nor what was left of the tapestry. I was expecting a twist where it’s revealed that he lied all this time about his backstory and rewrote history so he could more easily manipulate the people of the kingdom he founded and live out the fantasy of being worshipped as a “good guy”. That was such a missed opportunity!!

Something else I was thinking of (this was during “This is the Thanks I get” was??? Maybe Magnifico started off genuinely good but became worn down over time as people’s wishes grew more selfish and they became ungrateful for what they had?? Then he could have become bitter and disillusioned by the behavior of his people.

Another idea is maybe Magnifico was “villainous” only in Asha’s eyes, since they don’t agree on how to best handle granting wishes. This would be more of a clash of ideologies rather than the traditional Obvious Evil vs Obvious Good that Disney is so known for, but hey, it could be a neat evolution of their storytelling from classic fairy tale roots.

This is to say that there were so many more interesting directions they could have gone with Magnifico’s motives, character, and portrayal 😭 but the second half of the movie never commits to any of these, they just blame his complete insanity and turn to the dark side on Forbidden Magic which is such a cop-out.

The trailers gave away the twist that Magnifico was the villain. It wasn’t revealed until like the second song into the movie. Would’ve worked better as an on-the-spot reveal rather than part of the marketing, in my opinion.

When they showed the wishes, the TWST fan in my was shouting, "OMG IT'S WISH UPON A STAR, THE LIMITED TIME STORY EVENT FROM THE HIT DISNEY MOBILE GACHA GAME TWISTED WONDERLAND!!!"

As Wish is Disney's anniversary film for 100 years, there were tooons of easter eggs scattered throughout. (I had fun looking for them!) Some were visual (I saw Aurora's dress, Snow White’s well, Peter's Pan's costume, Ursula's green smokey hands, Asha's robes resembling those of the Fairy Godmother, etc.) or extended imagery/scenes (Asha recreates Mulan's dinner and “Reflection" scenes), others were more overt lines of dialogue (Magnifico says the "Mirror, Mirror" lines along with others, a deer named “Bambi”, Valentino mentions an animal metropolis in reference to Zootopia, etc.).

In theory, the wish magic sounds cool but has so much that isn't explained??? And yeah, it's magic so it technically doesn't have to be. However, there are things not explained even when it is important to the plot. For example, Magnifico crushes some wishes and seems to absorb their power for himself (including the wish of Asha's MOM, so you'd think this would be important)? The consequence of this is that the wish's owners... become sad??? Okay, what are the long-term effects??? Why isn’t this fully explored?? But then later in the film we see the same people whose wishes were crushed... regenerate their wish??? So what, he has to keep reaping them??? And why are the wishes only taken at 18 years old? What if a wish changes? Ironically, the townspeople of Rosas have a scene where they question the technicalities of this wish magic. Magnifico essentially tells them to shut up, and it kinda felt like Disney was telling us to not question their lore www

It was weird that they never fully explored the ramifications of going without your wish. You’d think they’d show us people without ambition or hope (which would incentivize Asha to return their wishes), but everyone seems blissfully happy without their wishes?? The only exception is Asha’s friend that betrays her (cannot for the life of me remember his name), and that’s namely because his asshole friends keep ragging on him for it.

I thought the movie was going to go in a “you can make your own wish come true!!” direction but NOPE, turns out it’s just magic. Felt like Disney unintentionally wrote a whole movie about "wishes not coming true unless some big powerful entity allows it to come true” (Asha literally becomes the fairy godmother of Rosas at the end, making her ultimately no different than Magnifico)… ie a metaphor for how Disney owns so many properties it practically owns our childhoods www

"The power of friendship saves the day" ending 🤣 It was very Paper Mario ending-esque...

A song saving the day though?? It’s giving the Illumination Lorax film…

I was right about the humor. Too "quirky" and/or juvenile for me.

Animation was alright? Nothing awful about it, it just didn't feel as detailed or as experimental as other films with a similar style.

Songs were mid, which checks out with the recent Disney music excluding We Don't Talk About Bruno--

Some of the lyrics however were awful. “I let you live here for free and I don’t even charge you rent” is redundant. “So I throw caution to every warning sign” means you’ll show more caution than usual, not that you’ll forego caution. The correct expression is “throw caution to the wind”. Etc, etc, etc.

There was a cute after credits scene where they reveal that Asha's 100 year old grandpa (same age as Disney omg) wrote the "When You Wish Upon a Star" theme, which was sweet since his wish was "wanting to make a mark".

THE BEST PART OF THE MOVIE WAS STAR!! It was very cute (partly because it couldn't talk and just jingled and giggled, I was dreading another annoying mascot animal voice) and reminds me of my own pet… The way Star infused everything with glitter and formed unique shapes with the red twine was so fun 😭 I'M A STAR STAN, IT WAS ADORABLE AND KINDA BRATTY AND I'M LIVING FOR IT

Decent ideas, "meh" execution. Enchanted and Shrek did it better in terms of self-aware, fairy tale defying stories. It felt as though the movie was trying to deliver a profound message but got lost in the sauce of making as making Disney references possible and didn't fully commit to actually saying something meaningful. As a result, the film feels somewhat… hollow.

That one friend betraying Asha was the biggest surprise in the film but I still saw it coming 😂 I do get where he’s coming from though (being worried that his wish won’t ever come true) but it also felt like his conflict wasn’t resolved??? It might have gone better if the movie actually fully tried to push the “you can make your own wish come true” message (to reinvigorate the traitor to make his dreams a reality on his own) but they don’t 💦

Wish didn’t end up being “the wishing star’s origin story” because not once did anyone question where Star came from or why it was different from other stars (or what the significance of Magnifico blotting out the other stars was).

I think the people that would enjoy this movie are the people that are already highly invested in Disney and the nostalgia of it.

... Anyway, stan Star 🤩 (and the talking mushrooms 🍄)

#wish #disney wish #spoilers #question #notes from the writing raven #puss in boots 2 #the last wish #puss in boots 2: the last wish #Mirabel Madrigal #Encanto #Asha #twst #twst wonderland #disney twisted wonderland #Rapunzel #Enchanted #Shrek #Queen Amaya #King Magnifico

[uninformedartist]

Quick thoughts (its not quick I lied). Was reading the Google doc on the animators reviews specifically spindlehorse and saw a LOT of terrible things done and said to LGBTQA+ people in spindlehorse. Its not even funny or anything the things artists mentioned is borderline harassment, homophobic and toxic in every sense. Vivienne can go on about how inclusive her studio is, how accepting her studio and fandom is, from actual word of mouth reviews its anything but that. And it does reflect back through the show and fandom. The show has TERRIBLE representation, handling of sensitive matters, full of stereotypes and won't hesitate to cash in on fetishising the characters in extention their sexuality through merch ect. And the fandom... homophobic in most aspects, if you hate the show even if you're queer yourself they'll go on to call you slurs, harass you, doxx you in some cases and its all tolerated because you went against Vivie/you just a hater/ ect bullshit reasons. So I don't expect anything better going on behind the scenes with staff if the show and fandom is this toxic.

Now I don't like to compare but damn if you look at the owl house. Yeah its a kids show but how it handled representation, sensitive topics, lore ect is 1000 times better than helluva and thats an adult show. Anyway how Dana and her team made the owl house was with pure love and care, many artists working on the owl house loved working there and what they made (dispite Disney's bull). And the fandom for the most part is really lovely, yeah there is toxic apples but its a lovely fandom overall. I can say none of those things on Vivziepop's show and fandom, and this bullshit reasoning of "you too sensitive" "its edgy humour" "if you don't like it Don't watch" fuck off. Homophobia, harassment, making light of serious topics like abuse, rape and neglect and feeding into toxic stereotypes/fetishising of LGBTQA+ people is disgusting fuck you for seeing all of that as acceptable to do.

Chai, anyway sorry for the rant just reading that doc, it hurts it really does my heart goes out to these artists and it pains I can't do more or bring Viv to actually justice because her clean up crew (bootlickers and staff members thats her besties) cover everything up.

Back to my bigtop burger high ‎(ﾉಥ••ಥﾉ) ya'll I'm serious if you haven't seen bigtop burger by worthikids do check it out its an absolute gem on YT.

Bye :)

#vivziepop critical #helluva boss critical #spindlehorse critical #my post #helluva boss fandom critical #hazbin hotel critique #go watch bigtop burger 🤌 #tw rap3 #tw sa

[popculturebuffet]

So Let's Talk About Warner Bros Discovery Burning Down HBO Max for the Insurance Money

Okay real quick for those of you who don't know who I am: I"m Jake, I review animation on this fair blog sometimes on comission (which is open by the way) , and mostly just because I want to. I love all kinds of stuff from comics, to comic strips, to movies, and review all kinds in turns. I"m telling you this so you have full and proper context as to why Warner Bros Discovery's latests actions have been HELL on my anxiety. While this week has been a hard one for reasons that aren't your buisness, Warner just made it so much worse so rather than do three reviews this week, i'm doing two and this piece, outlying why I"m so nettled, why I no longer feel any security for anything warner has going , in production or otherwise, and why WBD sucks dirty ass in thunderstorms.

Let's begin with what's going on for those in the back who haven't heard: Last week Warner Bros Discovery made the earthshatteringly dumb decision to cancel their 40 million dollar Batgirl film, and not release it in any way shape or form as a tax write off as well as announcing they were canceling several other dc projects with the Arrowverse finally being taken out back and shot with the Flash getting canceled and given a smal lseason to wrap up (and Superman and Lois likewise detatching from said universe for it's own saftey), and just about every DC Project now in fear of being cut, paticuarlly the tv shows. The Flash MOVIE is weirdly exempt from this despite starring known human dumpster fire whose progressively spiraling Erza Miller. Granted they ARE getting help, so it might help, but it still feels odd to not drop THAT movie but drop one by people who have done absoltuely nothing wrong and is almost finished. And by odd I mean...

So yeah a 40 billion dollar diverse, great looking film is in limbo, any dc film that hasn't started shooting is in the firing range. While I do feel the DCEU badly needed an actual structure instead of just doing whatever movie without any real plan. But

Is somehow worse than no strategy. But there does seem to be SOME method to the madness here.. unfortunatley said method, as most perfectly put by my surrogate tv dad John Oliver "It seems like your trying to burn down my platform for the insurance money"

That does seem to be WBD's plan: Liquidate as much as possible, put as much of it as a tax writeoff as you can, and to hell with what comes next. There's no building going on here, just madly selling anything they can to make money. Which admitely I have done, I once had to sell off my entire 3ds collectoin to get buy, but i'm a 30 year old man with the body of an orangutan, not a BILLION dollar company that should know better. Even if Discovery is new at running this type of company, they seem more concerned with making as much money as possible and don't care if they actually surivive as a platform, if works of art surivive, or for anything other than getting a huge kickback.

And that brings me to today, the worst news in recent animation history. And keep in mind that history includes: 1. Disney cancelling the critically aclaimed and briliant owl house because it was too gay and trying to pretend that's not why they did it 2. Netflix's Childrens Content slowly collapsing into the sea with one or two exceptions. 3. Sex Monster John Lassiter somehow getting another job and a new movie AppleTV+ feels comfortable promoting. 4. The passing of Betty White, Ed Asner and Gilbert Gottfried

But yes HBO Max decided to delist a TON of his content. While ti hasn't happened yet and the backlash, and a recent blow to their stock due to this bullshit as a rare instance of corprate greed biting them, MIGHT stop it, it might be too late. The shows being chopped include Close Enough, a show they had just canceled a week ago and now decided no one can enjoy and that was not only one fo the platforms lead shows, but it's only adult animated comedy that didn't make people throw things at it on sight, Infinity Train, a show people were already mad was screwed out of more than four seasons, Ok KO Let's Be HEroes, one of the best cartoons of the 2010s, Mao Mao Heroes of Pure Heart which was stuck in cancelation limbo, and victor and Valentino, which I have not watched but is JUST going through season 3 as we speak. None of it makes sense, none of it is right and all of it is clearly a ploy to mak ea tax writeoff. And while previous managment had done this, there was a simliar incident iwth greats such as megas xlr and sym boinoic titan, never before has a company made material not only unavablaibe but so nakedly tried to claim something as a loss. I'm HOPING this bs dosen't fly in court, as none of these shows really are the net loss they thinkt hey are, paticuarlly close enough and infinity train, so none of this should add up, but i'm not holding my breath.

I'm also not holding my rage. I belivie in works being avaliable to people. Good or bad, as long as their not harmful , they should be out there and avaliable. Things should be preserved. And making it so several shows are just outright unwatchable, JUST so you can make money is one of the most greedy, discpiable, hateful and agonizing acts i've seen in some time. OK KO thankfully escapes thanks to being on hulu, but that may not be forever and they may try this shit with other platforms. For once most of these shows being on netflix in other countries is a lifesaver. And yes you can still find the stuff that's being taken on the internet, piracy can be bad but it can also be a way to preserve stuff, but I should be able to have a legal and fine means of watching Close Enough. I shoudln't hav eto scour for a show just because you want money. I'm still subscribed to hbo max as it's not me who does and it still has enough content.. but if they keep doing this scorched earth nonsense, it's going to leave them with nothing to sell and nothing to buy and no one to buy into thei rshit. and i'm hoping they learn their lesson and ease back before it's too late and one of the best platforms in the streaming wars is gone.

For now though all I can do is wait and hope like hell more things I care about don't die a cruel greedy death.

#warner bros discovery #hbo max #close enough #infinity train #i'm pissed now

[not-wholly-unheroic]

I hope to write a full review of Peter Pan and Wendy at some point in the near future once I’ve had the chance to rewatch it a few times, but in the meantime, it makes me sad that so many people seem to have hated it, and I need to just gush about a few of my favorite parts.

(Warning: This list will contain SPOILERS for the film.)

Wendy’s very realistic reaction to having her favorite bedtime story character show up in her bedroom in the middle of the night (“How are you real?!).

The reworking of the “kiss” scene. Although the childhood romance/first love thing between the two of them in most versions is adorable, seeing Wendy sort of mentally panic and scramble to find SOMETHING to give Peter when, after getting hurt, Michael suggests someone give him a kiss to make it better and Peter says he doesn’t know what that is but he thinks he needs one is hilarious and totally something an awkward teen girl would do when confronted with kissing a boy in front of her brothers.

Mr. Smee’s good heart and kindness. Gaffigan’s Smee tries on more than one occasion to shield the kids from the worst of Hook’s wrath and/or scary situations as best he can while still being loyal to Hook. And it is openly acknowledged that there is a sort of father/son relationship between Hook and Smee due to Smee having pulled him from the sea when he was just a boy. Law’s Hook isn’t always good to Smee, but he very much recognizes he wouldn’t be alive without him. It’s also nice to see that although a bit of a dork sometimes, this Smee isn’t stupid, and actually seems pretty perceptive at times.

The sea shanties!!! I love that they found a way to work a few songs into the film without it feeling too out of place in a live-action movie that isn’t a full-on musical. The songs themselves are catchy and the lyrics (which are mostly about things in the deep that will eat you…) serve to remind us of the hellish nightmare Hook lives every day in fear of the crocodile. We also get a nod to the Disney sequel. (Props to the songwriter for managing to work the word “cephalopod” into a song and actually having it fit the rhyme.) Also, the second song arguably has a ticking motif in the slow drum beat.

The crocodile’s appearance and attitude. This thing is terrifying. It’s HUGE. There is absolutely no one in their right mind who wouldn’t run from this creature. While it wants Hook most of all, it isn’t opposed to eating others either (and does apparently nab a few men who get shoved out of the way by Hook or who aren’t fast enough). Also, all the spears sticking out of its hide. Makes me think of Moby Dick. The crew has apparently tried on many occasions to get rid of this crocodile but it refuses to die.

The similarities and differences in Peter’s fight with Hook at Skull Rock as opposed to the animated film. Hook ALMOST steps off a ledge at one point like in the animated version, but Smee is there to grab us coat and pull him back before he can fall. We also get some good shadow sequences like in the animated film…but apparently, Hook’s shadow can harm Peter’s with the effect that Peter himself actually feels it.

Hook’s reaction to the crocodile. His first words on seeing the creature are just a very quiet sort of shaky, “Oh, God….” When it lunges for him at one point, he freezes in terror for a second before his instinct to run kicks back in. This man is traumatized.

Hook and Peter’s relationship. Okay, yeah, I’m upset they went with the very cliche “Hook was a Lost Boy” deal which has been done so many times now in book retellings that it’s not even new or interesting anymore (not to mention Hook really needs to be an Etonian to make him who he is…) BUT I am very pleased at the emotional depth the actors and writers went to here for BOTH of the characters. Hook is still clearly capable of brutality but he’s also deeply wounded. Peter is selfish and cocky like any little boy might be, but he’s not evil and genuinely misses the friend he used to have in James. They weren’t black and white hero/villain tropes. They were complex characters who both dealt with things poorly, and it takes Wendy pushing on their emotional walls and asking hard questions to finally make them see they can stop hurting each other and maybe repair what has been broken.

The quotes they gave Law as Hook. So many good ones that I may make an entirely separate post about it but the entire brig scene with Wendy is gut-wrenching. At first, my reaction was, “Why is he telling her all of this?” But then, I remembered that even Barrie’s Hook has a tendency to monologue and I think part of the reason he tells her so much is simply because she might be the first person other than Smee to actually want to LISTEN to his side of things. (Much as how Tink points out later in the film that Wendy is one of the first people to really hear her.)

Peter actually needing and accepting help. While admittedly, I think they may have leaned into the “girl power” thing a little too heavily in this version, it was nice to see Peter actually realize that he DOES need people in his life and that it’s OKAY to ask for help sometimes.

Everything about the ending. Peter apologizing to Hook and flat-out refusing to fight him. Hook’s initial anger and disbelief. Peter reaching out and grabbing him by the claw to keep him from falling. The pained and terrified look on Hook’s face as he scrambles to come up with just one happy thought and can’t find any. The look of horror from Peter as he watches his former best friend fall to what he assumes will be his death. The fact that Peter MOURNS for him. The symbolism of “Hook” falling away and dying while “James” survives. The little hopeful smile he gives when he sees Peter coming back. UGH! It was SO GOOD!!! 😭 And that’s not even including the emotional scene with Peter and Wendy saying their goodbyes on the rooftop in London.

This film wasn’t without it’s flaws. The pacing was a little off in places, and it doesn’t feel quite like an epic adventure…but BOY, does it have some heart to it.

#peter pan and wendy #disney peter pan and wendy #disney live action peter pan #disney live action remakes #Captain Hook #jude law #Peter pan #alexander molony

[re-bee-key]

Disney hates Sapphics. Netflix hates sapphics. Everyone hates sapphics.

We cant have fucking anything? Huh? Why even make a show if youre just gonna cancel it??

Willow had glowing critic reviews! It was on the top 10 most watched Disney+ shows list this whole time! The cast and crew love the show so much and everyone involved wanted more!

Why has it been canceled??

I blame Bob Iger. I blame DeSantis. I blame every dudebro who made it their mission to review bomb it to hell. And I blame every apathetic nerd who didnt give it a chance.

It was so so so so good. God. I love Willow so much. Please everyone. Please give it a chance. Please help us try to bring it back. To get our s2 and s3.

God this sucks... Im so fucking upset

#sapphic #sapphic shows #willow #willow 2022 #save willow #renew willow #willow disney+ #willow show #questies

[ordinaryschmuck]

Why I Love The Owl House: Part 3-The BEST Thing About The Owl House (I'm Not Kidding)

Prev Part

Salutations, random people on the internet who are already skimming past this! I am—The best thing is Lumity.

Yeah, might as well rip that bandaid off right now. I’ve done enough teasing last time, so the least I could do is jump right into it NOW.

If you were to ask a fan to pick five things that perfectly capture The Owl House, I’m willing to bet a good chunk of them would bring up Luz, Amity, and their adorable relationship. And for good reason, because Lumity is the one thing that Dana Terrace set out to do when making her show. The woman wanted to make the gayest show Disney could allow, and went about it by creating a bisexual main protagonist with a lesbian love interest. The reason WHY is because Dana is bisexual too and wanted to give kids who were just like her a character to identify with. So given how Luz and Amity are a couple who the fandom obsesses over the most, I like to think Dana rubbed her hands together like a cartoon villain, going, “Good, good…”

And BOY did the fans obsess. Even before the writers gave the TINIEST confirmation that Lumity would be canon, these two were EVERYWHERE. There was fan art, fan fiction, fan comics, and even an animatic that was SO popular that its creator deleted it because fans were being too annoying about it. A lot of fans LOVED Lumity…and a lot more grew to despise them.

Yes, like most things that grew intensely popular, showing up everywhere no matter WHERE you look, it grew tiring to those who didn’t get the hype. Some members of the fandom grew sick of Lumity’s popularity and said that there’s more to love about the show than the love between two teenagers. And then there were the fans who DID like Lumity but hate that they had to dig through MOUNTAINS of Lumity to get fan content of THEIR favorite characters and ships. As for me, an INTENSELY biased Lumity shipper, I definitely see where both kinds of fans are coming from and even sympathize with a few of them. But you CAN’T hate Lumity in the actual show just because the fandom blew them up. They’re the one aspect of the show that the writers put EVERYTHING into, crafting a love story that’s MOSTLY perfect. You might doubt that, but allow me to explain how well their relationship went throughout the series.

Now, I know what you might be thinking: “Shmuck, you handsome bastard, didn’t you already analyze their relationship last year?” And you’re right. I AM a handsome bastard…Oh, and I DID in fact write two posts that went through Lumity’s journey into becoming a canon couple, one focusing on Luz and the other on Amity. But that’s not…ENTIRELY what I’m doing here. I mean, yes, I WILL have to discuss how their relationship developed, but I’m also going to focus on how well it WORKS. The ups and downs, pros and cons, and overall quality of their relationship. I love these two with all my heart and will gush over every bit of cuteness, but I would be lying if I said there weren’t SOME criticisms that I have with their love story. Not a lot, mind you, but enough worth discussing. And let’s finally discuss it before this review turns into forty pages…

(It's actually thirty three, gosh dang it...)

“I Was a Teenage Abomination”: Ah, where it all TECHNICALLY started. In this episode, Luz and Amity were in the enemies phase of their relationship. Amity was a bully that needed to be taken down a peg and Luz was an annoyance that made Amity look bad. That’s how they saw each other, and, as a result, they didn’t care how poorly they treated one another. It was worth it to Luz to cheat because it helps Willow and annoys a bully who looked down at her. Just like how it’s worth it to Amity to almost get Luz dissected because it proves that Amity isn’t one to be messed with. This is the most these two have been directly against each other, neither willing to talk, hear the other out, or apologize. It works out in their favor, because if Luz and Amity spent most of the series wanting to kill each other before becoming friends, it would make their inevitable romance feel…inappropriate. Like, NO ONE should want to go out with a person that continuously wanted to kill them. The enemies portion of the enemies-to-lovers trope is best used briefly to better sell that the romance works despite the early hatred. It would also help if the attacks on each other aren’t too heinous, and Amity nearly getting Luz dissected…isn’t that, but I’m more than willing to say that Amity either wasn’t sure what Luz was or that she expected Willow to come clean the second Bump pulled out the knife. It’s not too much of a stretch to think, as it has enough believability to make it line up more with the Amity we know now, a version of the character that Luz would know better the next time they meet.

Covention: Another and FINAL moment where these two were at each other’s throats, this time much more directly. Luz starts off nice enough, willing to bury the hatchet instead of making an enemy. She’s not really looking for a friend, either, but you can tell in the way Luz holds her hand out for peace that she wants to squash out all animosity between them and start over. Amity, still reeling from the fact that a HUMAN tarnished her reputation, rejects Luz’s attempts at peace and further sells that she’s not to be messed with by treating Luz and King with disrespect. Luz, who is likely numb to people bullying her, doesn’t react too much to how Amity puts her down. But when it’s KING that Amity messes with, that’s when Luz takes a stand. She cares more about her friends and found family than she does about herself, willing to go above and beyond for them. Even if it means doing something incredibly stupid.

Challenging Amity to a witch’s duel was NOT the smartest thing Luz has ever done. What it IS, though, is a moment where Luz directly goes up against Amity. Helping Willow cheat caused Amity to be upset, but the main reason Luz did it all was to help Willow. Annoying Amity just came out as a happy accident. But for the witch’s duel, Luz does it for the sole fact that she’ll go against Amity and make her stop being mean. It’s partially influenced by The Good Witch Azura teaching her that to stop your enemies from being so negative, you must best them in combat. Only for the consequences to quickly meet her head-on when Amity forces Luz in an everlasting oath that could potentially stop her from learning magic forever. Because while Luz wants Amity to apologize to King, Amity just wants Luz out of her life as efficiently as possible, so she’s perfectly fine with messing with Luz’s life like this if it means never dealing with her again. It’s that unexpected consequence mixed with Luz realizing how more proficient Amity is with magic that she gains a bit of a reality check. Ironic, considering she ran away to the Boiling Isles to escape getting that exact same thing. 

Luz definitely learned to regret it during the fight, not because Amity was SEEMINGLY more powerful with a giant abomination, but due to Eda overcompensating Luz’s lack of skill with magical mines. Luz, the good person that she is, has major objections to this plan. First off, cheating goes against the whole point of the duel. Luz won’t prove that she’s the better witch if she has to cheat her way to victory. Like she said, “Even if I win, I still lose.” Then there’s the fact that Luz doesn’t want to really HURT Amity. Yes, it’s a fight and Amity’s out for blood, but Luz is still the one to stop Amity from stepping on a mine because she doesn’t want to MAIM the girl. Luz is on schoolyard fight rules where the worst that could happen is scraped knuckles and maybe a black eye. Not third degree burns and a potential impalement. So to prevent Amity from getting killed, Luz tries to stop her from taking a step too far. Only for Amity to get extra angry because Luz still cheated. To her, this is confirmation that all Luz is is a cheater who causes nothing but trouble. She’s about ready to leave, accepting that she’s the better witch…only for it to be revealed that Amity cheated too. Well, technically. She was unwillingly a tool for LILITH’S cheating because she expected Eda to cheat first. Didn’t matter to Amity, because just like Luz, Amity never wanted to cheat. What’s the point in proving that she’s the best if she didn’t earn it though cheating? Amity is as prideful as she is vengeful, being someone who worked so hard to prove everyday that she’s the best. So when it’s revealed to an entire stadium of her peers that Amity CHEATED…yeah, it breaks her a bit. Breaks her enough to run away crying and Luz, the kind person that she is, goes after her.

What follows is quite possibly the most pivotal moment in their relationship, one so good that I made a scene breakdown to it a few years back. To keep it brief, this moment is Luz once again trying to bury the hatchet, not wanting to have a relationship where she and Amity almost kill each other and one of them runs away crying. Seeing Amity in such a vulnerable state proves that it’s not good for EITHER of them, so Luz tries her best to apologize. Amity, of course, isn’t having any of it and chooses instead to yell at Luz for all the strife she caused her…and accidentally reveals some angst about Amity working so hard to be where she is now. It’s a taste of the real person behind the bully facade that Amity puts up to prove that she really is the greatest witch she worked hard to become. It’s why she’s DEMANDING that Luz admits to being the worst witch. Amity wants this brief moment of confirmation that all her work wasn’t for nothing and that she IS the best witch, the one that beat this scrappy human. And Luz caves, giving Amity what she wants…but a little something more: Perspective. Luz DOES admit that she’s not a real witch, but instead of leaving it at that, Luz performs a light glyph, explaining that while she isn’t a real witch like Amity, Luz still wants to be one. With that explanation comes this image:

THIS IMAGE! The beginnings of Luz and Amity’s relationship is perfectly surmised in this image of Amity being in the dark while Luz holds out the light. Of course, Amity recedes back into the dark at first, playing Luz’s efforts off as nothing special. But because of that moment of perspective and Luz doing what must have been this mind blowing thing with just a pen and paper, it’s enough to get Amity curious and point out that she’s never seen a spell cast the way Luz did before. Luz points out how she’s willing to work hard for her goals, not wanting to be the best but just to be a witch in general. After that, Amity unbounds the oath and walks away. And I really love how it’s up to interpretation for WHY she did it. Was it because Amity decided that because they both cheated that Amity decided that the oath was null and void? Or was it because Amity saw the passion in Luz’s desire to learn magic? There’s no direct answer, but either way you look at it, Amity unbounding the oath is still a moment of mercy. She didn’t NEED to do it and, knowing Odalia’s conditioning, it’s likely that Amity would have been encouraged to let Luz be unable to learn magic. Gets rid of even the POSSIBILITY of competition. But she unbounds the oath anyway, probably telling herself there’s a logical excuse for it when, in reality, it’s Amity doing something nice for someone.

“Covention” perfectly takes Luz and Amity’s relationship to a better direction. This is the last time they’ll actively go against each other as rivals, and for good reason. By the episode’s end, they gain new perspectives towards each other, Luz seeing a fragile side to Amity’s rough exterior and Amity seeing that there's a harmless desire in Luz wanting to learn magic. This perspective comes AFTER almost killing each other, but this is a work of fiction and you learn to accept an exaggerated reality. So the big fight doesn’t take away the sweet ending of these two making a sort of…LIGHT connection. They’re definitely not willing to be CLOSE, but they’re at least in a better place with each other. They’re not friends, not enemies. Just two young girls who acknowledge each other’s existence and are fine with it being just that.

Hooty’s Moving Hassle: Even though there was a BIT of back sliding. Amity all but directly called out Luz in a Penstagram post and Luz was more than willing to get back at her for it. It’s definitely a moment where they’re against each other, but it’s quick and comes across as two teens being bitter. We’ve all been there. Plus, I’m willing to bet that Amity was goaded by her peers into telling Luz to “bite it.” Knowing Boscha, she definitely wouldn’t stand someone in the group being showed up by a human and the last thing Amity wants is for Boscha to get suspicious of why Amity is soft on the human. OR it could be Gus pulling an illusion. Him and Willow were already dead set on showing up Amity and he just HAPPENS to find the Penstagram post that would convince Luz to join them? Even though Amity had no idea that Luz would see it because she has no way of knowing if Luz has Penstagram? I don’t know, I’m calling shenanigans on that.

Regardless, no matter what reason there is, this was clearly a blip in the relationship. The meat in the episode is mostly about WILLOW and Amity, not Luz and Amity. There wasn’t much of a need to develop their bond when it’s not a central focus. Still a LITTLE weird that they went back to old habits of being enemies despite the decent spot they were in last time, but I can wave it away. They got a GLIMPSE of who the other was, but nothing more to make them willing to commit to being friendly. But when they meet again…

Lost in Language: Things get more interesting.

Luz, recently swooning over the idea of befriending rivals, has the desire to befriend her own. I’ve heard some complain that it’s a weak excuse for Luz to reach out to Amity because she got inspired by a kids book. In fairness to Luz, not only does she CONSTANTLY use Azura as a source for inspiration towards EVERYTHING in the Isles (It’s the INITIAL motivation for why Luz wanted to stay), but with the way Luz said she wish she could befriend her rival, it almost sounds like she wanted to for a while. She got a glimpse of a complicated person at the Covention and likely saw someone worth being friends with. The problem is that Luz wasn’t willing to commit to that idea because all she got was a glimpse. And, yeah, being told to bite it wasn’t helpful either. Still, the way Luz swoons tells me that she isn’t AGAINST the idea. She just needs more of a reason to befriend Amity, and gets one pretty quick.

While avoiding the hell that is babysitting demons, Luz spends her day being taken in by the magic of a magical library. Everything amazes Luz about it, but what stuns her the most is seeing Amity reading to kids and being so happy while doing it. There is true joy and delight in Amity’s eyes and smile as she treats these kids nicely when reading to them. THIS is what Luz needed. In this moment, Luz has visual proof that there’s a sweetness to Amity’s sour personality. Amity tries to play it off as her trying to get extra credit, but there was no putting the genie back in that bottle. Luz saw the kindness in Amity’s eyes and knew that it couldn’t be faked. So, she goes all in with Friendship Mode, being over enthusiastic about wanting to help Amity read to kids so it can be something that they could bond over. What Luz isn’t aware of is that the library is Amity’s safe space, a place for her to go to, without her family getting in her face. At least, most of the time. And then here comes this human who caused nothing but stress in Amity’s life, even if accidentally, who then shows up to suggest that she could ALWAYS invade Amity’s space. Needless to say, you can’t blame Amity for snapping at Luz. She’s fine with Luz existing as long as she stays far away from Amity. Luz, very quickly taking the hint, apologizes and heads off. She really doesn’t want to cause conflict anymore, and it at least shows that Luz learned that it’s better to squash issues with Amity than make things worse with confrontation. She literally almost died in “Covention” and “Hooty’s Moving Hassle” all because she HAD to show up Amity for being mean. In a way, it IS Luz just not wanting to tempt fate, but you CAN tell in the tone of Luz’s voice that she DOES regret pushing Amity. And even Amity regrets something too. We’ll later learn in this episode that Amity doesn’t WANT to come across as a cruel person. The scene even hints at that with the way Amity almost reached out to Luz after she apologized. Except Amity stopped herself because, thanks to the conditioning of her family, she believes that kindness is a weakness. So there’s no apologies for Luz unless Amity wants that softness getting to her mother. Which she very much does NOT. But on the topic of her family…

After Luz is about to give up on befriending Amity, Edric and Emira showed up to do two things in this episode. First off, they confirm Luz’s bisexuality, because while she was VERY attracted to Nevereth and his angsty muscular energy, Luz still blushes at both Edric AND Emira when they wink at her. And when you want to start a romance between two girls, it’s important to prove that both of them are attracted to, well, girls. Ed and Em accomplish that feat while also providing MORE perspective for Luz. Through them, Luz gets a peek at Amity's home life. Or, at least, an assumption of it. With the way Ed and Em stand up for Luz and humble Amity, it leaves the impression that they’re the nicer members of the family and are as fed up with Amity’s behavior as Luz once was. And that’s…partially true. Luz will learn the truth later, but at that point they were, to her, cool kids that were more than fine to hang out with Luz. They got along perfectly with her, having what were originally harmless pranks and goofing around where no one got hurt. Luz went along with it because she’s living the teen girl fantasy of having cooler, older kids liking her (Ten bucks say that she was mentally debating on who to go out with). On top of that, Luz thought that it would be a great way to befriend Amity, getting to know her better by dating—I mean, hanging out with her older siblings. And I do like that Luz doesn’t give up on befriending Amity despite her earlier outburst. She’s still all for the idea of hanging out with her, but wants to go at it from a different angle, believing that connecting with Amity’s family would present a connection between her and Luz. It’s a valid plan…that goes to pieces that night.

At first, when the Wailing Star flew across the library, it was still harmless fun between Luz, Edric, and Emira. But when Edric and Emira find out that crazy things happen when you vandalize a book, it’s the first red flag Edric and Emira present that night. I really adore how obvious the episode makes it that Luz is uncomfortable with making innocent book characters suffer disfigurement. It shows that while Luz is up for fun and games, there are lines she’s unwilling to cross. That will become more relevant later, after Ed and Em take Luz to Amity’s secret room. Before we get to what goes down, I find it interesting how Luz adores the clubhouse, saying how much it’s something SHE would want to have. She COULD be saying that to appease her crushes, but it sounds like she was genuinely delighted by it. To me, it feels like a subtle hint that Luz and Amity have similar mindsets of what makes them comfortable, hinting that they’re not so different after all. An idea that is strengthened by the reveal that Amity is just as big of a fan of The Good Witch Azura as Luz is, shown by the collection of books and the fan art of Amity as Azura on her diary’s cover. BUT I’m getting ahead of myself. While this secret room reveals so much about Amity, it indirectly reveals Ed and Em’s true nature as they want to leak Amity's diary pages. While Luz was more than willing to brush off how sickly entertained they were to mess with that poor cartoon duck, likely thinking it was a little thing, Luz is IMMEDIATELY against it. For one, she still wants to earn Amity’s friendship, and there’s nothing that could ruin that more than DIRECTLY ruining Amity’s life. It’s also because Luz’s good nature would prevent her from stooping so low. She doesn’t care how sour Amity can be, she doesn’t deserve to have her private thoughts revealed to everyone. Edric and Emira tries making excuses about how it’s tough love and that Amity DOES deserve it, all to justify their actions that Luz finally realizes are awful. It’s why Luz tries to get them to stop and try to hide the diary when finding it… but not without taking a peek. It was involuntary, yes, but Luz STILL lingers on the diary’s passage a little longer than she should have. She should have closed it the second she realizes it’s the diary, but still leaves it open as a tiny Amity admits that she doesn’t want to be cruel. To me, this is showing a bit of selfishness in Luz. She WANTS to know more about Amity and here’s the very thing that tells her more about Amity. So Luz listens a bit, but stops herself when coming to her senses. She shouldn’t be hearing ANY of this, and goes about making sure that NO ONE does. Even when pages fall, revealing more about Amity’s loneliness, awkwardness, and occasional frustration, all Luz thinks is to grab each page before more is revealed. And, of course, that’s the moment Amity finally shows up.

Amity didn’t hear Luz defending her privacy, so when she finds her grabbing at diary pages, it really DOES look like she’s stealing Amity’s secrets instead of protecting them. What’s most interesting is Amity’s reaction. At first, she’s furious, and rightly so. But when she simmers down, Amity sounds almost disappointed with Luz. Amity admits that she was struggling to figure Luz out, proving that “Covention” DID have an affect on her in that she was willing to except that Luz wasn’t a bad person. An annoyance, maybe, but that moment they shared after the duel proved that Luz isn’t one to be malicious. But after causing chaos with her siblings and trying to steal her diary, Amity feels as though she was wrong from the beginning and assumes Luz IS a bully for all the ways she messed with Amity’s life. So, feeling both embarrassed and little betrayed, Amity runs off…from her room hidden away in the “romance” section. Don’t TELL ME that wasn’t an intentional hint from the show to where these two were heading in their future. But enough about obvious symbolism about Amity running away from her inevitable future. Luz rightfully ditches the twins to go make things right with Amity. She doesn’t want to leave things on a bad note and if Luz could bring out peace once, surely she could do it again. Except that Luz doesn’t get the chance, not just because Amity isn’t having it this time, but also because a twisted children’s book character shows up to kill them.

Now, it WOULD be bad that a monster attack spoiled a heart-to-heart moment, but Otabin’s useful for the fact that he shows what Luz and Amity are willing to do for each other despite everything. If Luz really was a bully, she wouldn’t have tried all she could to save Amity’s life. Sure…she fails. But Luz still tries, and doesn’t stop trying as she keeps coming up with plans to try to get them out of this situation. And when she acts all goofy despite the danger they’re in, showing her true self, Amity laughs. For what might be the first time in years, she lets down her walls just long enough to appreciate this small moment and laugh at the madness. By the time it was LUZ who’s in danger, it’s Amity’s turn to do all she can to save her. Amity was free and could have left, but she’s not a monster or a bitter rival to leave the hero to her fate. Amity’s a good person who is willing to help this weirdo girl who may have brought chaos into Amity’s life, but doesn’t deserve to be in a book forever. This crazy moment of escaping death led to Luz and Amity realizing that neither of them are bad people and are willing to help despite how they treated each other in the past few days. Even when the danger has passed, Amity sticks around to help clean up the mess Luz made. Things seem to be going well…until Amity decides to pretend that nothing they went through happened and is more than willing to move on. It’s a moment where Luz has an out. Amity now knows Luz isn’t a bully and they can go about their lives as they did before. But after everything, Luz doesn’t want that. So she does the best thing she could think of: Give a peace offering. Through astute observation, Luz notices that Amity is missing the last Azura book in her collection. Luz offers hers as a way of apologizing further, and you can tell that Amity appreciates it dearly in the soft way she says “Thank you.” This is likely the nicest thing anyone has done for her in forever, and I think it’s that reason Amity’s willing to let her walls stay down a little longer to admit that she’ll consider friendlier things with Luz. Amity didn’t HAVE to say that, she could have just said thank you and left, but this one small act of kindness that meant the WORLD to Amity helped make her realize that this annoying human isn’t so bad after all. So she leaves Luz, this sense of hope in the air that things might be better between them.

This whole episode does wonders to jumpstart Luz and Amity’s relationship. It allows both characters to see the true versions of each other, past the antagonism and annoyances. And given how this episode takes place in a library, the “Don’t judge a book by its cover” metaphor practically writes itself. By the end, I’d say the enemies phase has faded. I wouldn’t say they’re FRIENDS yet (I don’t think even THEY would say they’re friends), but it ends with BOTH of them being more open to the possibility. It’s smart to have them at this stage by the THIRD big episode together. The sooner enemies make peace, the easier it is to accept the very possibility of a romance. “Lost in Language” does that well, while also perfectly giving us cute moments like Amity laughing WITH Luz and showing how they have things in common. The pieces were there for an eventual romance and fans couldn’t wait for Luz and Amity to meet again to strengthen their romance. And by the time they did…

Adventures in the Elements: it was in a lackluster episode. If you love it, love it. That’s fine. For me, I’ve explained well enough in separate reviews how I feel about this episode and how it’s pacing makes Luz feel unreasonably impatient and whiny. BUT one addendum I WOULD like to make is how this was the ONE episode where I agree with the complaint about how Lumity feels rushed. For the most part, I don’t think they're rushed at all. I think that complaint is from people who are too used to an endgame couple becoming official near the end of the series, especially for same sex couples. To me, Lumity isn’t really badly paced, but instead…differently paced. I think it’s great that we got a couple who grew closer together with every episode they shared, giving us EXACT phases of their relationship. At first, I thought that “Adventures in the Elements” was the only time things felt poorly paced, as Luz and Amity seemed too friendly with each other. Amity went from “I’ll think about it,” to waving at Luz as if they were already friends. But then I looked at some subtle touches that makes me realize this is less of an episode where they’re starting out as friends, but more like they’re testing out a friendship.

Luz acting friendly is a given. She’s friendly with almost everyone, so when she’s engaging with Amity about the book, it’s no different than if it was anyone else. There’s a bit of excitement, but that could be attributed to the fact that she’s finally interacting with another fan for the first time in her life. It’s pretty obvious that, for both Luz AND Amity, their love for Azura isn’t common among their peers and they’re the only teens they met who really enjoy the books. So Luz is noticeably excited to talk about Azura with Amity, and Amity is a BIT more closed off. She simply calls the fifth book fine and burns her self-insert fan art out of embarrassment and being unwilling to let her nerd flag fly. Amity’s grateful for the book, there’s no doubt about it, but she’s not comfortable with fully expressing that gratitude. But she’s still polite enough to engage in Luz’s conversation, Amity just holds back a lot more of her feelings. In fact, being polite is the best way to describe Amity in this episode, especially with what happens next. When Luz announces that she’s going to Hexside, Amity’s voice, face, and even the musical cue in the background makes it clear that she is NOT ecstatic about this news. At least, initially. Once the shock comes and goes, Amity calmly explains to Luz the requirements to be in Amity’s class and asks if Luz knows enough to register. There may be a part of Amity that doesn’t want to see Luz more than necessary, but her willingness to act politely proves that Amity still wants to give Luz a chance.

The politeness continues later when they’re on The Knee. The parts where I always felt like we skipped a step was when Amity confided in Luz about breaking Ed and Em’s record and waved at her during practice. To me, it seemed like Amity was being too comfortable and friendly with Luz at this stage of their relationship. But again, I looked at the subtleties of these moments. Amity admits that she’s trying to break her siblings’ record, but she never shared about feeling under pressure to beat them or even that she’s struggling. It’s Edric and Emira who share that Amity can’t perform a fire spell without a wand, a clear attempt to annoy Amity by hitting where it hurts: Her pride. But what also annoys Amity is that they revealed that to Luz when she didn’t really want to. Heck, when Amity was telling Luz, she wouldn’t even look at Luz’s face, almost as if she couldn’t admit something as basic as beating a record. It’s exactly how Amity acted when discussing the Azura book. She’s willing to engage with Luz but is still holding back a lot of her TRUE feelings because, simply put, they’re not there yet. The most Amity is willing to do is wave at Luz from across the way. That was another short, albeit adorable, moment that made me think that they speeded past things, but now I’m starting to see it as a showcase of Amity TRYING. She’s trying her best to be better, even if she’s not willing to fully commit to a full on friendship. Unfortunately, Luz isn’t appreciating any of it at the moment due to being hyper focused on learning a second spell. The last thing she wants is to be in a baby class and be seen as a loser by her peers. She tries to hide it from Amity because they’re not at a point where Luz can confidently confide in her about problems like she does with Gus and Willow. Plus, Ed and Em are always there and something tells me that Luz doesn’t want to come across as a loser to two cool teens she still has a baby crush on. Either that or Luz is worried about being a target to their teasing, and judging by what they would do to Amity (Despite the constant apologies), it’s a justified worry. Any of those possibilities are equally valid, making Luz’s desire to hide her lack of skills understandable. Still wish we spent time on Luz’s impatience with Eda’s teaching methods, just so it can better justify what Luz does next.

Luz stealing Amity’s wand makes sense narratively, at least for where they’re at. It’s more than Luz wanting to hide that she doesn’t know two spells. They’re at a point in the relationship where Luz can’t simply come up to Amity and ask to borrow the wand for a few minutes. After all the strife Luz accidentally caused, she’s in no position to ask for favors, especially when Amity would likely say no. And the thing is that Amity wouldn’t have said no due to a dislike towards Luz. It’s more like Amity’s wand was low on charge and she didn’t entirely trust Luz to be careful enough with it. She gets mad later, sure, but it’s because Luz, once more, lied and cheated for her benefit. When Amity catches Luz with the wand and spell book, her expression is that of betrayal. Amity was actually trying—And say what you about the pacing of this episode, but it actually shows that Amity was TRYING to be better towards Luz. There’s no denying that. She’s actually putting in the effort and being as polite as possible, and here Luz is doing the exact same thing that made Amity assume that Luz was a bully. Narratively, this all lines up. But the piss poor pacing doesn’t do Luz any favors as it makes her uncharacteristically selfish. She is quick to regret it, both because of the scolding and the monster attack she indirectly caused, and you can tell through Luz’s voice and body language that she couldn’t be more remorseful. Regardless, it doesn’t change how bad this makes Luz looks and justified Amity’s anger. Though, I do like what happens next.

While Amity yells at Luz for putting Eda, Edric, and Emira, and rightfully tells Luz to stay put instead of helping, what Amity says next speaks VOLUMES. Instead of telling Luz that she’ll only make things worse, she says, “You’ll only get hurt.” Amity has every right to tell Luz off further and rub extra salt in the wound, but she doesn’t. Amity understands that Luz doesn’t cause problems out of malice. She just doesn’t think things through and ACCIDENTALLY makes things difficult. It’s one of Luz’s biggest flaws and Amity saying Luz will only get hurt by helping proves that she finally gets who Luz is. And I love that while Amity COULD stop trying with Luz, she still keeps at it because the night in the library didn’t JUST make Amity rethink being friends with Luz. The night made her rethink being mean in general, trying not to see kindness as a weakness and trying to treat others a little nicer. Her holding back what she likely WANTED to say to Luz is a testament to that. Though, I don’t think she’s likely be friends with Luz at this rate. Thankfully, Luz proves that she’s not too bad…again.

Once Luz slows down and allows herself to concentrate, she finally learns a second spell and comes up with a plan to save everyone. A plan that puts LUZ in the most danger and proves that she has enough power to back herself up…sort of. Eda’s the one to finish the fight and Luz is there to do most of the work. Still, the whole thing is a gesture that shows Amity the true extent of Luz’s selflessness and capabilities. This was Luz’s mess and she wanted to do all she could to clean it up. It proves that while she may not be perfect, there’s nothing Luz won’t do for the ones she cares about. Seeing that in action miraculously makes Amity willing to forgive and forget about the whole wand thing. Luz can and likely always will mess up, but will always make up for it. And I think at that moment, Amity decides that being friends with Luz isn’t too bad of an idea. She sounds genuinely excited by the idea of Luz going to Hexside now, and is willing to indulge in Luz’s desire for an Azura book club, albeit on Amity’s terms of keeping it secret. She’s finally gave in and decided to give Luz a chance, now knowing that Luz is GOOD despite her faults. It’s the right decision to make and it’s great that the episode ends with them being friends…but it’s still a mess.

“Adventures in the Elements” does great in showing the subtleties of Luz and Amity trying the POSSIBILITY of friendship. Luz is all in, while acknowledging that they’re not too close yet, whereas Amity’s on the fence but willing to be polite before deciding to make the friendship official. The pieces are there for a decent picture but Luz’s actions and the episode’s pacing makes her unreasonable, making it a miracle that Amity was willing to become friends. Luz’s rescue plan saves things, though it doesn’t stop this idea that if Amity wasn’t willing to be nice, she would have distanced herself from Luz further. Luckily, for Luz, Amity WAS trying and is willing to give the benefit of the doubt in the end. It works ENOUGH, but the journey to get there still feels a little messy. Regardless, this is the ONLY time that the relationship feels this way, as it’s handled perfectly from here on out. If you accept that this is the start of the friendship phase for Lumity, then the progression of their relationship will feel natural from there. Especially when you look at Amity’s little blush at the end of this episode. Now, I personally don’t think that this is a subtle hint that Amity has a crush, as this could easily be explained away as her being embarrassed of her siblings overhearing her CONSIDERING a book club. So when I hear people saying that this is the moment Amity has a crush on Luz, I feel like they’re jumping the gun a bit…but that doesn’t mean she isn’t questioning things.

The First Day-Not many Lumity moments in this episode. In fact, if you squint, there’s two. That’s because the meat of this episode is having Luz finally becoming a student at Hexside and making new, easily betrayed friends. But with the two moments we DO get, we see how they are as friends and hints of what’s to come.

Things start out nice, with Amity welcoming Luz to Hexside and congratulating her for getting out of the baby class. It’s genuinely sweet seeing Amity act this way towards Luz, even out in the open. It shows that Amity doesn’t really care who sees her being nice with Luz, because Luz tried harder to be nice to Amity despite every outburst and despicable action. Luz is her friend now, and Amity is willing to be a better person to her than she was with Willow (We’ll get to that). There’s some awkwardness with Amity’s abomination slapping Luz’s face with goo as Amity went for a high five, but it’s still sweet that Amity’s trying and Luz isn’t bothered by it. If anything, Luz is ecstatic to have this new friend, already treating Amity the same as Gus and Willow. And Amity is just as happy…but she is questioning her feelings.

Once alone in the hall, Amity tells herself that her and Luz going to the same school doesn’t change anything. Many people point at this moment as Amity denying she has a crush on Luz. For me, this is more like Amity questioning her friendship with Luz. She isn’t against it, but the two of them going to the same school presents changes to Amity’s status quo. She’s still the top student of her class and has a reputation to keep up. This could potentially lead to a strained friendship of Amity being forced to choose between Luz and a false image to keep up. Except that Amity likes Luz. She isn’t entirely sure why or aware of how much she likes Luz, but the fact remains the same that Amity likes her and is willing to be friends. Now that they go to the same school, Amity is questioning how she should treat Luz further, continuing to be nice or keeping up a rough exterior for her image. And then we get to her saying “That doesn’t change anything.” One way of looking at that line could be Amity deciding that just because they go to the same school now, that doesn’t mean she should change how people see her for Luz’s friendship. She should still act all high and mighty without worrying about coming across as soft. Another is that, despite being in the same school and people seeing them together, Amity shouldn’t change how she currently acts with Luz. I like to believe it’s the latter because it lines up with how Amity acts in the school courtyard. Amity is willing to be BETTER for Luz, reminding herself that things shouldn’t change just because more people will see that they’re friends now. Amity wants to be a good friend this time and NOT mess things up like her last friendship…

Understanding Willow-This is an episode about the friendship between Amity and Willow more than anything that goes on between Luz and Amity. Regardless, some big developments happen here.

Things start off great with the reveal that Luz wants to make Amity and Willow friends again. This could partially be Luz wanting her two new friends to be friends to make the group bigger and stronger, but I prefer to think that this is Luz wanting to make peace now that she knows the kind of person that Amity is. Amity wasn’t the one-dimensional bully Luz was introduced to, as there’s reasons behind her behavior and evidence that proves that Amity wants to become better. Willow, understandably, doesn’t want to be friends with Amity yet, likely still feeling the pain of how they separated. Though, it is interesting that Willow has no objections to Luz and Amity’s relationship. Some would say that it’s a missed opportunity to not have Willow get upset, but this episode reveals that she has a very unhealthy motto of “Out of sight, out of mind.” Add that with Willow’s more passive attitude (At this point), and it’s easy to believe that Willow is accepting of Luz and Amity’s friendship just as long as she doesn’t see it. Just like how she doesn't want to be friends with Amity, thinking it's best not to even SEE her. Luz is a little blind to this knowledge, though, and is still persistent to cause shenanigans, believing that it’s worth it because she knows Amity isn’t a horrible person and is willing to be better. Only for Amity to prove that wrong by burning Willow’s memories.

Effectively causing Willow brain damage was NOT Amity’s intention. She only wanted hide her face from Willow’s memory, to keep people from learning about that part of their history. It’s selfish and the way Amity did it was stupid, but you will come to understand the reason WHY she did it. Amity only kept her reasons a secret from Luz, because A. They’re not there yet. Amity likes Luz, she’s happy to be her friend, but is a little unwilling to disclose heavy stuff. And B. Amity likely doesn’t want Luz to see that part of her. The memory Amity burned features Amity at her worst, something that she doesn’t want Luz to see. Here’s a girl that, by some miracle, was willing to see the good parts of Amity, and seeing Amity’s worst traits, being a part of her since she was seven, could ruin a lot of how Luz sees her. So Amity keeps it secret, no matter how much Luz pries. Though, it is worth noting that while Luz does keep asking why Amity did all this, she never really FORCES Amity to explain. She knows that there’s a reason WHY, but also knows that it’s too personal of a subject. So Luz keeps giving Amity a chance to explain, ALLOWING her to do so at any moment, and only puts her foot down when they have no choice BUT to face the past. Luz has every right to be angry and demanding. After all, Amity BROKE Willow, Luz’s best friend. Amity wouldn’t blame Luz for getting upset, but Luz, the queen of causing problems and fixing them later, understands that the last thing a person wants after accidentally making a mistake is to be yelled at. She does raise her voice to remind Amity that she set Willow’s brain ablaze, but that’s as far as things get. All things considered, Luz is incredibly patient with Amity, to the point where Amity pretty much has to scold HERSELF, admitting shame to cause this much damage. It’s mostly because of guilt, but it can be argued that Amity acts like she’s expecting to be yelled at. It’s made pretty clear that Amity’s parents, mostly Odalia, are ones to scold her for failure and screw-ups. And with how often Amity yelled at Luz for HER mistakes, she probably assumed Luz would have done the same to Amity here. It would only be right, but Luz never does. For the most part, she remains supportive and understanding towards Amity, saying that they can fix things together. And it's at this point that I’d say that Amity realizes she has a crush on Luz.

Before this episode, saying that Amity’s feelings towards Luz were complicated is an understatement. Luz was frustrating, endearing, caused chaos, solved problems, was powerless with magic but resourceful in intelligence. Everything about Luz annoyed Amity, but she grew to appreciate the best sides of her and accepted the worst. And in “Understanding Willow,” when it’s Amity’s worst qualities on display, Luz still acts with kindness and understanding. It’s something Amity never experienced before, all from a person SHE disrespected in the past. Yet here Luz is, proving that yelling doesn’t solve much and is still willing to back up Amity despite everything. It’s a level of kindness that Amity’s never experienced, and getting it all from Luz makes Amity admire her more. She was less than willing to give Luz a chance at first whereas Luz gave Amity all the chances in the world, even now. It’s enough to make Amity finally understand her feelings, starting to blush a little bit due to Luz’s support and sudden proximity. Though, just because she realized her crush, that doesn’t mean Amity knows how to act around Luz. She KNOWS her feelings, but when it comes to figuring out how to go about them, she stumbles. Amity acts as she always does towards Luz, but still wants to be close to her. When the whole adventure is over, you can tell through how resistant Amity is towards going out the door and giving a short, awkward wave that Amity doesn’t want to leave. She does it for Willow’s sake, expecting that she doesn’t want Amity around, despite everything. If not for taking Willow’s feelings into consideration, she might have stayed, talked more with Luz and Willow, and her crush would have grown stronger. But instead, Amity leaves and it’s for the best. She has a lot to think about.

“Understanding Willow” is a fantastic episode primarily for insight into Willow and Amity’s friendship and seeing them reconcile. The Lumity moments are just a little cherry on top to something already perfect, not being the focus but giving great scenes all the same. It’s part of what makes Lumity so perfect: You see Luz and Amity’s bond growing every episode that they interact in, even in episodes like this where it’s not THEIR relationship that needs attention. It causes their relationship to flow all the better and makes what happens NEXT episode feel like a natural conclusion.

“Enchanting Grom Fright”- Ooooooh, this episode…

The episode where the cast and crew kept telling fans that they weren’t ready for it. The episode where there was NO heterosexual explanation for anything. An episode where the writers pretty much looked at the audience and said, “Yeah. We’re doing THIS.” An episode that will likely forever be remembered for the leaps and bounds it did for LGBTQA+ representation! An episode…that I like less and less the more I rewatch it.

Yeah, I’m that jerk in the fandom who thinks “Enchanted Grom Fright” is a LITTLE overrated. That doesn’t mean I hate it. Heck, I loved this episode upon its premiere, and you can see why in my review. But every time I come back to this one, the more the cracks tend to show. King’s subplot is forced padding in an already poorly paced episode, the fact that a responsible principal like Bump allows children to fight a nightmare demon is all kinds of questionable, Eda chaperoning the dance makes LESS sense, the episode feels like it takes place in two days when it’s ONE, some jokes feel awkward to me, and some dialogue is unnatural. All in all, this episode is a mess, with two things that make it worth a watch: Luz’s regrets toward lying to Camila and, as you could imagine, the Lumity moments.

Every scene these two share are pretty much the writers confirming that Lumity is going to be canon. There’s the little stuff, oozing with romantic energy. Like...

How Luz consistently makes Amity laugh and smile, showing how much Amity has come to appreciate Luz’s oddball personality

The scene in the forest is cute with how romantic the lighting is, how close their faces got at one point.

How Luz sits in the mud to make Amity more comfortable after getting messy.

That scene outside the gym, with the playful banter, the genuine admiration in Amity’s eyes, and the little music in the background that’s practically SCREAMING at these two to just kiss already.

All the little scenes are great but the juiciest, meatiest stuff comes from THE NOTE

It doesn’t take a shipper’s mind to guess that Amity’s little pink, love-colored scrap of paper is a note Amity wants to give to Luz, putting ALL her feelings out there. If “Understanding Willow” was the episode where Amity realizes she has a crush on Luz, “Enchanted Grom Fright” is Amity struggling to figure out if she WANTS to date Luz, and for a number of reasons. Because being friends with Luz is one thing, DATING her is another. Amity can always play off their friendship as her pulling a long con on Luz or maybe even faking it to keep the human from being a personal hindrance. There’d be holes in her logic, but Amity can still commit to excuses where anyone can be convinced they’re true depending on how well she sells them. DATING Luz will be harder to sell, as there are a lot of things a person couldn’t fake for a relationship. So the second Amity asks Luz out and they become official, any ounce of Amity’s image that’s left will get torn to shreds. And while Amity is willing to risk it for a FRIENDSHIP, she struggles to think if it’s worth it for a girlfriend. We already know how Odalia reacts to Amity being FRIENDS with someone like Willow and how a so-called friend like Boscha treats people below their status. If word gets out that Amity is dating a HUMAN, life for her will be hell. It’s the main reason why Amity doesn’t want Grom to reveal her fear of Luz rejecting her. It’s a gamble that Grom could take a vague or clear form of someone’s fear, which you see in Luz’s fight with it. It’ll take Camila’s form no problem, but when trying to look like Eda, it’s a lot more like a shadow. And Amity doesn’t want to risk either, because while it’s embarrassing enough to reveal that the great Amity Blight is afraid of rejection, it’ll be worse to show that she’s afraid of getting rejected by the unpopular human. Needless to say, NO ONE would let Amity live this down. And while we’re on the topic of Amity’s greatest fear, it does make sense why she’s so afraid of asking Luz out.

Some fans give the episode flack for making Amity’s greatest fear be her getting rejected by a girl. And out of all the problems “Enchanted Grom Fright” has, this is one criticism I understand but respectfully disagree with. Luz is more than just a girl Amity has a crush on. Despite all the chaos, Luz is the best thing that happened to Amity. She helped patch things up with Willow, gave Amity the final book in a series she adores, and offered kindness and understanding during moments when Amity didn’t feel like she deserved it. Even now, Luz is taking a bullet for Amity by facing HER fears as Amity’s fearless champion. Luz is the bright light at the end of the tunnel that Amity calls life, and she values that. She values Luz’s life so much that losing it terrifies Amity. Asking Luz out is a risk that she’s not willing to take because it’s a miracle that Luz still wants to be friends despite everything Amity has done to her and others. She has NO idea if Luz could like Amity that way or even if she likes girls. If Amity asks Luz out, she risks the gamble of Luz saying no and their friendship being awkward at best and over at worst. Because how can things go back to normal when Luz knows that Amity has a crush on her. It’s why Amity yanks the note out of Luz’s hands instead of letting her keep it. Amity doesn’t want to give it to Luz until she’s one hundred percent sure that Luz could say yes, holding onto the note right up until Grom starts, a point where most would say it’s too late to ask someone to a dance. The grip that Amity’s fear has on her is strong, even if SLIGHTLY unjustified. Most people understand the fear of being rejected by a crush, especially if you’re a teenager and this is the first time you’re feeling the butterflies in your stomach. But Luz isn’t someone who would sever ties with Amity because of a crush. She may be surprised at first, but the worst case scenario would be that Luz would let Amity down gently and politely. As for the best case, Amity bears witness to it.

Once Grom becomes too much for Luz to handle, Amity finally steps in to fight her own battles. And it's great that Luz is worried for Amity facing her fear, showing that there was NO resentment on Luz’s part. She willingly chose to do this for Amity…and partially for the selfish reason of proving that she isn’t as fragile as Eda claimed. Regardless, helping Amity is a big part of why Luz is willing to do this, and it’s her overconfidence that leads to Amity having her fear forced upon her, with Luz sounding more scared than Amity. Because while it’s not LUZ who realizes she has a crush yet, she still cares about Amity like any other friend, wanting to take her place before anyone would call Luz soft. So failing her hurts Luz more than Grom ever could. As for Amity, she weirdly lucked out in this scene. Grom DID reveal Amity’s afraid of rejection, but in a vague shadowy form where Luz couldn’t even tell it was supposed to be her, which is for the best. Amity wasn’t ready to tell Luz and having Grom do it for her would have been a BIGGER nightmare. Hell, it likely already was. The way Amity cringed in anticipation of Luz’s rejection, already assuming Luz had enough information to figure out the truth. Except when Luz picks up half the note that Grom ripped up, all Luz gets is that Amity was afraid of getting rejected by SOMEONE. Not only does Luz act sympathetically, immediately understanding Amity’s plight, but Luz also surprises Amity by volunteering to be her date instead. It was to go as friends, but that’s besides the point. Luz’s gesture proves to Amity that Luz is just…kindness personified. No matter what her feelings were to Amity or how Amity asked her, Luz would have said yes. Maybe she could have misread the situation (somehow) or said yes just to be polite. The point is that Luz would have said yes either way, and while it wouldn’t entirely be what Amity wanted, it’s at least enough to tell her that she has nothing to worry about with Luz. Whether or not Luz would feel the same way, she will NEVER break Amity’s heart. And it’s that confirmation that tells Amity that liking Luz IS worth it. There could be conflicts and consequences from this crush, but Luz is the nicest, warmest person who gave Amity exactly what she wanted without knowing it. Any feelings Amity has for Luz were STRENGTHENED by these events…but doesn’t make her brave enough to admit that she wanted to ask out Luz.

While Amity does understand that Luz won’t break her heart, her strengthened feelings for Luz don’t make her braver. She may be willing to dance with Luz for a beautifully animated combo move to kill Grom, but showing her the rest of the note? Yeah, Amity tosses that thing away immediately. And before I move on, I DO want to say how much of an expectation subversion the writers give with this scene. Most shows fighting for LGBTQA+ representation would have kept out who Amity was willing to ask out. They would have strictly implied it and left it to interpretation to make the studio executives happy…But not The Owl House.

You see it up front, baby! WHOO!

I will ALWAYS gush about how impressive and important this single image is. This is the first big show where a gay character having a crush on the main protagonist is shown EXPLICITLY through visual confirmation. We could have picked up the pieces in past episodes and even in this one. But to have this clear bit of PROOF that it’s officially happening between these two THIS EARLY in the series is all kinds of special. And it is the reason why I still don’t hate this episode despite its problems.

“Enchanted Grom Night” might be a mess, but the Lumity moments will always carry it. Everything that happens between these two in this episode is adorable, endearing, and groundbreaking enough to always make watching the episode worth it. If this was the last bit of Lumity fun we would have gotten this season, I would have been happy…but the writers snuck in one more episode.

Wing It Like Witches-There’s not a lot I could talk about here because a lot of it is pretty self-explanatory. Due to a magical night that proved once more that Luz is perfect, Amity became even more smitten and unable to be near Luz without blushing up a storm. Some fans grew to resent this episode because of how it ruined Luz and Amity’s reputation in the fandom, due to everyone latching onto this idea that Amity is a lesbian disaster and Luz is oblivious to it. As for me personally…I still love it.

The second Amity started nervously stammering in front of Luz, it blew my frickin’ mind. It IS a little weird that this is the only time Amity acts like this, but I can take it as the writers further confirming that this is in fact happening and we should get ready for it. And every moment that shows Amity being a blushing mess was hilarious and adorable to see. As for how Luz, the shipping queen, couldn’t see the obvious signs of a crush, there are two plausible explanations. There’s the boring one where Dana Terrace said that Luz just has a lot on her mind at the moment to notice. Then there’s the interesting explanation, where this is the first time that Luz has ever had someone act this way towards her. It’s pretty obvious that Luz isn’t used to the idea of people caring about her, whether as a friend or something more. This episode alone proves how inexperienced Luz is to friendship itself, making things more stressful for Willow when trying to help her. Before Hexside, Luz was unfortunately a social outcast, with Gus, Willow, and now Amity being the only kids her age who actually like her. So when Amity starts acting a little silly, Luz’s first thought isn’t, “Oh, she’s crushing on me.” It’s, “Gee, Amity sure is acting weird today.” While it’s INCREDIBLY obvious to everyone else, it’s a foreign concept to Luz because it’s not something that she’s used to experiencing for herself. It hurts to think about and is a lot more interesting, to me, than saying Luz has a lot on her mind.

While the fandom definitely went to far with the joke of Amity crushing hard and Luz being oblivious to all of it, the Lumity moments here are still cute. As for any development, this is the episode that cements Amity as part of the group, finally deciding that being with Luz (And, to a greater extent, Willow) is worth any consequence, not caring what someone like Boscha thinks. It’s great and it IS unfortunate that people don’t point that out as frequently as Amity being a blushing mess. But I kind of get it. It’s not as prevalent and you don’t realize it until the episode’s over with Amity sitting with everyone for tea. In a way, this development is more of a footnote in an episode that hammers in the idea that Amity has a crush on Luz, but it doesn’t make it any less important.

And that’s all for Season One. Due to a broken leg, Amity had to sit it out on the sidelines while some big, dramatic stuff happened in the finale. That’s really for the best because with how much Luz and Amity’s romance develops with every episode they’re in together, it makes sense to leave Amity out. Any growth they could have had would have hurt the finale in the long run as it would have been remembered as the episode where Lumity did X instead of…anything else that happened. Regardless, after three episodes in a row where Lumity got closer and closer together, it left fans demanding MORE and hating that they’d have to wait LONGER due to the show going on a nearly year long hiatus. But when that hiatus ended, they were given a good treat.

Escaping Expulsion-Oh, how this one ends beautifully…

But before we get to that, it’s worth noting that this episode is Amity’s last test of loyalty. Once Odalia finally learns about Luz and the others, she wastes no time in trying to cut them out of her life as much as possible. It’s living up to the threat Odalia gave Amity years ago about her friendship with Willow, only this time Amity doesn’t get the illusion of choice to break things off herself. Odalia uses her status and privilege to kick Luz, Gus, and Willow out of Hexside, with Luz begging, screaming, even getting down on her knees (Well, ONE knee—Hey, that’s an image for ya!) as she tries to convince Amity to help them. And you can tell that Amity wants to. She REALLY wants to. The look in her eyes and the way her body goes stiff as if she has to FORCE herself to do nothing shows that it’s tearing Amity apart to not help. Amity wants to be there for Luz like Luz was there for her, but doing so means going against Amity’s mom. Amity’s been allowing herself small rebellions, getting braver for Luz who brought out the best side of Amity. But when the consequences finally caught up to her as Odalia enacted a punishment no one deserved, it made Amity realize that no matter what she’d do, her mom will find out and make her life miserable. So Amity says no and is only brave enough to say sorry. It’s tearing her up inside to let Luz down like that, but she does it anyway. At least Luz eventually gave some motivation for Amity to fight…in an irresponsible manner on Luz’s part.

While Amity is too scared to face Odalia, Luz isn’t afraid of much of anything (Aside from facing her own mom, funnily enough). So Luz isn’t worried too much about going up to Odalia and willing to work things out. Luz goes in peacefully, hoping to set things right where no one gets hurt. Except that Odalia’s out for blood and decides to use Luz as target practice for all of her deadly weapons. Luz takes it all, hoping for it to be for the best until Odalia busts out the literal killing machine. Because earlier, Luz made the valid point that even though they don’t go to the same school together, Luz and the others will still be friends with Amity. Odalia very much disapproves of that fact and decides to take things to the next extreme by trying to kill Luz. Luz fights for her life, but it’s clear how outmatched she is with it taking a miracle to save her. Fortunately, one did.

It’s one thing to separate Amity from Luz or to use Amity as a test dummy, but putting Luz in danger is where Amity draws the line. And it really is amazing that Amity doesn’t waste a second to rebel and get the gang together once she knows Luz put herself in the line of fire (Read: Confronting Odalia). After everything that Luz has done for Amity, it’s great that she’s willing to step up when Luz finds herself in real danger. Getting expelled is one thing, but facing Blight Industries tech and mechs is another. And when the Abomiton 2.0 comes out, Amity rushes to get to a high enough vantage point to come to Luz’s rescue. Perhaps a little enthusiastically with the way she screams, “Stay away from MY Luz!” But she still swoops down like a hero from a fantasy story, standing between her maiden and a literal killing machine. Amity has saved Luz before, but this is the moment that has the most at stake for her as it risks Amity dealing with more hell from her mom. But if the choice is losing Luz forever or dealing with Odalia being MORE unbearable, it doesn’t matter to Amity. Luz has done everything for Amity out of the goodness of her heart, and Amity’s more than willing to do more than anything for her. It’s more than fair to her and she’d do it again no matter the cost. What Amity doesn’t know is that her actions rewarded her in a way she didn’t intend.

Luz liked Amity, there’s no doubt about that. She cares enough to help put out the fires in Willow’s brain and fight Grom for her. It was never a question for whether or not Luz liked Amity…but fans did debate HOW MUCH she liked her. Did Luz have a crush lingering above the surface but never quite knew THAT’S how she felt? I…don’t think so. I know fans like to say that she did (I used to be among them), but it’s clear that Luz’s feelings towards Amity were equal to any other friend. Anything Luz did for Amity isn’t different than how she would act for Gus or Willow. Case in point: The main reason Luz was in this mess was because she wanted to help her friends get back into Hexside. To Luz, Amity is just another friend…But then Amity saved Luz’s life and acted like the coolest witch that ever lived. Luz isn’t a stranger to getting her butt saved, especially when she was too close to death like in that moment. What makes things different here is that Luz is trying her hardest to survive, barely keeping ahead, and is out of luck when she reaches her limit. Just when things seem hopeless, Amity comes out of nowhere as a knight in shining armor, saving Luz in an incredible feat of magic and looking good doing it. In every other dangerous situation Luz found herself in, she either got herself out of it or expected someone to come to her rescue when things got dire. But because Luz didn’t tell anyone about what she was doing, she was all on her own with no one to help her with the Abomiton that she couldn’t keep up with. Then in comes Amity, swinging in holding down the thing that was seconds away from killing Luz in an impressive display of her magical prowess. And with the cape, the way Amity speaks, and how her magic leaves this intense glow in her eyes, it’s all enough to leave Luz a little star struck. This girl, close to her age, is standing between Luz and certain death for the sake of her own protection. It is like every crush fantasy that Luz must have had rolled into one, and it’s Amity doing it all for her. Luz, the fantasy nerd that is, likely DREAMED of a moment like this happening to her. Heck, remember that angsty teen warrior who was used as bait to lure Luz into a trap? He’s proof that Luz has a type and Amity is checking off every box at the moment, finally leading Luz to see Amity in a new light. And, really, can you blame her.

“Escaping Expulsion” is good for seeing Amity standing up to her parents, but Luz gaining a crush on Amity makes the whole thing a little sweeter. And I really do love that Luz gets her crush after Amity gets hers. It goes against the cliche of the nerd trying to win over the popular girl by having that popular girl already falling for her. It provides a decent twist on the concept while showing that Luz doesn’t have to do anything to earn Amity’s affections as that task has been done weeks ago. The problem is that Luz doesn’t know that as we’re now in the phase where the crush is mutual but neither is aware of it. This fact led fans to be excited about what happens next as we’re now super close to Lumity being canon and hoped they’d get closer sooner than later. Thankfully, we didn’t have to wait too long.

Through the Looking Glass-This episode gets a bit of flack due to people focusing more on the Lumity subplot other than the main story of Gus being insecure and looking for a confidence boost. This is definitely part of a bigger problem of fandoms and their obsession with ships over other characters, and it IS worth discussing…But this Lumity discussion post, so we’re just going to save that problem for another day.

Luz and Amity’s subplot in this episode is everything I could have asked for and more. Due to their mutual crush, Luz and Amity spend most of their shared screen time as flustered, blushing messes who can’t pick up on the painfully obvious signs because they’re too busy looking away due to their equal nervousness. It’s adorable and I love how it’s STILL obvious to everyone else. Gus is straight up annoyed by Luz’s cowardly BS of constantly asking for his library card to see Amity but never asking her out, and Edric and Emira are willing to give the lovebirds alone time and support Amity for her crush. Everyone gets it, but never forces Luz and Amity together as it’s equally obvious that they need to work this out themselves…At least in this episode. We’ll get to what Hooty does later.

I will say that if “Through the Looking Glass Ruins" was just the cute antics of Luz and Amity being complete messes, it would be an easy 10/10 episode for me. Unfortunately for them, some angst got sprinkled in as Amity lost her job to help Luz find an old book. What’s interesting about this is that both parties have different ideas for who’s to blame. Luz, of course, blames herself. She’s the reason they got caught despite the many warnings Amity gave to be careful. It was her screwup, but Amity blames herself more. She could have just asked Malphus for the book or turned back when Luz first suggested it. Instead, Amity was so focused on helping Luz that logic went out the window. Look back at how Amity reacts to Luz suggesting to show Amity around the human realm. The second she puts it together that it could lead to a date, she yanks Luz further into the library just to get it faster. So when they get caught, Amity believes that she’s to blame because being around Luz makes her do stupid things and act without thinking things through. But when Amity vents her frustrations over it, it only makes Luz feel worse because it made her think that Amity’s upset about LUZ and not what she does to her. Amity was more upset about herself and her actions than she is with Luz, but Luz, already believing that everything is her fault, can’t help but take the message the wrong way. Amity’s quick to pick that up when she sees Luz tearing up, and that makes HER feel worse as she believes she accidentally made Luz think everything is on her. Except that Luz is crying is because SHE believes that Amity is finally tired of Luz getting them in trouble because Luz makes her do stupid things. It’s an entire moment of miscommunication and misunderstandings that’s a heck of a lot more believable than most romantic drama in fiction. Neither is mad at the other or gives up without a fight. Amity just goes home to think about her feelings and Luz instantly sets out to make things right, telling herself, in Spanish, that things won’t work unless she makes it work.

What gets to me is that despite going through hell to get Amity her job back, Luz is already accepting that Amity will never want to see Luz again. It speaks volumes of how accustomed Luz is to rejection that she already assumes that Amity will be the same like every other crush in the past and would want nothing to do with Luz after this. And yet, despite that mindset, Luz still goes through on getting Amity back her job to make things right. Because even though Luz believes that she no chance with Amity anymore, she’s the kindest person in the world and, after everything they went through together, Luz doesn’t want to end things with Amity without fixing her mistake. So Luz goes through a whole ton of trials for Amity’s job and comes up to her door with an apology already prepared. Only for her words to die in her throat upon seeing Amity’s new haircut.

You see, while Luz was busy facing her guilt, Amity was facing her feelings. Through a wonderfully adorable interaction between her and Emira, Em makes the great argument that it doesn’t matter how Amity acts now because of Luz because she’s never been this happy before. It’s a sweet moment that I always think about when it comes to Amity’s relationship with EMIRA, but the meat of it brings up exactly what I’ve been saying most of this review. Luz is the best thing that has happened to Amity, bringing out her best qualities and being brave enough to go against her parents. Remembering that gives Amity confidence to do something that makes HER happy, this time without Luz motivating it. I mean, Luz would have likely encouraged it anyway, but it is smart that it’s a decision that Amity makes without Luz’s input. After feeling frustrated by Luz making her do stupid, risky decisions, I like how we see Amity deciding to dye her hair as something SHE wants without the supposed source of Luz influencing it. It’s a risk that could cause Odalia to be upset about, but it’s worth it for Amity’s happiness…and the effect it has on Luz. But that last part is just a bonus.

Speaking of Luz, she once again proves why she’s so amazing to Amity. She didn’t HAVE to go through so much to get Amity her job back. Amity already blames herself for the incident and was willing to accept the consequences. Then here comes Luz, fixing Amity’s problem without her having to ask for it. It was done out of guilt, but it doesn’t change how Luz, despite any consequence, will always make things better for Amity. It’s a good deed that proves to Amity that any stupid mistake is worth it because she'll always be happy when she’s with Luz.

…And then Amity kisses Luz on the cheek. A moment that surprised everyone, including the audience, Luz, and even Amity. Seeing Luz and the hell she went through to get Amity her job back filled Amity’s heart with so much admiration that she was thinking on impulse. Only for her to immediately regret it because she just kissed her crush BEFORE admitting her feelings. It’s definitely a leap too far and revealed Amity’s crush to Luz before she was ready. And while WE can see the look of awe in Luz’s eyes, Amity’s more focused on the general shock in Luz’s expression and chooses to run away instead of explaining herself. A shame, too, because…look at this face.

That is the face of a girl who finally realizes that she has a chance with her crush. While Amity is too busy panicking about messing up HER chances, Luz numbly falls to her knees, overwhelmed by the most magical thing that’s ever happened to her. And that’s saying a lot.

Like I said, everything between Luz and Amity in this episode is perfect, with the adorable antics mixed evenly with some light angst. I love it a lot and I adore how the next episode quickly addresses the kiss. The writers KNEW that they couldn’t move on to other antics and adventures with new characters without at least ADDRESSING the kiss. All they had to do is have Willow say that Amity missed a school day and that’s enough to tell us all we need to know: Amity’s too embarrassed about the kiss and is avoiding Luz because of it. And Luz understands that. It took a kiss on the cheek to do it, but she finally understands that Amity has feelings for her. She also understands that the ball is very much in her court. If Luz wants to go out with Amity, SHE has to ask Amity out because Amity is too much of a nervous wreck to do it. The problem is that Luz has a different fear of her own, regarding the matter. A fear that a certain someone helped her out with…

Knock, Knock, Knockin’ on Hooty’s Door-Ooooooooooh, NOW we’re onto the good stuff…

“Knock, Knock, Knockin’ on Hooty’s Door” is the best episode of the show. Or second best. Honestly, it’s always a toss-up between this and “Thanks to Them.” Both are very good episodes of television for different reasons, with “Knock, Knock, Knockin’ on Hooty’s Door” being great for solely focusing on the members of the Owl House and what makes the show so damn good. You get some great comedy from King trying to figure out who he is, well-done drama and tragedy with Eda’s backstory and curse, and some cute, gay fluff with Lumity.

Luz’s vignette begins perfectly by showing how her feelings for Amity are distracting her from figuring out a way home. Luz KNOWS she has to ask Amity out, but due to being rejected one too many times, she isn’t sure how. Amity is the first crush Luz has had to ever show feelings for her and she doesn’t want to mess that up. Unfortunately, her anxiety has left Luz distracted and unable to focus on figuring out how to get the echo mouse to do what Luz needs and help her learn how to build a portal home. She could ask Amity about it, but how can she get Amity’s help without addressing the kiss and how they BOTH want something more from it. Luz can’t ask Amity for anything without revealing her feelings and asking Amity out, and she can’t do THAT until she plans out the perfect way to ask Amity out. It creates this never ending loop in Luz’s mind, adding in an extra bit of stress that makes her life hell. Thankfully, Hooty is there!

Hooty, like everyone else, picks up that Luz is head over heels in love with Amity and needs a push in the right direction. The good news is that Hooty’s there to offer his assistance. The bad news is that he’s there to offer his assistance. His idea to kidnap Amity and lock her in the basement is more than questionable. It’s downright disturbing with and without context, but Hooty DOES have the right idea. Luz and Amity were NOT going to talk to each other unless SOMEONE forced them into a room and finally see one another face to face. Although, things don’t start off well with Amity IMMEDIATELY suggesting that they pretend that the kiss never happened. Luz panics because that’s the LAST thing she wants. Amity may be willing to forget something beautiful and perfect for the sake of keeping Luz in her life, but Luz doesn’t want to move backwards in their relationship. She’s terrified of taking that next step, but Luz still won’t allow Amity to entertain the idea of forgetting the kiss, distracting her with the goal of getting out of the basement, deciding to talk about the kiss later. Unfortunately for Luz, Hooty literally drops her and Amity into the last thing Luz wanted.

Under different circumstances, Luz might’ve loved the tunnel of love. For all we know, she might’ve fantasized about doing something as cheesy as a tunnel of love. The issue is that cheesiness is something that Luz is trying to stay away from. Due to still having this image of this heroic, aloof badass who will save Luz’s life like a knight in shining armor, Luz thinks that something corny and cheesy will make Amity think that Luz is a loser. Except that Amity has not only seen Luz at her most loseresque and fell for her anyways, Amity is also a loser herself. She drew fan art of herself with characters from her favorite book series and acts as a blushing mess around Luz. Amity’s not the super cool witch Luz keeps remembering fondly and is just as much into cheese as Luz would be. The proof is in HER reaction to the tunnel of love. While Luz is cringing her butt off, Amity is…confused. She has no idea what they’re in or what this whole thing is about. It’s not until Amity starts looking around that she picks up SOME idea of what is happening. Upon looking at the messages on the walls, realizing that they’re describing her, Amity comes to the assumption that this whole thing is some elaborate grand gesture for Luz to ask out Amity. It’s HALF right, that’s the whole point behind the tunnel of love. But instead of knowing that it’s Hooty’s idea, Amity believes it’s Luz’s, which you can’t blame her for. Luz’s whole thing is making grand gestures for people she cares about. It’s the very reason why Amity kissed her on the cheek. So when looking at the tunnel of love and think Luz is doing it for Amity, it shifts Amity’s reaction away from...

Confusion

To realization

To elation

To nervous excitement. Finally, at long last, Amity has what she thinks is definitive proof that Luz likes her. The moment is awkward and she probably prefers NOT to being dragged into a basement, but Amity’s willing to sit through all of it now knowing it might end perfectly between her and Luz. Only for Luz to start tearing the place apart and tearing Amity’s heart to shreds in the process. WE know why she’s doing it. Luz is trying to save face and avoid embarrassment, not letting the chance for a perfect romantic confession be ruined by all this cheese. But to Amity, what Luz does is the very reason why Amity was too scared to ask Luz out. When Amity finally allowed herself to hope that Luz might feel the same way as her, Luz destroys what Amity took as a sweet love confession, burning it all to the ground in a savage display all to make one message clear: Luz doesn’t want any of this. She even makes it clearer later that the whole thing was Hooty’s stupid idea. Again, WE know that Luz meant the tunnel of love, but Amity is focused less on actual tunnel and more on its meaning. The whole thing was meant to convey that Luz wants to go out with Amity, and Luz just called it stupid. Amity was already shattered when Luz was wrecking the place, but hearing Luz calling the idea of them dating stupid just about brought Amity to tears. It’s not what Luz meant, but it doesn’t stop Amity from misinterpreting the words and, worst of all, accepting them. Amity wants MORE than friendship, but she also wants to have Luz be close to her so she tries to live past the pain and laugh it off with Luz. Only for a single tear to betray that, making Luz realize her mistake…And causing chaos to start.

After Hooty thinks that he failed his friends, with Luz being the last straw, Hooty proceeds to have an emotional breakdown that nearly destroys the Owl House. Despite King and Eda trying to explain that he indirectly helped them, Hooty still clings to the fact that he failed Luz, who might be the only person who was currently left worse off after Hooty’s “assistance.” Most of it’s on her, but that doesn’t stop Luz from being backed into a corner where if she DOESN’T ask Amity out, Hooty would only get worse. When Luz explains her situation to Eda, she doesn’t waste a second to give Luz support. She offers great advice that if Luz wants to ask out Amity, she should ask her out. Perfection is NOT something to strive for in a relationship, otherwise you’ll be driving yourself crazy with every little decision. And if you’re too scared to ask a big question, putting it off until the perfect moment, you’ll end up losing your chance, something that ALMOST happened to Luz this episode. Eda gets that idea across in just a few little words, being the exact motivation Luz needs to finally go for it. Though, not before Eda yanks Hooty away to give them a more calm, PRIVATE environment. Because while Eda’s advice rings true, she understands that asking a girl out while a house demon is crying wouldn’t be the most romantic moment.

So, Luz and Amity get their privacy, Luz FINALLY explains herself, and…says something that requires me to go on a quick tangent. You see, a buddy of mine has this sort of nitpick where he doesn’t like that Eda and King got cool, new power-ups where Luz…didn’t. It’s part of this bigger problem where Luz isn’t really shown to be as capable in Season Two as she was in Season One. I get where he’s coming from and I PARTIALLY understand what he’s saying here. It does feel a little weird that Eda and King got new powers where Luz got nothing, but…that’s not entirely the point of this episode. The main trio are all looking for SOMETHING. King’s looking for knowledge of what he is, Eda’s looking for control through the chaos in her life, and both get rewarded by confronting what’s REALLY bothering them. King gets a booming voice when he vents his frustrations about feeling abandoned by his father and Eda gets a new harpy form when she asks for a compromise with the beast inside that went through as much chaos as her. As for Luz, what she’s looking for is certainty. Two episodes prior, Luz comes to the realization that she isn’t sure what she wants anymore. By believing that her adventures in the Isles will lead to her being a witch, she forgot to consider what kind of witch she wants to be or if she wants to be a witch at all. And two episodes later, Luz will be given ANOTHER uncertainty on whether or not she’ll return to the Isles. Might even explain why she isn’t as capable this season, as so much uncertainty has bogged Luz down to the point where she’s distracted and unable to focus on anything other than what’s in front of her. She’s also desperate for some kind certainty in her life, something that‘s easy enough to grasp and obtain. And the only thing that Luz is certain about at this point in time…is that she wants to be with Amity. It’s not as big as her wanting to go home or being strong enough, but that’s the point. It’s small, it’s manageable. Plus, for a teenager, going out with a crush is bigger than anything in your life. There’s a lot of reasons why Luz hyper-focuses on Amity, as it all boils down to the idea that no matter what happens, all Luz wants is Amity to be there with her. All she has to do is ask a single question. A question that could change everything if Luz has the courage. And she almost does, the words were coming out of her throat. Except that Amity beat her to the punch.

I’m fine with that for two reasons. Firstly, Luz was NOT going to ask Amity out with all the tension surrounding the importance of a single question. Amity blurting the question out first takes away the stress and allows Luz to finally ask Amity out with confidence that the answer will already be yes. Plus, this is a good character moment for Amity. Her biggest fear was asking out Luz due to a fear of rejection. A fear she was basically living through back in the tunnel of love. And here Amity is, met with more evidence that Luz really DOES like her. Hell, she’s pretty much saying it to Amity’s face. There’s no reason to be afraid anymore and just have to wait for Luz to ask the question that Amity’s been DREAMING to hear. Except that Luz is taking too long and, either due to the anticipation was killing Amity or because she fears that Luz will change her mind, Amity blurts out the question first. She finally pushed her own fear aside and went for it, with the results being very fruitful. I mean, look at their faces.

Every time I watch this scene, I want to bottle and sell the pure joy radiating from both their bright, smiling faces. After all that pining and hoping, these two are, at long last, together. Things are awkward and these two are mutually scared of dating each other, but that’s to be expected. They’re both each other’s first girlfriend and are a little nervous about what that could mean for the future. One thing for sure is that Hooty’s right. They’re adorable and deserve all the happiness.

It’s a bit of a shame that “Knock, Knock, Knockin’ on Hooty’s Door” is primarily remembered as the episode where Lumity became canon as there are equally great moments with Eda and King that make it the best episode of the show. But…you can’t blame people. This is the first time that a bisexual main character and her lesbian love interest became canon HALFWAY through the series. In previous media, this kind of thing could be done through implications, side-characters who appear once or twice a season, or waiting until the series finale. Luz and Amity getting together is not only a huge step in LGBTQA+ representation, but it also gives us more than enough time to see these two act as a couple. And the writers didn’t waste time on doing just that by quickly jumping in and giving fans little moments and episodes about Luz and Amity growing closer and stronger as a couple. How quickly?

Eclipse Lake-The very next episode.

In no time flat, The Owl House delivers cute couple nonsense, giving us the perfect glimpse of what a canon Lumity would be like. From the get go, they both seem so excited to be dating each other. Luz is grinning from ear to ear about calling Amity pretty and Amity is calling herself Luz’s awesome girlfriend at any available opportunity. I also love that most of the awkwardness is fading. Amity still blushes over Luz hugging her and calling Amity an awesome girlfriend, but that’s as far as things go. At least in this episode. So much of their interactions show how happy they are to FINALLY be dating, and you’re right there with them. As someone who’s been hoping these two get together since the damn near beginning, seeing them just slip into this pure, fluffy relationship with equal love.

But as adorable as things are—And they ARE adorable—this episode shows us the first problem in this relationship, particularly with Amity. Throughout “Eclipse Lake,” Amity’s dealing with the idea that she has to EARN Luz’s love. It’s not true, we know it’s not true, and even Amity didn’t think it’s true at first. But due to some meddling from Hunter, it gets into Amity’s head that if she ever fails Luz, they’re done. And the reason it gets to Amity so easily is because that’s how she functioned her whole life. With her parents, mostly Odalia, Amity grew up thinking that love comes with conditions and that if you don’t do what you’re supposed to then you don’t deserve love. Of course, it’s complete nonsense. Still, look at Amity in the beginning of the episode. Her treating Luz’s cold as this big crisis is the type of adorable overreaction that we would come to expect, but it’s more than Amity caring deeply for Luz. It’s Amity stepping up proving that she can be an awesome girlfriend to Luz. And looking back, with every time Amity keeps calling herself an "awesome girlfriend," it CAN come across as her going, “Yes. This is real. It isn’t a dream, it’s a reality.” With each “Awesome girlfriend,” Amity is reminding herself that she and Luz ARE dating and that they won’t break up as long as she keeps proving herself. Thankfully, near the end, Amity remembers that this is Luz they’re talking about. Luz loves grand gestures. After all, it was a grand gesture that made her fall for Amity. But Luz took an interest in being Amity’s friend due to warmth and nerdy fun that only Luz got to see, feeling attraction by seeing Amity’s strength, bravery, and just how cool she looks. Luz loves Amity for who she is and not what she does, and she proves that by hugging Amity the second she gets back. Amity doesn’t have to earn anything. She already has Luz’s heart and it’ll take more than a partially failed mission to change that. Her love is condition-free and I am so glad that “Eclipse Lake” immediately addresses this issue as Luz and Amity start their relationship. Us fans are ready for all the cute moments. Like Luz, in the next episode, immediately thinks of seeing Amity. She’s in the middle of a mission, and all she can think of is her girlfriend. The writers are quick to confirm that we’d get tons of the cute moments we were hoping to see, but an episode like “Eclipse Lake” proves that things won’t be perfect and that there are SLIGHT issues that these two have to work through. I honestly love that more than just giving us constant Lumity fluff. I wouldn’t mind it, but it’s sweet that we get to see them navigate being in a relationship. Instead of doing this on again/off again nonsense or holding off becoming canon until the series finale, we finally get to see a couple BE a couple as they persevere through every obstacle. Even in episodes that you wouldn’t expect.

Follies At the Coven Day Parade-Given the episode’s description and every single expectation going into the second half of Season Two, I was surprised to see that we’d get some more Lumity moments and an entire subplot about their relationship. Things start off cute enough with pet names, Amity getting flustered by Luz’s proximity, and Luz giving Amity a cheek kiss, completely shutting down Amity’s brain in the process. Things are adorable, but they don’t last when Amity notices Luz acting strangely.

Previously, Luz faced a fear of her own by finally telling Camila the truth about Luz’s summer. Things didn’t go well and it resulted in Luz feeling unsure about a lot of things. Will she return to Isles? Will she see her friends again? Could she and Amity be together? All these questions bounce around in Luz’s head and leave her anxious and trying not to show it. The only people she feels comfortable talking about her problems with are King and Eda, and that’s because as close of a connection that Luz has with someone like Amity, it’s nothing compared to what she has with King and Eda. They’re family to her and she trusts them with anything. With Amity…she and Luz have JUST started dating. Luz trusts her, but there’s more of a limit to it, all due to some issues that become MUCH clearer in another episode. While Luz feels she can say SOME things to Amity or share some secrets, Luz isn’t sure what would be too much baggage to drop on someone you’ve dated for a few days. Nor does Luz want Amity to worry. Being new to a relationship, Luz is too focused on keeping Amity nice and happy, not wanting to bring personal drama or conflict when things are going so perfectly between them. Except that Amity wants things to go differently.

Because Amity picked up that Luz was going through something, she wanted to figure out what. This time, it’s not out of wanting to prove herself worthy of love but instead wanting to just…help. To Amity, that’s what couples do: Help each other through mutual love and understanding. And with all the times Luz helped her, Amity only feels like it’s fair to return every single favor. But she can’t do it without knowing what’s wrong with Luz and it’s with this conundrum that the universe decides to give Amity a test. You see, Luz forgot her phone at school. A phone that has a video that can tell Amity exactly what she needs to know. Amity COULD play the video and figure out how she can help Luz…but that would be an invasion of Luz’s privacy. And given how Amity freaked out over her siblings and Luz nearly getting Amity’s diary, I’d say that the last thing Amity wants to do. Yet she still wants to. A small, selfish part of her wants to just play that video and finally help Luz. But if she does, she’ll breach Luz’s privacy and potentially risk losing some of Luz’s trust. It’s a situation where Amity knows the right answer, but it frustrates her so much that she’s desperate for any justification to act a little selfishly. Ultimately, she sticks with the right decision, and I’m glad that she does. All on her own too. Amity DID go to Willow for advice, but Willow basically gave a non answer, leaving it to Amity to figure out what to do. It’s for the best, because if Amity was told what to do, even though she already knew the answer, it would take the punch out of her final decision. But by far, the best thing about this, is how Amity reacts when she asks Luz what’s wrong.

When Luz saw that Amity holds out Luz’s phone and fears the worst, Amity’s quick to act. She doesn’t yell, act confrontational, or feel betrayed like most love interests in bad romantic dramas. Instead, Amity voices her worries, carefully asks Luz what’s wrong, and speaks with understanding when Luz makes her case. THIS is how a couple SHOULD act in a story. Not get into big fights and force a breakup to milk that drama, but actually TALK to each other for the sake of figuring out this problem together. Though, things aren’t perfect. Primarily on Luz’s end. In this scene, we see how Luz handles telling the truth about something uncomfortable. She looks away to hide how upset she is and forces a smile to give the illusion that everything is fine. It’s unfortunately something Luz does a lot around Amity, acting out of this “Keep things peaceful” mindset that does more harm than good. Avoiding the problem doesn’t get rid of it, nor does it stop Amity from worrying. The only way to fix things is by facing what makes you uncomfortable head on. Otherwise, it’ll fester and get worse. Luz was lucky this time, both for Amity catching on early and for being understanding enough to why Luz would want to be secretive. But if Luz remained tight-lipped longer, telling Amity the truth way later, Amity could have felt a little more betrayed by Luz keeping this secret from herand they would have LESS time to process it and figure out what to do. And I will admit that it IS a little strange that they never talked about what COULD happen if Luz couldn’t return to the Isles. They just kind of ignore it and go about things as normally as they could, almost as if they were expecting things to be fine between them. To be fair, the episode ends with them agreeing to take things one step at a time, but they don’t really go past more than one step. Despite that, I still love this interaction between these two. 

I expected Luz to tell Amity the truth eventually, but I didn’t expect it to happen so soon and so well. The writers found the perfect time for them to discuss Luz’s promise to Camila, nixing unnecessary drama for the sake of showing how healthy Luz and Amity are as a couple. EVERYONE appreciates that decision, because while couples CAN fight and argue, it doesn’t mean we want to see them do that. You root for a couple to get together and be mostly happy. Some angst can seep in, but don’t forget the good stuff. While Luz and Amity met with their first real obstacle, it’s nice seeing them work through it without an argument breaking out. It’s a good mix of fluff and angst that shows just what makes Lumity so good.

Although, not every story these two have together is perfect.

Any Sport in a Storm-I am NOT a fan of the Lumity subplot in this episode, which is CRAZY for me to admit. I love seeing these two together and seeing how perfect they are for each other. But this episode was NOT doing it for me.

I get the intention that the writers were going for. Luz and Amity spouting theories about who Azura’s author could be is meant to show that they’re both of the same mind, coming up with equally crazy theories together. On paper, I love this idea. It SOUNDS like a cute idea. But in execution, it makes Luz and Amity seem a little TOO dumb. They fully believe everything they come up with is plausible and it doesn’t sit right. I can KIND OF buy it with Luz, she’s said weirder stuff with conviction. For Amity, I don’t think any of it lines up. Again, I get that the intent is to prove that Amity can be just as weird as Luz, but there can be better ways of showing Amity’s weird side that doesn’t involve degrading her or Luz’s intelligence. Plus…did we really NEED this subplot? Did we really need Luz and Amity figuring out the mystery behind their being Azura books in the Isles? Just an off-hand comment about how Amity found her books in a box that washed up onto shore would have been more than enough. Over complicating it with having it be this big scam from Tibbles of all characters makes the whole thing weird and leaves me wishing that Luz and Amity went off to do anything else. There’s some good stuff like Luz calling Amity “beautiful” in Spanish, Boscha being jealous of their relationship, and Luz and Amity deciding to start a writing club after realizing they’re equally creative. I love this, but I’d much prefer it happening in a better written story.

But while we’re on the subject of better written stories…

Reaching Out-This…might be the best episode between these two.

Things start…not great. Not for Luz. We catch on quick that Luz is missing something big and is throwing herself into anything and everything just so she won’t think about it. Nothing that she’s doing is healthy and everybody, from the characters to the audience, can pick up on it. Still, Luz refuses to acknowledge her problem and hopes for SOME kind of distraction. And here comes Amity, having problems connecting with her dad and providing Luz with the distraction she wants.

It’s worth noting that Luz would have helped Amity any other day with no objections. That day, though? Luz’s main reason for helping Amity was so SHE wouldn’t think about her own problems. Luz still cares enough about what Amity is going through and offers nothing but support throughout the entire Bonesborough Brawl. The issue is that Luz’s heart and mind isn’t in the right place, leaving her both distracted and a little reckless. Er, well, more so than usual. And, of course, Amity picks up on it. After all the things that they went through together, Amity knows Luz enough to figure out that she’s a little off. Plus, Eda telling Amity that today’s a bad day for Luz definitely helps Amity figure out that something is wrong. And Luz…does the exact same thing she did in “Follies At the Coven Day Parade.” She brushes off the very notion that there’s a problem and pretends to be happy despite the emotional weight adding pressure to her heart. Now, there ARE a few reasons for this. Luz still isn’t sure if her and Amity are close enough for this emotional of a discussion, she doesn’t want to worry Amity while she needs help, and Luz is trying her best to avoid THINKING about the topic altogether. She doesn’t even go into the details with King and Eda, being vague with why it’s a rough day for her. If Luz can’t divulge the details to the people she considers family, then it’s not really anything against Amity. This is just a touchy subject that makes Luz uncomfortable to talk about it with anyone. But that doesn’t change how things would have gone smoother if Luz wasn’t so tight lipped.

If Amity knew what was going on with Luz, she would not have gone to her for help. Amity’s problem is more than winning the Bonesborough Brawl. It’s all about her trying to form SOME kind of connection with Alador, her father who was always too busy to notice Amity being in the same room as him. This is personal to her, and she wouldn’t want to burden Luz with more problems when she’s already going through something. But since Luz doesn’t offer the exact details, Amity allows Luz to help, only if she’s sure she’ll be okay. Except that Luz isn’t okay, she’s practically bursting at the seams and is making risky decisions with riskier moves. Amity notices all of it and CONTINUOUSLY asks Luz if she’s STILL sure everything’s fine. Luz lies and digs herself deeper into a hole when covering a mistake by attacking an Abomiton that Alador sent to watch Amity. Luz was acting out of anger, and didn’t tell that to Amity because then she’d have to explain WHY. So, she kept it a secret, hoping that Amity would win the brawl before any consequences came up. A decision that would quickly bite Luz in the rear as Alador showed up, called off the fight, and revealed to Amity that Luz lied. Again. Lying once in “Follies of the Coven Day Parade” was one thing. Amity figured quick that Luz was going through something and that there were no personal stakes to her at the time to make it an issue. Here, Amity has no idea what’s wrong with Luz. This was supposed to be a day to help AMITY, and Luz did nothing but lie all day. Doing it once is understandable. By doing it twice, Luz presents a pattern. It tells Amity that Luz would sooner lie to her instead of letting Amity know that something is wrong. It’s that realization, added with Alador’s pestering, that causes Amity to run away from BOTH of them. Alador is understandable enough, but for Amity to run away from Luz, a person that made her feel safe and comforted, just tells you how badly Luz screwed up. As for what happens next…Do you remember how I said in part one that Eda’s talk with her dad was my second favorite interaction in the show? Well, what happens next is my ABSOLUTE favorite.

We find Amity sitting at the tree she and Luz made, a symbol of their mutual trust and teamwork. And now its leaves are falling, making the tree look like it’s wilting away just like the trust Amity feels for Luz. Once Luz shows up, asking to take a seat, Amity doesn’t verbally respond. She gives a small, barely noticeable nod, but doesn’t speak. She doesn’t even look at Luz because of how betrayed she feels. Once more, I cannot emphasize enough how badly Luz messed up with all the secrets and lying, and she knows it too. She tries to apologize, but Amity wants more than that. She doesn’t want this to become a pattern and makes it clear she wants the truth now, no matter what it is. With Luz now backed in a corner, she finally comes clean about what’s been bothering her: Today was the anniversary of her dad’s death.

That truth is already sad enough, but the way Luz explains it is almost sadder. She forces a smile, acting like this isn’t a big deal and prefaces it in a way that’s almost rehearsed. Luz saying it happened a long time ago and how it’s no excuse for how she acts tells me she was scolded for acting up with people telling her those same things. Luz says it to Amity because she expects to get the same treatment from her, anticipating that exact same reaction. But when Luz looks at Amity…

All Luz gets is empathy, shock, and horror. On a day when Amity is dealing with a strained relationship she has with her father, she dragged Luz in to help when she's trying not to think about HERS. Not only that, but it’s a day when Luz WISHES she could be with her dad again, that they could just talk or do anything. And on that day, she spends it helping Amity and failing to do just that. It’s not like Luz can do anything else. She can’t go to the human realm, she can’t be with her mom, she can’t pick FLOWERS. It’s all these thoughts, realizations, and feelings that Luz has been trying to avoid all day, and it’s all coming out at once, breaking her. As for Amity, she gains an even better understanding of Luz than she ever had before. Luz is more than a nice person. She is someone who would push aside her own issues for the sake of helping someone through theirs. In this case, it’s partially for selfish reasons, but it’s no less true. Luz has a great amount of care for all of her friends, caring less about herself when they need her. Just look at all the times that Luz threw herself into danger for someone she loved. This episode is sort of the one time Luz thinks of herself first, using Amity’s problem as a distraction to hers, but every decision she makes is to help Amity, even if her focus isn’t a hundred percent on Amity’s problem. And when a new problem arises and Luz is too emotionally distraught to stand, let alone follow Amity, Luz makes a joke, fakes another smile, and says she’ll catch up later as if she’s not going to spend the next few minutes crying alone. All of it proves to Amity that there’s a tragedy behind the kindness that is Luz, as she would pick helping people over helping herself. 

So Amity decides that she won’t let this stand anymore. If Luz won’t help herself, then Amity will help her, pushing aside her previous betrayal and says that when everything’s over they will pick flowers together and do as much as they can while Luz is stuck in the Isles. Because Amity understands Luz now, and realizes that even the helpful can feel a little helpless at times, wanting to be there for Luz like Luz was there for her. It’s a beautiful sentiment, and you see in the astonishment in Luz’s eyes, mixed with the blush, that she finally realizes how much Amity really cares about her. Amity’s ALL IN with this relationship. No matter if it’s uncomfortable or is about something difficult to talk about, Amity will be there when Luz needs her. That realization astonishes Luz, and leaves her realizing she shouldn’t take Amity for granted.

“Reaching Out” didn’t really need to go as hard as it did. If it was just an episode about Luz helping Amity with a problem, it would have been fine enough. Instead, it gave us AND Amity insight about the sadness Luz hides away so no one would be brought down by it. And on top of that, we STILL got cute moments. Luz spinning around Amity while calling her pretty, Luz blowing Amity kisses, Amity being flustered by Luz’s awesome entrance. It’s all adorable, WITHOUT having these two kiss like it was originally planned. Speaking of which, as mind blowing as it would have been to see these two kiss, I’m glad they didn’t. It would have been too much and fans would have remembered this episode more as the one where Lumity kissed instead of the one where Luz opened up about her dad. Not to mention that it would have been a bit inappropriate for Luz to kiss Amity after opening up about her father. Luz saying, “Thank you,” and admitting that she can’t wait to pick flowers with Amity is more than enough to show how grateful she is. We don’t need a kiss to top off what’s already perfect.

And…that’s about it when it comes to Lumity episodes. Due to the show’s shortening, everything was coming to a close and we had no time to have an entire episode dedicated to their growing relationship anymore. We still got cute moments, though. Stuff like Luz and Amity sending messages with a ton of love hearts between episodes is always adorable to see and it shows that these two don’t need to be the center of attention to have an endearing relationship. It’s just that there’s no time to focus on JUST Luz and Amity anymore, so the writers have to squeeze them in at any opportunity they can…But still knew when to throw in the important stuff.

Clouds on the Horizon-People would call this a Lumity episode, but I wouldn’t. There’s so much focus on setting up the season finale and stuff going on with Amity’s family that the Lumity stuff, while incredible, isn’t what the episode is about. With that said, we still got ONE big moment that’s worth discussing. And we’re gonna break it down…

We start with Luz being nervously excited to see Amity again. They’ve been a week apart from each other and the first thing Luz does is climb up to Amity’s balcony as if she’s the Romeo to her Juliet. Luz is probably quoting the play in her head right now as she fusses with her hair to make it look better before seeing Amity. That is, until Luz overhears Amity’s little breakdown.

Amity’s whole life is crumbling down before her eyes. Her parents are helping the emperor do something terrible, she has NO idea where Luz is, and Amity is locked away in her room, unable to do anything about all of it. She’s trapped with nothing to do, and all she can do is think about Luz and what SHE’S going through. With the thought of Luz being in MORE trouble making Amity feel worse.

Funnily enough, it’s thinking about Luz that also makes Amity feel better. It’s just that she focuses on what Luz would say in this moment instead of what bad things COULD be happening to her. And Amity has an accurate understanding of what Luz would do and say, with the very idea of Luz’s warmth and kindness being enough to make Amity smile again, getting enough determination once more to fight to stop everything because she’s not letting a genocidal madman destroy everything before she has her first date with Luz.

Unbeknownst to Amity, Luz was hearing the whole thing, and agreeing with every word with gusto. In fact, I’m willing to bet that Amity said the exact speech Luz had planned to say, word for word. That just tells you how well Amity knows her girlfriend to take the words right out of Luz’s mouth.

And I love that the second they see each other, they both immediately run to each other, with Luz calling Amity "Sweet Potato,” keeping that nickname alive, and Amity jumping into Luz’s arms. It’s already adorable, making the Lumity fans happy with this incredibly cute moment. There’s only one thing to make it more perfect…and the show does just that.

BOOM! On screen kiss! And one with the smoothest animation possible, too! I like to think that’s an extra middle finger Dana gave to Disney, using so much of the budget all for a kiss. A progressive kiss between two girls, but a kiss nonetheless. And I can’t help but appreciate Luz’s facial expressions throughout all of it.

“Heh, my girlfriend is so pretty…”

“Wait what’s happening—“

“OH, we’re kissing!”

“Oh, we’re kissing…”

“Oh, wow…”

It is everything I could have asked for. And a little bit more.

Luz and Amity’s awkward reactions to the kiss is just a little cherry on top that I didn’t know I needed. Amity is embarrassed and astonished that she was brave enough to kiss Luz. The girl keeps making first moves and somehow STILL ends up being surprised that she made them. As for Luz, she’s embarrassed over the fact that she reacted to the kiss by going “Crikey.” Of all the things she could have said in this moment, it’s one random word that nobody would have expected. It’s perfectly Luz and helps sell this scene as a teenager’s first kiss. It’s ALMOST perfect, but the awkwardness and inexperience makes it a moment Luz and Amity will both cherish and regret. It’s the exact type of normalization that the LGBTQA+ community has been BEGGING to see, with The Owl House expertly delivering it.

And that’s…really the last big moment in this series. Don’t get me wrong, we still got cute bits afterwards. Like Amity defending Luz’s honor and Luz being amazed by Amity’s strength. Or in the very next episode where all Amity can think about is saving Luz or how it’s Amity tearfully begging Luz to run that temporarily convinces Luz to leave behind the Boiling Isles. You get the sense that their relationship is still going strong, but there’s rarely a sense of progression or focus, especially when we get to—

Season Three-Yeah, might as well lump the whole “season” together. Because with the writers only having three specials to wrap up the rest of the story, we have no time to build off of Luz and Amity’s relationship more than we’ve had. There were SOME cute moments, like…

Luz’s little video that she used to come out to her mom. The fact that Luz calls them Lumity in universe is perfect.

Their little dance in the rain was precious and everything fans expected.

All the little touches and kisses these two shared proved how comfortable they’ve gotten with each other over time. They’re past the awkward stages of their relationship and finally accepting that this IS their reality.

Their couple costumes are the best and it’s kind of funny that they become their default outfit for most of the season.

Luz knowing she’s in a nightmare because Amity misquoted Azura is how it should be done. Luz knows Amity enough to know that would NEVER happen.

And their last on-screen kisses just feels like a final middle finger to the network that screwed the show over.

I couldn’t get enough of these moments, and I appreciate all of them. But it doesn’t change how Lumity is never something that takes the focus in an episode. Instead, it’s something that just simply exists, which is honestly good for a different reason. It allows Luz and Amity to just…be. To prove that their relationship doesn’t have to be the center of attention to be a good couple. They’re in a comfortable enough state and have already gone through so much that there’s not much to do that wouldn’t be repeating what we’ve seen already. Besides, we do get SOMETHING beyond cute moments.

Due to there being three specials left with the series, a lot of characters got the short end of the stick, even for fan favorites like Amity. And while Luz’s role this season is to go through a goth phase, Amity’s is there to…just be Luz’s girlfriend. I explained in part one how fans didn’t appreciate this decision, but I learned to accept it. I see it less of a downgrade and more of a character progression. And it can be best explained through ONE image:

Luz is in a dark time in her life and Amity brings her attention back into the light. That’s Amity’s real role this season: Being to Luz what Luz was toher. With Luz shrouded in guilt about Belos and The Collector, Amity is there to do as much as she can to help cheer Luz up. Planning a way back home in the hope of surprising Luz with a win, coming up couple costumes, reassuring Luz that life is better with her in it, giving advice about the egg, and motivating Luz to save the world one last time. Luz was the person who helped Amity through the darkest part of her life and Amity’s trying to do the same. It’s a culmination of her character development, showing her being the same supportive person Luz was and proving that she can give as much as she takes. The best part is that it…ALMOST works on Luz. Everything Amity does is effective enough to temporarily take Luz out of this funk she’s in, to the point where most of Luz’s genuine smiles came from Amity’s mere existence. But it wasn’t enough to completely help Luz get out of her depressed state. It worked in spades, don’t get me wrong. Whenever Luz was at her lowest, Amity was there to cheer her up a LITTLE. It’s just that Luz was too deep in her guilt that it would take more than Amity being her wonderful self to snap Luz out of it. Still, it was better than nothing, especially considering how Amity was the closest source that left Luz indecisive about leaving the Isles forever.

Eda and King would have likely driven Luz to stay…but they’re not there at the moment. They’re separated from Luz, with any knowledge of their fates left unknown to her. As for Luz’s friends, she’ll miss them dearly but she can always tell herself that they’d be better off without her. And with Willow and Gus already getting along great with Hunter, it just makes Luz’s argument easier to convince herself with. But with Amity, things are different. Dating her was an act of Luz trying to gain some sense of certainty in her life after all the crazy things that left her unsure of even who she wants to be. Being with Amity is something Luz fought for and, if she wanted to give it up, she had two chances to break things off if having a girlfriend wasn’t an option. She could have confessed that they should break up after telling Amity about her promise or take the L in “Reaching Out” after screwing up Amity’s moment to shine. But She didn’t. Because Luz wants to be with Amity, more than anything. And Luz knows that if she stays in the Human Realm, then that’s the end of their relationship. With that being the LAST THING Luz ever wants, it makes her decision weigh heavier on her heart, making Luz feel even more guilt with each soft moment she has with Amity. Because Luz KNOWS she has to confess about staying eventually and actually plans on doing it this time. There’s no ignoring the problem and solving it on her own or lying about things being perfectly fine. Luz planned to have one last happy memory with the people she loves before bringing down the mood about her staying in the human realm. Then Belos happened, but instead of putting it off for a better moment, Luz still decides that she HAS to tell the truth. The only reason she doesn’t is that Camila stalls things by saying that they’re BOTH going to the demon realm to fix things. Luz agrees with that for now, but is still convinced that she has to stay home. She’s even ready to say that to Amity later, only to get interrupted by Kikimora’s insane plan to rule over teenagers. And by the time THAT’S resolved, Camila managed to help Luz get through her angst and help her understand that leaving the Isles isn’t an option. Which means that there’s really no reason to tell Amity or anyone else about the whole thing anymore. She could, but it’s not so big of a deal that she HAS to. Not anytime soon, at least.

To me, Luz wanting to come out and say that she’s staying in the Human Realm is done well enough to make it where she SORT OF learned her lesson in “Reaching Out.” I used to think the opposite and…yeah, it’s not perfect, but it’s good enough. Luz might still stall from saying the truth, and never does, but she still wants to. Luz was just struggling to find the right words or stalled for the right time. As for Amity, she knew that something was wrong but respectfully didn’t pry. Amity offered support when needed, but understood at this point that if Luz was hiding something, it was likely for a good reason. She’ll say it in time and Amity’s willing to trust Luz to do so. And while Luz never does, again, there’s no real reason or urgency to. Plus, trust me when I say that the last thing I want in the final season of The Owl House is more Lumity angst. I am perfectly content with there being primarily fluff between these two with just the SLIGHTEST angst sprinkled in.

I’m also content with the series ending with Luz and Amity STILL being together. They don’t break up, they’re not forced to separate, and neither die.

…Well, not permanently, anyways. The show ends with them together and still dating up to three or four years if the time skip is anything to go on. They got a chance to go on more dates, say “I love you” to each other constantly, hold hands and share soft kisses, go to Grom WITHOUT the drama, have disagreements they can work through, and…likely do adult things in the future when they’re ready for it. They get to go through it all together, likely for forever. I know that there’s this opinion about how it’s unrealistic for teen couples to stay together, especially ones who only ever dated each other, but…I don’t really care. For one, it’s a work of fiction. In a work of fiction, I WANT to see the cute couple get together, stay together, and ALWAYS be together. No sane person should want Luz and Amity to break up unless their reasons are “I don’t ship it.” These two are cute and have a healthy relationship that communicates well and learns WITH each other. These reasons make Luz and Amity one of my favorite fictional couples in animation, as well as the best thing in the show.

Lumity being the best thing in The Owl House goes beyond them being a cute couple. It’s ONE reason, but there are still others. Luz and Amity’s relationship normalizes LGBTQA+ romance, trading spectacle for sweet, awkward teen love that was a joy to see every time. It was also a joy to watch their bond grow stronger every episode, seeing the natural progression of rivals to friends to now girlfriends. There’s no forced drama or stretching out the romance. The writers figured that fans would want a cute couple to be a GOOD couple, so they prioritized as much as they could to make it as appealing as possible. It’s why Lumity works so well. It’s a part of the show that the writers knew they needed to get right, so they tried their best to do so. With it came an impressive romantic subplot that I, and others, couldn’t get enough of, for the adorable moments, showing us how far these two grew, and giving them both a happy ending they deserve. For me, I couldn’t have asked for anything better from a show I love.

Now, a normal person would stop their big, six part long review after talking about what they call the best thing about their favorite show. Save the best for last, and all that. But I…am an idiot who didn’t think this through. And there’s two more things I want to get out of the way before the conclusion. So tune in next time as we discuss the STORIES within The Owl House.

#the owl house #luz noceda #amity blight #lumity #what i thought about #the owl house reviews #long post #really long post #again #sorry #my bad

[warcorrespondence]

@ceeturnalia/traveller wrote this fic called aftermath, usa. I read it a little while back, and then I proceeded to think about it for a long time. It's about love, and about trauma, and the ways we love and the ways we trauma, and how maybe none of them look great from the outside, but we are on the outside, so maybe we should all shut up.

(Shocking no one, @ep6bastogne recommended it to me, but I'm stealing a march on writing the review)

fandom: generation kill

pairing: bradnate

explicit, 24616 words

I started this while sitting on a beach, a calm and idyllic setting if ever there was one, with my heart racing and my jaw clenched.

A month or two before, I said to @screwby, "I really just want an angsty road trip fic, is that so much to ask?"

And behold! The angsty road trip fic of my dreams! Only this particular road trip is precipitated by Nate getting shot.

He stops a couple of bullets intended for the President of the United States (no, he’s not Secret Service, just in the right place at the right time, standing there being Nate Fick). He recovers enough to call Brad to come pick him up from the hospital.

They drive across the country, from DC to San Diego, and it becomes clear that whatever their feelings for each other, they haven’t spoken in 10 years. And yet Brad dropped everything to come get him.

It’s a trip of recovery, of Nate’s health both emotional and physical, of their relationship, of what they meant and could mean, and what they decide they do and will mean to each other.

It's by turns rough and moving, gentle and brutal. It's sexy and sweet and funny all at once.

Is this a long quote? Yes. Yes it is. But it also, for me, fully encapsulates what this fic does, like a punch in the gut (or a weak, post-gunshot attempt at violence).

"I'm asking you for help," Nate says. "You fucking retard." Nate's weak left hand lands on Brad's arm, fist closed. "Was that… was that a punch?" Brad stares, swallowing the rest of the wash of emotion. "Because what I saw was the most limp-wristed pussy faggot attempt at violence since that time Person got in a catfight with a fucking Laker girl." "Fuck you," Nate says, hitting Brad again, a little harder this time, but the effort shows on his face. "Brad." Brad takes his hand, gives the fingers a squeeze. "You're serious." He looks back to the road, the white lines and the blue sky flying by. "Sooner or later, whether or not I want to go back will cease to be an issue." Nate's voice drops, shaking a little. "They'll fuck around for a while longer, probably months, maybe even years, but I'm going to have to. And I'm going to need. Help." Ten years where Nate didn't call, where the emails tapered off and finally stopped altogether. Nate graduated, Nate got married to some Back Bay princess, Nate wrote a book that barely mentioned Brad at all. Nate moved on. And Nate somehow knows, when Brad meets his eyes again, and he shakes his head. "I tried. But I missed you every fucking day," he husks. Brad bites down on the inside of his cheek. He's thirty-nine years old, he's a man, he's a Marine. He's not going to break down like some screaming teenage girl, pissing herself and crying at the latest Disney Channel dicksuck's concert. "You too," he says. Nate leans back in his seat, his whole body going slack. "Wake me when we hit Utah," he says, and closes his eyes.

#generation kill #20k-30k words #nikkirecs #bradnate