Tumgik
#ranty rant rant
catsandgoodbooks · 5 months
Text
So. Punz and George. They're both very much defined by their relationships with Dream, probably more than anyone else on the server. It's hard to talk about Punz without bringing up Dream, and it's hard to talk about George without referencing him either. They have lives, of course, but Dream is always at the forefront of their minds. Punz spent a whole year of their life just waiting for Dream's escape; George dreams away the days even after the jailbreak in a fantasy world of his imagination where everything is perfect and he can be with Dream.
But they don't really have a relationship. They don't talk, especially not about Dream, because that would show that they cared, and George is trying to deny that to himself after the dethronement and Punz cannot allow anyone to consider even for a moment that they are on Dream's side or it was all for nothing. So the relationship they do have, weak and distant as it is, is based on bitterness and perceived betrayals and envy.
George doesn't really think about Punz much. If he did, he'd had to think about Dream, and not his Dream, not the Dream that exists only in his dreams now, but the actual, real Dream. The Dream who dethroned him without a second glance. The Dream he abandoned. The Dream locked away in an obsidian prison, rotting away as George sleeps. And George doesn't want to think about Punz. Not when it pulls him out of his dreams and makes him think about Dream.
When he does think about Punz, though, he's not exactly a fan of them. They betrayed Dream; undeniably, inexcusably, they did. They had his trust, and they threw it away for a little extra bit of money. George would never do something like that. Dream left first, after all. Dethroned George first and told him he didn't care what happened to him. Dream never did that to Punz.
And that's important. Dream never turned against Punz; they were the one who chose to betray him. Dream never quite trusted George the same way he did with Punz, and, in the period leading up to the dethronement, he let George in on less and less of his plans, grew closer and closer to his mercenary. George told himself it was because Dream wanted to keep him safe. After the dethronement, he accepted the fact that Dream just didn't care about him anymore, and that it had been a sign of that.
George tells himself that if he had been in the situation as Punz, if Dream trusted him, he would of never done what they did.
Punz...doesn't have a great opinion of George, to tell the truth. They might of pretended to betray Dream, but George (and Sapnap, and everyone who was there and just watched it happen) is the one who actually did. George left. He left and didn't come back, didn't even show up for the arrest/execution (because that's what it really was, an execution, no use dancing around it). He didn't even go visit Dream in Pandora's Vault, even when he had every chance to, even when he didn't have a plan dictating that he absolutely could not do that. Not like Punz did.
Unreliable. Untrustworthy. Uncaring. Those are the nicest words for what George is, at least to Punz. Dream died, twice, and George was nowhere to be found. Just because Dream had been trying to keep him safe. To make sure people didn't try to target George to hurt Dream. And George just left, like that was an option in this game they were all playing, that none of them save Wilbur had chosen to play, like you could just throw up your hands and say "okay, that's it, I'm done" and leave with immunity, taking everything you've done with you. That wasn't how the world worked. And it didn't matter if George understood that or not, because it still hurt Dream, and that was what was important. Because what George did was a betrayal, and because they were already familiar enough with that to know how bitter it tasted. Because Punz had to constantly pretend and reap what they had sown and deal with this betrayal they had committed - not the one they were infamous for but the one in their heart and their brain and the way people looked at them and laughed with them and the way they had agreed to the plan and let Dream die and the sneaking suspicion they had, growing louder every day, that something had gone wrong and that they had to do something about it but that too would be a betrayal - but George didn't, just because he had been there earlier and knew some people longer. Because people trusted him more and he didn't have to prove how reliable he was and how much he hated Dream and all that.
And because George had Dream's love in a way Punz never could. Dream loved too freely, that much was true, but he flinches at every motion Punz that was a little too fast, a little too sudden, and makes sure to call everything a business arrangement, makes sure they're mercenary and client, makes sure to suppress any little trace of attachment that could get either of them hurt. And, even now, even after George has gone and left, Dream still loves George; Punz isn't too blind to reality to miss it. And they had kinder days together, back before everything went wrong; there were no kinder days for Punz, and there never had been.
Despite everything, they're two sides of the same coin: wishing for something that is no longer reachable, no longer possible, because things have changed and because people have changed. Because Dream has changed, partially due to the decisions they made, and there isn't anything they can do to go back to how it was. Not truly.
And neither of them really care about anything or anyone else. They're not here to fight for ideals or morals, they just want to keep the people they love safe and away from the people who would want to hurt them. They are willing to kill for it, but, because of who Dream is, and because that would put them in danger, they can't. They're not allowed to, explicitly in Punz's case, implicitly by Dream pushing George away. Because Dream wants to keep the people he cares about safe, and that can't happen if it looks like he cares about them or vice versa.
(It's only okay if Dream's the one getting hurt, after all)
77 notes · View notes
iamadequate1717 · 6 months
Text
OFMD S3 (Manifesting!)
I think we've all seen Casey Bloys' comments on an OFMD S3:
“What’s a little bit different in a linear world than here is… how a show performs over a longer period of time than three weeks or something,” Bloys stated. “So we’re figuring out how it’s doing, what it’s looking like.”
My reaction:
Tumblr media
Really, HBO? HBO, after running one of the worst, most spoilery, most front loaded marketing campaigns I have ever seen, wants to talk about the long term?
The question that was driving everyone feral for an S2 was, will Stede and Ed find each other again? HBO/MAX put their first face-to-face meeting in the trailer. Why watch the show when the marketing will just toss a greatest hits reel out to the public before the episode even releases?
The showstopping set piece of 2x3 (MerStede rescuing Ed) was spoiled in their "marketing" since they released the concept art for MerStede days before the episode aired in a BTS video.
Let's look at the finale:
The beach kisses and the inn were spoiled in BTS videos released days before the episode was released after putting a week between 2x7 and 2x8 releases. Yeah, yeah, they didn't show the kisses exactly, but what else would that pose be for? It really enforced that 2x7 and 2x8 should have been released together, but HBO/MAX choose to create a cliffhanger while immediately posting the resolution in their marketing
Ed thinking Stede was dead was spoiled by the episode promo
Ed and Stede running toward one another on the beach was spoiled by the trailer. (It didn't show them in frame together, but it was obviously the same location and the direction they were going in matched.)
Ed reading one of Stede's letters was spoiled by marketing a few days before the finale release for no discernable reason
Izzy's climatic speech to Ricky (and that he was saying it to Ricky!) was spoiled in the trailer. It could have been a good hype VO, and they didn't need to spoil whom Izzy was talking to
The crew in the British garb and taking out soldiers was in the trailer. This plot begins nine minutes before the credits start.
The Revenge Crew working with Spanish Jackie and Zheng at some point was well spoiled beforehand in their BTS promo material. Zheng saying they should team up is three minutes before the credits start.
(Has anyone seen this amount of BTS material of episodes, including the season climax, released before an episode releases instead of after? Just holding this BTS material until after seems like a no-brainer to extending a show's interest after the finale is released.)
The reason the pacing felt super "off" on your first watch is because HBO/MAX already released a bulleted run through of the episode beforehand, and you were mentally ticking it off as you went instead of watching it organically. Watching it a second time really improves the flow of the episode.
This is a show whose popularity was raised created entirely through word-of-mouth excitement. The greediness of these streaming companies is why we couldn't have the actors doing promo, but then they took away the show's next most powerful tool, the word-of-mouth discussion, by releasing large swathes of the climax of the season before it aired, and the social media hype and discussion was front loaded to before release instead of after.
S3 was set up to show Ed and Stede as a solid couple and to show the pirate community against the British, and the season climax of these two points was released by HBO/MAX before the episode, and it was excitedly discussed then. Now, a week after release, we're stuck in some horrible gravy basket of discussing the part of the last five-ten minutes that HBO/MAX didn't outright spoil (though they tried their hardest with the grave promo stills and Ed's bloody hand in the promo!): Izzy's death. No one is having fun!
There is a lot of story setup for an S3 but DJenks and company had to set up a season that could double as a series finale in a pinch, so we also lost the "What happens next??" fervor because HBO/MAX wouldn't greenlight two seasons at once of their biggest new IP of 2022. The bizarre marketing strategy didn't lend itself to a long term success, and it's up to the fans once again to do HBO/MAX's job for them.
94 notes · View notes
simpjaes · 2 months
Text
if ur gonna tell a writer that the fic they warned is gross.......grosses u out...............at least tell them why you enjoyed it anyway
12 notes · View notes
tabbyofwisdom · 10 months
Text
Ok, I have never seen Spock/Chapel as a thing. I hated it because people ragged on Christine for her unrequited crush on Spock. I love Christine, she is my favorite.
To say “Charades” has turned me around would be an understatement. Now the story is more complex and there’s a history on both sides leading up to TOS. (This also makes Spock, in my opinion, more of a jerk to her in “The Naked Time”)
I think they’re going to eventually break up, I mean they have to, and this pushes Christine into Korby’s path. She’s heartbroken, getting over a breakup, goes to study archeological medicine and here’s this enigmatic doctor, who’s her teacher! Engagement happens, then he goes missing.
I know how things end with Spock and Christine but I am now more open to it and I’m grateful that Strange New Worlds is redeeming some things that people have made fun of Christine over.
19 notes · View notes
kharmii · 4 days
Note
Probably the most unpopular opinion on the internet but I don’t like seeing all these posts glorifying autism or mental illnesses or see them as some sort of aesthetic or use every possible way to make sure you know they have autism or a mental illness.
As someone who’s been diagnosed with depression and anxiety and has been on meds for decades I kinda feel insulted by the way these conditions have become a quirky personality trait and an aesthetic to people as well as shoving it on all fictional characters.
I do like headcanon of characters having these conditions but it makes me uncomfortable to see characters getting stripped down to their conditions without anything else.
It is relieving to have characters go through similar things and have them react to them but it shouldn’t be the sole purpose to write them that way.
I also feel that no condition should be a free pass to be an asshole to the people around them. In the long run it does more harm than good and it doesn’t make "healthy" people more sympathetic towards their conditions.
My condition is not your aesthetic!
(Youre good for real but I have seen so many people in the submas fandom act like this and that autism is a quirky personality trait and reduce the twins to this it’s just tiring…)
This is all true. When you turn something undesirable into an aesthetic, then it has the disastrous effect of becoming a social contagion that will actually kill people fr. It's not fun to be autistic and/or mentally ill, and I'm sure most people with various neurodivergent dysfunctions would choose not to suffer from them if they could.
I wouldn't glorify suicide. I wouldn't glorify recreational drug use out of fear someone would join the tens of thousands of fentanyl overdoses every year in this country. On that same vein, I certainly don't want to see my favorite male characters with scars on their chests from getting their tits cut off. That results in death by suicide for almost half the people who go through with it. (LOL, complain moar about my 'codependent twincest kink' hurting the chillens when everybody and their grandmother glorifies something that causes the sterilization and mutilation of children).
A mutual over on Live Journal calls trendy autism 'fauxtism' and accuses those people of cosplaying autistic people as an excuse to act uncouth or feel marginalized. The worst thing they did was make an autistic spectrum (similar idea to a gender spectrum) because then people with mental illness comorbidities could jump under the umbrella of being autistic (or trans) because it's trendy.
Are you socially awkward? Maybe it's autism. Overly shy? Autism. The mutual had a falling out with a friend she called 'space case' who worked for NASA but had an 'autistic' daughter who suffered brain damage at one year of age after sucking down a bottle of medication carelessly left out. This mentally retarded daughter would smear shit on the walls and swing from ceiling fans, all while the mother claimed she was 'being creative' or some shite. It's proof you can be a genius working for NASA and also be the dumbest mofo on the planet.
Anyway, I personally have autistic symptoms, but my version of the 'tism comes from profound long-term abuse, -both from my family and from bullying from peers- going way back. I'm like irl Shoto Todoroki. Just look at this guy. You can tell he got the shit beat out him since he was little:
youtube
I can't count how many times I've said to myself, "If I smile then...they'll die?!" for laughs. Guy With Canon Abusive Family doesn't bother masking because he carefully guards his emotions. He comes across overly serious and deadpan, and some people might think he has no sense of humor because of it. Being a 15-year-old, Shoto is savvy enough to know he should be pissed at his abusers, but he isn't emotionally sophisticated enough to shake the deep insecurity that he might do or say something completely innocuous and still manage to make a mess of things or offend somebody.
Side note: That character is especially interesting because he was a product of selective breeding for a specific purpose. I imagine him being toddler aged pushing around a firetruck saying "I don't want to be the #1 hero when I grow up! I want to be a firefighter! Why can't I choose what I want to do!" No free will for him though. He has to hold up to the most impossible standard of perfection imaginable. What will the future hold for him? Will "too hot to handle; too cold to hold" become the #1 someday?
Having that personality type at my age, and I'm just recently realizing that, hey, maybe it's not always me. Maybe it's you people sometimes. If the guy stalking me has to repeat a joke several times so I 'get it' while I give him a thousand-yard stare, maybe it's less that I'm a retard and more that he's an unfunny goober giving me unwanted attention. If the middle aged incel weirdo with no wife and kids tells the same stupid 10-year-old joke again, maybe he shouldn't give me that knowing look when I flatly change the subject. Maybe I'm no fun, but he's an empty loser who has done absolutely nothing with his life, and therefore has nothing meaningful to talk about.
If I bring any of that up, I'm being MEEEEAAAAANNNNN....even if I had to take so much bs to get to that point. I'm the type of person who will take and take and take and take andtakeandtakeandtake before I finally snap. It's so typical of an abuser to have that sense of entitlement where they think you owe them something. -Like they feel they have the inherent right to be treated kindly and with dignity, but they won't reciprocate. Oh no....you are supposed to be a perfect slave who exists to please them and boost their egos.
Enough about me and my dysfunction. Sorry. This anon wanted to talk about Submas I think.....
Okay, so some people have the insulting head canon that Emmet is an asshole and therefore is 'more autistic' than Ingo. Does it have to be autism? Maybe it's more to do with how they represent 'truth and ideals'. Emmet (white dragon) is Truth, and that's why in the original game, he taunts the player when they lose against him. Ingo, (black dragon) is Ideals, and he still congratulates the player for a fun battle, even if they lose.
That's great. Let the truth guy be an asshole because the truth doesn't concern itself with being kind or worrying about a person's feelings. It is what it is. It can be both kind or harsh depending on the situation. Ideals, otoh, is polite and kind because it is always striving for the best. Nobody ever thinks....my ideal world has everything on fire and a lot of dead people in it. If truth and ideals don't work in harmony, however, that's what you end up with.
The head-in-the-clouds ideals guy might be considerate and kind all while walking you over the side of a cliff. The truth guy might say....heyy fuckknuckle! Don't walk over that cliff or else you will die! Okay, so maybe his delivery needs some work. Maybe he's being an asshole about it, but at least you don't end up dead from falling off a cliff. That makes the truth guy kinder in the long run (insert trans analogy in here, LOL!).
4 notes · View notes
My thoughts on FIVE
youtube
LONG POST AHEAD
I found it promising, I’ll tell you that much. I do have to acknowledge my bias towards to this piece of art. It’s WONDERFUL that a musical like SIX has sparked so much creativity and is even getting a parody!! WE’VE MADE IT INTO THE HALL OF FAME QUEENDOM!!
ALSO FUCKING JAIME??? STARKID FANS RISE UP!!
I’m was giving this thing the benefit of the doubt. I was sort of confused when I first learned about it, and I had this gut feeling that I’d hate it. I honestly thought it was kind of weird that we’re using this to make a parody of… TRUMP of all people??? Like these women are still ALIVE to my knowledge.
My only wish is that they acknowledge and give their opinion on this musical in some way because say it with me now; THEIR STILL ALIVE AND HAVE THE RIGHT TO AN OPINION ON HOW THEIR VIEWED!
However I have not seen it yet and I am excited to see what my favorite musical has inspired! …Is what I’d be saying if I hadn’t read some reviews. It seems the general consensus is that while it is funny it’s not as innovative in its humor as it could be. And it may not have done what it wanted
As this TheaterMania review states
“A musical send-up of the women in Trump’s orbit, Five: The Parody Musical, would seem to be just what the doctor ordered as we face the prospect of yet another Trump administration. So why wasn’t I laughing?“
I thought this article was being a little harsh on this musical, until I read THIS.
“The few genuinely funny moments in Five spring entirely from Jen Wineman’s adequate production — her choreography is both simplistic and sloppily executed, which is funny in its own way — and the ingenuity of the actors.”
I was surprised by this, the advertising leaned heavily into the humor of it all. The fact that it was a parody—“LOOK OUT SIX!” And “MAKE AMERICA LAUGH AGAIN!” made me excited to see how they’d creatively dunk on Trump. Like how SIX had done with Henry VIII
Then I remembered what else this article had said in regards to the humor
“The jokes generally hit three points: Donald Trump is orange, he has a small penis, and he likes getting peed on. This is territory that our overpopulated heard of late-night hosts have already stomped to death — without asking audiences to fork over the price of an off-Broadway ticket.””
And I was getting suspicious, so I looked at some more reviews. This article spends a lot of time dogging on FIVE and I was still trying to hold out hope.
This review from StageandCinema is a lot more kind! I was excited to find out what went RIGHT! About this musical!
“Five is much more sexual and crude in its descriptions of being fucked by Donald Trump. Hearing about his small prick and his sexual escapades (especially from pornstar Stormy), I struggled to immediately delete such images from my mind’s eye. The thought of Donald in any sexual act turned my stomach, which may have kept me from laughing. Perhaps nausea and comedy cancel each other out?”
OH… UHM…
Of course in the end they do have the same acknowledgment at the end of SIX, “Just because we were fucked by Donald Trump doesn’t mean we need to fuck each other over.” (A direct quote from the end of the paragraph containing the previous quote)
Through this article I also found out that this is actually a jukebox parody! (Which is when you parody existing songs in order to use it in the plot of a musical story telling medium). Which honestly was a welcome surprise. They’re not ashamed that is a BLATANT parody.
Okay! Let’s see what else we can find!
“It did seem like a clever idea, for at least five seconds”
WOW okay…
This article then goes on to discuss some political and legal matters that has come up surrounding the Sex worker that Trump is going against in court. He IS the first president with a criminal record (he went to court for sexual abuse, and also was impeached)
The article puts it perfectly
“Given such news of late, it’s increasingly difficult for me to appreciate, or even tolerate, a trivial show like “Five.” The creative team hasn’t read the room.”
This isn’t a fuck you to Trump supporters, this isn’t seriously discussing Trump’s effect on these women in ANY sort of fashion, this isn’t even ABOUT discussing Trump’s political status. It’s about parodying SIX and making fun of these women. The main selling point is “WHAT IF SIX BUT TRUMP!?”
“But even those who still view political humor as political armor will be disappointed, because “Five” seems little interested in Trump’s treatment of women, much less his threat to American democracy; instead, its main target is “Six.”  As political commentary, “Five” is near witless, tasteless, and toothless. But even just as a parody of “Six,” it’s too on the nose. If some theatergoers will find “Five” entertaining, I suspect it’ll largely be because its talented six-member cast makes the most of the moments in the show that add up to a stealth, second-rate “Forbidden Broadway.”
This review is BRUTAL it points out the flaws it see’s in FIVE with wit full words. This article was my turning point. It made me genuinely start to be dissatisfied with a show I HAVEN’T EVEN SEEN YET.
““Five” is not an exercise in female empowerment; the women in Trump’s lives are most often mocked.  Nor is it a takedown of a would-be tyrant; zingers against Trump rarely get more sophisticated than commenting on the size of his penis or calling him the orange bitch or orange troll.”
This is an insult to the very FABRIC of my opinions. THIS WAS A PARODY OF SIX. OF SIX. INCLUDE STUFF FROM SIX. JUST BECAUSE YOU HAVE THE MORAL DOES NOT MEAN YOU TAUGHT IT. TRUMP IS NOT A GOOD PERSON.
THIS IS A PARODY OF SIX. BE CREATIVE WITH YOUR INSULTS! IF YOU’RE MAKING A PARODY ABOUT TRUMP THAT HAS TO DO WITH THE SUFFARAGE OF WOMEN AND WHAT WE DO WITH TRAGEDY; FUCKING SHOW IT!
This is so obviously anti-Trump. But it does’t FEEL that way. It feels against these women as well. Which is strange, considering it’s supposed to be like SIX.
Don’t get me wrong I fucking HATE TRUMP CAN’T WAIT FOR HIS ACTIONS TO CATCH UP TO HIM. But HOLY SHIT this is NOT where I thought this musical was going!
I plan on looking more into this musical, but these are my thoughts for now. I was initially a hater, turned skeptic, turned confused and insulted.
Look—I don’t WANT to be so hateful about something I haven’t seen. But if THIS is what reviews are saying (and there’s barely any of them) then WHAT THE HELL IS GOING ON WITH IT???
I WANT THESE ACTRESSES TO HAVE AMAZING CAREERS! But if THIS is the show their put on, a show that is INSULTING women… then what???
5 notes · View notes
Text
So anyways here's my KOTLC hot take of the day
Keefe Sencen running away to be a double agent with the Neverseen was the most genius and well executed plan in the entire series.
He was careful. He thought through it. He was smart. He knew what he was getting into, he knew what he was leaving, he knew what people would say.
He did it anyway.
And he did it well.
His transition into the Neverseen was seamless. His plans went perfectly. He had back up after back up in place.
Maybe he wasn't the best at gathering information and giving it to the main people, but he did a ton more than the Black Swan had to that point in one swift movement.
Keefe Sencen made a smart decision. Not necessarily a safe one, or the one that would be the most fun, but he made a smart decision. It's smart. In fact, it's genius.
Keefe Sencen is not one who was built to wait. To try and make others do things for him. At his core, Keefe is a do-er. Just like Sophie.
The two of them look at the world and want to do something about it.
Every other person in the series wants to wait and see what happens.
But not Keefe.
He can't wait for someone to do the dangerous job for him. He can't stand around, wasting time they don't have, getting approval or thinking it through any more than he already has.
Keefe Sencen does not wait.
He assesses the situation. He is the expendable one, in the Black Swan. He would not be expendable to the Neverseen. He can get into their heads. He can read their emotions. He has been created to help them.
And no one else has.
So Keefe puts himself in danger and asks for one thing in return. To trust him. He asks that his friends believe that it's a costume. That he's still in their side. That he's taking every precaution. That he's being smart about this.
Instead, at the drop of a hat, they label him as a traitor. They label him as a disgrace. Grady, who loved him as much as he could, demeans him to "That Boy". Sophie is angry. Fitz is angry. No one trusts him.
But what else could Keefe have done?
He can't sit still. Can't wait for more people to die.
He sits in the dark of a room and thinks, "No war was ever won by waiting. Wars are won by acting."
And so then he does. He gathers Intel. He acts smart. He earns trust. He becomes a Neverseen member.
He has to do some bad things, but Keefe knows that this is a war. Long before it's labeled so, Keefe knows what the reality of the situation is. And he's not afraid to do something. Not afraid to jump into the fire.
Keefe is a warrior. Born and built that way.
Keefe is a do-er.
And he cannot sit by and let it happen.
So he's brave. And he's smart. And he does something.
And of course, the world hates him for it.
62 notes · View notes
hauntedfalcon · 1 year
Text
woke up in the middle of the night helplessly whimpering in pain from a leg cramp, and I swear to fuck if I develop a new health problem a week before the trip I’ve waited FOUR YEARS to take I’m gonna fucking snap
9 notes · View notes
digital-corruption · 1 year
Text
It's not even 12 yet and it's already been one of those days.
Tumblr media
14 notes · View notes
submalevolentgrace · 2 years
Text
"working from home is terrible, we all need to go back to the office for our mental health"
"working in the office is terrible, we all need to work from home for our mental health"
please look up "competing access needs", or just like, practice understanding that there is more than one type of human that a singular policy can work best for
the pandemic isn't fucking over AT ALL, and sometimes you just need to suck it up and deal, maybe the pandemic WOULD be over* if abled people hadn't flipped their shit en masse for being asked to spend 6 months living under the same conditions many disabled people spend their whole lives forced into, holy fuck i am tired of having to explain this one
*and also fucking shared vaccines but that's not down to the public is it
21 notes · View notes
butchbarneygumble · 1 year
Text
Listen. I think it's bullshit that character ai chatbot is being so anti-nsfw but meanwhile literel "n*zi anime girls" and "easily offended sjw with pronouns" are totally fine to have on there. Bitch.
5 notes · View notes
alpine-forget-me-nots · 10 months
Text
Mobile users can’t have gif pfps :/
I’ve spent like 20+ mins converting a gif to APNG so I could use it only to have it not move
Cool I thought I’ll just go through the browser.
Nope!
That also doesn’t work. The gif actually moves this time but whenever I refresh my blog it reverts back to a default pfp and my banner too…for some reason?
What’s the point of all these updates if part of your user base is constantly going to be denied the ability to use it? I can’t even edit tags for fucks sake.
0 notes
paperclipninja · 15 days
Text
I'm gonna sound very old person yells at cloud but I don't care, I feel like I need to say this. We all (well most of us) know that messaging Neil with any headcanons/theories/wishes/hopes/dreams to do with the show is a no-go because it could potentially compromise the story he wants to tell or ends up telling. And yes, he is a grown up who chooses what to respond to etc and I think it's wonderful he engages with fans and answers a lot of lovely and interesting questions about his process, writing and journey etc.
However, there is another reason not to send theories and ideas about how the show should go to the show creator in the hope of a response: it doesn't matter. It doesn't matter whether a theory is correct, or a speculation may or may not play out. That is why fandom exists.
Online fandom is where we all come together to yell and cry and throw around weird-ass ideas and theories and look at art and read fanfic and unite in our love of characters and a show. A huge part of being in fandom, is the way fandom theories become like an understood little bit of fanon lore that some people attach to, others disregard. But it doesn't matter. And part of the fun of fandom, is when a new season or a new episode of the show comes out, you have this collective catalogue of ideas and theories and headcanons and you get to yell and scream, "omg it happened1" or "lol that that thing was ever talked about" or "thank god that theory didn't come to pass".
Wanting to know now (not that we ever will) and not wanting to wait until the next season to find out the answers diminishes the fandom experience. I cannot stress enough how much we are in the absolute peak of the fandom experience right now. The between seasons time is the ultimate time to be a part of a fandom (as I'm sure many people are well aware), knowing there's another season coming energises everyone to create and connect and speculate and it's glorious! I know it feels like it'll be like this forever, but it won't. Next season is the last and yes, there will be a flurry and uptick of all the energy and excitement once again, and I absolutely believe Good Omens fandom will live on and remain active and thrumming. But there won't be theories and what ifs and hunting for clues for the next season, and over time it will dwindle a little and plateau and some people will fall into other fandoms, and while it will probably bubble away, there won't be the anticipation that sits with us now.
My point is, fandom is where we get to throw around ideas and flail and be ridiculous and also serious sometimes, but it's all for us. For the fans. Showing Neil theories or getting in a flap about a particular speculation and asking if x, y, or z might happen isn't just about putting the creator in an awkward spot, it takes away what fandom is about. Just let this time be ours. If you haven't been in fandom before, enjoy it! Don't be in a hurry to seek definitive answers or know things either way.
It doesn't matter if any or none or all of the things that float around end up being correct or incorrect. Fandom isn't about being right. It's about being a part of a community and being able to share ideas and it's about it being FUN.
So TL;DR Stop sending Neil fan ideas because that is for fandom, not for the creator.
2K notes · View notes
kharmii · 14 days
Note
WoaH they're alreadydown I think you can stop now...
--
But tbh I think its sad to see all these people cling to this toxic ideology despite more and more of the "dirty laundry" and facts about the harsh, cruel and ice cold reality of it coming to light.
Seen several posts of people whining about the cold hard facts that came to light and try to disprove them because it just doesn't fit with their agenda...
Really hoping this is the beginning of the end of this ideology of hatred shaming and mutilation in the name of "health care" and the children slowly getting the mental health treatments they need instead of getting butchered up and shoved hormones into them.
Also the end of this bs being shoved into every part of everything, be it fandom or anything else...
They're fine. They did a response post (awww....they found my Ren and Stimpy post) and also pm-ed me this:
Tumblr media
I'm surprised they haven't blocked me with this account yet but it's probably a matter of time. It was surprising to find out it was Marchy because they were one of the artists I didn't suspect of having a blankshipping sock. Truth be told, I thought it might be Esprei because they blocked me around the same time I responded to questioninqthings' pinned post. They were one of the tolerant popular artists who ignored me, but they come across low-key monster fkr and are friends with a bunch of those people. It might have been because I said some not-nice things about the Covid scam, and they recently did a stupid Covid mask wearing Submas before blocking me.
That's the thing....I say things about a lot of things. Even if a person says they are into blankshipping, there's still the stupid radical leftist criteria. Fandom basically becomes far leftist transtrender antis versus far leftist transtrender proshippers into stupid fetish bingo. There's no middle ground or dissenting opinions.
Since I talk about the Submas being thirsty for dog-ass too much, I'll go on a different sort of tangent. One of the newer arrivals on the blankshipping tag (who blocked me for not being into transtrender sheeit..) did a story where Ingo and Emmet were yote to Hisui, yet they were openly Jewish trans males. Fun fact: For most of history, people were afraid to openly tell people they were Jewish for fear of death, and transgenderism was such a huge no-no it wasn't even a thing. People have it extremely good now. Nobody has to live in constant fear with a constant sense of their own mortality. That's why I was joking that Ingo barely scrapped by in Hisui, but Emmet would have been burned as a witch because he was too weird. Even Emmet with his extremely poor social skills wouldn't be stupid enough to tell people he was a Jewish transexual during the Meiji Restoration Period.
The thing about having a constant sense of one's own mortality is that one would be really paranoid about making good decisions to stay healthy. They wouldn't go out of their way to be a fucking weirdo and engage in behaviors that have caused civilizational collapse. Since we live in a period of unprecedented fossil fuel glut, a lot of people have extremely cushy lifestyles that likely interfere with their ability to regulate dopamine. They are stuck having to seek out greater novelty to get that feeling of happiness. Because of that, they become constantly triggered narcissists who, instead of having their amygdalas triggered by actual problems that could kill or maim them, will project angst on people who disagree with their world views. How many times have you heard a trans person on Tumblr say something like, "THEY WANT ME DEAD!!1! THAT'S WHY I BULLY THEM!!"
Then they accuse dissenters of being 'NAZIs' and sheeit... Please...trans virtue signalers have nothing to fear in this cushy world. In fact, the leftist is the oppressor now, and they have been for decades. You are about a thousand times more likely to get your head stomped in by a whackadoodle antifa or BLM useful idiot than the almost nonexistent 'right wing extremist', and this is true to the point they cover for certain people in the media.
Thinking about what I've written in my latest fan fic, it makes me wonder...how many of these constantly triggered creampuffs been through it? How many times did they miss a meal or were in such constant pain they felt like they would throw up? How many wished they were dead from pain? (self-inflicted doesn't count. That's another symptom of poor dopamine regulation). How many had someone try to kill them or witnessed a family member die violently? How many have felt like they have no sense of privacy because they are always being watched? How many have seen the look of rage in a person's eyes who actually wants to kill them? I bring this up because such experiences will awaken that healthy sense of one's own mortality that would make it so small traumas -such as someone disagreeing with your leftwing death-cult bullshit- don't seem like that big a deal.
3 notes · View notes
OK HERE WE GO LIST ON WHY EX WIVES IS THE BEST THING TO EVER <3
It instantly tells you what to expect. Bunch of amazing women with insane vocal ranges and the energy of a Taylor Swift concert.
Amazing composing
The use of motifs, every single verse with the queens saying lines in order has the green sleeves melody snuck into there
Great symbolism with said motif! We are quite literally forced to hear it even if the situation doesn’t particularly call for it
EBM GREENSLEVES MY BELOVED <333333
The use of the different vocal ranges overlapping in the “Wives” and the first sung note in musical is just ✨chefs kiss🤏✨
“All you ever hear and read about!” RAW LINE. RAW. OMFG YES
All of K Howard’s lines. That’s the entire bullet point.
Great introduction to the queens! The problem with Uranium Suite and Fall Fair Suite is that Uranium depicts how people would see the choir (only on a surface level) while Fall Fair shows us how their actually like but doesn’t provide that much context as to that their a choir. However what Ex Wives does it that it shows them as individuals as well as clearly shows they CAN work as a group but they don’t get much individuality from it
Also speaking of RTC’s St. Cassian Chamber Choir, the Queens are technically a choir! MAKING THISE DAMN MELODIES SO MUCH MORE SATISFYING TO LISTEN TO
Also iconic lines
Quickly foreshadows in subtle ways (AUDIBLE STORY TELLING MY BELOVED)
Once again comparing my 2 fav musicals, RTC has this thing where each character gets a version of Karnak’s theme, SIX does this too in the Queen’s intros
AND ALL THE REMIXES. ALL SOMEHOW MANAGE TO SNEAK IN MORE GREENSLEVES. THE SYMBOLISM. THE MOTIFS. YESSSSSS
Already tells you the amazing humor of wit and sarcasm you can expect to see through out the musical
More audible foreshadowing via the style of each remix
Lina is simple at first with a few strings, but has a lot of little bits added from time to time. It toys with the melody and what it can apply into the already catchy tune. Her intro is probably the one with the most inconsistency as it does not keep the added stuff going. It has a relatively low and steady beat but makes up for simplicity in vocal potency. ALSO JUST SO SAVAGE SHE ATE THAT UP FR FR. Just like No Way
Anne has a slightly higher and more excited melody. The Tempo is the same but serves less of a heavy role unlike Lina’s and is mainly just the supporting cast to the melody. While Anne’s vocals stay relatively high throughout at the end she goes lower and more sinister. Great audible storytelling! There’s little to no playing with what’s been set up and when there is it’s all subtle. As mentioned before the break is only at the end. It’s so cherry and cheeky but if you look at the lyrics it uh- kinda intense. Very DLYH if ask me
JANE SEYMOUR JUST IS PUN FILLED, THE JOKES. It perfectly sets her up to be the one overlooked and the more… patient and forgiving one of the group. She only ever snaps in one of the two fight scenes. Also the fact that she claimed she was the only one he truly love, while sadly likely to be true, also contrasts how loving and caring her sing ends up being with the slight cockiness that the line can be read as along with the infamous “RUDE!”. Her melody is the middle. The added wind pipes(?) later are the high. The tempo is a sort of balance from the higher notes. Her melody is so melancholy and monotone. It’s very Jane and very Heart of Stone fr fr let’s keep this greatness up!
ICH BEN ANNA VON CLEVES. This one does not disappoint either! You can already see the consistent parallels of Anna’s relationship with online dating throughout the song, so it’s good that’s it’s inky reinforced here but not much! Also Haus of Holbein foreshadowing so I guess that softens the whiplash somewhat- Also this intro if the only one where the other Queens serve vocals more than once, I guess you could connect it to how Get Down is the only song that has Anna going out of her way to get the Queens involved (THATS ISN’T BY U BEING PROBLEMATIC ANNE). Also Anna’s snarky comment at the end is ironic as she was probably the only one besides Cathy who didn’t have to deal with Henry in that aspect. Also very very simple only having the accordion, tempo, and clicks to compliment. Get Down!
PRICK UP YOUR EARS IN THE KATHRINE! WHO LOST HER HEAD! For the longest time I thought it was “beheaded; before I promised you I’d see outside of wed” referencing both how short her life and time with Henry was. But no it’s “promiscuity outside of wed“ 💀. Either works however! Kinda ironic that Kat is the one to interrupt Anna’s comment as… ya know… But anyways. The chord progression on this one is especially of note as it’s actual kinda different from AYWD. While AWYD goes High and ten descends, this one go High -> Lower -> Lower Medium -> Low. Interesting indeed! Long of stings and slashes to replace the clicks that Anna had! Also not sure but Tempo seems to be more dominant?
BAM TINY WHIPLASH STRAIT INTO A LAMENT BABY. Then it goes pop again as Cathy gains her balance. Notice how the beats don’t comeback until that point. The first two lines rather have the piano as the click clack. Past that THEN the tempo beats come back once Cathy is talking about and addressing them as a GROUP. She is the one to slide them back into the chorus after all! Foreshadowing as how she convince them to write fanfic- I mean reclaim their stories! Anyways as I saying, she’s probably the one who shakes it up the most. More foreshadowing!!! Also Pt. 1 of Cathy being an independent women’s who may or may not come off as slightly protective and clingy-. Still very IDNYL!
So to recap that giant section; it’s Good use of simplicity, effects, and contrast -> Vocal centric within a happy lucky tune and beat that breaks at the end -> Puns and a somewhat monotone melancholy feel that easily shows character -> More simplicity and focused on the vocals to carry it, also ironic jokes and sarcasm! -> Interesting chord progression and really good wordplay -> Amazing and subtle foreshadowing mix into a lament turned beautiful transition to chorus
Also apparently the Queens go from right to left if you have ear buds in but as a half deaf person I will sadly never get to get the full experience-
Have I talked about the amazing vocals???
MUST WE HAVE A GOOD PLOT WHEN WE HAVE GODLY VOCALS???
THE DAMN RISING NOTES ON THE LINE “WIVES” AHHHHH
IM SORRY ITS JUST TOO SATISFYING
ALSO NOT TO MENTION THE LINE IS ALSO YET ANOTHER GREENSLEVES INFUSED SNEAKY RAT THING
I SWEAR THE OVERLAPPING VOICES EFFECT GOT ME IN A TRANCE
THE RISE AND THEN THE STOP AND THE LOWER RISED IS SO
SEJSJKSKEMSKKEMEMSKEKEK
Also can we talk about how dramatic the beginning is? I love it lmao
Also how over time when they the rhyme their just like “ugh this b*tch again stfu I’m too tired to deal with this”
The fact that Catalina is the first every voice you hear in the entire musical but Cathy isn’t the last line in the sing or the whole show is a nice detail, idk if it was intentional fore shadowing but it’s great!
Also the fact that Hamilton ends on “Who lives who dies who tells your story” and SIX instantly throws you with a “Listen up let me tell you a story!” Is my favorite coincidence
Kat’s lines are potentially longer to match AYWD’s length
ALL THE REFERENCES TO BOTH THE QUEENS AND TUDOR HISTORY I CANT GO INTO BECAUSE THERES TOO MANY
LOOK AT GENIUS
LITERALLY EVERY LINE HAS SOMETHING BEHIND IT
EVERY. LINE. EVERY. SINGLE. ONE.
Ill try my best to fit as many as I can off the top my head
I can’t fit everything so this is it- thank you for coming to my Ted talk
14 notes · View notes
fuzzyblizzardkitty · 1 year
Text
icloud is fucking terrible. i can't believe apple products are widely referred to as user friendly when just logging into your account when you get a new phone feels like a fucking mathematical problem
0 notes