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#poetry magazines
adreamingskin · 1 month
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Poetry Competitions, Submissions & Opportunities – MARCH 2024
Spring is here and with it (finally) over 150 poetry competitions, writing submissions and opportunities open or with deadlines in March 2024.​For the first half of this month I was in autistic shutdown due to a very difficult personal situation that is coming to a head this week after 16 years. I am hopeful that this release will remove significant stress from my life and allow me to give time,…
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Someone give me some poetry magazines to submit to pls
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bookerplays · 11 months
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Magma on Schools + Fenland Poetry Journal
What hope for poetry without the next generation? Magma (issue 85) is an open letter to Government on how secondary school pupils could be taught poetry in ways more conducive to enjoyment. The editors Ashley Hickson-Lovence, Laurie Smith and Gill Ward have all worked in secondary schools and believe the love of poetry is being squeezed out by learning facts about poems rather than understanding…
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thefugitivesaint · 2 years
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Langston Hughes (1902-1967), 'Tired', ''New Masses'', Vol. 6, #9, Feb. 1931 Source
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sweatermuppet · 6 months
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What if I’m Simply a Dirty Earthworm? What If I’m a Dirty Man, What Then? What If I’m Nothing But a Sexless Worm? by Megan Borocki, published in Beaver Magazine
[Text ID: Do you still think of when I was small catching earthworms in my socks, face smashed in the mud, my soft fingertips digging for wet bodies to throw at my brother? I still miss your voice. Do you remember when you would hold my wrist above my head hissing grow into a clean woman? /End ID]
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kvothes · 7 months
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richard siken in poetry magazine—on perplexity and stroke recovery (part of hard feelings, a series of essays by poets writing about difficult emotions)
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derangedrhythms · 10 months
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Grace Freedson, Párrafo Magazine: The Death and Decay Issue; from ‘Phantasia for Maria Bonita’
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jarofalicesgrunge · 3 months
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LS - 1996
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purplecowbell · 1 year
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If only one of my posts gets read by amateur authors let it be this:
SUBMIT YOUR WORK TO THE TOP PUBLICATIONS FIRST AND WORK YOUR WAY DOWN!
What do I mean by top? Standards of quality, audience, pay rate, legal contract; it can be anything. What matters is that you set the metric you prefer and aim for the top.
I say this because most new authors think that when submitting short stories, or flash fiction, or poetry, you need past credentials to publish with the highly-ranked publications. That's probably true but the logic is backwards. By the time you're good enough to publish in the highest ranking magazines, you've probably already published in a lot of others. Don't settle, you have nothing to lose.
Let's look at two scenarios. One in which you believe in your writing and one in which you don't.
The confident writer starts submitting to all the top publications. They submit, wait for a rejection, and submit again to a different one. They slowly work down the line until finally they hit the very top of the range of publications that are willing to accept their work. They now know what market they have a chance in and what markets to read from to improve.
The insecure writer starts submitting to all the unknown/unpaid/unvetted publications. They need to build credentials before they can submit to the preferred publications, right? If they don't get scammed out of rights they slowly move up the line of publications. They stop when they get accepted by the very bottom range of publications that will pay them the least amount, or give the least exposure, and think themselves lucky. And now they find themselves gaining much less confidence, and much less understanding of the markets, than if they started from the top. They'll have markets they believe they have to learn from when really they've surpassed them.
Even in the worst case publishing scenario: only one market accepts your publication at the very bottom, the only thing that is lost by being confident is your time. With any other publications willing to accept your work, you're guaranteed to get the better deal by being confident. Starting from the bottom is only self sabotage.
You may get more rejections (or even fewer than you think), but if you keep your head up and keep pushing, it'll be better for your writing and your confidence in the long run.
Besides, you'll probably be scammed less if you start with the ones that everyone trusts.
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nobrashfestivity · 4 months
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Julian Beck, Anarchy, Fuck You Magazine, 1963
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LIFE, February 11, 1926
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adreamingskin · 3 months
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Poetry Competitions, Submissions & Opportunities – February 2024
We’ve made it through the longest month and to celebrate here are over 160 poetry competitions, writing submissions and opportunities open or with deadlines in February 2024. Here in Ireland, we’ve been celebrating a Bank Holiday weekend dedicated to Brigid, our other national saint, and I’ve put together a short Imbolc/Brigid writing prompt to spark some creative ideas and there’s even a Brigid…
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hospital-wh0re · 1 year
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ash, tracy k. smith // house md 
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sweatermuppet · 3 months
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the Beneath Issue of Beaver Magazine is live & free online right now! it is the first ever magazine ive edited for & i am immensely proud of the pieces i was so generously allowed to read & select
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yeswearemagazine · 9 months
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Untitled, Lithuania, 2 023 © Giedré Kuskytè :
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garadinervi · 5 months
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«Stereo Headphones» – an occasional magazine of the new poetries, No. 8-9-10, 'Time and Space Fictions', Edited by Nicholas Zurbrugg, Kersey, 1982 [Fondazione Bonotto, Molvena (VI)]
Cover Art: Sebastiào Resende (photograph), Lourdes Castro performing live in 'The Four Seasons'
Contributors: Samuel Beckett, David Briers, William Burroughs, Lourdes Castro, Henri Chopin, John Christie, Thomas A Clark, Sten Hanson, Bernard Heidsieck, Susan Howe, Ernst Jandi, Marjorie Jenkins, David Johnstone, Robert Lax, Friedericke Mayröcker, Berry McCallion, Tom Philips and Nicholas Zurbrugg
Extra material: Henri Chopin, and Bernard Heidsieck
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