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#parallels are like my favorite thing
evilwickedme · 9 months
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I just. Ugh. Oh my God. The fucking PARALLELS this season of Good Omens. Y'all know I'm an absolute fool for a good parallel, so to get so many? I'm so well fed today
Crowley and Azira are like, the definition of soulmates of the kind that are made, you know? Like there is no one single other being in the whole of Creation that shares even a fraction of the same experiences. Six thousand years in the making, this ship is - even more according to this season !!! And YET, they are absolutely brand new. They've never been in a romantic relationship - not with each other, not with anyone - and as Crowley pointed out, they've essentially just gotten out of toxic relationships with Heaven and Hell. Except like, not really? Because we see Crowley really got out Heaven so heavily traumatized he never really put all that much stock into Hell. Yeah, Hell might've still been abusive, but Crowley was halfway out the door the whole time. Azira, tho... He still buys into all of it. He's technically out the door, but he hasn't done any of the deprogramming you need to do in order to move on (I feel like I'm mixing my metaphors a little by using cult-related languages, but also abusive relationships are essentially two person cults, so)
And this season sets this dynamic up so perfectly with Nina and Maggie!!!!! And we're supposed to think that Nina is Crowley because she's dark and broody and Maggie is Azira cause she's frankly precious but really it's the other way around and it's Nina who finishes the season being like "I can't be in a relationship right now because I still need to work on myself having just ended an incredibly toxic relationship" and it's just. Nina and Maggie don't end the season together because that's not what they need right now and bc of that they might still be able to be together later, but Crowley and Azira hold onto each other SO DAMN HARD that they end up losing each other SPECIFICALLY BECAUSE AZIRA CAN'T DO THAT SAME THING OF UNPACKING HIS BASE ASSUMPTIONS it's like leaving a cult cause they were mean to you once but still buying into the new agey stuff they used to love bomb you into joining the cult in the first place
And so that's the relationship part of things but also we've got like soo many parallels showing how broken the system is in the first place and obviously ineffable bureaucracy is what stands out here because of the literal lines coming out of various characters' mouths during this plotline but can we talk about how heavily brainwashed Muriel is and how clearly they're supposed to be exactly like a young Aziraphale, one who doesn't "have" Crowley yet!!! Like tell me that if you gave Muriel a fiery sword and told them to watch over the first ever pregnant couple in history they wouldn't give them that Goddamn sword. Nobody on either side is capable of questioning their position in life without exposure to Something Else, but it doesn't have to be like, the being you're going to run off to alpha centauri with. It could very much be a copy of The Crow Road
(sidenote, has anybody read this book? It seems like an incredibly deliberate choice but I've never heard of it! I think I might send in an ask to Neil Gaiman himself if I don't see any meta soon)
Anyway yeah um. I don't know how to end this. Parallels and shadow selves fuck (double entendre)
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daechwita
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emblazons · 11 months
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The forever saga of Dustin radioing for Byler knowing we always need Mike and Will (but always struggling to reach them when he—we—needs them the most…and losing the world the one time he doesn’t find them in S4)
Loving that Max is here for almost all of these too? But. Ready for the “feel like you lost” to be over, & for Byler to be on the same page + reachable together for the party in S5.
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wretchedraymond45 · 11 months
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mettatun 🩷
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minish-mae · 7 months
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I saw a thread on twitter comparing Bambi 2 to MDZS and so, with that logic, I proceeded to make some angst :)
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digirainebow · 3 months
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things that are (probably) true now that we have canon birthdates for the oxenfree characters
the events of the original oxenfree take place on june 4th, 2016. if taken into town, nona reveals that her birthday is in 3 days. since we now know that her birthday is june 7th, and that lost signals takes place 5 years afterwards in 2021, we finally know the exact day the first game happens. yay!
clarissa's birthday happens to fall on the same day that anna was killed. as maggie writes in adler letter 9, april 4th is the day in 1952 that she and anna tried to bring the sunken back.
last year, ren went to the movie theater and watched oppenheimer with nona (and clarissa) because she wanted to see it, even though he wanted to go see barbie, and it was his birthday that day.
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palettehao · 2 years
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I 100% believe when they filmed the roller rink fight the duffers straight up showed Finn & Noah the rain fight and said "You remember this? Do it again."
There's no way the two scenes match up so perfectly without them having to be directed to mirror the rain fight. Like it's not even Mike and Will's positions, it's the facial expressions, the hand movements, the delivery.
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Every single thing match's up perfectly and it's driving me crazy
(I highly recommend looking at any TikTok edit of these two scenes together, the whole parallel jumps out so much and in an angsty way, it's fun)
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optiwashere · 10 days
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Weird day of reading today:
Stared at Locked Tomb for a few minutes as I thought about rereads, but at this point I'm just gonna wait for Alecto to go through the series again. I don't think I'm emotionally strong enough atm to endure the memes again anyways.
Reread an old manuscript for a novel that I never finished. 48k and it's just immensely harrowing with a really brutal ending per the outline that I don't think would ever make it past editing lmao. Looking at when I wrote it, that makes a lot of sense. One of the only first-person POV things I've ever written, and it was surprisingly all right. I'd probably rewrite this as third-person close if I were to revisit it. Cool world that I didn't really utilize as well.
Picked through some highlights of Gormenghast and buried myself in indulgent, decadent prose for a while. There's singular clauses with more creativity than entire stories I've written. Just means there's more to aspire to, I suppose!
Wanted to reread some passages from a few Robin Hobb books, but I cannot remember which book is which within a series because all of her novels have just the worst titles. Just meant that I waded through beautiful moment after beautiful moment in search of what I was after. Then wound up reading the ending of Elderlings all over again, much to my heart's deep sorrow.
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sophfandoms53 · 2 years
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SINCE NO ONE ELSE HAS DONE IT, I DID IT MYSELF
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catharusustulatus · 4 months
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Steve and Robin play hangman when they’re bored at work and Robin never wins because Steve spells words incorrectly during his turns, always ends up confusing his e’s and a’s. But they’re undefeated at Pictionary, can guess what the other one is drawing in a single line. Dustin always thinks they’re cheating.
When his parents are gone on weekend trips, Robin will come over and the two of them will watch movies all day and bake banana bread. Steve loves banana bread. Robin can’t stand when people chew with their mouths open but not Steve, who braids and unbraids her hair and talk-chews through the whole first half of St. Elmo’s Fire (her pick).
Steve once tried to color coordinate Robin’s closet as a surprise and it did NOT go well. Robin didn’t talk to him for two days, she was so upset. But Steve understands, he really does, when she explains what’s wrong over the phone. When he knocks on her door after dinner with a new mixtape, they end up driving around aimlessly until the tape is over and all is forgiven.
Robin holds Steve’s hand when he gets bad migraines, strokes up and down his arms when he has to put his head in his hands. Understands when certain days are bad days, quieter and gentler with him. She always keeps an extra pair of sunglasses in her school bag, just in case.
They haven’t talked deeply about the monsters, but they know each other’s favorite songs and foods and colors and their celebrity crushes and jean sizes and allergies (Robin can’t eat shellfish). They have done karaoke for longer than three hours and peed their pants laughing and have seen each other naked and have sat in complete silence, comfortable on Steve’s leather couch and happy just to be in each other’s company, their favorite person the other person in the room.
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evilwickedme · 10 months
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Thinking about how grief is such an important throughline in Spider-Man mythos and how that expresses itself in Spider-Verse
Peter's entire character is built off of that one death of Uncle Ben. We've never forgotten Uncle Ben, not ever. Peter B says: "if not for Uncle Ben, most of us wouldn't be here." And even when there is no Uncle Ben, there is still that foundational loss - Gwen's Peter, Miles' Uncle Aaron. These characters loved someone so deeply that causing their death, even indirectly, forever changes the entire trajectory of their lives
And there's this incredibly understandable, undoubtedly human need to assign meaning to grief that, in the Spider-Man mythos, generally expresses itself through the oh so famous line, "With great power, there must also come great responsibility". This is how Peter learns that he can't just use his powers to benefit himself, that he's required to use it to help humanity as a whole (I've spoken on this matter before, but that's not important here)
But this is not the takeaway Miguel has from his loss, exactly. His irresponsibility cost not just his family, but his entire world, and therefore, he feels like he must take every single universe under his wing. There is no deviation, no room for human error. The things he did must have broken the natural order of things, and if that's the case, to prevent any future problems there can be no deviations from the Plan. There is no room for human error or even human ingenuity
Peter B tells Miguel that he's the only Spider Person who isn't funny, and I do think that that's relevant to this. I think ideally the Spider-Man hero archetype believes in the goodness of humanity, and part of that is creativity and breaking the rules, and humor is based on subverting expectations. The laws that Miguel imposes on every single Earth are directly antithetical to this concept
If anything, Miguel's grief is the aberration. Peter B was entirely broken in ITSV due to his losses, but he still believed in Miles, our representation of that hope, of that human ability to change, of that challenge to the idea of what Spider-Man could be. Miguel isn't capable of seeing that hope, that glimmer of something more, because he's still blinded by his grief, still unable to look past it and see a different future
Ideally I think BTSV should deal with this grief. Not just Miguel's, but also Gwen's, and Miles', and the entire concept that the Spider-Man mantle needs to be defined by death and loss. But what do I know I continue to be 100% normal about this movie no doubt
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I need more skip x norman content asap and I'm not talented enough to make my own. Somebody please heed my call.
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emblazons · 11 months
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That Feel When: you realize Wheelers freaking tf out over emotional (and physical) distance with their Byers is a shared family trait
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I love Byler² lmaooooo
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novelconcepts · 9 days
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not fic related but you and your wife seem so happy! any advice for a couple of newly married queer ladies?
Hey, I love any excuse to talk about being gay and happy! Congrats on being newly married! I dunno, my advice is always really straightforward. Like. Keep prioritizing communication, keep talking to each other about your day, your headspace, the stuff you love, the stuff that freaks you out. Keep that line open no matter how long you're together, because I really do think marriages fall apart when you start just assuming you can read one another's minds. My wife and I are always really careful to be honest with one another; for example, in the event that one of us is having a bad day and the other person's jokes aren't landing, 'cuz we're just sensitive that day, we talk about it. it soothes hurt feelings before they can really take root.
And find ways of making your own fun. Try new foods together, travel if you're into that, remind yourself that intimacy (if that's your bag) is an excuse to just play with one another and learn about the other person. Cherish the comfort of knowing your person is there for you no matter what, make sure you're on equal footing together, make sure you're allowing each other the space to change and grow and learn. And just take as much joy as you can out of being in love. It's not an easy thing, living in the world right now, but love makes it a damn sight more bearable. Queer love is awesome, queer joy is awesome. I wish you all the best, friend.
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aparticularbandit · 9 months
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meta i want to write but probably won't:
chloe is very clearly meant to be the dark parallel to kirika (most evident when we see kirika in true noir mode), but altena is meant to be the dark parallel to mireille.
(and altena's relationship with chloe is meant as a warped sort of parallel to mireille's relationship with kirika. altena pretends to love chloe, but if her hate can save quote is correct, she never truly loved her and only used her as a means to an end. mireille, from the beginning, intentionally said she was using kirika as a means to an end and pretended to hate her, but ended up truly loving her.)
...i could be so much more specific in meta but idk if i actually want to. write that essay.
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thermesiini · 1 year
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I REMEMBER what i was going to say. vanitas (character) is also vanitas (concept) and an allegory for a cycle of systematic suffering and abuse that exists haplessly and without purpose. noé right from the start is in denial over the existence of such useless suffering (thinking he can save mina) and continues to deny this by writing the case study of vanitas, his futile attempt to scrape off some meaning from such a bleak allegory. while he can understand that killing vanitas is a form of salvation for him i don’t think that can come to terms with the fact that vanitas did suffer at all. so to write the case study of vanitas, trying to go over the events of their lives together, and trying to piece together vanitas the person he ends up disrespecting his existence altogether, simply by over scrutinizing it. vanitas did not want to be remembered. by saying he wanted to erase the existence of the votbm, he is saying he wants to erase his suffering from this world. what noé does with the case study is essentially immortalize it, because he is selfish, naive, and wants to understand something inscrutable. rather than taking comfort in the fact that vanitas can continue to exist in his memories, like how he will tell him as he dies (i won’t die noé even if i’m no longer here) noé bastardizes these memories and turns them into something almost masturbatory
#also i think thag like noes obsession with vanitas is in part because he is unable to recognize his own suffering#like there are parallels between their stories#having their caregivers die being orphaned like twice and being taken in by child experiments guy number 1 and number 2#and being sexually assaulted multiple times#the difference is that noé is an archiviste. the only thing he knows how to do is be the narrator and witness vanitas (concept/allegory)#from a third perspective. so it’s not just (or even not really) vanitas pain that he’s coping badly with but his own#i started off trying to focus on the allegorical things instead of the literal character things but whatever i’m not fixing it#i got a fucking hot chip in my eye while typing this and have been crying it out since#didn’t get a desecrate in here because i already used all of those up today and yesterday but YES i squeezed in a masturbatory#<- current favorite words to say#also this definitely ran off in a different direction because my ideas on what noé stands for allegorically speaking aren’t totallydefined#he is a narrator as well as the sole witness to the allegory thus existing somewhere in between narrator#and audience. this also makes him the only real guy in vnc#and i was going to talk about like how vnc is just mochijun thinking about how miserable her fans make her#like noé being in crazy denial over the allegory he fell in love with that he completely disrespects what it’s trying to say for the sake#of his own comfort#much like how readers will often ignore what a text is trying to say for the sake of their own comfort hmmmmmm
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