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ofswordsandpens · 4 months

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what do you think could’ve been done better regarding camp half-blood besides spending more time there/pacing? i’d love to hear your thoughts!

!! okay I know you're specifically asking for things that could have been done better beyond spending more time at CHB, but straight up that one issue is really the crux of everything. -- The time we spend at CHB before the quest in the show is half the time we do in the book. (And for a different frame of reference, the book is aprox. 40% over by the time the trio is leaving camp borders.)

And since the show runners halved the pre-quest chb runtime, as a result we lose quite a bit of content that helped to establish context, tone, foreshadowing, character dynamics etc.

Because we have to prioritize Percy and Luke's relationship in the show, it forces the rest of the relationships that were established in CHB in the book into the background, (or simply makes them none existent):

We have pretty much only ever been told verbally about Luke and Annabeth's bond by this point (episode 5). They have a two second interaction at camp that's not particularly noteworthy and that's that. Imo that's not particularly compelling story telling lol. We'll likely (hopefully) get something from episodes 6-8, but I maintain we still should've gotten something more substantial between Luke and Annabeth at camp. I've said before, at bare minimum the show should have had Luke see them off at Thalia's tree like he did in the book.

I've mentioned this before but Annabeth and Percy's dynamic had a much greater establishment in chb in the book because she's the one that's his guide at camp and she actively seeks him out more. In the show, we have to give this role to Luke and while I can give this change between book to screen more leeway because, yes, we have the entire quest to build Percy and Annabeth's dynamic, I still didn't like that it pretty much forced Annabeth into the periphery in the show. As a result, it made her seem a lot more distant and aloof than she ever was in the book. (Shoutout to Leah's armor strap improv, she's doing more for Annabeth than the show runners are).

2. We don't really get see the effects of Percy being claimed as Big Three Kid at camp:

Yeah, Percy moves into the new cabin in the show but then almost immediately after he's off on his quest. Meanwhile in the book, Percy's claimed as a big three kid... and then we see how it ostracizes him.

He misses being in the Hermes' cabin. Campers avoid him. He sleeps and eats alone now. He has to have solo lessons with Luke because the others are scared. He's miserable! And none of those experiences were translated to screen.

Again, they told us that big three kids are taboo, but have not shown that impact.

Like the difference in reaction during the claiming scene between the book and the show pretty much sums up this discrepancy.

3. General loss of foreshadowing and tone:

Because we don't get as much Annabeth, we lose how in the book, she had been aware that something was wrong with the gods and surmised that something was stolen long before the quest. She shared this with Percy. It was a great showcase of her intelligence. It helped set the tone that something was wrong before the quest even stared. And all of it just, didn't really make the cut.

The hellhound attack also didn't make it and its just another loss of foreshadowing. Luke was straight up trying to kill this kid from day one. Percy was not safe even at camp. Things weren't okay ever.

The weather! Yes the boundary keeps the weather mild at camp but in the book Percy remarks on the huge storms that surround them at one point. Before he leaves there's a storm so bad approaching that the campers are nervous. Even before he got to CHB there were "inexplicable" storms all the time. I wish this had been maintained in the show even beyond the camp. The gods, Zeus, they aren't happy.

Also, I tried rewatching the episodes to find this convo but I couldn't so please let me know if it's there somewhere but I don't think Luke conveyed anywhere in the show that his quest "messed things up" for anyone? Like, sure, they could include this at the end, but I think it's more impactful when we see more hints of his bitterness early on.

4. Minor Nitpicks + More things I miss:

Annabeth should have gotten soaked by Percy's Supreme Lord Bathroom moment like she did in the book. Percy had flooded the entire bathroom and she wasn't speared. In fact, Percy was the only person who wasn't wet.

The self-filling goblets in the book + the blue Coke moment.

I wish the show had Percy like, white knuckling his minotaur horn refusing to let it go. In the book he saw it as the last souvenir of his mother, refused to let anyone else hold, and was afraid it would be taken.

Rip Argus :(

#oh I've been waiting for this one TURN IT UP!!#pjo show crit #edit: I said foreground instead of background nobody say anything :(

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chiocchi · 4 months

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If you don't mind answering, why do you ship Tom Riddle and Harry Potter? Besides the whole issue that they are enemies, and the age difference, both characters are heterosexual. It's canonical fact. If it's the dynamic you like... Have you thought about Tomione's ship? They have a lot of potential together. And in the right direction, they would be a couple that could make it in the books.

JDKLJKLFJSDLKFJA This kinda feels like people knocking on your door and trying to get you to believe in their religion. It's pretty funny.

I don't know why are you calling issues to a part of the pairing's appeal lkajdsjfs (And Hermione is Harry's age and they are on the same side too?). And not sure about that canonical fact. Harry can be read as bisexual quite easily and Voldemort|Tom... idk he seems more obsessed with power, immortality, and Harry. But even if that's the case, I don't see why it should matter. We're in fandom after all.

I don't know if I'll be able to convey why I like this ship so much. For starters, I'm really into the unique connection they share. There was a piece of Voldemort's soul inside Harry's; they had a mental link; a whole language they're the only ones to speak (for the most part); Voldemort chose him and marked him; and there's even a prophecy that linked them together. There aren't two people more connected than them. They're soulmates, and the fact that Voldemort didn't intend it and Harry hates it adds another layer of complexity.

But not only that, they're like a broken reflection of each other, which I find fascinating. In his second year, Harry was worried about the similarities between them. Both half-bloods, orphans, raised by Muggles, they both considered Hogwarts their first real home. I feel like they would have really understood each other in other circumstances. They would have been friends. Because one of their key differences is that Harry found friends and adults that loved him while Tom was probably bullied and, y'know, the whole Dumbledore thing.

Not to mention that Harry would die for everyone whereas Tom would kill everyone. They're insane in their own way. I love their similarities and differences, but more than anything else, I love when they're together. The fanfics and fanarts are awesome.

And the whole thing of being enemies feels quite gay sometimes klafjdlskfja. Harry can't help but think Tom is handsome and, despite everything Voldemort did, Harry wanted to give him one last chance to show remorse. I have no doubt Harry is crazy enough to actually forgive him.

I've thought about Tomione and I've come to the conclusion that I don't like it. pinktom has a really good post about it and I agree with it. Besides, Hermione liked Ron and had something with Krum, and they're nothing like Tom. Just because she's heterosexual doesn't mean she's attracted to any man, y'know? klajdlfkdjs I don't think they would have been a couple in the books, no matter the direction. If it's the dynamic you like, have you thought about Tomarry? More believable, more intense, and a wider range of wholesomeness to fucked up in the fics. It's really interesting. Unless you don't like men being together? Hmm? Suspicious (just kidding. To each their own. So no need to go to other people's asks to try to change their minds :kek:).

Also Harry is my favorite character and he's not replaceable. I kinda don't care about any other character tbh. Thank you for coming to my Ted talk.

#weird asks

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royboyfanpage · 2 months

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Okay, let's talk about Ollie's experience with fatherhood.

I'm an Oliver Queen apologist forever, but I think that there's a tendency in fandom to go one of two ways- "absolutely perfect dad, no flaws whatsoever" or "evil abuser who shouldn't be within six miles of a child". This isn't an Ollie exclusive phenomenon, a lot of characters and topics do fall into that black-and-white mindset. But the thing is- Ollie doesn't have to be either extreme. Particularly with Roy, who most of the debate centres around, Ollie wasn't perfect! I think there's such a rich discussion point in terms of young Roy's relationship with Ollie, so much more than just That Panel. Because, in my interpretation, Ollie absolutely cared about him, absolutely saw him as a son, but also the idea of being a father is something that deeply terrified him. The idea that this literal child being dependent on him made it feel more real, if that makes sense. Coming to terms with the fact that he was responsible for another person's life was difficult for him, and so he put up this wall- hero and sidekick. A conceptual dynamic, one that's not based in reality. He can keep that distance between himself and Roy and decide what that means, he doesn't have to be a father because that word has so many strong connotations, but he can still express that he cares about Roy, in his own way. That's why he always calls Roy 'Speedy' even out of costume, that's why his first thought is that Roy's undercover in Snowbirds. He can focus on being a good mentor to Speedy, which will have a trickle-down effect to being a good guardian to Roy, right?

Unfortunately, kids' brains don't work like that! Especially not a kid who's already lost two fathers. Roy needed a stability in his teenage years that Ollie just wasn't able to give at that time. He didn't see "Ollie's nice to me as Speedy because he loves me and doesn't know how to show it", he saw "Ollie's nice to me as Speedy, which means I'm only good as Speedy". This, at least in my opinion, is a major factor in Roy’s later self-esteem issues. Roy’s constantly underestimating himself as a hero, constantly comparing himself to Dick, and pushing himself 24/7 to improve because he internalised the idea that if he’s good, if he’s the perfect hero, then he’ll be loveable. He can’t be bad, he can’t fail, he can’t back down because if he does, he’s nothing.

It’s absolutely not Roy’s fault, but also this doesn’t mean that Ollie’s an evil neglecting abuser, either. Even the best parents fuck up, and Ollie was by no means the best parent. He took in Roy as a sidekick, as a buddy, and then never really found a way to combine the ideas of sidekick and son. He assumed that Roy would be able to interpret meanings behind gestures, which is something that Roy seems to struggle with even into adulthood. I’ve talked about it a fair bit, Roy’s absolutely someone who relies on the explicit, but he’s also not someone who’ll ask for clarification, which has caused conflict in his relationships time and time again. And while it's something he has gotten better at as he's gotten older, a 12-18 year old Roy would absolutely not be able to read Ollie's motives.

And Ollie's fear of fatherhood isn't something exclusive to Roy, either. Sure, he'd gotten better at it by the time Connor and Mia entered the picture (speaking as an oldest child myself, we are the guinea pigs of parenting, I was my mum's sibling), he absolutely still expresses this with them. I mean, just look at his face when he finds out Connor's his son.

That's the face of a man who's just had the crushing weight of parenthood slammed down onto him again, the moment Connor stopped being an ally and started being his responsibility. He's scared, because Ollie absolutely does not see himself as a good father for someone to have. This was very much present during Roy's teenage years, but particularly since this is post-Snowbirds. Both in terms of Roy developing a drug addiction and in terms of Ollie's own initial reaction to it, he immediately spirals. And, since we've already established he does not know how to process things, he lashes out at Connor.

And as for Mia, he's definitely matured significantly by the time she comes into the picture, and compared to with Roy he's a lot more open with his feelings. However!

He still won't explicitly accept the responsibility of fatherhood! Despite acting like a father to Mia in every way through his actions, he still won't use his words! Even though in the issue following, he expresses a paternal protectiveness over her.

And I think Mia's HIV diagnosis is maybe one of the biggest examples of his distancing himself and hiding his feelings, particularly when Connor asks him how he's feeling about it.

He's so fine, so totally fine, trust him when he says he's fine, totally not freaking out. He's absolutely not terrified for his not-daughter, no way.

Ollie has this fear that if he gets too attached to his kids, he's gonna end up failing them. If he keeps a distance from them, then he can't blame himself when they get hurt. Is this good parenting? No! Absolutely not! But this is also the man who dresses up as Robin Hood and who chose to die rather than lose his arm. This is not a healthy man.

But he tries, he tries so hard, even if it's in his own way. And he recognises when he fucks up! And he tries his best to mend it later on!

He's not the best at showing his kids that he loves them, but he's so proud of Roy when he becomes Red Arrow. He comes back to life to save Connor. He stands by Mia's side when she gets diagnosed and becomes Speedy. He's not a great dad, but goddamnit he's trying to be.

In conclusion, no, Ollie is not the perfect father. He's deeply flawed, and his own emotional incompetency has been and always will be a point of conflict between him and his kids. But he's not some uncaring abuser, either. He's trying.

#oliver queen #green arrow #connor hawke #roy harper #red arrow #arsenal #speedy #mia dearden #arrowfam #dc comics

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gffa · 11 months

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If you want a Star Wars discussion, do you have thoughts on Anakin changing Ahsoka's lightsaber colors in TCW s7 and what we were intended to understand from that? Because it seems like such a violation, but that's clearly not the intended message behind that scene and it seems so weird to change the color for a few episodes only for her to throw them away anyway and get new ones the next time we see her.

I actually do have thoughts about this! And I think we actually are meant to find it a little "ehhhhh" because Filoni says that was the intention: "Him tinkering with her lightsabers while she is gone shows that he was always thinking of her. And the lightsabers are then a representation of her in the story, and his thoughtfulness regarding her. His changing the color can also be seen as him exerting control, or being too protective, which is very Anakin. He means well, but often takes things too far when trying to express how he feels. Changing the sabers, modifying them, improving them shows his care, but also his ego--something that Ahsoka is familiar with. So the simple adjustment of the lightsaber color serves as many aspects of the relationship between the two characters.” And this is an instance where I actually really agree with Felony, I think it's both things at once, that it's both a sweet gesture and Anakin's desire to control her, to forcibly hold her close to him, because that's what Anakin desperately wants of his loved ones, that's his whole big issue in the Star Wars story, that he can't let go of anyone or anything, not when it really comes down to it. That's why, as Lucas says over and over, he becomes Darth Vader, because he can't let go of people, even when it's time. Changing her lightsabers to match his color, it's a way for him to express how much he still cares about her, how much he's thought about her, how much he wants to do for her, it's a way of expressing a connection between them, because a lightsaber is so central to their lives, it's the housing for their kyber crystal, their semi-sentient rock that bonds with their soul. This is Anakin's way of expressing that she matters to his very soul. But it's also Anakin thinking he can just go in and change that connection someone else has in their soul, he can just change something that was a defining part of her--kyber crystals matter to a Jedi, they're each unique, that's the crystal they faced a trial to get, one that was about their own heart and their own issues they needed to overcome. It's Anakin trying so desperately to hold onto her, his ego thinking that his way is the best way and that he can't let others exist as they are when they're distant from him, that leads him to change something that's not his business to change. It's a sweet gesture. It's a warning sign. It's something in between. It's a representation of the complicated relationship that has both good and bad in it. That's why I'm okay with them retconning it, because it's such a good metaphor for both the joy and the hurt in Anakin and Ahsoka's dynamic.

#anakin skywalker #ahsoka tano #meta #lightsabers

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artbyblastweave · 2 months

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Okay, Time for that belated Shrinking Rae post-

In the comics, Shrinking Ray's "arc" (bearing in mind an extremely liberal definition of that term, they had exactly one scene showcasing this) was that he was implied to be developing an inferiority complex; he's not necessarily incompetent, but he's out of his niche, his clever shrinking-based plans kept getting upstaged by brute-force solutions from the more conventionally powerful heroes like Invincible. He's the scrawny, nerdy little guy with the joke powers, he never gets a win, and in most fights he literally isn't visible. In the fight with the Lizard League his death is framed as pathetic and ineffectual- there's one or two panels between "I'll make you pay!" and getting eaten alive by Komodo. All of this is doing a couple of things- it's emphasizing that again, this is in fact a story and setting where superheroes sometimes just die really badly with limited fanfare- a thing that IIRC hadn't happened since the original Guardians team wipe in issue 7. Second, it's an indicator that the new Guardians are structurally kind of on the ropes. They're heavily staffed by second stringers, they exact second they have to split their forces they suffer a 66 percent casualty rate, and that's with backing from two capes who aren't actually part of the team. Grim! Anyway, when they do the adaptation Shrinking Ray becomes Shrinking Rae, because they want to tweak the gender balance of the cast and the pun is too good to pass up. But I think that there was a reasonable reluctance to transfer the "arc" from the comics one-to-one, because to be blunt, "Ineffectual Nebbish Glasses-wearer who whines a lot and dies pathetically," paired with absolutely nothing else, is gonna read as misogynistic if the character is a woman now. So in the adaptation Rae is markedly more competent. We're introduced to her taking down a much larger opponent by fucking around inside his ear canal, which becomes a favored trick of hers. There are traces of the self-esteem thing- the visual gag where she physically shrinks about a foot when getting chewed out in the briefing- but the overall throughline isn't "look at this loser who somehow ended up on the guardians." In the Lizard League fight, she doesn't get eaten- she's deliberately trying to execute a Thanus maneuver and just fucks it up, seconds after successfully killing a different villain the same way. And there's a second where it looks like it might work, too, before hope is cruelly yanked away. Which makes for a markedly cooler death scene- but who died? What was actually going on with her? Anything? In some sense she's cooler, but it's kind of an undifferentiated cool. She had what, Six lines? Seven? On balance I think Rae is still doing her fundamental job in the story, which is to pad the Guardians roster for a while and have someone who actually dies and stays dead as a result of the Lizard League fight- but I think they definitely missed an opportunity to give her some more texture than her comic counterpart had. Part of me thinks that the show would have been a good place to go even harder on Shrinking Rae being in over her head, but in a considered way, to emphasize that the Guardians aren't well managed- maybe tie it into the tensions between Robot and Immortal regarding sustainable team management practices. Part of me thinks you should go the other way, that if you're gonna do away with the idea she's underwhelming you should blow up her role, have her actually say and do some things that affect the story or the team dynamic in any noticeable way, because as it stands she's kind of visibly siloed as the designated mauve shirt. I'm definitely of one mind that this showcases something I suspected was gonna bite the show in the ass, which is that they're (laudably) diversifying a secondary and tertiary cast whose main role in the source material is often to die badly or fade out of focus.

#invincible #shrinking rae #invincible spoilers #thoughts #meta #invincible comic #invincible season 2 episode 5 #800 words of meta on a character with six lines and a brooklyn accent jumpscare

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absolutebl · 5 months

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Hey. Ty very much for your posts. As a woman in my 30s I got hypnotised by the beauty of the novelists and was wondering if you had similar high heat intense recommendations (also watched the samurai one "taboo"), bi or mlm with older leads and non fluffy storylines.. Moody atmospheric and venomous is my weak spot

Moody, atmospheric & venomous BL

Like, the Novelist? really?

AKA Pornographer movie series AKA The Novelist, Mood Indigo, Pornographer Playback (Japan 2018-2020) - emotional manipulation, cheating, obsession, seduction, May/December, kink, touch of necrophilia, explicit.

Okay I got one right off the bat: seek ye....

The Cornered Mouse Dreams of Cheese

AKA Kyuso wa Chizu no Yume wo Miru (Japan 2020) - obsession, cheating, breakup, reunion, then break up again, explicit, mature characters.

Now let me think about some more:

high heat

intense

non fluffy

older leads

The last one is a doozy, so I'm not gonna use it as a qualifier. BL is most, well, about "boys" not men.

Some others that might work for you but don't meet all your criteria:

Your Name Engraved Herein (Taiwan 2020 Netflix) - this movie is fantastic but it is also seriously depressing, it’s a self acceptance journey, but if you wanna wallow in high quality acting and serious gay drama, this’ll do it.

Innocent (Taiwan 2021 GaGa) - mental health, childhood trauma, actually kinda sweet.

The Eighth Sense (Korea 2023 Viki - This isn’t in the KBL bubble, there’s sharp edges and lots of triggers. For a KBL the darkness of the content left me feeling unsettled but it's really damn good.

My Personal Weatherman AKA Taikan Yoho (Japan 2023 Gaga) - Basically: boys who fell in love in college end up living together but both are so repressed they actually don't realize they're in love. They're hot, young, in love, and total idiots.

I Feel You Linger in the Air (Thai 2023 grey or YT) - IFYLITA is an exquisite BL, elegant and classy… from Thailand which normally doesn't even try for classy. The main couple (both as a pair and individuals) were excellent, it gets hot more that explicit, but it does have sharp edges.

Tokyo in April is AKA Shigatsu no Tokyo wa (Japan 2023 Viki) - Two young men with a shared tragic past reunite and fall in love all over again, but the past will not stop hunting them. It’s Japan in full on soft focus which means it gets emo, abusive, and chewy. These two characters are giving parts of their souls away in a desperate attempt to shape themselves to the expectations they have of each other it's heavy and cutting.

Moonlight Chicken (Thai 2023) - I enjoyed this complicated little show, even though it’s spectacularly messy gay with lots of shrapnel and authentic pain. EarthMix turn in their most compelling performance to date.

Bed Friend (Thai 2023 IQIYI) - Office frienamies transition a flaming hot one night stand into a f-buddy relationship that is built on a puppy/cat dynamic (and kinks into it at one point). Our puppy is loyal, smitten, and protective with endlessly longing eyes, while our cat is snarky, prickly, and deeply damaged (ALL THE TRIGGERS). NetJames give lovely high-heat with excellent chemistry and tuned-in performances of surprising depth.

Big Dragon (Thai 2022 Gaga) - This is a decent execution of true enemies to lovers, these two spy on and bully each other, exploring darker themes and self worth issues. The way the leads transition between anger, resentment, titillation, and flirting (and the way, with kinksters, this can all be the same thing) is really well done. A pairing that proved itself to be a lot more sophisticated than I expected with excellent chemistry, but something went askew around plot, directing, and ending. Still if you're in it for the sexy, go to, they did.

My Beautiful Man AKA Utsukushii Kare (Japan 2021 Gaga - One of the most Japanese BLs to release in the last decade, as weird and as messed up as any 2000′s yaoi: emo af and hella warped, entirely true to itself with no attempt made to modify its POV for modern sensibilities or current BL fandom. It used seriously old school problematic and kinky tropes, like whipping boy, for a truly uncompromising piece that also manages to hit up themes of communication, consent, and self acceptance. It’s a wonderful BL but uniquely dirty and harsh, in the best possible way - Japanese cinema, uncompromising.

End of the World With You

Junjou: Pure Heart

The Egoist

No thoughts on those three, not my thing.

You also might consider some of the stuff on this list:

Hope that gives you some options!

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leahsgf · 9 months

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hey!! i love your writing omg, could you please try write some relationship headcanons for jackie x reader? thanks <3

dating jackie taylor headcanons

pairings. jackie taylor x reader

finally writing for my favourite character!! to say i got carried away with this is an understatement…i’m apologising now! thank you so much for this request!

for the entirety of her life jackie had been battling with almost two versions of herself, who she truly is and who people perceive her as. it was drilled into her, the need and ‘importance’ to have an uphold a reputation, to be a leader, an example.

but she also has a huge heart and wanted nothing more than to give in to her deepest desires, and unlearn the way of thinking that her parents had pretty much birthed her with.

this would definitely be something that complicated and blurred the lines in her relationships in both platonic and romantic form. she fought off her feelings for you for the longest time, instead allowing herself to settle for any boy that looked in her direction - convinced that it was what was ‘normal’ and that nobody truly loved their boyfriends, they just put up with them. she distanced herself from you massively, which strained your once close bond and had a huge impact on everyone around you, including the dynamic of the team and the way you played.

the tension between the pair of you bubbled up to the point that it was uncomfortable to even be in the proximity of one another, and the team decided to take matters into their own hands, confronting you both and refusing to play until you smoothed out whatever feelings you both were experiencing.

which is what led to the confessions from both sides and the beginning of your relationship.

when you first started dating, jackie was still very much reserved and preferred to keep the fact you were dating private, and only have the team know at first.

(who’s only issue with it was that they now all owed each-other considerable lumps of money after way too many bets)

if you were on the team too, there would literally be a ban on you guys from being within eachother’s eyeline in practices because i mean there’s only so many times you can take a soccer ball to the face and brush it off as anything other than you were too busy staring at jackie to be paying attention to anything else.

jackie would also be incredibly protective over you on the field, in both practice and in games.

if you weren’t on the team, you may as well be. you’ll be sat in the stands for everything, even if it’s just them running over drills. you sit in the same place every time - jackie somehow had an exact seat reserved for you year round, you were almost too scared to ask exactly how - so every time she needed a little hope, or silent reassurance, she’d look your way, and you’d be there.

“my little good luck charm”

one thing about jackie is that she is quite literally the most loving being on the planet. and she will not hesitate to show you it. she loves to be held by you, clinging to you almost like a koala. to hold your hand as you drive together, and playing with your rings as you talk about anything and everything.

jackie loves to take pictures of you, and a lot of them at that. no matter how long you’ve been together, best believe she’ll be pointing her finger at you, insisting you stand still because “you look so pretty” and grinning behind the flash of the camera at any given moment. she’d always been that way, for as long as you’d known her. you guys literally had a physical documentation of practically your entire lives together, from the first day in daycare when you had paint smeared across your face and four year old jackie was half laughing, half trying to eat a crayon on the stool next to you, to each of your date nights when she would stop a passer by and ask them to snap your picture, whilst the pair of you posed, completely and utterly wrapped up in each other’s love.

one day, she would gift you a huge photo album, full to the brim with every single picture you’d ever taken together, and her little annotations of what she was thinking about you in them.

alongside her love for the physical, she loved to do lots of little things to show her love for you like this, whether that be picking up your favourite food whenever you were feeling down, or slipping little notes and doodles through the gaps of your locker for you to read in between classes.

simply being around jackie lifts your mood. she knows exactly how to make you smile and is incredibly sweet and affectionate. she knows you completely inside and out and is your biggest comfort without even realising it.

jackie would say she loves to share your clothes, you would say she loves to steal them. there are endless items of your wardrobe that you’re convinced are gone forever until she walks into the room wearing them randomly. you don’t mind it though, they look cuter on her.

she always buys you more to make up for it.

she also loves to match with you in any way possible, whether it be through matching necklaces, or even just the same sock colour.

she is the one who says ‘i love you’ for the first time. she blushed furiously and actually cried whilst doing so, even more when you said it back, and she still blushes like crazy every time you say it to her.

you heal and bring out a huge part of jackie that she had always repressed without even realising, and are literally ‘her missing piece’ as she calls you. you complete eachother, and balance each other out in ways that are completely indescribable. you also help her see what love is supposed to feel like, and what it has been all along.

over time, you slowly stop hiding your relationship, waiting until she was ready even though everyone could already tell you guys were together.

she’d wait for you after every class, and walk you to each one, her hand in yours.

she’d help you choose outfits for parties, and loved to show you off at any given opportunity.

jackie has your entire future planned out. she always has done, from your college dorm to your future apartment together. she could ramble for days about it and would even make boards if she could.

you wake up with her sprawled out flat on top of you every single morning without fail, no matter what position you fall asleep in. she is also an incredibly light sleeper, specifically when it comes to you touching her. you have to go to the bathroom or get water in the middle of the night so slightly shift her arms off of you? she will absolutely be sat wide awake waiting for you when you return, her eyes somehow even wider and an almost pout across her face.

her favourite thing in the world was to kiss you. to coat your face in her cherry flavoured lipgloss as she planted a trail of kisses from your forehead, down your cheeks to your jaw, leaving a couple on your neck before making her way back up again, pressing one final peck to the tip of your nose before eventually reaching your lips, as if it were a routine. which it was, she did the exact same every single time. one time, you thought it would be funny to turn away from the last kiss for just a second.

she sulked with you for WEEKS. you spent a stupid amount of money on ridiculously extravagant flower bouquets to make up for it.

#yellowjackets #yellowjackets x reader #jackie taylor x reader #jackie taylor #jackieshauna #jackie taylor headcanons #headcanons #fluff

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internerdionality · 6 months

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And just to be clear, it wasn't just Izzy's death or the way it happened that I found incredibly disappointing about that finale. For that matter, while there were some great moments, the entire season felt rushed and incomplete, with a lot of decisions that just baffled me.

The Olu/Zheng/Jim/Archie polycule got no resolution whatsoever and just felt crappily done. It felt like Jim and Olu transitioned from romantic to platonic between seasons and then got shoved at new love interests, instead of actually grappling with the interesting poly dynamics, jealousy, NRE, insecurity, etc., that they could have engaged with. And to be clear I LOVED every moment of Olu/Zheng and Jim/Archie! But it felt like the show didn't believe you can have meaningful romantic relationships with multiple people at the same time, so they had to make it as if Jim and Olu's romantic sexual encounter at the end of last season didn't mean anything and that the two of them are perfectly happy being chosen siblings. This after Oluwande is explicitly described as in love with Jim in the first season! WTF?

It also felt like they just abandoned Lucius and Pete being poly in favor of having a cutesy wedding? Like don’t get me wrong, yay for weddings, but honestly it felt very mononormative and forced instead of queer and affirming. Even if Lucius had like, kissed Fang on the lips right after, or if they'd had more affection shown between the whole crew during the wedding, that would have been something. It just felt off.

Zheng felt like a wasted character by the end. Her just letting Ricky know where all her ships were was unbelievable for how competent and badass they made her out to be, and literally her only impact on the plot was serving as a vehicle to drive Stede from place to place. Also just killing off her entire crew other than Auntie? Hundreds of mostly Asian women? Yeah, that's not a good look.

Why did they feel the need to destroy the Republic of Pirates, for that matter? What actual plot or emotional growth did it create? At the end of Episode 7, I expected Stede to have to grapple with how he's managed to not just bring down Blackbeard but the *entire Republic of Pirates* and *the Pirate Queen of China* to add to his whole "I ruin beautiful things" trauma and instead he just doesn't seem to care at all. Like how did he get from all of his trauma and grief about being inadequate in the first season—the actual trauma that led him to leave Ed in the first place—to "oh, it's not so bad being a failure once you get used to it"?!?! Throughout the season I kept thinking that he was repressing and it would come back up to bite him in the ass but no, apparently he just fixed that issue offscreen? What the hell?

And it was the same with Ed! After all that build up in the first season about how Ed doesn’t like to kill people directly—and maintaining that through the first two episodes, even, which was hard! We never see him directly kill anyone! The guy he shot had already been run through!—he’s literally joking while surrounded by corpses he killed and the show barely addressed the trauma that the character we knew would have experienced. Just a completely dropped note. What happened to Ed's self-hatred that they spent an entire dream sequence episode establishing?

Ed and Stede’s actual conflicts and problems just basically disappeared at the end, with a “oh I actually do love you, babe” glossing over Ed’s very legit reasons for leaving and then Stede (apparently?!?) being convinced to give up piracy without a second of screen time spent discussing it. If felt like they were actually setting them up to just be the toxic lesbians from episode four, how is that a satisfying finale? I honestly would have rather had them end the season apart again, but this time knowing they love each other and they have to do some work to get back to each other. Like, Stede sailing into the sunset after kissing Ed and promising to come back and Ed going "i trust that you will, thank you for giving me the space I need to heal"—that would have been a satisfying place to leave them.

And then Izzy's death... don't get me fucking started on what a complete waste of screen time and acting that was. Wow.

#our flag means death #ofmd s2 spoilers #izzy hands #ofmd #gentlebeard #blackbeard ofmd #boatmance #lupete

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hello-nichya-here · 3 months

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Azula's mommy issues how it does (and doesn't) affect her personality and theoretical redemption

Ah, Ursa and how she ties into a possible Azula redemption. I recommend you get a snack and some water, because this answer is gonna be a long one XD

Before we even get to the dynamic between these two characters and how it informed Azula's actions, let's remember THE main thing that is responsible for Azula being the way she is: Indoctrination.

Her nation had been waging war against the rest of the world for 100 hundred years. Azula is 14. For 86 years her family had been telling everyone, including themselves, that the war was just, it was for the good of the world and of the Fire Nation, it was "sharing their glory", it was just them taking over land that was rightfully theirs because of "divine right to rule" (something Azula herself says to Lu Fang when she's taking over Ba Sing Se).

We see children cheering for a puppet version of Fire Lord Ozai in a festival, as he defeats an "evil" Earth Kingdom general. We are explicitly shown that Fire Nation schools lie about things like the Air Nomads, a pacifist culture, having an ARMY that Sozin's men attacked, framing it more as a mutual conflict between equals in which the Fire Nation won, instead of a sudden attack against an entire group of people that were just minding their business.

We see IROH write a letter about how he hopes his family can see Ba Sing Se IF THEY DON'T HAVE TO BURN IT TO THE GROUND to conquer it - and not only do Zuko and Azula both laugh, URSA is also laughing.

Azula was raised to believe her nation had every right to do all the attrocities it commited. And just like Zuko, she is still a teenager, not an adult like her dad, uncle or mom - and while they had less excuse than the Fire Siblings for not knowing any better since they were already grown, they do still have more excuse than Azulon and especially Sozin, since they were ALSO raised to believe that stuff was perfectly normal.

Even if Ursa had been a perfect mom, Azula would likely still be a villain, though maybe less bitter and insecure over feeling unworthy of love (but that would not disappear completely, since Ozai was still an abusive dad that very clearly expected perfection from his children at all times, which is way too much pressure to put on anyone, let alone on two kids. And since she was his favorite, she'd obviously try to copy him, so she wouldn't end up like Zuko, so her more cruel, ruthless side would also be very present).

HOWEVER, that does not change the fact that Ursa's flawed parenting had a deep impact on her daughter.

For starters, even the creators/showrunners and writers of the show have said Zuko is her favorite child - and a parent playing favorites is NEVER good, even if they don't downright abuse the one they don't like as much. And for a kid that is in an abusive home, seeing her brother be treated as completely worthless because he is not the favorite, it isn't that hard to understand how Azula concluded that, if her mom didn't like her as much as she liked Zuko, it's because she didn't like her AT ALL. Add in Ursa's concern over Ozai's influence over Azula and how it's shaping her personality, plus the fact that she said "What's wrong with that child?" WITH AZULA IN THE ROOM, and we have the source of her belief her mom didn't just dislike her, but also saw her as monster.

Because yeah, let's not forget Azula had TWO parents. Two parents that clearly wanted very different things from their children. Ursa was cool with all the imperialism stuff, but she was horrified at the thought of the family being at war with itself, fighting for the crown. She was a bad guy, but she had standards. Meanwhile Ozai was clearly on team "stab everyone in the back to get what you want, then rule by fear." Once her mom was out of the picture, Azula naturally felt like her dad had essentially proven his method was better, since he ended up getting everything he wanted (though Azula does question that in the finale, when she imagines Ursa of all people trying to make her see trying to use fear to force people into supporting/loving her would only further isolate her, showing some part of her DID internalize a point of view that did not align with Ozai's).

But even before Ursa was forced to disappear from her daughter's life, she was already failing to connect with her, but not solely because of Ozai. Think about it. We see lots of scenes of Ursa spending time just with Zuko, and some of her with both of her kids - but never do we get even a single scene just between her and Azula.

When Zuko immitates Azula's bad behavior (because he thought it was cool and funny) and throws bread (not a rock like the fandom insists, BREAD) at the turtleducks, Ursa is visibly shocked and distressed, but she EXPLAINS to Zuko why what he did was wrong (it hurt the baby turtleduck, and thus made the mother mad) in a VERY light-hearted way that he clearly remembers fondly. When Azula says things about Azulon being likely to die soon or Iroh being pathetic, Ursa is shocked and distressed - and either just says "Azula, we don't speak like that" or a very angry "Young lady, not another word" but without ever trying to explain to her why what she did was wrong.

Meanwhile, ZUKO actually says things like "How would you like it if Lu Ten wanted dad to die?" or explaining that Iroh gave up on conquering Ba Sing Se out of grief for his only child. Those two scenes were the CLOSEST Azula got to having someone actually try to explain things to her in a way she could understand - but obviously she's not gonna take her brother as seriously as she would an adult, and Zuko has his own stuff to deal with so he can't step up and be a replacement parent to her like Iroh was to him (and considering how young he was at the time, expecting him to do so would be unreasonable - hell, he likely didn't even notice just how badly Azula needed help until she had her breakdown).

Things get worse if we take the comics as canon (which I don't, but I know a lot of people do). On that version of the story, Ursa goes from "Making effort, but screwed up along the way" to "Neglectful/abusive piece of shit that should have her kids taken away."

Comics!Ursa's idea fo "quality time with her kids" involves talking solely to Zuko and ignoring Azula, instead of interacting with both of them. She doesn't encourage them to spend time with each other like she did in the show. When she is banished, she visits both her kids - but only wakes Zuko up. He gets a sweet farewell so he always gets to remember that, no matter what happened, his mom loved him and did not want to leave him. Azula doesn't get a single word, and is left to believe her mom didn't even bother with her.

Worse of all, Ursa CHOOSES TO FORGET HER OWN KIDS. After she had explicitly said she does not believe they are truly safe living with Ozai. After she explicitly said to Zuko "Never forget who you are." Not to mention, she writes a letter with the fake claim that Zuko is actually NOT Ozai's kid - because she knows he will read it and get mad. She risked putting her son in danger just to piss off her husband. That's what she did to the kid she LIKED. How low would she go if the kid in danger was the kid she didn't care for? Oh, wait the comics answer that too. She never bothered asking ANYTHING about what had happened to her all those years (nor to the kid with a scar on his face, mind you), showed more empathy towards her when she COULDN'T remember who she was (and even then it was just a "If I really am your mom, I'm sorry I didn't love you enough." That's it. That's all Azula gets), and she doesn't do ANYTHING about Azula running away. No asking Zuko or someone else to find her, no crying about losing her again, no indication that she is worried about her safety even though she is all alone and mentally unstable.

The comics really did Azula dirty, and I HATE Ursa in it. It reached the point of "I don't want these two to make up, I want Azula to give a whole speech about how much her mom sucks, just like Zuko did with Ozai" because that's what she deserves. Show!Ursa made mistakes, Comics!Ursa IS a mistake. The sympathy for Azula despite her bad actions grows significantly on that version of the story, because how the fuck can we speak her to not be so mad at the world after all that?

But at last, we need to make an important distinction clear here: It doesn't matter if we are talking about the comics or the show, if we like or dislike Azula, if we do or don't want her to be redeemed, the simple fact still is that she WAS screwed over her entire life, her troubled relationship with her mom had a deep and longlasting impact on her mental health, and there was no way in hell she would have EVER been an innocent little angel that is 100% against everything her evil father does. It's just impossible considering her backstory.

And there is a very clear double-standard in how people talk about the idea of a redeemed Azula VS the reality of a redeemed Zuko. Both start with the premise of "This bad guy has understandable, sympathetic reasons to do bad things, since they were indoctrinated from birth and had a terrible family life", both include the character having to see how their actions are hurting them AND others (including those they care about, Zuko's "victim" being Iroh, while Azula's are Mai and Ty Lee. Plus, they've both hurt each other in some ways, some more deliberate than others), and both culminate with the character turning their life around, confronting those who wronged them, and finding a support system for themselves.

Yet one is treated as revolutionary despite not being the first redemption arc ever (nor the only redemption arc in the story itself), nor being perfectly written (because perfect writting doesn't exist), while the other is labelled as lazy, out of character, or "making excuses" for bad people just because they had a tough life (like Azula is an actual person). There is no thematic or moral difference between redeeming Zuko and redeeming Azula, especially in a show that says "EVERYONE has the potential for great good and great evil" and ends with Zuko telling his abuser he hopes he'll also have a change of heart someday, even if he is not sticking around to witness or actively try to make it happen.

Redeeming Azula is no different than redeeming Zuko. It's perfectly fine to want to just one of these things instead of both, but it is NOT a superior choice in anyway, and it's very hypocritical of the same fandom that criticizes the idea of a redeemed Azula because "mommy issues isn't a good enough reson" when they can't stop praising the redemption arc that has "the villain had daddy issues" as it's core premisse. Personal preference is one thing. Being a dick about it is another.

#actual human child azula #literal child soldier azula #azula meta #azula deserved better #azula redemption

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elijahs-dumps · 3 months

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HUSKERDUST IS AMAZING!!! ... sort of

Okay, so, Hazbin Hotel. Obviously HUGE SPOILER WARNING ahead, but this show was fantastic! I've been a fan of Vivziepop's work for a while now, and even though I don't really enjoy Helluva Boss, I was really looking forward to Hazbin for many years. However, just because you really enjoyed something doesn't mean you can't acknowledge its flaws. And in a show with as many pacing issues as Hazbin, where do you even begin? Well, my personal main issue with the show was Huskerdust. Not because the ship isn't likeable, it's simply because most of what I didn't like about the show can link back to these two characters and their dynamic. So I guess I'm using them as my Trojan's horse in a way!

Huskerdust, which is the ship name between Husk and Angel Dust, is one of the main romances within Hazbin Hotel. Vivzie told us it would be a slow burn pretty early on, but honestly I think this ship is one of the fastest slow burns known to man. I mean, they had a cutesy little duet where they danced together in the fourth episode! This is tied to an underlying issue with the show's pacing all together. If Hazbin had more episodes like it should've, I think this "slow burn" concept would've worked better. Considering the fact we only had episodes, and the two characters still haven't really "confessed" or kissed yet, I suppose you could call it whatever you want to really.

The two characters and their dynamic is set up very early on, even in the pilot. It'll usually go something like, Angel will target Husk because he's the only one Angel can get a reaction out of in the hotel. Angel will do anything from making an innuendo, to literally sexually harassing Husk. And naturally, Husk will get frustrated because Angel is pushing his boundaries. Do I think it's weird that a show which talks about SA still uses sexual harassment as the butt of its jokes? Yeah, I think it's super weird and a little insensitive. But it's not my place to comment on such matters because I'm not properly educated, so I'm just gonna brush over it for now. It just makes this ship a little tough to swallow for me, considering Angel's blatant disregard for Husk's feelings.

However, even though Husk is the only one Angel can toy with at the hotel, Husk is also the only one who "sees through" Angel and the fake persona he uses as a means to cope and protect himself. This creates conflict, because Husk will call Angel out when Angel pushes his buttons, and Angel will get defensive and lash out. We see this in episode four; Masquerade. After a bad "shoot" with Valentino, Angel comes back to the hotel and gets into an argument with Husk which causes him to storm out. Charlie and Vaggie send Husk after him, and Husk finds Angel at a dive bar of some kind (I think).

Before we continue with Huskerdust, I've got something major I need to get off my chest about this episode. If Charlie is so "madly powerful' like Lucifer, and she knows Angel is being mistreated by Val, why can't she free Angel from his contract? Or at least try to talk to Angel about his situation after this episode? Maybe she did, and we just didn't see it because of the five-month-long time skip (which is another problem with this show's pacing), or maybe soul contracts work outside of angelic power. But I feel like it would've been nice if they told us that Charlie tried to help Angel more, just for my own peace of mind. Because to me, I just felt like Husk and Charlie brushed off the reality of Angel's situation very easily, regardless of that the fact that they're in Hell or not. I get that shitty things probably happen in Hell all the time, but c'mon!

Speaking of Charlie, this show does an awful lot of telling when it comes to Charlie's issues and not a lot of showing, Her "daddy issues" are one example of this, but right now I'm talking about how the characters often mention that Charlie solves everyone's problems to avoid her own. I thought this could be a interesting character flaw in hindsight, because wanting to solve everyone's problems for them can lead to a lot of boundaries being pushed, and character conflict arising. I was a bit surprised when Charlie immediately left the studio after Angel yelled at her, and seemed to handle is extremely maturely. She even goes as far as to blame what happened on herself when it was clearly Valentino's fault. While I think it's cool that Charlie handled everything so well, I also would've liked to see her struggle with this a little more. I think the concept of Charlie not knowing when to back off could be a good opportunity for some actual growth from her, instead of her development or growth just being explained to us every episode. Unfortunately though, Hazbin clearly didn't have the time for this kind of character work because the show is so plot heavy.

Back to the ship, once Husk finds Angel the two sing a song called Loser, Baby. Which is basically Husk trying to cheer Angel up and get him to stop self-loathing so much. I'll get a little personal for a minute and say if I was Angel this would not have worked on me at all. While I do think Angel has some self-hatred problems, his issues clearly run so much deeper than that. However, this was obviously just the first step in Angel's long road to healing I suppose, considering he only opened up to Husk so much. That being said, it's not like we even get to see Angel heal or develop further because of the time skip. Something else that rubbed me the wrong way with this whole scene was how Husk tried to relate to Angel by speaking about his own experience with Alastor. We find out that Husk used to be an Overlord, and that he lost his soul to Alastor in some kind of bet or card game. Alastor is one of our main characters, and they really put him up side by side with Valentino, out of the blue like that, like... Let's all think logically for a minute. This, combined with that one scene from episode five, made me like Alastor a little less. I understand that Alastor is sick and twisted, he's completely and undeniably evil. But seeing how his actions directly affect another member of our main cast was really off putting, and it put such a huge damper on this "found family" energy that Hazbin Hotel was clearly was aiming for.

Oh, and remember when I mentioned Valentino? Yeah, he's not safe either. I didn't even think twice about this character until one of my friends told me Val was their favorite character. It made me look back on all his scenes, and I realized something. He's actually really funny, and pretty entertaining to watch. Even the way he talks about Angel Dust when Angel Dust isn't present is played for the laughs. If anything, the way Val acted in episode four was a complete 180 from episode two. I thought this was a questionable writing choice, I'll be honest. Why would you purposefully write this character to be almost likeable to a certain extent, only to have him commit inexcusable crimes in the next episode. Look, if you're a Valentino fan, good for you. I'm not going to tell anyone not to like a certain character, because that's just not fair. I just personally disagree with the way Val was written. I think trying to paint Val as if he's just like every other character on this show whenever he's not actively abusing Angel really diminishes Angel's suffering from a viewer perspective.

I also feel like episode four kind of dug it's own grave in a sense, regardless of anything I've said so far. Because this episode is entirely about Angel Dust, he obviously gains development and growth from it. And in a show like Hazbin, with poor pacing and not enough time to flesh out characters, Angel's current development now sets him apart from anybody else in the entire series. Now even Charlie, the main character, seems one dimensional when compared to Angel Dust.

Circling back to Huskerdust again, I should probably acknowledge that Husk and Angel never even got another real one-on-one interaction after this episode for the rest of the show! Except for a really small one in episode six. But they literally exchange like three sentences, and about four or five months have passed between episode four and six, so do with that what you will. Not to mention, Husk refers to Angel as “kid” in one of these sentences. While I do think the age gap between Angel and Husk is strange, I feel like it’s easily defendable. I’m sure once Husk and Angel actually become a couple, Husk will stop calling Angel a kid. And we all know Angel isn’t a legal minor by any means. I don’t think it was necessary for the story though, and the two easily could’ve been made closer in age so this ship wouldn’t seem as… peculiar. Let's also remind ourselves that Huskerdust somehow has more substance than the main pre-existing couple. Yet again, this is just a side effect of "too much to do, not enough time to do it". But we will save the Chaggie discussion for another day...

So, do any of these things make Huskerdust bad? No, not in my opinion, at least. I'm still rooting for this ship no matter what, and I will personally be storming Prime Video HQ if they don't become canon next season. I think all ships and shows have their own problems, and for whatever reason the problems within Hazbin Hotel stood out to me more than I was expecting. Still, I did enjoy this show a lot. I might even do another post about it soon. And I'll definitely be counting down the days until season two drops!

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hiso03 · 3 months

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what makes you ship halbarry, mine is the amount of symbolism and moments they manifest about them being compatible with each other and even the main lore knows theybare one😭😭

sometimes I wonder why these two aren't together yet since they are basically soulmates 😭😭

This is probably the question I have been waiting for the most and for which I have to have the longest possible answer. I will try not to go too far, but I will also try not to miss any points that I consider important.

I think I can start by saying that I love their dynamic, I've always liked it. To start Barry is a more serious guy, shy and introverted, always thinking about some situation and planning. And Hal is more outgoing, noisy and confident, he NEVER plans and is too impulsive.

They are opposing poles, not radically opposed as with other characters in the league, but they remain opposing enough to provide contrast to the relationship. There's also the fact that the two of them are fully aware of those differences, and even though they don't like some at all, they've never tried to change anything between them. Even when people constantly point out how different they are and how no one understands how they are friends. (Even they can't understand how they're so close if they don't resemble each other at all)

(Personally this panel is one of my favorites, as I love how Hal immediately jumps up to Barry's tastes, making it clear that while he doesn't like to do the same things Barry does, he doesn't find it as bad or boring as some might think.)

In general, the series of “The brave and the bold” I like because it allows you to take a close look at their relationship and give us lots of interactions of them, allows us to see a little more of their real character and their friendship.

There is also the fact that in that series they constantly show how well they know each other Hal and Barry manage to combine their skills to help each other. They always take advantage of each other's ability to resolve conflicts, and even when they fight or argue, they resolve them quickly. Another of my favorite numbers is the last volume of the series, when Barry falls into a terrible and painful depression and Hal is the only one who supports him.

Literally Hal tries to have some stability in his life to let Barry stay with him, helps him like Barry has always helped him and says one of the phrases I love the most.

“The poor man needs something to hold on to, so he will stay with me, maybe our friendship will be a comfort to him, he will always be able to count on that until the day we die.”

In this same comic is where Barry tries to sacrifice himself and Hal stops him, to that I add that in a previous issue we also show that one of Hal's biggest fears is losing Barry. The thought of seeing him die or get hurt is something that scares him.

Hal's not afraid to die, he's afraid that Barry will die and it's his fault, that I can't save him. And that point added to everything that's going on with Parallax and Crisis on Infinite Earths feels like a stab for both of them.

It's fucking tragic.

Generally in many moments of Hal as Parallax or The Wraith, Hal talks about Barry, continues to talk about how amazing he was as a person and a hero, talks about how he remains his best friend even though Barry is still dead. (That reminds me a lot of when I'm with my friends and some of them start talking about their boyfriends even though they're not there and we didn't talk about them originally)

And when they both revive, Barry constantly lets him know that everything that happened with Parallax wasn't him and tries to support him, try to be there for him for as long as he couldn't help him when his friend needed him the most.

We also have the fact that Barry has canonically been a blue lantern, and well, hope and willpower isn't exactly two opposing poles, on the contrary, it's likely that both entities are reciprocal forces. That they stick together and support each other, just like Hal and Barry do.

I also like to think that they had a somewhat similar childhood.

Both lost a father or mother, and that led to the loss of the rest of their family and childhood, they had to grow up faster than the other children, became more independent, and soon discovered that the world was cruel and unjust.

Although we also have other universes like:

The universe of Injustice where the two of them continue to support each other and remain together despite the mess that is around them, and there is even a panel where Hal as a yellow lantern is going to rescue Barry after Constantine abducted him.

Or we also have the fact that red and green in the chromatic circle are two opposite or complementary colors that are usually used when you want to create a harmony on a visual level. That is, from the choice of colors we can know perfectly well that they are opposite poles, but they complement each other so well that it creates a visual harmony when you see them together. (For some reason Christmas usually uses these two colors as its main ones).

There's also the fact that Hal and Barry met before the league was formed, and even when they met Batman and Superman, Hal wanted him and Barry to work it out on their own. (Barry refused because someone has to put prudence on their duo)

And we have the fact that in the story of how they met, Hal calls it his “first date”. (Let's pretend he didn't say that when he and Barry weren't literally on what looked like a date, where they went to dinner at a restaurant where there was live jazz music and Hal actually had a good time sitting on Barry's cell phone).

(Hal hates jazz, but he's still there with Barry at a dinner party while putting up with music he doesn't really like. That's pretty.)

I think it was also in this comic where Hal lets Barry use his ring to get you both out of there.

There's also universe 36 where we have two variants of Green Lantern and Flash that canonically speaking are couple. It is worth remembering that the two of them did not stay together, since in an event they participated in, the Flash of their universe dies. (It seems there can't be a crisis without a sprinter dying) Luckily at DC Pride they made the green lantern of their land look for their Flash, and they revived and were happy.

(They're supposed to be neither Hal nor Barry, but the truth, their designs and even their names feel like very inspired by them, so I scored it as a little extra point although I don't know if you can consider it).

We have DC vampires that although in that universe, Hal kills Barry because they won't let him turn him into a vampire because he would end up killing everybody. Hal finally gives us that line where he admits that he REALLY wanted to conquer the world with Barry, which kind of fuels his tragic gay romance.

Anyway, I would like to go longer, but I can't find some panels that I was looking for to explain me more, plus I feel that this is already long enough and meaningless to make it clear that I love them both. I just want to add that I think probably the thing I like most about them is that they both admire each other. Both their heroic parts and their civilian parts, and I think that's very sweet and nice, added to the fact that they're always there trying to support each other or show off parts of their personality that you can't appreciate with all their friends to the same extent. I like that they always have symbolism and like many times in the comics it refers to some moments that they have lived together. This makes me have the theory in my head that maybe some cartoonists and writers also like them in a sense beyond friendship, but since NOBODY dares to take the leap of faith and make them canon, they let us drop some crumbs so as not to lose faith.

(If anyone got here, thank you so much for reading all this even though it doesn't make much sense in some parts, I apologize for that and make up for it with some panels of them two)

#hal jordan #barry allen #green lantern #dc comics #halbarry #i love them #sorry for the bad English #Mentions to 80s comics #Mentions of parallax and some comic book or comic book events #sorry if this doesn't make sense in some parts #but my brain has been a little fuzzy lately and I'm having a hard time thinking clearly.#but I really wanted to answer the question because I am very excited to talk about them.#maybe later I will take up some of the ideas I mention or redo this post with more clarity and detail.

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wildissylupus · 9 months

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Ok I want to talk about Genji seeing Cassidy as a brother because I do think this has importance to Genji's arc. Specifically in Genji's journey in forgiving Hanzo and him realizing that not only Hanzo, but Cassidy too, have gone through a lot more then Genji himself realized at the time.

Let's start off with Hanzo, now it's no secret that Hanzo and Genji weren't close, especially later in life, but something I think is forgotten is that Genji was very unaware of what Hanzo was doing, how he felt and what he was going through. We see this in a few of their interactions;

Genji and Hazno, though they came from the same family, are from two very different worlds. Even after the amount of help Genji has gotten, when it comes to Hanzo he still seems to struggle a bit with understanding certain aspects of their past.

And though we don't see this shown at it's extreme with Hanzo, we do see it with Cassidy;

The first quote shows us that at the time Genji didn't really understand why Cassidy was upset, and when given an explanation (though simplified) he still didn't really empathize. Then the second one needs a bit more digging, see the first time we see Cassidy smoking in canon is in the Retribution after the Oslo attack and presumably after Liao death. After a traumatic incident. Now this may seem inconsequential but here's the thing, we see Cassidy and Genji banter in Retribution and we also see other characters be mentioned, so why would Genji not make a quip about Cassidy smoking if he had done it for awhile, or at the very least not mention at any point that Angela wanted him to stop.

To me the second quote from Storm Rising is Genji talking about a more recent development, or at the very least Cassidy smoking more frequently after Retribution (I don't blame him).

Now this isn't to blame Genji, during his time with both Hanzo and Cassidy he was going through his own issues, but it is important to note because Genji probably only realized what Cassidy was going through while he was with Zenyatta. Which would have lead him to think about other things he missed. Like the presure that Hanzo was under, the things about Hanzo that he missed before.

This point is even furthered by Genji seeing Cassidy as a brother because imagine the guilt he felt?

Imagine realizing you made the same mistake twice but with the second time you don't hold that same anger towards the person?

It also seems that Genji never really showed how much Cassidy really meant to him back during the first Overwatch. We also see that Genji takes a similar tone with Cassidy as he does with Hanzo, except with Cassidy it isn't just a short conversation but Genji seemingly wanting to help Cassidy deal with some of his issues and rectifying the mistake Genji made in the past.

And I honestly like the contrast this gives to the dynamic presented between Genji and Hanzo. From what I've found Genji and Hanzo only really have quick two line interactions, not only that but there more statements then Genji trying to help Hanzo through his issues.

And honestly I like this more then the common take of Genji being the one to help Hanzo through his issues, because Genji shouldn't have to. Yes Genji didn't notice the pain Hanzo was in, but Hanzo tried to kill Genji. It shouldn't be Genji's responsibility to help Hanzo. It's honestly why I like that Hanzo and Kiriko are being paired up more, Hanzo still does need someone to help him and it can't really be anyone new to him, so Kiriko is probably the best option.

Any way that's a little tangent from me today!

#overwatch #overwatch 2 #overwatch lore #overwatch headcanons #analysis #cole cassidy #genji ow #genji overwatch #genji #genji shimada #ow hanzo #hanzo shimada #hanzo #shimada brothers #blackwatch bros

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naranjapetrificada · 7 months

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Izzy becomes a "real boy"

So obviously I haven't been able to shut up about the way Izzy has been written in season 2 and I stand by my disappointment and criticism, even knowing that the writers were given a herculean task of cramming 10 pounds of season into an 8 pound bag. Even knowing that, his "arc" such as it is has felt very off to a lot of people, present company included. I'm a cogitator at heart (thanks AuDHD!) and that can turn "make it make sense" into a prime directive sometimes. So here I am, trying once again.

I felt a particular way about Izzy after the end of season 1, which I would describe as "not especially strongly" because I primarily saw his character as a storytelling tool/useful foil more than anything else. But his presence and characterization in season 2 have been haunting me this time and not in a good way, because I've spent this season trying and failing to make it make sense. But something just occurred to me that I hope I can explain in a coherent way:

If season 1 Izzy was more a storytelling tool than anything else, maybe season 2 was an attempt to turn the puppet into a Real Boy. And if so, maybe things did not go as planned.

There are so, so many good posts going into the things that don't work about how Izzy has been handled this season, to the point that I'm not gonna try reinventing the wheel. Some of the reasons it hasn't worked for some of us include:

Much of his alleged growth apparently happening offscreen, most likely due to the reduced budget and episode count.

The lack of connective tissue between many of his scenes, some of which can be attributed to the previous point about corporate fuckery but other parts of which are hard to explain beyond "idk I guess the writers felt like it?"

The unfortunate connotations of sidelining nonwhite characters like Jim, who was the only character beyond the central pair to receive a detailed backstory, flashbacks, and a multi-episode character arc

The unchecked racialized comments he gets to drop about Edward (calling him a "wild dog" or seemingly mixing him up with Roach) that in season 1, would have resulted in violent retribution as a sign of the story's disapproval

The lines we get from Izzy that feel like they should have been said by other characters, and maybe that would have been based on the expectations of the show that we left season 1 with

The way it seems like Izzy's suffering is being used as a stand-in for actual moments of reflection or atonement, which is a pretty fucked up dynamic to set up as precursor to redemption

The way Izzy now gets to partake in the very behaviors he denigrated in Ed last season, which would be a cool and moving character beat if there was a single, solitary narrative acknowledgement in the harm caused by his treatment of Ed in s1e10. Ditto for him apparently just being cool with shit that once would have been his worst nightmare.

The fact that so many of these issues could have been addressed in a quick throwaway line or two that showed that the narrative understood what was wrong to reassure us all because by definition if a character is getting a redemption arc, it's because they did something wrong, right?

There's plenty more of course, but that's not why I made this post. I made this post because regardless of why the decision was made to handle Izzy this way this season, the attempt was made to flesh him out in ways that his role last season may not have been initially written for. Con's performance and certain production choices hinted at a depth to his character that may or may not have been on the page, but helped make for a pretty interesting season 1 antagonist.

For season 2 they decided to make Izzy a real boy, but the combination of a reduced budget, a lower episode count, and whatever creative darlings they couldn't seem to kill in order to give us more development of his transformation made sticking the landing impossible because we're lacking certain elements for basic comprehension.

Imagine you know almost nothing of the story of Pinocchio and someone starts up the Disney movie version of it for you but it's a weirdly edited version of it. There's no narration from Jiminy Cricket, mostly because there's no Jiminy Cricket at all. We see Geppetto crafting a wooden puppet, but not the part where he wishes for him to be a real boy, which makes it kinda weird to then see the part where the fairy brings him to life and says he can become a real boy but okay, let's go with it.

Now let's say the one thing you've always heard about the story is that Pinocchio's nose grows when he lies. So we get to the scene where he lies to the fairy but for whatever reason, his nose doesn't grow. No one comments on the inconsistency, and when you mention the nose thing all anyone wants to talk about is how great Pinocchio's nose looks.

Then Pinocchio goes to Pleasure Island and while the animation and acting seem great as usual, and the language of cinema appears to be setting up something dark on the horizon. Then Pinocchio's new friend Lampwick starts transforming into a donkey, this random well-dressed cricket shows up to admonish Pinocchio, and our puppet friend is randomly immune to the thing turning other kids into donkeys. No one comments on that either. Maybe Pinocchio even gloats about it a little, which seems like a weird storytelling decision that merits a follow up discussion later.

And I guess this is the part of this over-extended metaphor where you remember you have somewhere to be but you'll finish the film later, because as an audience we won't know how things shake out for season 2 Izzy until the finale. Presumably we'll still get the scene where he magically turns into a real boy, but there isn't exactly time for anything else like all that stuff with the whale. Maybe the real boy scene will happen, but for whatever reason the animator kept drawing him like the wooden puppet and every time you point it out no one will take you seriously.

Wouldn't that be a weird thing to experience?

#ofmd #our flag means death #ofmd s2 spoilers #ofmd s2 #ofmd meta #izzy hands #izzy critical #not really critical but that tag is useful for people's filters #ofmd season 2 #ofmd spoilers #ofmd season 2 spoilers #our flag means death spoilers #tbh I don't even understand how Izzy fans feel good about his arc #if this happened to a secondary character I loved I would be pretty upset

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in-g-major · 4 months

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ATLA Unpacked: Kataang is Reactive, not Constructive (Part 1)

In my last rewatch of ATLA, I came to a conclusion about something that's bothered me since I first watched the finale in 2008. After *the kiss* which closes out the entire show, I've been of the opinion that Kataang was an absolute failure, on multiple levels. Over the years I've held that position through multiple rewatches and the perspectives of many other intelligent, passionate fans. However, why it fails is something I've thought more deeply about over the years. There are the implications of a romance with a very lopsided balance of emotional labor, and issues of one party's consent (Katara's) being violated without an apology. Those are serious problems and valid criticisms, but here I'm going to be examining how Kataang fails because of its position within ATLA's story. As a disclaimer, I am not invoking Zutara in this analysis. For most of my time as an ATLA fan I abstained from the shipping wars beyond an occasional comment, and I only became pro-Zutara within the last year after taking on the responsibility of writing about these characters again. Alright, here goes! Reactive vs Constructive? When I say Kataang is a reactive force, I mean that it disturbs the flow and direction of the narrative (the implicit and explicit messages a story is projecting to the audience) by contradicting and clashing with other things we're presented with. A constructive force, on the other hand, is something which shapes the narrative towards an internally sound and satisfying conclusion. To explain what I mean, I'll be going through the show in episode order. No Kataang in sight yet (B1:E1 - B1:E13) A commonly cited argument in favor of Kataang is that it was part of ATLA from the beginning and the show was building towards it all along. This argument doesn't hold up simply because of how many episodes go by before there are any implications of romantic interest between Aang and Katara. The closest thing to romantic subtext is the way Katara appears to Aang after she frees him from the iceberg. (B1:E1)

By itself this doesn't suggest anything particularly romantic, especially since Katara is the first person Aang sees after a very traumatic experience. Later on he tells Appa "I liked her too" (B1:E2), but that's pretty nonspecific. After this we get exactly zero text or subtext until we're over two-thirds of the way into Book 1. Now a romance between two characters doesn't have to be developed from the very beginning of the story to make sense. However, things get messier for Kataang from here, so hold on tight. The Dashing, Dark-Haired Boys in Katara's life (B1:E6 - B1:E10) In my last rewatch I really took notice of how we see Katara's dynamics with no less than THREE dark-haired boys her age or older in the span of five episodes. First, there's Haru (B1:E6), with whom she builds a very sweet friendship that has some romantic possibilities. They bond over the struggles of losing their parents to the Fire Nation, and he's the first person who empathizes with her feelings about the death of her mother.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her. Haru: It's not enough, is it? Katara: No. (Disclaimer: Harutara was my OG ATLA ship) Next, there's Zuko (B1:E9), at this point her enemy and the one who finds her mother's necklace after she loses it at the end of B1:E6. Their parallels so far have revolved around the longing they project onto Aang and learning to master their elements. Here, in their first one-on-one interaction, a further connection is established through Katara's mother's necklace. Exactly why this is significant for Zuko isn't clear yet, but it pays off wonderfully later on.

Zuko: Tell me where [Aang] is, and I won't hurt you or your brother. Katara: Go jump in the river! Zuko: Try to understand. I need to capture him to restore something I've lost: my honor. Perhaps in exchange, I can restore something you've lost. (That first image is the perfect snapshot of how hilariously awkward this exchange actually is. Zuko's only cool when he's not trying to be) Finally, there's Jet (B1:E10), Katara's first crush. She's wooed by his good looks and guerilla tactics against the Fire Nation, then spends most of the episode smitten with him. Jet empathizes with her mother's death when she brings it up, but he also tricks her into doing something she would never have agreed to with full knowledge of his plans. When she confronts him about it, he tries manipulating her with what she told him about her mother, and she truly turns on him when she thinks he's killed Sokka. It's the first time Katara has had her trust violated, and it's a painful experience.

Katara: Jet, why? Jet: Katara, you would too if you just stopped to think. Think about what the Fire Nation did to your mother. We can't let them do that to anyone else ever again. Katara: This isn't the answer! Jet: I want you to understand me, Katara. I thought your brother would understand, but... Katara: Where's Sokka?... I can't believe I trusted you. You lied to me! You're sick, and I trusted you!

(Just putting those images together had me slightly teary. Poor Katara.) What these character dynamics have in common is that they're all constructive. They contribute to Katara's story without contradicting each other. Her feelings and agency are clearly emphasized, and all three boys exist as their own independent characters while simultaneously being part of her journey. Keep that in mind as we venture into our first real Kataang episode. Related Meta & Additional Reading - Katara's Romantic Agency by starlight-bread-blog

#atla meta #katara #katara defense squad #katara deserved better #anti kataang #g major writes #g major meta

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theopolis · 6 months

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Harry Osborn is genuinely integral to the thematic fabric of Spider-Man. Even if you don't take into account the way his character foils those of both Norman and Peter, he contributes so much to the dynamic between these two.

Anyone can see that Peter saving people is good and Norman blowing them up with pumpkin bombs is bad, but where the respective core philosophies these two men follow are really magnified and examined is in the way each of them feels about and interacts with Harry.

One instance of this is ASM #122. Peter almost killing the Goblin in a fit of rage after Gwen's death is absolutely a demonstration of how he and his adversary are not only different but alike - yet his attack on Norman is something the audience can sympathize with deeply and feel is heavily justified, considering what he's done.

Where Peter's worst side truly shines, in my opinion, is earlier in that same issue when he coldly abandons Harry, who is suffering from withdrawals and begging Peter to stay, in order to settle his score with the Goblin. It is no coincidence that Norman himself, too, left his son to his own devices despite his fragile state to instead pursue revenge on his enemy in the issue prior. Peter mimicking this action is a stark contrast to his usual behavior towards Harry, whose vulnerability he is (unlike Norman) typically ready to accommodate when push comes to shove, whom he is ready to listen to and be considerate of when he's not too caught up in Spider-Man business to notice a conversation is overdue.

Peter at his absolute lowest is a lot like his greatest enemy - not just in how ruthlessly violent he gets, but in how he dives into his own rage and prioritizes satisfying it over what actually matters most. Peter's responsibility lies not solely in restraining himself from being led to irreversible actions by his own pain, but also in showing compassion and tenderness and humility to the people he cares about. And Norman is his polar opposite in both regards.

This example shows that even when Harry's presence in a storyline is largely passive, his very existence points to the things that define Peter and Norman as foes and as people. It matters that this contrast revolved around Harry specifically, the weakling son Norman is ashamed of, the kindhearted if frail best friend Peter admires. Because Harry's softness is the kind of thing that requires a sense of responsibility entirely removed from power fantasy.

#peter parker #harry osborn #norman osborn #theopolispost #harry #parksborn #osborns

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