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#or seemed to particularly want that
bumblingbabooshka · 1 month
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Tuvok & Seven of Nine should have been overbearing co-parents to the borg children
#non romantic co-parents and they won't even admit they're friends (they don't have* friends! they don't need friends!)#star trek voyager#they are organizing a joint schedule they have a shared space google doc#Seven of Nine#Tuvok#They are both overbearing in different ways <3#I think Tuvok is an excellent father and also that he would not be able to parent every child effectively - especially non Vulcans#Meanwhile Seven is like 'Children are basically little employees I have to train yes?'#Chakotay: You're not going to be raising this children...alone. will you??#Seven: Of course not. / Chakotay: Thank G- / Seven: Commander Tuvok will assist me.#Chakotay: -the most forced smile ever- o h h........#*spoiler: They're very good friends#I think Tuvok would want them to be better behaved than they are but know that children are unpredictable to a degree and they've#been through a lot meanwhile Seven really has no reference for what children are supposed to be do and act like#besides. Seven doesn't need to be a mother. She's like twenty something and newly independent - she should have been at the club instead of#performing femininity so she could be a ''''''real woman''''''#Stop making female characters mothers.......its enough.#None of the VOY women should have been mothers. Maybe Kes - she seemed like she maybe wanted kids. I could see Kes being a good mom#down the line (not in Elogium I liked that episode and its ending) but none of the rest of them needed#or seemed to particularly want that
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lornaka · 24 days
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Love how that episode was all about clone cadets being happy and safe on Pabu and nothing bad happened to anyone
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uncanny-tranny · 6 months
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Whenever people who are entrenched in diet culture talk about how terrible chemicals are, I just want to whip out this:
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#diet culture#diet culture tw#described images#image description in alt#'it's got CHEMICALS in it' and so do you! and me too! IT'S ALL CHEMICALS ALL THE WAY DOWN#instead of running from this world we must learn to embrace it#i'm not particularly angry at people who say this because it makes me think that they're incredibly invested in diet culture...#...i just don't want the whole 'food = bad' or 'bodies = bad' to go unchallenged...#...part of the reason why diet culture seems just as prevalent now (if not moreso) is partially because it isn't really...#...challenged or questioned without provocation. it's just assumed to be correct because it makes you 'feel in control'#when chemicals are bad you can control what chemicals you consume. it's individualistic and places the blame onto you for 'being good'#it places responsibility onto the person in such a way that it becomes impossible to fulfill#it isn't that i'm upset that people want to treat their bodies in a way they think is responsible...#...moreso that the *way* they go about it ensures that they're stuck in a cycle of self-blame and even self-hatred#because the METHOD is ineffective. not the desire to treat your body well#also the state of ohio looks stupid and i do Not respect it#it looks like a ball that is simultaneously deflated and over-inflated#also their state flag looks silly to me#it looks like the person who was making it fell asleep making it#i'm just clowning on ohio at this point. have never been to ohio but. are you guys okay
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inkskinned · 1 year
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one of the things about having an unstable parent is that it can so easily ruin your future. you want to get out, but getting out takes having agency. it takes the resume and the grades and the stellar community service history.
but you have to choose your battles. you know if you sign up for an after-school activity, it'll be okay for a while, so long as the activity is parent-approved and god-fearing. over time, like all things, it will become an argument (i can't keep carting your ass to these things) or a weapon (talk to me like that again, see if you get to go to practice). sometimes, if you love the thing, it's worth it. but you also know better than to love something: that's how they get you. if you ever actually want something, it will always be the center of their attention. they will never stop threatening you with it. telling you of course i'm a good parent, i came to all of those stupid events.
you learn to balance yourself perfectly. you can either have a social life or you can have hobbies. both of these things will be under constant scrutiny. you spend too much time with her, you should be at home with family is equally paired with you're acting like this because you're addicted to what's on that goddamn screen. you cannot ever actually win, so everything falls within a barter system that you calculate before entering: do you want to learn how to drive? if so, you'll need to give up asking for a new laptop, even though yours died. maybe you can work on a computer at the library. of course, that would mean you'd be allowed to go to the library, which would mean something else has to bleed. nothing ever actually comes free.
and that bitter, horrible irony: you could be literally following their orders and it still isn't pretty. they tell you to get a job; they hate that your job keeps you late and gives you access to actual money. they tell you to do better in school; they say no child of mine needs a tutor. they want you to stop being so morose, don't you know there are people who are really suffering - but they revile the idea you might actually need therapy.
you didn't survive that fall the way other people would. you've seen other people scramble and get their way out, however they could. maybe you were made too-soft: the answer didn't come to you easily. it wasn't quick. it was brutal and nasty. some people even asked you why didn't you just work hard and escape during school? and you felt your head spinning. why didn't you? (they control your financial aid. they control your loan status. they love having that kind of thing). maybe in another life you got diagnosed sooner and got the meds you needed to actually focus and got attention from the right teachers who helped you clear hurdles to get up out of here - but for now? here?
the effort of trying. the effort of not-dying. that kind of effort was absolutely agonizing.
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scificrows · 9 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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gummi-ships · 3 months
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Kingdom Hearts 0.2 Birth by Sleep - A Fragmentary Passage
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nerdie-faerie · 1 month
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I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.
Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.
Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents
#TVD#The Mikaelsons#Kol Mikaelson#Klaus Mikaelson#briefly back on my the originals shouldve gotten to be a family goddammit and as someone from a big family im personally offended bs#i did right a lil snippet about them bonding over this that i havent posted yet for the joml verse but still think its an unexplored concep#need more witch!kol acknowledgement honestly. just need more content of my boy#anyway. klaus having a fascination with the moon and kol telling him about celestial events and how it affects his magic when theyre boys#klaus losing that connection to the moon feeling lost & extra tempermental feeling his wolf claw at its binds and vowing to break his curse#kol determined to get his magic back at any cost relating to that devasting loss and promising to help him find a loophole for his curse#kol who becomes extra reckless and determined when he learns that theres a way to break klaus' curse so maybe he can get his magic back too#that knowledge and recklessness combined with his loss of magic driving him to become the volatile vampire that we see#that leads to him being daggered repeatedly but that first time breaks something in that bond between him & klaus that never fully recovers#it makes him bitter and resentful only fueling his reckless behaviour particularly when there seems to be no leads on reclaiming his magic#that he becomes distant from his siblings in the process especially with finn still daggered but that distance only cements the idea#to his siblings that hes a danger and cant be trusted that he needs to be daggered if theyre to stay safe from mikael#the loss of his magic leading to his spiral as a vampire and him being ostracised by his family > actual tvdu kol canon#klaus being trapped in a room staring at the corpse of his little brother knowing he never repaired that relationship with him#and now he never can so he refuses to look away as penance and a reminder of his failings to his little brother#*edit: one of the reblogs on this post is the author of big bad wolf and honestly she does an amazing job at portraying the mikaelsons#as actual siblings if you havent read it its one of my favourites for characterisations but we need more 😭 i want it to be the norm
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kkkkkkkitty · 2 months
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birdmitosis · 5 months
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Since a minor theme for today's posts seems to be Voice of the Opportunist thoughts... You know, I actually quite like the guy. He's nowhere near the top of my list of fave Voices -- in fact, he'd probably be in my bottom three -- but I've grown to sincerely love all of them in their own ways.
Paranoid
Cold
Contrarian
Hunted
Hero
Cheated
Skeptic
Broken
Opportunist
Stubborn
Smitten
Like, that's probably my rough order of Voices? But I really love Stubborn and Smitten too at this point, like a lot. And Opportunist... really interests me. I don't feel as bad about him as I think a lot of people do. (Thoughts under the cut!)
I think what gets me about Opportunist is that, while he can come across very badly for sure, I think there are two main things he wants that drive all of his (very bad) ideas: He very badly wants to be liked, but that's secondary to the fact that he wants to survive. He's just geared strongly towards survival in a way that's more... social than physical. He wants to side with the people he thinks are the most powerful without actually upsetting anyone, until he gets to a point where he feels like we have enough power to be able to wield it. And as one of the Voices, he is actually very "we"-focused -- he talks about looking out for number one, yes, but you're all kind of a collective "number one" and he maybe makes that most clear in The Wraith chapter, where he never wavers from vocally trying to make the situation better for himself and Hero and Paranoid. He never threatens any of the other Voices either -- and not even, iirc, the Narrator, though he does turn his back on the Narrator when it becomes clear he's something of a paper tiger -- just the Princess, in situations where she has proven how dangerous she is, and not even always then. (Again, in The Wraith, he's not even pleased to have overpowered her if you decide to toss her into a bottomless pit.) He does want to be liked, too, that much is clear and seems to be completely sincere. He likes traveling (or at least the idea of it) because he thinks it makes him "relatable." He totally unnecessarily tries to smooth everything over with you and the other Voices in a way that doesn't always, to me, feel like him just being mealy-mouthed in a self-serving way; the example of this that stands out to me is in The Moment of Clarity, when Stubborn and Contrarian are tired of Skeptic's philosophizing and he jumps in to reassure, "They're good questions. Great questions, even. But they don't have any answers," and there's something oddly... gentle/reassuring about the delivery. The way you get him usually shows how he's geared to your (collective) survival and why he doesn't trust the Princess: In the first chapter, if you don't take the blade but then use it to kill her, that's your only chance to get him. But you get him in one of two ways: Go back upstairs for the blade after talking to her, in which case the Protagonist has probably legitimately decided that things aren't adding up and she's actually secretly more dangerous than she's letting on (and because she is "a creature of perception" she then reveals that to be true!), or trying to kill her after the Narrator possesses you, in which case there's that clear "hierarchy" of "the Narrator is too powerful if he can just choose to control us" (and also makes his trying to appease the Narrator in the later chapters make sense). And he is like the Witch, and honestly, in some ways I think it's understandable that he's resistant to changing even when she does. She is the one who changes based on our perception, and if I'm at all right that the Voices are the pieces that break off of us because we can't change like that but they represent her perception of us, well. The Protagonist and the Witch can choose to change and break the cycle in a way the Opportunist has a harder time with. But he is much like her: "This dangerous person killed me last time, we need to maneuver this situation in a way where we can kill her without her killing us again." And a big problem with him is that he is 100% wired into that survival instinct even when it's not necessary! He wants to betray the Thorn even after she hands us the blade back! But he also just came from a chapter in which we handed her the blade trustingly and she immediately stabbed us, which doesn't excuse it but does I think explain why when he talks about slaying her right then and there he says something along the lines of "we have power right now and we may never get this chance again" -- he's still expecting this to go very badly for us.
The other ways you get him in the various Chapter IIIs also back this up, I think: In The Razor, you try to "appeal to her better nature" after she's already killed you twice (and maybe a lot more!), which is again just him trying to survive long enough to turn the tables on a threat. To get him in The Wild, the Beast first has to eat you alive, but then you stab her to death instead of letting her escape or just killing yourself, taking advantage of being close to vulnerable organs to take her down with you. (And I will say, while I adore Contrarian, I find him much more obnoxious to have in The Wild chapter.) To get him in The Wraith, you have to take the blade in The Nightmare chapter but agree to free her, then slay her either at the door when the Narrator locks it on you (again, the Narrator showing he's more powerful than he should be) or after Paranoid straight-up says "if I absolutely had to choose I slightly prefer that we kill her" -- and then, oddly, he does spend the entire Wraith chapter trying to soothe her and get her to forgive and hire/protect not just himself but the Protagonist, Hero, and Paranoid (and is actually like "this was a bad decision, there's going to be no way to smooth this over" if you do choose to toss yourself into the void with her). And in The Moment of Clarity, he is oddly gentle with the other Voices for the most part and also advises just letting her out because it'll all be okay for them if they do. All of this is just to say that, like... Yeah, he can be mealy-mouthed and backstabbing and obnoxious. But I also don't think he's a backstabber for fun. He wants to be either at the top when it comes to "who's the most powerful," or at the right hand of whoever is at the top, but at the same time I think that stems from him just wanting to feel safe -- and what's safer than no one else having power over you? Especially when that power's been used to steal your autonomy or kill you so, so many times? In some ways he's low-key like Hunted and Paranoid: "What will keep us alive?" and "I don't trust anyone but us (unless I feel like I have to)" are kind of an undercurrent to everything he says and does. ...That also means that if he got his own body I think he'd be in an interesting position. He might have some issues at first with being more "look out for number one now means me and not us," or at least having some instinctive feelings in that direction -- but at the same time he might feel more at ease having complete control over his own body, since the Protagonist losing that control seemed to low-key freak him out more than once in the Construct and his smooth-talking might have had a lot to do with how he felt his words were the only power he had since he wasn't in control of the body. So there's a chance he'd struggle with staying quite as group-oriented at first, but there's also a chance that he might be able to relax at least a bit.
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em-ptynet · 7 months
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'...alright I guess I'll get involved in this' *aggressive hug*
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bumblingbabooshka · 2 months
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B'Elanna, Neelix, Tuvok and Chakotay needed to star in an episode where they just talked about their different beliefs and approaches to spirituality/religion. Paired off and all together. I need to gain more insight. I need characterization and I need it to be messy.
#B'Elanna's difficulty with Klingon myths and religion (especially due to her internalized racism)#Chakotay's current strong belief in his own spirituality despite his initial complete rejection of it (and how B'Elanna seems to admire#and have talked with Chakotay about it extensively in the past given how many specifics she's aware of)#Neelix's belief in an afterlife being the only thing that comforted him after his entire family was killed - the knowledge that he would be#able to reunite with them again and that knowledge being ripped away from him#Does he still believe? Are there other aspects of his previous spiritual beliefs that are thrown into question?#Just because it isn't 'real' does it make it unimportant? How do we even know whether or not it's 'real'?#He died and doesn't remember reaching that tree and seeing his family - does that mean it didn't happen?#Tuvok's line in 'Innocence' about how he's begun to have doubts about whether or not a katra exists and what happens after someone dies#and his firm ties to Vulcan spirituality and ritual#ALL SO INTERESTING!!!!!!!!#star trek voyager#I don't think it'd be a calm or healthy conversation either - they're not therapists and I don't think anyone but Chakotay#would be particularly careful with his words#and before you say Tuvok's a Vulcan so he would be let me remind you that Tuvok told B'Elanna to her face that he thought Klingons#were basically savages - he is INDELICATE to say the least#Neelix is careful with his words bc he's a people pleaser for survival but also he has a tendency to bother people and be overly pushy#and I think he'd do a lot of research and be the one leading the conversation/the reason they get on the topic and continue on it#B'Elanna wouldn't want to talk about it. She wants to talk about it the least. But she must!!!! Bc the episode demands it!!#st voy
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cluescorner · 2 days
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Arlecchino's whole deal is unbelievable
Arlecchino: Huh I wonder what's causing my weird powers? I can't really worry about that right now tho, I've gotta become King and then kill my "Mother".
*Kills Clervie and "Mother"*
Arlecchino: Huh I wonder why I was able to defeat a Fatui Harbinger when I'm like 17 or so? I can't really worry about that right now tho, I've gotta be in jail and become a Harbinger.
*Is in jail for a while and becomes a Harbinger*
Arlecchino: Huh I wonder why I am-
Pierro: Hey what's up hello, anyways you're descended from the Crimson Moon Dynasty of Khaenri'ah. I'm sure that this is a lot for you to take in so-
Arlecchino: Ok.
Pierro: ...You're just cool with that?
Arlecchino: IDK maybe? I can't really worry about that at the moment, I'm a father now. This orphanage full of children I love (who also are child soldiers and are not allowed to leave or else I'll execute them except maybe now I'm just gonna wipe their memories IDK I'm morally complex) isn't gonna run itself.
*Runs the orphanage/spy recruitment initiative*
Me, the fucking player: WHAT DO YOU MEAN YOU ARE KHAENRI'AN? WHY WASN'T THIS BROUGHT UP IN YOUR FUCKING QUEST?? OR ANYTHING ELSE????
Arlecchino, talking to me through my phone: I honestly don't know why you care, I'm too busy to give a shit. Anyways, I'm gonna go fight fate itself I guess. I'm sure that I don't share any thematic parallels with any other Khaenri'an characters (particularly as it relates to acting and family angst) and that I haven't made the idea of 'curses' on Khaenri'ans and what they entail even more complicated than they already were. See ya.
#arlecchino#genshin impact#pierro#WHY IS THE GAME FUCKING GLOSSING OVER THE FACT THAT SHE IS KHAENRI'AN?!#Not only that but she is the first Khaenri'an we've met (that we know of) who's from the Crimson Moon Dynasty#I'm so fucking confused#Did Celestia place a DIFFERENT curse on members of the Crimson Moon Dynasty?? Or is this stuff all of them can do???#HELP#She also seems almost...uninterested in the fact that she's descended from Khaenri'ah. Which honestly I think is interesting.#I don't know if I like it yet but when every other Khaenri'ah character has one of their major traits being that they super fucking#care that they are Khaenri'an (whether that be Kaeya with his paranoia/destiny/duty or Dain with his guilt over his failure/desire to#prevent our sibling from fucking with anything too much or whatever the fuck is going on with Pierro)#having a character who is Khaenri'an but doesn't seem to particularly be invested in that part of themself is different#she cares more about the curse and its effects on her then she ever really cares about the Crimson Moon Dynasty or the cataclysm#IDK I think it's neat from a character writing angle. or at least it has the potential to be if the writers do a good job.#But from a 'I like maybe 3 things in this game and one of them is Khaenri'ah' perspective it SUCKSSSSS#That part of the plot is already suffering from chronic live-service storytelling disease where people just straight up don't tell you#shit that they logically SHOULD BE TELLING YOU because the game needs to save plot points to build hype around#so for one of like 4-ish (depending on how much we count Albedo) Khaenri'an major characters to give us literally 1 and 1/2 voicelines#kinda sucks ngl. but again it's also interesting and realistic for Arlecchino and from that angle I like it#she doesn't care about what fate says her place in the world is. she's gonna carve her own and being Khaenri'an isn't relevant to#the life and identity she has built for herself. she isn't the type to look for answers she doesn't need. she's practical and efficient.#at the very least it's better than when Albedo 'I want to find all the world's truths' Kreideprinz doesn't let the audience in on his stuff
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kaeyapilled · 8 months
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i am still not over the fact arlecchino is referred to as "father" by the house of the hearth kids btw. the gender of it all
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palpunte · 1 month
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1329.1 "Mudd's Women"
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aroacesigma · 2 months
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so many bsd characters seem to have a lot of their characterisation and experiences centering around their ability, but sigma seems mostly apathetic to his own ability - he doesnt list it as his strength in that one character profile that came out recently , he just says hes a hard worker and mostly useless at everything else . and hes always describing himself as pretty ordinary. which really is the exact opposite of how pretty much everyone else sees him as just the thing that comes along with his ability
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uhbasicallyjustmilex · 3 months
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current editing moodboard, please send help
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