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edupunkn00b · 11 months
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French Kiss: Tale of the Revolution, Ch. 20: Happy Endings
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Colorized version of Fighting at the Hotel de Ville, 28th July 1830 by Jean Victor Schnetz. (embedded image description)
Prev - Happy Endings - Masterpost - [ AO3 ]
Summer, 1830, Café Procope
Virgil leaned forward, elbows on the table, and he watched, eyes wide, as the bearded man took a long draw on his coffee. “Then what happened? Tell me, did Patton and Remus free them? Did they… did they go back for Logan’s body? Maybe… maybe he was really still alive?”
The bearded man’s eyes shot over to the bartender, but his back was turned to them. 
“Patton didn't slept at all that night,” the bearded man shook his head. “Remus tried, if for no other reason than to mollify him. And to…" He lowered his voice. "Give him a little privacy while he grieved." The bartender faced the other side of the bar, studiously busy polishing a beer stein. The bearded man cleared his throat and nodded. "At first, Remus imagined making his way back to the palace, fighting and sneaking his way past the rebels, convincing the guards he was who he said he was, and breaking in to free his love and his brother.”
He drank more of his coffee. “But as the night wore on, the fires at Versailles grew brighter. And his hope dimmed.”
15 July 1789
Patton stirred at the first hint of pink along the horizon. “Your—Remus?” he whispered, moving closer and resting a hand on Remus’ shoulder. “Are you awake?”
“Yes,” his voice cracked. Patton was on his feet, stomping dirt into the embers. Remus scrambled up after him. “The horses stayed,” he murmured.
“Petit and Naif are good horses, aren’t you?” he cooed, scritching across the shorter one’s back before strapping down his saddle.
“So you’ll take Petit,” Remus copied his movements and buckled the other saddle. “And I’ll take Naif?”
Patton chuckled dryly. “Petit’s the taller one. You’ve got her now." He stroked Naif's mane and his voice went soft. "Logan used to pretend he didn't like that joke.”  He dragged his hand across his face and  watched the sun inch her way over the horizon. Remus lifted his hand, about to grip his shoulder or… Do something. Anything. Anything to cut through the blanket of grief wrapped around the other man.
But Patton straightened and pointed to the thinnest part of the trees. “We’ll head that way on foot, then see how the road looks.” He nodded and clicked his tongue. Both horses followed him. “With any luck, we can ride most of the way.”
~~~
The City of Light burned.
Black, oily smoke billowed from the Bastille and several of the larger estates along the far shore of the Seine. The tall, windowed doors of St. Germaine were barred with a crooked iron brace. There were scorch marks on the doors and more on the loose pages from the prayer books gathered in clumps along the gutters.
They walked the horses slowly, and Patton clucked soothingly when a loud bang sounded north of La Chapelle. “Welcome to Paris,” he murmured to Remus. The bright sunshine illuminated every cracked window, every pile of trash, every dirty puddle. Every beggar. Patton took them past du Foy, but Remy had boarded up the windows and was likely hunkered down inside, his stolen musket by his side, lead pipe in his hand. Remy had told him stories of the food riots in the '70s, and he was not the type to take chances after that.
A rumbly wave of voices spread out from the center of the city and they followed the noise. A large gallows had been assembled in the middle of Jardin Square. The air was thick and acrid with the fires dotting the city and July’s heat already rising up from the cobblestone streets. The memory of the forest's cool air and the babbling creek seemed unreal.
The gallows platform was empty save for a pair of rebels fastening nooses to the heavy beam. Either end was rough and splintered, probably plundered from one of the estates before the structure was torched. “Look,” Remus tugged at his sleeve and his eyes darted over to the floor of the gallows. It was built tall, with the stage higher than eye level. “There are trap doors.” Patton looked and under each rope was a jagged square. “If we can stop those from triggering, it could buy us time to cut them down.”
Patton nodded. “Let’s tie off the horses, then cover me while I get under there.”
Less than an hour later, Patton and Remus mingled with the crowd at either edge of the gallows, mere paces from the steps leading up to the stage. The moment the doors failed to open, they would rush up, clad in red scarves, and promise to help. They had to be fast, and cut the ropes before anyone else could reach them. 
They had one shot.
Remus fidgeted, his curls, even dirty, bouncing as he shifted. He jumped when someone clapped his shoulder, laughing. He laughed along and said something Patton couldn’t decipher from the other end of the stage. A little boy beat out a steady rat-tat-tat on a dented drum and the crowd’s volume grew. The mass of people moved as one, breathless and faces bright with excitement. One of the Garde Royale emerged from the commandeered shop behind the gallows. His uniform was torn, epaulets ripped from the shoulders and a deep purple bruise covering one eye. The crowd jeered as he was led to the end closest to Patton and two students he recognized from the café tightened the noose around his neck.
More boos erupted from the men and women and children gathered around the stage. Janus stumbled out, eyes downcast and his hands tied in front of him, like the guard. He didn’t appear to be in as bad of shape, but he favored his left leg as he walked and he moved far too slowly. Remus’ eyes were fixed on him and he inched a little closer to the steps.
“Not too soon, Your Majesty,” Patton whispered under his breath, willing Remus to remember to wait.
Patton didn’t think the crowd could get louder but a flash of green drew a roar from the mob. A head taller than the men leading him, Prince Roman walked with shoulders squared and chin tilted up. If it weren’t for the split, bloodied lip and his blood-matted hair, he could have been making his entrance at a grand ball. He didn’t react when one of the men tried to trip him, catching himself before falling on his face, arms tied behind his back, one final loss of freedom they could inflict before at last taking away his life.
From where he stood, Patton could see the lever that was meant to open the hatches. Beneath the stage, he'd jammed thick cedar shims into the mechanisms, his sabotage invisible from the outside. The lever would work, but the hatched would remain closed just long enough for him and Remus to cut everyone down.
The drums intensified, riling up the crowd until there was a crack of gunpowder and the executioner pulled the lever. When the hatches didn’t open, panicked voices rose up from the students who’d squeezed through the crowd to get a better view of the hanging. They were now penned in, caught between the head-high hanging platform and the growing mob. 
It was now or never.
Moving as one, Remus and Patton dashed onto the stage. Before Remus could reach his brother, the shim splintered and the hatch dropped beneath his feet. Remus shouted, a wordless, panicked cry, as he dragged Roman back up and began to hack at the rope. While that was going on, the guard had managed to wiggle one hand out from his ropes and freed himself before he abandoned his distinctive coat and jumped off the back of the execution stage. The crowd was stunned, and time seemed to stand still as Patton ran to Janus’ side. 
With all eyes on the “King,” he sawed through Janus’ ropes and half ushered, half carried him to the other end of the stage. “Trust me,” he hissed at the twins, then ripped open Roman’s tattered green coat and shouted, “Everyone! Faites attention! He’s wearing red! The King’s a fraud, he’s just a guard." He pointed behind the stage, away from where the guard had escaped. "That man was the King!” 
The mob roiled around them, a bubble waiting to pop. As they moved down the ladder, Remus spotted a familiar young woman dressed in rags, clutching her elderly grandfather’s arm. Her rough woven skirt and apron, stained and threadbare blouse looked like anyone else's but he knew that face. Relief flooded his heart and he almost smiled. Philomene! She’d gotten out and taken Maitre with her. She met Remus' eyes, bowed her head, then stepped in front of a rebel attempting to get to the stage. She grabbed his arm, speaking quickly and pointing to Maitre. 
“Get to the horses while they’re distracted,” Patton ordered, pulling the princes along. He squirmed through the crowd as they pushed their way around the stage, hunting for the long-gone guard. Dirtied and bloodied, friend and foe, royalty and Jacobin all looked alike and they managed to get to the edge of the square where Petit and Naif nickered nervously.
“You found me,” Janus slurred once they’d stopped, hanging from Remus’ arm.
“Of course I found you, mon douceur,” he murmured and lifted Janus up into the saddle before climbing up behind him, one arm wrapped around his love’s waist, the other hand tight on the reins. “I promised you, ‘til my last breath and beyond.” He nuzzled gently against the side of his neck, shoulders trembling. After a moment, he straightened and turned toward the others. “Race you, brother,” he started to laugh, but it came out more like a sob at the sight his brother’s bruised and bloodied face.
“If you think I’m going to let you win merely because you saved my life,” Roman’s smile was weak but real as he mounted the other horse behind Patton. “You’re dreaming.”
Patton chuckled at the brothers’ banter and tugged on the taller man’s arms. “Hold on tight, Your Highness” he muttered.
“Mon héros petit,” he said quietly, both arms looped tightly around Patton’s waist. He looked over his shoulder when the sound of the mob changed. Someone in the crowd pointed their way, and the mob seethed, undulating toward them like some giant sea creature. 
“We need to move,” Patton said, clicking his tongue at the horses. “Now!”
Urging Naif and Petit into a gallop, the four of them took off just ahead of the crowd, leaving the chaotic mob in their horses’ dust.
Summer, 1830, Café Procope
“Mon dieu,” Virgil murmured. “They made it?” Tears pouring freely down his cheeks, he accepted a handkerchief from the bearded man. He scrubbed his face dry and shook his head. “That was a beautiful story, monsieur. Thank you.” He swallowed hard and nodded. “Where are they now? The stories say they—”
“Last I heard, the four of them were still guests of King Fredrick in Berlin.” He shrugged and finished his coffee. “Exile beats death.”
Virgil tapped the sides of his cup and leaned forward, eyes drawn to the gun the bearded man still held. His gun. “Did Patton ever return to Paris to seek revenge? To find… um… Raúl?" He stared at his gun with hardened eyes before looking up at the bearded man. "Make him pay for killing Logan?”
Shaking his head, again the bearded man gazed out at the bartender working his way through his closing tasks. The bar counter gleamed in the lamplight, every glass shone, bright and glossy. Just like the bartender’s clear blue eyes. “Patton was never the type to hurt someone out of revenge.” He returned his attention to Virgil. “Besides, they all knew Logan wouldn’t’ve wanted that.” 
The dark fire that had filled Virgil’s eyes faded, and the coffee had sobered him. He stared down at the table for a long time, rubbing his hands over the scarred but polished surface. Finally he looked up and jerked his chin toward the gun. “I listened to your story, monsieur.” He bowed his head and pulled the ring out from under his shirt. He kissed it, then left it out, hanging just over his heart. “May I have my gun back now?”
“How about…” Picking up the gun, he opened the chamber and knocked the three bullets it contained into his palm. “You keep your gun, and I keep your bullets.” He offered Virgil the revolver, handle first. “Fair?”
Virgil chewed on his lip then finally nodded. “Entendu. Fair.” His mouth regained a bit of the shaky smile he’d had at the end of the bearded man’s story. He accepted the gun and, after a moment, tucked it in his belt. “Good night, monsieur. Thank you for the coffee and… the story,” he said, uncertain, like he’d pushed and pushed and pushed at a door only to have it fling open when pulled. He gave the bartender a little two-fingered salute then slunk out into the night.
The bartender followed and locked the door behind him before lowering the shade. Smiling with a faraway look in his eyes, he filled the bearded man’s cup with the last of the coffee. “You gave ‘Patton’ a larger role in the rescue tale this time.” As he turned to extinguish the lamps at the next table, the flames cast golden light over the bartender's unruly mop of greying hair, momentarily restoring his formerly blond curls.
The bearded man smiled sadly at him.
“He deserves it. Roman was right. The little kitchen scullery was a hero that night.” He took a long drag of his coffee, relishing the way the hot, bitter brew scalded his throat. He set down the mug and wiped his mustache with the back of his hand. “Saved His Majesty’s life.”
The bartender nodded. “It’s too bad I couldn’t save you both. That I couldn't save you all.”
The bearded man rubbed the edge of Janus’ gold ring, back on his pinkie where it had been the night he’d given to him. “You did what we all did that night, Pat,” he shrugged, leaning over to extinguish the last light. The lamplight accentuated the bump in his nose from the decades-old fracture. He contemplated the light, then blew it out. Gas streetlights spilled into the suddenly darkened space from the transom, hiding the surrounding ghosts in long shadows. “You saved who you could.”
~~~
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Side by side of the edited and original versions of Jean Victor Schnetz' Fighting At The Hotel De Ville (1830)
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yardsards · 9 days
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laios when his party needed more members:
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It’s so sad to me that a huge part of the Star Wars fandom still talks about how the Jedi lost their way and one of the main reasons is that the fought in the clone wars.
Because this is a children’s show. For children. And in the Jedi crash episode they literally bring up this argument.
“It takes two to fight”
And:
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This old man goes off on them. He chooses peace. But what does his peace look like?
The separatists come in and are like “our planet now” and he’s like “ok fine”
And then they use the planet to test out a HUGE weapon that would killed MILLIONS of innocent people and clones. So already his “peace” is just breeding more violence.
But then they decide to use his people as test subjects.
What he was doing wasn’t “peace” it was compliance. He was aiding colonizers and invaders and then they were going to kill him and his entire community because of it.
The separatists were literally conquering planets and killing and enslaving the inhabitants. You wanted the Jedi to sit back and go “sorry man. We like peace. Can’t get involved.”
I just… how can so many people in this fandom misinterpret something that was shoved down their throats??
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gummi-ships · 4 months
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Kingdom Hearts Dream Drop Distance - The World That Never Was
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itspileofgoodthings · 2 years
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Good morning what are the movies or tv shows that traumatized you as a kid mine are the BBC production of A Christmas Carol and a handful of David Suchet Poirot episodes
#my dad always thought if something was well done it was appropriate for children#so we never watched the silly little kid version of things. The muppet Christmas Carol? My dad would N E V E R#anyway a Christmas Carol ruined Christmas for me for YEARS#i hated to think about it#and poirot was just. traumatizing#there’s one called murder on the links which involved a golf course at night which is one of the most terrifying locations I can imagine#also there’s one called death in the clouds#and poirot uncovers the murder because there are two spoons on the dead lady’s tray of airplane food#and the way he says ‘he picks up a spoon giving him the task of a waiter to carry out’#when explaining the murder at the end to this DAY sends chills up my spine#I know this is very obvious but the thing about fear is that it isn’t about logic or reason but it is about revelation#it’s like the flip side of moments of good and happy insight#at least for me#what terrifies me is a moment where some kind of evil is revealed in a blinding FLASH#a motive or (I guess) a ghost#and there is this presence of some malevolent entity underneath the reality of things#and something about it being SEEN almost more than it existing#is so scary. Like I.#Poirot uncovering the murder and describing it with such studied fascinated careful attention#pulling back the layers of a blind of one kind or another#shakes me to. my. CORE.#and it’s all so visual and instinctive. it’s one tiny little moment that doesn’t fit suddenly pulling back the curtain of reality#with such terrifying abruptness#makes me want to sit down and cry like a baby#the knowledge of evil doesn’t scare me. as in it doesn’t elicit an emotional/physical reaction of fear#but seeing it in embodied action. again. where it’s some tiny ordinary little detail suddenly ripping reality as you know it to shreds#the surprise of it. the recalibration it demands#I !!!!!!!!! Get so afraid
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dreamsy990 · 1 month
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some of the less nice thoughts about being aroace
extras below the cut
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sketch
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closeups on my favorite panels
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bonus: adios
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logan-the-artist · 5 months
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Loceit with C1 for the ask game, if you're still doing it?
i am!! :]
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from this ask game
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gurggggleburgle · 2 months
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on the one hand Moshang is considered a incredibly romantic and wholesome love story by demon standards is funny and I love it I also do think the idea that for an ice demon specifically Mobei-jun is a cringe sap and overly expressive and romantic to the point of being a freak to other demons is just much chucklery. I mean, this man out here looking like an emotionally constipated rock is actually on so many laxatives he's been shitting a stream of emotional pebbles for the past decade is just so silly. In general, I just think Mobei-jun is funniest when he is in fact just weird by virtually all metrics but nobody can or will say anything.
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choccy-milky · 15 days
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oh boy anon, you’ve activated my trap card. GET READY FOR A SEBASTIAN CHARACTER ANALYSIS ESSAY BELOW LMAO
ok so first off I know im obvs biased, but I don’t actually think my seb is that ooc, AND PUT DOWN YOUR PITCHFORKS IMMA EXPLAIN WHY. but im also gonna explain why I don’t think the other more friendly and lighthearted renditions of seb are ooc either. bc theres so many aspects of seb we get in the game that can be interpreted in so many diff ways, and so this is how i see it/landed on MY rendition of seb:
PROTECTIVENESS/POSSESSIVENESS: this is one of the main aspects of him, imo. his entire questline is about wanting to cure anne, and how he’s not giving up, and how he believes that HE is the only one that can do it, because “she’s MY sister!” seb is super tunnel visioned and has a one-track mind when it comes to this, and I headcanon that he’s this way because of their parents deaths. he’s the brother, the boy, he’s gotta be strong for his sister, and ofc when their parents died, he tries to comfort her and be there for her/be the rock, and it happens again when she’s sick. shes his sister, his responsibility, and he’ll die before he gives up on her and her safety.
SO, I just transfer all those aspects over to a romantic relationship instead. you just replace “shes my sister” with simply, “she’s mine/my gf/my wife/etc.” and in the same way I think seb tries to be strong and reliable and protect anne because he’s the brother, I think seb would be the same way in a relationship, because he’s a boy and she’s a girl and its 1890 and he’s chivalrous and he just sees it as his responsibility. I think the death of his parents and his dynamic with anne has baked this sort of mindset into him, and its even MORE intense in a romantic aspect, because then hormones and puberty and sexual tension and attraction is involved (plus the fact that seb in my fic is 17, so he’s older and has even stronger raging hormones and testosterone LOL.
JEALOUSY: who can forget the lines “between the two of you, I’m starting to feel left out” and “ominis simply needs a moment with you and he’ll change his mind. is that it?” the first one is more playful but I feel like the second one really showcases sebs brand of jealousy, and how biting and uncharitable it can be.
AGGRESSION/VIOLENCE: yet another iconic line with: “fine. but ominis knows, I won’t step back from a fight.” LIKE... the fact that apparently ominis knows this means its come up more than once…and im not saying seb is some unruly aggressor who flies off the handle at anything, but he defs has a capacity and is willing to get violent if HE believes the situation calls for it—basically the same way he feels about the dark arts. he felt justified using imperio to protect anne, and taking the relic to save anne, and so he would have fought ominis to get out of the catacomb. and with MY seb, while he doesn’t go picking fights with any boy who looks or gets close to clora, he’ll definitely be willing to beat up or lay hands on a creep who bothers clora/who is in the process of bothering her LOL.
SO YEAH, that’s pretty much it, and I’ll be the first to admit I definitely ramp up these traits further because he’s older in my fic and i think these traits would only get more intensified with age + being in love and also bc IM A TWILIGHT GIRLIE!!! what can I say. there are so many moments in my fic where you can just replace seb with edward and it wouldn’t seem out of place tbh LMAOO so blame twilight, it was a formative experience for me BAHAHA
BUT like I ALSO said, I don’t think peoples more lighthearted interpretations of seb are ooc either. because even all my earlier above examples, you can just focus on diff aspects of them. like his tunnel vision and obsession to cure anne? instead of seeing it as over the top protective and possessive, you can just view it in a more wholesome determined selfless sort of way. like I said we got so many nice little bits and ingredients of his personality that we can turn into anything we want, really👌just pick which flavour of seb u like best and use what we got in game to create it HAHA
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AW TYY QUEEN BAHAHA💖 and aw im always so honoured when ppl tell me they consider my stuff canon that’s like the best compliment I can get, tysm 😭 and im glad you like my fic and art so much (enough for your friends and family to unfortunately know💀 LMAOO)
im adding your ask to this because it kinda ties into my seb essay. LETS GET INTO WHY A SWEET BABY ANGEL WOULD LIKE SOMEONE LIKE SEB. the answer ISSS: the same reason WE’RE also all into him I guess?? BAHHA
ok but to start off im gonna defend my seb, not only cause of what you said anon (i dont want you to feel like this is targeted to you!) but also bc I got an ask recently asking me to summarize seb and clora’s relationship since all they see from my art is that “they fuck and seb is possessive” LMAO, and I feel like ppl who JUST see my art and don’t read my fic have a warped image of my seb.
this may be shocking but I don’t consider my seb a red flag LMAO. I joke about how hes more of a pink flag tbh, but even THAT i dont even really believe, and don’t even consider him overly possessive. like yes he keeps an eye on her when shes hanging around other boys, but I feel like that’s normal (esp for 1890) and all of his most possessive moments have been when theres been a threat to cloras life/coming from a place of love and protection (especially since clora is so self-sacrificial, she’d have killed herself by now if not for seb LOL) so to me id actually put Sebastian as being PROTECTIVE as his first and foremost trait, followed by the possessiveness.
and yeah he gets jealous, but unless a dude is actively trying to get with her/hitting on her/harassing her, he’ll otherwise just kinda be unhappy about it/let it play out/ watch on unhappily LOL. and even when lawley was blackmailing clora and getting in between her and sebs relationship and lying about how close he and clora were, seb demanded answers from CLORA on what was happening between the two of them, but he didn’t touch lawley or tell him to stay away. bc seb thought that was what clora wanted, so he let her drift away. if he was TRULY a red flag, in this instance he would have just beat up lawley for taking what was "his"/not allow clora to leave him/immediately go to lawley instead of clora, and tell him to stay away despite what clora might want. (and clora even WISHED seb had interfered and done this. she was like 'why is he letting me drift away and go off with lawley i WANT him to fight for me...but she couldn't actually say anything thanks to the blackmail)
clora doesn’t just 'put up' with sebs more possessive and protective behaviour though, she actually likes it HAHA. just bc shes a precious baby angel, we all like a bad boy, even back then. just look at jane eyre, and how popular the dark and brooding and assholey mr. rochester was.
she tells seb at one point that she likes those things about him, even his immature competitive side, and his darker sides, and that he shouldn’t try to hide them or change himself because she accepts them. and even putting aside all of the stuff they’ve been through together that has bonded them (like the main canon quests + annes curse and then CLORA being cursed, and then clora being kidnapped and seb saving her) clora thought seb was roguish and charming and witty and intelligent and good looking from day 1. add to the fact that he’s just so devoted to her in everything he does, that even if he CAN get a bit overbearing at times, how could you NOT fall for someone like that😩 someone whose possessive behavior just stems from wanting to protect you and love you and want to keep you safe and cherish you like DAMN…. GET ME A SEB, TOO. WHERES MINE!!!😭😭
clora also realizes in ch 32 WHY seb is so protective of her (the trauma with his parents and wanting to be there for anne) and that she accepts it, and enjoys it, and that she might even MISS it if seb were to ever get less protective of her/might get lonely LOL, and then sebs like "i’ve "spoiled you, have i?"
so YEAH I don’t think sebs protectiveness and possessiveness goes into any toxic territory or red flag territory PERSONALLY (and the time that it DID get toxic was because of the relic, and clora DID put her foot down)
but my normal seb? whose dream in life is to whisk clora away into a tower and lock her up to keep her safe and keep her all to himself, but that he’d never ACTUALLY do because he knows its insane and unreasonable but jokes about wanting to do it anyway bc he would if clora agreed? clora finds that endearing and cute and is touched by how much he loves her and wants to keep her safe.
IN CLOSING: I LOVE THEM YOUR HONOUR AND THEY LOVE EACH OTHER👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨
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onesidedradiostatic · 21 days
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The Lucifer Commissions Saga has me thinking that once Vox found out about Lucifer's Alastor shrine he would be like "???? He has a signed recording of Alastor's radio debut?!? Oh my god I need that" and then he spends weeks searching for one until he finally gets it for like a million dollars (from the Alastor budget). And then Lucifer sees that it's been added to Vox's shrine and he's like "that loser did not just copy me" and he proceeds to try and upgrade his shrine as much as possible just to upset Vox, and it basically turns into a dick measuring contest for them (Alastor is horrified)
(if you don't have the context. god help you. all I can give you is this (the budget), this (the shrine og), this (the shrine animatic))
I'm. I'm going to cry. I have so many questions
I'd actually argue it's more likely for vox to have gotten HIS signed around him and alastor's first meeting, lucifer hadn't even heard of alastor when he met him he's a FAKE FAN. (HOW WOULD HE HAVE EVEN GOTTEN HIS HANDS ON A RECORDING OF ALASTOR'S RADIO DEBUT? I WOULD UNDERSTAND STALKER-VOX WHO HAS KNOWN ALASTOR FOR YEARS HAVING IT BUT LUCIFER-WHO-IS-THIS-WHO-IS-THIS-NUT-ARE-YOU-THE-BELLHOP-MORNINGSTAR?????? HOW?????????)
yeah. yeah alastor is horrified (and op is losing her mind trying to apply logic to this)
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edupunkn00b · 9 months
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22. Do you know how your fic will end before you start writing?
-g
Thank you so much for the Ask! (post, for the curious)
Yes, I do! I talked about how Dee and Overruled were exceptions to this in another answer, but French Kiss: A Tale of the Revolution (my last major character death story) was a huge example of when I knew exactly how the last two chapters would go and had them completely written in my head and the actual final scene written long, long, before I knew exactly how I'd get there in the end.
In fact, French Kiss was just the ending for a long while. So, yeaaaah… I knew that would be a heart breaker for a long, long time.
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moeblob · 21 days
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Ohiwe (lady) and Ohime (man) aka the fire deity after they get punished.
Originally just "Oh", the fire deity had a bit too much fun with punishing humans and so in a means to stop them, the elder gods split them into two. So now they have to be together in order to have their "full" power but as before the split, they get restless and like to wander. So while one stays in their city, the other gets to go out and travel and see the world and check on the other deities.
Also, as a whole/singular being Oh would use they/them. After the split however, it's definitely not the same and so Ohiwe likes using female pronouns and Ohime uses male pronouns. That way when discussed as one, it's back to they. That feels best for them.
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frnkiebby · 1 month
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well fuck~🎃
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coquelicoq · 6 months
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what i love about the Famous Actor Natori Shuuichi of it all is that...it's not just that he's famous and therefore widely recognizable wherever he goes. like yes that is very funny because he was an exorcist before he became a famous actor, which means he CHOSE, on purpose, a day job that would make it harder to hide his double life/secret identity from the hordes of his adoring public, but it's more than that. it's not just that he's famous, it's that he's famous specifically for being an ACTOR, aka a person whose job it is to dissimulate, to make believe, to inhabit roles and emotions other than his own. like he decided he was going to become as visible as possible (which again was literally not necessary! he could have gone into any other career for his day job!!) but in such a way that everyone would see him but no one would see him - they would just see his various made-up personas, including the Famous Actor Natori Shuuichi persona. i can't decide if he's a genius or if he just made so many absurd decisions that they canceled each other out and circled back around to working out. he's either playing 9-dimensional chess or he's eating the pieces. too soon to say.
#the other thing i love about it is that in a very real sense it's his actor day job that is his alter ego#being an exorcist is his normie job. he's just a famous celebrity on the side#which isn't that uncommon in secret identity setups but it's still very funny#natsume's book of friends#natsume yuujinchou#natori shuuichi#natsuyuu meta#my posts#f#i think probably the actual answer is that acting was a very natural career choice because he already masks so extensively#both to hide that he can see things other people can't (and that youkai exist and that he exorcises them)#and to hide what he's really feeling so that no one can use it against him#so if it's already something he has to do & he's good at it...why not have someone tell him exactly how to do it & get paid for it?#and the other part of the answer is that most ppl don't go into acting assuming they'll get famous. the fame was a side effect#so each decision as it was being made probably made perfect sense. but put them all together#and you have this hilarious assortment of elements that seem to directly contradict each other#okay also i would be remiss if i didn't mention the other possible answer which is that the attention came first and was unavoidable#and the acting developed from the need to protect himself from the attention that he was going to be attracting no matter what he did#because he's so beautiful. and (in the exorcist world specifically) because he's the last of the natori#the more i talk about it the more i'm like no becoming a famous actor was the only path that made any sense for him lol#1) he's gonna be watched no matter what bc he's him -> gotta figure out how to hide his secrets -> learn to act as self-defense#or 2) he's got secrets -> he's gotten a lot of practice hiding them -> hey you could make a career out of this!#all roads lead to actor natori shuuichi. and since he's beautiful...all roads lead to FAMOUS actor natori shuuichi#i love it when i ramble so much in the tags that i end up contradicting my own post lol#he's neither thinking ten steps ahead nor is he irrational. he's simply making sensible individual decisions#that follow logically from what is available to him and what his priorities are
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loganslowdown4 · 5 months
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Logan: Did you get the eggs like I asked?
Patton: Even better!
Logan: Wha-?
Patton: *reveals a live chicken* Her name is Fluffy!
Logan: No not- nO NOT AGAIN PATTON THE DOGS WILL EAT HER-
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3amsnek · 1 year
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a very merry birth to our most logical boy :]
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reblogs >> likes!! don’t like if you don’t reblog!
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