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#oh also for context she definitely has other gay friends & she knows for a fact that some of my friends are gay so like it’s all cool
dreamertrilogys · 2 years
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MY SISTER JUST STRAIGHT UP ASKED ME IF I WAS GAY 💀
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genericpuff · 6 months
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All That Glitters is Not Feminism - An Analysis of LO's Brand of "Feminism" and What Remains of its Fanbase (A Prologue)
So I referenced a certain article in a recent reblog/ask response and I just need to talk about it because what the actual fuck-
This has to have been written by either a bot or a hater who's reached peak god tier level at playing the long con sarcasm game because NOTHING about this feels sincere or even factual. Much of it almost has to be read in a mocking tone for it to make any real sense.
It says "Lore Olympus" (literally in quotations) in just about every single paragraph over and over again and every single talking point revolves EXCLUSIVELY around Persephone, which I suppose comes as no surprise considering that seems to be all the comic - and its fanbase - cares about at this point.
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I really love (/s) how Persephone's "evolution" is being naive and then 'blossoming' into an independent woman who relies entirely on the rich man who groomed her to solve all her problems.
Also all she's done since becoming Queen of the Underworld is abuse lower class people. That's the stuff feminist dreams are made of <3
While we're talking about the main leads, "poster child" is definitely a word for Hades, I think a more appropriate term would be "literal child". And boy howdy, 'god of consent' sure is a title to give the guy who ripped out a lower class satyr's eyeball and beat him half to death.
This man owns slaves, btw. And both he and his "powerful wife" are equally horrible to lower class people, especially women.
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This is hands-down the funniest section of the article and we're only three bullet points in.
Thetis and Persephone have never even so much as spoken one word to each other outside of the courtroom that Thetis technically put her in after plotting against her for an entire season.
Eros is a man. Nothing wrong with that but it comes with the unintentional icky hilarity of implying that because Eros is the gay best friend, that means he's a woman.
They literally don't read this fucking comic-
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Everyone always relies on this weird talking point of Demeter not being able to "let Persephone go"... y'all, she just didn't want Persephone to outright move to Olympus, she wanted her to commute. That was it! That was literally the only problem! She wasn't preventing Persephone from pursuing a higher education or telling her she wasn't allowed to work, she literally fucking encouraged it! And with the added later context of Persephone killing a bunch of mortals - and, ironically, the fact that Persephone was assaulted/put in harm's way by TWO SEPARATE MEN in the first two days of her time in Olympus - yeah, I don't blame Demeter for not wanting her daughter to move cold turkey actually LOL
Also hilarious that they claim Rachel has turned "tradition" into "innovation" when the only thing she's managed to do is set back modern feminism in her young adult readers by 80 years and re-establish misogynist brainwashing in her adult ones. Rachel, your fanbase was literally shipping a victim of abuse with her abuser just a few days ago.
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oh boy this is uh
this is some cult shit ngl
and the "rewriting the script of Greek mythology" part is VERY concerning knowing what we know about Lore Olympus and who it was written by. This is literally cultural appropriation, full stop, and it exists because Lore Olympus - and works like it, made by people like Rachel - exists.
I can't even commit to the original theory that this was written by a bot because it all feels very pointed and intenetional. This is being written by someone who, at the very least, REALLY sucks at media analysis and writing, because the entire article is just "Lore Olympus, buzzword, Lore Olympus, buzzword, buzzword, Lore Olympus", it's like a white knight incantation for guilty virtue signallers who have zero clue what they're talking about. And at worst, yes, it's appropriation from someone who doesn't mind taking a culture's stories and myths and promoting their erasure by people outside of the culture like Rachel.
And that's it, that's literally the article lmao
*EDIT: There was a section here before addressing the writer of the article from a very opinionated POV that, while isn't unusual for what I do here, did feel necessary to remove after I was contacted by the article writer who addressed the flaws in their original article and is now seeking to correct them with revisions/an article rewrite. So I felt it only fair as a compromise to at least remove that section as it really doesn't have a whole lot to do with this post as a whole and can be removed without entirely ruining the flow of this analysis. If/when that article is rewritten, I'll be revisiting this post and my overall analysis !
And honestly, it's all really telling, because this does accurately reflect the state of the LO fanbase.
Not only do many of the people who defend this comic like it's their job not pick up on the blatant misogynist tones that are going on in its narrative (I can't even call them "undertones" anymore, they're no longer that subtle) but whether or not they even read the comic at all is up for debate with how much stuff they tend to get wrong in their own arguments and justifications. And this is something that's VERY regularly seen in the fanbase discussions, readers will constantly be unaware of things that happened because they skimmed through it at lightning speed just to see if Hades and Persephone kiss and so they can get the top comment on Webtoons so they can be "ahead of the fanbase". It's no wonder that Rachel has gotten used to getting away with retconning things because her fanbase didn't even read what she established the first time.
Rachel's fanbase was literally defending the romance ship of an abuser and his victim on the newest FP episode preview. When that FP episode came out two nights ago and Hera said, point blank, that he didn't love her but abused her, I could only think of that portion of the fanbase who was very audibly simping over Kronos in the IG comment section. Are they actually having their moment of shameful clarity now? Or are they just gonna move the goalposts and pretend that didn't happen?
I don't want to say anything bad about Shelby here because she really seems like she's fighting for her life on this site that she's trying to get off the ground, but a lot of her other articles also come across as very one-note while being peppered with buzzwords that make it seem like what she's talking about is "progressive" when it really isn't. Case in point, Lessons in Chemistry has been commonly criticized for not actually appealing to the demographic that its Mary Sue-ish main character is supposed to represent - women in STEM career fields.
I've said it before, and I'll say it again: Lore Olympus is not 'feminism', it's white feminism that is designed to appeal to predominantly heterocis white women who think the solution to misogyny is to willingly submit to it and accept the status quo - that it's "empowering" if the woman is smiling and having all her needs paid for by a man. Sure, I can accept that different women will be looking for different relationship dynamics, some women genuinely are happy being in a relationship where they support their husbands first and foremost. But can that truly be called feminism? Or is the real feminism the choices we make along the way that we should be given the freedom to make?
It says a lot about the folks who tend to regularly prop up LO on a pedestal like this as some "revolution in feminism" despite the contrary after spending more than just 30 seconds skimming the attention-grabbing art, and Shelby is just one of many. She's not the worst of the bunch, though.
That goes to someone else who I want to give proper light to in their own essay. Someone who definitely earned a good stern talking-to this past week and has, thankfully, had consequences dished out to her for her horrible actions towards queer POC writers.
If you know, you know. If you don't, buckle up.
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onbearfeet · 22 days
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Queerwolf By Night: Queercoding, Media Literacy, and Werewolf By Night
Okay, @bluemoonperegrine got me thinking about a thing, so it's time for Media Studies And Writing Hacks With Kat. Grab your beverage of choice, and let's talk about queercoding in Werewolf By Night.
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Let's start with a definition, because queercoding can sound like a conspiracy theory if you don't understand the context. In media studies, "coding" means using indirect means (usually details) to imply a state of being without explicitly stating that such a state exists. For example, if you're watching a TV show about a group of high-school friends, and one of the characters is consistently dressed in more expensive-looking clothes than the others, is more familiar with elite cultural signifiers like designer brands, and casually drops statements like, "Oh, yeah, I met him in the Hamptons last summer," then that character is being coded as wealthier than the others. Now, if a knowledgeable character SAYS, "Oh, that's Amelia, her family's rich," then it's not coding anymore. Amelia isn't wealthy-coded; she's just wealthy. Coding is only coding if the state of being is IMPLIED.
Now, why would anyone use coding when explicit statements are an option? Why can't people just say Amelia is rich? There are a number of reasons. First, maybe there isn't time or space to establish every single detail of a character through dialogue. Maybe Amelia's wealth is important to the story, but less important than the fact that she's dying of cancer, or in unrequited love with another character, or obsessed with rubber ducks. Or, second, maybe the coding is a setup for some kind of surprise or reversal. Maybe Amelia wears fancy clothes and has summered in the Hamptons, but surprise! Her parents just went to federal prison for fraud, and she's now penniless and sleeping on another character's couch, with no one mentioning it at first because it's painful for her.
And finally, there's arguably the most famous reason for using coding in media: because you literally can't be explicit about it. Let's talk about the Hays code.
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The Motion Picture Production Code, widely known as the Hays code, was a set of mostly self-imposed rules restricting the content of Hollywood movies between the 1930s and the 1960s. There was effectively a censorship board in charge of approving, disapproving, and demanding changes to films. The Code arose in response to a moral panic about sex and violence in movies; studios instituted the censorship board as a preemptive measure to head off possible censorship legislation. At the time, movies were such a new art form that there were serious concerns that First Amendment free-speech protections might not apply to them, so studios came up with this self-censorship system to avoid dealing with external censorship.
And what guidelines did they choose, you may ask?
Essentially, the guidelines were the conservative Catholic values of the 1930s. Yes, Catholic specifically; the man in charge was Catholic and talked a lot about how he applied his personal values to the task. So the Code included rules like a ban on insulting or denigrating religion or its institutions, among other things. There were also restrictions on what kind of crime and violence could be displayed, sex rules so strict that even married couples couldn't be shown in the same bed (if they even sat on a bed together, they had to keep at least one foot on the floor), and you KNOW there was a ban on anything gay. It was called "perversion" in the text of the code, but it meant gay stuff. Or trans stuff. Or kink. Or women being interested in sex. You get the idea.
But there was an exception to all these rules, and it was that more "objectionable" traits were allowed for villains. After all, a film isn't endorsing murder if the murderer goes to jail at the end and everyone stands around saying, "Wow, murder sure is terrible!" Right?
Yeah, what happened in practice was that filmmakers started giving villains and monsters traits that were stereotypically associated with queerness, supposedly to heighten how eeeeeevil these characters were, but actually for any number of other reasons. Apropos of absolutely nothing, here's Peter Lorre being extremely heterosexual with a cane in The Maltese Falcon.
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Now, how does this relate to WBN? Well, we all know WBN is an explicit love letter to 1930s and 1940s horror movies. If you don't believe me, here's Lon Chaney Jr. in 1940:
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And here's Gael Garcia Bernal in 2022:
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So let's talk about queercoding in classic Hollywood horror movies.
Obviously, confining queer material to villainous characters meant that monsters and their movies could be MUCH queerer than the rest of Hollywood's output. It also helped that horror filmmaking was full of extremely queer artists like James Whale, the openly gay director of Frankenstein. He's often brought up as an example of really obvious queercoding in horror cinema, especially in regard to his film Bride of Frankenstein, in which a young scientist is literally lured away from his impending marriage to a woman in order to create life with a VERY queercoded older man.
Look at these proud new dads.
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And lest you think this is an outlier, let me introduce you to Dracula's Daughter, aka the Carmilla adaptation with no lesbian overtones, no sirree:
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Yeah, queercoding is absolutely A Thing in classic Hollywood horror. It's part of why horror movies are as much of A Thing in gay culture as they are.
The Hays Code went away in the 1960s, partly due to the fact that Code compliance was SUPPOSED to be the one true path to wide distribution and profit, and yet the genderbending comedy Some Like It Hot made piles of money despite not being even CLOSE to Code-approved.
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But 30 years is long enough to develop an entire cinematic language, and the legacy of the Hays Code lives on in things like queercoded Disney villains.
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Now, let's talk about Werewolf By Night. A movie made under conditions not dissimilar to those of the Hays code in that Disney, for all its vaunting of First Gay Characters, absolutely refuses to put those characters in anything with wide distribution in such a way that they can't be edited out for Singapore.
So if your choices are 1) No Gay Stuff, 2) Easily Deleted Gay Stuff, and 3) Gobs and Gobs of Queercoding That Can't Be Removed, and you're making a retro black-and-white horror movie, you may find that option three makes the best, and queerest, movie. The cinematic language is all there for you, and you know at least some of your audience will pick up what you're putting down. And at this point, it's practically a genre expectation.
Now, I want to be clear about something: coding of any kind is, by its very nature, subject to interpretation. If we say something is queercoded, we are NOT saying that it's explicitly queer or that no heterosexual explanation exists or whatever. That's not how coding works. Queer theory and queercoding are a lens through which to look at a work. Sometimes queercoding is even unintentional; it's baked into so much American media by now that tropes like queer-coded villains sometimes happen not for particularly queer reasons but because an actor decided he wanted to sound like the villain in his favorite black-and-white movie. When I say WBN has queercoding, that is ALL I'm saying--that the coding is there. (And yes, I do realize this is the piss-on-the-poor website. Sigh.)
Queercoding is also not queerbaiting; the latter is where a piece of media deliberately builds up the expectation of expressly queer content and then refuses to deliver, often while mocking queer fans who fell for it. (Looking at you, Sherlock and Supernatural.) Queercoding may be used for queerbaiting, but the terms are not synonymous. Because WBN makes no queer promises (no romantic promises at all, really), it cannot be said to be queerbaiting.
So with all that in mind, let's look at coding in Werewolf By Night. And because he's the protagonist and everyone's favorite woobie, we'll start with Jack.
Look at this man. Enjoy him.
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He will be the subject of Part Two.
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angel-thoughts-dump · 10 months
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times they call/insinuate angel is gay/“too feminine for a man”/is attractive to men, in ats - Season 1
ep 1 A manager says to Angel he is a very beautiful man, and he wants to represent him. "Call me, this isn't a come-on"
ep 2 In the club, Angel has to "search for someone that's in trouble" and everyone thinks he is just flirting, including a man, Angel tells him "seriously I wasn't hitting on you"
ep 3 Spike, while watching him from afar, makes a LONG hilarious joke about him being gay, and caring too much about his hair and using “nancy boy hair gel”.
Later while fighting, Spike says to Angel "What’s next ? Vampire cowboy ? Vampire fireman ? Oh, vampire ballerina?" to which Angel responds "I do like to work with my legs" and kicks him
ep 4 Doyle legit admits he is attracted to him
ep 5 Cordy: "do you have (hair)mousse?...       of course you do"
ep 6 Mafia boss calls him “nancy boy”. Angel hits him with a chair.
Also, there's a joke where Cordy nags Angel for not noticing her new shoes, Angel is about to say that "men don't notice that staff" when Doyle enters and says to her "Nice shoes!". This is a 'Doyle =gay' joke but it also shows Angel has funny ideas of what makes you a man, and it's funny that the entire plot of the ep is about repressing emotions, and unwinding when you touch a magic stick.
ep 7 Angel and Doyle going to fight a vamp nest is paralleled with Cordy going on a romantic date. Doyle: “everyone has dinner plans”.
The first thing the new husband of Doyle’s ex does when he comes in, is insist on how handsome Angel is. (Doyle’s ex had also just met him, didn’t say a thing, neither did other women this ep)
ep 8, 9, 10 and 11 I didn’t catch any
ep 12 friends of Cordelia meet Wesley and Angel for the first time, the way they act and respond to their flirting and invitations to a party makes them think they are gay “the good ones are always gay” one says. Angel is not bothered about it, Wesley a little. Later they have this conversation in which Angel seems to have noticed that insecurity, and he says to Wesley that the girls liked him, that his clumsiness was charming, and that the fact they think they are gay adds mystery
(also why does angel quickly bit his lip, looks him up and down, and smiles to him like that??? asdfasdfasd)
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ep 13 (refer to this post bc it needs context) in short yeah a guy is definitely attracted to him
ep 14 nothing again I guess
ep15 Kate’s dad asks her if Angel is gay, she laughs and says "no, he is just not my type, or I'm not his type".
Also, it felt like the dialogs were specially 'supernatural=queer' this episode, and he WAS getting homophobia by Kate lmao
"you don't get to kill a demon in front of me and then act like we are going to have a cappuccino together" "No offense, I know you are probably a decent guy for, you know, what you are..." "If you insist on talking about this, can you pls not call it that? It makes me uncomfortable.(don't say demon) say evil thing" "What? they are evil things that are not evil? - well yeah(me) - OH right, sorry" Then the scenes of his father calling him a disappointment make it even more uuughhh, and then he says "It was a son I wished for, a man! Instead, god gave me you".
All scenes from his past as human point to him being a fuck boy, meaning that, even if not queer, in a way, he also didn't follow the conventional norms of romance or sexuality. But it's also funny to point out the first thing he does as a vampire is feed from a man, to which Darla says "now you can have anyone you want"
ep 16 Cordelia ends up saying “if anyone is wearing a push-up bra here its-- Angel!” when Angel surprises her entering the room, (Also, Wesley describes a type of demon that howls when they are preparing to fight or mate, next scene angel is fighting them while they howl(they appear male), I know this one is a reach, but I’m putting it here bc it made me laugh).
ep 17 so he reads girl-celebs magazines and remembers this rumor about an actor? sure
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also this ep Cordy(known fashion lover) compliment's Angelus fashion sense "Angelus would never wear those pants".
In the buffyverse they say everything is the same without the soul except there's no guilt, meaning no repression about what he would like to wear. So if it hadn't been obvious from before, Angel is also a fashion lover, except repressed about it.
ep 18 there was nothing much here except if you count that Darla asks him "have you met someone else?" no gender-specific.
And/or this interaction with Linsdey cuz come on the tension, the banter, the 'was it necessary getting this close?'
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ep 19 Again nothing textual unless you count that Wesley risks his life and goes against the Watchers council for him, even if it means helping someone he hates(Faith), and his loyalty to Angel is called a perversion(also how does angel look so small here??asdfsas)
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ep 20 two little things, first, does this joke "you show me yours, I'll show you mine" Angel says to intimidate a guy count? lol
Second, in this ep they get paid to search for blackmail pictures of a guy who went to a demon script club, after Angel takes them back Wesley looks at them, and he seems weirded out. Angel is besides him and only with a quick look he is able to tell the pictures are upside down, Wesley turns them and looks at them again, he says "oh, I can't imagine it was pleasant" to which angel makes this face like uhm???
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In any case I put it here cuz even if its not an "angel=gay" moment it certainly shows he has experience with Unconventional sex staff
eps 21 and 22 I didn't catch anything, but in the last ep the "supernatural= other(queer/disabled/etc)" thing is easier to see. Because there's Kate again with the irrational hate like "I'll rid the city of your kind" etc just after Angel saves someone.
And the last scene shows the way your friends don't mind the "weird" parts of you even if you or most people do
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a super endearing moment that happens just before the show promises Angel that he will "as a reward" be normal eventually, which weird, cuz then, Is the message of the story that you can find peace by finding a mission and loved ones who accept you as you are? or is it you can find peace only as long as you are useful to the normal 'innocent' people around you, and you work toward being normal? idk
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marzipanandminutiae · 3 years
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If you ever want to rant (I think you have in the past??) about the specific issues surrounding language in history when describing queer romance (aka Chopin's friend issue) I know I would love to hear it at least
Oh boy. It's. It's a lot.
So, first of all, in case anyone didn't read my blog description or is very very new here, I'm a gay woman. And a big history geek. Which means I really do get how frustrating- even infuriating -the erasure of queer people from history can be. It has been, and unfortunately continues to be, a massive stumbling-block in society's recognition of LGBT identities as an inherent, universal part of humanity.
Moreover, it just makes you feel really, really alone. To think there was never anyone like you before the 1960s...yes, that's incredibly disheartening.
However. I'm also a museum professional. So I also get how careful we have to be when talking about the past.
The terms people use for queer identities have a history of shifting around a lot. And, for a large chunk of at least western history, same-sex attraction in particular was less an identity and more a behavior. Something you did, not something you were. So in expressing these feelings, people might be less likely to label themselves than to just talk about what they were doing. Which means we don't even have preferred labels for them during their lifetimes, much less within the modern framework of queer identity.
Complicating things still further, the old Straight 1950s Historian rallying cry of "FRIENDS WERE MORE AFFECTIONATE BACK THEN!!!" is actually true. I mean, yeah, in some contexts it's a silencing tactic used to erase obviously queer relationships. But it's also just a real fact about western platonic friendships, for a long time. I have seen a lot of 19th-century primary sources to indicate that, yes, a woman could kiss her literal platonic female BFF on the lips and not have it mean anything sexual or romantic. In some eras and places, that applied to men, too. Pointing that out in the proper context is not erasing queer lives, because there are no known queer people involved.
And let's talk about "friend." The r/sapphoandherfriend crowd gets VERY torqued about this one. Let anybody with any hint of same-gender romance/sexuality be called the "friend" of someone they had a relationship with, and the gates of hell are flung wide. Again, this is another one that CAN be erasure, but definitely isn't always.
Straight married couples used to refer to each other as "my friend" or "my dearest friend" or whatever, all the time. Obviously society wouldn't use that term for them, except in poetic descriptions. But if you have a culture where "friend" can have connotations beyond "platonic bestie," you just might get queer couples also applying it to each other. And at that point, it might well be the only term we know for sure a given couple used. So what are we supposed to do but use their terms, describe what they did, and let the reader interpret that information?
"But you can tell what they'd call themselves today!" Sometimes. Sometimes we can't.
Anne Lister, for example, clearly and exclusively loved women. She also incorporated masculine elements into her gender presentation, sometimes used "male" nicknames, and felt strongly about that. We use she/her pronouns for her now, and call her a woman, because that's how she referred to herself. But given the modern spectrum of available terms and identities, would she still think of herself the same way? We don't know. All we can do is use the information these people give us, and their chosen self-descriptors, unless it's EXTREMELY clear-cut.
Finally, as a queer person working in the historical sector, it's incredibly depressing to me to see other queer people talking about how "historians erase queer identity" as a blanket statement. Because we're here! We're real! We're trying our best to uncover and amplify the stories of our ancestors, because we know how awful erasure feels! Don't minimize our work like that.
And don't say you want acknowledgment of queer people in history, then turn around and shit on it because it doesn't always fit into neat, modern Identity Boxes.
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crypticpatterns · 2 years
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Catra
Ohh this will be fun!! Sorry if there's overlap with Adora, I'm going to assume the people reading this haven't seen my Adora post yet and I talked about Catra a fair bit there.
First Impression
As part of a game with my siblings and cousins we actually watched the season one finale of She Ra first. We decided to choose a random show on Netflix and watch the last episode and try to figure out what was going on in the chaos. As such, my first impression of Catra is based on the season one finale with literally zero context.
First of all, I assumed Catra had defected from the Rebellion, when in fact Adora was the defector.
I immediately picked up on the undertones between Catra and Adora's fighting--these two know each other, used to be very close...and does Catra like Adora? Hmm.
I immediately knew I'd love Catra because I always love the sympathetic villains, and the Catra/Adora dynamic hooked me. I initially theorized Catra was the Horde's second-in-command like Darth Vader is to the Emperor, when funnily enough she doesn't get promoted to that position until the very end of that episode.
Impression Now
I love her!! She's definitely my favorite She-Ra character. She's a baby girl who deserved SO MUCH BETTER and I'm so proud of her for improving and getting better. Her arc through the show is just *chef's kiss* and we stan that redemption arc. Babyyyy
Favorite Moment
Chipped!Catra gives me major gay panic so definitely that, plus it's just...such a good scene oh my gosh. Save the Cat is so good, on my recent rewatch I literally watched it twice in a row and only continued on because I wanted to get to the finale.
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And of course her speech at the end to Adora. We stan the character growth. It makes me want to cry every single time.
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Idea For A Story
I'm sure many of these already exist, but Adora and Catra raising Finn and learning how to be moms to their kid and not continue the cycle of abuse. (If you know of good fics like this feel free to hit me up.)
A fic going into more detail about Melog's home planet would be pretty cool too.
Unpopular Opinion
Catra's redemption arc was perfect, actually? I dunno how "unpopular" that is. I suppose more specifically, Zuko and Catra's redemption arcs shouldn't be compared as much as they are because they are different characters serving different roles in the narrative with different relationships to the heroes. Catra used to be best friends with Adora while Zuko has no friendships with Team Avatar. Zuko knows his own worth by the time he joins Team Avatar while Catra doesn't. They're just way too different to compare one to one, but the arc we got serve the characters they correspond to perfectly.
Favorite Relationship
Catradora, but since I already went into that in my Adora post, I'll get into my second-favorite relationship -- Catra and Scorpia.
Catra and Scorpia have a very dysfunctional relationship because Catra is unable to show or accept love thanks to her trauma, and there are only brief moments where she reciprocates Scorpia's kindness. To see them finally bond in the Crimson Waste only for Catra to immediately backtrack once she finds out Shadow Weaver left her for Adora is heartwrenching because Scorpia deserves so much better and we only want what's best for her, but we also feel bad for Catra despite the terrible things she does.
When Scorpia finally leaves (good for her!) it's heartbreaking to see Catra's reaction to her last friend leaving her. It's Catra's fault, but we know that Scorpia was all she had left in the world and to lose her makes her feel all the more worthless and spiral deeper into despair and self-destruction.
I would have liked to see a proper reunion between these two, preferably one where they don't explicitly reconcile immediately, but I understand the show had a LOT to juggle in the final season and Scorpia was chipped for the majority of the second half, so there wasn't much of an opportunity for that.
Favorite Headcanon
Any headcanon that incorporates some aspect of Catra being a cat is S-tier content. For example, her coming when Adora says pspspsps.
Send me a character (spop or otherwise) and I'll tell you what I think of them! Anon asks are open <3
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hadesisqueer · 4 years
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The thing about people saying that Bumbleby is a forced couple with no build up is that sometimes I wonder if they have eyes or something.
First of all, the storyline is clearly heading that way, but they're not a couple yet, as many antis love to remind the shippers. Therefore, how can they be a forced couple if, as you say, they're not dating yet??? They're STILL developing the couple lmao.
Second, it does have build up. The thing is, you dismissed many of those interactions as friendship, saying that there are a lot of ways of love, not only romantic and all that.
And you're right, there are many ways to love someone, and platonic relationships are just as important as romantic ones. But then again, you are missing a very important detail: the context of the scenes.
You can interpret Yang saying “I love it when you're feisty” and “If you feel like coming out tomorrow, I'll save you a dance *wink*” as friendship considering “Yang tends to be kind of flirty and affectionate with everyone”. It's not entirely true but yeah okay, I get that. There's also the fact that females are more allowed to be affectionate with their other female friends. So when you see a woman being flirty with each other you'll interpret it as friendship when it's actually not. That doesn't happen to straight couples (they will smile to each other once and they will already be in love and the audience will never hace doubts), or mlm ships, because males aren't seen to be as affectionate with each other as females, and when they are, it's seen as romantic (even if they're platonic, and people will call it queerbaiting).
Examples (and no shitting on the other ships. I fucking love Renora):
Renora holds hands after a really emotional moment, or to reassure one another: Totally romantic.
Bumbleby holds hands MULTIPLE TIMES after a really emotional moment, or to reassure one another: Gal pals.
Or
Clover winks at Qrow in a cocky way and says a “lucky you huh”: Damn he's sooo gay.
Yang winks at Blake in a cocky way and literally tells her that she's saving her a dance after a clear joke with the “coming out” thing: A great straight girl!
See what I mean? Honestly I don't blame people for this, because I myself dismissed the whole flirty Yang thing in the first few volumes as just friendship and teasing for the fans. It's just heteronormativity that we all have inside.
However, there are some things that, if you interpret them as friendship... Well.
One of the most obvious ones, and which confirmed to me that Bumbleby was, indeed, romantically coded: THAT scene at Heroes and Monsters. How blind do you have to be to deny that it was meant to be romantic?
You can say “Oh but there are many ways to love not just romantic it could be sisterly love” and as I said, you're right. If you had put Ruby instead of Blake in that situation, it's clear that it would mean sisterly love. But that scene is not meant to be “sisterly”, no matter what you say. Because, the scene is: Exboyfriend threatens Girl to destroy everything she loves and then Other Girl (who was directly compared to Exboyfriend earlier) appears looking for Girl, and Girl looks at her terrified, Exboyfriend notices. You know the rest.
This is, as I call it, the classic “summon love interest” card. If you changed Blake and Yang there and you put Ren and Nora (who, until their backstory in vol 4, didn't even have that much development nor confirmation of being really romantic, just teasing and a song -you know, like Blake and Yang-) in that situation, there's no way people would have thought that it was friendship lol. Damn, if they just made Yang a male, with all the interactions they'd had and that scene, people would have been chanting CANON in that moment.
Also, vol 5 chapter 8. Yeah, that talk in which Yang admits to Weiss that she is really hurt by Blake leaving and that she wished she hadn't because she wanted to be there for her and needed Blake to be there for her as well could be friendship... Except it isn't. Because, considering the past scenes, the ENTIRE conversation and the fact that it took place in the same episode other girl confesses to have romantic feelings for Blake... Well. Oh, and basically the whole reunion scene when all Blake could say was “Yang?” and Yang.exe stopped working. And don't get me started with the songs (come at me with a straight face and tell me that bmblb is about a bike, I fucking dare you). All That Matters just...
And of course, the entirety of their interactions in volume 6.
Oh, and let's ignore the fact that these two characters that pretty much are a retelling of the Beauty and the Beast, because it was a last minute decision pushed by the fans; it's not as if Red like Roses pt 1, the first song that we hear in the series and which lyrics are foreshadow for the characters, literally said that they are “Black the Beast” and “Yellow Beauty”.
“But, Sun”.
Look, I was a Blacksun shipper when I started watching the show; I still am, actually, I just like Bumbleby more. And I understand why people want them together. However, saying that they had better development than Bumbleby as a couple is just not true. Because they have barely any development: the first volumes was just Sun crushing hard on Blake the moment he sees her, and Blake kind of returning the crush but never at the same level or with the same enthusiasm. They barely have any interactions in vol 3. In vol 4 Sun can't understand Blake and she could barely stand him. And in vol 5, Sun has finally given up on Blake romantically speaking and now they get to develop, but as friends.
Also, have this in mind: when Adam fought Sun, he didn't see him as anything else than Blake's classmate, and even called him that. Because he never saw them as a “rival” when it came to Blake. Now, Yang? He tries to kill her out of jealousy the first time he sees her because he noticed the way Blake was looking at her. He tries to kill her again multiple times in that fight in volume 6; again, out of jealousy, because he sees how they're looking at each other. Damn, he even screams “What does she even see in you?” when they fight. So yeah, the fact that Adam, Blake's exboyfriend, is jealous of Yang and sees her as the romantic rival instead of Sun should have told you something back in vol 5.
Look, you don't have to like Bumbleby, and I'm not saying it's perfect, because it isn't; there are things that could definitely have been done better. But saying that it's forced (when, again, they're not dating yet), that they have no build up because you never saw it coming... Watch the show again, man.
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lochnessies · 3 years
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ok here’s a dissection of a post an anon sent me the link to and bc i have the worst time management possible and i completely forgot i had it lol so sorry anon here you go ❤️🧡💛💚💙💜
I am constantly thinking about how Edelgard just doesn’t seem designed to appeal to cishet men.
i hate to be the one to break this news to you op but just because a character doesn’t show skin like charlotte fire emblem doesn’t mean she isn’t designed to pander to men. she’s very much designed to pander to the (majority straight male) player base with her ‘uwu i only trust you professor omg did u see that rat? pls don’t look at my painting of you uwu’.
then there’s the whole edelgard c support in japanese where byleth makes reference to having come to her room for ‘yobi’ which is
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there’s also the scene where byleth can make an unsolicited comment about edelgard’s breast size. which is… uhh… gross.
edelgard also has cipher cards that go from slightly fanserviceie to full on suggestive
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and also her breast armor that my sister relentlessly mocked lol
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and here’s a chart from the 3h subreddit about gender/sexually in regards to edelgard and edeleth. it’s extremely straight male. op might have just overlooked this since they probably don’t go on reddit and stay on tumblr (which unlike reddit is mostly female and has a high lgbt demographic).
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Like the joke is that Bleagles is the Gay House, but everything about her feels deliberately non-hetero.
i don’t like where this is going…
She’s dressed in sharp outfits covering her upper body, with proportions that don’t seem exaggerated.
so women who cover up must be lgbt because straight women are naturally more revealing? oh y i k e s
Her poise and the way she effortlessly flourishes her axe exhibits an air of coolness. While titties out =/= character of no substance, Edelgard being dressed more modestly suggests that she wasn’t designed with male-centred fanservice in mind.
“titties don’t equal no substance but here’s my post on how she has more substance because she doesn’t show titties” ok
And she still looks absolutely stunning in her more modest attire (like seriously, I haven’t felt the need to return to cosplay in years but I want to do her academy look so bad). 
yes she does. amazing design 10/10. i have a feeling this is the only part i’m going to agree with
Edelgard is intense. She does not mince her words and she is constantly evaluating you. Though she tries, she has a difficult time understanding her peers initially. Early on, she talks about how she would sacrifice herself and others in the name of some greater good. She is terrible at communicating with her peers. She has to be seen as infallible. Her heart has been hardened for years and she assumes she has to stay that way. She also assumes everyone mourns the same way she does - which is why she (kind of insensitively) insists you move on when Jeralt dies. Because to her, grief has to be channeled towards action, or else you’ll get lost in it. This attitude is demonstrated time and time again as she presses on. It can make her come off as cold and unfeeling - but look closer, and she’s anything but.
don’t really have anything to say at this part. it is pretty on the nose though i would slightly disagree with that last sentence a bit. i wouldn’t say she’s as i feeling as hubert is but all of her talks of the war boil down to how she feels and never her victims.
Her story is ultimately about her realizing that to achieve her goals, she needs to let people in and allow herself to want things like cakes and tea parties and lazy days in peace. 
????? what ????? her goals include imperialism, ethnic and religious targeting. her story is about having a set of beliefs and mowing down anybody who stands in her way. that has nothing to do with tea, friends, and lazy days. also am i supposed to be sad that she has to get up everyday and work? i do that and i didn’t start a war and only throw a pity party for myself
The game leaves the player guessing as to how involved the Flame Emperor was in each Part I event, makes you feel hurt by her betrayal, and leaves you with a choice: do you follow the orders of the woman who tried to make you a god without your consent, or a young girl with questionable morals about to throw the world into upheaval?
this isn’t an ideal situation but i think i’m going to stick with the woman who tried to make me a god since i’m not selfish and i know it’s not only my desires and life at stake here. plus the green hair slaps ngl
Choosing her of your own volition (not for completionist reasons) requires the basic ability to sympathize with a woman’s pain. It also requires the player to read beyond her unwavering will and dubious methods to get a sense of how deep that pain goes and how the theme of humanity relates to her differently in each route.
i’m not going to touch this since @nilsh13 made a post on it that i’ll link here. i agree with everything he said so to repeat it would be redundant.
The player must be able to see a young woman’s desperate resolve to change the world so it stops exploiting people and ruining lives. They must be able to accept the fact that women can make the same morally wrong and ambivalent decisions that complicated male characters get to make all the time and still be the one to root for.
literally the same reason i love rhea lol her goddess experiments are dubious at best but her reasons are the same you mentioned. i would say that i like this quality in edelgard too if her ending, while bloody, actually ended in a good outcome for fodlan.
This is not unique to LGBT+ people, but this population is likely to understand why Edelgard feels so strongly about why she has to change the system. 
i understand wanting to change a system, i really do. like edelgard, i’m an opinionated bisexual woman (who’s also physically disabled) so yeah i get it. and change can be good but it can also be terrible. even if the church was the boogeyman edelgard treats it as she still replaces it with her own shit regime. so it’s the same circus just with a new conductor.
I don’t think “Edelgard gets undue criticism because she’s a woman” captures the full picture. An important aspect of her treatment by certain parts of the fandom is that she’s a radical woman.
or maybe she does some pretty fucked up shit and it goes unacknowledged in her own route. and yeah she’s radical but in all the worst ways.
Her hatred of the Church and the Crest system resonates way harder with people who have been hurt by institutions that are deeply engrained in our society. 
and what about people who have been hurt by systems where their ‘merit’ didn’t measure up and they were left behind? what about people from nations that experienced imperialism?
Siding with her means siding against the Church - which, while different from real world religious institutions, still invokes language about “sin” and “punishment.
yeah the ‘sins’ and ‘punishments’ are used in relation to attempted murders which i think everybody can agree is a bad thing that needs to be condemned.
Choosing Edelgard will likely hit different if homophobic and transphobic Christians used that rhetoric against you.
it has literally nothing to do with ‘sins’ and ‘punishments’ in regards to being gay or trans. that’s you projecting. especially since the church has 2 canon gay characters and two coded ones.
like i can understand why having a church condemn you can be uncomfortable but i’m begging you to please look at the context of what’s happening.
I’m willing to go out on a limb and say that the reason F/F Edeleth is the more popular iteration of that ship because most people who would choose to S-support Edelgard are LGBT+ themselves. This is not a revelation. To anyone in the community, it’s fairly obvious. 
i was talking to nilish and he said
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so yeah… while there is definitely sapphic femleth shippers out there, there’s still a whole lot of weird fetishizing going on from straight men about edelgard.
Crimson Flower was my first route. I went into the game knowing absolutely nothing. I played it during the last week of 2020 and hoo boy was it cathartic. 
i can tell. this wasn’t supposed to be a dig but it came out that way and i’m not taking it out.
I felt like I was living out a gay revolution power fantasy, where I could truly change systems of oppression while fighting alongside a group of troubled students I’d shaped the lives of.
so a gay revolution power fantasy (cringe) goes hand in hand with imperialism and installing a dictatorship? also the war had nothing to do with sexuality.
Through your unwavering support, Edelgard learns that she needs to be human, that she must listen to her friends, and that she’s allowed to enjoy the world she’s creating.
edelgard gets to learn how to be human all while hunting those who don’t. and she doesn’t listen fo her friends. she doesn’t even trust them. she’s willing to talk to byleth but keep the people who’s been by her side for five years in the dark about everything. and yeah she gets to enjoy her new words since she’s on top. hate to be a commoner under her rule after she burned down my village in her war.
I love this character so much.
clearly. and i honestly don’t care if somebody likes her. i do as well even if my sometimes scathing words can make it seem otherwise.
It has been six months since I first played and I am still analyzing her,
me too. please help me escape i’m losing my mind
because there’s so much depth. Yet so many people fail to see that depth and dismiss her as evil,
i mean, she does some fucked up shit that goes beyond any of the less than desirable actions of the other main characters and does an extremely poor job in trying to make herself seem innocent. i personally don’t think she’s pure evil but i completely understand where the people who say she is are coming from.
because they never had the will to understand complicated women in the first place. 
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that’s big talk from somebody who implies that a gay pope is comparable to homophobic and transphobic irl religions and that leads an oppressive regime all because she uses the vague terms of sin and punishments that you have to gay power fantasy your way out of
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taketheringtolohac · 3 years
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i 100% believe miles comes out on tumblr like after rise of the ashes or something and everyone rejoices (this headcanon is sheer fucking gold btw)
Oh dear you’ve activated my trap card for this hc get ready for this because i definitely agree that Miles coming out is CELEBRATED on tumblr however it’s a LONG journey before he gets there. Before I get into it though there is a cw for briefly talking about suicide so please be mindful of that! It’s mostly in the context of the note post RFTA and people speculating what happened to Miles in his disappearance from tumblr, but I do talk about it so.
Ok here we go
So Miles is well known as That Guy on Steel Samurai tumblr who is absolutely insufferable to interact with but he writes good meta and writes even BETTER fics, but it’s the kind where something is obviously going on in this guys life and is he ok? Because it seems like he’s working through some shit and that combined with his ask answering sprees of outright denying he’s gay and just talking Like That on the internet people get a kick out of him and he’s JUST tolerable enough that people don’t really DO anything about it. He probably gets a call out post maybe like one time but it’s just by some rando who’s pretty new to the fandom and doesn’t get the sort of unspoken agreement steel samurai collective fandom has made to just put up with him despite him being absolutely dreadful.
But then all of a sudden Miles just... disappears one day out of nowhere. At first it’s just a day, then a day turns into a week, and a week turns into a month and people are like what the fuck? What happened to the iq of 127 guy? And people start writing WILD theories about what happened to him to chase him off the website because it’s like, 2016. But people start to get WORRIED when his longest running fic Updates it’s FINAL(!?) chapter and he just... kills off the Evil Magistrate. That’s when people are like oh my god did he? Did he fucking kick the bucket? Oh my god what the hell and he is just absolute radio silence on tumblr because surprise! He leaves the note in his office and then he also decides to leave tumblr at the same time because he really genuinely thinks that this is it for him.
HOWEVER. Miles also has a best friend in the Steel Samurai fandom. Someone who he met on tumblr years ago and who he enjoyed debating and conversing with who he thinks has very well thought out opinions on the show even if he doesn’t agree with all of them (he does agree with most of their points, which is why he was so open to their friendship in the first place). And they’re the ONLY person who he keeps in contact with while he’s in Europe finding himself after his breakdown.
That person is Maya Fey.
He and Maya became friends years ago and neither of them know who each other are or how old they are or really anything about each other except their screen names and more personal details that they choose to share over kik, which Miles only got because he was curious to know more about her and it was the only platform she offered. She was very hesitant about choosing to become his friend, but Maya’s fixer complex told her wow this is a broken man, maybe IM the one who’s gonna make him a better person and make him less awful. And for the first few years this had minimal success. She got him to say a few more slang terms, but really he didn’t change all that much. But she was consistently kind to him! And once you got to know him he really isn’t that bad, especially in those rare moments of emotional vulnerability he allowed himself (he was too afraid of being “found out” even though he had moved out years ago) and he could actually be a pretty fun guy.
It isn’t until Miles’s year in Europe when things really start to change. He had a very vocal crisis to her over kik that kinda freaked both of them out, and as I mentioned he stopped using tumblr entirely and Maya gets WORRIED about him and he just. Starts telling her stuff because he’s emotional. It’s the most he’s EVER told her and it’s still nothing TOO revealing because he knows how public his image is and he doesn’t want ANYONE, not even who he considers to be his closest friend, to find out who he is online because he doesn’t want to be seen as unprofessional or just general shame about his hobbies. And over the course of that year they just... slowly she keeps beating it into his head that he’s a good person! Or at the very least a FINE one who is trying to be good and that’s all that matters. And like he starts to just... internalize it. And starts listening to her advice about maybe going to therapy. And then HE starts listening to HER problems more and it becomes... a more mutual friendship. And it’s nice because he’s never had anyone like that! But he keeps talking about this guy who saved him and stuff and that’s when Maya is like woah pump the breaks dude we need to talk about how you’re definitely gay and he gets SUPER defensive about it but like over time he just. He starts to come to terms with it, and she helps him a lot but he does a lot of that work himself too.
And so when he comes back in 2-4 he’s starting to feel... better of course but also different? And more confident in himself. He still has a long way to go but he’s learning! And that’s what matters to him! But with learning and trying to be better he realizes something. He has to log back onto tumblr and actually like, apologize for being horrible. And he does just that. But when he logs back on he’s SHOCKED that he has HUNDREDS of asks a lot of them are the usual but a lot of them are also ones of like, GENUINE concern asking if he was ok and if he was still alive and he’s taken aback that people even SENT HIM kind asks when he was so awful to them.
Miles makes a really long apology/announcement post where he’s INCREDIBLY sincere and in it he OPENLY acknowledges that he was dealing with a lot of unresolved trauma and says something about how he came to terms with being gay in his absence and he thinks that that’ll be the end of it but within literal MINUTES of him posting that he’s getting asks telling him how HAPPY THEY ARE that he’s not only ok and doing better but that he came out and people WELCOMING him to the community and then there’s like posts that are like “And people then make posts like wow am I the only one who got emotional about the guy with a iq of 127s thank you post? anyone else? Just me? Ok (12.6k notes)” and “If the 127 iq guy can get better and learn to work towards being positive then you can too (54.9k notes)” within a matter of DAYS and seeing those and just
It’s weirdly SO validating for him that he was being cheered on by literally THOUSANDS of people who are celebrating his growth as a person! That are celebrating his COMING OUT when he was SO scared of that part of himself for SO long. And the fact that people were ROOTING FOR HIM even when he was the actual worst just. It makes him feel so good about himself and it makes him feel loved! So much so that he writes ANOTHER post thanking everyone for being so kind to him and telling them that things DO get better and there ARE people that appreciate them and it just... gets passed around because it’s a really inspiring and reassuring message and people just GENUINELY start to appreciate him. And it’s just a celebration of HIS character growth by THOUSANDS of people he doesn’t even know because man was he famous outside of his perceived sphere of influence due to the amount of meme material he ended up writing.
He still used tumblr and stuff after all this but he’s really calmed down a lot, he even rewrites the ending of his long running fic that caused people to panic about him. And he still answers asks and writes meta and fics and stuff, and he’s still MILES of course so he can be a bit of an ass when you disagree with him but he’s. Nicer. And happier. And that’s what matters.
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Would I date this PJO character?
(Disclaimer we’re going into this with the assumption that I am the same age as these characters, because I am not about to catch a case as a whole ass adult because these are children)
Perseus beautiful Jackson:
Considering I’ve been in love with this man since I was literally 13, yes, yes I would date him. He has been my ideal man for 7 years and that isn’t going to change anytime soon. I genuinely feel like we’d get along really well because we have the same sense of humour and kind of the same values and beliefs, especially since my child self has been hyperfixated on him for years. Also not to diminish him to just his looks, but he’s hot asf as well.
Annabeth(bae) Chase:
Not sure if ya’ll are aware or not what I’m bisexual as the hell I’m going to be spending eternity in, and this woman is the cause for that. And I mean that in the best way possible. I am genuinely one step away from writing my own self-insert fanfic about an academic rivals enemies to unlikely allies to lovers trope with us. I love this woman so much but I know that parts of us would definitely clash but I mean no couple is perfect.
Grover Underwood:
Being completely honest, probably not. BUT BUT BUT I know for a fact that this king would be the best wing-goat(man) in the world. Would he be good at it? Not completely sure, but he’s make up for it in enthusiasm and I think that’s good enough. In my other post I said I’d probably find him annoying lmao, so that further supports that we probably wouldn’t date.
Rachel Elizabeth Dare:
I think Rachel would be my manic pixie dream girl, and I think that’s what I deserve. She’s such a great character with so many layers, and I would happily let her be my beautiful artist girlfriend. Would we clash? Oh for sure, we both have huge personalities but I think we’d make it work.
Tyson:
To be honest, I don’t think we’d date per se, bUT I would want to go on a date with him, because he seems like such a lovely person to be around and I know he’d do his best to make me laugh and ensure I had a good time, which is a summary of his character. More appreciation for Tyson please <3
Thalia Grace:
Yes. I’d let this woman STEP on me. I don’t even know what it is about her, but oh my god is she a queen. Like I can imagine her taking me out on an adrenaline-filled date, and I’d absolutely love it. I love her, she’s a great character. However, I think out of all the characters, mine and her temper would be the most volatile. But boy I think she’d be worth it.
Luke Castellan:
no.
Nico Di Angelo:
REMINDER THIS IS IN THE CONTEXT THAT I’M THE SAME AGE AS THEM.
But naturally since he’s gay he’s not interested in me. But as I said in my would I be friends with them post I think we’d get along well and be besties and bond over trauma. Which is one of the best relationships anyway.
Clarisse La Rue:
I haven’t really thought about Clarisse that much, but now that I am I think we’d get along pretty well, we’re both hot-headed, we dislike white men, we like fixing broken men, and we name inanimate objects because we grow attachments to them. I have nothing against this possible relationship. Clarisse please date me.
Calypso:
Okay hear me out. I think we all deserve a cottagecore/witch girlfriend that will tend to us when we get hurt, and brush our hair caress our faces softly. And maybe I’m projecting a bit, but I’d love to date calypso. She seems like such a beautiful soft soul, and I want to have a lovely wholesome relationship with her.
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1990jeevas · 3 years
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Plesse tell me about queerness in the get down!!
okay okay queerness in the get down let's fuckn goooo
disclaimer: I havent watched this show in full for like 5 months at least, probably gonna get something wrong and/or forget some more important bits. also this wasnt proof read I just word vomited
tws: period typical homophobia, abuse mention, f slur use, bury your gays trope, overdose mention, mention of a creepy possible age gap (the age gap hasnt been confirmed so that's why its possible), cops
going from least to most prominent queer characters, let's start with mylene cruz!
so, from the beginning of this show she has an established romantic relationship with ezekiel (although the status of their actual relationship changes frequently throughout the show) and though this was a relationship she was hesitant to pursue, it is clear that she does have romantic feelings for him and if not for them both having growing careers in very different music genres (zeke specifically working in a genre that she repeatedly labels as bad because she thinks they're ruining records + that it isnt real music because they're using someone elses piece and rapping over it, that's not really important here tho lol) they probably wouldve had a much healthier, smooth sailing romance. that being said theres a few things that happen in the show that, while not explicitly clear, or even really good coding at that—to the point where you wont catch if you really arent looking for it (and trust me, I always look for coding, hers was just so little that it flew over my head until I saw someone else mention it)—are still cool to think about!
so, for starters, I wanna mention the toy box performance, which was performed by mylene and regina, who are best friends. that's all cool and shit, and you dont really think much about it...until you hear about the fact that the show runners purposely colored a lot of the scenes in that performance with the bi colors. like. the writers after the show ended basically said "oh yeah there was plans to make her coding more explicit, but our shit got cancelled soooo" and then dropped the fact that she was gonna be bi (or at least implies bi) in the series, which puts a new twist on a few things.
now, besides the bi coloring in the background of the toy box performance (which was mostly on scenes with her and regina, which involved a lot of uh,, lowkey lewd dancing. with each other. in very revealing outfits. wooooo), there's her music! I dont tend to read too much into this one bc, like I said before, her coding is fucking light and the writers themselves said they didnt really get to do much with it, but I think some stuff with her music is interesting. specifically how her, yolanda and regina's song set me free blew up because dizzee, resident (lowkey enby coded) bicon, got their song played in a queer club. also that the song was majorly important to dizzee and started playing literally right as he kissed a boy for the first time and realized "oh shit I like boys that's bonkers". also that the song can be taken in a gay way since literally the entire thing is about becoming your true self, fully and unapologetically, which is what both dizzee and mylene's entire character arcs are about. dizzee (and a lot of other queer people, apparently), heard this song about being set free and it resonated with them so much that they got that shit most of its popularity.
speaking of dizzee and mylene, they parallel each other a lot in the way that their arcs are about them realizing who they are, coming into themselves and no longer just letting people treat them like shit in a sense (dizzee starting to tell people essentially that they can call him weird all they want, they can make fun of how he acts, what he likes, how he dresses, etc. but he likes how he is and quite literally saying "it's okay to be an alien" as he has consistently compared himself to one throughout the show vs mylene learning that if she wants to be a disco singer she needs to put her foot down, not let anyone, not even the love of her life, not even her abusive father, stop her from achieving her dreams, etc. and continuing to pursue her career with or without their support). one more little parallel that I think is interesting is during I think s2 towards the end of the show is when dizzee and thor are shown together having fun with each other, painting all over the building and each other and are basically just being happy and in love together and then they have these clips of them being interspersed with clips of mylene at a party where she is starting to realize that if she wants to get anywhere she needs to be her own main priority and that she needs to put her career and her dream, which is what makes her the happiest, above all else if she wants to succeed. idk I just think how the show made these two into a weird parallel, accidental or not, is neat. maybe not an explicitly queer parallel, but I think at least how her music and whatnot helped dizzee, the main queer character in this show, blossom, is important.
moving on we got shaolin fantastic also known as "oh no your internalized homophobia is showing-"
so, heres a quick list of...interesting shao facts:
Consistently referred to as fag/faggot (shaolin fanfaggot is my personal favorite); he gets really defensive about this despite nobody actually thinking he's queer, it's just people being assholes to be assholes, and he is the only character consistently referred to using a slur, especially a homophobic one, especially for a "straight" character. dizzee, a canonically queer character, is called a fag less than shaolin is even though dizzee actively goes to gay clubs, has a not so secret dude he "hangs out with" and wont let anyone properly meet, paints his nails, wears less than straight clothes even by the 70s standards and is just all around the definition of fucking queer (and I mean like in the weird way, not the gay way). in fact theres only like once I can remember him being called a fag and it had nothing to do with him actually being gay it was literally just like thrown out there the same way you would call someone a bitch.
Has only shown sexual interest in women, yet refuses to have deeper relationships with women in general (possibly because of trauma but who knows) but takes his relationships with his "brothers", specifically zeke, very seriously
Tells zeke and zeke ONLY his real name when zeke was planning to stop being his friend bc shao more or less got boo boo, a like 14 year old black kid, arrested for selling hard drugs; he was clearly scared and trying to do anything to keep zeke around, literally chasing him down the street and hounding him until he got zeke to stop and argue with him
Kept threatening to beat up zeke in the end but couldn't actually bring himself to do so, instead saying that zeke is "fucking lucky" before walking away
Let's zeke get away with things that nobody else can, in general just has a weird soft spot for ezekiel that he shows with nobody else
when shao found dizzee with thor in a vaguely compromising situation (like they were just shirtless covered in paint sleeping next to each other but shao had also seen everything they painted on the walls ((which some of it was sus)), it was clear they had painted on each others bodies and dizzee had been routinely disappearing with this guy for weeks now yet not producing nearly as much art, at least, as far as we audience members know) he didnt judge him but instead, waited for him to get cleaned up and then told him something along the lines of "theres a reason why im so secretive blah blah blah [not everyone needs to know everything about me]", which, in context, kinda implies that he might be a lil. a lil homiesexual. jus a lil.
whenever even the possibility of zeke leaving him comes up he absolutely loses it. he has literally cost ezekiel life changing opportunities because he thought zeke would just up and leave him for them. this could be abandonment issues bc he's a severely traumatized character, and that probably does contribute to it, but it also is just not a reaction he has to any of their other friends just randomly dipping in and out of his life soooooo
generally speaking, this mfer has got either bisexual with a big hard on for zeke coding or homosexual with terrible internalized homophobia and still a hard on for zeke coding. either fucking way, that nigga gay. he gay as hell. gay as fuck man. there wasn't really much to analyze here tbh bc the coding is just so fucking obvious if you look for it or you are/have been a gay person who's dealt with at least a little bit of internalized homophobia.
also, just a sidenote, idk how fucking old shao, but I'm praying hes like at max 19 bc I'm pretty sure zeke is a minor in this show and shao definetly is not so the whole him being heavily implied to have a crush on ezekiel thing is kinda. oof. not oof if zeke is like 17 but any younger than that? OOF.
edit: apparently the characters are only supposed to be a year apart in age but i had no clue about that before writing this post and since shaos age was never actually stated in the show i naturally assumed he was an adult since his actor Looks Like An Adult. this is definetly on me to a certain extent, but i also never saw anything about this when trying to find our their ages so 🤷‍♀️ maybe i just didnt look deep enough, sorry!
now moving on to the main event...marcus dizzee kipling :]
so, first things first, let's talk enby coding bc him being bisexual was already confirmed!
um, to start off, I just wanna say I dont think this enby coding was intentional or even really coding, it's just moreso me being a dizzee kin on main and knowing as a transmasc enby he has very transmasc enby vibes. for example:
cool, gender neutral nickname that everyone calls him
paints nails various different colors
the whole wardrobe is just a transmasc enby heaven...fishnet shirts, jean overalls, jackets and cuffed pants galore, the big colorful pins, etc
gender neutral hairstyle (when I had my fro it was very sexy and made it easy to transition between hyper masc and vaguely fem, which is pog)
comparing himself to/representing himself consistently with an alien character (though this is meant to represent his sexuality, it could also double as a gender thing too, not neccesarily bc of the whole nonbinary alien trope but bc an enby who likes aliens might heavily identify or compare themselves to whatever their idea of an alien is, whether that just be a genderless entity or a motherfucker with fly style and no need to be perceived as anything other Wacky As Hell)
moving on from there, let's talk about how his queerness is presented to us and how, while it may be a really good piece of representation, especially coming from netflix, it still lacks in A Lot of places.
so, let's start with good things!
i personally really like the get down's queer rep with dizzee bc it's (for the most part) nonsexualized and very very soft, about dizzee figuring himself out and realizing there is a place where he fits in, and about two teenagers in the 70s falling in love over their shared passion for street art. it also features an interracial couple where both boys challenge stereotypes both about queer men and men of color, which is epic poggers and very sexy. this piece of rep specifically is very important to me bc I am a queer black person and even tho interracial relationships are mostly normalized now, I've still had people give me shit for primarily dating white people in a town that is...primarily white lol
mm anyways, I can also appreciate how in the get down, dizzee being represented by rumi the alien is not a thing specifically related to gender (as it often is) and instead is about his sexuality and just in general weirdness and how it has led to him being alienated amongst his peers, poc or otherwise. him seeing himself as an alien is not about just his queerness, which is important, it is about him being a queer black man who talks different, acts different, dresses different and is "soft"—he isnt a walking black male stereotype and he wouldnt have been seen as masculine back in the 70s by any stretch of the imagination. this can be relatable to a wide spectrum of queer poc, from queer black men currently who still have to deal with this shit or to people like myself who are afab neurodivergent mixed race enbies that have always been signaled out as weird and alienated for it. dizzee is god rep bc while he has a small part in this show, his parts are very impactful, hard hitting and show queer poc of all ages that they arent alone and that it's okay to "weird", you just need to embrace it because somebody will love you for you, as thor did for dizzee.
that being said theres um. some minor problemas here,,,
namely:
dizzee and thors first kiss
the lack of development this pairing got
the way dizzee was confirmed bisexual off screen, he never said the words himself, just showed interest in both genders
the way dizzee and thor were never even confirmed boyfriends or just fwb so most of the fandom just calls them boyfriends bc Why Not
dizzee was implied fucking DEAD??? AT THE END OF THE SERIES?????? AND THOR WAS IMPLIED ARRESTED?????????????
now, these might have been things that wouldve been fine had the show been given it's full run but it wasnt which is why we are now left with probelms.
so, from the top, let's go over these: dizzee and thor's first (and only "on screen") kiss was one that was shown in a montage of other queer people making over and doing other vaguely romantic/sexual things, one of those things being a whole ass naked titty being mouthed at, but the actual kiss...was just not shown? like they really did just say "yes they kissed <3 you know this from the context clues of it being in a montage with kissing, hickey giving and titty sucking <3 but no we will not show it <3" LIKE HELLO? I SAW A NAKED BOOBIE BUT NOT TWO MEN KISS??? HUH????????
also, dizzee and thor were both fucking high as hell during this bit like this isnt a terrible thing but it's also like sometimes you do shit when you're high that you wouldnt do sober and they just never kissed again on screen so like?? like idk that's not that bad but it does kinda irk me since they deadass got no other on screen intimacy after that unless you including painting on eacher other or sleeping next to each other on a shitty mattress but not touching at all during it bc they were both at opposite ends of the mattress like half way off it
so yeah, that was trash. then we got lack of development, which kinda goes with the "dizzee being a bisexual but he never says it in canon" thing cause like...okay dizzee was already sort of a side character from the get go like he wasnt the mc by any means, but he became way more of a background character as things continued until we basically only saw him for performances or when he was with thor, yet they got no fucking development as a pairing other than "dizzee realize he gay, he like thor, he and thor spend time together and ig probably do some gay stuff but we dont really know bc we only ever see them do graffiti together now" like?? tf am I supposed to do with that shit. answer. quickly. and then theres dizzee not being confirmed bisexual, which is just a running problem with shows literally doing everything to say a character is bi except for having the character just...say they're bi? which would be so easy? like a good way dizzee and thor couldve had some development is by thor teaching dizzee things about the queer community that he didnt even know existed, thor couldve helped him understand what being bi meant and helped him label himself and whatnot but instead we got an off screen confirmation that the writers had bisexual in mind when writing him. which is garbagé.
the whole thor and dizzee never having a confirmed relationship status is also a development problem cause like literally nobody knows if they were just friends who made out, maybe fucked, who knows, or if they were dating bc dizzee does give a love confession but a love confession doesn't mean there is a relationship, especially since thor didn't say he was in love either (as far as I remember, I could be wrong, plus whether or not that really happened or was apart of dizzee literally overdosing during a performance is unclear so 🤪)
and now for the biggest issue...bury your gays trope.
during the season 2 finale, dizzee and thor are chased by cops after they are found doing graffiti, one of the cops is able to catch thor while the other chases dizzee into a train tunnel and there is a train seen headed straight for him before the show cuts to black on a train horn. the show writers claim that if they had gotten another season, dizzee wouldve been alive but since they didnt and since that's essentially super fan trivia knowledge, most people dont fucking know that and instead had to watch a black queer teenager chose death over being fucking arrested by a white cop. on top of that, thor didnt see any of that shit because he was caught and the cop started hauling him off while dizzee was still being chased so thor literally has no clue where his friend/possible boyfriend fucking is or that he's likely dead in a goddamn tunnel all alone, unless you count the fucking pig that chased him in there who wouldve died too. this shows rep was so fucking good as far as most shows go on not having major fucking problems, on not being toxic and over sexualized, etc, etc. and then they just. killed a black queer teenager for no fucking reason. like it was literally the last episode ever, it would add nothing to the plot, it would just devastate fans and devastate it fucking did. I dont cry easy but seeing a character I identified with, who I had hyperfixated on, die because he'd rather that than be arrested is terrible. it fucking sucked.
so yeah. that's my all too extensive thoughts/analysis on the get down's queerness. theres definitely stuff I missed, or misinterpreted, or looked too much into, etc, etc., but this was a fun thing to spend time writing sooo yeah!! thanks for the ask anon, sorry this was just a big rambley info dump, but hopefully you get some enjoyment out of it since it took like 3 hours at least 😭😭 feel free to ask clarifying questions lol
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nightswithkookmin · 3 years
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still same anon. this was another one of my asks from months ago. basically it was a comment I made about jikook's intimacy. it was from this interview: https://youtu.be/T--BOS8oTec the moment I'm talking about happens from 3:00 minute timestamp onwards. i was saying how despite this moment being "skinship" or whatever, it kinda hit different? there's also intimacy there. bc you see how jimin doesn't have to say anything and jungkook immediately understands what to do and starts massaging his neck. jimin literally threw a glance at him, tilted his neck a lil and jungkook didn't need a second more to know what to do. I wanted to talk to you about it since I know that you're not big on skinship defining jikook's relationship, but I think there ARE jikook skinship moments worth noting and this is one of them imo.
Oh ok. Thanks.
SKINSHIP IN CONTEXT
I think skinship by it's very definition is an intimate act depending on the level of familiarity between the parties involved in the act.
From my understanding of skinship, it's basically interactions that would otherwise be viewed as sexual outside of their culture but viewed as acceptable platonic behavior between the same sex or even the opposite sex.
The objective of skinship is to be intimate with another person on a level that's only next to romance.
I remember my sister telling me how shook she was when she found out for the first time, around 2011 when she first moved to Seoul, how she couldn't even keep her pants on at a 'Jimjirban' because all the gals in there were expected to walk around butt naked in the spa. No towels, no pants, no robes butt nakedttt.
'Mehn, this doesn't happen where I'm coming from' she said to her companion.
A. I'm black.
B. I'm not flat.
C. I'm wearing my pants.
Her very naked friend, a native SK, whom she says she'd only met for like a week, then grabbed her underwear and pulled it down her thighs exposing her deforested vagina to the winds and a dozen other curious gazes. All females.
'For a second, I thought I had been tricked into an orgy of a sort. I was very naked without my consent. Wind whistling through my shy butt cracks. Watching very naked females of varying ages stare on with pride and smiles on their faces as if I had just saved a village or something and when I jiggled when I walked I could hear them gasp, amazed- Goldy, how is this not gay?'
'You think skinship between their men is weird, wait till you see their women. Wait till a very attractive Korean girl is breathing down your neck and caressing your nape and complementing your skin while showing you pictures of her boyfriend on her phone.'
She says it took her a while to get used to the skinship between women in SK and seeing the men interact in a certain way messed with her brains for a while. She said she felt her intelligence was being played with most of the time.
I guess if you want to look at Jikook's skinship as intimate then there's nothing wrong it.
Skinship is intimate at the very least.
But skinship, for all intent and purposes, is platonic and nonsexual in nature. And maybe this is a fatal flaw on my part. Or maybe thanks to my sister, I'm desensitized to this form of interaction but I have a hard time seeing Jikook's intimacy as platonic or even seeing most of their skinship as romantic- in anyway. It will make sense in a bit, hold on.
I have a hard time equating skinship with romantic intimacy. But that's just me.
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I wasn't able to click on the link you sent but I'm guessing this is the moment you are talking about?
I wouldn't call this skinship. I mean it is but I wouldn't call it that. Skinship is meant to show how close two people are. How familiar they are with eachother.
This doesn't show how close Jikook are. But It shows how caring and affectionate JK is as human being, as a dongsaeng, and as a boyfriend.
I'd rather we celebrate that. JK doesn't get highlighted enough. He caters to the people he cares about. He is an attentive person.
Hate to be a grinch but I can pull up a couple of times JK has done that very gesture with Jin or Tae or Hobi. Remember Soop? Remember when Jin complained of feeling cold and JK went up to him immediately and 'warmed' him up?
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Of course, Jimin kept stealing glances at him like he could throw a shoe at the back of his head if he could but that's beside the point.
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The man is an empath. He's said several times he feels a lot of pain watching his hyungs go through it. Fact is, Jk cares about people. He's kind, loving and he shows this aspect of him through gestures like these.
He does it for Jimin. He does it for all the members because as he's said, they are all a family.
It's stressful hearing people claim he doesn't give a fuck about Jimin, that he doesn't care about JM because he shows affections for others besides JM.
At some point we would have to make a distinction between what acts flows from their unique personalities because of who they are at their core and what act flows from them being a couple.
Most people who see Jimin as a natural nurturer and what not are able to separate this identity from his ship moments but JK isn't accorded the same privilege. It is why most people are quick to lash out at him when he interacts with others in the same way he interacts with Jimin.
When JM acts nurturing towards V or RM or Suga he is seen a good, kind person.
When JK does something affectionate it's seen as a beautiful Jikook moment or Taekook moment or Jinkook moment and is soon swept under the carpet, soon forgotten and never tied to the personality of JK- perhaps because most of these shippers don't care to know who JK is as a person and as a human.
When Jimin does something affectionate its 'awww Jimin is such an amazing person' even if that act is merely performative sometimes.
I try not to engage in conversations that perpetuate this horrifying discrimination against either of Jikook. They are both individuals.
There are a lot of Asks sitting in my box highlighting the various ways JM is awesome and kind and amazing as s boyfriend to JK and not a single out of 500 plus posts talking about how empathetic JK really is. How thoughtful he is to even pack motion sickness drugs to go on trips even though he doesn't get motion illness and JM is the one that often complains about motion sickness on trips.
The heteronormative lens, on opposite ends of the spectrum in the shipping community, which dictates we perceive on Jikook as either feminine or masculine is a telltale sign of the misogyny and misandry prevalent within this fandom.
The fandom's heteronormative lens filters Jimin as the wildly feminine archetype, wildly fragile, sexy and womanly right down to the way we praise him as the 'good woman' in his relationship with JK- loyal, faithful, nurturing, kind, silent in that he continues to perform Jikook even when Jikook are not in a great place. etc.
Yet because he is seen as womanly or feminine, the part of the fandom that hates women hate Jimin. That's where all the slut shaming, bullying and harassment stems from- misogyny.
Jk is viewed as the opposite of that. By most, he is very masculine man and as such harbors all the traits of masculinity the modern woman detests- toxic masculinity, cheating, disloyal, fuckboy who treats women like shit. All forms of hatred and intolerance towards men is projected on to him especially by male intolerant people or dare I say feminist women within the fandom.
And you see them in the way they are always fighting for Jimin against JK as if Jimin were a fragile faithful woman whose man don't treat him right thus further perpetuating the heteronormative stereotypes of Jimin.
What's disconcerting is Jikook are both men and yet depending on how their masculinity or femininity is perceived, they are both treated very differently.
You hear Tuktukkers talk about how Jikook is as a result of heteronormativity and thus prescribe Taekook as the ideal homonormative ship- because to them, Tae and JK are both seen as two whole men.
To them Jimin is just not man enough to even be gay- isn't that the foundation of homophobia?
Gay men not seen as men at all?
Whereas amongst Jokers, Jimin's manliness is often forgiven and JK's is abhorred. Jk is too much of a man and men just ain't shit.
This may sound like an over simplification but Tuktukkers hate women, Jokers hate men and either side suck. In my opinion.
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Jimin is a nurturer he cares about people including his boyfriend. JK is an empath he feels the pain of those close to him including his boyfriend and is often moved to ease or take away some of that pain.
It's thus annoying to hear people out here yell and complain on every turn each time JK interacts with the others how JK 'doesn't act exclusive' with Jimin or how he doesn't care about Jimin.
Should he not care about anyone besides Jimin just because he is dating Jimin?
It's annoying when they say the same about Jimin. Jimin nurtures everyone ergo there's nothing special or exclusive about the way he nurtures JK.
Nonsense such as these are spewed without taking into account that those acts in themselves speak directly to who these people are as human beings first and foremost; secondly, to how they feel about the person at the recieving end of their affections.
If they are treating everyone the same it's probably because they love everyone too- in a non romantic way of course. It's their love language. They love others with the same heart they love eachother with.
It doesn't take away from how they feel about eachother. JK admiring another member does not mean when he admires Jimin it's nothing. It just mean he admires Jimin too.
Not everything has to be romanticized or given a romantic context. They are each expressing themselves and their feelings for their bandmates. It's about them not their bandmates or their relationship with said bandmates.
Certain moments are just attestation to their love language be it platonic or romantic and it says more about who they are as people than what their relationship with the other person is. It's not all about their relationship.
People need to start treating Jikook as individuals. They are humans first before a ship. Shipping them shouldn't take away from their authentic expressions of self.
That's how they each end up getting cussed out in these streets left and right.
It's ridiculous.
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This is JK being JK. Imma leave it at that.
This is from the same interview where Tae was talking about how they love showcasing their bond.
It's ok to celebrate it. Just see it for what it is- as flowing from JK's kind self. This is not Jikook. This is JK. Jeon Jungkook.
Don't fume or act disappointed when you see him do the same kind gesture for another member just because of the meaning you are imposing on this moment. Know what I mean?
That being said, there are certain Jikook 'skinship' moments that crosses the line of skinship right into sexual foreplay.
If 'skinship' leaves you 'sexually excited' it's not skinship. Nobody can tell me nothing.
Make of this moment what you will. Just be responsible with it. I think. But don't mind me. I'm grumpy.
Signed,
GOLDY
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when do you think theyll make hawkdemetri canon; in s4 or later (assuming it goes to 6 seasons)? i think the romantic aspects of their relationship will be empathized more clearly in s4 (hawk's jealousy of yasmime, their deep understanding and love for each other, etc) but they won't officially get together until the fifth season, leaving the last one to explore them figuring out how to go public and all that. or or i was thinking they do get together in s4 but due to the cobras threatening demetri or smth like that, they break up shortly after and don't get back together until the s5 or 6 finale. i feel like i'm being bold bc nothings set in stone but w what jon and hayden liked/rted im just ahhh!! so excited!!
Oh man, are we actually doing this now??? Are we actually discussing when Hawkmetri would hypothetically go canon???
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EH, FUCK IT
IF SHE-RA WENT THROUGH WITH IT MAYBE IT ISN’T A MERE GAY KARATE PIPE DREAM
I personally see them making Hawk/Demetri an endgame pairing, so they wouldn’t officially get together until close to the end of the series--maybe even IN the series finale (which, as I believe I mentioned in one of my other posts, I would strongly prefer to be the kids’ senior prom, where a giant karate fight breaks out and everyone has to battle in tuxes and dresses because it would be HILARIOUSLY AWESOME). I think they might do it like She-Ra did Catradora, where they don’t confess their love and get together until the last (or close to the last) episode (Ah, She-Ra spoilers, I guess...but anyone who doesn’t know by now that Catra and Adora end up together has been living under a rock XD) but there’s LOTS of ship tease prior and maybe even a stolen kiss/hand-hold or two leading up to that moment. Either way, if they decide to go the Hawkmetri route, it definitely has Endgame Ship vibes to me, which means...good news is, we’re gonna win this bitch, and bad news is, I don’t think we’ll be seeing Hawkmetri proper anytime soon, especially if the show goes on for 6+ seasons D: But hey, we sure as hell have something to look forward to, if our hope isn’t totally misplaced!
I think most likely Demetri and Yasmine will date throughout Season 4, and I can see the writers using this to give Hawk a “green-eyed epiphany” of sorts, where he realizes he’s jealous of Yasmine in slightly more than a you’re-hanging-out-with-my-best-friend-more-than-me kind of way, and he’s just like “...oh fuck, am I gay? Shit shit SHIT” and cue Big Boi Angst! Probably by Season 5 Dem and Yaz will be broken up (because ain’t no one telling me a relationship founded on wedgies lasts more than one goddamn season), and that’s when we’ll start getting a lot more ship tease with Demetri and Hawk--subtle touches, a bit of hand-holding (but, of course, they’d find a way to do it in contexts where they can get away with it lol), “friendship teasing” that’s basically flirting, longing gazes when the other isn’t looking, getting a little TOO contact-happy when they spar--that kinda deal. Maybe at the end of Season 5, they’ll share a kiss, but they won’t want to address it or it’ll come with some complication. Like they’re both drunk, or maybe one kisses the other and then doesn’t want to talk about it afterwards because they’re too embarrassed, etc etc. And they’re both trying to figure out if everyone’s even going to be cool with them being gay anyways.
Season 6 I see as being more or less the same thing, with lots of ship tease and mutual pining and such, but it’s a bit more intense now and kinda complicated by the fact that they’re more directly aware of their affection for each other being romantic and they’re both trying to come to terms with the fact that they’re definitely probably not straight. They’re also slowly realizing they’re full-on in love with each other too, and they’re both trying to work up the courage to just ask the other to be with them. And then at the end of the season they finally do it, and then go to Karate Prom together!!! The madlads!!!
GRANTED, I’m REALLY trying not to get my own hopes up about all this, BUT the fact that one of the show creators liked someone’s tweet asking if Hawk and Demetri were gonna be the LGBT rep and another creator straight-up RETWEETING Hawk x Demetri fanart is...admittedly very promising!!! I’m really really hoping beyond hope that this ship happens!!! But Korrasami happened, Catradora happened...so anything is possible!!! It’s certainly easier to make a gay ship with semi-major characters canon than it used to be. I just hope the homophobic side of the Cobra Kai fanbase doesn’t mess this up for us by bitching about “PC” LGBT representation to the showrunners or something :/ Man...it’s honestly kind of alarming to see the amount of people who seem against shipping Hawk and Demetri solely because...they’re both guys??? Like people really be like “UGH these two guys are PLATONIC FRIENDS why must you make it GAY???” As if anyone in the history of EVER has said “UGH this guy and this girl are PLATONIC FRIENDS why must you make it STRAIGHT???” because...they’re already “defaulted” to be straight :/ Sigh...this is the depressing world we live in, I guess.
Fingers still crossed for Hawk x Demetri, though!!! Let’s make it canon through the Power of Karate!!!
Man I am on a ROLL tonight, I can’t fuckin sleep so instead I’m in my askbox shitposting about the binary boyfriends nonstop XD 3 asks in one night, babeyyyyy!
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bsd-elle · 3 years
Text
Thoughts on the SK8 The Infinity Episode 12
So the final episode just aired. And I’m having majoorrr mixed feelings.
This show was truly something that kept me going, with it’s story, animation and the whole found family thing. I have loved this show from the beginning and I will till the end.
But as a lot of people in the fandom I do have some strong opinions on the finale
First off, I just want to say that everyone is allowed to have their own opinion but please do not send hate or any negative energy to studio Bones and Hiroko Utsumi. They have worked incredibly hard on this series. In fact I put them on a pedestal for giving us something so poignant and wonderful during such trying times. I looked forward every Saturday to watch the new episode and that feeling, that rush while watching it, never changed throughout the show’s run!!
Now on to my thoughts on the finale.
1. Shipping
I saw many people in the fandom criticizing the studio for queerbaiting. Now I can definitely not give an accurate perspective on this, as I am not part of the LGBTQIA community, though I am a strong ally.
Let’s talk about the main ships: Renga and Matchablossom
Renga: In my opinion they’re pretty much canon. All the hints, the loving looks, Langa jumping to hug Reki, Langa basically saying Reki is his happiness, Reki wanting to skate beside Langa (Infinitely). In my eyes, they’re canon.
Of course it would’ve been amazing to have a canon queer relationship, but we have no idea what happens behind closed doors. The rules in Japan, unfortunately are totally different from other progressive countries. As someone who lives in a country where they just decriminalized gay marriage, seeing canon queer relationships is honestly rare.
I think they did whatever they could to show that Renga is canon.
I mean come on, Langa basically said he liked Reki in episode 8
I think it would be very very cool and progressive to have a them outwardly admit to it, but we know both these dumbasses never finish their sentences. lol
I’m happy with the way their relationship evolved.
Matchablossom: I honestly can’t give a clear reasoning to this, because personally I don’t ship them. But the thing is, they could be canon, who knows?
I mean everyone was talking about how Joe went out with 2 girls in the end sequence and because of that they aren’t canon. But by that logic we couldn’t ship them from the beginning, since Joe kissed girls in the first episode.
I mean I totally headcanon that Joe is a bisexual king, so that means he could be hanging out them girls while still majorly crushing on Cherry.
Who knows, maybe Joe brought the girls to Cherry’s signing on purpose to make him jealous. Lol
Let your imagination run wild, people. It’s up to your own perspective. I personally don’t ship them, but I don’t think it’s queerbaiting when you pretty much have several hints to them caring deeply (love) about each other.
2. Story
This is where the critiquing comes.
One of the main reasons why I loved and still love Sk8 was one, obviously because of Renga and two because I absolutely loved the story.
From eps 1-11 the story was so compelling and written in such a fantastic way. Every week I’d have some assumptions and every time it would completely blow my mind.
In particular ep 10. When I originally saw the title “Dap not needing words” I was so worried.
They need to talk, they have to communicate. But wow, that episode was just phenomenal, if you guys want me to make a review on each episode I would be happy to, I have so much to say.
Sure, ep 10,11 was wayyy too rushed, but I just know it’s because they had to fit a lot of story in such a little time period. If they had maybe 24 episodes, they would’ve knocked it out of the park.
Either way I had no complaints.
My issue with ep 12 is the beef: Adam Vs Snow
I thought animation wise and as a beef it was really impactful (similar to Reki Vs Adam)
But why God, why did they give Adam a redemption
I’m sorry but he doesn’t deserve it.
I knew for a fact that as much as I wanted Adam to go to jail (so badly), I knew it wouldn’t happen. That was just not possible (in my eyes). I thought they would take a page from Fugou Keiji: Balance Unlimited, where his family (those evil ass aunts) and send them to jail (for clear mental, physical abuse and who knows what else), and Adam would go in isolation somewhere.
There he could properly heal from his trauma and abuse, work through it, heal his relationship with Tadashi and just work to be better.
There was a part of me that expected the show to end with a typical “oh we’re all friends and everything is forgiven” bullshit and I prayyedd that wouldn’t happen
But boy was I wrong
Why did they try to sympathize with him?!?
I get it, he’s clearly had severe trauma and abuse, and he uses skateboarding and entering the “zone” to get away from his terrible reality.
But why did they have Langa say this to him??
“Skating is fun because you can do it with your friends!”
It’s sweet that he’s trying to teach Adam what Reki taught him, but this implies that Adam is his friend. Or atleast that’s what he wants
“hey, you’re a crazy monster and you assaulted my friends (boyfriend), but I still wanna skate with you, cause it’s fun with friends”
I’m sorry, in what universe is this.. your friend?
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Your actual friend, Langa, who taught you everything you know, who’s been with you from the start, he has been attacked and traumatized multiple times by Adam. Not to mention several other people.
I could’ve accepted it if they used the line
“Don’t ever end up on your own”
That makes more sense in this context, it’s like saying “hey you evil monster, you’re crazy but don’t end up alone, treasure the people in your life”
I think that implies more on the sense that Adam has to figure shit out on his own, by himself. Not with Langa and the people he’s assaulted.
Then it would make atleast a bit more sense to heal Tadashi and Adam’s relationship.
You just cannot build up a character like Adam, for 12 episodes and then completely forgo that for the sake of “friendship”, that just makes no sense
Not to mention, Kirako the detective, the fact that she worked so hard and got absolutely nothing, is preposterous.
That whole thing put a really bad taste in my mouth.
Also, during the beef, like I mentioned, Langa basically implies that they should have fun because they’re skating with friends.
This basically just throws out Langa’s friendship with Reki.
I mean Reki was so badly hurt and injured after their beef, both the times.
Yes, he did have a lot of fun and that was the point of ep 10, 11 to show Reki that he didn’t have to skate to be the best (like no one ever wass.. dun dun dun. If you know that reference, here’s a chocolate) he skated to have fun(even though in my eyes, he’s the best)
Ep 12 was that arc for Langa, for him to realize he also skated to have fun.
But when you’re condoning and encouraging Adam, idkk.. it just rubbed me the wrong way.
I didn’t like it at all. They made him into a gag character in the end scene, which is literally the opposite of what he’s been pictured for the past 11 episodes.
3. Side characters
Shadow did not deserve that in any way whatsover.
He was completely glossed over. I thought his injury would be a pivotal plot point for improving his relationship with the manager, but they just used it as a way to remove him from the tournament
Tadashi, babyy, that’s Stockholm syndrome
When I saw that dog comment:
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Godd... he deserves so muchhh moree..
So, overall the finale, honestly disappointed me. But my love for sk8 is everlasting and the finale will never change that
4. Future
Hopefully, and I pray for this
A season 2, movie, OVA or anything tbh.
There’s so much potential
Reki and Langa go to Canada, they visit Oliver’s grave, Langa teaches Reki snowboarding
Kirako finally arresting Adam
Tadashi becoming true friends with Langa, Reki and the gang
Shadow getting the love he deserves
Matchablossom canon
Renga canon
Miya getting the apology he deserves
But whatever it is, Sk8 the Infinity owns my heart and I don’t know what I’m going to do with my life.
Other than reading Renga fanfiction
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erin-gilberts · 3 years
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chariox, please
Gives nose/forehead kisses - Chariot is more physically affectionate where kisses “just because” are concerned. Physical touch is more her love language than Croix’s, and she’s fond of giving casual forehead kisses as a means of reassurance. 
Gets jealous the most - Jealousy is Croix’s critical flaw, and it was her jealousy toward Chariot that led to her becoming the primary antagonist in canon. Croix 100% has trouble sitting with and controlling her jealousy in a relationship context, too. On some level, when their relationship changes to being romantic, it’s born out of a deep-rooted fear that she isn’t good enough for Chariot after everything she’s done and someday her gf will realize this and leave her. So, she gets both jealous of Chariot and how Chariot’s life has gone compared to her own, and jealous of the people who get her gf’s attention instead of her. 
Picks the other up from the bar when they’re too drunk to drive - Neither. They get drunk together and stumble home on public transit inebriated together, laughing and kissing and being ridiculous. They have a recurring silly argument about whether using magic while drunk to get home constitutes “operating a vehicle while intoxicated” and whether or not it’s ethical. Chariot passionately believes it does and it’s not. Croix just plays devil’s advocate to whatever her drunk gf says because it entertains her. 
Takes care of the other on sick days - Croix and only because she has issues around vulnerability and doesn’t let Chariot take care of her when she’s sick. She would much rather push through illness and not show weakness, but she gets worried and anxious when Chariot is sick and goes out of her way to take care of her. 
Drags the other person out into the water on beach day - I have two answers for this. XD On the one hand, totally Chariot, just because she’s a little acrobat who can run on walls and I could 100% see her running around a cliff and diving off of it into the ocean, which sounds fun as hell. But on the other hand, people tend to be either really into the sea or really into space (not both), sometimes to the point of being freaked out by the other one. So I could also argue because Chariot is so into space and astronomy, she’s unnerved by the unfathomable depth and all of the unknowns of the ocean, and she refuses to go out further than ankle-deep into the water. The Loch Ness monster could be out there for all we know. 
Gives unprompted massages - Croix. I see Chariot as a bit more athletic and perhaps a bit physically stronger than Croix, so she has a tendency to be sore more often. Like casual forehead kisses are Chariot’s form of casual affection, unprompted massages are Croix’s version of casual affection. 
Drives/rides shotgun - Croix drives because her magic is so rooted in technological / mechanical engineering. She actually reminds me a lot of Jillian Holtzmann. Chariot rides shotgun because that woman is definitely not a gay who ever learned how to drive. Why would she need to if she can fly on a broom or change the form of her own body to have wings? 
Brings the other lunch at work - Both bring the other lunch at work, mostly so they can convince the other to come have lunch with them or go for a walk during their break. They make excuses to spend time together and to sneak away from their responsibilities for a while. 
Has the better parental relationship - I don’t think either of them had an awful relationship with their parents, but I would definitely say Chariot had a slightly warmer and more openly loving relationship with her parents. I see Croix’s parents as reserved like her when she was a child, and maybe they placed a heavy emphasis on academic success and being the best at all costs. Even when she’s very young, Croix has something to prove, and maybe it’s because she never feels good enough given her parents’ expectations. 
Tries to start role-playing in bed - Croix prefers to think of herself as a top, but she’s in fact Easily Flustered and Aaaaaa 😳 where being intimate with Chariot is concerned. So she definitely tries (key word: tries) to roleplay being a domme from time to time, but despite being so powerful and cool under pressure in other aspects of her life, she’s easily picked apart by her gf. Chariot is extremely aware of the influence she has over her and uses it to her full advantage in bed. I could see her being a bit of a brat, going along with a roleplay to a certain extent only to make Croix’s facade crack with a smile and a well-timed word when she finds it amusing to do so. 
Embarrassingly drunk dancer - Chariot. Just look at this enthusiastic little dork. She gets turned up when there’s a combination of music and drinking. Unlike Croix, Chariot never had any pretenses of looking suave and mysterious. 
Still cries watching Titanic - Chariot. Empathetic and driven by a desire to use her magic to help others, she has a difficult time watching movies about mass tragedies and losses of life. She can’t help but get worked up over what she could have done if she’d been there, despite Croix’s bewildered, sputtered protests that Jack Dawson wasn’t a real person. Chariot insists it’s the principle of the thing while crying on her shoulder, every time. 
Firmly believes in couples costumes - Chariot insisted on best friend costumes when they were kids and she insists on couples costumes now. She can usually charm Croix into going along with it. 
Breaks the expensive gift rule during Christmas - Croix. Gift-giving becomes unfortunately tinged with guilt and regret for her after so many years of distance and envy and anger. She can’t help but feel like she wasted so much time and so many years hurting Chariot and being bitter toward her over something neither of them ever had any control over. She doesn’t necessarily give expensive gifts out of a misguided attempt to atone, but rather, she has trouble sticking to any rules they set about price because she has so many years to make up for not being there and being there in the wrong ways. She’s making up for lost time and she just wants her gf to have the best. 
Makes the other eat breakfast - Both in different circumstances. Chariot is the one who, when her self-care routine slips, is most likely to forget to eat, and Croix is attuned to this enough she makes sure they both eat regularly. Croix is the one who, when she’s actively depressed, will refuse food and wallow, and in this situation, Chariot will make delectable breakfasts she knows her gf can’t refuse. 
Remembers anniversaries - Both are equally likely to remember anniversaries as they are to forget. Listen, they have a lot going on at any given moment. XD They’re both adept at going with the flow if the other acts like the day is a special anniversary. They’ve also both had a handful of sitcom shenanigan moments where they’ve gone, “Oh, shit!” and had to scramble together a date or a present at the last minute. 
Brings up having kids - Chariot would be inclined to see how any children they would have together would be the best of both of them, whereas Croix would be inclined to be fearful of how a child of theirs could be the worst of both of them instead. Croix wouldn’t be opposed to the idea of having kids, but she would have to be gently coaxed out of her worries her child would be like her and her conviction that would be a bad thing.
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filmmakerdreamst · 4 years
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Xena: Warrior Princess Review
During Pride Month 2020, I finally got around to watch ‘Xena’. A show that had been in my to-watch list for years, but never got around to start. And when I finally did, I was pleasantly surprised. It was not what I expected and it was everything I think my 11 year old self would have loved.
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The one thing that surprised me about the show, was the lack of packaging. Even though it was a fantasy, it also played with different kinds of genres too. I’ve talked about this before in my other review - ‘Xena’ was made at a time when TV had very few rules/rarely had a set audience, since there were parts of the show that were clearly for kids and there were other parts that were clearly for adults (therefore had much more flexibility). I admired how they weren’t afraid to break barriers and touch on deep themes such as religion, morality, redemption, spirituality, motherhood, forgiveness etc - even more than shows of today are able. I also loved how they played into the idea of ‘murder’ and how much it can damage a person - not just the person who commits the act, but the many people affected afterwards. I wasn’t expecting it to be that extreme. It made me think that this must of been the inspiration for ‘Game of Thrones’. 
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I see a lot of comments here and there, saying how ‘cheesy and terrible’ it was but to just accept it because its part of the fun. And while like any show it does suffer from the occasional spell of bad writing (the whole of season 5) but it was also shown to be very aware of that fact and never took itself too seriously - unlike some shows I could mention. 
And regarding the ‘cheese’ factor (what 90s show wasn’t) It definitely can be, but I would call it ‘camp’ and ‘experimental’ more than anything else. (Don’t diss the poor use of CGI - I’m personally sympathetic to what was avaliable to them at the time) The style of humour reminded me of Taika Waititi’s filmmaking. If you’ve watched any of his films such as ‘Hunt for The Wilderpeople’ or ‘Jojo Rabbit’, then you know what I’m talking about. I liked how little they cared about being accurate or logical, which added to the ‘bonkers’ element in the show - which you can see in all of Taika Waititi’s films.
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In all seriousness, a show centered around two women in their late twenties, who are realistic sizes (not trying to play teenagers). One of whom is a reformed mass murderer, who has lived a life experience, trying to do good in the world for the first time, picking the other one up who has no life experience prior (after they bugged them until they said ‘ok fine’) in their path to redemption. Just two women who become friends travelling the world together, fighting crime, having a laff, learning from one another without any toxicity - when suddenly when the stakes are raised - they realise ‘oh I'm actually falling in love with this person’ I have watched a lot of badly written shows in my childhood enough to know that, that’s not ‘cheesy’. I’ve never seen a story like that in my entire life. I’m not at all surprised that Russel T Davis was inspired by it while writing the Doctor and Rose’s relationship in ‘Doctor Who’ since he’s gay himself.
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What’s more amazing about their love story is how they’re both develop as separate people as well. There was this video essay explaining ‘Why you should watch Angel’ the spin off series to Buffy; how ‘Buffy The Vampire Slayer ‘was all about growing up and ‘Angel’ was all about being an adult. With Xena: Warrior Princess, you have both of those stories at the same time. 
Xena’s character was such a multifaceted experience to watch. And I can’t imagine anyone else who could play her as well as Lucy Lawless. What planet did they get that actress from? She's flawless! The amount of skill she has to put herself into a very physical role is astonishing. I personally had a love/hate relationship with her character all series long. Not in the way that I hated her, just that I couldn’t trust if she was all good or bad, which I know was intentional on the writers part. I haven’t seen a character quite like her before. She felt very much like a fallen angel; almost like the villain of her own story. Some of my favourite episodes come from fleshing out her character and dark past (‘Locked up and Tied Down’ is one of them) which reminds the audience that's she's not the stereotypical hero everyone expects. I loved her transformation from being this incredibly stoic warrior to being content and happy with who she is in season six, all because of a woman she fell in love with along the way. 
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I’ve always thought of Gabrielle as the real hero and narrator of ‘Xena’. She’s the prime example of ‘a normal person becoming extrodinary’. Gabrielle’s coming of age story starting out as an innocent girl from a poor village dreaming of adventure, and ending as this vicious warrior who realises the ‘adventure’ wasn’t how she made it out to be is honestly the best character arc that I’ve ever seen. I loved how travelling with Xena made her realise her passion for writing (which was never going to happen in her home town, given the ‘sexist’ and ‘heteronormative’ ideas) and that she became a amazon princess like Xena. In regards to her sexuality, which is more up for debate than Xena’s (which I think we can all agree is bisexual) I personally interpret her as gay, just in terms of how she was written. Theres this moment in season 4 where she's being held up her hair, and Xena “symbolically” cuts it off ‘freeing her’. And she never really gets with a man afterwards, unless she’s being ‘possessed. It reminded me of a moment in one of Hayao Miyasaki’s films ‘Laputa, Castle in the Sky’ where the bad guy Moska shoots Sheeta’s ‘princess hair off’ which symbolises her transition from child to adult.
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The cinematography was breathtaking. There was some great utilisation of New Zealand as the scenery. So was the soundtrack. You could tell it was made by experienced filmmakers. One of my favourite things about the show was the domestic elements - moments in the show where time seemed to stop - which made the world around the characters seem very real and magical. Even though it was a show that featured a lot of action/adventure, there was also this gentleness to it as well. For example, you could feel the wetness of the rain, the warmth of the sun and the clashing of the waves. This technique is used in Hayao Miayasaki’s work a lot .
The technique is referred to as ‘MA’ 空虚 meaning emptiness in Japanese. ‘Miyasaki describes this as the time between a clap’
“If you just have non stop action, with no breathing space at all, its just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension” - Hayao Miyasaki
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The episode ‘A Day in the Life’ in season two is a really good example of this technique being used.
To my understanding, they used a lot of the local actors in New Zealand, which according to Lucy Lawless, consisted of ‘African immigrants and other different ethnicites’. It was so refreshing to see such a diverse show (despite some slip ups) especially in the 90s. I appreciated the idea that if the actors or extras couldn’t do an ‘american accent’ people could just talk in their natural speech which was also very refreshing. 
The LGBT representation was surprisingly amazing. I never expected so many queer characters in one show - especially under the censors. There was this one episode where they had a trans woman - played by an actual trans actress - win a beauty contest. It made me cry. Not to mention the actress was an aids activist. It was actually Lucy Lawless’ idea to kiss her which was incredibly controversial at that time considering how everyone thought you could catch aids just by kissing. I can definitey see how it validated people back in the 90s.
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When people told me that Xena: Warrior Princess was one of the greatest love stories, I thought they were exaggerating a little. But no, watching the show in context, I found out that it really is. Despite its obvious restrictions, It made me realise (regarding token gay couples today) how often television writers rely on physicality and drama to convey a ‘love story’ and how much of it is actually pandering the audience. One of the reasons why Xena and Gabrielle’s relationship felt so genuine is because it was built on mutual respect/compassion and they were also best friends. I felt like I was witnessing something very real and private. It didn’t need kissing scenes or drama to make it interesting. 
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It really helped that most of the writers were queer also. There’s this opening scene in season 4, panning over to Gabrielle giving Xena a massage (metaphor for sex - because they weren’t able to show that on screen) which I consider to be one of the most iconic scenes in media - considering how I wanted to sick up my supper when I watched the 10 minute ‘empty’ explicit sex scene in ‘Blue in the Warmest Colour’. The difference when something is written by a queer women vs a straight man.
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Because the creators weren’t allowed to write their love story in the normal way, due to the studio forbidding them to, they found creative ways to showcase that love on screen - which made for a very magical/sensual experience. And I can safely say, if anyone has doubts about watching ‘Xena’, whenever I expected to be queer baited at a few points in the show, I was proved wrong time and time again. It’s the most romantical show I’ve ever seen in my life!
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