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#my writing asks
bohemian-nights · 1 month
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Would you ever write a Aemond and Rhaena fic??? Second son second daughter, overlooked by ignorant fathers, dragonless but soon have the most important dragons Vhagar the queen of dragons and Morning the last dragon
I won't rule it out cause I do like them, but it would be sometime in the future cause I have a lot on my writing docket and I kind of want to write a Rhaena x Garmund fic first 👀
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knuckleslove · 5 months
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i’m about a minute and 15 seconds into the animatic so far!! so just over a quarter of the way done!! here’s to hoping i’ll get this monster done by christmas 🫡
i hope you are well!!! ❤️
Oh these are so gorgeous! That night time emerald shot. Wow. I missed these when you fist sent them. Thank You! The story beats you are drawing are so clear. I love it. I cant wait to see the rest!! 🩵
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inkedroplets · 10 months
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Why would you finally let them kiss right before Lena sacrifices herself. OMG
Because that's hands down the best time to kiss. But for a slightly more serious answer, I didn't plan out the kiss ahead of time, I don't plan ahead too much when I write. The characters are like little wind-up toys and I set them loose and see where they go. For that moment though, it felt right to have Lena be the one to initiate their first kiss after Kara's been the one pursuing Lena in her own way for the entirety of the story. It's something she thinks of as selfish even if it's not. Having Lena use the transmatter portal tech in her suit wasn't something I originally thought of, but once I did I liked how emotionally charged so many moments between her and Kara were when Lena used them. Obviously Lena leaving the Fortress after trapping Kara there in the lead up to the actual fic. Then there was the moment where Kara reveals to Lena she knows she's the vigilante and she flees to Themyscira. Her sending Kara by portal was kind of the opposite and I really liked having that moment where Kara understands what Lena is planning to do/did before she's forced apart again. Really fun to write. That was a very longwinded answer to your question, I know, but thanks for asking!
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hlizr50 · 1 year
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To steal a quote from Michael Scott: Why are you the way that you are?
But for an actual question(s): Can you share some favorite VH moments? Like the moment you realized you had a story. Or the moment you realized that it was good, really good. Or a moment that made you laugh while writing it.
Hahahahahahaha. I ask myself this all the time. I used to write almost exclusively fluff. But there's a whole backstory about how I grew the spine to start writing dark, angsty, difficult content. If anyone wants to know, feel free to ask.
As far as VH goes... gosh.
Chapter 15 is the love of my life. I wrote the end of that chapter after I wrote the first two. That's how impactful and consuming that scene is for me. It has a heartbreaking easter egg and what happens there really helped to define everything that happened before that point.
Another favorite is a scene that I really wanted to include, as it comes straight from one of Ruhn and Lidia's conversations in HOSAB: the two of them relaxing on a couch with a beer. There's a lot more to that scene that makes it fun and heartwarming, and it all just makes me happy.
There are a few things about VH that really set it apart from my other work:
First is just the writing, and that just comes with practice. But, furthermore, this is the first story where I've actually done legitimate editing. And a lot of that is thanks to you!
Second is the angst. I've written angsty bits and pieces before. I like making people feel things. I like hearing reactions like "how dare you" and "fuck you", because that means I've hit hard. But this is different than anything I've ever done. In The Raven and the Songbird, Gwyn and Az are "fighting" for, like, four chapters... and that's all I could muster. Now I have this fic that has some of the difficult content we figure we can expect, based on some of the things SJM has told us, but it's also a fic where my main male character refuses to call my main female character by her actual name for over half the fic, because the emotions are just so complicated and difficult to sort through. And I think it just heightens everything and strings us all out to near-breaking.
Third is the research. I've NEVER put so much work into a story as far as canon evidence and preparation is concerned. Every piece of Lidia's backstory that I have created is based on actual text. Sometimes it could be a bit of a stretch, but I worked really hard to create a story that could be legitimately realistic as a follow-up to HOSAB.
And as for laughing... literally whenever Flynn is on-page. He's my comic relief character, and boy do we need it!
Thank you so much for asking!!!
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striving-artist · 5 months
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The best piece of advice I ever got was not meant as advice, but as an edict. If I was going to threaten people as a joke, it had to be so far out of proportion with what happened that it would be obvious I was joking. This changed how I expressed frustration with others. It then changed how I expressed frustration with myself.
Not “I’m going to hit you” but “I am going to buy a tuna sub from the gas station and hide it under the seat of your car”
Not “I’m going to kill myself” but “I am going to walk into the desert and let the scarabs take me”
The other side then happened. When I mess something up, instead of saying it’s bad and perpetuating negative thoughts, swing hard the other way.
Not “this art is terrible” but “this shall be framed and mounted on the wall in my museum exhibition as testament to the suffering I had to overcome”
Have been doing this since high school. It was my drama teacher who asked me to please stop scaring the actors. The other half of the edict was that I had to say it in a polite tone, and end it with either please or thank you.
Life changing. 10/10 Mr Muëller. Highly reccomend.
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inkskinned · 9 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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daisywords · 6 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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littlelightfish · 1 month
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This... this is a whole different kind of psychic damage here. When nightmares got Marcille, we get to knew that her's biggest fear is outliving her friends. This isn't even canon probably, but look at this. This isn't a "I don't want my friends to die" kind of dream. This is a "I'm terrified of loosing my daughters, of something killing them, and being incapable of stopping it" kind of dream. It's so simple yet it explains perfectly the whole of chilchucks character. He loves, he cares, deeply. But he, or doesn't acknowledges, or doesn't know what to do with that knowledge.
Besides that. Someone had to wake him up after this. Imagine the devastation in this man after he wakes up. He just saw his three little babys murdered corpses (or maybe he saw them die, wich isn't better). He would possibly not talk about it, and that would worry the hell out of the party, because we'll, they see him all down and only one of them knows what he saw. Imagine being the one to pull him from that nightmare. Seeing this man, usually so composed, fuking staring with tears and terror in his eyes to the composes of what you can only assume are his daughters. It would be heartwrenching.
Idk, I love this man so much...
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inky-duchess · 6 months
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Fantasy Guide to Building A Culture
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Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.
Hierarchy and Social Structures
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Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:
How is a leader determined within the culture as a whole and the family unit?
Is the culture matriarchal? Patriarchal? Or does gender even matter?
How would one recognise the different ranks?
How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?
Can one move socially? If not, why? If so, how?
Traditions and Customs
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Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.
How important is tradition?
What are some rituals your culture undertakes?
What are some traditional values in your world? Does it effect daily life?
Are there any traditions that determine one's status?
Values and Opinions
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Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?
How important are these ethics and core values? Could somebody be ostracised for not living up to them?
What are some morals that clash with other cultures?
What does your culture precieved to be right? Or wrong?
What are some opinions that are considered to be taboo in your culture? Why?
Dress Code
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For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.
Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?
Are there any rules around what people can wear?
What would be considered formal dress? Casual dress?
What would happen if somebody wore the wrong clothes to an event?
Language
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Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.
Arts, Music and Craft
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Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.
Food and Diet
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The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.
What are some traditional dishes in your world?
What would be a basic diet for the common man?
What's considered a delicacy?
Is there a societal difference in diet? What are the factors that effect diet between classes?
Is there any influence from other cuisines? If not, why not? If so, to what extent?
What would a typical breakfast contain?
What meals are served during the day?
What's considered a comfort food or drink?
Are there any restrictions on who can eat what or when?
Are there any banned foods?
What stance does your world take on alcohol? Is it legal? Can anybody consume it?
Are there any dining customs? Are traditions?
Is there a difference in formal meals or casual meals? If so, what's involved?
Are there any gestures or actions unacceptable at the dinner table?
How are guests treated at meals? If they are given deference, how so?
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bohemian-nights · 3 months
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Writing update for Rhaena and Daemon? Or the Baela and Daemon
Maybe I'll put out something for Rhaena and Daemon for Valentine's Day instead of the Dettles one-shot, but for right now I haven't been working on either fic(but when I do it will probably be Rhaena and Daemon rather than Baela and Daemon).
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knuckleslove · 5 months
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HI AGAIN ITS ME IM JUUUST ABOUT HALFWAY DONE WITH THE ANIMATIC!!!
so so sorry this is taking an eternity college is kicking my butt BUT IM DETERMINED!!!!
I hope you are well!!!!
Oh goodness please don’t apologize. Have you seen how long I’ve been working on this story? I’m like the poster child for um… life is kicking my butt. I get it. These shots are gorgeous, and half way is monumental!!! You are amazing, and I am still flabbergasted and so honored that you chose Fractured Frequency for this project.
Thank you. 🥹🩵
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roblingoblin285 · 1 year
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i love when ppl ask writers questions about their ocs and they're like "uhh i think so?" as if they didn't invent them. like they're just mild acquaintances we have
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ruby-red-inky-blue · 16 days
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hello, sexiest man alive committee? yes I'd love to nominate Lou Wilson and Brian Murphy for attempting to speed-write an actual in-universe 300-word essay in 5 minutes of real time as Fabian and Riz posing as Fabian with complete earnest and a 120 percent commitment. both this effort and the incredibly smooth hand-off in the middle of it was maybe the most attractive thing i've ever seen a man do
yes it's a dungeons and dragons show. don't put me on hold. hello
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the-one-who-lambs · 4 months
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This is a super super gentle reminder not to put your favorite authors on a pedestal. We're real people living average lives and not trying to be influencers. We criticize ourselves enough and we don't want to be held to an invisible standard (we start to worry we fail to exceed our own selves) or compared to other writers (we are not competing) or tailor our craft to cater to a wider audience (the right people will find you).
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steddiecameraroll · 4 months
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ao3 (includes pt2)
Eddie knows he’s gonna lose it one day. Every single time he watches Steve put his hands on his hips and reprimands the feral teens, he wants to jump the man’s bones.
He ends up pinching whatever exposed skin he has when the urge hits him, leaving itty bitty bruises behind.
It works for months until one evening when Eddie lets his guard down and is 3 beers deep. Steve is leaning against the wall with his shoulder holding himself up. Eddie is telling him about how he had to haul Mike off Dustin the day before and Steve out of habit slides his hand up onto his hip.
Eddie stops midsentence and lets his eyes follow the long lean line of Steve’s body to his fingers.
“What?” Steve asks in confusion.
“Huh?” Eddie’s mouth is open when he looks back up.
“You stopped talking.”
“Well fuck, man.” Eddie sighs and flops against the wall near Steve, his back hitting flat and puffing out a huff of air. “You-you do that bitchy fucking stance and it drives me crazy. I wanna…UGH!” He covers his face, the beer can he’s holding presses against his cheek.
“You wanna what?” Steve sounds nervous.
Eddie whines and stomps his feet a little, trying to hold back his answer. It’s so close to falling out, resting on the tip of his tongue.
“You wanna what, man?” Steve’s voice coming out stronger like he’s daring Eddie to be honest.
Eddie drops his hands and pouts over at Steve. “Don’t make me say it.” He shifts from one foot to the other.
“Say what? You’re acting weird.” Steve stands up straight and crosses his arms over his chest.
“Oh goooood, then you do that.” Eddie whines. “You don’t even know, look at you.” He sighs and flops his arms in defeat.
“What the fuck are you talking about?” Steve stares like he’s watching a car crash.
“I WANT TO FUCK YOU! You stand like that and-and I can’t think. It makes me crazy. Like-like feral animal crazy. I want to rip your clothes off and scratch my nails down your chest and watch you tell those little shits off. I can’t fucking take it!” Eddie groans, spins on his heels, and stomps away.
Steve stands in shock, letting Eddie’s words sink in. After a brief moment he shrugs to himself and murmurs, “ok.”
Robin’s head pops around the corner. “What’d you say?”
Pt 2-ish
coffee? ☕️🍩💕
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alexanderpearce · 10 months
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ship ask game 😁1 Who would be first to to bite down anc consume the flesh of the other, euphoric in the taste and the heft and the slide of the blood 2. who is the ant and who is the ophiocordyceps fungus? 3. who is the dog and who is the master? 4 when the roles are blurred or reversed who would be first to die and how? would it be by bulletwound? the phallic blade? strangulation? 5. Cocaine or Heroin? 6. who licks up the other’s cigarette ash? 7 who is julius caesar and who is brutus? 8. who is jesus and who is judas? 9. did jesus want it? did julius caesar know it was coming? are the betrayed ever proud? 10. who is irrumatus and who is irrumans? who is pedicatus and who is pedicans? 11. did they ever kiss and why not? 12 if they are two sides of the same coin who is heads and who is tails? 13. and if the coin was the holey dollar? 14. And if the dog bit back? 15 and if the dog bit back? 16 and if the dog bit back? 17 and if the dog bit back? 18 and if the dog bit back? 19 and if the dog bit back? 20. Who buys the other flowers?🥰
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