Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly.
Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway.
And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time.
So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet.
And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair?
Is there a cat in cannon who got a good death who you think didn't deserve it? Especially if they committed crimes?
Tom the Wifebeater and his redemption death. No question. It's not even close.
Not only do I reject to the "redemption death" on the grounds of it being Tom the Wifebeater who is bullying others until his dying breath, even taunting Thunder about Turtle Tail is dead and the kits must be very torn up about it, but I reject "redemption through death" entirely. I don't like it in stories. It's a theme I deeply object to.
And again it's fucking wild that every time a character is a father, even if they are a wifebeater or a child abuser, the writers think that it bestows a glimmer of goodness into them which every abused child is forced to appreciate and cry about. Breezepelt, Thunder, Tallstar, Tom's children, all of them forced to reconcile and admit how much they wuv their papa.
Abusive dads in WC regularly get redemption deaths, too. Clear Sky dies saving his grandchild, Sandgorse died saving a rando in a tunnel, Tom the Wifebeater saving his daughter.
But Tom the Wifebeater is the worst example of it. Hands down.
Keith walking into the holding cell greeting all the regulars by name while Lance is sobbing lamenting that his life is over and his future is ruined (they were like. Trespassing or some shit he’s going to be fine)
lance: (actively dry heaving in the corner, on the verge of a panic attack as he imagines having a permanent record)(actually what does a permanent record even look like?)(omg is he going to have to go to COURT? like in JUDGE JUDY?)
keith: remy, this is lance. lance, this is remy, she’s my favorite alcoholic :)
Loki watching Thor go home with the people who hit him with their van, wrestle in mud, "you're big, fought bigger", fail to lift his hammer and collapse onto his knees about it: fatherless behaviour
Spoiler? for fear the walking dead. if you care about that? Alycia did it again 💀 I’m not sure about anything else that happened since she left but apparently her character finally reunited with her mother
Baby I seen, and she looks fine as fuck
I haven't seen exactly what happens entirely cuz people are being slow posting clips but it's fine cuz I'm,,, pretty sure it's offensively nonsensical plot wise anyway, but whew. Damn Alycia, back at it again. Girl will do community service for all the busted ass shows of her past and I suppose I respect that. Loyalty and all that
or more accurately, asha and theon have a much larger age gap, 10/15-ish years, type of age gap (she's at least 18/19 and theon's only like 4/5), and in a series of freak events, their lives are turned on its head.
their brothers were dead. their mother and father were ruled incompetent, the former left a shell of herself after the loss of her sons, no longer able to care for her remaining children, the latter was never a father to begin with and he didn't seem to have any wish to become one now.
she was an adult by law, meaning she was free from the hell that was the system. her kid brother - the one who smiled at her for seemingly no reason, the one who crawled into her bed when thunder rattled the house, the brother who held her hand on their rare family outings - was not.
she couldn't leave him there, even if she wanted to, even if it would make her life so much easier. she wouldn't abandon him like the rest of their shitty family. he was blood for fucks sake, she'd die before she let's him get taken away from her and given away to strangers to be used and exploited or treated like a shelter puppy to be pitied and fawned over.
cue asha fighting for custody of her baby brother, doing whatever it takes to be deemed a suitable guardian, and the two of them taking on the world together.
more thoughts:
they have to find an apartment cause they can't afford to keep their family home. moving into the cheapest place they can find with only the stuff they can fit in asha's truck, sharing an air matress and eating off of a coffee table while watching movies they rented from the library.
asha cleaning her brother up before his first day at his new school, trying to get him to look suitable, but not really knowing what suitable means for a kid going into kindergarten/first grade
theon comforting his sister when she gets overwhelmed with it all, doing his best to ease her tears. the night ending with them both curled around each other, just two scared little kids trying their best.
asha fighting anyone she has to to keep custody of theon, whether it be the social worker, the judge, people who called cps to report her. she doesn't care, no one will take away her baby brother.
asha taking theon to work with her (she works in a boat shop cause she already knows what she's doing) and having to keep him entertained while she works so they don't get sent home.
their first christmas/birthdays by themselves. theon putting together gifts at school (finger paintings or paper mache or something of the like) and asha cherishing it forever. asha spending all the money left to her name each time to get him something nice so eh can feel like a normal kid.
theon doing sports in school (little league or something) and asha making sure she goes to every damn game, being the loudest in the stands.
asha getting more and more used to being physically affectionate with her brother at time goes on. before everything she'd tense up when he'd hug her legs or hold her hand, but now she scoops him up like a rag doll, ruffles his hair, kisses his forehead, without a second thought.
watched a podcast with roberta today where she talks about her coming out process and the whole figuring out she was a lesbian and it was so intense. I kept thinking about how she’s mentioned that on aloto they all contributed to the creation and backstories of the characters, and kelly has also talked about all her suggestions and the 40 page doc for Jess and how some things are so similar to herself and so on.
So it got me thinking about Lupe’s backstory AGAIN. More specifically if Roberta also drew some connection to herself with the character. The religious latine background is there in full, and it must have been Something to play it. but there’s also the late-bloomeness of it that Roberta talks about in the podcast, how much she tried to overcompensate in some things even though she wasn’t fully conscious of “oh, I’m gay”. And I can see that with Lupe so much, in how she is clearly uncomfortable with the dresses and charm school and the whole femininity performance, while at the same time showing a kind of resignation towards it, like she’d done it before and had learned how to do it in an almost adequate way, a passable way.
Bottom line is I’m still so fucking hung up on Lupe’s baggage and how little we got to see of it while also having a lot of information thrown at us. And Roberta is so fucking elusive and private even in settings where she’s there to talk about those things.
What began as a friendship between Ann and Abraham [Lincoln] turned at some point into romance. They shared an understanding, according to friends, that they would marry after Ann completed her studies at the Female Academy in Jacksonville.
Ann was only twenty-two in the summer of 1835. While New Salem sweltered through one of the hottest summers in the history of the state, a deadly fever, possibly typhoid, spread through the town. Ann, as well as several of Lincoln's friends, perished in the epidemic. After Ann's death, Abraham seemed "indifferent, to transpiring events," one neighbor recalled, "had but Little to say, but would take his gun and wander off in the woods by him self." Elizabeth Abell, a New Salem neighbor who had become a surrogate mother to Lincoln, claimed she had "never seen a man mourn for a companion than he did." His melancholy deepened on dark and gloomy days, for he could never "be reconcile[d]," he said, "to have the snow—rains and storms to beat on her grave." Acquaintances feared that he had become "temporarily deranged," and that unless he pulled himself together, "reason would desert her throne."
goddamn. fuckin bleak period in mr sixteenth president's life
have you guys ever noticed the majority of brandons characters are missing one or both parents, either that or their parents are never mentioned, i think cathy might just be the only character who has a mom and a dad
hear me out fuck the jedi code, if anakin skywalker had just been allowed to manwhore and malewife his way through the galaxy then palpatine's entire plot would've imploded like give anakin a bajillion attachments and he would've been too busy getting railed and pampered to resort to manslaughter not to mention at least one of his fifty lovers would've legally/illegally freed shmi so the whole tusken massacre could've been avoided
sheev would be like oh anakin dear boy i wanted to talk to you- oh i'm sorry chancellor i'm taking tea with the organas today (sheev under his breath: i thought he was with amidala?) well we can always reschedule to next week- actually i'm doing something with the clones (what? which clones? which clones) what about- really chancellor my deepest apologies but i think i'm simply unavailable for the foreseeble future. like palpatine can't even kill them all bc it'd get too suspicious too fast
the funny thing is that while sheev's too busy figuring out which of anakin's paramours he's with that week, they're all distracting dearest ani and comparing notes out of earshot about the creepy fucking chancellor and what do you mean he's been allowed unsupervised time with anakin since he was nine obi-wan wtf
Me: I don't know what to do with Veronica's character in post s8 au, I don't want her to be Just Lance's sister and Kuron's friend with Pidge's storyline slapped on her, but also I'm not really sure about her character. Sure there's the whole lying to her family thing but I don't think that's enough?
Brain: ok so what if Veronica started out as trying to look for what was Lance upto but she ends up being so obsessed with finding the truth that not only she repeatedly puts herself in harms way but also the original goal falls on wayside.
This could be her way of dealing with trauma which is getting engrossed in the Mission and a problem to fix while suppressing her grief and refusing to actually acknowledge her problems and her own emotions a foil to Kuron's arc that is him being literally driven by emotions. She's angry at Lance for leaving without a word and angry at her family for their clinginess, however she keeps it to herself and just avoid them pretending everything is fine and normal
Also a foil to Lance who started as trying to figure out what was going on but as soon as he realized that 1) Allura and Kuron are still sorta alive 2) he can bring them back, he got obsessed with it consequences by damned.
Plus through her we can actually explore how quintessence actually effects and changes humans rather than become aware of the end result
Also there's something a character who is obsessed with truth but is also such a frequent liar