Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom
you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....
1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)
2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.
3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.
4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.
5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)
+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.
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Modern AU
Cassandra has a death wish with the drinks she makes. Bela is surprised her sister didn’t get a heart attack. But that is only Bela, what does she know when it comes to the things that her sister does. As long as she’s handling this madness just fine, Bela shouldn’t have any reason to complain.
But the eldest daughter feels obligated to mention what is mixed with the vodka. Because different people like different things right? Some prefer cranberry, others prefer cherry soda, and then there is Cassandra’s mix which is vodka and red bull. Of course, it isn’t for show, Cassandra does drink that monstrosity and thinks most people are okay with this thing.
It isn’t only vodka. On occasion, Bela saw her sister mix espresso with red bull when she needs the extra burst of energy after staying up very late. How her sister didn’t drop dead after drinking that is still something Bela wonders about to this day.
Cassandra never listens though. She thinks it’s okay and as long as her body isn’t rejecting this then why should she stop?
On a morning while the girls were staying over at their aunt Donna’s house, Cassandra did toss espresso in a glass full of the energy drink. It was then that the three sisters saw their very kind and very soft-spoken aunt snap.
Donna is very against energy drinks. To the Italian woman, if you need energy you get it from caffeine that’s either in tea or coffee, and that’s about it. Energy drinks are a huge no in her book and she often speaks about it. To see her niece nonchalantly mix two things that have no business mixing together, the woman was sent over the edge.
Donna might have over-dramatized it. She didn’t have to go as far as to mention how she would tell Alcina that she stood by while her daughter killed herself. Because the woman is convinced that the second Cassandra drinks the beverage, her soul will depart from her body.
Daniela, trying to help her aunt calm down, mentioned that she should relax because “Cass does this a lot you really don’t—“ But she was interrupted because what do you mean she does this frequently?
Donna wonders how Alcina allows this. To which the daughters gulped because their mother doesn’t really know and they figured that what Alcina didn’t know wasn’t going to hurt her. But of course, Cassandra is cocky and thought her aunt wouldn’t even know what red bull is which is apparently not true at all.
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a random thought but i really am very obsessed with how deeply committed bruce is to his love of people and to the extent that it’s a regular divide between him and talia. not that she is without love, no, hardly so, but love will never come before principle for her in the sense that the principle does stem from love, but from a selfless love, not a selfish one. and i use these two descriptors purely as a means of analyzing perspective, so selfless and selfish not necessarily as moral indicators as they are often used today but merely as expressions of whether you’re acting for the sake of others or for yourself. talia is someone repeatedly acting at expense to herself for the sake of others. she gives her child away, she ends her marriage, she doesn’t say a word about it again for years despite having the chance, she takes on a high level espionage mission without speaking a word to her ex-lover, maybe to protect herself, maybe to protect him. whether those were worthwhile decisions to take is certainly debatable, but she acts near strictly from a perspective of caring about others and the world first. bruce is comparatively a very selfish person. every victim an extension of his own trauma, every grief taken to heart, every desperation for companionship so heavily internalized that he ends up pushing people away bc at some point he can’t bear to take them down under with him in his sorrow. it’s funny that he tries to be the rational voice in a room bc up to a point he is, but he also cares too much about his own personal affairs to be that way consistently
and in light of all of that i am thinking about the conversations he and talia must have in that alternate universe where damian is normal and newly revealed to both of them as a concrete concept in their lives, for bruce as the son he never had and for talia as the son she gave away, come back to them by way of fate. why did you never tell me you didn’t actually miscarry. why did you never tell me you had a son and you gave him away. why did you pretend like it was over when it never was. why did you look me repeatedly in the eyes over the years like there wasn’t something more that was there. when you said you couldn’t talk about it before i boarded a plane back home i held my tongue. when you let yourself be beaten within an inch of your life bc your city was falling to pieces i held my tongue. when my father took the contingency plans you made and used them to turn your friends against you i held my tongue. when i worked for a man who would for all intents and purposes use the knowledge of my relationship with you against you i held my tongue
how can bruce, a person so wrapped up in his love for people, not understand the number of sacrifices that talia has had to make for his own sake. her repeated protection of him, of his sanity, of his sanctity, is simultaneously her greatest crime and her greatest benevolence to him. she carried that grief of loss for years and years bc of how important bruce is to her. and bruce loves her, loves damian, too much to even begin to understand what love means outside of the parameters of his own feelings for them. that is his dilemma writ large wrt people he loves. that he can’t see the extent of what they do for him, bc he loves them too much and doesn’t know how to get out of the sheer grief and possessiveness of it
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The dramatic irony of everything happening with Jojo Siwa is so fucking hilarious
First she exploits a disabled child -not hilarious- repeats the cycle of abuse that she was subjected to on dance moms with her own show, allegedly cheats on her girlfriend, etc, etc. then she goes through her “switch” and goes through her 14 year old emo phase at 20.
Tell me why this kid has the audacity to sing a song called Karma.
She tries so hard. She’s trying so hard to make it seem like she’s making the most dramatic change of her generation, she’s completely changed, no more rainbow glitter dance moms now we have emo sparkle darkness revenge fairy. She wants people to think she wrote Karma. She talks about her writing process, and she says how brilliant she is for thinking it up, but she also says that it was pitched to her a few times so we can’t accuse her of lying.
I think on paper this plan was probably a great idea, a chance to break out of her reputation for bows and glitter, but the execution is nothing but a disappointment. I think instead of going emo and taking inspiration from things she doesn't understand and being genuine, the switch honestly could've been welcomed with open arms but she's not genuine and she doesn't want to make a natural switch. She wants to be risky because she thinks it'll make her look cool or someone higher up decided for her and she went along with it because that's what'd make more money or maybe her mom made her.
Once it came out that Jojo didn't only not write the song herself, she wasn't even the first one to record it, that's when the irony of the situation kicks in. I know absolutely nothing about Brit Smith but she's and icon and I love her with my whole heart.
Brit Smith releasing her version of Karma and it doing better than Jojos is my favorite form of dramatic irony because of course this all happened to a song named Karma.
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