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#looking for that highlighter yellow helmet
bndair · 21 days
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i hate this time of year. it's too hot, too humid, and too tornado-y
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fluentmoviequoter · 2 months
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Lost Time
Requested Here!
Pairing: Jason Todd x fem!wife!reader
Summary: Jason comes home to you, his wife, after a mission and makes up for lost time.
Warnings: fluff and comfort! brief mention of the Lazarus Pit and human trafficking
Word Count: 1.3k+ words
A/N: I really want to write a lengthy oneshot for Jason but I don't know if I capture him well enough. I don't get many DC requests but I love them so much!!
Picture from Pinterest (WFA Jason >>>)
Masterlist | DC/Jason Todd Masterlist | Request Info
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Jason Todd leaves, it’s what he does. Sometimes there are warnings, direct and indirect, but other nights he leaves while you sleep or simply doesn’t come home when he should. That’s who he is, what he does. There is more to Jason than meets the eye; he isn’t just Jason, Red Hood, or Bruce Wayne’s dead and nearly forgotten son. One piece of Jason makes him whole: being your husband brings him back, every single time. Jason leaves, but the time you spend alone is spent in confidence that he will come back to you, even if he’s broken and crawling.
While Jason is in Blüdhaven helping his brothers with a mission that Bruce doesn’t know about, you spend the time alone missing him. He hates leaving you, but you understand. That doesn’t mean, however, that you just wait for him to come home. Being married is supposed a 50/50 arrangement, yet you have given everything to Jason and there is not a single thing you wouldn’t do for him.
Tonight, nearly 96 hours after you last saw Jason, you make yourself comfortable with one of his books. The pages are yellowed from use, and highlights and notes fill the margins and the empty pages. Each word reminds you of Jason, and though you miss him, you refuse to look at his empty side of the bed. In the time since he left, promising to come back to you with a kiss and a tap to your wedding ring, you have read several of his books, cooked his favorite meal, and baked his favorite goodies. The distractions you created are all centered around Jason because despite what you tell yourself about needing to think about other things, Jason Todd takes up every single one of your thoughts. He’s captivating, and you never want to escape him.
Your phone beeps as you finish a page of Frankenstein. After taking a calming breath, you read the message from Barbara.
The bats are Gotham-bound.
The message makes you smile, and you rise from the bed to prepare for Jason’s return. He has come home without a scratch, drenched in blood, and everything in between. In sickness and health, you vowed, and you plan to keep it. With his favorite food already prepared and water heating in the kettle on the stove, you sit on the couch and wait for his entrance. The front door is behind you, and you watch as the Red Hood lands on your fire escape and expertly navigates into your home. His home.
The couch is empty by the time he turns from the now-closed window, and your arms loop around his waist as he moves. Jason chuckles at your immediate attention and pulls his helmet off.
“Miss me?” he asks.
You can hear his smile in his voice, and as Jason’s arms wrap around you, you sigh and release every fear and worry that had been pushed into the back of your mind.
“I need to shower,” Jason says, though he doesn’t move his hands from your back. “Blüdhaven is gross.”
“And Gotham is known for its cleanliness,” you argue.
“Get off,” Jason grumbles.
He raises his hands to your shoulders and easily pushes you back. You look at him as you raise your hands to hold his wrists. Jason’s gaze is soft and his touch is softer.
“Ten minutes,” he requests quietly.
“Someone needs pampering,” you tease. “Take your time. There’s food and tea if you want any.”
“Just wan’ you,” he murmurs.
Jason leans in and kisses your forehead quickly. He avoids your hands as you reach out for him. You laugh as he walks away, and the sound brings Jason home. He’s physically home, yes, but he is only home when you are completely and wholly with him.
The water echoes through the apartment as Jason enters the shower, and you prepare two mugs of tea before carrying them into the bedroom. You would wait forever for Jason, but as you lean back and close your eyes, content listening to him move through your shared home, you know that you’ll never have to wait long.
When Jason enters the bedroom clad in a pair of Wonder Woman sweatpants and smiles at you, everything seems better. The darkest Gotham day can’t cast a shadow on what you and Jason have. Before Jason left, he told you all you needed to know about the mission, and you won’t bring it up again. If he wants to talk about it, he will, and you’ll listen.
You raise the blanket as Jason approaches the side of the bed. He doesn’t hesitate to join you and pull you closer. After looping your arms over his shoulders, you push your fingers into Jason’s wet curls and twist them gently around your fingers. His white streak is closest to you, yet you concentrate your attention elsewhere to keep your eyes locked on his.
“You read it again, didn’t you?” Jason asks.
His eyes threaten to flutter closed, but he forces them open to talk to you.
“Read what?” you whisper.
“Tell me what I missed,” he requests.
You know he can see his books piled on your nightstand, but you enjoy the smile he gives you when you pretend not to know what he’s talking about. Jason pulls your hands away from his hair, opting to hold you against his side. You lay a hand over his heart and gently trace the bottom of a scar. You know his scars by heart, and each story behind them is ingrained in your memory.
“Not much,” you answer after a moment.
“Did you do anything? Because everything you do is important, and I want to hear about it,” Jason argues.
You lean closer and spread your fingers flat against his skin. His heart thrums steadily beneath your hand, and you think your heart beats in time with his.
“Maybe you just married me for the post-mission cuddles,” you say.
“Or maybe I just married you because I love you. I love you for accepting all of me and loving the parts that I don’t let anyone see.”
“Jason,” you hum.
“You didn’t tell me about what I missed,” he replies.
The first raindrop hits the window, and Jason is reminded that he’s back in Gotham. He’d move to Metropolis and listen to Clark as long as you were by his side, but being in your arms in his home town is a feeling unlike any other.
“I’ll take it you didn’t go to the manor,” you deflect.
“Why would I when I have a beautiful wife waiting at home for me and four days to make up for? Lost time with you will always be more important than Bruce.”
You sigh before you begin telling him about what you did. There isn’t much to tell. You read one of his books, cleaned, cooked, baked, and read another book.
“You baked?” Jason interrupts. “And didn’t bring it up until now?”
“I thought time with me was more important.”
Jason furrows his brows as he turns, pulling you to lay on top of him. When you first started dating, Jason was hesitant to initiate any sort of physical touch. Not long before, he had been Gotham’s most-feared crime lord and the rage caused by the pit was still present. Now, there is nothing to stop Jason from touching you: no fear of hurting you, no concern of scaring you away, and no doubt that you won’t love him once you see his darkest secrets. Jason’s scars, his past, and his nightly activities make him the man you love, and you love those parts of him, not the other way around.
As you cuddle with the man who recently scared human traffickers into turning themselves in to the authorities rather than running into him again, you simply enjoy being together. Your husband Jason and Red Hood Jason aren’t the same, yet you love them both equally.
“Do you really want to make up for lost time?” you ask over the rain.
Jason thinks your voice is more soothing and melodic than any rainstorm could dream of being. He pries his eyes open to answer, “Every second of it.”
You nod and lay your head against his chest. With your hearts pressed to one another and your fingers intertwined with Jason’s, you know that you are loved, and Jason knows you will always be here when he comes home.
You’re nearly asleep when you mumble, “’S a lotta time.”
Jason smiles but doesn’t move because he doesn’t want to disturb you. “Never enough time with you,” he whispers against your temple.
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lnfours · 9 months
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bucket hat protector ™️ | l.n
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summary: a blurb about how you’re the only one lando trusts with his bucket hat
warnings: fluff, language, currently signing my soul over to this boy.
masterlist | ask box
₊‧°𐐪♡𐑂°‧₊
the garage was busy, buzzing with excitement as the start of the qualifying race neared closer and closer. you had seemed to somehow lost your boyfriend in the sea of orange, but the quick glimpse you got of the highlighter yellow bucket hat caught your attention. you made your way through, smiling as his eyes met yours and he reached out to pull you closer to him.
“there you are,” you smiled, “lost you for a second, but thankfully you’re very hard to miss.”
you tapped the brim of the bucket hat that sat on top of his curls. he smiled back down at you, taking off his hat before plopping it down onto your head.
“and now it’s your job to protect it with your life.”
you put a hand over your heart playfully, the hand that wasn’t holding his helmet snaking around your wrist, “lando norris is trusting someone with his hats? oh, it’s such an honor.”
he smirked down at you, “only you, baby. no one else.”
you smiled, reaching up and placing a gentle kiss on his lips. the smiles got too wide, your lips breaking the kiss as you brushed back a loose hair from his forehead, “i love you.”
“i love you,” he said, tugging the mask over his head before slipping the helmet on, “i’m serious about my hat though.”
you giggled, helping him do the straps under his chin, “i know, trust me, it’s in good hands.”
his eyes were squinted, a sign that he was smiling in the helmet.
“2 minutes!”
you wrapped your arms around his neck, “good luck, i’ll be here cheering you on.”
he nodded, “i love you.”
“i love you.”
you let him slip out of your grasp as he made his way over to the car. as he walked by, you gave oscar a high five, a new pre-race ritual for the two of you, but this time he called back over his shoulder.
“he put you in charge of the hat? you’re a lucky girl!”
you laughed, backing up toward the back of the garage as they rolled the cars out to get started on the race. it was a rainy morning, which meant that this race was bound to get interesting.
once it had started, you kept your eyes glued to the screen in front of you. it had felt like it had been ages by the time Q2 came along, taking a deep breath as lando and oscar kept fighting their way through. you held your breath towards the end of Q2, only letting it go when both mclarens were now safely making their way through to Q3.
and it wasn’t long until you were cheering with the rest of the garage as lando finished Q3 in P2. you clapped, the biggest smile on your face as he made his way back into the garage, the team celebrating upon his arrival.
he thanked his team, eyes looking for you behind the familiar faces. but just like you had seen earlier, the highlighter yellow stuck out in the crowd of papaya. now he understood what you meant when you said he was the most identifiable out of everyone.
he made his way to you as you congratulated oscar, taking off his helmet and tugging the mask from his head. almost instantly, he was wrapping his arms around your waist, yours wrapping around his neck as he squeezed you against him tight.
“i’m so proud of you, you did great.”
sure, he he’d heard it before, but it always felt different coming from you. you could tell it felt different for him coming from you when you met his eyes and they were full of adoration.
“thanks to you,” he said, “not only are you my good luck charm, but now you’re my certified bucket hat protector.”
you laughed, reaching up and taking it off before plopping it onto his fluffy, messy curls, “it’s been an honor, my love.”
he leaned down and kissed you sweetly, “i love you.”
“more than the bucket hat?”
he scrunched his nose and twisted his lips in fake, deep thought. you laughed and hit his chest playfully, letting him take your hand as you made your way to the drivers room.
“i guess i can squeeze you at the top of the podium, right above the bucket hat and those little sausages.”
“so what, stroopwafels are P4?”
his eyes widened, “shit, we might have to do some rearranging.”
you rolled your eyes, laugh echoing through the hallway as he smiled down at you, “never change, lando norris. never change.”
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rosyjuly · 5 months
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some highlights from Mick's long Spiegel interview:
even as a child he liked documentaries about animals more than Family Guy or Simpsons
his favorite movie as a child was Dinosaur (2000)
he has dedicated ringtones for people, for his mom Corinna Imperial March from Star Wars
when he goes to karaoke with people, he's the person who sings in the background without a mic
up until F4 he raced as Mick Betsch. when he raced under the Schumacher surname for the first time in Oschersleben, almost 200 journalists showed up. he won one of the three races that weekend
if people stare at him, he looks away first most of the time
most of the time when he gets recognized, the first thing he's told "i thought you are taller"
he's had a neon yellow helmet since 2013 so he thinks people saying that he copied Lewis's design this year is dumb
apparently he says 'okidoki'
he starts every morning with a glass of celery juice even though he hates it
he hates parsley (he also hates cilantro so checks out)
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grippingbeskar · 1 year
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unearthed
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chapter five - married
warnings: canon typical violence, swearing, mentions of death (?) um idk i think that’s it???
a/n: gah. one of my fav chapters so far hehehehe ALSO PSA YALL— i’m trying to tag some of you in the taglist but your names aren’t popping up, i think this has to do with your settings?? i’m not taking anyone off i’ll retry to tag you ever chapter, but just so ya know!! if there’s like a line through it or it’s white instead of highlighted just have a look, or if i need to be following you just msg me and i will :)
[series masterlist] [next chapter] [sign up to the taglist!]
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Just walk up there.
It’s nothing.
Nothing you haven’t done before.
You’ve been in front of thousands— millions of people before. You’ve been in arenas of people screaming and applauding, crowds swarming you as soon as you step out the door. This, being in a moderate sized room where half the eyes on you are stuffed in a helmet, should be easy. Child’s play.
It was nothing.
So why the hell are you feeling so terrified?
You were practically shaking— staring up at the set of stairs in front of you, leading to the Armourer who stood next to the original Forge. The one where every Mandalorian in the golden age would have been brought into the creed. And now, you were going to march up there and add your name to the list. You felt like an imposter, out of place in a flowing dress while you were surrounded by hard plates of armour and dark colours.
The only reason you moved was Bo-Katan behind you, a soft hand on the back of your arm nudging you in the right direction. You were grateful for her kind eyes as she nodded you up to the podium, and then your feet remembered they were attached to your body.
You met Din’s blackened stare, and started to move.
Your dress was loud. A brush of the light yellow fabric along the smooth granite ground sounded deafening. Like an alarm going off, alerting every watchful eye of the Mandalorian ancestors to your betraying presence.
Stars— you were starting to think like them, too.
It was hard not to get caught up in it all. The darkened room, soft whispers through helmets, and as you took the last step up, he was there. Your breath caught in your throat.
He looked the same as always. Of course he did, but it knocked the wind out of you all the same. Once he was in your sight, you didn’t look away. You couldn’t. His presence didn’t allow it. The Armourer said something, and the only reason you acknowledged her was because he did.
“This is The Way.” He says, the words sticking to you like glue when he practically purrs them out like that. This was the way it was now. You— a fake Mandalorian, unable to stand without everyone around you holding you up.
Swallowing hard, you felt Bo-Katan move away, but you were too busy watching Din take three steps to your side. His arm wrapped around yours, sneaking it’s way under the bare skin of your wrist, cold gloves skittering electricity up your arm.
And… oh.
It was like everything just stopped.
You could feel the press of his fingers, light but meaningful, like most of his small touches of you. He was careful not to wander the expanse of exposed skin, which he easily could, even in front of all these people. People who you’d… you’d actually almost forgotten everyone was there.
You stared up at him as if it was your first time seeing a night sky— entranced and all encompassed by the inky black and shining silver, and all the whispering voices faded away until it was just his rough breathing and his gloved hand on your feverish skin.
He didn’t look at you, just at where your own hand was placed, holding for dear life on one of the many plates of his armour. He led you with him over to the half sphere that sat in the middle of the stage. You peered in, seeing the eternal flame fluttering a reliable blue, with the water from the mines floating calmly behind it.
You grab him tighter— either out of reflex or wanting, but he leans into it. Lets you use him to stand, to stay strong in the face of the Armourer. You hope he’s strong enough to keep you standing on his own, because now he’s here, you aren’t sure how you stood without him.
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Din was speechless.
He was known as a man of well chosen words to most, so his silence wasn’t unexpected. He was grateful he’d built that reputation, because even if he had to, he wouldn’t of found words that described why he felt frozen at the top of the stairs.
When he’d see you walk in, he felt like time had… stopped. It was stupid of him. He was meant to be in control. He was a King. Standing in front of his people; leading. But… stars, you were the only thing in 20 years that had made him freeze.
You walked so easily, like you were made to be there. It was like that first day, watching you walk through the city like the ground was made to bear your weight. He couldn’t look away. Couldn’t tear his eyes away from your slow, swift steps or the way you gracefully floated across the hard floors. Neither could anyone else. Outside his direct view of you, he could see his people watching. Some eyes were evaluating; the hard faces and helmets looking you up and down like they were scanning the battlefield— precisely and with no mercy.
Others watched like he did. In awe. Some eyes were soft, some whispers drifted their compliments towards her, even though they wouldn’t be heard. That’s how he knew they were genuine. They fell on deaf ears, but they were supposed to.
When you crossed the stage to him, the only thing that snapped his attention away was the loud voice of the Armourer in his ear, telling him to move towards you.
He could tell you were nervous when he got closer— for once, your eyes betrayed you easily. He thought that he was the one that’s hard to read, considering you couldn’t see his face, but you had schooled yours to a point of contention. He knew if you could see him— really see him, you’d read right through him.
But your eyes now, even though they held his, were unsure. He was supposed to just stand next to you, walk with you to where you would touch where the mines water meets the flame, and then you’d be one of them.
But he couldn’t help himself. Your dress, draping over your skin like liquid sunshine, made something angry and foreign to him burn in his chest. He wanted to feel what it was to be that close to someone— someone, he had to tell himself. Anyone. Not just you. It was a lie, but it was one he’s going to have to believe himself.
He was jealous of your dress, gently grazing the skin of your hips, gliding against the softness of your thighs. You were covered, but he knew what was under there. What was in reaching distance for him. Instead, he settled for your arm. As soon as Bo-Katan released you, he took his chance, and for the first time in a while, he followed what his rapid beating heart was telling him to do.
When he reached for you, you answered in earnest. Your hands were nearly clawing at him, holding on to the thickest parts of his armour and pulling him close to you. He let you find purchase on his body— the line of yours tucking tightly into him, and he found himself hoping you held him harder. Dug your nails in so hard that he felt the lines being marked on his skin. He wanted you to need to lean on him— to need him like he found himself needing you up here.
You clung tightly through the whole ordeal, Din not being able to remember much about it other than how warm you were against him, and how close your skin was to his. Just a few inches of armour, feeling so heavy on his body, and he would be able to feel you. He hates that he thinks about that— a million eyes on him, and all he can think about is how soft you would be under the rough calloused palm of his hand.
He doesn’t remember the last time he’s thought of feeling that. Let alone… longed for it.
The longer you held him, the more Din thought it wasn’t real. Maybe you were trying to sell it. As far as the rest of his people knew, you were supposed to be in love. You needed to be seen united and together, leaning on each other. This was just business to you— he knew that. It was to him, too.
It had to be.
The alternative… it was better to be buried than brought to light. Din wouldn’t handle that disappointment well.
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The entire thing was a blur from the minute he touched you.
You remember the physical parts. Where he took you to the edge of the Forge, rested your hands on the edge of it. It was cold. Colder than he was, although he’d been pressed up against you so long his armour was as warm to the touch as your skin was. You wondered if he was that cold under that suit.
When you managed to shake that thought away, you remember him guiding your hand towards the flame. It was too hot, and you wanted to pull away for a second. You flinched, but Din kept you on the right path, guiding your hand and covering your reaction, and it ended up looking like a part of the carefully planned show.
The fire nearly licked the inside of your wrist— the water a sharp cold contrast. The Armourer spoke words, and you repeated them, but even they fade; pale in the shadow of the memory of how Din stood above you.
For the first time, he looked every bit the King you’d been told he was. He stood tall, watching as you knelt in front of him, never moving a fucking inch. Then, he reached out, gloved hand intertwining with yours as he led you down and out of the room, disappearing before you could speak again.
He didn’t have to do that.
He does everythin with purpose… and that little touch? That tiny extension of a person under all this? That was… well, it was enough to make you stumble out of the hall like an idiot.
It was mind numbing. How his fingers easily melted into the small gaps between yours, how eager he seemed to take your hand, how quickly he latched onto you and swept you out of the room, like he knew what you needed.
As you shuffled your way down and outside, you wanted to scold yourself. If anything, this was the part of the day you had to have a clear head about. You were left alone for this— it was just you, a short, isolated walkway, and a greenhouse in the middle of nowhere.
You’d asked about it. Why they had something like that out here— in an environment that seemed to harbour life well enough, despite the rumours of the toxic and cursed lands.
“It’s a symbol.” Din had replied, although when you’d asked him he’d just been The Mandalorian, the title feeling a little too official now.
“Of what?” He guided you with a hesitant hand, around the corner where the greenhouse came into view. It was small— modest, for the size of the population now. You could see the twisting vines and array of colours, though, and it was bursting with life.
“Of hope.” Din replied, and you chest tightened. “The Mandalorians that were left, after the Purge, they had nothing. Food reserves were scattered— the people were scattered. When a few banded together, this is was what came of it. It reminded them they were stronger together. Many think this was the place our true rebirth was born.”
The door was closed, but you could still see the colours bursting through it. You tried to look for him through the misted glass, but he was no where to be found. Your heart was racing— you had no idea what to truely expect in here. Would he say anything? Nothing? Would he whip out holochess to pass the time?
What made you the most afraid as you pushed the door open and stepped inside, would be that he was going to do exactly what that man said he would. That he’d share with you something you weren’t sure you wanted him to— something that would make you feel even less deserving than you already did.
It wasn’t that you didn’t want to see. It just felt too… too big of a thing to take from him. Despite the small conversations, you’d begun to respect the silent presence of him. And after today, you couldn’t deny the effect he had on you. You didn’t want to take anything from him, not when he’d been so giving to you.
The air felt fresher in here, passing through you in easy breaths, like there was a calming effect inside the four walls. It was bigger than it seemed, or maybe the winding vines and tall bushes that hid you in every corner made it feel more like a maze.
You let your eyes wander, a mirage of purples and blues bursting in between the brightest of green leaves. It seemed to overtake the greenhouse— it was clear there was very little maintenance on the inside, like they’d prefer to just let it run wild. It added to the atmosphere. It was almost a little… romantic.
You swallowed the burning in your throat, and shut your eyes tightly.
“Hello?” You called out, and mentally slapped yourself. It felt stupid. He was in here.
Probably.
Oh, stars.
If he was the one that left you at the altar you think you’d just crawl into a hole and die—
“Around here.” The sound of his voice sends relief rushing through your veins. You followed the sound of it, the two words enough to set you on the right path. As you rounded the corner, you could see him nearly shining, and your chest didn’t feel as tight.
He was there. Looking exactly the same, but somehow completely different in the light of the greenhouse, compared to the dark hue of the Forge room.
The darkness suited him. He was more intimidating that way— a King head to toe. But here, he was more human to you. As far as you knew, he was human, but either way, he was more approachable. Simpler. Here, he was just a man in a pretty suit.
It was very, very pretty in this light.
“I have something to show you.” He says as soon as he sees you. He spits it out like it was a loaded gun in his hand, and the sight of you was enough to make him pull the trigger.
You don’t nod, or shake your head. You just freeze. Staring at him, he turns around, and there’s no words to mince for the feeling you get in your stomach. Fear, maybe, and a little bit of simmering curiosity. You don’t want to see him out of obligation, but for a fleeting second— just for a moment, you know what you want. That you’re curious. You want to see, and you let your eyes flutter—
“AH!” You hear it before you see it.
Two giant ears stick out the sides of the helmet, and then two clawed hands hand below them. When he turns around, you notice how Dins hands hold it gently. Whatever the hell it is.
Or rather, whoever.
All thoughts of the faceless man in front of you flood out for the first time in weeks. When two giant bug eyes whip around and stare at you, ears flapping with the movement, it’s impossible to have any thoughts other than—
“What… what is that?” You say before you stop yourself. “Fuck. Sorry— I didn’t mean that. I just—“
“It’s okay. He’s my—“ The little green thing wiggles around in his arms and then promptly drops to the floor like a sack of potatoes. “Foundling.”
“Oh. Oh!” You watch it stumble around, like it was formed out of proportion. The fast way it’s legs move seem out of alignment with its body, his head tipping forward, almost directing the rest of him, commanding it to follow.
With jagged movements, he ends up at your feet, where he promptly elevates upward, then plops back down again.
“Can he talk?” You say softly, not wanting to scare the little thing as you bend to his level. You look up to Din, who’s already watching you, and see him shake his head. “Well, that’s okay. I talk enough for the both of us.”
A metallic laugh echos from behind the small creature, and he babbles almost in response to it. The sound is infectious, making you grin as he waddles around, his ears tilting him to either side.
You reach out a hand, slowly, and instead of taking it he flies into you, resting in the crook of your arm. This angle gives you a better look, tiny hairs spiralling on his green head, a toothy smile and nearly wrinkled face. You’ve never seen anything like it before.
“He usually doesn’t take well to strangers.” Din says after a while, your body now curled half up on the floor to accomodate the tiny creature. “He likes you.”
“I can be very charming when I want to be.” You squint when you finally look up to him again, soft orange light pouring through the misted windows behind him. “He’s the little thing you were talking about, right? The found…”
“Foundling.”
“Right.” You stare down at it, watching its huge eyes blink at you, and the thing smiles. “Where the hell did you get him? I’ve never even seen… I’ve never seen anything like him.”
“He was a bounty.” You look up at Din, and clearly he can tell you’re horrified. “I didn’t know who, or what he was.”
You watch the little creature, who trusts you far too quickly for something that was clearly hunted by the likes of a Mandalorian. He yawns, speaking in little, incoherent mumbles before his eyes blink slower.
“Who would want to hurt a little guy like this?” His tiny hand wraps around one of your fingers, and you’re pretty sure you’re heart bursts.
“They’re dead.” His words are sharp and sure. It sends a cool shiver down your spine, but it’s definitely not fear.
You look back up at him, standing, and taking a step closer. Din holds your eyes for a moment, like he’s waiting for something.
You know he’s lethal. You aren’t surprised to hear he’s killed— he was a bounty hunter, and is a King. Neither of those titles are won by clean hands, not to mention the Darksaber at his side. If someone crossed him, or tried to take one of the few things he seemed to care about, you anything but surprised to hear they ended up dead.
“He’s sleeping.” You say to break the silence, and your voice drags Dins eyes away from your own.
“Here.” He reaches out, moving so close to you that you can feel the heat of his body. His real body— through the soft parts of him not covered by armour.
He scoops the sleeping form from you, and turns around, and it’s then that you notice the only other thing in the room. A hovering shape that opens on command, only to shut and float behind him once Din places his foundling in there. He’s so gentle with him. A man who just admitted to slaughtering what you can only assumed is dozens of people who got in his way, he’s surprisingly soft when he wants to be.
“Thank you. For letting me meet him.” You say, unsure of what to do next. Your hands go behind your back, eyes tracing the long vines wrapped around the frames of the greenhouse.
“I can never get him to sleep, but when I want him to stay awake, he passes out.” He stands in front of you, and even hidden under ten pounds of armour, he looks as awkward as ever. Your face splits into a grin, laughter softly shattering the careful barrier between you. “I wanted you to meet him. He’s… very important to me.”
“He’s very cute, too.”
“Grogu. That’s his name.” You try it out a few times, letting it familiarise itself in your accent.
“I like it. Nearly as much as Din Djarin. It has a nice ring to it.” You hum, and lean back against one of several wooden tables. It’s full of overgrown plants, some stretching onto the floor and splaying out under your feet.
Your hands dig into the wooden plank behind you, and the easy breathing from before is basically cut off the second he looks up at you again. It goes a little quiet, the whistle of soft wind floating over the top of the thin roof. You can’t stand the waiting around.
“Listen, you don’t… I don’t know exactly what you were planning; but I’ll say whatever you need me to when we leave here. The last thing I want to do is start this partnership off on the wrong foot.” He doesn’t say anything, conveniently finding the floor very interesting all of a sudden. “They told me about what you are meant to… do. And I don’t want you to— no, you don’t have to— can you say something so I can stop talking, please?”
Your heart was racing and you wanted to swallow your tongue if it would get you to stop throwing words around because yeah, maybe you did want him to take off that giant helmet because at the very least you’d be able to see if he was scowling or rolling his eyes or—
Laughing.
He was laughing at you.
Only a little, and you could only tell by the slight rise of his shoulders before he corrects himself and straigtens, but you catch it.
“Are you laughing at me.” You tilt your head, gaping slightly at him.
“No.”
“Asshole.” Rolling your eyes, you take a deep breath. An easier breath.
“It’s okay. We— no one’s coming.” You sigh and nod your head. “You did good today.”
“Seriously?” Now you’re the one who laughs. “I nearly froze the second I got up there! If you weren’t up there I would have fallen on my ass. It was like all those helmets were staring into my soul.”
“It’s an old tradition, but they were happy to see it revived. The Forge is special to my people. You being there— they were glad for it.”
“And this?” You ask tentatively, curiosity nipping at your heels and urging you off the wall a little closer to him. “Is this all an old tradition, too?”
He readjusts with your new closeness, but he doesn’t move away. Instead, he angles towards you, the crib his little baby was in only just visible behind his looming frame. He shrinks you with the long span of his shoulders, and you try not to let your eyes float lower.
“In the Old Ways, Mandalore observed very… reserved marriages.” He shifts again, nearly brushing you, and your heart beats audibly loud. “In most cases, a marriage was simply a well cooked meal and a question with an answer.”
“They just asked to be married. That was it?” He nods.
“Someone would present a gift, or a meal, some who were more intimate than others might try to make it special. But in most cases, nothing would change. They would just be. As they were before, but forever linked by the knowledge they shared. We would never know if anyone was married if they didn’t write it down, or share it with members of their clan. It wasn’t something that was shared in small groups, and no outsiders could ever tell the difference.”
“I’m guessing they weren’t fans of PDA back then, either.” He shrugs, the movement brushing your arm. “So, how’d they get to this whole thing, then?”
“As the Old Way shifted with time, so did their customs. Partners became more common, and they felt there was something missing from their relationship. Something that set them apart from the other members of their clan.” You go to answer, and bite your own tongue again before you can. “Physical touch. Intimacy. Simple touches, a kiss—“
“Partners didn’t kiss in the Old Way?”
“They never removed their helmets. Not to anyone.”
“So how did they…” He stares at you. He was really going to make you finish. “Or they didn’t…?”
“They did. At least, at some point, in some way probably. But mostly, The Way uses foundlings as a foundation for our people. Most Mandalorians’ don’t have any blood relatives in their clans, and if they did, they might not even know.” You make a small ‘huh’ sound. “But when the times shifted, it developed into the marriage system we have now, at least in the Old Way. The newer Mandalorians take on a more universal form of marriage, but the Old Way is still changed. A Mandalorian is to never remove their helmet in front of another living thing.”
“Yeah. I know that part.” You smile and gesture to him, and he stares back. He doesn’t move, his focus deadly and on you.
“When you become a partner of that Mandalorian, you are no longer another being. You become… one being. We remove our helmets, and all differences between us are bared. The things that keep us safe are torn away, and we rebuild to something new. Something connected— forever bound. You never take off your helmet in front of another living thing— but we are no longer seperate. They are a part of you until you take your last breath, and long past it.” You are spellbound. Mesmerised by his words— it’s the only way to describe it. He spoke so passionately about this, and it was hard not to feel the same. It was clear he took this very seriously, and although there was a bad taste in your mouth that you were taking this moment away from him, you couldn’t help but notice his word choice.
We are no longer seperate.
“You don’t have to show me.” You say softly, and he takes another step. He nods. “Ever. I wouldn’t take that from you.”
“This is The Way.” His hands hang by his sides.
“It’s not my way.” The slightest tilt of his head clues that you have his attention. “In my way of life, I don’t do anything I don’t want to do. And this— this is important to you. It should be something you share with someone special. Someone you care for.”
He says nothing, but his hands twitch just slightly, and for a second you think he’s going to go through with it.
“The only time I want you to take your helmet off, is when you want to. You’ve… you’ve been kind to me. Respectful of my wishes, and I want to do the same.”
“I’ve done nothing.”
“And it’s enough.” It was true. He had done nothing to make you feel out of place, or uncomfortable. He’d pushed none of your boundaries, and he’d offered to help secure a lead to search for your parents killers. This… it was the least you could do. “Besides. I’m traditional. If we’re going to do the whole ‘Way’ thing, we can do it the way those old dudes did. Helmet stays on. That’s the Way.”
“This.” He corrects.
“What?”
“This is The Way.”
“Stars. Okay, I’m going to whack you in the head with this olive branch I’m extending if you’re going to correct my grammar.” You raise your eyebrows, crossing your arms in front of you. “So… we’re good with this?”
He nods, and then says your name. His voice now is not wavering. It was full again, a brassy baritone surrounding the small space between you. “I had one more thing to say,”
You nod, and look down to your feet. He’d moved so close his beskar boots were nearly touching your toes. You didn’t move away.
“This is not how I saw myself getting married.”
“Great start.”
“I’m not— I’m saying it’s not what I imagined for myself. I’m not sure if I ever thought I would…” You nod. Wordlessly understanding. “When I agreed to this, I was still unsure. But, I I want you to know I have no doubts, now. Seeing you, hearing what my people think of you… your planet, your family— I will be what you need. I swear it on Mandalore herself. As long as it serves us, we will rule together, as equals.”
“Equals.” You blink at him, enthralled. It’s hard not to be. When someone as stoic as him speaks so passionately about you… it has an effect. Apparently, more of an effect than you were prepared for, because you find yourself having to think about the promises you made him yourself.
That this was just business. Just a professional contract.
“I want to rule with you. I won’t repeat my planets mistakes. I know an ally when I see one. A decent person. A good heart.” He faces you straight on, and it was the second time in the span of a few weeks you’d thought about how easy it would be for him to kiss you. If he was anyone else, you might have done it by now. “I want to do this with you by my side. And I want to be by yours.”
You didn’t have words. For a Queen that had an affinity for charm, to weave a web of intricate patterns of conversation and pull information out of the coolest of characters, Din Djarin left you utterly speechless. You couldn’t stop your hand as it reached for him.
He looked down instantly, watching the bare skin of your hand graze over the pauldron of his armour. The contrast did something to him. You know it. He locked onto it like a trained missile, tracking the light trace of your gentle fingers until they stopped just before his elbow. You shudder a breath, and whisper to him that you want that too.
His hand moves next, a calculated move that holds the wrist of your free arm. The shift means he has to step forward, bringing himself to press against you. Your eyelashes flutter, nearly brushing beskar, as he slowly tilts your arm up and intertwines your fingers. The melt of your hand in his rests between both your heaving chests, and he tries to speak. Whispers your name so lowly you wouldn’t hear it unless it was as deadly quiet as it is.
He raises your interlocked hands up higher, and there’s only one place they would be going. Only one destination that he’s chosen. When your knuckles bump lightly on the sharp edge of his helmet, you bite down your tongue. The cool beskar disappears as he moves your hands just a bit lower and dip them under… and he’s soft there. A soft, giving material hidden under the hardest metal known to the discovered universe, and then he pushes you up.
The whole thing probably takes less than a few seconds, but time nearly slows to a stop with his hands in yours. He was going to show you what equals meant. He was going to show you him. Your chest was tight, body locked in a way that only the parts he was touching were lose and mouldable. You want to… you want to see him. This is something you want, because he wants it.
Your own fingers stretch out, and the helmet moves half an inch upwards.
There’s a sliver of skin. A tanned, cut jaw that you catch, and you shuffle closer, entranced. It’s selfish and dangerous but you want to be closer, want to rip the helmet off him like a kid at christmas, impatient and shaking.
Just as you indulged your most selfish desire in the slightest, leaned forward so you could press the thin wave of your dress closer, an earth-shattering boom came from outside, and the sandy ash of the desert painted the entire world bright orange. You were thrown to the side, glass breaking under your weight as you went flying into the misted glass of the greenhouse. You heard him shout your name; something strong, something to cling to as your head slumped toward the concrete floors.
The last thing you saw was his gloved hands reaching for you before everything went black.
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Natasha brings her motorcycle to a slow roll down the alley and backs it against the brick wall of a building. She cuts the headlamp and the darkness off the alley floods in. A tropical storm has just passed over Madripor and the city's usual thrumming nightlife hasn't had a chance to crawl it's way back into the streets. The storm leaves a thick, sodden feeling to the air.
A little over an hour ago, she received an alert that the security system in her Lowtown safehouse was disarmed and the pressure sensors she installed in the floor registered a presence. She removes her helmet and the alley's wet pavement reflects back pink and blue neon onto Natasha's vibrant red hair. Now that she is stationary, the humidity has Natasha peeling off her riding jacket and stashing it in the panier in exchange for her firearm. She tucks it in the back of her leather pants, more for convenience than to actually conceal it. The cropped black halter top highlighting Natasha's toned torso doesn't do anything to hide the gun. It's not as if Madripor dress code calls for being discreet either.
Natasha walks around the corner and down the block to a different alley. The block heel of her boots clacks with each step and she feels suddenly aware of just how weird a quiet Madripor is. She approaches the back door of the safehouse. There is moss growing at the bottom of the wooden door frame and several large native plants climb up the walls adjacent to the door on either side. Warm yellow light faintly illuminating the gauzy curtains of a small widow to the left of the door divulges a presence inside but Natasha can't hear any noise.
She reaches for her lock pick kit from her back pocket and hunches a bit to get a better view of the lock. The door is slightly ajar, which would normally be a little unsettling to Natasha, but she has a feeling she knows who is inside. She nudges the door open, forgoing the lock pick.
Natasha steps inside and closes the door behind her with a soft thump. There is a mostly empty bowl with chopsticks resting in it, a carafe of old coffee, and an ashtray on the table in front of her. The kitchen is empty but she wraps her fingers around the butt of the gun resting at her lower back as she approaches the doorway to the bedroom just off the kitchen.
Before Natasha rounds the corner, she hears a loud gulp, followed by a heavy sigh. The left corner of Natasha's mouth curls into a knowing half smile and she relaxes her hand from the firearm.
"You know, I think you've gotten a little rusty in your espionage skills," she greets him warmly as she leans against the doorway. "I'd be happy to give you a few tips."
Bucky is sitting on the edge of the bed facing the doorway, his legs stretched out in front of him and metal arm resting between his thighs. He blinks up at Natasha blearily and the yellow light from the kitchen exaggerates the sharp planes of his face. There is a gash on the corner of his mouth that still looks fresh. Bucky's right hand grips the neck of a bottle, which rests on top of his right thigh.
"Hmm," he hufs. He pulls his left leg under him and goes to stand unsuccessfully. A hiss of pain passes through his clenched jaw.
"At ease Sargeant, I'm not here to evict you," she quips, still leaning against the doorway. "What happened?"
"Power broker goons. Turns out I'm no good on my own these days," he says and turns his head from her gaze.
"Turns out," Natasha echoes. "Let me get a look at you."
Natasha pushes away from the door to approach Bucky's still seated form. He leans down to set the bottle on the floor and it clinks against another one, empty and previously discarded.
"I thought you super soldiers couldn't get drunk," Natasha questions as she presses her palm to his shoulder to encourage him to lay back. The intense heat radiating off his body sounds at least one alarm in Natasha's mind.
"M'not drunk, just needed something to do," Bucky protests as he complies to her gentle touch and lays back with his legs still off the bed.
"Hmm," Natasha suspects that might not be entirely true.
She notices Bucky's shoulder holster is still on over his red henley. Definite sweat rings have formed around the collar and underarms of the shirt and he doesn't appear to be using his left arm. He must've been in pretty bad shape when he stumbled into the safehouse a few hours ago.
"You feel feverish," Natasha states flatly, even though she meant it to be a question. "Stay there."
Bucky grunts lowly in response.
Natasha takes four strides into the bathroom right outside of the bedroom door and doesn't bother turning on the light. She yanks open a stuck bathroom drawer that has been warped from the humidity. She jiggles it forward once more to reach the first aid kit stashed at the back of it. Natasha brings it to the kitchen and sets the first aid kit on the table. The warm yellow light helps her locate a syringe and a small gauge needle inside of it. She retrieves a glass vial from the dated avocado-green fridge and sets about attaching the needle to the syringe. Natasha punctures the foil top with the needle, flips the vial upsidedown, and draws a suitable dose of the liquid into the syringe.
Natasha strides back into the bedroom with the first aid kit in her right hand and the syringe in the left. She sets the kit down on the bed near Bucky's side and straddles his outstretched legs. She gazes over his supine form, watching his broad chest rise and fall with deep breaths. After a moment of consideration, she hikes one knee up on the bed to better lean over him. Natasha puts the barrel of the syringe between her teeth and presses the palm of her left hand into the top of Bucky's thigh to steady herself. She reaches for the bottom hem of his shirt with her right and attempts to make eye contact with Bucky for his consent to lift his shirt, but his head has lulled to the side.
"James," she calls softly around the barrel of the syringe as to not startle him if he's drifted off. He doesn't respond.
Natasha slowly begins to lift his shirt and can feel it sticking to his skin with blood from a recent wound just below his ribs. Bucky suddenly snaps to awareness and lurches up. The abrupt contraction of his abdominals causes fresh blood to seep from the wound.
Bucky is inches from her face and his eyes are darting rapidly between hers. His top lip curls into a snarl and his right hand grips the bedsheets below him. His gaze breaks to look down at the syringe between her lips and then immediately back to her eyes.
"Relax," Natasha hisses behind the syringe, drawing out the last syllable.
"Natalia?" Bucky whispers. His brow is furrowed and eyes are rapidly scanning Natasha's face. A hiss of pain escape him as his abs pull in protectively. He briefly closes his eyes, snarl still firmly in place. Natasha's insides briefly constrict. She reaches up to safely remove the syringe from her mouth before anymore sporadic movements are made and swallows roughly.
"Yeah, it's me."
Bucky relaxes his mouth and exhales. His right arm buckles and he falls back to the bed. Natasha briefly considers that bringing a syringe around a fever addled former assassin was probably not the best course of action.
"I'm giving you something to help with the infection," she says and adds for reassurance, "It's just me here."
Bucky has gone back to his semi-catatonc state, head lulled to the left. Natasha pulls the neck of his shirt and shoulder holster down to access the muscle of his right shoulder before swiftly puncturing it with the needle and depressing the plunger with her thumb. She withdrawals the needle and releases the over stretched fabric.
Natasha returns to the task of lifting Bucky's shirt to asses his injuries, but decides against it. Instead, she removes the knife secured at Bucky's hip, bunches the fabric in her left hand and pulls the knife through it. She tears the shirt the rest of the way up to the neckline.
"M'not dead," Bucky grumbles. "Yet," he finishes as his eyes find Natasha's soft gaze.
Fresh blood bubbles out of the poorly sutured wound on Bucky's right side. The skin around it is inflamed and several smaller cuts adorn his torso around it. What's more concerning to Natasha though is the massive deep red coloring that takes up the entirety of his left pectoral.
"Barnes," Natasha tries to rouse him. He doesn't respond immediately and in the stretch of silence, Natasha can hear his shallow breathing. She reaches up to press two fingers into the pulse point of his neck.
"Lucky me, you're too stubborn for that," Natasha's half smile returned as she met his eyes.
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mercyillustrator · 4 months
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GSA (Unmasked) Semi Realism drawing
So guess what guys... I did something new without outline by attempting drawing GSA knights as semi realism and took me the longest to figure it out of how to put shadow and highlight for the armor and the hair.
I did change Dragato and Meta Knight armor to make it more a knight look, Nonsurat in her true self without her male disguise but in male armor (headcanon of mine). I made a headcanon that Falspar had piercings on his eyebrow, nose and ears when it comes to gijinka and maybe puffball when it comes to eyebrow piercing and he also has tattoos on his left arm that were a star shaped and galaxy of GSA honestly idk how it works to covered long hair for Nonsu when it comes to helmet. (Took me like weeks to figure out how to semi realism as my new artstyle to improve myself for a new year and might do some outline someday but I forgot how to draw lol also Nonsurat in my headcanon has coral pink without mask/ helmet cause yellow eyes is like disguise plus coloring bread,freckles and mustache for the first time)
- 💠🎨Mercy🎨💠
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pyrorptrs · 14 days
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<h1>Justice League Redesigns</h1>
My takes on initial Justice League designs, specifically the founding members!
Superman - Did my initial drawing of this design a year or so ago, so my memories on why I used certain aspects might be a bit fuzzy. Not a fan of how the New 52 and DCEU had been limiting Supes suit down to just a blue suit, a red cape, and maybe a belt, so I wanted to incorporate more of a classic look to him. So I added red trimming to the "shirt" to help give him a more bulked up look and made the usually trunks more of a pattern on the pants. I also gave him proper gloves since it seems weird that an investigative reporter wouldn't consider leaving fingerprints behind a bit of a problem (especially since a good chunk of his villains are super intelligent). I wanted to incorporated his cape into his symbol since it always seems odd to me when it's just drawn on top of his shoulders. I also tried to incorporate the diamond shape of his symbol on other parts of his suit like on the back of his gloves and his belt buckle. Yellow seems to kind of come and go in his pallet, so I figured if I was going to use it, so I tried to incorporate it as a more regular detailing throughout the suit, further color blocking his gloves, boots, and belt.
Batman - While Batman's colors tend to lean more into Greys and Blacks with maybe some yellow for detailing, I do like the darker Blue he used to sport in the comics and wanted to incorporate it while keep the later; so I used it not only for his gloves and boots and to line his cape, but I also gave him some extra padding on his costume that can double as storage for extra gadgets or to store evidence. I made his bat-symbol notably large and yellow since canonically it's typically reinforced to act as a false bullseye for grunts and tried to keep it somewhat squared off to standout from other bat-family members. Finally I tried to make his utility belt kinda boxy and bulky since it's usually a focus on a lot of his designs.
Wonder Woman - Took inspiration from a few different sources for my take on a Wonder Woman. I took a lot of inspiration from the DCEU version for the basic shape of the outfit, particularly the bracers/aegis, her sandles and grieves, the skirt, and how I shaped out her top. Gave her shoulder pads like the DCSHG version and tried to incorporate a bit of that blue hue into her hair. I also like the cape/shaw thing that the Arkhamverse version had and tried doing something similar. finally I tried to make her tiara a bit more armored to lean even more into her warrior princess look (plus I don't think she's used it as a weapon since the Super Friends days). I also tried to give her more of a tan to lean into her greek heritage.
Green Lantern 1 - Every JL needs a Lantern and since Hal Jordan is usually the first I figured I'd get him out of the way. Not much to say, mostly went with his more classic look, but updating it a bit to spread the white in his costume out a bit more.
Flash - Tried to add and change a few details on my take of a Barry Allen Flash, so that I can do a couple takes on Wally West versions when/if I get to him. kept that classic lightning lining on his boots and gloves and tried to incorporate another lightning pattern on his chest and helmet. I also tried to keep his boots and gloves predominantly red to further separate him from the classic Wally Flash suit, but still included some yellow bits to help highlight his hands and feet. I did try to make his cowl look like it's made of a harder material, but tried to avoid making it look TOO much like a helmet. I also added made the ear-dealies simple straight lines since I think it works better for Barry. finally I made the belt made out of simple rectangular shapes offset to get that lightning look without having it be actually lightning and also included them on his sides as pockets for proteins bars and such
Aquaman - I leaned heavily into taking inspiration from the BtBatB version of Aquaman for my take since I hate how hard a lot of other creators try to make him "cool". though since the Aquaman movie represented the orange part as "armor" I did also try to lean into that as well.
Martian Manhunter - Like Wonder Woman I took a lot of inspiration from all over the place for Martian Manhunter. I tried to take some DCAU inspiration for his face, Took some influence from the modern comics and Injustice for his general costume plus the symbol, I also tried to elongate his head like some of the mid-2000's-mid-2010's animated movies. I did also try to keep some of his classic blue mixed in with the black so it doesn't get as boring as it can get in some interpretations. finally I tried to make him a bit more gangly in terms of proportions to lean into his alien origins a bit more.
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agbpaints · 5 months
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Getting back into the swing of doing paint tutorials- I pulled a Spider out of a salvage box and I figured I'd do a quick and dirty davion scheme! This is the parade paint job for the First Davion Guards, AKA quintessential battletech 'good' guy mechs.
Paints you will need:
Black primer
Dark grey (citadel mechanicus standard grey)
Light grey (citadel dawnstone)
Off white (army painter spaceship armor)
Red (citadel mephiston red)
Light blue (citadel baharroth blue)
Green (citadel warpstone glow)
Gun metal (citadel leadbelcher)
Silver (citadel rune fang steel)
Dark wash (citadel drakenhof nightshade)
Citadel akhelian green cintrast
Citadel blood angels red contrast
Things you might want
Khaki (citadel zandri dust)
Fleshy orange (citadel ratskin flesh)
White (army painter matt white)
Dark green (citadel Caribana green)
Light red (citadel evil sunz scarlet)
Yellow (citadel averland sunset)
Black (army painter matt black)
Citadel aggaros dunes contrast
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I started by basing my mini with my normal desert badlands basing scheme (paint base in glue, sprinkle on basing sand and let cure. Paint on more glue and stick down some aquarium gravel) and then priming the whole thing black with brush-on primer.
Once the primer is finished drying, load some of your dark grey up on a fat drybrush, wipe off slightly less than most of the paint, and then apply the remainder to the model in long up and down strokes. All of the panels should be grey, with some black showing in crevices and hard to reach recesses of the model. Next, repeat this process with your light grey paint, but wipe off more and apply less liberally- you want the darker grey color to remain in most places with the edges and raised details highlighted in grey. Finally, drybrush the model one last time with your off-white color only in the areas that will catch the light most like the head, torso, shoulders, the vectoring fins on the mech's back, and the outstretched left knee.
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Now that the mech has been presented in greyscale, we can make it blue. Akhelian green is going to be doing the majority of the heavy lifting in this paint scheme- I find it to be a pretty easy contrast paint to work with. Apply it undiluted to the model, looking to spread it in a single coat like a thick wash, and then leave it to dry for 20 minutes. Afterwards, you might want to brighten the blue up in places as I did- drybrush on some light blue in the same areas you used off-white earlier.
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At this point, I got a little excited and decided to do the Davion stripes. Start with your red, pretty well thinned on your palet, and a thin detail brush. To make this easy on ourselves, we're going to look for vertical panels on the left side of the mech's torso and leg and basically connect all of those with a straight line. In the case of the Spider, the easy ones are the shoulder and that panel that runs down the upper thigh. Apply a thin edge highlight of red along those panels and then carefully continue the line down the rest of the leg, terminating at the ankle. If your hand is steady enough, run a thin line of red around the mech's ankle where the vertical line ends. Then, go back with your off-white and using the red line you made already as a guide, run a parallel stripe down the outside edge of the red (if you swap these battletech nerds will dunk on you online).
At this point, I also striped the ridge running down the Spider's helmet, but it's not super necessary.
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Now that we've got our blue sorted out, we've got a bit of a 'draw the rest of the owl' step. First, you're going to want to go back over any of the parts of the model that you want to be exposed mechanical elements with your dark grey. I painted the joints in the legs, the shoulders, the lasers and the big vent on the chest, the 'chin strap' under the spider's canopy glass, and the jump jets in this color. Then, wash the grey with your favorite dark wash- I really like the deep blue of drakenhof nightshade but something like nuln oil will also work well for this. Finally, apply a light drybrush of your light grey to the shaded grey. If a part is too recessed to easily drybrush, you can leave it as is or do use a small brush to carefully highlight it. You should also add a small dot of green to the inside of each of the laser barrels at this point.
Next, paint the mech's canopy glass silver. Once that's dry, paint over the silver with blood angels red or any other colorful contrast paint for a vibrant metallic color.
If you're following along with my desert basing, paint the sand on the base khaki and the larger pebbles with your fleshy orange. Then paint over everything with agarros dunes contrast or a dark brown wash like agrax earthshade.
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And with that you have a Spider that's fully ready for tabletop with 3 colors, shading, and a textured base. There's still a couple more things we can do if you have more time and patience that I'll detail below.
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To apply some quick and dirty jeweling to the lasers, start by painting a half circle of light green on each barrel, focused on one of the bottom corners. Paint the recess of the barrel with a dot of dark green and put a tiny little dot of white opposite the half circle of green, which should now be more of a crescent shape with with dark spot in the center.
While the white is still in your pallet, you can also highlight the parts of the off white stripes on the mech most exposed to overhead light like the lower thigh, knee, and shoulder. Do the same thing with the red stripe using a light red as well.
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At this point I also added unit numbering to the mech's shoulder. Basic numbers are a really good way to practice your fine control and I try to consistently add a couple to each of my projects. Use your off-white well thinned and a fine detail brush, lock your hand holding the model against your hand holding the brush just below the wrists, and then draw the paintbrush 'downwards' with a pulling motion. This should keep you your line relatively straight and fine.
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While you can keep the jump jets on your mech dark I prefer to paint mine with some orange in them. Using the fleshy orange from earlier, paint most of the interior of each jump jet, then add a dot of yellow at the very deepest recess of each one.
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Finally, let's add some hazard stripes to the mech. Pick out a few areas near joints or vents that seem like a bad place for an Astech's hand to go and paint in a thick 'edge highlight' of black. Then, going back to yellow find the center of the line and add a diagonal tickmark there. You may need to go over this more than twice to get a strong color depending on your yellow. Once your centerline is marked, work out towards the edges, painting another ticmark at regular intervals until you hit the ends of the Black.
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Here's me, begging for more soft Megs
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Here’s the sequel to your first request.
“We have a lot to talk about, don’t we?” 
It was a simple question that had passed your lips before you could truly process it. You took another sip of whatever contraband concoction Swerve had come across, or maybe smuggled through the airlock. But it was good and sweet and had a nice bite to it, so you really couldn't care less.
Megatron cleared his throat and took a sip from his energon cube. It was so pungent that you could smell it across the room, like minerals and paint thinner. “It appears we do.” He pointedly kept his gaze from you. The red light of his optics bleed onto his high cheeks. “You tasted divine.” A sip from shaking hands. 
You couldn’t help the smile that spread lopsidedly across your face. “I’m glad you think so. I’d do it again.” You didn’t mind how loose the drink had made your lips, grateful for the confidence. 
He studied your face. “As would I.”
“How long have you been writing about me?”
The delicate mechanisms within Megatron’s optic whirled. The soft mesh of his faceplate allowed them to widen a sliver. You immediately decided that the soft shock suited him well. Then he narrowed his optics. “How did you know?”
“I realized during the meeting.” You twirled a metal rose from your desk between your fingers as you drained your glass. Your tongue slipped out to collect a drop of the amber liquid from your lips. You chuckled as Megatron’s cooling fans clicked on. It was a warm laugh, one that Megatron could write a million more sonnets about. “You use a lot of organic imagery in your more affectionate poems. And before you ask, I love the ones I’ve already read.” 
“I appreciate-” He cleared his throat again, “Thank you.”
You sighed, fondly if not a bit disappointed. You really had hoped that you were past the stiff shoulder struts. “Maybe now that everything's out in the open, I’ll get to see more of it.” All you could offer him was a reassuring smile as you crossed the room and closed the distance between you both. “And if I’m really lucky…” You place a hand on his cheek, watching as your hand blocked out portions of soft red light. “I’ll get to hear it in your own voice.”
Megatron softened. “I wouldn’t have taken you for a sentimental romantic.”
“Nor would I have taken you for one, but here we are.” 
He pressed his forehead against yours the best he could while mass displaced. “I don’t-”
You placed a finger over his mouth before he could finish. “Well I love you so that doesn't exactly matter right now.”
Megatron froze, taking on a look of adoring shock for the second time that evening. He didn't say a word, merely taking hold of either side of his helmet and lifting. The petal-like panels flared out like those of a sunflower, all complimented with yellow and black hazard lines.
It was your turn to be shocked. “Wow…” The light of his optics softly highlighted the high points of your face. You look at Megatron, eye to eye.
Megatron, ever the opportunist, dives in for another sweet kiss, leaving his arms at his sides. Leaving you room to push him away.
You kissed him without a second thought, tasting sweet metal and contraband alcohol on your tongue.
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russilton · 1 month
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hi hello mark russilton! i am compiling nice and/or cool helmets and was wondering if u have any favs from george (or drivers in general) i am v curious :D
Sure do
George -
Silverstone 22 helmet - I know it was a stupid nft sponsor but the helmet design fucked, also it had the pride star and was all pan flag colours. I love his regular helmet tbh but this is an easy second best.
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Sakhir 20 - schumi tribute helmet. He drove one 7 time champions car with the helmet of the others. That is a fanboy move tumblr would piss themselves over if someone else did it. KYLE.
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Sazuka 22 - simple but memorable
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Abu Dhabi 21– Williams departure helmet. Simple, navy, little cars on top, pride stripe on his face.
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Lewis-
Qatar -> Abu Dhabi 21 pride helmet — The best helmet of all time, of any driver, it can’t be topped. It’s not even about the flag it’s just visually brilliant and uncomplicated
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Mclaren 2008 season— I love his simple yellow helmet, I just do. It’s the perfect colour.
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Mercedes 2018 season — red white and gold was a fantastic combo, love it
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Special mention — Frederik vesti’s 2023 f2 season helmet
Gold black white silver and green are just a great grouping. It’s got the same wing’s Lewis uses, but a chin banding that resembles George’s. The tiny Merc stars inlaid with marble and gold almost kitsiguri highlights are sleek and stunning. It’s fantastic all round and looks like you blended George and Lewis’ helmets in a blender. He didn’t intend that, but it does.
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ozcarr · 5 months
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rough Neotropolis/Wasteland weekend persona concepts because I’m insatiable now ig sorry
thoughts and notes under cut
1. When I was discussing concepts originally, I pitched an android doctor, but the more time I spent on Pinterest looking at other peoples costumes the more I was convinced I needed to go-big-or-go-home, and prosthetic panel lines just weren’t going to satisfy me. Had to go full robot about it. Top 10 predictable moments probably. 3 things about me are that I’m committed to the bit, I love hemorrhaging money, and I love wearing uncomfortable clothes
The mask/helmet is from Burgerstrings Designs LLC. He does great work, and I love the idea of buying a blank to customize myself. I haven’t made costumes in a few years and I want to be redeemed, I guess.
This is actually the second time I made up an evil robot doctor character and maybe I’m just an unoriginal fraud but idgaf. Kind of obsessed with the idea of a surgeon who can’t experience -- and consequently doesn’t understand -- physical pain. I think it’s really sinister and compelling and I will not be silenced.
Inspo highlights: A / B / C
2. Not as much to say about this one. Thought hazard signage theming would be fun. I really like old motorcycle/motorcross helmets, I think they hit a lot of the same notes as space helmets (and also you can by them used cheap)
I’m sure a psychologist would love to get into why I covered the face in every concept, but honest to god I just don’t want to think about styling my hair or getting a close shave at a campground. Also I look awful in yellow.
Inspo highlights: A / B / C
3. Just really wanted to do a western look; I think they're underutilized at the event, judging from what I've seen. The original vibe I wanted to go for had a poncho/serape situation but... the heat, man. I had to pair it down, had to look out for my hypothetical future self.
I'm so committed to not dying that I've convinced myself that I can successfully sew two pairs of pants together in lieu of real chaps, but maybe I'm crazy for that idk
Inspo highlights: A / B / C
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ocean--grey · 8 months
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Did some small sketches of some of the Boys in a free period.
[ID: the first image is a drawing of Rimmer and Lister. Rimmer is to the left and in the background, and is wearing his hard-light season 6 suit. He is running, but his head is turned to look at Lister. Lister is to the right and slightly in the foreground. He appears to be wearing something akin to his season 3 jacket and hat (I forgot the details) and a red shirt. He is holding a bazookoid under one arm, and his face is turned to look at Rimmer.
The second image is a drawing of Ace Rimmer wearing his flight suit. His helmet is tucked under one arm and he is wearing sunglasses. His hair has been coloured in with a yellow highlighter, and other yellow highlight marks have been added to his suit and in the space around him. /End ID]
Please ignore the fact that Ace and Rimmer barely look alike. Also, could someone explain to me what a consistent artstyle is? (/j)
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kiraridertime03 · 2 months
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KAMEN RIDER DEMONS FUCKS
But he also reveals the problems with some of Revice's design decisions
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Okay, so, cards on the table, Kamen Rider Revice has some of my favorite Kamen Rider designs. When they work, they are these slick, cool, iconic designs. It is a season that does legend rider designs the best, integrating the designs without being too overbearing (or just being the other riders). Jeanne is probably the best rider girl design, it's all so rad.
Kamen Rider Revice also has some of the worst Kamen Rider designs ever. Whether it be Live's highlighter yellow, or Over Demon's bullshit, some of these suits really suck. To be fair, I think the series is more hits than misses, but still.
That brings me to this thread's topic. Kamen Rider Demons. This is an ancillary rider introduced fairly early on into the series, and is a rider system that jumps around a lot, being basically Fenix's main rider system. However, the initial suit is primarily used by our boy Hiromi. And, to be honest, this design is rad as hell.
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The undersuit initially has this muscly texture, looking like tendons strewn about. This muscly texture is also on the belt, tying it into that design as well. From there, the red muscles are strategically covered by a mixture of blue and bluish silver armor. It plays on the classic Spider-Man color combo to great effect. It all works so well. However, the main Vistamp gives the spider web armor on the torso and head, which is intelligently set up in the neutral black, with the other colors being the same silver and red on the rest of the body. This webbing also has an asymmetry, giving an extra visual appeal to the suit, but has a simple, nearly smooth texture, helping to not leave the suit over detailed. Plus, the whole suit has a sharp, intimidating, militaristic feel, especially exemplified by the permanently angry front eyes, flanked by some extra spider eyes on the side, glowing in a clear blue through the webbing. It's so cool! You think it would be too busy, but it somehow all meshes so well together. I would love to see him in Spider-Verse.
From there, a bit of history is given to the suit design with... KAMEN RIDER VAIL
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This suit is militaristic, but in a different way. Covered in metallic armor, he wears a baggy undersuit. This both gives the suit a more aged feel (It's meant to be an older precursor to the modern rider systems) and gives the armor the freedom to be more complex. It integrates a darker silver than the main Demons and copper for the Kabuto parts. I do really enjoy this suit. However, it's important to note, because both of these suits are a part of the history of my least favorite suit in the (main) show.
OVER DEMONS
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Over Demons basically just slaps the two suits together to poor effect. The undersuit is unchanged from Demons, and the torso armor is nearly unchanged from Vail, and they do not mix. The Vail armor adds 2 new colors, a new silver and bronze, all of which fight for your attention. Plus, the detail goes overboard, the torso armor adding just a bit too much texture that was gone in the main demons suit. What doesn't help is that the helmet, newly designed for the suit, adds 2 NEW COLORS, a light blue and a bluish white. It is too much.
And this is the problem with many of Revice's slapped together suits (even some of the main suits if you dislike Thunder Gale). It slaps two aesthetics together that do not mesh at all. Another great example of this is Evil/Live. The undersuit is really detailed and has a lot of colors, but the smooth black torso armor balances it all out. Then live adds a shiny white and highlighter yellow for some reason.
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They use reuse to either over detail the designs, have too many colors or both. That's not to say reuse is bad, it isn't. And I get it, Revice was strapped for budget. However it can be done well. Evility Live uses the Evil undersuit and mixes it with the Holy Live armor to great effect. Destream uses the century suit, which is in a neutral white with some red details, and gives it a cool blue touch.
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It can be done, but Revice sometimes just doesn't. However, that doesn't mean that Kamen Rider Demon's suit was cool enough for me to spend too much money on an action figure of it.
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alisface · 5 months
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Fsm for fun and christmas gayming
Soooooo a friend recently gave me some space marine sheets. I dont play sm so I cannot fathom why they did this. But I've had a pretty fun time painting them and basing them of of me and my friends!
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So the one I made first was just as a test for the colour scheme but she is now the leader, I never do glowy weapons but i was surprised how good it came out
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Next i added me! To get the hair right I walked up to the guy who owns the lgs, grabbed a fistful of my hair and asked him to colour match it. And he did a great job! I also put a nifty trans decal on her front because I like living like that and putting it into my hobbies. She was also a kitbash, the other three leader looking ones were ment to have cool extras.
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Next was someone very close to me with blue hair pronouns (she/they) and a GUN in real life. So it was a very easy conversion and they get two guns
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Finally the other person very close to me gets two swords. I think it looks pretty good!
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I've also recently finished a fifth one and will use it here to show the process:
So here are the primary and ancillary colours I used
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This green takes three coats because it comes out fairly wispy
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Next is a dark green for the under armor peices. I find It works better than just black so the actual black parts can seem like a different more flexible texture
Next is black in all the joints and and the main trim
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And finally for the main colours I used a gold leaf paint. This paint sucks and I hate it. It's very watery and takes alot of shaking to get it useable. It's the other white fr
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So onto the other colours. Some are only used on single peices. This one is just on the gun casing
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There are alot of metal bits all over, you cant see it to well but theres some on the helmet pipes.
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Next is the bronze, with this the backpack is done
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Then theres the browns for all the pouches and the seal. For the deal I also usual do a thin white on top to give it a more papery look.
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This red is used exactly once and it's on the wax seal
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I use a much lighter red on the chain sword and the base level of the sholder fire
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Next is an orange and a yellow applied with very messy strokes to give it that 'flame' effect. Theres also the yellow on the eyes.
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Then after some touch ups and re lining some areas (yall dont have to do this but I'm messy) shes ready to join her sisters
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There also things like oil or highlighting I could do but I'm going to hold of on that for all models until I've figured out where I'm gonna set them
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cantsayidont · 7 months
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August 1979. Modern reprints of old comics are digitally recolored and usually printed on much heavier, whiter paper stock than the cheap newsprint that was the norm through the mid-1980s. While modern print production usually gives much sharper reproduction than was possible 40 or more years ago, when it comes to color, the results aren't always an improvement. Some modern editions take significant liberties with original palette, adding tones and highlights and/or digital effects that were neither envisioned nor possible when the original version was published. (Dark Horse's EC ARCHIVES are absolutely ruinous in this regard, an insult to the memory of original colorist Marie Severin.) Even when the reconstruction follows the original palette closely, it often fails to take into account the way different paper stocks absorb ink, which frequently makes the color art look gaudy in a way it originally didn't.
Here's a comparative example from issue #26 of the original Marvel STAR WARS series. This sequence is noteworthy because original colorist Petra Goldberg did an outstanding job in establishing the mood of an unusual and evocative scene. Luke Skywalker, piloting a captured TIE Fighter, has just destroyed a House of Tagge facility located deep within the atmosphere of Yavin, a gas giant. Although he was able to follow a Tagge beacon on his way in, he's just destroyed that beacon, and the storms and strong magnetic field of Yavin make both visual navigation and instruments useless, as Luke had been warned prior to the mission. The original page:
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Next, here's the digitally recolored version:
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First, note that the reconstruction has eliminated the orange and yellow that Goldberg used to indicate the explosion. In the original version, the center of the explosion is yellow, surrounded by an area of orange that branches out into the lines of force indicating the shockwave. The digital version has replaced the yellow with white and the orange with pink, making the explosion less distinct from the surrounding clouds; in the original, the orange and yellow make clear that the clouds are being lit by the explosion, which isn't the case in the digital version. In the second panel, the digital version makes Bob Wiacek's Zipatone texture fills much more apparent (maybe more than they need to be) and has eliminated what appear to be unintended splotches of purple on Luke, but the pale yellow of the original shading on his face and helmet has been changed to white. The third panel sticks to the original palette, but is a couple of shades brighter, and the highlights on the purple cloud behind the ship look less sickly, losing the sense that the light is fading.
Here's the following page:
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And the digitally recolored version:
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There are fewer coloring liberties this time (although notice that the shading on the center ridge of Luke's helmet in the first panel has gone), but the final panel reveals a Zipatone fill on Luke's face that's not at all evident in the original panel — whether it's just not visible in the printed comic or was added in the reconstruction, I couldn't say without seeing the original pages. The principal dilemma here is that that the colors appear both brighter and crisper, which is not at all what Goldberg was going for originally. The point of this scene is that Luke is lost in the clouds, flying blind, so on newsprint, even the lighter blues and pinks are more muted and variegated. By in effect turning up the brightness and contrast, the original sense of claustrophobia is dampened, which isn't an improvement.
This kind of recoloring is always going to be a compromise, and some of the challenges it presents don't have straightforward answers. (For instance, should you fix obvious coloring errors in the original? Should that extend to altering colors to match how characters appeared in later stories?) However, ill-considered or sloppy digital coloring can do significant aesthetic harm.
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