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sarasade · 5 months

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One of the most generally useful things to come out of Hbomberguy's plagiarism video and Todd in the Shadows' similar video on misinformation is how they bring transparency to the internet phenomenon of "I made up a guy to get mad at".

Seriously, I've seen people make up a lot of stupid shit on the internet over the years and it's often just a manipulative attempt to paint a group of marginalized people in a bad light.

That's the TL;DR version of this post.

ANYWAY here is the long version

Those videos are mostly about James Somerton's plagiarism of other queer people's work. However I'd like to talk about that 20-30% of Somerton's original writing- and oh boy. It's mostly about complaining about White Straight Women and misgendering well-known trans creators such as Rebecca Sugar and calling Becky Albertalli a straight woman while it's pretty common knowledge that she was forced to out herself as bi because she received so much harassment over "being a cishet woman who appropriates LGBT+ stories".

One thing that irks me especially is how in his Killing Stalking and Gay Shipping videos Somerton brings up how straight women/ teen girl shippers exploit gay men for their personal sexual fantasies. This gets brought up several times in his videos.

Being all up and arms about Somerton being a "White Cis Gay Who Hates Women and Queer People tm" is not that useful because the kind of rhetoric he's using is extremely common in fandom and LGBT+ spaces on Tumblr, TikTok and Twitter. We really don't need to bring Somerton's identity to this since he is in no way an unique example.

It's hypocritical to make this about an individual person when I've seen A TON of posts, tweets and videos where queer people talk about these Sinister Straight Women who are supposedly out there fetishizing and exploiting queer men. It's pretty clear to me that this is just an excuse to shit on women and queer people for having any sexual interests. At worst these comments are spreading misinformation about BL, a form of media that has been excessively studied by both Asian feminists and Asian queer women.

This all sounds really familiar and I think it's good that people are calling it out as what it is: misogyny and transphobia. I'd also point out the potentially racist motives behind being this hypervigilant about Asian media.

People can absolutely be misogynist regardless of gender or orientation. I really don't know why we need to create some kind of made up enemy to get mad at. I actually think it's almost sinister how "anti-fujoshi" people call Slash shippers and fujoshi misogynists or claim that they have internalised misogyny while being dismissive about women's interests and creative pursuits under Japanese obscenity laws, China's censorship, book bans in American schools and various other disadvances that are part of being a queer and/or female creator.

I think we shouldn't be naive about the bad faith actors who want to turn queer people against each other. For example Fujoshi.info mentions anti-gender (TERF, GC etc) movement using this kind of rhetoric as well.

Anyway if you want to read more:

- about the false info around BL fandom fujoshi.info

-There is the scholar Thomas Baudinette who studies gay media in Japan. Here is a podcast with him and the scholar Khursten Santos

-James Welker is a BL scholar as well. Here is a podcast interview about the new international BL article collection he edited.

-I've already talked about this Youtube channel by KrisPNatz and his great Killing Stalking video that actually engages with the themes of the manhwa

- There is also HR Coleman's thesis DO NOT FEED THE FETISHIZERS: BOYS LOVE FANS RESISTANCE AND CHALLENGE OF PERCEIVED REPUTATION where she interviews 36 BL fans and actually breaks down why fetishization has become such a huge talking point in the fandom discourse. Spoilers, it's mostly about young queer people and women being worried that they will get judged and pathologized for their interest in anything sexual.

-Great podcast about Danmei and censorship with Liang Ge

#Also I don't mean that you can always tell if someone is a transphobe or a TERF based on a couple of things they have said.#My point is that sometimes ok people can have very regressive ideas too.#This is not a call out post about how we should go around accusing anti-fujoshi people #todd in the shadows #hbomberguy #sarasade text #even I've got those “Fandom is mostly straight women fetishizing gay men” comments once and it begins to sound kind of passive-aggressive #when you're a bi woman. Lot of fandom stats at AO3 show that fandoms are montly bi women. who are these people calling straight exactly hmm #also straight women are completely ok leave them alone. I know I know Yes I'm so brave for saying this #cw: transphobia

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wri0thesley · 26 days

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let me see - arlecchino x fem!reader (3.8k)

you work as a tutor at the house of the hearth; but the father of the children you teach seems to haunt your thoughts.

cw: not sfw, fem reader. employer-employed dynamics, reader calls arlecchino 'sir', chubby reader, reader is inexperienced. arlecchino calls reader 'good girl' and 'darling'. guided masturbation.

You see your employer only rarely, but that does not mean that you do not think about her often.

It’s in the way that the children - your students, the ones you have been engaged to teach basic arithmetic and reading and as much history as you can squeeze in - speak of their ‘Father’. The look of wonder and devotion and just a touch of intimidation that comes over them, even as they chatter to you about the next time she is coming home and what they plan to do to welcome her. It’s in your salaries; perfectly paid, on time, with extra money left in an envelope and a note in beautiful, sharp handwriting mentioning your students by name and how well they’re progressing.

And, of course, it is in the times you see her - for you do not think anybody could see Arlecchino and not think about her regularly for the rest of their life.

She makes you nervous. There is something about her commanding presence; her lovely marble face, the strangely striking appearance of her eyes, the self-assured way that she stands. You think her beautiful, of course - but you have always had trouble around beautiful people, and so you find yourself stumbling over your words, your cheeks burning hot, coming far too close to making a fool out of yourself whilst she keeps a small, polite smile on her face as she watches you falter.

You worry, sometimes, she knows that you find her at once intimidating and irresistible - that something about the way you hold yourself will give away that you have wondered what her nails would feel like, digging into the soft skin of your throat as she tipped your chin upwards - or that you have wondered what it would feel like to have her corner you like a trapped rabbit and have her way with you--

But they are just daydreams. The truth is that you are as green as they come; you had gone to Sumeru’s Akademiya, a child who could not stop devouring books, who was obsessed with learning - and you had returned back to your native Fontaine to teach, and had no time in between that to pursue romantic relationships. The sum total of your romantic experience is a hurried kiss with another student, another beautiful older woman, who had pulled back and laughed at you, touching your cheek gently.

“Aren’t you adorable?” She’d asked you, in a low, sleepy voice with her eyes half-lidded. “Maybe a bit too adorable for just right now. Come find me again if you’re ever in Mondstadt.”

So . . . your fantasies about Arlecchino are just that. Simple fantasies. You have other things to attend to, after all! You care about the children whose education has been entrusted to you - even those who have now grown too old to need your guidance, who you watch flower and blossom and strike out from the House of the Hearth. Even if they stray beyond the nation you live in, though . . . they always seem to come back, to pay their respects to Father.

But it doesn’t stop the fact that sometimes she looks at you, when your paths crossed, with her head tilted just slightly to one side, and you feel like she knows exactly what you’re thinking. She always makes you feel strangely exposed; you keep up with fashion, because you enjoy it, but something about the fripperies of your gowns and skirts and blouses and the ribbons and the carefully chosen accessories in front of Arlecchino make you feel as though she is stripping you down in her mind, so perfectly poised and tailored. So you drop books in front of her. Your sentences get tangled together. You go hot all over and look at the floor--

But still she employs you, and still you hurry home at night and try to ignore the pounding in your chest and the way your breath goes short at the sight of her. Your paths cross only occasionally, you tell yourself. Next time you will be prepared.

But you are not prepared, the day that Arlecchino meets you in the hallway (your arms full of books and the work of the children that you intend to look over that night), running late with your hair ribbons askew and your dress crooked and she looks at you and says, in a voice that brokers no argument;

“Won’t you stay a little longer and have afternoon tea with me?”

“Do I make you nervous?” The red crosses in her eyes bore into you as she pours you a steaming cup of tea into a delicate teacup. You sit primly, your hands folded in your lap, your feet together, feeling entirely too exposed alone in this room with her. “You shake like a leaf whenever I speak to you.”

You wet your lips awkwardly, your throat dry, as you reach out for the teacup. You notice your hands are shaking and try to stop them, but she leans forward herself and places one of her hands over yours, steadying you. You stare up at her, eyes wide, whilst she looks down at you with something calculating and predatory in her gaze.

“I’m sorry,” you whisper, your voice very soft. You can feel your cheeks going hot against your will, and you wonder what you must look like to her - because you feel like a rabbit who is about to be pounced on by a wolf. Arlecchino slowly and purposely guides your hand back down, to put the teacup back on the saucer, and you begin to get the strangest impression that her invitation for ‘afternoon tea’ was actually an invitation for something entirely different. Her hand comes back up, and one of your idle questions is given an answer as you feel her sharp nails dig into the soft skin under your chin, tipping it up as she leans in closer. Close enough that she could kiss you, if she wanted - close enough you can smell the scent of Rainbow Roses and smoke that lingers on her clothes.

“Oh,” says Arlecchino, and she smiles at you and something about the smile makes you go hot and cold all over all at once. “Don’t be. It’s terribly cute.”

You don’t know how you end up sprawled out over her lap, your thighs hooked over the arms of her chair, as she takes control of you - but before you know it, that is the position you have found yourself in. Her hands roam slowly all over you, savouring the feel of your skin - soft and warm, generously curved - beneath her long, elegant fingers.

“These ribbons drove me to distraction today,” she murmurs against your ear, as you melt helplessly against her and she tugs at a brightly coloured red ribbon that trims your blouse. “I kept thinking about tying it around your pretty wrists instead.”

“M-Miss Arlecchino--”

She clicks her tongue at you in admonishment, running her thumb over the seam of your lips.

“Call me ‘Sir’, darling.” You practically fall over yourself to rectify your mistake, your tongue messy and heavy in your mouth, and you win a little chuckle from the woman who has you at her mercy. “You’re just so eager to please, aren’t you? What a good, obedient little thing.”

“Please--” You whisper breathlessly, as she tugs at the ribbon completely and the throat of your blouse falls open. Her nails scratch a slow line over your neck, almost like a threat, and you shiver again helplessly under the touch.

“Please what?” She murmurs against the shell of your ear. “You know, I did employ you as a tutor . . . for an academic, you’re rather inarticulate.” One button of your blouse, torturously slowly. The next, and she smiles against your bare skin to see the way your chest is rabbiting. “One would think you’d never been touched like this before.”

She knows.

There’s an edge to the way she says that, a note that’s teasing and suggestive, and it tears from your throat a little whimper of embarrassment that, in turn, makes her let out a sigh of satisfaction.

“My, my,” Arlecchino says to you - two more buttons, and your blouse is barely fastened. You’re inordinately glad you wore pretty underwear today, though you suppose it must look rather fussy to Arlecchino. “Have you not, sweetheart?”

“Sir,” you whine out, feeling tears spring to your eyes at the humiliation of the whole thing. Despite the humiliation, though, heat spirals out from between your thighs - your matching fancy underwear, you know, is soaked through. “Please-- it’s embarrassing--”

The final button, and Arlecchino’s fingers are running over bare skin now. The pudge of your stomach, the curve of your chest through the ruched cups of your brassiere.

“Say it,” she says to you, her voice sharp in the command. She circles a finger over your nipple through the lace and chiffon and you squirm in her lap at the sensation of the bud puckering and hardening. “If you want me to touch you, you understand, you have to at least have the confidence to tell me the truth. Or I’ll just send you home without your blouse and with your poor little aching cunt untouched, hmm?”

“Sir--!”

She grabs your cheeks between thumb and forefinger, squeezing the roundness of them roughly. The Father of the House of the Hearth, after all, is not one to be intimidated by whining or begging. She has plenty of experience dealing with brats. Her fingers still as she waits for you to do as she asks, and you squeeze your eyes shut and hiccup out a sob of longing.

“I--I’ve never . . . had anyone else touch me . . . l-like this--”

She lets out a pleased purr in the back of her throat.

“There,” she soothes. “That wasn’t so hard, was it? Good girl.” She drops a kiss on the side of your forehead like a reward, her hands sliding over your body to find the catch of your brassiere. There’s a brief tussle of movement as she ensures you are shed of both your blouse and your underwear, and then you’re once more on her lap, your entire top half bared, only your skirts and stockings and underwear still on. “And if I’m honest . . .” She moves back to your ear, pressing a kiss on your jawline beneath the earlobe. “I rather like getting my claws in someone before they can learn any bad habits. I, too, am an excellent teacher.”

She takes a firm hold of you, pulling you even closer to her so that her hands can each take a palmful of your breasts. You feel exposed before her; the rolls of your stomach, the way that your chest sags into her grip, but Arlecchino does not seem to care about these things - instead she just sighs like you’re a fine wine she’s sampling, palming and squeezing the heavy weight of them.

“You’re such a pretty thing beneath the flounces,” she says to you, plucking idly at your nipples between thumb and forefinger - the movement sends hot lightning flashes of pleasure right down to the space between your legs. “If I were in charge, I think I’d leave you naked in my bed. Much more practical like that, don’t you agree?”

“I--”

“What about kisses?” She asks you, not letting you say anything. Your head is spinning pleasantly, and you cannot say that you are annoyed she’s stopping you from making a fool of yourself. “Are you as unversed in those, too?”

“I--I’ve kissed . . . someone--”

“Just one?” She laughs, a not unkind noise. “Oh, just the one kiss, I see. Poor thing, your cheeks are like Pyro slimes. Come here. Let me show you how to kiss someone properly, hmm?”

Arlecchino pulls you into a kiss that is so unlike the one you once had that to call them both by the same name seems a great disservice. There is no other way to describe it; she claims you, her mouth like a conquering king, your own the battlefield. Her teeth tug at your lower lip and you are helpless to do anything but open your mouth, let her tongue sweep over yours. She tastes like fire and tea, some of the little cakes she had offered to you - and you whine helplessly, clutching at her slacks because there’s nothing else you can reach in the position she has you in.

She lets go of your face with a satisfied sigh, and your head lolls back against her shoulder as she delicately wipes a smudge of her lipstick from the corner of your mouth.

“Let’s get this off you,” she says, tugging at the frills of your skirt. “Let me see you, darling.”

You’re only too eager to assist, embarrassed but needy, wanting but nervous. The fastenings at your waistband are unhooked, and then she is carelessly sliding it off of you until you are back before her in nothing but your underwear and your stockings, digging into the fullness of your thighs. For a moment, you are embarrassed again of your softness - but Arlecchino grabs your hips, pulling you back bodily onto her, and you realise from the possessiveness of her movements that she does not see it for a moment as something to be ashamed of.

Arlecchino’s hands are hungry as she squeezes at the softness of your thighs, as her palms sear hot across your stomach, as her fingers drift towards the gusset of your underwear. Her touch is feather-light, there, but you keen even so - terribly aware of every movement, even the smallest brush of her fingers. Arlecchino clicks her tongue against your ear again.

“So sensitive,” she whispers. “I’m afraid I might hurt you, and I’m afraid I’d very much like it. Why don’t you show me how you touch yourself?”

Your breath gets caught in your chest. Her suggestions so far have been, perhaps, embarrassing - have put you at a disadvantage due to your lack of experience. But nothing so far has been quite so brazen. You burn with the unease of it, but Arlecchino is already grabbing your hand, placing it over your soaked underwear.

“Don’t worry about making a mess,” she murmurs into your ear. “I’m afraid it’s too late for that. My pants are soaking.”

She seems to enjoy watching you squirm as you whimper again, face hot. But her hand does not move, keeping your own anchored against your underwear until you do as she asks and shyly, nervously, rub at yourself through the sodden fabric just a little.

“Oh, darling,” she breathes, condescension dripping off every syllable. “You’ll never get anywhere like that.” You are inarticulate with your touches, still trembling and shaking at the strangeness of all of this - and you have done this, of course, but never with an audience! Never spread out over someone’s lap as they critique your technique!

“Sir, please--”

“You’re supposed to be a teacher,” she admonishes you. “You’re supposed to know everything, are you not? Have I really got to help you with something so simple as touching yourself?” She’s enjoying it; the sight of you, normally so prim and shy, utterly undone by her every word and action. Her hand moves over yours, holding it, guiding you to press two of your fingers together and circle over your swollen clit through the underwear.

It’s different, with her guiding you. You turn your head to try and bury it against her collar as she continues to mercilessly guide you into circles, sniffling pathetically - but she just coos, just nudges you back so you watch the visual of her hand over yours between your thighs.

“Shall we get your underwear off too?” She phrases it as a question, but it’s not one - she is already peeling off the frilly cotton, inching it down your generous thighs. She laughs a little meanly when she sees just how large the damp, darker patch is, and you think you will cry. Every feeling you have ever had is magnified a thousand fold here, in this incredibly vulnerable position spread over the lap of your employer.

(There are whispers that Arlecchino is even more than that; that there is a secret purpose behind the orphanage you have been employed by. But you do not put much stock in rumours, even when the children look at each other strangely and whisper when they think you cannot hear them. The thought of who you might really be letting touch you . . . You wish it did not stoke a fire in you even hotter and brighter than before).

“There we are,” she murmurs. “Good girl. Look at you. Look how pretty you are.” She deals your sex a short, soft slap - her palm comes away sticky, the noise indecent in the little room she had brought you to for afternoon tea. “I wonder how much prettier you’ll look with three of your fingers stuffed inside of you?”

Another strangled noise from your throat at the easy way she says the filthy things, and Arlecchino merely makes a soft huff of laughter.

“Carry on touching yourself for me,” she says to you. “Let me see.”

It’s an order, and you know that orders from Arlecchino are to be obeyed. Shyly and hesitantly again, you bring your fingers back to your sex. She rests her head against your shoulder, and moves her own hand; uses two of her fingers to make a ‘v’ shape and places them on your sex, using them to spread the plump outer lips aside so that you have better access to your clit and your entrance, still soaking and leaking slick out onto Arlecchino’s lap.

You’re hot and awkward as you touch your clit; as you try and mimic the circles that she had drawn on you earlier - but you are not brave enough to keep at it, and before long you have returned to your own faithful back-and-forth motion on your clit, your hips moving in little thrusts to try and prolong the sensation. You can hear yourself in the charged air; the hot little pants, the whimpers of frustration that none of it feels as good as it did when she was in charge. Arlecchino, though, merely watches you struggle.

You cannot see her face, but you can imagine the look upon it; the barest quirk of the lip, the single raised eyebrow. You carry on as best you can, trying to think of all the things you would usually think of - but it all spirals back to where you are, what is happening, and the fact no fantasy can truly compare.

Her voice is a little thick when she speaks next, and you realise with a strange jolt of pleasure that your inarticulate touching is still having an effect on her. It’s almost unnoticeable - but Arlecchino’s normal tone is so very poised, even the smallest change feels like a blaring siren to you.

“Put two of your fingers inside of you,” she says. And then, as you inexpertly slide two of your fingers inside your channel, she lets out a shuddering breath. You’re wet and tight around yourself, aware that you must look a mess - but Arlecchino’s fingers are sliding between your sex, moving to touch the space on your clit you just vacated, and your entire mind goes blank. “Don’t stop. Let me see you move them.”

You do your best, but Arlecchino’s own movements are just too much. The sensation of her dragging the pads of her fingers over your swollen clit; the way she circles and flourishes and swirls . . . you try, desperately, to keep your fingers in some kind of rhythm as they slide in and out of you, but before you know it you’re using your other hand to clutch at her arm and whimpering as you hump upwards into her touch.

“I ought to stop you,” she tells you, but she doesn’t for a moment stop her ceaseless assault on your clit; the wet, sticky clicking noise of your slick between her fingers. “You’re being a brat.”

“Please, Sir,” you whisper, babbling, “I’m . . . it feels so good--”

“Flatterer,” she murmurs, in that low, hungry voice. “You’re lucky that you look so very pretty like this, and that I am perhaps more soft-hearted than I appear . . .” Tears are running down your cheeks, sniffling, whimpering, helplessly moving your hips in time with her touches. Nothing seems to exist but the feel of Arlecchino’s fingers on your clit and the firm, certain way she touches you. “Be a good girl and come for me.”

The order tips you over the edge. The knot of heat in your belly comes undone and you whine helplessly as you buck into her touch, and you feel a gush of your own slick wet the fingers that are still stuffed inside of you. Your thighs try to clamp shut around the sensation, but the position that Arlecchino has you in with your thighs over the arms of her chair stop you from doing it - and so does she, still working her fingers over your clit through every trembling moment of your orgasm.

You come back down, panting, aware of the wetness between your legs and your nakedness, the stiff points of your nipples and Arlecchino’s fingers on you and the fact that Arlecchino is still dressed exactly as she was when she caught you in the hallway.

She moves her hand, and to your surprise she presses her fingers against your lips, forcing your mouth open.

“Taste yourself,” she tells you, and you are still so in awe of her that you can do nothing but obey - the slightly tangy taste of you lingering on your lips. You’re even more surprised when she uses her other hand to pluck your hand from between your thighs and guides the two fingers that had been inside of you to her own mouth, her tongue hungrily drinking in the wet webs of your slick. “Well. Aren’t you sweet?”

The unprofessionalism of what you’ve just done begins to creep up on you, shame drenching your back. All of those talks about ethics that you’d had at the Akademiya - but Arlecchino takes your head and turns it and gives you another firm kiss, another bite to your lower lip, another conquering that makes you feel weak at the knees. Your own taste lingers in your mouth, but, too, it lingers on her lips, and she seems supremely satisfied as she pulls back.

“I’ll be away on business for the next week,” she tells you. “In Snezhnaya. I’ll bring you something back.”

“Sir--”

“I’ve been meaning to ask you,” she continues. “That little apartment you live in - well, it seems a shame, when we have so many empty rooms, and a live-in tutor would be far more beneficial - don’t you think? The children do adore you, and it seems so very practical.”

It’s a bizarre time to be having a business meeting, with your slick staining her clothes, with your own clothes a crumpled pile, with your position so terribly open and exposed - but all you can do is blink at her, and she smiles at you like a cat who has gotten the cream. She pats your cheek.

“Besides,” she says. “It will give us far more time together. And I do have so much more I’d like to teach you.”

#writing #arlecchino x reader #fem reader #genshin impact posting #im GAY okay!!!!! leave me alone!!!! this is self-indulgent and i dont care!!!!!#not sfw text

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