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#just because you don't like it doesn't mean it's not true
megaderping · 1 day
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I feel like when people compare Akechi to Light Yagami, they fundamentally misunderstand his character. Their similarities really end at their designs, and Light is the kind of person Akechi would despise. Light Yagami lives a pretty privileged life at the start of Death Note. He has a stable home, with two parents and a sister who care about him. He's a successful student. There isn't really inherent tragedy to his life. The whole reason he starts using the Death Note is a mix of curiosity and a jaded worldview, and when it works it empowers him, very quickly goes to his head, as he believes he is one who can be a god of a "new world" once the shock of his initial kills wears off. While his first kill was to help someone, that altruism didn't last. He is in charge of his choices, while Ryuk mostly vibes and maybe eggs him on a little. Fundamentally, Light has something Akechi lacks: agency, and a comfortable life he took for granted. Meanwhile, Akechi is someone who lived on the bottom rung of Japanese society. His very existence is shameful there, between his mother being a sex worker, his status as an illegitimate/"throw away" child, and his mother's suicide. Years languishing in a foster system that is notoriously inhumane, in a country where 90% of the adoptions are grown men for inheritance and patriarchal reasons, while very few children in the system find permanent homes. When Akechi awakens his power, he approaches Shido not because he wants to kill people but for a stupid revenge plan cooked up by a traumatized child who's been nudged along by a malevolent god. He wants to build Shido up so that at the height of his power, he can expose him for the monster he really is, while another part of him genuinely wants to be useful to Shido, as Cogkechi later calls out. His feelings are a mess of contradictions, and so it's no surprise that Shido was able to mold him into his assassin at only 15 years old. It's also worth noting that Akechi only approaches Shido with his ability to cause psychotic breakdowns. Shido is the one who teaches and instructs him to do shutdowns. He's still complicit, very sunk cost with his revenge plan, but as I spoke of here, even if he wanted to quit, he couldn't alone. Shido's cleaner and control of the law and ability to effortlessly turn him in would render the Metaverse his only safe haven. I think people look at 11/20 Akechi and Akechi in the early parts of the engine room and assume that's just his "true self," when in reality it's another mask. Royal makes it very clear because in Rank 7, he outright warns Joker of what's to come via a pool metaphor and offers an out (though he's MUCH happier if you don't take it/stick to your principles), and in Rank 8, he goes on that big "I hate you" speech... while Sunset Bridge is playing. Y'know, the song that plays at the end of most confidants to reaffirm bonds. So when he smiles as he shoots what he assumes to be Joker, that doesn't mean he's genuinely happy. More likely, he's an emotional clusterfuck, given he also is disoriented enough to namedrop "Shido-san" over the phone, and in the subsequent meeting with Shido, tells him not to kill the Phantom Thieves and that Morgana is "just a cat." Yes, he says they'll make them fear for the rest of their lives, but remember, he's talking to Shido. The things he says are likely all incredibly calculated to sound appealing to Shido. And when you consider that he planned to utterly destroy Shido's reputation after the election, the "delay" makes even more sense.
Later, Akechi goes on about how the people he induced shutdowns on were deserving of their fates, but I don't think he believes it so much as it's the only way he could convince himself that it was worth it, and given how much society failed him, and given how many of the people he targeted were likely rivals/competitors or rich fucks, I think he'd be less inclined to assume good faith. Kunikazu Okumura was not an innocent little victim, after all. He was one of the people who requested breakdowns and shutdowns the most. I think Akechi enjoyed killing him not because of how it'd hurt Haru, but because of catharsis. Because Okumura is just as monstrous as Shido, so why should he feel remorse? However, I don't believe he feels the same about Wakaba, as when he discusses her with Shido, he mentions how her fate was because she refused to willingly work for him. It's another justification, but I personally think Wakaba's death was the most painful for him because he was effectively making Futaba just like him. That's why I think his reaction to Sae threatening Sojiro's custody was genuine. Anyway, evil grinning Akechi is just another mask, as I said. Keep in mind, this is someone who laments not meeting Joker years ago, someone who Morgana outright points out is lying about his hatred. And that's the thing. Light Yagami, while a really fascinating character, is not someone who had all this childhood suffering or lack of agency. He does not regret his actions in the slightest and goes down due to his own hubris in both the anime and the manga. While you can argue that Ryuk set him up by dropping the Death Note, Light was the one who picked it up and chose to use it. Any nudging from Ryuk didn't coerce Light into doing it because Light seized the opportunity. No, if Light Yagami is like anyone in Persona 5, it's Masayoshi Shido, not Goro Akechi. Both believe they are god/god's chosen, that they are the ones who will reshape the world to their ideals, and to be frank, both use and abuse women to serve their own purposes. Goro Akechi goes down sacrificing himself for the Thieves and pleading with them to stop his father and again in Maruki's reality when he refuses to let Joker accept a gilded prison of a world for his sake when he knows better than anyone what it's like to have no true freedom. If you max his confidant, you see him in the postcredits, leaving his survival entirely possible, and I think it works because at the end of the day, Akechi was meant to be a victim and a foil. Light is a villain protagonist and a cautionary tale. Though its his POV we follow, he isn't someone we're meant to root for, but I definitely don't think enjoying the character is a bad thing at all. He's really interesting! I just think that a lot of the Akechi and Light comparisons are surface level at best.
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soaringwide · 3 days
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PAC: What's next in your love life?
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Here is my love ahead spread, where we're going to look into what is coming for you in your love life, having singles or people in non-committed or early stages of the relationship in mind.
The reading doesn't contain any info on gender or orientation.
As always, this is a general reading meant for multiple people, there are only 3 piles, so it might not apply 100% to you. Take what resonates and leave out the rest.
I'm available for private readings and have a ko-fi. Free readings are currently closed at the time of writing this.
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PILE 1
Cards: 7 of Pentacles, 7 of Cups, Judgement, the Tower, Knight of Wands, 8 of Swords, the Sun, 4 of Wands, Ace of Cups
We'll start by looking at your current situation regarding your love life.
It seems something has been growing in your love life for a while now. I'm thinking the early stages of a relationship or a crush situation. Zooming out, the growth seems steady, but it's possible that it wasn't so smooth when you look at it on the day to day. Some days might have felt like take 2 steps backward, and the next day you would move forward again. As a result you might be loosing your patience a little, ignoring the fact that things are indeed moving forward, even though not as fast as you want them to, or not exactly the way you want them to. You're eagerly waiting for things to take up speed and finally reach some type of harvest that you've been craving for. I also see you as somewhat passive, waiting for something to happen on its own. You're not necessarily taking any decisive action, but rather going with the flow of things and observing your relationship build slowly. Overall you feel quite impatient.
With the 7 of Cups in the position of things going for you, I think you have a tendency to get lost in your daydreams and illusions, regarding love and love interests. However, you're fully aware of that and actively de-fogging the whole thing. I see you trying to remain realistic and not too much in your head. I think that's a process that you had to learn the hard way. You're learning to pick up on the truth and discard the lies, which is quite painful and not a growth that happens in a straight line. Inside all this mess, there are nuggets of wisdom you're determined to find. It's like, either it helps you clear the way for this specific relationship, or it just makes you a healthier human, which is a win win situation.
However for what's going against you, I think you still have a tendency to put the blame on others instead of understanding that the current situation is your doing. If you're unsatisfied with the pace of things, you have choices. You can either wait and find peace in that, or move on to pursue something else. Whatever it is, don't wallow in misery because you feel frustrated and let resentment boil within you against your person, yourself, or the situation. What I'm trying to say is that you're refusing to make the call and pick a path to follow with determination, and instead you keep going back and forth in your head and creating a terrible emotional state for yourself. If you keep waiting for a sign in a passive and hopeless way, things will not change.
For what to take in in this situation, I see the need for a big wake up call with the Tower. I know this card has a bad rep but I think here it's mostly an indication of the intensity of the shift you need to do. It is paired with the Knight of Wands which is a clear indication that you need to take the reign and pursue what you want, taking a risk that things might collapse as a result. Welcome illusions being stripped away, let go of lies and take the risk to reveal your true self.
I asked for a clarification and got the 8 of Swords, which shines light on this state you need to wake up from: the fact that you keep yourself in a state of powerlessness when you have the means to cut your bonds. Really, this state of stagnancy is your doing and you need to own up to the fact and get out of that hole. Whatever you decide to do, you need to shake things up drastically and take a more active part in your love life.
What you need to release with the Sun, I get the idea that you're a bit too childish and immature when it comes to love matters, or at least in this situation. The card shows a child on a horse, but unlike the knight of wands who is in full control of his mount, the sun-child is merely waving his arms around and not doing much. It looks quite comical and does not embody a serious partner one might want to pursue. So I'm getting again the idea of the need to be more serious and committed, and releasing this naive mindset that things are going to fall on your lap without you doing anything at all.
For the most probably outcome in this situation, with the Four of Wands I was drawn to look up the astrological correspondence of the card and I got Venus in Aries, which is quite funny since Venus is currently in Aries until April 29th 2024 (writing this on the 23rd). I don't necessarily think this means everyone will find an outcome within the next few days, however, it does point out at changes happening presently, or as a direct result of this Venus in Aries season. Which again puts the idea of acting and stop wasting time.
It's also fun because it points at a very fiery approach to love, much like what the Knight of Wands was suggesting. Instead of worrying whether they love you or not, whether you should move on or not, you're being advised to go and find out. With the 4 of Wands as this placement in the tarot, there is an idea of celebration and coming together. The characters on the card are inviting, as if to welcome you in their circle, or hinting at a festive event or a gathering. A positive outcome is definitely possible, and if not, it's the opportunity to move on from heartache and find a better future with your heart unburdened.
The underlying energy is presented by the Ace of Cups, which definitely speaks of an exciting time for romantic feelings, where feelings are being birthed and coming to light. There is opportunity for a renewal in this connection.
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PILE 2
Cards: The Devil, the Lovers, the Queen of Swords, Ace of Swords, 8 of Wands, 9 of Cups, the Fool 10 of Cups, 2 of Wands, 6 of Swords, 3 of Cups, 3 of Wands
We'll start by looking at your current situation regarding your love life.
With the Devil as you current situation, it is possible that you're crushing on someone or are in a non-committed relationship with someone that is loaded with sexual energy. However, it also points at an obsessive dynamic in the relationship which fosters an unhealthy atmosphere. It is clarified by the Lovers and the Queen of Swords, so I think there might be someone in this relationship hoping for love, and someone with their walls up, appearing cold and distant, even if there is physical intimacy at play here. It's also possible that the one interested in committed love doesn't respect their own boundaries and let themselves being stringed along.
As to what's going for you, I see you embracing clarity and the desire to cut through bullshit at this point. A part of you wants to reach the truth of this situation and is willing to think about it deeply. Get your sense of agency back by either communicating your needs and fears or by taking the time by yourself to work on that. It's clarified by the 8 of Wands so I see quick communication, heated arguments perhaps but it's for the best because you need to get to the core of the issue.
For what's going against you, I see you clinging onto the good aspects of this relationship, as in, it's not perfect but there's enough pleasurable aspects to it that you don't want to let go of that. You're protective of what you have and I also see you being a bit too carefree by pretending the negative aspects of this situation don't affect you that much, that everything is find and good, even though it isn't. You might be a bit of a hopeless romantic and you just don't want to see that this situation is not bringing you the true happiness that you seek but rather putting you in a unstable and potentially threatening situation. I don't know how to put it but with this + the Devil as significator for this relationship I get toxic vibes from this, but that you're too addicted to it to really snap out of it.
What you need to take in is shown by the 10 of Cups, and I think here it means that you need to find hope again that you're deserving of true and untainted happiness in matters of love. This card is about commitment and romantic, even familial fulfillment, and I think it's important to remember that if that's what you want then you can't settle for less because then you'll never get what your heart truly desires. This card is here to remind you of your dream, stop settling for less and suffocating your true wish.
You need to release your hope that the situation will solve itself without making a choice. I get the idea that you keep imagining how things could be, or would be if X or Y happened, but you're not taking the necessary step towards your wish.
All of this is highlighted by the general energy of the reading, which is all about going back to decision making after a time of hesitation. It's going to be your role to know which decision you need to make and how though, but you need to leave the harbor at some point.
For the outcome of this situation, I see you moving on to better days, letting go of this situation that doesn't fulfill you and going through a very social phase where you're going to either form new connections, or get back in touch with friends and celebrate your newfound freedom. It seems this decision of moving on will bring you a lot more happiness than sorrow. Yes it is painful to let go, but you have much to gain, and seeking different social interactions will help you feel better and get back on track. Perhaps it would help to find the humor in the situation and have fun gossiping about this relationship with your friends in order to vent and get another perspective.
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PILE 3
Cards: Wheel of Fortune, the Fool, 3 of Cups, 9 of Cups, Ace of Swords rx, 9 of Pentacles, 6 of Pentacles, Temperance, 10 of Swords, the High Priestess, 9 of Swords
First off, let's look at your current love life.
For this pile, I don't think there is anyone specific in the picture for you. I see two possible situations depending on the people. Some of you might have experienced a breakup and are now in your new chapter, having left behind that situation and being past that; for others, I see you waiting for a relationship to show up eventually like some big turn of events. In both cases, you have a very open and carefree attitude right now, enjoying the moment and I get the idea that you might be enjoying casual sex as well, for some of you at least. In any case, you are currently not bound to anyone.
For what's going for you, I see you being social, meeting new people or enjoying time with friends. You're just enjoying yourself and your freedom and it's what you feel called to do right now. It seems you really needed to go through that phase in order to feel happier with yourself and find your balance again.
For what's going against you, I see the idea of casual, or at least, superficial connections showing up once more. You might also not be super ready to get into a committed relationship at the moment because you still feel the need to enjoy your freedom and have either multiple partners, or you just want to enjoy your social life without having to compromise or divide the limited time you have in your hands for one person only. I also see that you lack clarity on what you want. Is a committed relationship really what you want, or do you want to keep what you have right now? And if a relationship is what you want, what would it look like? I think you need to take some time reflecting on what romantic happiness looks like to you to see if it aligns with what you're doing.
For what you need to welcome in, there is a message here of reminding yourself that love is not just about sex and intensity, but also about sweetness and complicity. Looking up to your partner because you find them incredible, because they make you feel like a giggly child you can be your true self with. I also see the need to value true and deep emotional connection. There is a need to be the guardian of your fulfillment, not in a warroir-like way, but rather, in a nurturing way. Be the gardener that takes care of their blooming plants with love and care, and by that I mean that you need to put in the energy of what you want to harvest in the future, not just what's easily available in the moment. You also need to be more independent and advocate for your needs.
It's is very important to make way before you can receive anything new. Which means that you need to get clear on what it is that you truly want and release what doesn't align with that. Perhaps you're also quite detached and would benefit from getting in touch with your deeper emotions again. I think you've somewhat been hiding your heavier emotions inside and ignoring them for a while now and that might be what needs to be released.
For outcome, I think there is a deep need for realizing the options you have to choose from regarding your love life, and really take a look at what you truly want. I think this very social phase will come to an end for now, that you will be more focused on yourself and your inner world. This may trigger intense negative feelings that you were ignoring up until now because you were distracting yourself from them. You may need to hit the bottom before you can rise again, but fear not because from there, the only way to go is up. Learn to look for answers within, I think this time has the opportunity to teach you a lot about yourself and help your grow as a person and to gain clarity on your life.
I also wanted to note that there is a striking lack of Wands in this reading, which to me indicates that the main point of work in your situation is not so much taking actions, but processing thoughts and emotions to get clear on what you want and how to get there. A time for self reflection and growth is coming up.
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hotvintagepoll · 22 hours
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Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?
No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.
There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.
Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.
I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)
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why logan isn't getting replaced at imola, a breakdown
(aka a breakdown so my fellow logan girlies (gn) don't break down)
I've seen this getting around, with a little traction and some people panicking a bit so let's discuss.
Joe Saward has not been a reliable source of transfer news for some time. Let's be real. A lot of this is gaining traction because Saward is "a 35 year accredited F1 journalist". And this is true, he has long experience in F1 and is accredited in the paddock. But it has been many, many years since he was accurate about driver market predictions.
You have to be eighteen to get a superlicence (thanks, Max!). Antonelli does not turn 18 until August. For him to be granted a superlicence in time for Imola, the FIA would have to issue an exemption. If Antonelli was carving up F2 it'd be one thing. But he's been far from convincing so far, and it hasn't just all been Prema. He is an F2 rookie - and he looks like it.
James Vowles has already said that Antonelli to Williams next year is not a given, because Williams has its own juniors - of which Logan is one. Now I know James has been in the bad books with plenty of us since the whole chassis debacle in Melbourne but I do believe him on this. He is quite keen to establish that Williams is not a feeder team for Mercedes and that has been the board's position for some time too (remember their angry denunciation when the rumour was that Oscar was going to replace Latifi at Silverstone?).
James Vowles still believes in Logan. Now I know some of you will be claiming this is doubtful, but I do believe it to be true. In the Japan Vowles Verdict he was warm in his praise for Logan's race pace and early stint - to the point his voice literally changed tone while answering the question. He was absolutely effusive in his praise for Logan after the Melbourne debacle. I do genuinely think that James wants to keep him.
Bringing in a driver change mid-season is incredibly disruptive - you don't do it unless you are certain you're getting a better deal out of it. Last year Alpha Tauri brought in Daniel halfway through the year. The main reason for this was because he was a fairly immediate upgrade to de Vries. But even if you're scornful of Daniel's pace, the other reason they wanted him was for his feedback and car development ability, which AT were pretty vocal that they found invaluable. Bringing in an extremely green, unprepared rookie who has barely worked with the team would be a recipe for instability, morale issues, and more broken bits, which is the absolute last thing Williams needs.
Toto Wolff can't offer James Vowles a big enough incentive to take his junior. Let's cut to the chase on this: to insinuate that James would take Antonelli just because Wolff asked is a pretty big insult to James. He's not Wolff's lapdog. They clearly respect one another and have a personal relationship outside of the sport, but that doesn't mean he'll just do whatever Toto wants - he didn't get to be team principal that way. So Toto would need to offer James an incentive. But what can he offer that James actually needs? Williams aren't broke any more, so money isn't going to cut it. And Williams already run the Mercedes engine, so Toto can't convince him with that. What Williams actually needs - the cultural and procedural overhaul that James has begun - Toto cannot help with.
tl;dr keep cool and keep the faith, logan fans. there's still plenty of time left in our ride.
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mysteryshoptls · 1 day
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SSR Ruggie Bucchi - Platinum Jacket Vignette
"Happy 100th Anniversary"
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[Land of Dawning – National Museum of Art]
Ruggie: Can't believe I'm here bein' a supporter for some museum like this. Guess ya never know what life's got in store for ya.
Ruggie: I mean, I totally wouldn't've ever paid to see paintings that I can't even fill my belly with…
Ruggie: But I guess it's okay if I don't gotta pay. I wonder if they got paintings I've seen in my textbooks.
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???: This painting… These are the hyenas from the King of Beast's legends. When the three of them are lined up like this it's kind of intimidating…
Ruggie: Well, yeah, they were out there patrollin' lava quarries 'n goin' out on scoutin' missions, so.
Trey: You sure know your stuff, Ruggie. I guess that would make sense for a hyena beastman to know.
Trey: But still… Both patrolling and scouting seems like painstaking work.
Ruggie: Oh, yeah. From the stories I've heard, they had some pretty tight scrapes…
Ruggie: Like there's one where while they were out chasin' some stubborn foe, they ended up runnin' off a cliff tryin' to catch 'em…
Ruggie: Which had 'em endin' up flyin' into some real prickly thickets.
Trey: If it were me, I'd probably hesitate, worried about getting hurt. Guess the hyenas who worked under the King of Beasts were just that brave.
Ruggie: Brave? Then I guess I'll take that compliment, too. 'Cause I've jumped into thorny thickets like that a buncha times!
Trey: You've jumped into the thorny thickets…? A bunch of times!? Why would you do that…?
Ruggie: Actually, did you know? In the Sunset Savanna, there's this real steep cliff that's become a bit of a tourist attraction.
Ruggie: It's the perfect place to catch the settin' sun, so a ton of tourists go up there to snap a pic, leanin' over the fences 'n everything.
Ruggie: And like, sometimes there's folk that'll get so focused on settin' up the shot, or that'll bump into others that they'll drop and lose stuff.
Trey: I'd expect they'd have to let their stuff go if they dropped it off the cliff… But how does this all tie into you talking about the thorny thickets??
Ruggie: Sheeheehee. So actually, at the bottom of that cliff, there's a huge bramble of thorny thickets.
Ruggie: It's off-limits, and it's pretty dangerous, so no one really heads down there.
Ruggie: So, that's why I'd sneak down in the dead of night, and pick up all the lost items!
Ruggie: Sometimes I'd find little wrapped pieces of candy, watches 'n accessories, and even wallets!
Ruggie: Well, it kinda depended week to week what dropped, but… That was a great way to make some quick cash.
Trey: B-But if you had gotten injured, would all that have been worth it?
Ruggie: Yeah, true. Back when I was just a kid, I could slip in 'n out pretty easily, but I had to stop when I started getting' bigger.
Ruggie: Not only was I makin' big bucks, but the cliff's environment was getting' kept clean. Felt like a win-win deal to me.
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[Land of Dawning – National Museum of Art]
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Ruggie: Oh, this one… It's a painting of the thunder god and his son.
Trey: Yeah, according to the legends, he came to the human world just after being born, and was raised by adoptive parents.
Ruggie: Basically, that means he was raised apart from his actual dad, right? Amazin' they actually look like they get along good.
Trey: Haha… I wonder. Do you get along with your dad, Ruggie?
Ruggie: Nah, I don't got one.
Ruggie: He left back when I was a kid, so I don't remember anythin' about him, 'n I don't know what he's up to now.
Trey: Oh… Is that so? Sorry, I didn't mean to overstep my bounds.
Ruggie: Huh, that reaction's pretty different than what I'm used to.
Ruggie: Back home, there's a ton of kids just like me, so usually they'd just shrug and go, "Oh, okay" and move on.
Trey: And I guess it doesn't sound like they're saying that just to be considerate.
Ruggie: Obviously. Because the bigger problem is not havin' the money to buy food!
Ruggie: Granny'd take care of me, but there wasn't much we could do 'bout our empty bellies…
Ruggie: When I was big enough, I'd start working together with all the kids in my little neighborhood to scrounge up some food.
Trey: Kids running around trying to gather food on their own… That's hard for me to imagine.
Ruggie: There's a buncha ways to gather up food. We'd go into town and ask for alms, or drop a line in the river.
Ruggie: We were always pretty hungry, so we'd pretty much do anything… Oh, like we had a great time once digging for potatoes.
Trey: Is digging up potatoes that exciting?
Ruggie: WELL, YEAH!
Ruggie: There's actually a type of potato that grows in my country that can get as large as 20 kilos…
Ruggie: Around the time the potato harvestin' was finishin' up, we all snuck into the fields at night…
Ruggie: And we'd pick up some stunted potatoes that were left behind, as well as dug up some other forgotten potatoes.
Ruggie: We were all up in arms to pick every single one before the sun rose!
Trey: Why'd you go at mid… Never mind, I'm not going to ask.
Ruggie: And then, this one year when I was diggin', I hit the jackpot!
Ruggie: It was a potato so huge I wouldn't've even been able to carry it with both arms! It had't've been heavier than 20 kilos~
Ruggie: Didn't think there'd be any potatoes left that huge… Maan, I really lucked out then.
Trey: 20 kilograms, huh… With something that big, I don't think there'd be much to worry about eating for a while.
Ruggie: Don'tcha think?
Ruggie: I was thinkin', like, we could dry whatever was leftover and turn it to powder to make it last a bit longer…
Ruggie: But then Granny ended up boilin' 'em, fryin' 'em, and basically makin' a ton of dishes. It was a potato party extravaganza!
Ruggie: Me and the other street kiddos were just packin' 'em away, and little by little it started to disappear…
Ruggie: In the end, I couldn't make anything to save it for later.
Trey: Ah… That's rough.
Ruggie: And I never saw a potato that huge ever again. Guess good luck like that only ever hits once in a while.
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[Land of Dawning – National Museum of Art]
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Trey: Woah… This painting has a real powerful presence.
Ruggie: So, this is a painting of when the Thorn Fairy transformed into a dragon to fight, huh.
Trey: She looks way stronger than what her stories say. I bet I would be no match for her.
Ruggie: Eh!? Trey-san, you lookin' to pick a fight with the Thorn Fairy? It'd be waaay better to try 'n flatter her instead
Trey: Oho, but that might be the scarier route, don't you think? You might end up in deep trouble if you were to offend the Thorn Fairy instead.
Ruggie: Sheeheehee. Oh, but I'm pretty good with that kinda stuff.
Trey: Haha, well, I guess I have to admire that pluck.
Ruggie: But man, she's really something. She's the one that caused all that lightning too, right?
Ruggie: They say it was always thunderin' and lightnin' outside her castle as a way to keep intruders out… That's a huge undertakin', huh.
Ruggie: But with all those lightning strikes, I bet the bread prices were super cheap near the Thorn Fairy's castle.
Trey: Bread? …Ohh, right! Because when lightning strikes, certain particles are released in the air that helps plants grow.
Ruggie: Huh? Wait, are ya sayin' there's actually a whole science behind the whole "bread gets cheaper whenever it thunders"!?
Trey: Oh, isn't that what you meant?
Ruggie: I was just sayin' what Granny would always say…
Ruggie: Wait, so does that sayin' mean that 'cause more wheat gets harvested, more bread can get made, and that's why it's cheaper?
Trey: Yeah. Although, with how much we've developed our fertilizers nowadays, I don't know how much lightning strikes actually play a part anymore.
Ruggie: Cooool, I had no idea. Guess you Science Club folk know your stuff.
Ruggie: I bet Granny didn't really know the meanin' behind it like you did…
Ruggie: But I bet she saw with her own eyes the change in bread prices whenever there were tons of thunder and lightning.
Ruggie: But still… Kinda weird, huh. Sheeheehee.
Trey: Weird? What is?
Ruggie: Back when I was a kid, I only ever cared 'bout food, so there's no way I woulda been interested in learnin' why the bread was cheaper.
Ruggie: But now, I heard your whole spiel, and my reaction was to think it was pretty cool. Guess I'm maturin'.
Trey: Well… Maybe it's just that you can actually afford to take the time to listen now?
Ruggie: Maybe, maybe not. 'Cause my wallet's still pretty empty…
Ruggie: Oh hey, maybe this is just me bein' able to relax my stresses away, huh!? …Maybe not, heh.
Trey: Could be, if you're enjoying your time here, at least. Oops… Look at the time.
Trey: I think I'll head out to go check on how my dormmates are doing. See you, Ruggie.
Ruggie: 'Kaay, see ya. I'm gonna keep lookin' around this area a bit longer.
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Ruggie: Hm? This painting… A lion cub's just lollygaggin' with a warthog 'n a meerkat.
Ruggie: I'm wonderin' if they even know all the scary things that can happen to animals that step outta their territory, hm?
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Requested by Anonymous.
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loveyourownsmiilee · 2 days
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Like honestly as a Buddie shipper, what the fuck are we supposed to focus on??? What does all of this mean if not Buddie canon???
We get closer than ever this season. There’s a lot of changes in the relationship and how we interact. We’re trying to give the audience what they want.
Well, there’s something brand new for both of us. I can only say that much.
Outside of Christopher, Buck would be the second closest thing that he can have as a relationship.
And then go to Buck and say, 'I trust you with my child, and I see how much you put in for my son; this goes beyond friendship, and I love you to the core. To have that sense of vulnerability is a sense of strength that has been shown.
And the way Eddie navigates that is just kind of a no, that's just who he is. And nothing ruffles my feathers. Even if you break my ankle or maim me, it's fine. That's who he is, and I love him either way. And there's no competition for Eddie.
I don't think that the Buddie fans are wrong.
There is a chemistry there that exists just naturally, so we don't have to try and lean into that or lean away from that. We just let it flow.
Oh, 100%. 100%. I watch certain edits and I think 'Am I Team Buddie?' because there are really talented editors out there. And you know how it is.
Obviously Eddie and Ryan who plays him is obviously an attractive man.
I think with this season 7, we got a lot in store for the audience. You give them what they’ve known and a lot of what they don’t.
There’s a scene in the first episode, where Eddie reveals that he's going — or he mentions a first date, and it in fact ends up being Christopher's first date. And Buck has this moment of "Oh. I thought things were going great with Marisol...' So little moments where I felt like, 'Is there scope to play with Buck?'
They've both become quite embedded in each other's lives. "I think they've kind of bonded and connected on so many levels, whether it be work, their personal lives and then add in that kind of fun dynamic where they clearly do just get on well. I think it's just a nice recipe for a good relationship, however you choose to see it.
There's some really beautiful stuff between him and Eddie and kind of them being open and sharing things with each other that they may have been reluctant to share with—I know how that's going to be taken. But it's true. [They're] there for each other in a very kind of open and nonjudgmental way.
They get to show up for each other in different ways. Moving forward there’s almost like potential for things to come up in a not so great light. But we get to see their friendship persevering, and them being there in ways they didn’t necessarily expect for each other. And I just, it’s a really lovely journey for them this season.
Eddie doesn't really have a sense of direction, so he reaches out for the closest person, and that closest person is Buck.
And Eddie was a mess. I think at that moment, the friendship had a turning point and now has allowed Buck and Eddie to really share as much or whatever they'd want, the scariest things in the world they could share with each other. And we're going to be seeing more of that this season.
As far as [Eddie's] sexuality, I think it's pretty clear that he's tried to fill in this motherly, this wife type role—that's all he knows…"And he's a man [that] first off, he's Catholic. Second off, he's from the military. So those are very straight-edge kind of lifestyles that don't offer too much of exploring. But through the 118, he's had this epiphany each year, like, 'Well, maybe I don't know as much as I thought I did. And maybe I should be exploring a little bit more and maybe I should understand myself a little bit more and even seek a therapist, which is something new for Eddie.
He is actually starting to figure out who he is outside of 'I am an Army man who has a silver badge! ... He's way more than that. He's starting to live in that [feeling] a little bit more, and I think that's freeing to him.
At this point we can’t be reading between the lines or coming to random conclusions when every thing said is so blatantly obvious.
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The Fortune in The Fortune Teller
This is an isolated look into this specific episode.
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The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.
However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.
1. Katara and the Nature of Destiny
In the beginning, the Gaang meets a person getting attacked by a bear. He is acting incredibly passive, simply dodging the bear's attemps at his life. Then, A\ang and Appa interfere to help the man. When the Gaang questions him on why he was so passive, he says it's because the Fortune Teller told him he'd have a safe journey. They then have the following exchange:
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The man's logic is obviously flawed. If the Gaang didn't interfere, if the man continued to passivaly dodge, the bear would have attacked him. Fortune and destiny come from agency – from actively shaping them.
However, Katara is delaited at the prospect of seeing the future. Her and the Gaang go to meet the Fortune Teller, Aunt Wu. Aunt Wu tells her she'll marry a very powerful bender. Later, she comes back asking more details about her future husband. Remember her excitment, fantacising about her future husband:
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After that, Katara becomes somewhat reliant on Aunt Wu's prophecies. She goes as far as to ask her what she should eat.
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And she obeys her "prophecy", despite not wanting to. She became like the man from the beginning. She knowingly follows the fortune even though it doesn't make sense. She had given up on forging her own destiny.
Although by the end of the episode, she is no longer in this state of reliance, she still believes in the prophecies. Then, Sokka says that A\ang is a very powerful bender. This reminds her of what Aunt Wu said about her future husband. I don't want to cherry pick, so I took 4 different pictures of her face when she realizes A\ang might be the powerful bender she is to marry:
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With the look in her eyes, with her mouth tilted down and with the ominous music, this could easily be read as disappointment. Especially when remembering how she fantacized about the powerful bender earlier in the episode. She doesn't smile, but looks concerned. As if she doesn't want this. Earlier in the episode, she says this:
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A\ang is like the papaya. The fortune says he's right for her, but Katara doesn't want him. Now, she isn't like the man, passively dodging the bear attacking her. She shouldn't sit and wait for the prophecy to come true point blank. She has the agency to shape her own destiny and not to choose A\ang as her future husband.
2. A\ang, Meng, and First Crushes
In this episode we're introduced to a girl named Meng. Aunt Wu told her she'd end up with someone like A\ang, and so she developped a one sided crush on him. Throughout the episode she attempts to talk to him, all to no avail. Because A\ang is not interested in her.
Interestingly, her one sided crush is directly paralleled to A\ang's crush on Katara.
Exhibit A:
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Exhibit B:
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Exhibit C:
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Please note that in exhibits B and C in particular, there is an emphasis on the other party not reciprocating their feelings.
In this parallel the show draws, A\ang is Meng, the younger, shorter one the one who is in love; and Katara is A\ang, the older, taller one who... *checks notes*... doesn't reciprocate.
But in the end, A\ang and Meng have a heart-to-heart.
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Sometimes you'll like someone, and they aren't going to feel the same way, and even though it's hard, it's okay. They're young, just kids having a crush. A\ang responds to this with "I know what you mean". Because he, just like the audience that watched the parallels, knows that Katara likely doesn't return his feelings.
———————
In conclusion, The Fortuneteller could have been brilliant foreshadowing to Kata\ang not being the endgame couple, and it would have done so through beautiful, mature lessons about first loves and destiny. Thank you for reading.
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xiki-pupper · 13 hours
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I can understand how Shuro may be a frustrating character to some folks - in fact that is kinda what he is there for, narratively speaking. But it really gives me ick when people just wanna shit on him for "being awful/the worst/an asshole"
The way I see it, the dude is his own different flavor of Autism- repressed, conditioned, awkward, and forced to participate in high society, not to mention the culture clash - and he sees laios just being his own weirdo self and he hates it --- no, thats not it. I honestly don't think he hates laios; i truly believe he hates that Laios gets to be TRUE to himself, and he (shuro) Doesn't get to be.
And it's a feeling I can understand and sympathize and empathize with, as I have been on my own personal journey to try and un-mask and deconstruct and heal myself in a world that has made me feel broken my entire life
People scream "hypocrisy" as shuro sees the same traits between the touden siblings, and is attracted to one whilst hating the other - and yes, I can agree that it's a bit hypocritical, but yall are taking it at face value and not understanding where his feelings are coming from. Shuro doesn't hate laios because he has a special interest, shuro hates that his whole life, he has had to squash himself into a form-fitting box, behave as his family commands, and now he sees laios being free of expectation, just out here being a weirdo, and shuro is possibly feeling that frustrated grief that comes with the late diagnosed autistic situation of "I could have been happy, too, but no, *I* had to be the responsible one"
... at least, that's how I view it. Coz I myself have had those thoughts. And I know, it's NOT a good look for me to be out here admitting that I have felt this way, like for example, maybe I see someone else's struggle with anxiety, whether it's online or in real life, and I have this bitter thought to myself of "yeah, I have anxiety too, but *I* was still forced to be a responsible adult anyway" which makes me momentarily frustrated.
And before anyone jumps my ass about it, NO, I definitely DO NOT think that "if I had to suffer thru it, so should everyone else" that's NOT what I'm saying. But I AM saying that, there is a bitterness, when u see someone who is able to avoid a struggle that you had to endure - that bitterness is NOT thinking that everyone should suffer as I did, but me being bitter that *I had to* at all.
Does that make sense? Coz I really feel like Shuro just gets shit on because people think he's there to interrupt the Yuri and be mean to Laois, and I really feel that he's a whole ass person. And a somewhat melancholic one, at that. He makes me think of how I had to grow up Christian whilst being queer and undiagnosed Audhd my entire life, and I would be very very surprised to hear that a large chunk of dunmeshi fans didn't ALSO grow up this way, feeling broken and stupid and tired, forced to do things the "normal people" way, and then NOT understand how Shuro feels when he sees someone who is in a position to be mostly free of that...
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Alright, I know some people think that Harry will be down bad/have a crush on Tom first or some thinks it'll be Tom; but I feel like it's neither? Hell, canonically, Harry is really emotionally stunted in that regard, and I just don't see him grovelling or reacting that way to anyone or not specifically to Tom? Especially not a Slytherin who is always busy with political climbing or things-that-don't-interest-Harry. I feel like they'll be so busy with their lives, that until and unless someone smack dabs them together (with their luck, let's be real something WILL smack dab them together) I do believe they'll be passing thoughts in each other's life.
Harry might end up thinking in the passing that Tom's really good looking because hell, I've done that; even when I'm not attracted to someone, I will always appreciate a face that I find pleasing. I don't think Harry will be that interested in Tom until and unless he does something that attracts him (ex: quidditch LMAO). And the same goes for Tom, for whom I have this headcanon; that it's not intelligence or say, defiance that would attract him but something more. More visceral, more ground shaking (something very small in others' eyes perhaps but not to Tom). Something that will make him stop and think and learn. Because he doesn't seem like a person who would just get a crush out of nowhere,but that doesn't mean he won't be attracted to power tho lmao knowing him, he most deffo would. (Also all this doesn't mean i mind obsessed Tom fics, bc vee obsessing over harry is canon so who's to say he doesn't end up doing the same lmao).
And also the headcanon of Harry not realizing Tom is suspicious? Guys, this is Harry Potter; Mr I doubt everything and anything. Mr I fought of imperio because it felt too good to be true and my mind went sus alert. You think Harry wouldn't see Tom Riddle being so nice and so perfect and won't feel wait a second? Give my boy some credit, I beg. We've been shown his sixth sense being right, over and over again. And he has trust issues.
So, food for thought? Neither of them would do the grovelling and pining (they might in some specific circumstances but not in your average fics where they are doing their things without crossing paths), rather they are gonna do the falling once faith crash them together so hard; they end up getting a concussion (love).
Also adding this: I feel like they will fall for each other, no matter what and it will be not be because of faith or whatever but rather because of how much they can learn from each other and how perfectly they fit together. It will not be some random feelings, no. It will be push and pull, it'll be you get me, it will be I know you'll always have my back and it will be all the broken furnitures because they're stubborn. It will be challenging each other to be the better version of themselves.
Tom, who knows he is the best; can teach Harry some things about CONFIDENCE and he could teach Harry that he's enough. Harry, who knows a thing or two about humility, can drag him back when Tom tries to be Icarus and he can ground Tom when it's needed. Harry and Tom can both challenge each other and learn from each other. Harry will never suffocate Tom, and neither will he let Tom suffocate him and to me that's what make their dynamic special. I love them, okay — I hate it when people go; yeah he will be the one who'll just pine away or there's no way he (one of them) will fall for him etc. Let them be down bad for each other. thanks. It's not a competition.
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buddiebeginz · 2 days
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I keep seeing posts about how us Buddie fans are just being delusional. How we need to stop reading so much into what’s being said during interviews and oh also how it’s offensive to the current ship.
First of all let’s be clear here Buck is NOT in a relationship with Tommy. I feel like this is something you Buck/Tommy shippers are failing to grasp because I constantly see posts about how Buck shouldn’t cheat on Tommy. They have kissed once and been on 2ish dates they are not a couple yet. Being exclusive requires a conversation or at least some acknowledgment by the characters and we haven’t had that yet. They still barely know each other.
Second we have always theorized about Buddie when the characters were with other love interests. We did when Buck was with Taylor. We did when Eddie was with Ana. Is it somehow different now because Tommy is a guy? Is it different now because Buck and Tommy aren't straight? Or is it just because Buck is dating the guy you want him to be with now? I don't know there's just something very strange about how some of you are responding to Buddie/Buddie shippers with all of this.
What's even crazier to me is that so many of you who are all about Buck/Tommy now used to be Buddie shippers or still say you'll be happy if Buddie happens down the line. Yet you're still attacking Buddie and our meta and speculation because it threatens the current ship you want at the moment.
No one is saying that every one of our theories and speculation is 100% correct but we have always speculated on the show and the interviews this isn't something new people are doing. I feel like the response some you have is that we're somehow seeing/hearing only what we want to and or twisting the words of the actors/etc to fit some kind narrative we have about Buddie.
It's not like we're seeing interviews where Oliver, Lou, Tim, etc are saying Buck and Tommy are going to be together 4eva and then immediately twisting that to mean oh they must be lying Buddie is so obviously happening tomorrow. We're inferring what we think might happen based on spoilers and what the actors (and Tim) have said combined with what we hope might happen. We know not everything we think will happen will. We had a ton of theories on 7x04 and 7x05 (many of which turned out to not be true) and despite what some of you think we didn't all collectively lose our shit because they didn't come true.
You can dislike Buddie and us all you want and can disagree with us or our theories all you want but these posts talking about how we're just seeing what we want and setting ourselves up for disappointment come across as hypocritical (considering most of you used to be Buddie shippers) and patronizing. We don't need or want you to save us from our fandom experience. If we're disappointed by the storyline that's our business but right now we're having fun with where things in the show are and are going.
---
I also really don't like how some of you are trashing Buddie to prop up Buck/Tommy. Basically saying that because Buck and Eddie's feelings haven't been verbally confirmed on screen (like in an I'm in love with you kind of way) that we're making it into something it's not and it's not fair to Buck/Tommy because they are canon.
Buddie isn't in a romantic relationship at the moment but they have loved and supported one another and always been been more than friends since basically the beginning. Even Oliver just confirmed that Buck was attracted to Eddie from the first scene. And no attraction alone doesn't equal love but if you can look at the six seasons of history shared by these two characters and only see two bros being the bestest friends you really need to take some media literacy.
I feel like some of you don't understand that not every part of a fictional story is spelled out super literally nor should it be. We know how deep Buck and Eddie's love goes because we can infer that based on their scenes. On all the ways they are there for one another, on how they treat each other, on how their relationship differs from the other friendships on the show. On all the things they say and don't say to one another. A big reason we want to see them in a canon romantic relationship is because of how clear the show has already made it that these two men love each other.
As for Tommy even though I'm not a multishipper I get Tommy's significance in the storyline. I'm also more thankful than I can put into words that Oliver and the show have decided to do Buck's bi awakening storyline epecially considering I'm bi myself. Buck being bi and his journey is incredibly important all on it's own but Buddie being canon is equally as important not because we need to see these guys together but because of what they represent. We have never had a slow burn same sex love story like this and the way it would change media forever if Buddie were to be canon cannot be understated.
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olenvasynyt · 2 days
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In ACOWAR during the meeting with Kier when he asks for his people to be free of the mountain, Feyre says “You have every comfort, and it’s still not enough?”
She had every comfort at Tamlin’s manor, and it still wasn’t enough for her…
#freethecourtofnightmares2024
One thing that really pisses me off about the Court of Nightmares is how SJM writes it so black and white. The entire court, not just Keir, is evil and conniving. There was a part in ACOWAR where he says he is going to let the CoN go to Velaris but he told all of the vendors and business owners to refuse service to not just Keir, but all of the CoN. And this paints the entire court in this black and white lense.
Not a single person in that court is a dreamer like Mor? She was the only fucking one?
I think there can be a little bit of nuance to the situation where a significant portion of the court is just bad because they have been festering in the dark for so long, but guess who's fault is that?? It's the leader's fault, the one who keeps the court up and running, aka the High Lord, aka Rhys.
Rhys says he wants change. That he wants to show the world that he's good. But he continues to keep the Court of Nightmares up and running, he keeps Keir as herald.
"Oh this court is so awful and sadistic," Feyre thinks as she sits on the throne with a crown on her head and with Rhys holding her hand.
And Rhys says "the Court of Nightmares just rules itself" and sure, I guess that's true, but as High Lord, you have the ability to put a stop to that and pull out the bad weeds. But instead, you keep it running to further your agenda and to keep your evil mask on.
Getting mad at Keir for slutshaming your lover and breaking his arm is not enough. Restricting access to Velaris is not enough. Even telling the Court "you guys are bad >:C " is not fucking enough.
Rhys the most powerful High Lord who killed all of the Illyrian war bands who sided with Amarantha after UTM, yet he can't do the same to the CoN?
Rhys and Feyre and the IC label the entire CoN as evil without trying to find the forgotten dreamers, and they continue to keep the court up and running and making the excuse that "it's too hard" despite their power and influence. It means they don't care. Or that Rhys maybe fucking enjoys it.
It also means that SJM (so far) has no idea what she's doing and can't understand the situation she wrote in her own series.
And this brings me to comparing Nesta being locked up, the CoN and its dreamers being locked up, and Feyre being locked up. Is SJM intending this irony and hypocrisy of the IC? I sure hope so because I swear it's the most obvious comparision ever, but it confuses me because a large majority of the ACOTAR fanbase doesn't get it. "Oh well the CoN is evil! They have to keep them contained and Rhys can't do a whole lot as High Lord because the Court rules itself." And the most frustrating argument: "Nesta was addicted to sex and alcohol, she needed to be rehabilitated! It's for her own good!"
They don't see the irony of how the IC treats Nesta because Tamlin also did what he did for Feyre's own good. It was to protect her, keep her safe. Not saying it was 100% good and right, but why are we not understanding that what the IC did to Nesta was not 100% good and right either?
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nunalastor · 3 days
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Hello! I have a question for you: what happens if we mix Snow White + Tangled in an AU (+ only one hour of sleep, a lot of coffee and chocolate cake). Well you get this.
Snow White + Tangled AU (or something like that)
When Charlie was born, Lilith felt very insecure because of all the attention she was receiving from Lucifer, plus she never liked feeling vulnerable and under the command of another, and that was what pregnancy and the commitment to having a baby did to her feel.
Lilith contacts Roo/Eve to take Charlie, she doesn't care what she does with her, she just doesn't want her around.
Roo/Eve, although she has many reasons to despise Lilith and Lucifer, has nothing against the girl, but she also does not want to have her around, she thinks about killing her but don't have enough interest to make the effort. Furthermore, even if she did it to make the girl's parents suffer, the fact that they voluntarily handed her over to her misses the whole point (Roo/Eve thinks Lucifer agreed)
Roo/Eve decides to give Charlie to her new favorite toy that arrived in hell a few months ago and has already made a reputation as the Radio Demon.
One day Alastor opens the door of his house and sees a baby in a basket with a note that says "Take care of her", signed by the entity to whom he sold his soul before he died. Thinking that the note means that he must take care of her (the other option was to delete her, Roo didn't care), he raises her as his own daughter.
Alastor does not keep Charlie hidden in a tower, he don't know who the girl is or where she came from, he only knows that her name is Charlie because her name was sewn in her clothes (decorated with a duckling...strange), he simply keeps her somewhat separated from the rest of hell until she is old enough to defend herself, and she even spent her childhood surrounded by children in Cannibal Town, where her Aunt Rosie sometimes took care of her.
When Charlie is old enough to ask where babies come from, Alastor sees no point in hiding the truth from her; he found her in a basket on the doorstep of his house. He doesn't bring it up again because he doesn't see the need to repeat it, and Charlie thinks her dad is joking, but then decides that even if it's true, it makes no difference, he's her dad no matter what.
Years go by and Charlie grows up seeing all the types of sinners that exist, there are those who deserve much worse and there are those who just had bad luck in life. Like her father, she don't believe in redemption, but she does believe that she can improve some lives, having a community like her Aunt Rosie's, focused on the most "innocent" sinners or those who are in a very bad situation. Even her dad is willing to support her, for entertainment purposes, but it's still his support that matters. It is during her search for land to start her idea or some sinners who are interested that she meets Vaggie, but after living with cannibals she knows the smell of blood well, so she realizes that there is something strange about it. When she takes her to her father he confirms her suspicions, Alastor helps her interrogate her and Vaggie confesses that she is a fallen angel. Charlie is disappointed in heaven, not that she idealized it, but she realizes that it is no different from hell. Alastor takes advantage of the situation, demanding that Vaggie swear loyalty to both of them and take care of Charlie when necessary, in exchange, they will take care of her.
When Charlie finds a place to start her idea, everything financed by her, plus the help of her father and her aunt Rosie (they always taught her that she should work for what she wanted, but she is still their child), Charlie finally opens her Safety Hotel (her dad insisted on "Hazbin Hotel", and she can't help but agree that "Safety" sounds kind of silly), and despite the bad experience with the televisions because of her father's ex-friend, she decides to go promote the hotel on a television show, hopefully just once, plus her dad promised to dedicate a section to the hotel on his radio show.
After that interview that went...surprisingly well, she begins to receive some unimportant sinners who have not yet sold their souls, many of them are recent arrivals to hell. Everything seems to be going well...until someone claiming to be the king of hell appears at her door, saying that he saw her on television, he recognized her immediately, says that she is his daughter and that he has been looking for her. Charlie was willing to help this...poor little man, until he decided to act like a jerk and tried to attack his dad while calling him a kidnapper. She told him to come back when he was willing to have a civilized conversation, that violence is prohibited in her territory, and slammed the door in his face. The little man is still hanging around.
👀
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milaisreading · 2 days
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Crossdresser!Yn AU after NEL:
Charles: You know... You don't have to necessarily join Re Al.
CD!Yn: I don't?
Loki, quickly chiming in: Nope! Just because they have the highest bid doesn't mean you have to join! We still have an open spot!
CD!Yn, conflicted: Hmm... I already-
Charles: Paris has great bakeries!
Loki: And restaurants!
CD!Yn: Oh! Well that-
Lorenzo, quickly turns her away from them: Italy has much better food to offer! Italy has the best food around. We have amazing pizzerias, and our gelato and cakes are world wide known.
CD!Yn: That's true, too-
Loki: Hey! Don't barge into our conversation like that!
Charles: He was about to agree to join us!
CD!Yn: Actually-
Lorenzo: No, he will join me and my team. Snuffy even prepared a contract for you. Come on, I need to show it to you.
Loki: Not so fast! He still didn't say yes!
Charles: And he won't!
*Yn, watching them argue*
CD!Yn, thinking: Didn't they already hear that I signed the contract with Re Al?
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lopposting · 2 days
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So, I noticed that people tend to notice P is not human, not from the way he looks, but from the way he sounds.
I can hear your springs even if you try to hide them. We musicians have a keen ear, you know. (White lady)
I hear the sound of springs inside you... You're a puppet too! (The Survivor)
[btw I'm going to be paraphrasing quotes and details from memory so I can get this out rather rapidly, so my apologies if they're somewhat incorrect]
Claudia and Lucio give no indication that they know about P not being human. Up until mid-game, they only really treat him as another stalker to con. The black rabbit brotherhood seem to know, but mainly because they know we're specifically "Geppetto's puppet."
I think that Claudia and Lucio find out because they either hear the brotherhood during the fight or Simon tells them as much, because Lucio calls us a "goddamn talking rag-doll" before he attacks us if you choose to fight.
The Black Rabbit Brotherhood and their connection to Carlo
And speaking of which - the brotherhood seems to know immediately that we are "Geppetto's puppet". Which makes me wonder... they seem to have known Carlo or known of Carlo while he was alive, which is probably how they put two and two together and guessed the obvious conclusion of how we came to be, which is the case with Antonia:
Oh, I knew you were Geppetto's puppet the moment I saw you (Antonia)
Is that Tenma's boy? > It can't be Tenma's boy. Holy cow, Tenma must have lost his mind (From Astro Boy 2009)
They also have Carlo's painting and the gravesite which is guessed to perhaps contain Carlo's empty grave has the mark of the black rabbit brotherhood on it. Geppetto also says he had no idea the BRB had stolen the painting.
A child who was a blessing to their family lies here. May he rest in peace. (Malum grave)
[Also I'm wildin now but korean pronouns are usually non-gender specific, so maybe it wasn't a "he" originally? this throws a whole bunch of other things into question though which I actually really don't like]
So, I thought of ways that ALL of these things could be true: That this IS carlo's grave in the malum district (which is strange because why would an aristocratic son be buried in Malum), the grave is empty because Carlo's body is still in the suitcase, the brb mark on his grave makes sense, AND the BRB having the painting is more than just a coincidence.
I have the most bizarre headcanon now. The BRB are a bunch of awful thugs for issuing "protection fees", but still, what IF:
They seem very hostile to us, particularly because we are a puppet, but maybe also because of our resemblance to Carlo - not because they resented him, but because Carlo was dear to them somehow. And the empty grave in the district was set up by them privately to commemorate his death when they heard what happened, (and the "family" they are referring to are themselves!). It's also worth noting that in the original story, The rabbits are aligned with the blue fairy (which would be Sophia in this iteration). [They're also associated with coffins and graves.]
I had no idea the black rabbit brotherhood had stolen it. (Geppetto on the painting)
The black rabbit brotherhood! I hate these guys. <- Gemini immediately remembers them. [They also appear very early on in the game, I guess to show they were watching us?]
So maybe their resentment and disgust for P comes from the fact that they know Geppetto has made an artificial replica of someone they knew into something they hated (puppets!), which they would see as repulsive. Perhaps there's an actual reason why the BRB has the painting. What exactly went down at the monad charity house?
...
extra notes
[The BRB knowing about Carlo doesn't mean they personally knew Carlo (since Geppetto must've been famous), but it's something. The thing is, both Eugenie and Venigni don't seem to recognize who we're "supposed" to be at all, even Venigni who is said to have been a close colleague to Geppetto. Maybe Eugenie and Venigni are just super polite and don't want to mention Carlo at all to us, but I kinda get the feeling that the public never really knew Carlo existed, Geppetto did dump him off at a boarding school early on after all]
[also also!! the golden stargazer next to the grave for DLC, Carlo being associated with ships, and the DLC showing a nautical theme?]
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mydarlingbat · 2 days
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I freaking love this issue so freaking much. The whole concept of Batman Europa is absolutely amazing. It's fun. It's worth the read. Lets just point out that Batman has called the Joker his partner at the very beginning of Batman Europa #2 which leads me back to what I was saying in the relationship between Batman and Joker, that Batman always acknowledge that they're partners. Moreover Batman tries to pick a fight with the Joker while he's just talking to him. I mean give the man a break. He's not even trying to hurt Batman in this comic. He's behaving himself reasonably well, although we can't ignore the reality of Batman allowing the Joker to prefer himself as Batman's sidekick too.
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Now when he grasps the Joker's arm. We know it's not a firm grip. The Joker easily jerk his arm back, and then Batman reaches over to grab for his hand possibly again? Though he doesn't get to say anything else, because Nina interrupts them. I do feel like Batman needs to feel like their some Kind of contempt between the two of them, or a little disputing to feel like it's their usually pattern. It's their dance. He doesn't like to see this side of the Joker, and especially have to acknowledge it. The way the Joker keep informing to Bruce that they'll die together, and Batman doesn't even want to hear that. It got me laughing so much.
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Batman complimenting how fast the Joker is in this panel is just life. If that clown can move that fast you know he could have killed Batman, and he's infected too.
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Now the Joker just murder someone again, and Batman still works with him after this! And on top of that Batman trusts him? Like how???
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Batman doesn't even sound mad that the Joker just murdered someone? I mean he's actually just like yeah, let's finish up this journey. He doesn't even mention it later in the comic.
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Batman thought he was going to die, but the Joker saves his life, and he doesn't exactly want to acknowledge it, but he does anyways.
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I just love this page. The Joker eyes are to the side, like he's not exactly sure how to function right now. He doesn't know how to fit this into their relationship. I mean I love it. The awkwardness that's establish between both of them is so obvious. I can't stress enough of how much I admire this page. The way Batman doesn't even want to look at the Joker. Oh my god the way the Joker refuse to look at the Batman for a little while. The tension is thick. Batman's 'shut up' line is practically for the Joker when he says something true or something plain stupid. Batman constantly says shut up when the Joker says things about Batman caring about him, but the Joker tells Batman he loves him all the time, and Batman doesn't say shut up. I don't want to hear that, but Batman denies his own feelings towards him, so Batman despises the mention of him caring about the Joker. He tries to shut it down rather quickly. Batman and Joker feel the need to lay out some sort hostility, when they're not doing their usual routine, so the Joker tells Batman he regrets saving him. He's not happy about it. That makes the tension between them settle down a bit, but right after this the Joker saves Batman once again in Batman Europa #3 The Joker also immediately jumps back to Nina, to avert the attention somewhere else, which works.
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Batman still isn't exactly ready to look at the Joker, but the Joker goes over to have a conversation with Batman. Batman responds hostile as always, but Batman doesn't deny the Joker request exactly. He just reminds the Joker that they're dying, and the way the Joker gently and cautiously rests his hand on Batman's shoulder, making sure he's alright with him touching him right now is adorable and actually is nice.
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The fact that the Joker has to turn around to say those sweet words to the Batman. Let's me know they're not too familiar with this kind of thing.
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Batman now is comfortable enough to let the Joker freely touch him again. Batman doesn't deny it. He also doesn't inform to the Joker that they will never be friends, because deep down Batman knows that the Joker is his friend. It's just my opinion.
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yasmeensh · 1 day
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Book rant? Anthropology, apes, and racism discussion.
I started reading a book titled "Bonobo Handshake" by Vanessa Woods. I picked it up because a) I want to learn more about bonobos since my knowledge of them is minimal. b) the author had interacted with bonobos in person so it's an interesting perspective to read. c) the book had positive reviews.
I was not expecting the author to start off telling us about the 'discovery' of bonobos in this way.
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W-what do you mean, in Belgium? The author makes it clear that bonobos live in Congo and she gives us a few examples of local bonobo lore. Meaning, people in Congo know the bonobos very well. Way to go to give a colonizer the credit??? wtf. In this perspective, she is letting us know THAT was the moment when Bonobos entered western science, which is true. But I was really hoping the author would give it a more holistic view than this, but it seems she really believes in this??? And let me tell you, from what I am picking up between the lines, she ONLY accepts western science. Here is an example:
This is the page that confuses me immensely. I don't know if she is trying to come off as sarcastic or not. She sets out for us that Takayoshi Kano is the star of Bonobo research, but in the next paragraph says there is no one studying Bonobos. "there was never a Jane Goodall or Dian Fossey for bonobos." UHM NO? YOU JUST SAID THERE WAS???
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[highlighting and writing over a picture of the page (32) since it's a library book and I can't write on it.]
She says Japanese researchers are responsible for all we know on Bonobos, but then starts talking about de Waal's zoo discoveries in detail, and they seem pretty minor compared to Kano's work with wild bonobos. She did point out that scientists don't take de waal's observations seriously because it's from a zoo, but she doesn't remedy that by telling us if it can be supported by Kano's work or not when compared. Kano is ignored. He does have one book available in English, so it's not like we can't ever learn about what he observed. you said western mainstream media don't want to listen to a man who only spoke Japanese??? UHM. You are too??? Why did you jump to de waal? If it's a book about bonobos, then please give Kano a little spotlight and tell about his research. (I actually want to read Kano's book now but I can't find a borrowable copy of it. It's a complicated long loop to get one. But it's possible T-T!!!!)
I very much dislike her tone in 'oh it's the Japanese that tell us about bonobo'. It is as if no one is actually researching them at all. They are 'foreign' so it doesn't count. Meanwhile, if it's a white person's discovery, it is humanity's. But if it's someone else theeennnn well we are not sure if it's actually real :/ Not until a white person observes this can we really put this into humanity's archive of knowledge. Otherwise, whatever they learnt is not very important or worth talking about.
I'm not gonna drop the book, because it does get me thinking about stuff and that's what I read books for. I guess it reminds me of University days, of how irritated I get when we are assigned a problematic reading to pick apart and present to class. I hope I'm not picking this apart too much 😭 I'm not sure if I'm enraged and reading too much into it. I might be totally wrong. idk... I think I need to join an anthropology book club to have people to talk with about this. Only way for now is to share on the internet and maybe a discussion starts. Want to see what others think of this (especially if they read the book).
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